Pat Steir

© Pat Steir. Photo: Grace Roselli

Among the great innovators of contemporary painting, Pat Steir first came to prominence in the late 1970s and early 1980s for her iconographic canvases and immersive wall drawings. By the late 1980s, her inventive approach to painting—the rigorous pouring technique seen in her Waterfall works, in which she harnessed the forces of gravity and gesture to achieve works of astonishing lyricism—attracted substantial critical acclaim. Informed by a deep engagement with art history and Eastern philosophy, and a passion for artistic advocacy in the both the visual and literary realms, Steir’s storied five-decade career ­­continues to reach new heights through an intrepid commitment to material exploration and experimentation.

Born in Newark, New Jersey in 1938, Steir attended New York’s Pratt Institute from 1956-58, where she took painting classes from Richard Linder and Philip Guston. Steir transferred to Boston University College of Fine Arts where she studied art and philosophy from 1958-60, before returning to Pratt, where she received her BFA in 1962. It was during her days as a student that she first became acquainted with many of the most influential conceptual and minimalist artists of the day, figures that would become Steir’s lifelong friends such as Sol LeWitt, Brice Marden and Lawrence Weiner. Shortly after graduating, Steir was invited to participate in her first group exhibition at The High Museum in Atlanta and only a year later was featured in group shows at the Philadelphia Museum of Art and The Museum of Modern Art, New York. These shows helped position her among the first group of women artists to gain recognition in the male dominated art scene of the time, paving the way for numerous long-term relationships with well-respected international galleries. In the mid-1960s, Steir worked as a freelance illustrator before being offered the role of Art Director at Harper and Row Publishing Company in New York. In the early 1970s she taught illustration at Parsons the New School for Design and then painting at the California Institute of the Arts where Ross Bleckner and David Salle were among her students. Steir simultaneously worked as an editor for Semiotext(e) magazine and was a founding board member of both the Printed Matter bookshop and the landmark feminist journal Heresies.

Steir also became friends with artists Mary Heilmann and Joan Jonas in the early 1970s, participating in an early improvisational film by Jonas and joining Heilmann and artist Joan Snyder in a three-person exhibition at the Paley & Lowe gallery. It was also during this time, at the invitation of Douglas Crimp, that Steir first travelled to New Mexico to visit artist Agnes Martin, a trip she would continue to make over many years until Martin’s death in 2004.

In the mid-1970s Steir showed her first iconic and critically acclaimed series of works—paintings of roses that were then completely crossed out, transcending the divide between figuration and abstraction. She also began to make site-specific wall drawings and room-sized installations. These installations transformed her paintings into a three-dimensional experience formed by light and line, allowing the viewer to step out of their reality and into an illusionary world connected to both nature and the progression of time. As Steir has said, ‘Installation allows the artist to paint out of the painting and into space and the viewer to move from space into a painting—the space where the act of painting takes place is in the imagination of the viewer.’

In the late 1970s, after traveling extensively both in the United States and in Europe, Steir and composer John Cage became good friends while working together at Crown Point Press. His embrace of chaos or randomness and non-intention in creative activity became especially influential on her practice, inspiring her to see new potential for accident and chance in artmaking. In the early 1980s, Steir made her first trip to Japan where she became fascinated by Japanese woodcuts and Chinese literati landscape painting, particularly ancient Chinese Shan shui (mountain water), which evoked nature rather than trying to replicate it. By the late 1980s, Steir began experimenting with the technique that has since come to define her oeuvre, no longer strictly using a brush which allowed her to take herself out of the picture. Subject to the influence of time, the finished work is what gravity and the weight of the paint has made. They are not paintings of landscapes but landscapes in and of themselves, an image that both evokes a waterfall and is a waterfall. As much as Steir’s process embraces chance, she retains complete command over the basic parameters. It is a harmonious collaboration between control and chaos, ‘chance within limitations.’ A remarkable synthesis of conceptualism, minimalism, and abstraction that challenges the postwar American canon, Steir’s practice remains limitless.

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Pat Steir


Print Biography
Newark NJ, 1938

Studied at Pratt Institute, Brooklyn NY, 1956 – 1958
Studied at Boston University, Boston MA, 1958 – 1960
Studied at Pratt Institute, Brooklyn NY, 1960 – 1962
Received BFA from Pratt Institute, Brooklyn NY, 1961
Received Honorary Doctorate of Fine Art from Pratt Institute, Brooklyn NY, 1991
Received Alumni Honoree from Pratt Institute, Brooklyn NY, 2002
Received Alumni Honoree from Boston University, Boston MA, 2002

Lives and works in New York

Solo Exhibitions

Pace Prints, 'Pat Steir', New York NY
Locks Gallery, 'Snow and Waterfall', Philadelphia PA
Hauser & Wirth, 'Pat Steir. Blue River and Rainbow Waterfalls', New York NY
Gagosian, ‘Pat Steir Paintings,’ Rome, Italy
Long Museum, ‘Pat Steir,’ Shanghai, China
Levy Gorvy, ‘Considering Rothko,’ Palm Beach FL

Levy Gorvy, ‘Waterfall Paintings on Paper,’ New York NY
Vito Schnabel Gallery, ‘Pat Steir: Paintings From The East,’ St. Moritz, Switzerland

