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Selected Press

Vogue

Dodie Kazanjian

10 March 2025

In an Upcoming Show at the Metropolitan Museum of Art, Lorna Simpson Goes Straight to the Source

‘I’ve had to disengage with labels of what kind of artist I am or what I do.’
Portrait of Lorna Simpson, 2024. Photo: Ming Smith.

The Brooklyn Rail

Ann C. Collins

5 March 2025

CATHERINE GOODMAN with Ann C. Collins

‘I’m very keenly aware that painting, for me, is a place of spiritual growth. And I think if you see my paintings, you can see that.’
Catherine Goodman in her studio, London, UK, 2024 © Catherine Goodman. Photo: Damian Griffiths

The Los Angeles Times

Meka Boyle

5 March 2025

The artist Charles Gaines, his beauty and poignance

‘I needed to dismantle that system, to put a firewall between what I would call an intuitive notion and my artistic practice.’
Installation view,‘Charles Gaines. Numbers and Trees, The Tanzania Baobabs,’ Hauser & Wirth West Hollywood 19 February – 24 May 2024 © Charles Gaines Courtesy the artist and Hauser & Wirth Photo: Keith Lubow

T: The New York Times Style Magazine

M.H. Miller

27 February 2025

Seven Years After Jack Whitten’s Death, His Studio Remains Nearly Untouched

‘[Jack Whitten's] work influenced generations of artists — from Andy Warhol to Glenn Ligon — but looked like nothing else before or since.’
Jack Whitten in his 40 Crosby Street Studio in New York with paintings from the following series: ‘The Annunciation’, ‘Ascension’, ‘DNA’, ‘Formal Relay’, ‘Persian Echo’ in 1979. Photographer unknown. © Jack Whitten Estate.

W Magazine

Alex Needham

17 February 2025

George Rouy Paints the Body Electric

'The representation of the body is already imprinted in the brain somewhat. You're work­ing within the tight parameters of the human form, but there are endless possibilities about how that can be approached, and our concept of what the figure is endlessly changes with age and mortality.'
Studio view George Rouy 2024, © George Rouy. Courtesy the artist, Hannah Barry Gallery and Hauser & Wirth Photo: Damian Griffiths

The New York Times

Deborah Solomon

13 February 2025

Mother Love and Puppy Love, With All Their Twists and Turns

‘You can see her as a direct heir of Louise Bourgeois, who was also French-born and psychologically inclined, although Henrot is more amused and ironic in her rambles through the attic of sculptural history.’
Installation view, ‘Camille Henrot. A Number of Things,’ Hauser & Wirth New York, 22nd Street 30 January – 12 April 2025 © Camille Henrot Courtesy the artist and Hauser & Wirth Photo: Thomas Barratt

Apollo

Francesca Wade

7 February 2025

Picabia, the painter who refused to be pinned down

‘[…] these profound, bewitching, fresh works bear all life within them.’
Colloque (Colloquium) (1949), Francis Picabia. Archives Comité Picabia, Paris. Photo: Nicolas Brasseur.

Monopol

Elke Buhr

6 February 2025

The Liberation of Pixels

‘It is the task of art and culture to keep such childlike associations alive so that these brain connections are not completely severed.’
Photo: Anthony Anex Pipilotti Rist

The New York Times

Victoria Burnett

1 February 2025

Restored Anti-Fascism Mural by Philip Guston Unveiled in Mexico

'It’s a call to the local community that we can’t be indifferent to suffering.'
Philip Guston-Reuben Kadish mural, 'The Struggle Against Terrorism,' 1935, during restoration in Morelia, Mexico, 2025.

Frieze

Paige K. Bradley

28 January 2025

Camille Henrot’s Playful Acts of Disruption

Henrot’s art calls for an encounter with being: how we could be; how we might desire to be; what prevents us from being; what we feel might annihilate us.
Installation view, ‘Camille Henrot. A Number of Things,’ Hauser & Wirth New York, 22nd Street 30 January – 12 April 2025 © Camille Henrot Courtesy the artist and Hauser & Wirth Photo: Thomas Barratt

The New York Times

Zoë Hopkins

2 January 2025

At Lorna Simpson’s Show, a Constellation of Galactic and Human History

‘Exuding a serene drama, Simpson’s paintings of meteorites are the most gripping part of the exhibition.’
Installation view, ‘Lorna Simpson: Earth & Sky,’ at Hauser & Wirth New York. Photo: Thomas Barratt.

The Believer

Carmen Winant

19 December 2024

An Interview with Annie Leibovitz

‘The older I get, and with the accumulation of the work I have, it is so interesting to see the relationships between the photographs. That’s kind of what I’m interested in in the show I’m having at Hauser & Wirth.’
Installation view, 'Annie Leibovitz. Stream of Conciousness,' Hauser & Wirth New York, 22nd Street. Photo: Thomas Barratt

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