Frieze
The Power of Printed Matter: An Interview with Michaela Unterdörfer
‘By commissioning original, insightful and scholarly writing for our publications, we aim to provide accessible, lasting records of artists’ works, ideas and exhibitions. This fits with the gallery’s emphasis on education, which has been a backbone of its activities from the outset.’
Frieze
Camille Henrot on Self Help, Gossip and Pre-lingual Communication
‘Estelle Hoy speaks to the artist about the inspiration behind her solo exhibition at Oslo’s Munch Museum.’
Frieze
Richard Jackson’s Gleeful Machismo
‘At Hauser & Wirth, Zürich, a survey of the artist’s work from the past 30 years likens painting to shooting practice.’
Wallpaper*
Amy Sherald’s vivid, triumphant portraits reframe Black personhood in Western art
‘Sherald’s visually stunning works pop in bold primary colours. Within them rests hints at the possibility of a paradigm shift and the tools for the transformation of consciousness.’
designboom
Hauser & Wirth Brings Richard Jackson’s ‘Painting machines’ and Neon Works to Zurich
‘It is my idea to try to expand painting, not just in size but to see how far it could be extended or pushed.’
The New York Times Style Magazine
Zoe Leonard Goes With the Flow
‘I think maybe the most important thing for an artist is to have time to try a lot of ideas and make mistakes. That kind of freedom leads you to an idea that has precise contours.’
The Telegraph
Is Michelle Obama’s portraitist about to become art’s new household name?
‘Everything works here; everything glows. Within minutes of entering Sherald’s show, life will have caught your eye.’
The Guardian
‘Everything I do is saying Black lives matter’: how artist Amy Sherald defined an era
‘But, in addition to the everyday people featured in her work, The World We Make also alludes to historic images, reinserting Black people into iconic moments in the western canon where our impact is understated.’