Levy Gorvy, Visible Traces, cur. Pat Steir, New York NY
Hirshhorn Museum, ‘Pat Steir: Color Wheel,’ Washington DC
Vito Schnabel Gallery, ‘Pat Steir: Paintings,’ New York NY
Locks Gallery, ‘Pat Steir,’ Philadelphia PA
Barnes Foundation, ‘Silent Secret Waterfalls,’ Philadelphia PA
Thomas Schulte Gallery, ‘Pat Steir: Self Portrait 1987 - 2018 and Paintings,’ Berlin, Germany
Levy Gorvy, ‘Kairos,’ New York NY
Pace Prints, ‘Pat Steir Mono Prints,’ New York NY
Dominique Levy Gallery, ‘Pat Steir,’ London, UK
T Space, ‘Pat Steir: The Floating Line,’ Rhinebeck NY
Helen Day Art Center, ‘Pat Steir: Drawings,’ Stowe V
Texas Gallery, Houston TX
Moore College of Art and Design, ‘Visionary Women’s Award Exhibit,’ Philadelphia PA
Meyerovich Gallery, ‘Pat Steir: Waterfalls: Works on Paper,’ San Francisco CA
Locks Gallery, ‘Pat Steir For Philadelphia,’ Philadelphia PA
Alessandra Bonomo Gallery, ‘Floating Lines,’ Rome, Italy
The Armory Fair at Pier 92, ‘Floating Line,’ New York NY
Cheim & Read, New York NY
Pace Prints, ‘Hand Painted Monoprints,’ New York NY
National Academy Museum, ‘Blue River,’ New York NY
Newcomb Art Gallery, Tulane University, ‘Self Portrait and The Nearly Endless Line,’ New Orleans LA
Baldwin Gallery, ‘Pat Steir: New Paintings,’ Aspen CO
Academy Art Museum, ‘Pat Steir: A View,’ Easton MD
Pace Prints, ‘Pat Steir: Editions and Monoprints,’ New York NY
Crown Point Press, ‘Pat Steir,’ San Francisco CA
Galerie Thomas Schulte, ‘A Nearly Endless Line #3,’ Berlin, Germany
Locks Gallery, ‘Water and Sand,’ Philadelphia PA
ADAA The Art Show to benefit Henry Street Settlement, ‘A Special Print Edition: Pat Steir,’ New York NY
Cheim & Read, ‘Winter Paintings,’ New York NY
The Brodsky Center, Pennsylvania Academy of the Fine Arts, Philadelphia PA
Produced Cry Stall Gaze collaboration with Anne Waldman at The Brodsky center at Rutgers in New Jersey, 2010-11
Whitney Museum of American Art, ‘Another Nearly Endless Line,’ New York NY
Ochi Fine Art, Ketchum, Idaho
Sue Scott Gallery, ‘Pat Steir: The Nearly Endless Line,’ New York NY
Produced in installation at Sue Scott Gallery two poetry reading performances: Anne Waldman reading+ Ambrose Bye music (12/9/10)
Mei-mei Berssenbrugge reading her poetry (12/19/10)
Richard Tuttle reading his poetry (12/19/10)
Galerie Jaeger Bucher, ‘Paint,’ Paris, France
Neuberger Museum of Art, Purchase NY
Purchase College, ‘Self Portrait: An Installation NY,’ Purchase NY
Contemporary Arts Center, ‘Pat Steir: Water & Stone,’ Cincinnati OH
Museum of Art, Rhode Island School of Design, ‘Pat Steir: Drawing Out of Line,’ Providence RI
Ochi Fine Art, Ketchum ID
Locks Gallery, ‘Paintings on Painting,’ Philadelphia PA
New York Studio School, ‘Pat Steir Self-Portrait: Reprise 1987-2009,’ New York NY
Elizabeth Leach Gallery, ‘Pat Steir: Recent Work; Paintings & Monotypes,’ Portland OR
Pace Prints, ‘Pat Steir: New Monoprints,’ New York NY
Bentley Gallery, Scottsdale AZ
Carl Solway Gallery, ‘Pat Steir: Prints and Paintings,’ Cincinnati OH
Cheim & Read, New York NY
Reykjavik Art Museum, Reykjavik, Iceland
Rosenbaum Contemporary, Boca Raton FL
Baldwin Gallery, ‘Pat Steir: Gravity and Levity,’ Aspen CO
Locks Gallery, ‘Pat Steir: Moons and Mirages,’ Philadelphia PA
Kiang Gallery, ‘Small Paintings from the Studio of Pat Steir,’ Atlanta GA
Bentley Gallery, Scottsdale AZ
Texas Gallery, ‘Pat Steir: New Paintings,’ Houston TX
Galleria Alessandro Bonomo, ‘Pat Steir, Blue Moon, Paintings, Drawings, and Prints,’ Rome, Italy
Cheim & Read, New York NY
Cook Fine Art, ‘Pat Steir: Drawings,’ New York NY
Pace Prints Gallery, New York NY
Ochi Fine Art, Ketchum ID
Crown Point Press, ‘Mixed Marks: Seven New Color Etchings,’ San Francisco CA
Galleria Nationale Moderne Borghese, Rome, Italy
Des Moines Art Center, Des Moines IA
Pace Prints Gallery, ‘Hand-painted Monotypes,’ New York NY
Locks Gallery, ‘Pat Steir: The Rhythm of Silence,’ Philadelphia PA
Boise Art Museum, ‘Pat Steir: Waterfall Paintings,’ Boise ID
Crown Point Press, ‘New Releases by Pat Steir,’ San Francisco CA
Baldwin Gallery, Aspen CO
Kiang Gallery, Atlanta GA
Crown Point Press, San Francisco CA
Alessandro Bonomo Gallery, Rome, Italy
Cheim & Read, New York NY
University Art Museum, University of Michigan, Ann Arbor MI
Boston University Art Gallery, ‘Looking East, Contemporary Painters Engagement with Chinese Art’ [exhibition with Brice Marden and Michael Mazur], Boston MA
Contemporary Arts Museum, Honolulu HI
Madison Art Center, Madison WI
Piece Unique, ‘Waterfall Des Reves,’ Paris, France
Galerie Simonne Stern, ‘Sweet Suite,’ New Orleans LA
Galleria Bonomo, ‘Distant Horizon,’ Bari, Italy
Sherman Gallery, Boston University, ‘Pat Steir: Recent Prints,’ Boston MA
University Art Museum, University of Michigan, Ann Arbor MI
Selby Gallery, Ringling School of Art and Design, ‘Dazzling Water, Dazzling Light: Paintings by Pat Steir,’ Sarasota FL (Traveling Exhibition)
Butler Institute of American Art, ‘Dazzling Water, Dazzling Light: Paintings by Pat Steir,’ Youngstown OH (Traveling Exhibition)
Des Moines Art Center, ‘Dazzling Water, Dazzling Light: Paintings by Pat Steir,’ Des Moines IA (Traveling Exhibition)
Lyman Allyn Museum of Art at Connecticut College, ‘Dazzling Water, Dazzling Light: Paintings by Pat Steir,’ New London CT (Traveling Exhibition)
Leigh and Mary Block Art Museum, Northwestern University, Evanston IL
Selby Gallery, Ringling School, ‘Watersheds,’ Sarasota FL
MA College of Art, Chase Bank Installation, Boston MA
Rhona Hoffman Gallery, Chicago IL
Norton Museum, Sarasota FL
United States Chancery, Moscow, Russia
Permanent installation of five panels in the Grand Entrance Embassy Suites Hotel, Battery Park City, New York, Permanent installation of two large scale wall drawings for the Public Art Fund
Harley Baldwin, Aspen CO
Marlborough Gallery, New York NY
Buffalo AKG Art Museum, Buffalo NY
Piece Unique, Paris, France
Piece Unique, Double-Sided Painting, Paris, France
Weatherspoon Art Gallery, University of North Carolina, ‘5 Easy Pieces,’ Greensboro NC
Nina Freudenheim Gallery, Buffalo NY
Crown Point Press, ‘New Editions by Pat Steir,’ San Francisco CA
Baumgartner Galleries, ‘New Work,’ Washington DC
Rhona Hoffman Gallery, ‘Recent Paintings,’ Chicago IL
PS 1 Contemporary Art Center, ‘Ghost Moon, Mountain Water,’ Long Island City NY
Island City, NY wall painting installation curated by Klaus Biesenbach
Whitney Museum of American Art, ‘Likity Split,’ [installation], New York NY
Robert Miller Gallery, ‘Wind Water Stone,’ New York NY
Pat Steir Galerie Deux Co, Ltd, ‘Waterfalls,’ Japan
Brooklyn Museum, ‘Pat Steir: Waves and Waterfalls 1982–1992,’ Brooklyn NY
Dorothy Blau Gallery, Bay Harbor Islands FL
Franck & Schulte, Berlin, Germany
The Irish Museum of Modern Art, ‘Pat Steir: Paintings 1985 – 1995,’ Dublin, Ireland
Quartier Art Centre, Centre d'art contemporain de Quimper, France
Robert Miller Gallery, 'North Sea Passage', New York NY
Baldwin Gallery, 'New Work: Paintings and Works on Paper', Aspen CO
Franck & Schulte, Berlin, Germany
Kunstwerke Berlin, Germany
Print Cabinet, Museum d'art Moderne, ‘Black & White’ [exhibition with Donald Judd], Geneva, Switzerland
The Irish Museum of Modern Art, ‘From Beyond the Pale: Pat Steir: A Painting Project,’ Dublin, Ireland
Jaffe Baker Blau, Boca Raton FL
Anders Tornberg Gallery, ‘Pat Steir: Paintings and Etchings,’ Lund, Sweden
Dennis Ochi Gallery, Sun Valley/Boise ID
Guild Hall Museum, East Hampton NY
Galleria Alessandra Bonomo, Rome, Italy
Galerie Franck & Schulte, ‘Pat Steir: Wall Drawings,’ Berlin, Germany
Centre National d'art Contemporain de Grenoble, France
Robert Miller Gallery, ‘Elective Affinities,’ New York NY
Galerie Albert Baronian, ‘Pat Steir Paintings,’ Brussels, Belgium
Galerie Franck & Schulte, ‘Pat Steir,’ Berlin, Germany
Linda Cathcart Gallery, Santa Monica CA
Crown Point Press, ‘Pat Steir: New Editions,’ San Francisco CA
Mackenzie Art Gallery, ‘Self-Portrait Installation,’ Regina, Canada
Victoria Miro Gallery, ‘Waterfalls,’ London, UK
USF Contemporary Art Museum, University of South Florida, ‘Paintings,’ Tampa FL
Robert Miller Gallery, ‘Pat Steir Waterfall Paintings,’ New York NY
Galerie Montenay, Paris, France
National Gallery of Art, ‘Conversations with Artists’ [Pat Steir with Kathan Brown], Washington DC
Musee d'art Contemporain, Lyon, France
NJ Center for the Visual Arts, ‘Pat Steir: Ways of Seeing, Paintings Drawings Prints of the 1980s,’ Summit NJ
Dennis Ochi Gallery, ‘Pat Steir: Drawings,’ Sun Valley/Boise ID
Galerie Eric Franck, ‘Pat Steir: New Waterfall Paintings,’ Geneva, Switzerland
TransArt Exhibitions, ‘Pat Steir: Neue Wasserfallbilder,’ Cologne, Germany
Galeria Marilena Bonomo, Bari, Italy
Massimo Audiello Gallery, ‘Waterfall Paintings,’ New York NY
Fuller Gross Gallery, ‘Waterfall Paintings,’ San Francisco CA
Harcus Gallery, ‘Pat Steir: New Works,’ Boston MA
Crown Point Press, ‘New Monoprints,’ New York NY
Crown Point Press, ‘New Monoprints,’ San Francisco CA
Crown Point Press, ‘Pat Steir: Waterfall Monoprints,’ San Francisco CA (Traveling Exhibition)
Crown Point Press, ‘Pat Steir: Waterfall Monoprints,’ New York NY (Traveling Exhibition)
Cabinet des estampes, Musee d'art et d'Historie, ‘Pat Steir Prints 1976–1988,’ Geneva, Switzerland (Traveling Exhibition)
Tate Gallery, ‘Pat Steir Prints 1976–1988,’ London, UK (Traveling Exhibition)
Victoria Miro Gallery, ‘Pat Steir Prints 1976–1988,’ London, UK (Traveling Exhibition)
Galeria Marilena Bonomo, ‘Pat Steir Prints 1976–1988,’ Bari, Italy (Traveling Exhibition)
M. Knoedler & Co, Inc., ‘Pat Steir: Waterfall Series,’ New York NY
Kunstmuseum, ‘Pat Steir: Paintings and Drawings,’ Bern, Switzerland
The Baltimore Museum of Art, ‘Galerie Drawing Now: Pat Steir,’ Baltimore MD
Galleria Alessandra Bonomo, ‘Pat Steir Autorittrato,’ Rome, Italy
Rijksmuseum Vincent van Gogh, ‘Pat Steir: Paintings: 81–84’ [Pat Steir: Schilderijn 1981–84], Amsterdam, Netherlands
Galerie Eric Franck, Geneva, Switzerland
M. Knoedler & Co Inc., ‘Pat Steir: The Moon and the Wave,’ New York NY
Adelina Von Furstenberg, Geneva, Switzerland
New Museum of Contemporary Art, ‘Pat Steir: Self-Portrait: An Installation,’ New York NY
Dallas Museum of Art, ‘Concentrations 14: Pat Steir,’ Dallas TX
Kuhlenschmidt/Simon Gallery, ‘Pat Steir: New Paintings,’ Los Angeles CA
The Harcus Gallery, Boston MA
Fuller Goldeen Gallery, San Francisco CA
John C Stoller & Co, Minneapolis MN
Castelli Uptown, New York NY
Crown Point Press, ‘Pat Steir: New Monoprints and Etchings,’ New York NY
Galerie Eric Franck, ‘Pat Steir Peintures 1981 – 1985,’ Geneva, Switzerland
Dolan/Maxwell Gallery, ‘Pat Steir: Major Prints and Drawings,’ Philadelphia PA
Cincinnati Art Museum, ‘New Drawings,’ Cincinnati OH
Fuller Goldeen Gallery, San Francisco CA
Philadelphia College of Art, ‘Pat Steir Prints/Printmaking,’ Philadelphia PA
Galerie Gilbert Brownstone, ‘Survivance de l’avant garde,’ Paris, France
The Brooklyn Museum, ‘Pat Steir, The Breughel Series (A Vanitas Of Style),’ Brooklyn NY [Traveled to Minneapolis College of Art and Design, Minneapolis, MN (4/5/85 – 5/85); Joslyn Art Museum, Omaha, Nebraska (8/ 3/85 – 9/15/85); University Art Museum, Berkeley, CA (early November/85 – late December/85); The OH State University Gallery of Fine Art, Columbus, OH (2/6/86 – 2/25/86); Honolulu Academy of Arts, Honolulu, HI (3/26/86 – 5/4/86); Dallas Museum of Fine Arts, Dallas, TX (11/1/86 – 1/4/87);
Centre d'art Contemporain Palais Wilson, Geneva, Switzerland (3/13/87 – 4/23/87); Los Angeles County Museum, Los Angeles, CA (3/23 – 7/12/87); Des Moines Art Center, Des Moines, Iowa (7/21 – 9/27/87); Haags Gemeentemuseum, The Hague, The Netherlands (4 – 6/88)]
Nina Freudenheim Gallery, ‘Pat Steir New Work,’ Buffalo NY
Galleriet Anders Tornberg Gallery, ‘Pat Steir: New Paintings,’ Lund, Sweden
Van Straaten Gallery, ‘Pat Steir, New Paintings and Works on Paper,’ Chicago IL
Galerie Barbara Farber, ‘Pat Steir New Paintings,’ Amsterdam, The Netherlands
Real Art Ways, Hartford CT
Signet Art Gallery, St Louis MO
Contemporary Arts Museum, Houston TX (Traveling Exhibition)
Lowe Art Museum, Coral Gables FL (Traveling Exhibition)
The Contemporary Arts Center, Cincinnati OH (Traveling Exhibition)
Spencer Museum of Art, University of Kansas, ‘Form Illusion Myth: The Prints and Drawings of Pat Steir,’ Lawrence KS (Traveling Exhibition)
University Art Museum, California State University, ‘Form Illusion Myth: The Prints and Drawings of Pat Steir,’ Long Beach CA (Traveling Exhibition)
Contemporary Arts Museum, Houston, ‘Form Illusion Myth: The Prints and Drawings of Pat Steir,’ Houston TX (Traveling Exhibition)
The Wellesley College Museum, ‘Form Illusion Myth: The Prints and Drawings of Pat Steir,’ Wellesley MA (Traveling Exhibition)
Brooks Memorial Art Gallery, ‘Form Illusion Myth: The Prints and Drawings of Pat Steir,’ Memphis TN (Traveling Exhibition)
Fuller Goldeen Gallery, San Francisco CA
McIntosh/Drysdale Gallery, Houston TX
Crown Point Press, ‘At Sea/82’ [monotypes], New York NY
Galeria Marilena Bonomo, Bari, Italy
Gloria Luria Gallery, Bay Harbour Islands FL
The Harcus Gallery, Boston MA
Eason Gallery, Santa Fe NM
Galerie Annemarie Verna, Zurich, Switzerland
Galerie Farideh Cadot, Paris, France
Nina Freudenheim Gallery, Buffalo, New York NY [watercolors]
Galleriet, ‘Pat Steir Etchings and Lithos and Drawings,’ Lund, Sweden
Crown Point Press Gallery, ‘Pat Steir: Etchings and Paintings,’ Oakland CA
Bell Art Gallery, List Art Center, Brown University, ‘Pat Steir,’ Providence RI
Galeria Marilena Bonomo, Bari, Italy
Galerie Farideh Cadot, Paris, France
Marianne Deson Gallery, Chicago IL
Max Protech Gallery, New York NY
Droll/Kolbert Gallery, New York NY
Galerie Farideh Cadot, Paris, France
Galerie d'art Contemporain, Geneva, Switzerland
Max Protech Gallery, New York NY
Galerie Farideh Cadot, Paris, France
Art School for Children, Birmingham AL
Droll/Kolbert Gallery, New York NY
Galerie Farideh Cadot, Paris, France
Galeria Marilena Bonomo, Bari, Italy
Carl Solway Gallery, Cincinnati OH
Fine Art Gallery, California State University, Long Beach CA
The Art Gallery, University of MD, College Park MD
Galerie Farideh Cadot, Paris, France
Morgan Thomas Gallery, Santa Monica CA
Otis Art Institute, Los Angeles CA
White Gallery, Portland State University, Portland OR
Xavier Fourcade, Inc, New York NY
Fourcade, Droll, Inc, New York NY
John Doyle Gallery, Paris, France
State University of New York, Oneonta NY
Ball State University Art Gallery, Muncie IN
The Corcoran Gallery of Art, Washington DC
Max Protech Gallery, Washington DC
Douglass College, Rutgers University, New Brunswick NJ
Paley & Lowe, Inc, New York NY
Graham Gallery, New York NY
Bienville Gallery, New Orleans LA
Terry Dintenfass Gallery, New York NY
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Group Exhibitions

