HOFEA78505  Vertical Horizon

Andy Hope 1930

Photo: Andy Hope 1930

Andy Hope 1930, formerly known as Andreas Hofer, adopted his name in 2010, though his work has been signed this way from the beginning of his career. The artist associates the year 1930 with a historic caesura, a turning point in the development of the historical avant-garde that faced onto a series of social, political and artistic crises in European modernity.

Hope uses ‘1930’ as a portal to assume the role of time-traveller, pursuing and projecting a persona of alien modernity. He works in various media such as painting, drawing, sculpture and film, arranging his works in innovative installations, turning received styles, periodizations and categories on their heads. His exhibitions result in creating a uniquely complex iconography that draws on high and popular cultures, literary and aesthetic tropes as well as self and social constructions.

Hope enlists motifs from cosmic phenomena, traditions of self-portraiture and superhero fiction to explore the collective delusions and existential defaults of contemporary society. He questions the debilitating consequences arising from the decline of social life through the demands of self-optimisation, confronting disguise and cover-up with outbursts of irritation and concessions to failure. Hope’s fictional universe moves between the debris of history, fantastic utopian ideas and new morphological projections, creating what he refers to as ‘a mazy infinity’.


Resides Lives and works in Berlin, Germany

Solo Exhibitions

2018 Galerie Christine Mayer, Munich, Germany
Rat Hole Gallery, ‘Where did it come from!’, Tokyo, Japan

2017 Lomex Gallery, ‘#believe’, New York NY
ODD ARK, 'Market Is Done’, Los Angeles CA

2016 Gabriele Senn Galerie, 'Enjoy Thank You', Vienna, Austria
Galerie Guido W. Baudach, ‘Black Fat Fury Road‘, Berlin, Germany

2015 Autocenter, ‘Andy Hope‘, Berlin, Germany
Hauser & Wirth Zürich, ‘UNappropriated Activities’, Zurich, Switzerland
Wiener Art Foundation, ‘Prequel – Equal’, Vienna, Austria

2014 Galerie Christine Mayer, ‘Echoes from an Unlimited Company’, Munich, Germany
Metro Pictures, ‘Impressions d'Amérique‘, New York NY

2013 Gabriele Senn Galerie, ‘WHY PAINT (with David Batchelor), Vienna, Austria
Galerie Guido W. Baudach, 'Andy Hope 1930 presents Earth 1 belongs to Earth 2', Berlin, Germany

2012 Hauser & Wirth London, 'Medley Tour London by Andy Hope 1930’
Inverleith House, 'When Dinosaurs Become Modernists', Edinburgh, Scotland
Kestnergesellschaft, 'Medley Tour by Andy Hope 1930', Hannover, Germany

2011 Centro de Arte Contemporáneo, 'Robin Dostoyevsky by Andy Hope 1930', Malaga, Spain
Galerie Christine Mayer, 'Silent Running', Munich, Germany
Galerie Guido W. Baudach, '0,10 and a half by Andy Hope 1930', Berlin, Germany
Kunsthistorisches Museum and CAC Contemporary Art Club at Theseustempel, 'Detour – Landscape in Progress II', Vienna, Austria

2011 Charles Riva Collection, Brussels, Belgium
Freud Museum, 'Andy Hope 1930 at the Freud', London, England
Galerie Christine Mayer, 'Ghost Ships & Ornamental Skies. Robert Hawkins & Andreas Hofer', Munich, Germany
Metro Pictures, 'ON TIME', New York NY

2009 Hauser & Wirth, 'air tsu dni oui sélavy', London, England
Oldenburger Kunstverein, 'White Space Black', Oldenburg, Germany
Sammlung Goetz, 'Andy Hope 1930', Munich, Germany

2008 Galerie Christine Mayer, 'Valleys of Neptune', Munich, Germany
Galerie Guido W. Baudach, 'City of Sokrates', Berlin, Germany
Hauser & Wirth Zürich and 7556 Sunset Blvd., Los Angeles CA, 'Phantom Gallery', Zurich, Switzerland

2007 MARTa Herford, 'The Long Tomorrow', Herford, Germany
Metro Pictures, 'Only Gods Could Survive', New York NY
Silverbridge and Hauser & Wirth, 'Sweet Troubled Souls', private apartment Yola Noujaim, Paris, France

2006 Galerie Guido Baudach, 'Trans Time', Berlin, Germany
Hauser & Wirth, 'This Island Earth', London, England

2005 Galerie Bernd Kugler, 'Two Bad', Innsbruck, Austria
Galerie Bleich-Rossi, 'Galassia che vai', Vienna, Austria
Galerie Nomadenoase, 'Time Banners', Paris, France
Kunstverein Ulm, 'Neverworld Technik', Ulm, Germany
Städtische Galerie im Lenbachhaus, 'Welt ohne Ende', Munich, Germany

2004 Galerie Christine Mayer, 'Batman Gallery', Munich, Germany
Galerie Parisa Kind, 'Winterheat', Frankfurt, Germany
Remise, 'Circus City 4419', Bludenz, Austria

2003 Maschenmode (Galerie Guido W. Baudach), 'Tomorrow People', Berlin, Germany

2002 Galerie Christine Mayer, 'Hinter den Hügeln', Munich, Germany

2001 Maschenmode (Galerie Guido W. Baudach), 'Down the Hollywoodline', Berlin, Germany

1999 SITE-Ausstellungsraum, 'Ich seh nach draußen und seh die Wand', Dusseldorf, Germany

1996 Ausstellungsraum Balenstrasse, 'c/o Puschmann', Munich, Germany

Group Exhibitions

2019 Galerie Guido W. Baudach, ‘ “Where higher beings commanded, …” - Heinrich Nüsslein & Friends’, Berlin, Germany
CAFA Art Museum, Beijing, China

2018 Galerie Guido W. Baudach, ‘Manifestations’, Berlin, Germany
Galerie Christine Mayer, 'Island of Lost Souls', Munich, Germany
Museum of Contemporary Art Busan, 'Busan Biennale 2018', Busan, South Korea
Galerie Nagel/Draxler, ‘Débutants de Cologne’, Cologne, Germany
Har-El Printers & Publishers, ‘Mountain Energei’, Jaffa, Israel
Kunstraum Descartes, ‘Andy Hope 1930, André Butzer, Thomas Rentmeister, Yury Kharchenko’, Dusseldorf, Germany
Manggha Museum of Japanese Art and Technology, Europe Far East Gallery, ‘THE CULTURE COLLIDER. POST-EXOTIC ART’, Krakow, Poland
MON Museu Oscar Niemeyer, ‘Berlin Collage and Beyond’, Curitiba, Brazil
8. Salon, ‘Andy Hope 1930/Manuel Ocampo’, Hamburg, Germany
Berlin Gallery Weekend, ‘NGORONGORO II’, Berlin, Germany
The Museum of Religious Art, ‘Becoming Animal’, Lemvig, Denmark (Travelling Exhibition)
Den Frie Udstillingsbygning, ‘Becoming Animal’, Copenhagen, Denmark (Travelling Exhibition)
M. LeBlanc Gallery, ‘Skip Tracer’, Chicago IL

