Financial Times
Portrait of a generation
‘On Windrush Day, Thomas J Price’s new statue honours a generation of immigrants.’
Document Journal
Nicolas Party warps familiar realities into an unsettling world of his own
‘Art has a long history of depicting nature—or even [defining] what nature is and what the differences are between human and nature, culture and nature. Nowadays we have [reached] this peak of anxiety about nature and the planet.’
The New York Times
What to See in N.Y.C. Galleries Right Now
‘The Brooklyn artist often uses several styles in the same work, as in the standout painting, “The Abolitionists in the Park” (2020-21). There’s pizza and tender embraces among a crowd gathered on a blue tarp, with Guston-like caricatures occupying the margins and a realist dual-portrait of Hannah Black and Tobi Haslett occupying the middle…This is ambitious history painting thinking through freedom, asking whose?’
Financial Times
The magic of Stonehenge
‘In his sculpture, the landscape and the human body are totally interchangeable. Just as they were in the minds of our ancestors; it’s all part of the great circle of life.’
Harper's Bazaar
Sculpture, Stonehenge and the sublime: Hauser & Wirth’s new Somerset exhibition
‘Sculpture is a confrontational thing where you and the object come together wordlessly.’
Los Angeles Times
Sculptures of grand, vivifying ambition
‘You've never seen anything quite like it... Barlow pulls from a variety of established artistic forms, mixes them with her own peculiar sense of invention, then seems to drop them into an industrial-strength blender to produce sculptures of grand, vivifying ambition.’
The Brooklyn Rail
Takesada Matsutani with Charles M. Schultz
‘A new way. New ideas. This is very important.’
The New York Times
What to See in N.Y.C. Galleries Right Now
‘This is painting pressed to an extreme limit...’