Milwaukee Art Museum, '50 Paintings', Milwaukee WI
Gagosian, 'To bend the ear of the outer world—Conversations on Contemporary Abstract Painting', London, UK
Perez Art Museum, Miami, 'Joan Didion: What She Means', cur. Hilton Als, Miami FL (traveling exhibition)
Salvador Dalí Museum, 'The Shape of Dreams', St. Petersburg FL
Galerie Thomas, ‘Cartographies of Colour: Sam Gilliam, Peter Halley, Odili Odita, Pat Steir,’ Munich, Germany
Hammer Museum, 'Joan Didion: What She Means', cur. Hilton Als, Los Angeles CA (traveling exhibition)
Levy Gorvy, ‘Aspen Pop-Up,’ Aspen CO
Levy Gorvy, ‘Eternal Seasons: Part 1,’ Hong Kong
Galerie Eva Presenhuber, ‘Pat Steir, Ugo Rondinone Waterfalls & Clouds,’ Zurich, Switzerland
RISD Museum, ‘Visions and Revisions,’ Providence RI
New Orleans Museum of Art, ‘Ear To the Ground: Earth and Element in Contemporary Art,’ New Orleans LA
Jason McCoy Gallery, ‘Artist Books,’ New York NY
New Orleans Museum of Art, ‘Ear to the Ground,’ New Orleans LA
Galerie Thaddeus Ropac, ‘It Comes in Waves,’ Paris, France
Peter Freeman Gallery, ‘Summer,’ New York NY
Victoria Miro, ‘Surface Work,’ London, UK
Maxxi Museum, ‘Place to Be,’ Rome, Italy
Gild Hall, ‘Recollections: Selections from the Permanent Collection,’ East Hampton NY
Gild Hall, ‘Landscape: Urban & Rural’, San Francisco CA
David Zwirner, ‘65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts,’ New York NY
Crown Point Press, ‘Winter Group Show,’ San Francisco CA
The Drawing Center, ‘Drawing Dialogues: Selections from the Sol Lewitt Collection,’ New York NY
Crown Point Press, ‘Summer Choices: A Group Exhibition,’ San Francisco CA
Locks Gallery, ‘A Golden Age,’ Philadelphia PA
University Study Gallery and Art Study Center, Harvard Art Museums, ‘The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States,’ Cambridge MA
Crown Point Press, ‘Summer Choices,’ San Francisco CA
Whitney Museum of Art, ‘Shaping a Collection: Five Decades of Gifts,’ New York NY
‘Faberge Big Egg Hunt,’ New York NY
Visual Arts Center of New Jersey, 'Women Choose Women', Summit NJ
Elisa Contemporary Art, 'Monochromatic Vision', New York NY
Pratt University, '125 ICONS: A CELEBRATION OF WORKS BY PRATT ALUMNI AND FACULTY, 1887- 2012', New York NY
Deurves du Fonds departemantal d’art contemporain d’lle-et-Vilaine, 'Resonnances', Bretagne, France
Solway Gallery, 'Thanks: 50th Anniversary Exhibition', Cincinnati OH
The Cathedral Church of Saint John the Divine, 'The Value of Water', New York NY
Cheim & Read Gallery, 'The Women in our Life', New York NY
Sue Scott Gallery, 'Paper A-Z', New York NY
National Gallery of Art, 'Modern Lab: The Found Alphabet', Washington DC
HP Garcia Gallery, 'One of a Kind', New York NY
Pierre Menard Gallery, 'One of A Kind', Cambridge MA
Musee d’art, 'Dessins contemporains du musee d’art', Toulon, France
Zürcher Studio, 'Devotion', cur. Joe Fyfe, New York NY
Silas Marder Gallery, 'Women', Bridgehampton NY
Center for the Arts/College of Staten Island, 'Wording the Image/Imaging the Word', New York NY
Ochi Gallery, 'Unabashed, Unclad, Unframed: Work on Paper by a Few of Our Favorite Ladies', Ketchum ID
Rutgers University, Brodsky Center for Innovative Editions, 'Annual Exhibition 2010–2011', New Brunswick NJ
Cheim & Read, 'Abstractions by Gallery Artists', New York NY
Leo Koenig Inc., 'Don’t Perish', New York NY
Camille Obering Fine Art, 'Color, Light, and Line: Influences of Nature on Abstraction', Jackson WY
The Speed Art Museum, 'The Dorothy and Herbert Vogel Collection - Fifty Works for Fifty States', Louisville KY
Galerie Jaeger Bucher, 'Expansion – Résonance', Paris, France
Maccarone Gallery, 'Pretty Ugly', New York NY
Parks Exhibition Center at Idyllwild Arts, 'Paintings' Edge', Idyllwild CA
ZKM | Center for Art and Media Karlsruhe, 'High Times, Hard Times: New York Painting 1965 – 75', Karlsruhe, Germany (Traveling Exhibition)
Orlando Museum of Art, 'Audacity in Art: Selected Works from Central Florida Collections', Orlando FL
Ringling Museum of Art, Selby Gallery, 'Solos: 20th Anniversary Exhibitions: Part Two', Sarasota FL
Reykjavik Art Museum, 'Disarmed', Reykjavik, Iceland
i8 Gallery, Reykjavik, Iceland
Galleria Marilena Bonomo, Bari, Italy
National Academy Museum, 'High Times, Hard Times: New York Painting 1965 – 75', New York NY (Traveling Exhibition)
Museo Tamayo Arte Contemporáneo, 'High Times, Hard Times: New York Painting 1965 – 75', Mexico City, Mexico (Traveling Exhibition)
Neue Galerie Graz, 'High Times, Hard Times: New York Painting 1965 – 75', Graz, Austria (Traveling Exhibition)
Northern Print Gallery, 'Making a Mark', Newcastle upon Tyne, UK
Independent Curators International, 'High Times, Hard Times: New York Painting 1965 – 75', New York NY (Traveling Exhibition)
Weatherspoon Art Museum, University of North Carolina at Greensboro, 'High Times, Hard Times: New York Painting 1965 – 75', Greensboro NC (Traveling Exhibition)
American University Museum at the Katzen Arts Center, 'High Times, Hard Times: New York Painting 1965 – 75', Washington DC (Traveling Exhibition)
Polk Museum of Art, 'Women Only! In Their Studios', Lakeland FL
Danese Gallery, 'Gray to Black', New York NY
National Academy, 'The 181th Annual', New York NY
Madison Museum of Contemporary Art, 'At Home: Recent Acquisitions', Madison WI
Tang Teaching Museum, Skidmore College, 'Twice Drawn', Saratoga Springs NY
Milwaukee Art Museum, 'More And Less: Post-Minimal Prints and Drawings', Milwaukee WI
Baumgartner Gallery, '25 years Baumgartner Gallery Part 2', New York NY
Carl Solway Gallery, 'BLOOMING: A Summer Garden for the Picking', Cincinnati OH
Elizabeth Leach Gallery, 'Paint', Portland OR
Huntington Museum of Art, 'Graphics by 20th Century Masters From the Cochran Collection', Huntington WV
University Art Gallery, Indiana State University, 'Contemporary Woman Artists', Terre Haute IN
'Women Only-Traveling Show' (August 2005-2008)
Beijing Biennial, Beijing, China
Whitney Museum of American Art, 'Landscape', New York NY
Samek Art Gallery, 'Intimate Collaboration: Twenty Five Years of Teaberry Press', Lewisburg PA
Fay Gold Gallery, 'Twelve From Cheim & Read', Atlanta GA
Cook Fine Art, 'Abstractions', New York NY
Chelsea Art Museum, 'Presence', New York NY
Whitney Museum of American Art, 'New Additions: Prints For An American Museum', New York NY
Senior & Shopmaker Gallery, 'Contemporary Art And Furniture Design In Dialogue', New York NY
Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, 'The Invisible Thread: Buddhist Spirit in Contemporary Art', Snug Harbor, New York NY
Neuberger Museum of Art, 'Breathless', Purchase NY
University of Virginia Art Museum, 'Roads Taken: 20th Century Prints and Drawings From The Collection', Charlottesville VA
Museum of American Art, New Britain CT
Cheim & Read, 'Simple Marks', New York NY
Susquehanna Art Museum, 'Larger Than Life, Woman Artists Making it Big', Harrisburg PA
Collection of Carol and Sol Lewitt, 'Lewitt’s Lewitt’s', New Britain CT
Von Lintel Gallery, 'Zenroxy', New York NY
Kiang Gallery, 'Sky River Group', Atlanta GA
'Wall Street Rising – Art Downtown', New York NY
Art Museum, Des Moines Art Center, Des Moines IA (Traveling Exhibition)
Oakland Museum, Oakland CA (Traveling Exhibition)
Glenn Horowitz Bookseller at Art Upstairs (with Graham Leader), 'The Sea, the sea...', East Hampton NY
Palazzo Reale, 'New York Renaissance: Masterworks of the Whitney Collection', Rome, Italy
National Academy Museum, 'Modernism & Abstraction: Treasures from the Smithsonian’s American Art Museum', New York NY
Boston University Art Gallery, 'Looking East: Brice Marden, Michael Mazur, Pat Steir', Boston MA
Contemporary Arts Museum, 'The Inward Eye: Transcendence in Contemporary Art', Houston TX
Texas Gallery, 'Some Paintings, Bill Jensen, Harriet Korman, Beatriz Milhazes, Stephen Mueller, Pat Steir', Houston TX
Cheim & Read, 'Liquid Properties', New York NY
Irish Museum of Modern Art, 'The First 10 Years: Selected Works from the Collection', Dublin, Ireland
University of Rochester, 'Modernism & Abstraction: Treasures from the Smithsonian’s American Art Museum Memorial Art Gallery', Rochester NY (Traveling Exhibition)
Allentown Art Museum, 'Modernism & Abstraction: Treasures from the Smithsonian’s American Art Museum Memorial Art Gallery', Allentown PA (Traveling Exhibition)
Worcester Art Museum, 'Modernism & Abstraction: Treasures from the Smithsonian’s American Art Museum Memorial Art Gallery', Worcester MA (Traveling Exhibition)
Central Connecticut State University, 'Looking East: Dialogue, Selections from the LeWitt Collection and the Samuel S T Chen Collection', New Britain CT
First Center for the Visual Arts, 'Modernism & Abstraction: Treasures from the Smithsonian’s American Art Museum Memorial Art Gallery', Nashville TN (Traveling Exhibition)
Colby College Museum of Art, 'Modernism & Abstraction: Treasures from the Smithsonian’s American Art Museum', Waterville ME
Art Resources Transfer (ART), 'Pat Steir and Betty Woodman: A Conversation', New York NY
The Art Museum at Florida International University, Miami FL
The Whitney Museum of Art, 2nd Floor exhibition, New York NY
Danese Gallery, 'The Permanent collection Bill Jensen, Barry Le Va, Pat Steir: New York', New York NY
The National Gallery of Art, Washington DC
Whitney Museum of American Art, 'The American Century', New York NY
National Gallery of Art, 'Curtain Waterfall' [and installation grand lobby], Washington DC
'The Edge of Awareness', cur. Adelina von Furstenberg, org. Art for the World, New Delhi, India (Traveling Exhibition)
Art for the World, 'The Edge of Awareness', cur. Adelina von Furstenberg, org. Art for the World, Geneva, Switzerland (Traveling Exhibition)
P S 1 Contemporary Art Center, 'The Edge of Awareness', cur. Adelina von Furstenberg, org. Art for the World, Long Island City NY (Traveling Exhibition)
'The Edge of Awareness', cur. Adelina von Furstenberg, org. Art for the World, Sao Paulo, Brazil (Traveling Exhibition)
Museum of Modern Art, 'Dialogues with Nature: Summer drawing exhibition', New York NY
Danese Gallery, 'Pat Steir, Barry La Va, and Bill Jensen', New York NY
Robert Miller Gallery, 'Affinities with the East', New York NY
The Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, 'After The Fall: Aspects of Abstract Painting Since 1970', Staten Island NY
Boston College Museum of Art, 'Original Visions: Women, Art and the Politics of Gender', Boston MA
Museum of Contemporary Art, 'The Founders and Heirs of the New York School', cur. Dore Ashton, Tokyo, Japan (Traveling Exhibition)
Miyagi Museum of Art, 'The Founders and Heirs of the New York School', cur. Dore Ashton, Miyagi, Japan (Traveling Exhibition)
Museum of Modern Art, 'The Founders and Heirs of the New York School', cur. Dore Ashton, Ibaraki, Japan (Traveling Exhibition)
California Museum of Art, 'A Thought Intercepted', cur. Gay Shelton & Bob Nungent, Santa Rosa CA,
The Museum of Modern Art, [Summer print survey exhibition from the collection], New York NY
Baldwin Gallery, 'The Grottos', Aspen CO
The Samuel P Harn Museum of Art, University of FL, 'Destiny Manifest: American Landscape Painting in the Nineties', Gainesville FL
Palacio de Velazquez, 'Nuevas Abstracciones', Madrid, Spain (Traveling Exhibition)
Kunsthalle Bielefeld, 'Nuevas Abstracciones', Bielefeld, Germany (Traveling Exhibition)
Museo de Arte Contemporaneo, 'Nuevas Abstracciones', Barcelona, Spain (Traveling Exhibition)
Kunst Haus Muerz, 'Jahresmuseum', Mürzzuschlag, Austria
Crown Point Press, 'Marks, Metaphor and Magic New Editions by Pat Steir, Tom Marioni and William T. Wiley', San Francisco CA
Milwaukee Art Museum, '25 Americans: Painting in the 90s', Milwaukee WI
The Irish Museum of Modern Art, 'Selected Works from the Collection', Dublin, Ireland
La Salle Lobby Gallery, Nationsbank Plaza, 'Black & White & Read All Over', Charlotte NC
The Art Museum, Florida International University, 'American Art Today: Night Paintings', Miami FL
Thread Waxing Space, 'The Artist's Camera. Photographs by Contemporary Artists', New York NY
Virginia Museum of Fine Arts, 'From Impulse to Image', Richmond VA
United Nations, 'Fiftieth Anniversary Celebration for Human Rights', Geneva, Switzerland
Louvre, Paris, France, Commissioned for a special print edition
Musee d'art Moderne, 'Print Cabinet', Geneva, Switzerland
Philadelphia Museum of Art, Philadelphia PA Commissioned for a special print edition
Tate Gallery, 'From Picasso to Woodrow: Suite of prints Long Vertical Falls, London, UK
Thread Waxing Space, 'The Artist's Camera, Photographs by Contemporary Artists', New York NY
Neuberger Museum, 'Inspired by Nature', Purchase NY
Robert Miller Gallery, 'Abstract Works on Paper', New York NY
Kunsthallen Brandts Klaedefabrik, 'Dialogue with the Other', Odense, Denmark
Galerie Franck & Schulte, 'A Room with Some Views', Berlin, Germany
Sonnabend Gallery, 'Chicago Art Fair Independent Curators Incorporated Benefit Exhibition and Sale', cur. John Baldessari, New York NY
65 Thompson Street, 'Merce Cunningham Dance Company Benefit Art Sale', New York NY
Thread Waxing Space, 'I am the Enunciator', New York NY
Blaffer Gallery, University of Houston, 'Darkness and Light', cur. Marti Mayo, Houston TX
Galerie Raymond Bollag 1, 'Zeichnungen setzen Zeichen', Zurich, Switzerland
Documenta, '44 Kunstler der Documenta IX: Arbeiten auf Papier'
Montgomery Glasoe Fine Art, 'Rewriting History: The Salon f 1993', Minneapolis MN
Texas Gallery, 'Painting', Houston TX
Peggy Guggenheim Collection, 'Drawing the Line Against AIDS', Venice, Italy
Guggenheim Museum, 'Drawing the Line Against AIDS', New York NY
La Biennale di Venezia, ' 45th International Art Exhibition. Tresors de Voyage', Venice, Italy
Robert Miller Gallery, 'Abstract – Figurative', New York NY
Carl Solway Gallery, 'Eight Painters: Abstraction in the Nineties', Cincinnati OH
Morris Museum, 'Living with Art: The Collection of Ellyn & Saul Dennison', Morristown NJ
Fernbank Museum of Natural History, 'Picturing Paradise: The Rain Forest at Risk', Atlanta GA
Texas Gallery, 'Summer Group Show', Houston TX
Documenta IX, Kassel, Germany
Aldrich Museum of Contemporary Art, 'Quotations: The Second History of Art', Ridgefield CT (Traveling Exhibition)
Dayton Art Institute, Museum of Contemporary Art at Wright State University, 'Quotations', Dayton OH (Traveling Exhibition)
The William Halsey Gallery, Simons Center for the Arts, College of Charleston / The Meddin Building / Gibbes Museum of Art, 'Painting, Self-Evident: Evolutions in Abstraction', Charleston SC
Ginny Williams Gallery, 'Summer Group Exhibition', Denver CO
P S 1 Museum, 'Slow Art', Long Island City NY
TransAmerica Corporation, 'Selective Vision', San Francisco CA
Kunsthalle, 'Psycho' [inaugural exhibition], cur. Christian Leigh, New York NY
The Museum of Modern Art, 'Allegories of Modernism: Contemporary Drawings', New York NY
Renee Fotouhi, 'Twentieth Century Prints of the East End', East Hampton NY
Barbara Krakow Gallery, 'Surface to Surface', Boston MA
Steven Scott Gallery, 'Important Contemporary Prints', Baltimore MD
Hong Kong Arts Centre, 'Americana ’92', Wanchai, Hong Kong
Palo Alto Cultural Center, 'Directions in Bay Area Printmaking: 3 Decades', Palo Alto CA
Pace Prints, 'Art Pro Choice II Print Portfolio', New York NY
MiraMar Gallery, 'Women Artists', Sarasota FL
Galerie Pfefferle, 'A Dialogue of Images – Recent German and American Paintings', Munich, Germany
Wadsworth Atheneum, 'Open Mind: The LeWitt Collection', Hartford CT
Thaddaeus Ropac, 'Vertigo', Salzburg, Austria
Robert Miller Gallery, 'Portraits on Paper', New York NY
Linda Cathcart Gallery, 'Art Pro – Choice II', Santa Monica CA
Bellas Artes, 'Masterworks of Contemporary Sculpture, Paintings and Drawings: 1930s – 1990s', Santa Fe NM
Nina Freudenheim Gallery, 'Landscape Seven Views', Buffalo NY
K Kimpton Gallery, 'Art Pro Choice II Print Portfolio', San Francisco CA
Whitney Museum of American Art, 'Biennial Exhibition', New York NY
Barbara Krakow Gallery, 'Surface to Surface', Boston MA
Musee des Beaux-Arts, 'Tourcoing, France, Le Diaphane', Paris, France
Galleria Fernando Alcolea, 'Rope', Barcelona, Spain
Galerie Thaddaeus Ropac, 'Vertigo', cur. Christian Leigh, Paris, France