2017 Kunsthalle Recklinghausen, ‘Jeder sollte in der lage sein, kunst zu erwerben’, Recklinghausen/DE
8. Salon, ‘12 Künstlertafeln - Aby Warburgs Mnemosyne Atlas’, Hamburg/DE
Galerie Christine Mayer, ‘διαφωτισμός’, Munich, Germany
Galerie Christine Mayer, ‘Sea, Sex and Sun’, Munich, Germany
La Biennale di Venezia, 57th International Art Exhibition, ‘Viva Arte Viva’, Venice, Italy
IKOB, ‘A SECRET RANCOUR – Notions of Resentment’, Eupen, Belgium
Büro World Exhibition, Kunstraum Am Schauplatz, ‘Last Christmas’, Vienna, Austria
New Aachener Kunstverein, ‘NAK benifiz auction’, Aachen, Germany
SOEHT 7, ‘Berlin-Klondyke’, Berlin, Germany (Travelling Exhibition)
Lucas Hirsch Gallery, ‘Okey Dokey’, Dusseldorf, Germany
Easi! Upstream, ‘3000 Years Rhadamanthys Foundation’ Munich, Germany
Hauser & Wirth, ‘Portable Art: A Project by Celia Forner’, New York NY
GfZK Gallery for Contemporary Art, ‘karin Sander: SHOW. An audio tour through the collection of the GfZK Leipzig’, Leipzig, Germany
UGM Umentnostna galleria Maribor, ‘Berlin-Klondyke’, Maribor, Maribor, Slovenia (Travelling Exhibition)
Galerie Sabine Kunst, ‘Big Paper Works’, Munich, Germany
Kunst Halle Sankt Gallen, ‘‘Flaggen Seigen Die zehn Banner der Erfreuliche Universitat’, St. Gallen, Switzerland

2016 Charles Riva Collection, 'The Power and the Glory', Brussels, Belgium
Galerie Christiane Mayer, 'Tender is the Night', Munich, Germany
McNay Art Museum, 'Made In Germany: Contemporary Art From The Rubell Family Collection', San Antonio TX
Inverleith House, 'I Still Believe In Miracles: 30 Years Of Inverleith House', Glasgow, Scotland
Mùzeum Ludwig, 'Szenvedély. Rajongás és művészet', Budapest, Hungary
Lenbachhaus München, 'So Ein Ding Muss Ich Auch Haben. Gegenwartskunst Aus Dem Lenbachhaus Und Der Kico Stiftung', Munich, Germany
Galerie Sprüth Magers, 'Dreaming Mirrors - Dreaming Screens', Berlin, Germany
Stadtgalerie Kiel, 'Passion. Fanverhalten und Kunst/Fan Behaviour And Art', Kiel, Germany
8. Salon, 'Die Kunst, die Kunst – ich Pfeife auf die Kunst', Hamburg, Germany
Mùzeum Ludwig, 'Passion. Fanverhalten und Kunst/Fan Behaviour And Art', Budapest, Hungary
Haus der Kunst, 'Random Sampling', Munich, Germany
Lenbachhaus, 'Such a Thing Must Have Me Too', Munich, Germany

2015 Hauser & Wirth Zürich, 'Salon d'Hiver', Zürich, Switzerland
Kunsthaus im KunstKulturQuartier, 'Passion. Fanverhalten und Kunst/Fan Behaviour And Art', Nuremberg, Germany (Travelling Exhibition)
Villa Struck, 'Geh' und Spiel mit dem Risen! Kindheit. Kritik und Emanzipation', Munich, Germany
The Goodroom, 'Good for nothing (cracks in the mirror), Munich, Germany
Kunstraum Düsseldorf, Dusseldorf, Germany
easy!upstream, 'Idle Uprgrade Illusion', Munich, Germany
Haus der Kunst, ‘Random Sampling – Painting from the Goetz Collection’, Munich, Germany
Lenbachhaus München, ‘I got to have one of those‘, Munich, Germany
James Fuentes, ‘These Are Not My Horses‘, New York NY
Künstlerhaus Bethanien, 'Fan Behaviour and Art', Berlin, Germany (Travelling Exhibition)
Buchheim Museum, 'Artist as Children - Children as Artist' Bernried, Germany
Kunsthalle Düsseldorf, 'Avatar and atavism. Outside the avant-garde', Düsseldorf, Germany
Neue Galerie Gladbeck, 'Escapement', Gladbeck, Germany
la maison rouge, 'MAD#1', Paris, France
Wiener Art Foundation, Vienna, Austria
Sammlung Falckenberg/ Deichtorhallen Hamburg, 'Self-Inflicted Justice By Bad Shopping – New Acquisitions of the Falckenberg Collection 2011-2014', Hamburg, Germany
me Collectors Room Berlin, 'A man walks into a bar – Jokes and Postcards', Berlin, Germany
Salon Dahlmann, 'Die 1. Berlin Edition von BERLIN-KLONDYKE', Berlin, Germany
Essl Museum, 'German Art Since 1960: Selected Works from the Essl Collection', Klosterneuburg, Austria
Museum Villa Stuck, 'Geh und spiel mit dem Riesen!', Munich, Germany
Galerie Christine Mayer, 'Hot Town, Summer In The City', Munich, Germany

2014 Collectors Room Stiftung Olbricht, 'Paperworlds', Berlin, Germany
Galerie Börgmann, 'Psycho Killer', Mönchengladbach, Germany
Galerie Václava Špály, 'Andy Hope 1930, Jirí David and Florian Meisenberg', Prague, Czech Republic
Held Art, 'Without You I'm Nothing', Berlin, Germany
Herzliya Museum of Contemporary Art, 'Back to Berlin', Herzliya, Israel
Hyogo Prefectural Museum of Art, 'Fruits of passion: collection from the Musée nationale d’art moderne, Centre Pompidou, Paris', Kobe, Japan (Travelling Exhibition)
Kunstraum München, 'Instrument Memory: The Mnemosyne Atlas of Aby Warburg', Munich, Germany
Schirn Kunsthalle Frankfurt, 'Unendlicher Spass', Frankfurt, Germany
Pinacoteca Giovanni e Marella Agnelli, 'Somos Libres II. Opera Dalla Collezione Di Mario Testino (Works From The Mario Testino Collection)', Turin, Italy
Bourouina Gallery, 'Vanity Case', Berlin, Germany
H2 Zentrum für Gegenwartskunst im Glaspalast, in farbe!, 'Figur – Landschaft – Abstraktion', Augsburg, Germany
Sommer Contemporary Art, 'Feels Like Heaven', Tel Aviv, Israel
Galerie Christine Mayer, 'Summer Show', Munich, Germany

2013 8. Salon, 'Andy Hope 1930 & Paul McCarthy: down show show down’, Hamburg, Germany
Centre Georges Pompidou, 'Fruits of Passion: collection from the Musée nationale d’art moderne, Centre Pompidou, Paris', Paris, France (Travelling Exhibition)
Cultuurcentrum deWerft, 'Middle Gate Geel 13', Geel, Belgium
Curitiba International Biennial, Curitiba, Brazil
Daimler Contemporary, 'Private / Corporate VII', Berlin, Germany
De Halle in Geel, 'Middle Gate Geel 13', Geel, Brussels
Foxy Production, 'HMV', New York, NY
Galerie Sabine Knust, 'Six Nights of Studies in Sub-History Light (curated by Andy Hope 1930)', Munich, Germany
GASK Galerie Středočeského kraje, 'Images for Images, Artists for Tichy – Tichy for Artists', Kunta Hora, Czech Republic
Held Art, ‘Maps & Orientation Part 2’, Berlin, Germany
Kunsthaus im KunstKultur Quartier, ’Forever Young, Jugend und Jugendkult in der
Gegenwartskunst’, Nuremberg, Germany
KW Institute for Contemporary Art, 'Painting Forever!', Berlin, Germany
Setareh Gallery, 'Wide as an Illusion.. Expansion dissolves', Düsseldorf, Germany
Weserburg / Museum für moderne Kunst, ‘Kaboom! Comic in der Kunst’, Bremen, Germany
Galerie Mikael Andersen, 'Batman Elektronik', Berlin, Germany
Galerie Gabriele Senn, 'Why Paint', Vienna, Austria
Galerie Christine Mayer, 'If I had asked people what they wanted, they would have said faster horses', Munich, Germany
Werkschauhalle, 'Berlin-Klondyke', Leipzig, Germany
Kunstverein Weiden, 'Das Allerletzte Prof. Winkler Stipendium', Weiden, Germany
Galerie Bernd Kugler, 'Il faut être peintre pour faire des images, et ce sont les images qui font faire la peinture, mais c'est un secret', Innsbruck, Austria