Landfall Press, 'Twenty Years of Landfall Press', Chicago IL
Louver Gallery, 'Inconsolable', New York NY
Norah Haime Gallery, 'Contemporary Prints and Multiples', New York NY
Robert Miller Gallery, 'Some Seventies Works', New York NY
Le Magazine, 'Three – Person Installation Show', Grenoble, Switzerland
Ecole des Beaux Arts, 'Group Show: Installations', Tourcoing, France
Marc Richards Gallery, 'Spellbound', Los Angeles CA
Museum of Art, Rhode Island School of Design, 'Terra Incognita', Providence RI
Sandra Gering Gallery, 'Specific Metaphysics', New York NY
Ben Shahn Gallery, William Patterson College, 'The Grid: Organization and Idea', Wayne NJ
Baltimore Museum of Art, Baltimore MD
Musee des Beaux-Arts, 'Le Diaphane', Tourcoing, France
Neuberger Museum, State University of New York, Purchase NY
Crown Point Press, 'Woodblock Prints from the People’s Republic of China', San Francisco CA
Gallery 44, 'Women’s Work: Hidden Treasures', Boulder CO
Museum of Fine Arts, Boston, 'The Unique Print: 70’s Into 90’s', Boston MA
Baltimore Museum of Art, 'First Impressions', Baltimore MD (Traveling Exhibition)
Neuberger Museum, State University of New York, 'First Impressions', Purchase NY (Traveling Exhibition)
Bitter – Larkin Gallery, 'Contemporary Masters', New York NY
Kuznetsky Most Exhibition Hall, 'American Artists: curated by Donald Kuspit', Moscow, Russia
The Contemporary Arts Center, 'Celebrating 1980 – 89' [Encore II], Cincinnati OH
Centre International d'art Contemporain, 'Les Cents Jours', Montreal, Canada
Walker Art Center, 'First Impressions', Minneapolis MN (Traveling Exhibition)
Laguna Gloria Art Museum, 'First Impressions', Austin TX (Traveling Exhibition)
Galerie Thaddaeus Ropac, Salzburg, Austria
Gallery Urban, 'Methods of Abstraction', New York NY
The Silent Baroque, Gloria Luria Gallery, 'Pat Steir /Waves & Waterfalls and Joel Perlman /Recent Bronzes', Bay Harbor FL
Orchard Gallery, 'Art of Renewal', Derry, Ireland
Sandra Gering Gallery, 'Specific Metaphysics', New York NY
The Museum of Modern Art, New York NY
University Art Museum, California State University, 'Focus on the Image: Selection from the Rivendell Collection', org. The Art Museum Association of America, Long Beach CA (Traveling Exhibition)
Laguna Gloria Art Museum, 'Focus on the Image: Selection from the Rivendell Collection', org. The Art Museum Association of America, Austin TX (Traveling Exhibition)
Mary Ryan Gallery, 'Prints by Contemporary Women Artists', New York NY
Thomas Fine Arts, 'The Feminine Touch', Pasadena CA
Michael Klein, Inc, 'Alan Charlton, Matt Mullican, Pat Steir', New York NY
Crown Point Press, 'Idea Image: Etchings and Woodblocks', New York NY / San Francisco CA
The Museum of Modern Art, 'Recent Acquisitions', New York NY
San Angelo Museum of Fine Arts, 'Images of Stone: Two Centuries Artists' Lithographs', San Angelo TX (Traveling Exhibition)
Tyler Museum of Art, 'Images of Stone: Two Centuries Artists' Lithographs', Tyler TX (Traveling Exhibition)
Aspen Art Museum, 'Images of Stone: Two Centuries Artists' Lithographs', Aspen CO (Traveling Exhibition)
University of South Florida Art Galleries, 'Focus on the Image: Selection from the Rivendell Collection', org. The Art Museum Association of America, Tampa FL (Traveling Exhibition)
Lakeview Museum of Art and Sciences, 'Focus on the Image: Selection from the Rivendell Collection', org. The Art Museum Association of America, Lakeview IL (Traveling Exhibition)
Boutique and Luncheon, The Cleveland Center for Contemporary Art, 'Art – to – Wear Fashion Show', Cleveland OH
Grazer Kunstverein, Stadtmuseum Graz, 'Malerei – Wandmalerei', Graz, Austria
Carnegie Mellon University Art Gallery, 'Drawings from the Eighties', Pittsburgh PA
M. Knoedler & Co, 'Art Against Aids' [Benefit exhibition and auction for the American Foundation for Aids Research], New York NY
Los Angeles County Museum, 'Avant Garde in the Eighties', Los Angeles CA
The QCC Art Gallery, Queensborough Community College, 'Romanticism and Classicism', Bayside NY
The Harcus Gallery, 'Working Woman', Boston MA
IAC (Centre International d'art Contemporain de Montreal), Montreal, Canada
Laumeier Sculpture Park and Gallery, 'The Success of Failure', Saint Louis MO (Traveling Exhibition)
Johnson Gallery, Middlebury College, 'The Success of Failure', Middlebury VT (Traveling Exhibition)
University of Arizona Museum of Art, 'The Success of Failure', Tucson AZ (Traveling Exhibition)
Fuller Goldeen Gallery, 'The Importance of Drawing', San Francisco CA
Visual Arts Museum, 'Still Life: Beyond Tradition', New York NY
Crown Point Press, 'Not So Plain Geometry, and Prints in Paris', New York NY
Crown Point Press, 'FACES', San Francisco CA
Daniel Newburg Gallery, 'D'ornamentationi', New York NY
The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, 'A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop', Philadelphia PA
Bienal de Sao Paulo, '19th Bienal. Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir', Sao Paulo, Brazil
The Museum of Modern Art, 'For 25 Years: Crown Point Press', New York NY
Sylvia Cordish Fine Art, 'Drawings', Baltimore MD
The West Company, 'Art and the Law', St Paul MN (Traveling Exhibition)
Sarah Campbell Blaffer Gallery, University of Houston, 'Images of Stone: Two Centuries Artists' Lithographs', Houston TX (Traveling Exhibition)
Phoenix Art Museum, 'Focus on the Image: Selection from the Rivendell Collection', org. The Art Museum Association of America, Phoenix AZ (Traveling Exhibition)
Museum of Art, University of Oklahoma, 'Focus on the Image: Selection from the Rivendell Collection', org. The Art Museum Association of America, Norman OK (Traveling Exhibition)
Munson – Williams – Proctor Institute Museum of Art, 'Focus on the Image: Selection from the Rivendell Collection', org. The Art Museum Association of America, Utica NY (Traveling Exhibition)
Museum of Fine Arts, Boston, 'Boston Collects: Contemporary Paintings and Sculpture', Boston MA
Centre d'art Contemporain (Palais Wilson), Geneva, Switzerland
Allan Frumkin Gallery, 'First Impressions: Recent Monotypes by 15 Artists', New York NY
Harm Bouckaert Gallery, 'Richard Artschwager, Alan Saret, Pat Steir', New York NY
McIntosh/Drysdale Gallery, 'Investigations', Washington DC
Cultural Center, 'Drawing Down the Moon', New York NY
Barbara Mathes Gallery, 'The Art of Drawing', New York NY
Stamford Museum and Nature Center, 'American Art: American Women', Stamford CT
Swabian Castle, 'Scultura da Camera (Chamber Sculptures)', Bari, Italy
Camino Real Gallery, 'Group Show', Boca Raton FL
Damon Brandt Gallery, New York NY
Dolan/Maxwell Gallery, 'Great American Prints 1984 – 1985', Philadelphia PA
Galerie Eric Franck, 'Rebecca Horn/Pat Steir', Geneva, Switzerland
Gallery Two Nine One, 'Drawing', Atlanta GA (Traveling Exhibition)
Georgia Museum of Art, 'Drawing', Athens GA (Traveling Exhibition)
The Ewing Gallery of Art and Architecture, University of Tennessee, 'Drawing', Knoxville TN (Traveling Exhibition)
Gloria Luria Gallery, 'Still Life/Landscape, New Approaches to Old Traditions', Bay Harbor FL
Knight Gallery, Lenoir NC
San Francisco Museum of Modern Art, 'Second Sight: San Francisco Museum of Modern Art, Biennial V', San Francisco CA
Anchorage Historical and Fine Arts Museum, 'Large Drawings', Anchorage AK (Traveling Exhibition)
Museum of Art, 'From the Collection of Sol LeWitt', Fort Lauderdale FL (Traveling Exhibition)
Barbara Toll Fine Arts, 'Drawings 1975 – 1985', New York NY
Dolan Maxwell Gallery, 'Great American Prints', Philadelphia PA
Gallery 400, College of Architecture, Art and Urban Planning, University of Illinois at Chicago, 'Fabrications', Chicago IL
Hudson River Museum, 'A New Beginning: 1968 – 1978', Yonkers NY
Jeffrey Hoffeld & Co, 'With an Eye to Nature', New York NY
Laforet Museum, 'New York Now: Correspondences', Tokyo, Japan (Traveling Exhibition)
Tochigi Prefectural Museum of Fine Arts, 'New York Now: Correspondences', Utsunomiya, Japan (Traveling Exhibition)
Tasaki Hall Espace Media, 'New York Now: Correspondences', Kobe, Japan (Traveling Exhibition)
McIntosh/Drysdale Gallery, 'Eighth Anniversary Exhibition 1977 – 1985', Washington DC
The Museum of Modern Art, 'New Work on Paper 3', New York NY
Nina Freudenheim Gallery, 'Ten Gallery Artists', Buffalo NY
Vanguard Gallery, 'Appropriations: Black and White', Philadelphia PA
Whitney Museum of American Art, 'Nine Printmakers and the Working Process', New York NY (Traveling Exhibition)
'Nine Printmakers and the Working Process' [Process und Konstruktion], Munich, Germany (Traveling Exhibition)
New York Studio School, 'From Organism to Architecture', New York NY
Richard Kuhlenschmidt Gallery, 'Jonathan Borofsky, Douglas Huebler, William Leavitt, Pat Steir, William Wegman Drawings', Los Angeles CA
Sordoni Art Gallery, Wilkes College, 'New Expressive Landscape', Wilkes-Barre PA
'Doppelganger', cur. Paul Groot, Aorta, Amsterdam, The Netherlands
Centre d'art Contemporain, 'Promenades', Geneva, Switzerland
'New Art Modernism', San Francisco CA
Brooklyn Museum, 'Contemporary American Prints: Louis Comfort Tiffany Foundation Purchases', Brooklyn NY
Harry de Jur Playhouse, Henry Street Settlement, 'The Second Hurricane' [Music by Aaron Copeland, Libretto by Edwin Denby, Back drop contributed by Pat Steir], New York NY
Bass Museum of Art, City of Miami Beach, 'Large Drawings', Miami Beach FL (Traveling Exhibition)
Madison Art Center, 'Large Drawings', Madison WI (Traveling Exhibition)
Winnipeg Art Gallery, City of Miami Beach, 'Large Drawings', Winnipeg, Canada (Traveling Exhibition)
Norman MacKenzie Art Gallery, University of Regina, 'Large Drawings', Regina, Canada (Traveling Exhibition)
Santa Barbara Museum of Art, University of Regina, 'Large Drawings', Santa Barbara CA (Traveling Exhibition)
Diane Brown Gallery, 'The Success of Failure', New York NY
Ackland Art Museum, University of North Carolina, 'From the Collection of Sol LeWitt', Chapel Hill NC (Traveling Exhibition)
Everhart Museum, 'From the Collection of Sol LeWitt', Scranton PA (Traveling Exhibition)
The Grey Art Gallery and Study Center, New York University, 'From the Collection of Sol LeWitt', New York NY (Traveling Exhibition)
The University Art Museum, California State University, 'From the Collection of Sol LeWitt', Long Beach CA (Traveling Exhibition)
Barbara Toll Fine Arts, New York NY
Cable Gallery, 'SEX, Drawings', New York NY
CIGNA Corporation, 'Landscapes', Hartford CT
The Edith C. Blum Art Institute, Bard Center, 'Contemporary Triptychs', Annandale-on-Hudson NY
Fuller Goldeen Gallery, '50 Artists: 50 States', San Francisco CA
Independent Curators Inc, 'Large Drawings', New York NY
Monique Knowlton Gallery, 'Ecstasy', New York NY
Nina Freudenheim Gallery, 'Drawings: New Dimensions', Buffalo NY
Pace Editions, New York NY
Ted Greenwald Gallery, 'Artists' Weapons', New York NY
Whitney Museum of American Art, 'Art of the Seventies', New York NY [Exhibition traveled to North Carolina Museum of Art, Raleigh, NC; La Jolla Museum of Contemporary Art, San Diego, CA; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Center for the Fine Arts, Miami, FL]
Sidney Janis Gallery, 'American Women Artists, Part II: The Recent Generation', New York NY
Pratt Manhattan Center Gallery, 'Beauties and Beasts', New York NY
The Harcus Gallery, 'Three Painters, Three Decades: Lee Krasner, Joan Mitchell, Pat Steir', Boston MA
Barbara Mathes Gallery, 'Fauna, Flora, Etc', New York NY
University Art Gallery, State University of New York, 'Vision and Conscience', Binghamton NY
Bank of America World Headquarters, 'Highlights: Selections from the BankAmerica Corporation Art Collection', San Francisco CA
McIntosh/Drysdale Gallery, 'Four Painters: Pat Steir, Sean Scully, Robert Mangold, Robert S Zakanitch', Houston TX
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 'Content: A Contemporary Focus 1974 – 1984', Washington DC
Dowd Fine Arts Center Gallery, State University of New York, 'The New Culture: Women Artists of the Seventies', Cortland NY [Exhibition traveled to Turman Gallery, IN State University, Terre Haute, IN (11/3 – 11/28/84); Emily H Davis Gallery, The University of Akron, Akron, OH (2/25 –3/23/85)]
Barbara Toll Fine Arts, 'Drawings', New York NY
Diane Brown Gallery, 'The Success of Failure', New York NY
New Museum of Contemporary Art, 'Language, Drama, Source and Vision', New York NY
Whitney Museum of American Art, '83 Biennial Exhibition', New York NY
A Space, 'Sex and Representation', Toronto, Canada
Barbara Mathes Gallery, 'Inaugural Exhibition', New York NY
Centre Culturel le Parvi, Tarbes, France
Galerie Annemarie Verna, 'When Art Becomes Book/When Books Become Art', Zurich, Switzerland
The Harcus Gallery, 'Ornamentalism', Boston MA
Impressions Gallery, 'Tulip Time', Boston MA
Musee d'art Toulon, 'Recent Acquisitions', Toulon, France
Musee d'art Moderne de la Ville de Paris, 'Collector's Choice', Paris, France
Rhode Island School of Design, 'ARC Exhibition', Providence RI
The Museum of Modern Art, 'Recent Acquisitions', New York NY
The Port of History Museum at Penn's Landing, 'Printed by Women: A National Exhibition of Photographs and Prints', Philadelphia PA
Vassar College Art Gallery, 'Geometric Art at Vassar', Poughkeepsie NY
DuBose Galleries, 'Flowers and Gardens in American Paintings', Houston TX
Fuller Goldeen Gallery, San Francisco CA
John C Stoller & Co, 'New American Painting III', Minneapolis MN
Madison Art Center, 'New American Graphics 2 Shea Gordon, Pat Steir and Denise Green', Madison WI
Mulvane Arts Center, Washburn University, Topeka KS
Musee d'art Contemporain, 'L'art Baroque', Paris, France
Aldrich Museum of Contemporary Art, 'Post Minimalisms', Ridgefield CT
Crown Point Press Gallery, 'Representing Reality: Fragments from the Image Field – An Exhibition of Etchings and Woodblocks Prints by Gunter Brus, Francesco Clemente, Joel Fisher, Robert Kushner, Pat Steir, and William T Wiley', Oakland CA (Traveling Exhibition)
Jacksonville Art Museum / University of South Florida, 'Currents – A New Mannerism', Jacksonville / Tampa
The University of North Carolina at Greensboro, Greensboro NC
Wesleyan University Davison Art Center, Wesleyan University, 'No Title: The Collection of Sol Lewitt', Middletown CT [Exhibition traveled to University Art Museum, CA State University, Long Beach, CA; Ackland Art Museum, Chapel Hill, North Carolina; Museum of Art, Fort Lauderdale, FL; New York University, New York]
Citta di Noto, 'Aljotre Barrocco', Syracuse, Italy
Clark Benton Gallery, 'New York News', Santa Fe NM
Gloria Luria Gallery, 'Pat Steir – Denise Green', Bay Harbor Islands FL
Museum of Modern Art, Art Lending Service, 'A Penthouse Aviary', New York NY
Nina Freudenheim Gallery, 'Paper Work Rigors', Buffalo NY
The Patrick Gallery, Austin TX
Weatherspoon Art Gallery, University of North Carolina at Greensboro, 'Art on Paper', Greensboro NC
Walker Art Center, 'Artist and Printer; Six American Printers', Minneapolis MN
Brooklyn Museum, 'American Drawings in Black & White 1970 – 1980', New York NY
Max Protech Gallery, New York NY
Nina Freudenheim Gallery, Buffalo NY
Whitney Museum of American Art, 'American Paintings of the 60's and 70's: The Real, The Ideal, The Fantastic: Selections from the Whitney Museum of American Art', New York NY
Art Museum, The University of New Mexico, 'Lithography, A Sense of Scale', Albuquerque NM
Union Carbide Building, Inner City Scholarship Fund, New York NY
Whitney Museum of American Art, 'Art from Corporate Collections', New York NY
The New Museum, 'Decade in Review: Selections from the 1970's Permanent Collection', New York NY
'The 1970's: New American Painting' [Traveled to Europe under the auspices of the International Communications Agency, Washington, DC (6/15/79 – 2/15/81)]
The Albright – Knox Art Gallery, 'American Paintings of the 1970's', Buffalo NY
University Art Museum, University of California, 'Contemporary Drawing/New York', Santa Barbara CA
Janus Gallery, 'Drawing Explorations', Los Angeles CA
Touchstone Gallery, 'Beyond the Canvas Artist's Books and Notations', New York NY
Madison Art Center, 'Recent Works on Paper by American Artists', Madison WI
Museum of Contemporary Art, 'A Survey of Prints 1970 – 1977', Chicago IL
Weatherspoon Art Gallery, University of North Carolina at Greensboro, 'Art on Paper', Greensboro NC
San Diego Museum of Art, 'Invitational American Drawing Exhibition', San Diego CA
Archer M Huntington Gallery, University Art Museum, University of Texas at Austin, 'New In the Seventies', Austin TX
The Art Institute of Chicago, 'Drawings of the 70's', Chicago IL
Whitney Museum of American Art, '1977 Biennial', New York NY
The Museum of Modern Art, 'America Drawn and Matched', New York NY
The Nelson-Atkins Museum of Art, 'New Print Acquisitions, Women in Art Working Papers', Kansas City MO
'New York State Women's Meeting', Albany NY
PS 1, Institute for Art and Urban Resources, 'A Painting Show', New York NY
The University Art Museum, California State University, '16 Projects/4 Artists', Long Beach CA
Philadelphia College of Art Gallery, 'Private Notations: Artists' Sketchbooks', Philadelphia PA
The American Federation of Arts, 'Recent Drawings', New York NY
Indianapolis Museum of Art, 'Painting and Sculpture Today: 1976', Indianapolis IN
Marion Koogler McNay Art Institute, 'American Artists '76: Celebration', San Antonio TX
Max Protech Gallery, Washington DC
Gallery 210, University of MO, 'American Women Printmakers', St. Louis MO
Droll, Fourcade, New York NY
Max Protech Gallery, Group Show, Washington DC
Max Protech Gallery, Washington, DC
Whitney Museum of American Art, Downtown Branch, '25 Stills', New York NY
Indianapolis Museum of Art, 'Painting and Sculpture Today/74', Indianapolis IN
The Civic Center Museum, The Philadelphia Civic Center, 'Philadelphia, Woman's Work: American Art/74', Philadelphia PA
Loretta Yarlow Fine Arts, Ltd, 'Inaugural Exhibition', Toronto, Canada,
The Saidye Bronfman Centre, '28 Painters of the New York Avant – Garde '74', Montreal, Canada
Whitney Museum of American Art, Downtown Branch, 'People and Places', New York NY
Institute of Contemporary Art, 'Joan Snyder and Pat Steir', Boston MA
Institute of Contemporary Art, University of Pennsylvania, 'Six Visions', Philadelphia PA
Whitney Museum of American Art, 'American Drawing 1973', New York NY
New York Cultural Center, 'Women Choose Women', New York NY
Cusack Gallery, 'Drawings', Houston TX
The Museum of Modern Art, New York NY
Whitney Museum of American Art, 'Biennial Exhibition: Contemporary American Art', New York NY
Aldrich Museum of Contemporary Art, 'Paintings on Paper', Ridgefield CT,
Indianapolis Museum of Art, 'Painting and Sculpture Today', Indianapolis IN
Institute of Contemporary Art, University of PA, 'The Topography of Nature: The Microcosm and Macrocosm', Philadelphia PA
Whitney Museum of American Art, '40th Annual Exhibition', New York NY
Bard College, 'Paintings on Paper', Annandale-on-Hudson NY
Contemporary Arts Center, 'Alternative Landscapes', Cincinnati OH
Corcoran Gallery of Art, 'Seven Young Artists: Works on Paper', Washington DC
Fine Arts Center, University of Rhode Island, 'Three Painters', Kingston RI
Museum of Modern Art, Art Lending Service, 'Landscapes', New York NY
Glauber Poons Gallery, Amsterdam, The Netherlands
Graham Gallery, New York NY
Paley & Lowe, 'Three Paintings', New York NY
French & Company, New York NY
Graham Gallery, New York NY
Terry Dintenfass Gallery, New York NY
Finch College Museum of Art, New York NY
The Museum of Modern Art, New York NY
Philadelphia Museum of Art, Philadelphia PA

The High Museum of Art, Atlanta GA
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Awards & Grants

National Medal of Arts
BOMB 35th Anniversary Honoree
American Academy of Arts and Letters
Visionary Women’s Award, Moore College of Art and Design, Philadelphia PA
Honored with Anne Waldman by The Brodsky Center
Honored by The Drawing Center, New York NY
Honored by ArtwalkNY, Coalition for the Homeless, New York NY
Pratt University, Alumni Achievement Award, Brooklyn NY
What is Called Beauty, Clarice Smith Distinguished Lectures in America Art, Smithsonian American Art Museum, first artist selected to lecture, Washington DC
Boston University School for the Arts Distinguished Alumni Award, Boston MA
Honored by the American Woman's Economic Development Corporation with their Salute to Women in the Business of Art, sponsored by Avon and ARTnews
Guggenheim Fellowship
Grand Prize, 'X Festival International de peinture', Cagnes-sur-Mer, France
Art in Public Institutions Grant, National Endowment for the Arts
Individual Artist's Grant, National Endowment for the Arts
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Lectures & Talks

Robert Rosenblum Lecture Series, Guggenheim Museum, 'Pat Steir in Conversation with Mickalene Thomas', New York, NY (screened online)
NYPL, 'Panel on Sol LeWitt', New York NY
Academy of Arts and Letters, 'Agnes Martin Tribute', New York NY
Christies Education, 'Celebrating Female Agency in the Arts', New York NY
The Metropolitan Museum of Art, 'A Conversation with Pat Steir and Malcolm Morley', New York NY
WNYC Greene Performance Space, Panel and discussion, New York NY
The New School, 'Working with Sol', New York NY
The Danspace Project, 'Living Room Conversations', New York NY
School of Visual Arts, New York NY
Rhode Island School of Design, 'Pat Steir with Julie Mehretu', Providence RI
Neuberger Museum of Art, SUNY Purchase School of Art and Design, Purchase NY
Newcomb Gallery, Tulane University, New Orleans LA
Clarice Smith Distinguished Lectures in American Art, Smithsonian Museum of American Art, 'What Is Called Beauty?', Washington DC
School of Visual Arts, New York NY
University of Nevada, Las Vegas NV
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Selected Public Collections

The Art Museum, Princeton University, Princeton NJ
The Baltimore Museum of Art, Baltimore MD
The Brooklyn Museum, Brooklyn NY
Buffalo AKG Art Museum, Buffalo NY
Chase Manhattan Bank, New York NY
Cincinnati Museum of Art, Cincinnati OH
Dallas Museum of Fine Art, Dallas TX
Denver Art Museum, Denver, Denver CO
Honolulu Academy of Arts, Honolulu HI
The Wadsworth Athenaeum, Hartford CT
The Hirshhorn Museum and Sculpture Garden, Washington DC
The Irish Museum of Modern Art, Dublin, Ireland
Jacksonville Art Museum, Jacksonville FL
Joslyn Art Museum, Omaha NE
Lyon Museum d’Art Moderne, Lyon, France
The Long Museum, Shanghai, China
Kunstmuseum Bern, Bern, Switzerland
La Domaine Kergheinnec, Brittany, France
Malmo Museum, Malmo, Sweden
Metropolitan Museum of Art, New York NY
The Museum of Modern Art, New York NY
Museum of Contemporary Art, Miami FL
Musee d’art et d’Archaeologie, Toulon, France
Musee d’art Contemporain, Lyon, France
Musee des Beaux – Arts, Tourcoing, France
National Gallery of Art, Washington DC
National Museum of American Art, Washington DC
Tate Gallery, London, UK
Tate Modern, London, UK
The Phillips Collection, Washington DC
The Philadelphia Museum of Art, Philadelphia PA
The San Francisco Museum of Fine Arts San Francisco CA
Solomon R Guggenheim Museum, New York NY
Walker Art Center, Minneapolis MN
Whitney Museum of American Art, New York NY
Yale University Art Gallery, New Haven CT



Martin, Courtney J. (et al.) 'Pat Steir', New York: Levy Gorvy, 2017, ill. (exh. cat.)
Rubinstein, Raphael, 'Pat Steir', New York: Cheim & Read, 2014, ill. (exh. cat.)
Larsen, Kay, Isreal, Mathew, 'Pat Steir: Winter Paintings', New York: Cheim & Read, 2011, ill. (exh. cat.)
Chavez, Anna, 'Pat Steir', Philadelphia: Locks Gallery, 2011, ill. (exh. cat.)
Harris, Susan, Howard, Jan, 'Pat Steir: Drawing Out of Line', Providence: Museum of Art, Rhode Island School of Design, 2010, ill. (exh. cat.)
Von Drathen, Doris, 'Pat Steir: Paint', Paris: Galerie Jaeger Bucher, ill. 2010 (exh. cat.)
von Drathen, Doris, 'Pat Steir: Paintings'. Milan: Chart, 2007, ill.
Waldman, Anne, 'Pat Steir', New York: Cheim & Read (exh. cat.)
Von Drathen, Doris, 'Pat Steir: Installations', Milan: Edizioni Charta, 2006, ill.
Von Drathen, Doris, 'Pat Steir: Moons and a River', New York: Cheim & Read, 2005, ill. (exh. cat.)
Velani, Livia, Panicelli, Ida, 'D’acqua e d’aria, Pat Steir opere dal 1986 al 2003', Rome: Galleria Nazionale D’Arte Moderna, Rome, 2003, ill. (exh. cat.)
von Drathen, Doris, 'Pat Steir: The Rhythm of Silence', Philadelphia: Locks Gallery, 2003, ill. (exh. cat.)