2012 Centre Georges Pompidou, 'Fruits of Passion', Paris, France
Galerie Christine Mayer, 'Summer Show', Munich, Germany
The Gwangju Biennale Foundation, 'Roundtable: The 9th Gwangju Biennale', Gwangju, Korea
MARTa, 'Ash and Gold. A World Tour', Herford, Germany
Weserburg, 'Circus Wols', Bremen, Germany
Daimler Contemporary, 'Private/corporate VII', Berlin, Germany
Kunsthalle Düsseldorf, 'Juwelen im Rheingold - 10 Jahre Sammlung Rheingold', Dusseldorf, Germany
Neuer Pfaffenhofener Kunstverein, 'Berlin–Klondyke', Pfaffenhofen, Germany
Gloria Berlin, 'Common Ground', Berlin, Germany
Magazzino d'Arte Moderna, 'Dr. Jekyll & Mr. Hyde', Rome, Italy
Galerie Bernd Kugler, 'Black Oriental', Innsbruck, Austria

2011 Galerie Christine Mayer, 'All I Desire', Munich, Germany
Haus der Kulturen der Welt, 'Der Traum vom Fliegen – The Art of Flying', Berlin, Germany
Held Art, 'show #4 – PORTRAITS & FACES', Berlin, Germany
Kai 10 Arthena Foundation, 'Mind the Gap', Dusseldorf, Germany
Kienzle Art Foundation, 'Show 3. What a serious horror writing a play', Berlin, Germany
Kunstverein Kreis Gütersloh e.V., 'Ars Apocalipsis – Kunst und Kollaps', Gütersloh, Germany
MMK Museum für Moderne Kunst, 'MMK 1991 – 2011. 20 Years of Presence', Frankfurt am Main, Germany
Vogt Gallery, 'Eyes Wide Shut. Contemporary Drawings from Germany', New York NY
Kunstraum Innsbruck, '*Grrr*(eece) & *Hmmm*', Innsbruck, Austria
Lismore Castle Arts, 'Herbei ein Licht! ', Lismore, Ireland
Rathausgalerie München, 'München – Berlin – München', Munich, Gallery
Pablo Galleries, 'Skeletons of Beer', Quezon City, Philippines

2010 Galerie Christine Mayer, 'Summershow 2010', Munich, Germany
Held Art, 'Journey into unknown worlds', Berlin, Germany
Kulturzentrum bei den Minoriten, 'Prometheus', Graz, Austria
Kunstforum Ostdeutsche Galerie Regensburg, 'Permanent Trouble', Regensburg, Germany
Kunstraum Innsbruck, 'Ulrich Hakel, Andreas Hofer, Olaf Metzel – Renaissance der leeren Hand', Innsbruck, Austria
Kunstparterre, 'Drawings by Andy Warhol, Andreas Hofer, Henri Matisse', Munich, Germany
Kunsthalle Düsseldorf, 'Real Presences. Marcel Broodthaers today', Dusseldorf, Germany
MARTa Herford, '"I really don't know what art is." Insights into a private collection', Herford, Germany
MASP Museu de Arte de Sao Paulo, 'If not in this period of time. Contemporary German Painting: 1989 - 2010', Sao Paulo, Brazil
Organized by Marc Jancou Contemporary, 'Rive Gauche / Rive Droite', Paris, France
Rosenblum Collection & Friends, 'Born in Dystopia', Paris, France
Sammlung Falckenberg, 'Weisser Schimmel. You can observe a lot by watching', Hamburg, Germany
Sammlung Kopp München / Art from the Kopp Collection Munich', Regensburg, Germany Sammlung Rheingold, 'Was tun? Was geschieht?', Dusseldorf, Germany
Schloss Dyck, 'Sammlung Rheingold', Juechen, Germany
Sprüth Magers Berlin, 'Rethinking Location. Anytime, Anywhere, Everything', Berlin, Germany
Märkisches Museum Witten, 'Schwarz', Witten, Germany
Autocenter, 'Transzendenz Inc.', Berlin, Germany
Galerie Polad-Hardouin, 'Riders', Paris, France

2009 Artleib, 'Andreas Hofer / Ben Kaufmann. "1999"', Dusseldorf, Germany
Autocenter, 'cargo', Berlin, Germany
Faktor in der zeitgenössischen Kunst aus Polen und Deutschland', Regensburg, Germany Galerie Bernd Kugler, '5 Years for Friends', Innsbruck, Austria
Galerie Guido W. Baudach, 'amor fati', Berlin, Germany
Hamburger Kunsthalle, 'MAN SON 1969. The Horror of the Situation', Hamburg, Germany
Historisches Museum, Minoritenkirche, Städtische Galerie "Leerer Beutel", 'Der katholische
Sommer Contemporary Art, 'Pen', Tel Aviv, Israel
Kunstparterre, 'Zeichnungen von Andy Warhol, Andreas Hofer und Henri Matisse‘, Munich, Germany
Galerie Mikael Andersen, 'The Mask', Copenhagen, Denmark
Galerie Margit Haupt, 'Swinging on the Wrecking Ball', Karlsruhe, Germany
Bureau Cultuurmakelaar Tilburg, 'On A Clear Day I Can See Forever', Tilburg, Netherlands
China Art Objects Galleries, '1999', Los Angeles CA
Kunstparterre, 'Zeichnungen von Andy Warhol, Andreas Hofer und Henri Matisse', Munich, Germany
Galerie Mikael Andersen, 'The Mask', Copenhagen, Denmark
Galerie Margit Haupt, 'Swinging on the Wrecking Ball', Karlsruhe, Germany
Bureau Cultuurmakelaar Tilburg, 'On A Clear Day I Can See Forever', Tilburg, Netherlands
China Art Objects Galleries, '1999', Los Angeles CA