Yau, John, 'Dazzling Water, Dazzling Light: Pat Steir Paintings 1979-1997' Seattle: Washington University Press, 2000, ill. (exh. cat.)
McEvilley, Thomas, 'Pat Steir', New York: Harry N. Abrams, Inc., 1995
Adams, Brooks, 'Pat Steir: Elective Affinities', New York: Robert Miller Gallery, 1992 (exh. broch.)
Cohen, Nancy, 'Pat Steir: Ways of Seeing', Summit: New Jersey Center for Visual Arts, 1990 (exh. cat.)
Zacharopoulos, Denys, 'Pat Steir', Lyon: Musee d’art Contemporain, 1990 (exh. cat.)
Leibmann, Lisa, 'Pat Steir Waterfalls', Tampa: Art Museum, University of South Florida (exh. cat.)
Cotter, Holland, 'Pat Steir', New York: Robert Miller Gallery, 1990 (exh. cat.)
Willi, Juliane, Mason, Rainer, Lewison, Jeremy, 'Pat Steir Prints 1976-1988', Geneva: Cabinet des Estarnpes, Musee d’art et Histoire, Geneva, London: Tate Gallery, 1988 (exh. cat.)
Tucker, Marcia, 'Pat Steir, Self Portrait: An Installation', The New Museum of Contemporary Art, 1987 (exh. cat.)
Zacharopoulos, Denys, 'Pat Steir Paintings and Drawings', Bern: Kunstmuseum Bern, 1987 (exh. broch.)
Graze, Sue, 'Concentrations, Pat Steir', Dallas: Dallas Museum of Art, 1986 (exh. cat.)
Ratcliff, Carter, 'Pat Steir Paintings', New York: Harry N. Abrams, 1986
Yenson, Julie, McEvilley, Thomas, 'Pat Steir: The Breughel Series (A Vanitas of Style)', Minneapolis: Minnesota College of Art and Design, 1985
Broun, Elizabeth, 'Form Illusion Myth Prints And Drawings Of Pat Steir', Lawrence: Spencer Art Museum, University of Kansas, 1983 (exh. cat.)
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Hine, Hank, 'The Shape of Dreams', St. Petersburg: The Dali Museum, 2022, pp. 138-139, 143, ill. (exh. cat.)
Morrill, Rebecca, Hunegs, Simon, Murphy, Maia (eds.), 'Great Women Painters', London: Phaidon, 2022, p. 284, ill.
von Ferstenberg, Adelina Cuberyan, (ed.) 'Photographing Art: Franz Egon von Furstenberg', Milan: Skira editore S.P.A., 2022, cover, ill.
Cahiers d'Art Institute/Estate of Sol Lewitt, 'Sol Lewitt Catalogue Raisonne', 2018, ill.
Staff, Dr. Craig, 'Sites of Times Painting, History and Meaning', Bristol: Intellect Ltd, 2018, ill.
Sayre, Henry, 'The Humanities: Culture, Continuity and Change', London: Pearson Educational Inc., 2017
Buhman, Stephanie, 'New York Studio Conversations - Seventeen Women Talk About Art', Berlin: The Green Box, 2016
Miller, Dana, 'Whitney: Handbook of the Collection' New Haven/London: Yale University Press, 2015, p. 364
Goergen, Stacey, Benchley, Amanda, 'Artists Living With Art', New York: Abrams, 2015, pp 231-241
Brunet, François, 'L’Amérique des Images: Histoire et Culture Visuelles des Éstats-Unis', Paris: Université Paris Diderot/Editions Hazan, 2013
Heller, Leila, 'Calligraffiti, 1984–2013', New York: Leila Heller Gallery, 2013
Trigg, Sarah, 'Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process', New York: Princeton Architectural Press, 2013
Clarke, David, 'Water and Art', London: Reaktion Books Ltd, 2012
Kennedy Museum of Art (ed.), 'Women Artists of Kennedy Museum of Art', Athens: Kennedy Museum of Art, 2012, p. 16
Chafee, Cathleen, 'Eye on a Century: Modern and Contemporary Art from the Charles B. Benenson Collection at the Yale University Art Gallery', New Haven: Yale University Art Gallery, 2012
Getlein, Mark, 'Living with Art', New York: McGraw-Hill, 2012
Schnoor, Christopher, 'In the Abstract: Wilfred Davis Fletcher Collection', Boise: Boise Art Museum/Louise Blouin Media, 2012
Berry, Ian, Shear, Jack, 'Twice Drawn', New York: Prestel Publishing, 2011
Clark, David, 'Water and Art', London: Reaktion Books, 2010, p. 165
Marzio, Peter, 'American Art & Philanthropy: Twenty Years of Collecting at the Museum of Fine Arts, Houston, New Haven: Yale University Press, 2010, p. 302
Basquin, Mary Smyth, Ph.D., 'Words Expand Postmodern Prints: Pat Steir, Jaune Quick-to-See Smith, Lynne Allen, and Lesley Dill', Cincinnati: Union Institute and University, 2008
Ball, Don, 'The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States', Washington: National Endowment for the Arts, 2008
Ocvirk, Otto G., 'Art Fundamentals: Theory and Practice', New York: McGraw-Hill Higher Education, 2008
Schall, Jan, Storr, Robert, 'Sparks!: The William T. Kemper Collecting Initiative at the Nelson-Atkins Museum of Art', Kansas City: Nelson-Atkins Museum of Art/William T. Kemper Foundation, 2008
Scott, Sue, 'Collector’s Choice III: Audacity in Art; Selected Works from Central Florida Collections', Orlando: Orlando Museum of Art, 2007
Siegel, Katy. (et al.), 'High Times Hard Times', New York: Distributed Art Publishers, 2006
Von Drathen, Doris, 'Vortex of Silence: Propositions for an art criticism beyond aesthetic categories', Milan: Edizioni Charta, 2004, pp. 283-296, ill.
Solomon, Andrew, 'Art In Embassies Program: 40th Anniversary Catalog', Vienna: RPO, p. 22
Ferrell, Heather, 'American Art. Wilfred Davis Fletcher Collection. Boise Art Museum', Boise: Boise Art Museum, (exh. cat.)
Stomberg, John (ed.), Blais, Catherine L., 'Looking East: Brice Marden, Michael Mazur, Pat Steir', Seattle: University of Washington Press, 2002, ill. (exh. cat.)
'Das Material der Kunst Eine andere Geschichte der Moderne', Germany: C.H. Beck, 2001
'Dreams 1900-2000: Science, Art and the Unconscious Mind', Binghamton: Binghamton University Art Museum, State University of New York, 2000
Yau, John, 'Flimmerende Wasser, Flimmerende Licht', Kassel: Wiedel Verlag, 2000
'Rapture', Boston: Massachusetts College of Art, Bakalar and Huntington Galleries, 2000
Larson, Kay, 'Moon Mountain Ghost Water', New York: Marlborough Chelsea (exh. cat.)
Brown, Kathan, 'Why Draw a Landscape?', New York: Crown Point Press, 1999, pp. 24-31
Jewel, Kilcher, 'Art for the World, The Edge of Awareness', Milan: Edizioni Charta, 1998 (exh. cat.)
'A Night Without Armor', New York: HarperCollins, 1998, ill.
Boland, Eavan, 'An Origin Like Water: Collected Poems 1968-87', New York: W.W. Norton, 1996, cover, ill.
von Herzog, Hans-Michael, 'herausgegeben. Abstrackte Malerei heute: Nuevas abstracciones', Bielefeld: Kunsthalle Bielefeld, 1996, pp. 32-33
'Original Visions: Shifting the Paradigm, Women’s Art, 1970-1996', Boston: McMullen Museum of Art, Boston College, 1996
Pandell Russell, Stella, 'Art in the World' [fourth edition], Fort Worth: Harcourt Brace Janovich College Publishers, 1995
Demetrio, Paparoni, 'Italia-America L‘astrazione ridef nita', San Marina: Gallerie Nazionale d’Arte Moderna, 1995
Rubin, David S., 'About Nature', Cleveland: Cleveland Center for Contemporary Art, 1995, ill. (exh. broch.)
Strassfield, Christina Mossaides, 'Pat Steir', East Hampton: Guild Hall, 1995
Tsukasa, Kodera (ed.), Rosenberg, Yvette, 'The Mythology of Vincent Van Gogh', Tokyo: Asahi National Broadcasting Co., Ltd, 1995
Burkard, Lene (et. al.), 'Dialogue with the Other', Odense: Kunsthallen Brandts Klaefabrik, 1995
Franklin, Margery B., Kaplan, Bernard (eds.), 'Development and the Arts', Hillsdale: Lawrence Erlbaum Associates, Inc., 1995
Sayre, Henry M., 'A World of Art', New Jersey: Prentice Hall, 1995
'About Waterfalls', Lund: Anders Tornberg Gallery, 1995 (exh. booklet)
Zacharopoulos, Denys, 'Domaine', Belgium: Domaine de Kerguehennec, 1995
Abensour, Dominique, 'Pat Steir', Quimper: Journal du Centre d’art Contemporain, 1995 (exh. broch.)
Danto, Arthur C., Kistler, H. Ashley, Gregson, Chris (et al.), 'Repicturing Abstraction', Richmond: Anderson Gallery, Virginia Commonwealth University / Marsh Art Gallery, University of Richmond and the Virginia Museum of Fine Arts, 1995
Dayer Gallati, Barbara, Morgan, Dahlia, 'American Art Today: Night Paintings', Miami: The Art Museum at Florida International University, 1995
De Peuter, Patricia, Cardon de Lictbuer, Daniel, 'BBL. The Art Collection', Brussels: Banque Brussels Lambert, 1995
Spector, Nancy, 'The Green Street Interview', Dublin: The Irish Museum of Modern Art, 1995 (cat.)
Guerra-Mondragon, Gabriel, Rodriguez, Alicia, 'Art in Embassies Santiago de Chile', Santiago: AT&T Telecommunications and the American Ambassador’s Residence, 1995
Irish Museum of Modern Art (ed.), 'Pat Steir: A Painting Project', Dublin: Irish Museum of Modern Art, 1995, ill. (exh. cat.)
Bleckner, Ross, Barron, James, Bowles, Paul, 'The Pleasures of Merely Circulating', Zurich: Memory/Cage Editions GmBH, 1995
Sobel, Dean, '25 Americans. Painting in the 90s', in: Milwaukee: Milwaukee Art Museum, 1995
Cheim, John, Cortez, Diego, Gimenez, Carmen (et al.), 'Drawing the Line Against AIDS', New York: AMFAR International / Rizzoli International, 1993
Dennison, Lisa, 'Living with Art: The Collection of Ellyn and Saul Dennison', Morristown: The Morris Museum of Art, 1993
Croutier, Alev Lytle, 'Taking the Waters', New York: Abbeville Press, 1992, ill.
Gilbert, Rita, 'Living with Art' [Third Edition], New York: McGraw-Hill, 1992
Leigh, Christian, 'Psycho', New York: KunstHall, 1992 (exh. cat.)
Porter, Katherine, Phillips, Michael, 'Painting Self-Evident: evolutions in abstraction', Charleston: Piccolo Spoleto (Gibbes Museum of Art), 1992
Rose, Bernice, 'Allegories of Modernism: Contemporary Drawing', New York: The Museum of Modern Art, 1992
Rosenberg, Barry A., Leigh, Christian, Straus, Marc J, 'Quotations: The Second History of Art', Ridgefield: The Aldrich Museum of Contemporary Art, 1992 (exh. cat.)
'Selective Vision', San Francisco: Transamerica Pyramid Lobby, 1992 (exh. broch.)
Smagula, Howard J., 'Creativ eDrawing', London: Brown & Benchmark ,division of John Calmann & King, 1992
Steir, Pat, 'La Ligne du Coeur', Grenoble: MAGASIN, Centre National d’art Contemporain de Grenoble, 1992
Armstrong, Richard, Marshall, Richard, Phillips, Lisa (et al.), 1991
'Biennial Exhibition', New York: Whitney Museum of American Art, 1991 (exh. cat.)
'Collection 90', Lyon: Musee d’art Contemporainl Art Contemporain Lyon, 1991
Hoffman, Katherine, 'Explorations: The Visual Arts Since 1945', New York: Icon Editions, Harper Collins, 1991
Matthew Marks Gallery, 'Brice Marden: Recent Drawings and Etchings' [interview between Pat Steir and Brice Marden], New York: Matthew Marks Gallery, 1991
Wheeler, Daniel, 'Art Since Mid-Century 1945 to the Present', New York: Vendome Press, 1991
Cameron, Dan, 'Inconsolable: An Exhibition About Painting', New York: Louver Gallery, 1990 (exh. cat.)
Chadwick, Whitney, 'Women, Art and Society', New York: Thames and Hudson, 1990
Godfrey, Tony, 'Drawing Today', Oxford: Phaidon, 1990
Leigh, Christian, 'Vertigo', Paris: Galerie Thaddaeus Ropac, 1990
Goddard, Donald, 'American Painting', Southport: Hugh Lauter Levin Associates, 1990
McGonagle, Declan, 'A New Necessity', Newcastle: First Tyne International, 1990 (exh. cat.)
Rosenfeld, Daniel, 'Terra Incognita: New Directions in Contemporary Landscape', Providence: Rhode Island School of Design, 1990 (exh. cat.)
Armstrong, Elizabeth, 'First Impressions: Early Prints by Forty-six Contemporary Artists', New York: Hudson Hills Press, Minneapolis: Walker Art Center, 1989 (exh. cat.)
Barrie, Dennis, 'Encore: Celebrating Fifty Years 1939-1989', Cincinnati: The Contemporary Arts Center, 1989 (exh. cat.)
Leigh, Christian, 'The Silent Baroque', Salzburg: Gallery Thaddaeus Ropac, 1989 (exh. cat.)
Princenthal, Nancy, 'Art of Renewal', Orchard Gallery, 1989
Derry Ireland von Furstenburg, Adelina, 'Centre d ‘art Contemporain 1984-1989', Geneva: Centre d’art Contemporain, 1989 (exh. cat.)
Rosenthal, Mark, 'SmithKline & French Research and Development Art Collection', Merion: Upper Merion R&D Facility for SmithKline & French Laboratories, Inc., 1988
Bellarme, Roger, 'Stations', Montreal: CIAC (Centre International d’art Contemporain de Montreal), 1987 (exh. cat.)
Fisher, Joel, 'The Success of Failure', St. Louis: Laumeier Sculpture Park and Gallery, 1987 (exh. cat.)
Pakeseh, Peter Demus, Otto (et al.), 'Malerei – Wandmalerei', Graz: Grazer Kunstverein/Stadtmuseum Graz, 1987 (exh. cat.)
Hirshorn, Anna Sue, 'Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir', Sao Paulo: 19th Sao Paulo Bienal sponsored by the United States Information Agency, 1987 (exh. cat.)
Malen, Lenore, 'Romanticism and Classicism', 1987 (exh. cat.)
The Queensborough Community College Art Gallery, 1987, pp. 30-31
Mayo, Marti, 'Images on Stone/Two Centuries of Artists Lithographs', Houston: University of Houston, Sarah Campbell Blaffer Art Gallery, 1987 (exh. cat.)
Felshin, Nina, 'Focus on the Image: Selection From The Rivendell Collection', The Art Museum Association of America, 1986 (exh. cat.)
Fox, Judith Hoos, Stebbens Jr., Theodore E., 'Boston Collects: Contemporary Painting and Sculpture, Boston: Museum of Fine Arts, 1986 (exh. cat.)
Vincitorio, Francesco, 'Sculture da Camera, Puglia: ccesorato alla culture della Regione Puglia, 1986 (exh. cat.)
Gruninger Perkins, Pamela, 'Nine Printmakers and the Working Process', Stamford: Whitney Museum of American Art New York, 1985 (exh. cat.)
Rose, Bernice, 'New Work on Paper 3', New York: The Museum of Modern Art, New York, 1985 (exh. cat.)
von Furstenburg, Adelina, 'Promenades', Geneva: Centre d’art Contemporain, 1985 (exh. cat.)
Aptekar, Lucille, Johnson, Stephen, Whitehead Institute Art Collection, December 1984
Fox, Howard N., McClintic, Miranda, Rosenzweig, Phyllis, 'Content: A Contemporary Focus 1974-1984', Washington DC: Smithsonian Institution Press for the Hirshhorn Museum and Sculpture Garden, 1984 (exh. cat.)
Raven, Arlene, 'The New Culture: Women Artists of the Seventies', Terre Haute: Indiana State University, 1984 (exh. cat.)
___, 'Selections from the BankAmerica Corporation Collection', New York: BankAmerica Corporation, 1984 (exh. broch.)
Solomon, Elke, 'Large Drawings', New York: IndependentCurators Incorporated, 1984 (exh. cat.)
___, 'New Art', New York: Harry N. Abrams, Inc., 1984
Mayo, Marti, 'Arbitrary Order: Paintings by Pat Steir (exhibition catalogue), Houston, TX: Contemporary Arts Museum.
'1983 Biennial Exhibition', New York: Whitney Museum of American Art, 1983 (exh. cat.)
Brown, Kathan, 'Representing Reality: Fragments Ji om the Image Field', Oakland: Crown Point Press, 1983 (exh. broch.)
Greenwald, Ted, 'Use No Hooks', New York: Asylum’s Press, 1980, cover, ill.
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Walczuk, Niko, 'Rodrigo Valenzuela at the Print Center, Temple University MFA Thesis exhibitions, Everyday Futures Fest kicks off, Please Touch Museum workers unionizes, Hot Bed Philly Summer 2023 Open Call, plus more opportunities and exhibitions', on:, 28 March 2023, ill.
Giordano, Rita, 'Gravity, nature, and paint: See Pat Steir’s revolutionary works', on:, 10 March 2023, ill.
Villa, Angelica, 'At the Hammer, Hilton Als Presents a Remembrance to Joan Didion, in the Form of a "Visual Equivalent of Essay Writing"', on:, 15 February 2023
Millet-Sorsa, Amanda, 'Pat Steir: Blue River and Rainbow Waterfalls' [review], on:, December 2022, ill.
Yau, John, 'Pat Steir Accepts Time’s Passage With Grace', [review] on:, 15 December 2022, ill.
Schwabsky, Barry, 'Brice Marden', in: Artforum, New York, 2 March 2020
Harris, Susan, 'Pat Steir: Color Wheel', in: The Brooklyn Rail, New York, February 2020
Hickey, Angela, 'Pat Steir Makes Impact with Newest Piece: Color Wheel', in: The Tower, Catholic University’s Independent Newspaper, Washington DC, 20 February 2020
Terrebonne, Jacqueline, 'The Artful Home', in: Galerie Magazine, September 2020
Bobrow, Emily, 'Pat Steir Orders Artistic Chance', in: The Wall Street Journal, 8 January 2020
Felsenthal, Julia, 'The Rembrandt Self-Portrait That Has Long Captivated Pat Steir', in: The New York Times Style Magazine, New York, 21 July 2020
Sullivan, Robert, 'The Exhibit that Painted Itself', in: The New Yorker, New York, 3 February 2019
___, 'Morning Links', in: Artnews, New York, 4 February 2019
Sheets, Hilarie, 'Pat Steir Gets Discovered, Again', in: The New York Times, New York, 18 January 2019
___, ''The Paint Makes Its Own Image', An interview with Pat Steir', in: Apollo, London, January 2019, p. 31
___, 'What’s On: Pat Steir: Silent Secret Waterfalls', in: Apollo Magazine, London, 2019
___, '6 Must See Philadelphia Museum Exhibits to Check Out This Winter', in: Philadelphia Magazine, Philadelphia, January 2018
___, 'Agenda', in: Whitewall Magazine, Winter 2019
___, 'SILENT SECRET WATERFALLS: THE BARNES SERIES EXHIBIT', in: Philadelphia Style Magazine, Philadelphia, 18 January 2019
___, 'Society & Culture Agenda', in: Philadelphia Style Magazine, Philadelphia, January/February 2019
___, 'Top Museum Exhibits to See Now', in: Where Traveler, 2019
___, '23 Terrific Things To Do In Philly This Week, January 7-13', in: Uwishunu, 4 January 2019
___, 'What’s happening in Philly this weekend: Jan. 11-13', in: PhillyInfluencer, 11 January 2019
Yankowitz, Susan, 'Night Sky', in: Poetry in Review, Parnasus,
___, in: The Barnes Series V, Philadelphia, 2018, ill.
Colm, Toibin, 'The Flow of Chance: Pat Steir’s ‘Waterfall’ Paintings', in: The New York Review of Books, on:, 20 May 2019
Katzin, Jeffrey, 'Pat Steir’s Silent Secret Waterfalls Share Their Inner Life At the Barnes', in: National Academy Journal, 9 July 2019
Farago, Jason, 'New York Galleries: What to See Now – Visible Traces (Mountain Water Air)', in: The New York Times, New York, 9 July 2019
Sheets, Hilarie M., 'Look Inside Artist Pat Steir’s Treasure-Filled Townhouse in Greenwich Village', in: Galerie Magazine, 13 December 2019
___, 'Surface Work review - women abstract artists dazzle in historic show', in: The Guardian, London, 15 April 2018
Delistraty, Cody, 'It Comes in Waves at Thaddaeus Ropac Gallery', in: Modern Painters, 26 September 2018
___, 'Best', on:, September 2018
Homes, A.M., 'New Masters', in: Vanity Fair, March 2018, p. 124
___, 'Pat Steir', (Hong Kong Pamphlet), Levy Gorvy, April 2018
Lotringer, Sylvere, in: Initials, no. 12I, November 2018
___, '25 Awesome Events and Festivals in Philadelphia in Winter 2019', in: Visit Philadelphia / Harper’s Bazaar Mexico, November 2018
___, 'Art Fall Preview: Over 100 Not-to-Miss Shows From East Coast to West', in: The New York Times, 12 September 2018
___, 'Pat Steir Will Make Monumental Waterfall Paintings for Both the Barnes and the Hirshhorn in 2019', on:, 17 September 2018
___, 'From Yusaku Maezawa’s Moon Shot to the Challenges Facing African American Artists: The Best and Worst of the Art World This Week', on:, 21 September 2018
Gnyp, Marta, 'Freedom of Movement: Interview with Pat Steir', in: Zoo Magazine, no. 55, Summer 2017
Yerebakan, O.C., 'Pat Steir: ‘Kairos' at Levy Gorvy', in: Art Observed, 21 October 2017
Barcio, Phillip, 'How the Works of Pat Steir Rose to the Top of the Art Market' in: IDEELART, 6 October 2017
Cotter, Holland, in: The New York Times, New York, 2017
Russeth, Andrew, 'Pour Forth: Pat Steir on Her Latest Paintings', on:, 20 October 2017
Panicelli, Ida, 'Pat Steir: Kairos', in: Artforum, New York, November 2017
Kinsella, Eileen, 'After Decades of Slow and Steady, Pat Steir’s Market is Now Moving at Breakneck Pace', on:, 28 September 2017
___, 'Goings on About Town - Pat Steir', in: The New Yorker, New York, 21 September 2017
Cohen, Alina, 'Against the Grain', in: Cultured Magazine, September 2017
___, 'Summer Choices at Crown Point Press', in: Blouin ArtInfo, 29 June 2017
Sullivan, Robert, 'Dealers Choice', in: Vogue, April 2017, p. 124
Marder, Lisa, '5 Modern American Women Artists: Part II', on:, 10 March 2016
Marder, Lisa, '5 Modern American Women Artists: Part I', on:, 9 March 2016
Simmons J, William, 'Artists at Work: Pat Steir', on:, 9 August 2016
Roux, Caroline, 'Trickle-down effect: An interview with Pat Steir', The Financial Times, 6 November 2016
Freeman, Nate, 'Alec Baldwin on Accidentally Buying a $95,000 Pat Steir Painting at Artwalk. Benefit', on:, 18 November 2015
___, 'The Artist Project: Pat Steir on the Kongo Power Figure', The Metropolitan Museum of Art, 25 August 2015
Hoey, Dennis, 'Bowdoin College receives trove of art as gift', in: Portland Press Herald, Portland, 14 January 2014
Fellah, Nadiah, 'Pat Steir’s Fluid Reality', on: New American Paintings Blog
Rinaldi, Mark, 'Pat Steir painting brings a rush of red to 1801 California redo', on:, 12 February 2014
Sheets, Hilarie M., 'Working Practice: Pat Steir', on: 1stdibs, March 2014
Cooper, Ashton, 'The Armory Show Modern Gives Nod to Women In Its First Curated Show', on:, 4 March 2014
___, 'Critics Pick: Pat Steir', in: NY Magazine, New York, March 2014
Bui, Phong, 'Pat Steir', in: The Brooklyn Rail, New York, 2 April 2014
Dylan Mitchell, Samantha, 'Pat Steir: For Philadelphia', in: Title, 28 May 2014
___, 'Goings on About Town: Art; Pat Steir', in: The New Yorker, 10 March 2014
Landi, Ann, 'The Art the Made Artists Artists', on:, May 2014
Newhall, Edith, 'Pat Steir, By Chance', in: The Philadelphia Inquirer, Philadelphia, 18 May 2014
Saltz, Jerry, 'Pat Steir', New York, 3 March 2014
Schwabsky, Barry, 'Pat Steir: Cheim & Read', in: Artforum, New York, May 2014
Wei, Lilly, 'Pat Steir: Cheim & Read', on:, May 2014
Yau, John, 'Some Follow-up Thoughts on Michael Mazur (1935–2009)', on:, 14 December 2014
Katz, Anita, 'Pat Steir paints meditative ‘Waterfalls’', in: The Examiner, 23 October 2014
Newhall, Edith, 'Galleries: Painter Pat Steir, still building on chance and Duchamp', on:, 19 May 2014
Farris, Teresa Parker, 'Student Assisted art installations Showcase Work by Pat Steir', 2013
MacCash, Doug, 'Magnetic yin and yang murals by New York artist Pat Steir at Newcomb Art Gallery', on:, 13 May 2013
___, 'Pat Steir Creates New Wok for National Academy Museum', on: Art Daily, 29 May 2013
Farago, Jason, 'Frieze New York turns two with a giant balloon dog and a VIP-free Speakeasy', in: The Guardian, London, 10 May 2013
Gamerman, Ellen, Lane, Mary M., 'Women on the Verge', in: The Wall Street Journal, New York, 19 April 2013
___, 'Hotel suites with spectacular views', on:, 13 June 2013
Baker, R. C., 'Abstraction: The Sequel; A Hole in Art History', in: The Village Voice, New York, 7–13 August 2013
Corio, Paul, 'Reinventing Abstraction: New York Painting in the ‘80s', in: Abstract Critical, 9 July 2013
Cupont, Brian, 'On Lower Manhattan’s Memory Lane', in: Artist’s Texts [online], 3 August 2013
Dailey, Meghan, 'Reinventing Abstraction', on: 1stdibs, September 2013
Griffin, Nora, 'Artcritical Pick: Pat Steir at the National Academy Museum', on:, 24 June 2013
Griffin, Nora, 'Sentimental Education: Abstract Painting in the 1980s', on:, 31 August 2013
Halperin, Julia, 'New York Dealer Couple Must Pay Collector $18 Million for Running Off With His Art', on: Blouin Artinfo, 4 January 2013
Johnson, Ken, 'Reinventing Abstraction', in: The New York Times, New York, 12 July 2013
Laster, Paul, 'Reinventing Abstraction: New York Painting in the 1980s', in: Flash Art, Milan, vol. 46, no. 292, October 2013
Mac Adam, Alfred, 'Reinventing Abstraction: Cheim & Read', on:, September 2013
Micchelli, Thomas, 'Painting on the Cusp: Abstraction of the 1980s', on:, 6 July 2013
Plagens, Peter, 'A Revival with Some Meat to It', in: The Wall Street Journal, New York, 16 August 2013
___, 'Reinventing Abstraction', in: The Wall Street International, 3 July 2013
Rubinstein, Raphael, 'In Conversation: Raphael Rubinstein with Joan Waltemath', in: The Brooklyn Rail, New York, August 2013
___, 'Funny Face', in: Art in America, New York, January 2013
Russeth, Andrew, 'Art Net: The Life and Times of Walter Robinson: A Story of outré journals, East Village Parties, Reality Television, Painting.' January 24, 2012.
'Pat Steir: Under Cover of Daylight' Artforum 2012.
'Designer’s It List', Vogue Japan. October 2011, No. 146. Page 315.
Kracht. Gigi, 'Sunshine’s Art-y-Facts.' Views: The Baur Au Lac Magazine. March, 2012: (pp 56-57). Goldfarb, Brad, 'Partners in Style.' Architectural Digest. April, 2012: pp 116.
Cembalest, Robin, 'Pat Steir’s Spring Fling.' Let My People Show. April 30, 2012.
Sutton, Benjamin, 'See Pat Steir’s Bright and Drippy New Mural Outside Sue Scott Gallery.' ArtInfoU. April 30, 2012.
'Could the Subjects Please remail Still for Just a Moment?' March 7, 2012
'Bay Are Arts Pick: Pat Steir.' SF Gate. May 3, 2012.
'Solway Gallery says ‘Thanks’' May10, 2012.
'Pat Steir exhibition at Maryland's Academy Art Museum spans forty years of artist's life' Art Daily. August 6, 2012.
McCoy, Mary, 'Pat Steir: A View at the Academy Art Museum.' The Chestertown Spy.
August 13, 2012
Altabe, Joan, 'You Wouldn’t Know Pat Steir by the Pictures she Makes.' The Examiner August 17, 2012, 'Artist Pat Steir Visits with Home School Class at Academy Art Museum.'
'Deborah Kass: Before and Happily Ever After Retrospective.' NYTimes. October, 28 2012.