2008 Dahlem', Tokyo, Japan
Forgotten Bar Project, 'The Krautcho Club. In and out of Place', Berlin, Germany (Travelling Exhibition)
Galerie Bernd Kugler, '12 works on paper', Innsbruck, Austria
Galerie Guido W. Baudach, 'That's the way it is', Berlin, Germany
Galerie Sabine Knust, 'Neue Editionen', Munich, Germany
Galleria Gió Marconi, 'Kommando Giotto di Bondone, presented by FRIEDENS-SIEMENSE CO.', Milan, Italy
Hiromi Yoshii Gallery, 'Mare Humorum 1. A group show curated by Björn
Karma International, 'The trees bring forth sweet ecstasy III', Zurich, Switzerland
Kestner Gesellschaft, 'Back to Black. Black in Current Painting', Hanover, Germany
Künstlerhaus Bethanien, 'Daydreams & Dark Sides', Berlin, Germany
Kunstraum Innsbruck, 'The end was yesterday', Innsbruck, Austria
MARTa Herford, 'Ad Absurdum. Energies of the Absurd from Modernism till Today', Herford, Germany
Metro Pictures, 'Group Exhibition', New York NY
Musée des Beaux-Arts, 'Son of…Guillaume Bruère, Thomas Helbig, Eugène Leroy, Thomas Zipp, André Butzer, Andreas Hofer, Marcus Selg', Tourcoing, France
Project Space 176, 'The Krautcho Club. In and out of Place', London, England (Travelling Exhibition)
ZKM - Zentrum für Kunst und Medientechnologie, 'Vertrautes Terrain – Contemporary Art in / about Germany', Karlsruhe, Germany

2007 Forever and a Day Büro, 'Return to Forever', Berlin, Germany
Galerie Christine Mayer, 'Sculptures by… ', Munich, Germany
Galerie Christine Mayer, 'Works on Paper', Munich, Germany
Galerie Max Hetzler, 'Kommando Friedrich Hölderlin Berlin', Berlin, Germany
Hamburger Bahnhof, 'There is never a stop and never a finish - In Memoriam Jason Rhoades', Berlin, Germany
Hotel Gallery London, 'Gallery Swap – Galerie Guido W. Baudach at Hotel', London, England
Jiri Svestka Gallery, 'Heretic & Co. The Golden City', Prague, Czech Republic
Kestner Gesellschaft, Sprengel Museum, Kunstverein Hannover, 'Made in Germany', Hanover, Germany
Kunsthalle Mannheim, '100 Jahre Kunsthalle Mannheim', Mannheim, Germany
Kunstpalast Düsseldorf, 'Die Kunst zu Sammeln', Dusseldorf, Germany
Kunstverein Heidelberg, 'Re-dis-play', Heidelberg, Germany
Rubell Family Collection, 'Euro-Centric, Part 1: New European Art from the Rubell Family Collection', Miami FL
Sommer Gallery, 'XXS. Extra Extra Small – Size does matter', Tel Aviv, Israel
Städtische Galerie im Lenbachhaus und Kunstbau München, 'Perspektive 07', Munich, Germany
Transmission Gallery, 'Hot Rock', Glasgow, Scotland
ZKM Zentrum für Kunst und Medientechnologie, 'Paul Thek. Werkschau im Kontext zeitgenössischer Kunst', Karlsruhe, Germany

2006 The Brno House of Arts, 'Heretic & Co. Young artists from Berlin', Brno, Czech Republic
Galerie Daniel Hug, Los Angeles CA
Galerie Patrick Seguin, 'Patrick Seguin invites Hauser & Wirth', Paris, France
Galerie Christine Mayer, 'Artists of the Gallery', Munich, Germany
Hillside Terrace, 'Deutschland – Heimat als Utopie', Tokyo, Japan
Kunsthalle Mannheim, 'Full House – Gesichter einer Sammlung', Mannheim, Germany
Kunstverein Braunschweig, 'Optik Schröder – Werke aus der Sammlung Alexander Schröder', Braunschweig, Germany
VIPER Basel, '25th Viper International Festival for Film Video and New Media', Basel, Switzerland

2005 Carré d'Art, 'la nouvelle peinture allemande', Nimes, France
Forever and a Day Büro, '3 Jahre „forever and a day Büro”', Berlin, Germany
Gagosian Gallery, 'The Addiction', Berlin, Germany
Galerie Guido W. Baudach, 'Papier', Berlin, Germany
Museum der Moderne, 'Les Grands Spectacles', Salzburg, Austria
Oldenburger Kunstverein, 'Schwarz, Brot, Gold', Oldenburg, Germany
Sammlung Falckenberg/Phoenix Kunststiftung, 'Goetz meets Falckenberg', Hamburg, Germany
Silverbridge, 'Transcontinental Nomadenoase', Miami FL
Sofia Art Gallery, 'Styles und Stile – Contemporary German Painting from the Scharpff Collection', Sofia, Bulgaria

2004 ArtForum, 'Made in Berlin', Berlin, Germany
Daniel Hug Gallery, 'Kommando Pfannenkuchen', Los Angeles CA
Galerie Ben Kaufmann, 'Und im Winde klirren die Fahnen', Munich, Germany
Galerie Guido W. Baudach, 'Guido W. Baudach', Berlin, Germany
Galerie Parisa Kind, 'Ein Jahr Galerie Parisa Kind – Niedergang, Schimmel und Verfall', Frankfurt am Main, Germany
Halle für Kunst Lüneburg, 'Olivia Berckemeyer – Frohe Zukunft', Luneburg, Germany
Hartware MedienKunstVerein, 'So wie die Dinge liegen', Dortmund, Germany
Haunch of Venison, 'Heimweh: Young German Art', London, England
Kunsthalle Mannheim, 'Direkte Malerei/Direct Painting', Mannheim, Germany
Neue Bahnhofstraße 5, 'The Banana Tree', Berlin, Germany
Podewil, 'Lies, Lust, Art & Fashion', Berlin, Germany
Russian Museum, 'Actionbutton', St. Petersburg, Russia (Travelling Exhibition)

2003 ___,'Watou Poeziezommer 2003', Belgium
Atelier Paul Heyse 17, 'Licht an', Munich, Germany
Frankfurter Kunstverein, 'Deutschemalereizweitausenddrei', Frankfurt am Main, Germany
Grazer Kunstverein, 'Vom Horror in der Kunst', Graz, Austria
Hamburger Bahnhof / Museum für Gegenwart, 'Actionbutton', Berlin, Germany (Travelling Exhibition)
Museum Abteiberg, 'Painting on the roof', Mönchengladbach, Germany (Travelling Exhibition)
Oldenburger Kunstverein, 'Hands up, Baby, hands up', Oldenburg, Germany
Paolo Curti Gallery, 'Painting on the roof', Milan, Italy (Travelling Exhibition)

2002 Central Cultural Andratx, 'Hossa', Palma de Mallorca, Spain
Galerie Otto Schweins, 'Schöne Aussicht, Herr Schweins', Cologne, Germany
Maschenmode (Galerie Guido W. Baudach), 'Friede, Freiheit, Freude', Berlin, Germany
Pazifik, 'Große Kunstausstellung Sommer 2002 im Pazifik', Berlin, Germany
Wenzel Hablik Museum, 'J. Bock / K. Hartmann / A. Hofer / V. Lang / A. Pinckernelle / S. Thater', Itzehoe, Germany
Witzlebenstraße 3, 'Urwald', Berlin, Germany

2001 Maschenmode (Galerie Guido W. Baudach), 'Im Wandel der Liebe zu uns selbst und des Gesichtssinns im Allgemeinen (Deutsch-Britische-Freundschaft-DBF)', Berlin, Germany
Städtische Galerie Wolfsburg, 'Viva November', Wolfsburg, Germany
Westfälischer Kunstverein, 'believe', Munster, Germany

2000 Künstlerwerkstatt Lothringer Strasse, 'Raumvorstellungen', Munich, Germany
OK Centrum für Gegenwartskunst, 'Projektwerkstatt 2000', Linz, Austria
Straßburger Strasse 4, 'Die Gefahr im Jazz (DBF)', Berlin, Germany
Westfälischer Kunstverein, 'Real Places?', Munster, Germany

1999 ___, 'Zauber*Haft', Dresden, Germany
Andersens Wohnung, 'Lattenfunktion Burgaufbau', Berlin, Germany
Galerie Andreas Binder, 'Beach Party '99', Munich, Germany
Galerie Oberländer, 'Nationale der Zeichnung', Augsburg, Germany
Galerie im Rathaus, 'Credo', Munich, Germany
Künstlerwerkstatt Lothringer Straße, 'Landscape in Progress II', Munich, Germany

1998 ___, 'REALITY INVESTMENT/Akademie Isotrop', Ulm, Germany
Bazaar de Cologne, 'Anwander', Cologne, Germany
Galerie im Rathaus, 'Arena' Munich, Germany
Galerie via 113 (Daniel Schürer), 'KS 12 & OSR', Hildesheim, Germany
Künstlerwerkstatt Lothringer Strasse, 'Landscape in Progress', Munich, Germany
Ultraschall/Kunstpark Ost, 'Holiday', Munich, Germany
Ultraschall/Kunstpark Ost, 'Rainbow Bridge', Munich, Germany
Unit 6/7, 'Public Opinion is a Little Girl (DBF) ', London, England

1997 Goethe Institut London, 'Home Exit', London, England
Studio, 'Wandervögel', London, England

1996 Galerie Markt Bruckmühl, 'Goldrand', Bruckmühl, Germany
Shedhalle, 'Sex&Space', Zurich, Switzerland

1995 Haus der Kunst, 'Der zweite Blick', Munich, Germany



2018 Morra, Joanne, 'Inside The Freud Museums: History, Memory and Site-Responsive Art', London: IB Tauris, 2018, ill., pp. 83-85, 100-101

2017 Heil, Axel (ed.), 'Andy Hope 1930, Vertical Horizon', Karlsruhe/DE: fluid editions, London/UK: Koenig Books, 2017
Macel, Christine (ed.), 'Viva Arte Viva: 57th International Art Exhibition La Biennale di Venezia', New York NY: Rizzoli International Publications, Vol. I, 2017

2016 Heil, Axel; Brehm, Margrit; Ohrt, Roberto, 'Aby Warburg: Mnemosyne Bilderatlas', Karlsruhe: ZKM Centre for Art and Media Karlsruhe, 2016
Welchman, John C., 'Past Realization. Essays on Contemporary European Art', Berlin: Sternberg Press, 2016

2015 Binder-Sabha; Lucie, Essl, Karlheinz; Hoffer, Andreas (eds.), 'Deutsche Kunst. Nach 1960', Klosterneuburg: Edition Sammlung Essl, 2015
Loers, Veit, Jansen, Gregor (eds.), 'Avatar und Atavismus. Outside der Avantgarde', Heidelberg: Kehrer, 2015 (

2014 Elkann, Ginevra (ed.), 'Somos Libres II. Opera Dalla Collezione Di Mario Testino (Works From The Mario Testino Collection)', New York: Rizzoli, 2014 (exh. cat.)
Sperling, Franziska, Sperling, Johannes (eds.), 'A Man Walks Into A Bar… Jokes & Postcards', Ostfildern, Hatje Cantz, 2014, p. 206, ill. in colour.

2013 Unterdörfer, Michaela (ed.), 'Hauser & Wirth.20 Years', Ostfildern: Hatje Cantz, 2013

2012 Görner, Veit; Lotz, Antonia (ed.), 'Medley Tour by Andy Hope 1930', Cologne: Verlag der Buchhandlung Walther König, 2012 (
'In the Evening I was to bear the Night / Am Abend soll ich die Nacht ertragen. Schorsch Kamerun & Andy Hope 1930', Vienna: Harpune Verlag, 2012

2011 CAC Malaga, 'Robin Dostoyevsky by Andy Hope 1930', Malaga: CAC Malaga, 2011 (exh. cat.)
Fischer, Barbara, 'Andy Hope 1930', in: Künstler. Kritisches Lexikon der Gegenwartskunst, Munich: ZEIT Kunstverlag, Ausgabe 93, Heft 4, 2011, ill.
KAI 10 | Raum für Kunst der Arthena Foundation, 'Mind the Gap', Düsseldorf: KAI 10 | Raum für Kunst der Arthena Foundation, 2011 (
Rosenblum Collection & Friends, 'Born in Dystopia', Paris: Rosenblum Collection & Friends, 2011 (

2010 Galerie Christine Mayer (ed.), 'In Search of an Exit', Munich: Galerie Christine Mayer, 2010
Rheingold Collection (ed.), 'What to do? What is happening? Contemporary Art from the Rheingold Collection', Düsseldorf: Feymedia, 2010
Jancou, Marc (ed.), 'Rive gauche. Rive droite', Zurich: JRP | Ringier, 2010, pp. 81, 82-82, ill.

2009 Goetz, Ingvild, Löckemann, Karsten, Urbaschek, Stephan (eds.), 'Andreas Hofer. Andy Hope 1930', Munich: Goetz Collection, 2009
Loers, Veit, 'Psychonauten. Kunst in Ekstase', Cologne: Verlag der Buchhandlung Walther König, 2009, pp. 208-214, ill.
Buss, Esther, Roberto Ohrt (eds.), 'Andreas Hofer. Phantom Gallery', Goettingen: Steidl Hauser & Wirth, 2009
Abenstein, Edelgard, 'Berlin: Kunst und Architektur', Berlin: h.f.ullmann, 2009, p. 265, ill.
Hamburger Kunsthalle (ed.), 'MAN SON. Vom Schrecken der Situation', Hamburg: Hamburger Kunsthalle, 2009, pp. 106, 107, ill.

2008 Holzwarth, Hans Werner (ed.), 'Art Now Vol 3', Cologne: Taschen, 2008, pp. 253-255, ill.
Kestnergesellschaft Hannover (ed.), 'Back to Black. Black in Current Painting. Schwarz in der aktuellen Malerei', Heidelberg: Kehrer Verlag, 2008, pp. 72-77, ill. (exh. cat.)
Herford, Marta, Städtische Galerie Nordhorn (ed.), 'Ad Absurdum', Leipzig/Bielefeld: Kerber Verlag, 2008, p. 291, ill. (exh. cat.)
Herford, Marta (ed.), 'Andreas Hofer. The Long Tomorrow', Cologne: Verlag der Buchhandlung Walther König, 2008, ill. (exh. cat.)

2007 Engler, Martin (ed.), 'Made in Germany', Osterfildern: Hatje Cantz Verlag, 2007, ill. (exh. cat.)
Metro Pictures (ed.), 'Andreas Hofer. Only gods could survive', New York NY: Metro Pictures, 2007, ill. (exh. cat.)
Staatliche Museen zu Berlin, Nationalgalerie, Hamburger Bahnhof – Museum für Gegenwart, '"there is never a stop and never a finish". In memoriam Jason Rhoades', Cologne: Dumont Verlag, 2007, ill. (exh. cat.)

2006 Steidl Hauser & Wirth (ed.), 'Only Gods could survive', Goettingen: Steidl Hauser & Wirth, 2006 (exh. cat.)

2005 Lenbachhaus München/MARTA Herford (ed.), 'Andreas Hofer. Welt ohne Ende', Cologne: Verlag der Buchhandlung Walther König, 2005 (exh. cat.)
Husslein-Arco, Agnes (ed.), 'Les Grands Spectacles. 150 Jahre Kunst und Massenkultur', Ostfildern-Ruit: Hatje Cantz, 2005 (exh. cat.)
Verlag H & K (ed.), 'André Butzer. Andreas Hofer. Neverworld Technik', Berlin: H & K Verlag, 2005, ill. (exh. cat.)
Galerie Bleich-Rossi (ed.), 'Andreas Hofer. Galassia che vai', Graz: Galerie Bleich-Rossi, 2005, ill. (exh. cat.)
Baudach, Guido W., Gaensheimer, Susanne (ed.), 'Andreas Hofer. Peiner Block', Berlin: H & K Verlag, 2005, ill. (exh. cat.)

2004 Haunch of Venison (ed.), 'Andreas Hofer', in: 'Heimweh. Young German Art', London: Haunch of Venison, 2004 (exh. cat.)
Kunsthalle Mannheim (ed.), 'Direkte Malerei', Mannheim, 2004 (exh. cat.)

2003 Kunst- und Ausstellungshalle der Bundesrepublik Deutschland (ed.), 'Actionbutton – Neuerwerbungen zur Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland 2000–2002', Berlin, 2003 (exh. cat.)
Grazer Kunstverein / Steirischer Herbst, ' Vom Horror in der Kunst' , Graz, 2003 (exh. cat.)
Frankfurter Kunstverein (ed.), 'Deutschemalereizweitausenddrei', New York NY: Lukas & Sternberg, 2003 (exh. cat.)
Museum Abteiberg / Galleria Paolo Curti / Annamaria Gambuzzi (ed.), 'Painting on the Roof', Mönchengladbach/Milan, 2003 (exh. cat.)
Watou Poeziezommer (ed.), ' Opzij van het Kijken – Watou Poeziezommer', Watou, 2003 (exh. cat.)

2002 Städtische Galerie Wolfsburg (ed.), 'Viva November', Wolfsburg, 2002 (exh. cat.)

2000 Reiß, Berthold, 'Andreas Hofer, Samstag, 8. April 19 Uhr', in: 'Raumvorstellungen', Munich, 2000, pp. 25 – 31 (exh. cat.)


2019 ___, ‘ “Where higher beings commanded,...” at Galerie Guido W. Baudach, Berlin’, in: Artinfo, New York NY, 18 March 2019

2017 ___, 'Galleries-Downtown. Andy Hope 1930' in: The New Yorker, New York NY, 18 December 2017
___, 'Central Pavilion. Andy Hope 1930' on:, Los Angeles CA, August 2017, ill.
Macel, Christine, 'Der Pavillon der Freuden und Ängste' in: Kunstforum International, July 2017, Roßdorf/DE, pp. 132-144, ill.
Di Drusco, Fabia, 'Andy Hope 1930 by Markus Jans' in: L’Uomo Vogue, Milan/IT, May/June 2017

2016 Shaw, Anny, 'Burkina Faso via Skype', in: The Art Newspaper: Frieze Art Fair, London/UK, 6 October 2016, p. 12
Herbert, Martin, 'Andy Hope 1930: Galerie Guido W. Baudach', in: Artforum, New York NY, September 2016, pp. 375 – 376
Ballantyne-Way, Duncan, 'Andy Hope 1930 – The Tragic Adventures of Superman', on:, Lucerne/CH, 8 April 2016

2015 Traill-Nash, Glynis, 'Art meets Jewellry', on:, Sidney/AU, 9 December 2015
Royce-Greensill, Sarah, 'Jewel purpose: when art shines', on:, London/UK, 8 December 2015
Keh, Pei-Ru, 'CADA continues the tradition of artist-made jewellry with contemporary creations', on:, London/UK, 8 December 2015
Sonna, Birgit, 'Intime Gefühle', in: German Vogue, Berlin/DE, December 2015,
pp. 188-189
Parkin, Von Clarke, 'Drei Manner und ihre Babys', in: Welt Am Sonntag, Berlin/DE, 29 November 2015
LeBlanc, Marc, 'Superman in the Underground', in: Numéro Homme, Berlin/DE, Summer 2015, pp . 256 – 301
Stern, Morgen, 'Andy Hope 1930 – unappropriated Activities', on:, Linz AT, March 2015
___, 'An Unexpected Twist', on:, London/UK, 20 February 2015
___, 'Hauser & Wirth. Andy Hope 1930: UNappropriated Activities', in: ArtInfo, New York NY, February 2015, p. 18
___, 'Andy Hope 1930 exhibition at Hauser & Wirth Zürich', on:, Paris/FR, 21 January 2015

2014 ___'Out of Office', in: Monopol, Berlin DE, November 2014, p. 160
Pietsch, Hans, 'Zürich zur Natur', in: Art Das Kunstmagazin, Berlin/DE, July 2014, p. 142
Welchman, John C., 'Andy Hope 1930: Impressions d'Amérique', in: Frieze DE, Berlin/DE, March/April 2014, pp. 62-71, ill.
AR, 'Berlin's Capitalist Realists', in: Art Review, London UK, April 2014, pp. 80-90, ill.
Thon, Ute, 'Paul McCarthy & Andy Hope', on:, Hamburg/DE, 7 January 2014, ill.

2013 ___, 'Andy Hope 1930 Paintings Subvert Comic Book Heroes And Villains From The 1930's', on:, 21 January 2013, ill.

2012 Rice, Katie, 'Andy Hope 1930 @ Inverleith House', on: The Skinny, 11 December 2012, ill.
Piper, Laura, 'When Dinosaurs become Modernists in the lost world of the Botanics', on:, Edinburgh, 21 November 2012, ill.
Cooper, Neil, 'Andy Hope 1930: When Dinosaurs Become Modernists', on:, Edinburgh, 15 November 2012, ill.
__, 'Andy Hope Edinburgh', in: The Guardian Guide, London, 10 -16 November 2012, p.35, ill.
__, 'Andy Hope 1930: When Dinosaurs Become Modernists', on:, London, 1 November 2012, ill.
Volkze, Daniel, 'Einsamkeith als Haltung: Andy Hope 1930 und Schorsch Kamerun', in: monopol, Berlin, July 2012, p. 114, ill.
Nesbitt, Paul, 'Time traveller- Andy Hope 1930 at Inverleith House', on: The Botanics, Edinburgh, Autumn 2012, p.15, ill.
Völzke, Daniel, 'Fortress of solitude', on:, Berlin, 12 July 2012, ill.
Quinn, Bryony, 'Andy Hope 1930s brilliant Medley Tour reaches London's Hauser & Wirth gallery', on:, London, 16 May 2012, ill.
Kirkpatrick, Emily, 'Andy Hope 1930 at Hauser & Wirth – April 18 – May 26', on:, New York, 14 May 2012, ill.
Baird, Nicola, ' Andy Hope 1930, Medley Tour London', on:, London, 13 May 2012, ill.
__, 'Andy Hope 1930. Studio Visit', on:, London, 11 May 2012, ill.
Herbert, Martin, 'Now See This', in: Art Review, London, May 2012, p. 16/26, ill.
Saletti, Adam, 'Andy Hope 1930 in London', on:, Amsterdam, 23 April 2012, ill.
Davey, Charlotte, 'Andy Hope 1930: Medley Tour', on:, London, 23 April 2012, ill.
Lake, Kirk, 'Interview: Andy Hope 1930', on:, London, 19 April 2012, ill.
Perlson, Hili, 'Back to the Future', on: Sleek, Berlin, Spring 2012, p. 34, ill.
Perlson, Hili, 'Back to the Future', on: Sleek Online, Berlin, 10 April 2012, ill.
Bayer, Maik, 'Historical and Avant-Garde American Pop Culture', on:, 29 February 2012
___, 'Medley Tour by Andy Hope 1930', in: monopol, Berlin, March 2012, p. 117
Klemm, Barbara, 'Blicke in die Unendlichkeit', in: Neue Presse, Hannover, 23 February 2012, ill.

2011 Lavalle, Beatrice, 'Andy Hope 1930 vereint im Zentrum für zeitgenössische Kunst Comic und Literatur', in: SUR Deutsche Ausgabe, Malaga, 14 April 2011, p. 42, ill.
___, 'Andy Hope's First Solo Exhibition in Spain at the Contemporary Art Centre of Malaga', on:, ill.

2010 Völzke, Daniel, 'Atemlos in München: Andreas Hofer betreibt Hysterie als Aufklärung', in: monopol, Berlin/DE, January 2010, p. 93, ill.
Schmid, Karlheinz, 'Drucksache', in: Informationsdienst Kunst, Regensburg, no. 445, January 2010, p. 13
Drexler, Jolanda, 'Andreas Hofer. Andy Hope 1930', in: Kunstforum, Ruppichteroth, March/April 2010, pp. 346-349
Sherwin, Skye, 'Artist of the week 79: Andreas Hofer', on:, London/UK, 18 March 2010
Hein, Barbara; Thon, Ute, 'Der Charme des Ungeschickten', in: ART das Kunstmagazin, Hamburg, February 2010, ill.
Smolik, Noemi, 'Andreas Hofer – Goetz Collection', in: Artforum, New York NY, March 2010, ill.
Sonna, Birgit, 'Batman's Gallery – Andreas Hofer in der Sammlung Goetz', on:, January 2010, ill.
Restorff, Jörg, 'München: Andreas Hofer', in: Kunstzeitung, Regensburg, no. 163, March 2010, p. 13
Volz, Ruprecht, 'Per Anhalter durch das Mulitersum – Andreas Hofer in der Sammlung Goetz und anderswo', in: Das Münchner Kunstjournal, Munich, no. 41, February / March 2010, p. 21, ill.
Van Dühren, Andreas / Andy Hope 1930, 'Idole', in: TEXT – Revue, Heft 8, 2010, pp. 46 – 51, ill.

2009 Jansen, Gregor, 'Andreas Hofer', on:, 31 December 2009
Weissmüller, Laura, 'Auch Batman kann uns nicht mehr retten', in: Süddeutsche Zeitung, Munich, no. 277, 1 December 2009, p. 13
___, 'Was wird passieren, Andreas Hofer?', in: Monopol, Berlin, December 2009, ill.
___, 'Wo Batman und die Dinosaurier hausen', on:, 24 November 2009, ill.
___, 'Portraits of the Artist', in: Esquire, New York NY, November 2009, p. 162, ill.
___, 'Interview', on:, 20 November 2009, ill.
Gockel, Cornelia, 'Das bunte Gruselkabinett des Andy Hope', in: SZ Extra, Süddeutsche Zeitung, Munich, no. 267, 19-25 November 2009, ill.
SEO, 'Watchlist', in: ArtInvestor, Munich, issue 5, 2009, p. 45, ill.
___, 'Top Five, What to See This Month, as Selected by Artreview's Editors And Critics'
in: Art Review, London, issue 31, April 2009, p. 28, ill.
Mechlenburg, Gustav, 'Kultur & Gespenster. Hochstapler No. I/II', Hamburg: Textem Verlag, no. 8, Frühling 2009, pp. 73-79, ill.
___, 'Andreas Hofer', in: The Art Newspaper, London, March 2009, ill.
JL, 'Andreas Hofer', in: The Guardian Guide, London, March, 2009, ill.
___, 'Andreas Hofer', in: Monopol, Berlin, March 2009, p. 54, ill.
___, 'Top Five', in: Art Review, London, April 2009, p. 28, ill.
___, 'Andreas Hofer', in: The London Paper, London, 17 March 2009, ill.
___, 'Andreas Hofer', in: Dazed & Confused', London, April 2009, ill.

2008 ___, 'Andreas Hofer', in: Beaux Arts Magazine, Paris, November 2008, pp. 106-107 ill.
___, 'Neues aus den Kunstvereinen', in: Informationsdienst Kunst, Regensburg, no. 420, 2008, p.12, ill.
___, 'Ein Schwert für St. Martin', in: Monopol, Berlin, December 2008, p. 22, ill.
Nedo, Vito, 'Baudachs Rebellen', in: Art das Kunstmagazin, Hamburg, November 2008, pp. 40-47, ill.
Campagnola, Sonia, 'Live from Los Angeles', in: Flash Art, Milan, May-June 2008, pp. 140-142, ill.
Schütz, Heinz, 'Negative Sunshine', in: Kunstforum, Ruppichteroth, May-July 2008, p. 230-241. ill.
Garcia, Kathryn, 'Phantom Sensations', on:, New York NY, February 2008, ill.
___, 'Andreas Hofer – Phantom Gallery', on:, Los Angeles LA, January 2008, ill.
___, 'Neues aus den Kunstvereinen', in: Informationsdienst Kunst, Regensburg, no. 393, 28 January 2008, p. 15.

2007 ___, 'Archiv: Quergebürstet', on:, Munich, 25 November 2007, ill.
Schmid, Karlheinz, 'Herford: 'The Long Tomorrow' von Andreas Hofer', in: Kunstzeitung, Regensburg, no. 135, November 2007, p. 19, ill.
Rosenau, Mirja, 'Utopie und Untergang', in: art, Hamburg, no. 11, November 2007, p. 88. ill.
Völzke, Daniel, 'Planet Terror' in: Monopol, Berlin, no. 11, November 2007, pp. 32-43, ill.
Hohmann, Silke, 'Wind of change', in: Monopol, Berlin, no. 7, July 2007, pp. 100-102, ill.
Graw, Isabelle, Rottmann, André, 'Still gestanden', in: Texte zur Kunst, Berlin, no. 66, June 2007, pp. 38-41, ill.
Jocks, Heinz-Norbert, 'Made in Germany', in: Kunstforum, Ruppichteroth, June-July 2007, pp. 419-435, ill.
Peschke, Marc, 'Made in Germany – Entscheidend ist, wo man lebt.', in: Kunsttermine, Stuttgart, May-July 2007, pp. 42-49, ill.
Pynchon, Thomas, 'Entropie', Museum für Gegenwart, Berlin, no. 8, Mai 2007, pp. 42-44, 53-59, ill.
Wahjudi, Claudia, 'Made in Germany' in: Metropolis M, Utrecht, April-May 2007, pp. 20-21, ill.
R. C. Baker, 'Best in Show: Pulp Valhalla', in: The Village Voice, New York NY, 10 April 2007, p. 50, ill.
___, 'Andreas Hofer', in: Texte zur Kunst, Berlin, vol. 17, issue 65, March 2007, pp. 260-261, ill.

2006 Prinz, Felix, 'Im Dickicht der Zeichen', in: Texte zur Kunst, Berlin, no. 64, December 2006, pp. 215-217, ill.
Langley, Alison, 'The insatiable after the irresistible', in: Financial Times, London, 27 May 2006, p. 3, ill.
Coomer, Martin, 'Andreas Hofer', in: Time Out, London, 26 April– 3 May 2006, p. 41
Jones, Laura K., 'Gongs, songs and ironic wigwams', in: The Sunday Telegraph, London, 9 April 2006, ill.

2005 Goetz, Ingvild, 'Goetz Collection', in: 032c, Berlin, no. 10, Winter 2005/2006, pp. 48-51, ill.
Bessing, Joachim, 'Ingvild Goetz on Art beyond Déjà Vu', in: 032c, Berlin, no. 10, Winter 2005/2006, pp. 94-97, 112
Karcher, Eva, 'Auf Großwildjagd', in: Der Tagesspiegel, Berlin, 3 December 2005, p. 26, ill.
Loers, Veit, 'Zwischen Goebbels und Batman', in: Kunstjahr 2005, Regensburg, no. 5, November 2005, pp. 90-91, ill.
Hofer, Andreas, 'The Nightshift. My color is a flame', in: Sleek. Magazine for Art and Fashion, Berlin, no. 8, Autumn 2005, pp. 42-50, ill.
Sachs, Brita, 'Verlockungen vom Fließband der Traumfabrik', in: Frankfurter Allgemeine Zeitung, Frankfurt, 10 August 2005, p. 33, ill.
Spiegler, Almuth, 'Spüren, nicht immer wieder sehen', in: Die Presse, Vienna, 30 July 2005, p. 26, ill.
Liebs, Holger, 'Ihr, die ihr nicht seht', in: Süddeutsche Zeitung, Munich, 22-23 July 2005
rah, 'Leben und Evolution als Einheit', in: NUZ, Ulm, 4 July 2005, ill.
Meier-Grolman, Burkhard, 'Superman wird uns retten', in: Südwestpresse, Ulm, 2 July 2005, ill.
Theiss, Nora, 'Das Spektakel als Ereignis, das Leben als Zirkus', in: Spezial. Museum der Moderne, Salzburg (insert in: Der Standard), Vienna, June 2005, p. A1, ill.
Brüggeller, Moni, 'Andreas Hofer sprengt alle Kunst-Grenzen', in: Kronen Zeitung, Vienna, 30 April 2005, p. 29, ill.
Kluy, Alexander, 'Neue Schäbigkeit, niederer Realismus', on:, Berlin, 25 April 2005
Schütz, Heinz, 'Der Ritt übers tosende Zeichenmeer', in: Kunstforum, Ruppichteroth, vol. 175, April-May 2005, pp. 331-333, ill.
Heise, Rüdiger, 'Mit Mythen malen', in: Applaus, Munich, April 2005
Altmann, Alexander, 'Groteskes Privatuniversum mit Talmi-Dämonen', on:, Munich, 11 February 2005, ill.
Felbinger, Stefan, 'Schluß mit dem Gejammer', on:, Berlin, 6 February 2005
__, 'Andreas Hofers „Welt ohne Ende“', on:, Munich, 29 January 2005
Karcher, Eva, 'Apocalypse jetzt, aber bitte mit Seele', in: Süddeutsche Zeitung, Munich, 29 January 2005 p.15, ill.
Gliewe, Gert, 'Seine Welt hat einfach kein Ende', in: Abendzeitung, Munich, 28 January 2005, ill.
Dattenberger, Simone, 'Hintergründige Brutalo-Ästhetik', on:, Munich, 27 January 2005, ill.
__, 'Andreas Hofers Freestyle-Kunst', in: Spiegel, Hamburg, no. 4, 24 January 2005, p.166, ill.

2004 Dallach, Christoph, von Festenberg, Nikolaus, Hage, Volker, Knöfel, Ulrike, Wolf, Martin, 'Patriotische Bauchschmerzen', in: Spiegel, Hamburg, no. 49, 29 November 2004, pp. 184-188
Illies, Florian, 'Die Augenzeugen des Unsichtbaren', in: Monopol, Berlin, October-November 2004, pp. 14–24, ill.
Klotzek, Timm, Stolle, Oliver, 'Wer sperrig ist hat mehr zu bieten', in: Neon, Hamburg, October 2004, pp. 142–147
Erfle, Anne, 'Politisches und Poetisches', in: Süddeutsche Zeitung, Munich, 30 September 2004, p. 46
__, 'Und John Wayne reitet wieder', in: Voralberger Nachrichten, Schwarzach, 18 March 2004, ill.
__, 'Collage der Gegenwart', in: Voralberger Nachrichten, Schwarzach, 18 March 2004, ill.

2003 Behr, Martin, 'Das Grauen lauert überall', in: Salzburger Nachrichten, Salzburg, 6 November 2003
Tragatschnig, Ulrich, 'Folterkammern der Kunst', in: Der Standard, Vienna, 29 October 2003, p. 24
Sonna, Birgit, 'Nachrichten aus den Zwischenwelten', in: Süddeutsche Zeitung, Munich, 17 June 2003, p. 40
Meister, Helga, 'Painting on the Roof', in: Kunstforum International, Ruppichteroth, March-May 2003, pp. 305-307, ill.
Galloway, David, 'The eternal reinvention of painting', in: International Herald Tribune, Paris, 15 February 2003, ill.
Tragatschnig, Ulrich, 'Entgrenzte Repräsentation – Ausstellungsprojekt im Steirischen Herbst', in: Camera Austria International, Wien, no. 84, 2003, pp. 106–107

2002 Sachs, Britta, 'Küchenfee mit Blendaxgrinsen', in: Frankfurter Allgemeine Zeitung, Frankfurt, 12 October 2002, p. 43
Sonna, Birgit, 'Schauergefühle an die Wand genagelt', in: Süddeutsche Zeitung, Munich, 11 October 2002

2001 Buss, Esther , 'Schwermut Forrest', in: Texte zur Kunst, Berlin, December 2001, pp. 136 ff.
Fichtner, Heidi, 'Andreas Hofer', in: Flash Art, Milan, vol. XXXIV, no. 221, November-December 2001, pp. 96-97, ill.
'Constructiona simpatico de Futura', in: Site 5, Dusseldorf, February 2001, pp. 13–17, ill.

Own publications

2009 'Hinter den Hügeln', Paris: Edition Silverbridge, 2009 (artist book)

2005 Galerie Guido W. Baudach (ed.), 'Andreas Hofer - Peiner Block', Berlin: Verlag Heckler & Koch, 2005, (artist book)
Galerie Bleich-Rossi (ed.), 'Andreas Hofer - Galassia che vai', Graz: Verlag Galerie Bleich-Rossi, 2005 (exh. cat.)
'Andreas Hofer - Two Bad', Innsbruck: Verlag Galerie Bernd Kugler, 2005 (exh. cat.)

2004 Galerie Guido W. Baudach (ed.), 'München – Bruckmühl und zurück', Berlin: Verlag Heckler und Koch, 2004 (artist book)

2002 'Forever People', Berlin: Possible Press, 2002 (artist book)


2001 'It'll shine when it shines', VHS, colour, sound, 6:00 min.

1996 'c/o Puschmann', VHS, colour, sound, 60:00 min.
'München-Bruckmühl und zurück', VHS, colour, sound, 80:00 min

Selected Images

USS Enterprise

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Featured Stories

Hauser & Wirth Exhibitions

McCAR61057, McCAR61501, McCAR65671 Butt Plug Necklace

23 Jun – 12 Aug 2018, Los Angeles

BALDE59216 Shoulder Bird

20 Apr – 17 Jun 2017, New York, 69th Street


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