Elle Decor, November 2012, vol. 23, no. 9 (featuring artwork by Pat Steir in the Table of Contents).
Sheets, Hilarie M, 'Pat Steir Paints a Painting' ARTnews. November 7, 2012.
Esterow, Milton, 'The First 110 Years', ARTnews, November 2012.
Saicoc, Andreea, 'Waterfalls: From Pat Steir with Love.' The Global Panorama.
November19th, 2012.
Russeth, Andrew, 'Morning Links: Bowery Edition.' GalleristNY. December 26, 2012.
'Goings on About Town: Galleries-Downtown, Pat Steir' The New Yorker. Jan 3, 2011. Page 12. Butler, Sharon, ' Pat Steir: The Nearly Endless Line' The Brooklyn Rail December 2010/January 2011 page 43.
'Artist Pat Steir Creates Wall Painting Commissioned by the Whitney Museum of American Art'
Art January 5, 2011.
Plasse, Sabina Dana, 'Celebrate Dining, Dancing and Art for 2011' The Idaho Mountain Expres January
Crow, Kelly, 'Agnes Gund' Focuses on the Female Vision, The Wall Street Journal, January 22, 2011. Pogrebin, Robin, 'The Permanent Collection May Not Be So Permanent' The New York Times January 26, 2011.
'Pat Steir’s Winter Paintings at Cheim & Read' Art Ravels. February 22, 2011.
Hirsch, Faye, 'Q + A: Pat Steir’s Sacred Hunt' Art in America. February 18, 2011
'Exhibition of Recent Paintings by Jersey-Born Pat Steir at Cheim and Read in New York.' February 2011.
Landi, Ann, 'Pat Steir: Sue Scott' ARTnews. February 2011.
'Pat Steir ‘Winter Paintings’'. NY Art Beat. February 2011.
'Pat Steir, Winter Paintings.' Timeout New York. February 8, 2011.
Ding, Chinnie, 'Pat Steir | Cheim & Read.' ArtForum. February 2011.
Alexander, Steven, 'Pat Steir at Cheim & Read' Steven Alexander Journal. February 20, 2011.
Apter Seth, 'Pat Steir at Cheim & Read in Chelsea' SethApter Blog. February 25, 2011.
Barlow, Deborah, 'A New York Minute.' Slow Muse. February 2011.
Chambers, Christopher Hart, 'The Nearly Endless Line.' dArt International. Spring 2011. pp 43
Langley, Matthew, 'Pat Steir: Winter Paintings at Cheim and Read.' Matthew Langley/artblog February, 2011. Howard, Natalie, 'ADAA Show: Quality, not Quantity', NYO, March 2011.
Howard, Natalie, 'Artist Profiles: Pat Steir Talks Paints and Prints', NYO, March 2011.
Bui, Phong, 'Pat Steir with Phong Bui.' The Brooklyn Rail. March 2011. Page 19
Auchincloss, Rex, 'Ellen Phelan in Brooklyn Rail.' Brooklyn Rail. March, 2011.
'Now or Nothing: Contemporary Art and the Queen City.' ArtCritical. April 16, 2011.
Beadnell, Anneliis, 'Danspace Gala leaves AFA with Inspirational Momentum.' Artist for Artist: A Collection of Experimental Dialogues in Contemporary Art. April 29th 2011.
Bui, Phong, 'Rochelle Feinstein with Phong Bui.' The Brooklyn Rail. April 2011.
Motley, John, 'Portland exhibit a quick run through legendary New York bookstore Printed Matter’s History.' The Oregonian. April 28 2011.
Mayhew, Bruce, 'Art We Enjoy' Bruce Mayhew Consulting. retrieved March, 2011.
'Pat Steir (1940- )' retrieved March, 2011.
Wenzel, Ryan, '30 Screenprints by Pat Steir.' Henry Street Settlement. March 10, 2011.
Kirsch, Elisabeth, '‘America: Now and Here’ features stellar works but few fresh voices.' The Kansas City Star. May 14, 2011.
Sesser, Stan, 'The Art Assembly Line.' The Wall Street Journal.. June 3, 2011.
Mueller, Stephen, 'Pat Steir: Cheim & Read.' Art in America. June/July 2011.
Pollack, Barbara, 'Pat Steir: Cheim & Read.' ARTnews. May 2011.
Hudson, Suzanne, 'Pat Steir: Cheim & Read.' Art Forum. May 1, 2011.
Waldman, Anne with Artwork by Pat Steir, 'Sleeping with the Hungry Ghost.' Tricycle. Summer 2011, 'Cheim & Read Celebrate Their 15th Anniversary with Group Exhibition of Women Artist.' June 30, 2011.
'Cheim & Read to exhibit female artists for 15th anniversary.' Art Media Agency. July 1, 2011
Feldman, Sascha, 'The Women in Our Life at Cheim & Read, New York' Artwrit. July. 2011.
Sebastian, Pradeep 'Quirks of the Known Yet Unknown' Deccan Herald. October 3, 2011.
Madel, Robin, 'Through Art, the Value of Water Expressed' The Huffington Post. October 10, 2011. Newhall, Edith, 'Galleries: Two Shows at Locks Illustrate the Artistry of Chance' The Philadelphia Inquirer. October 23, 2011.
Olivier, Alexandra, 'First Friday Preview' The Temple News. October, 31 2011.
'Chance Falls: Pat Steir at Locks Gallery' November 11, 2011.
Hoban, Phoebe, 'That Seventies Sensibility.' Artnews. November 2011. Pp 91-97.
Nadelman, Cynthia, 'The Women in our Life.' ARTnews. November 2011.
Richards, Judith Olch, 'Pat Steir on CalArts.' east of borneo. November 20, 2011.
Ruthe, Von Ingeborg, 'Stuhlwalzer und Leuchtschlangentango' Berliner Zeitung. November, 28, 2011.
Barat, Mel, 'Pat Steir.' MBBlog. Jaunary 22, 2010.
Butler, Sharon L, 'Pat Steir: The Nearly Endless Line', The Brooklyn Rail, December 2010/January 2011. Beem, Edgar Allen, 'Drawing Out of Line: Pat Steir at RISD.'
March 2010
Smee, Sebastian, 'Along the Lines: Subtle wit of Pat Steir’s work comes across in RISD exhibition.'
April 9, 2010
Windels, Martina, 'RISD Museum Holds Pat Steir Retrospect.' February 25, 2010 Van Siclen, Bill, 'Pat Steir: Drawing Out of Line starts Friday at RISD Museum.' The Providence Journal
February 14, 2010
Molarsky, Mona, 'Watch the Birdies', ARTnews, June 2010.
Van Siclen, Bill, 'RISD exhibit expands boundries [sic] of perception.' The Providence Journal
March 11, 2010
Cook, Greg, 'Ravishing Beauty.' The Phoenix March 17, 2010
Morris, Matt, 'Washing away walls (Water and Stone review).' Citybeat June 15 and 16, 2010
Print article, online article
Rosen, Steven, 'A Life in Artworks.' Citybeat May 19, 2010.
Museum News/ In The Gallery: 'Pat Steir: After Hokusai, after Hiroshige.' Fine Arts. Spring/Summer 2010, 'Pat Steir: Water & Stone.' Arts in Ohio. July, 2010.
'Pat Steir Works Presented at Nueberger Musseum of Art' Westchester News September 7, 2010 Chang, Murphy, 'Pat Steir’s Self Portrait Installation.' September 2010.
Carlin, T.J, 'Pat Steir.' TimeOut New York. September 10, 2010.
Rothman, Sabine 'It Takes a Village' Traditional Home September 2010 (page 57).
Dash, Robert, 'A Bounty Of Arts In Southhampton' The East Hampton Star September 21, 2010.
Folsom, Frances, 'Hotels are repositories of interesting Artwork' Nashua Telegraph September 2010 'Richard and Dolly Maass Gallery: Pat Steir: Drawing out of Line.' Purchase College School of Art and
Design Septmember, 2010.
'Solo Show of Paintings by the American Artist Pat Steir at Galerie Jaeger Bucher' October 11, 2010.
Stein, Mark D, 'CSI Art Show, Open to Public, Has Native American Theme' Weekly West Shore Print Edition. October 14, 2010.
Fressola, Michael J, 'Pictures Write Stories of Feminism and Native American Exploitation'
October 17, 2010.
Russeth, Andrew, 'Singing on the Edge of Extinction: A Q and A with Painter Deborah Kass' ARTINFO October 19, 2010.
'Fall Preview ‘10' New York Magazine. October, 2010.
Moyer, Carrie, 'Pat Steir: Museum of art, RISD.' Art in America. October 7 2010.
Soulez, Judith, 'Pat Steir’s Painterly Waterfalls Rain on Paris' ArtInfo France October 27, 2010.
'Recent Acquisitions' The Metropolitan Museum of Art Bulletin. Volume LXVIII, Number 2, Fall 2010. Page 79. Flores Jr. Angel, 'Pat Steir: Paint at Galerie Jaeger Bucher' angel flores jr Blog. October 28, 2010.
Grossman, Dan, 'Review: Work by Pat Steir.' Nuvo. November 1, 2010.
'Site-Specific Wall Drawing Installation by Renowned Artist Pat Steir at Sue Scott Gallery.' December 2010.
'Pat Steir | Sue Scott Gallery.' Art Hag: Exploring Events in and Around NYC. December 7, 2010.
Turner, Christopher, 'Thoroughly Modern Medicis.', 1 March 2009.
Heilenman, Diane, 'Friends of the Artists.', Louisville, Kentucky, March 22, 2009. Yablonsky, Linda, 'All in Good Fund.', April 21, 2009.
Wetstein, Jonathan, 'Locks Gallery Presents: Paintings on Painting.' Uwishunu. April 30, 2009.
Rosenberg, Karen, 'Of the Academy, by and for Academicians.' The New York Times May 14, 2009 Carrier, David, 'Pat Steir Self-Portrait: Reprise 1987-2009 at the New York Studio School.',
November 2009
Rutherforf, Michael, 'Pat Steir: When Painting Comes to You.' Painter’s Bread: Visual Sustenance. August 21, 2009.
'Poetry for Art | Cry Stall Gaze: Anne Waldman and Pat Steir.' November 2009.
Cox, Johanna, 'ArtWalkNY Turns 15, Honors Pat Steir.' Elle News Blog November 18, 2009
Carlin, T. J, 'Studio Visit: Pat Steir', Time Out New York, November 12–18, 2009, issue 737.
Berkovitch, Ellen, 'The Heretics, from Prince Street to Galisteo' Site Sante Fe. December 7. 2009.
Shaheen, Suzanne, 'Pat Steir’s Self Portrait.' Fabric Mag. November 10, 2009
Rice, Robin, 'Pat Steir: Installations.' Woman’s Art Journal Spring/Summer 2008, Volume 29, Number 1. Durrel, Jane, 'Art Review: Pat Steir: Paintings and Prints.' CitetBeat. Febuary 6, 2008.
Cotter, Holland, 'Art Makes Such Weird Bedfellows', The New York Times, July 25, 2008.
Falconer, Morgan, 'Pat Steir: Cheim & Read', Artnews, February 2008.
Panicelli, Ida, 'Pat Steir: Cheim and Re[a]d', translated from Italian by Marguerite Shore, Artforum, February 2008. Vogel, Carol, '2 Plucky Collectors, 50 Lucky Museums', The New York Times, April 11, 2008.
Nichols, Matthew Guy, 'Pat Steir at Cheim & Reid.' Art in America April 2008.
Wilson, Anamaria, 'Style Schifters.' Bazaar, November 2008, pg 320.
Kennedy, Randy, 'Art World Luminaries Recall Marcia Tucker.' The New York Times 13 January. 2007. Smith, Roberta, 'Art Review: Painting in the Heady Days, After it was Proclaimed Dead.' The New York
Times 16 February 2007.
Smith, Roberta, 'Art in Review; Manfredi Beninati.' The New York Times 9 March 2007. Haber, John, 'The Afterlife.' Haber Art Review.
Robinson, Walter, ed, 'Art Market Watch.' Artnet 8 Mar. 2007. 6 Mar 2007
Yablonsky, Linda, 'Artist in Residence', Elle Decor, May 2007, vol. 18, no. 4.
Gardner, James, 'More than Eye Candy', The New York Sun, November 21, 2007.
Kino, Carol, 'ART; It’s Time for Artists to Give Till It Hurts.' The New York Times 28 May 2006. Johnson, Ken, 'Frederick Ted Castle, 67, Art Critic.' The New York Times 29 May 2006.
Johnson, Ken, 'Art in Review: For a Broad Landscape, An Equally Wide Survey.' The New York Times 31 May 2006.
Steir, Pat, 'Eva Hesse' Interview June 2006: 36.
'Artnet News.' Artnet 8 Aug. 2006. 9 Aug. 2006
G, D, 'Prices are Rising Steadily for Pat Steir's Paintings and Prints' ARTnewsletter October 17, 2006:
Vol. XXXII: No. 4.
'Artnet News.' Artnet 26 Oct. 2006. 28 Oct. 2006
Robinson, Walter, 'Weekend Update.' Artnet 30 Oct. 2006. 3 Nov. 2006 'Artnet News.' Artnet 16 Nov. 2006. 18 Nov. 2006
'Pat Steir' Painters NYC October, 10, 2006.
Perrault, John, 'Pat Steir: Moon Paintings and A River.' Perrault’s Art Diary April 10 2005: p5-6.
Moyer, Carrie, 'The Majesty of Paint.' Downtown Express April 8-14: Volume 17: Number 46.
Moyer, Carrie, 'The Majesty of Paint.' Gay City April 7-13 2005: Volume IV: Issue 14.
'Pat Steir at Cheim & Read,' Absolute April 2005.
Yablonsky, Linda, 'What Makes a Painting a Painting?' Artnews April 2005: Volume 10: Number 4: p96. Robinson, Walter, 'Weekend Update.' Artnet May 2005.
Pancotto, Pier Paolo, 'Colori e material su tela Pat Steir scopre la luna.' L’Unita June 3, 2005, 'Pat Steir, l’acqua come il tempo.' Trova Roma: La Repubblica May 19-25 2005.
Pat Steir Chiem & Read. Tema Celeste July/August 2005: p110
Cataldi, Valeria., May 22nd
Emerling, Susan, 'Looking After Their Own.' ArtNews May 2005: Volume 104: Number 5: p 128-131. Haber, John, 'Abstract Gallery-Going, Spring 2005: Simon Aldridge, Ingrid Calame, Pat Steir, and Ernst Haas.' Haber’s Art Reviews. Spring 2005.
Pancotto, Pier Paolo, 'Colori e material su tela Pat Steir scopre la luna.' L’Unita June 3 2005
Maine, Stephen, 'Pat Steir: at Cook Fine Art.' Art on Paper, July/August 2005, 'Pat Steir: Moons and a River.' Modern Painters Magazine July/August 2005.
Landi, Ann, 'Pat Steir: Cheim & Read and Cook Fine Art.' ARTnews. September 2005
Smith, Roberta, 'Wide Open Spaces, With and Between the Frames.' The New York Times, 2 September. 2005.
Harris, Susan, 'Pat Steir at Cheim & Read, Pace Prints and Cook Fine Art.' Art In America, October 2005. Steir, Pat, 'Life’s Work.' Art Review December 2005: Volume IX: Page 108-113.
Landi, Ann, 'Artists and Their (Role) Models' ArtNews December 2005: Volume 104: Number 11: page 132- 135.
'Il Rapporto Libri' Il Giornale Dell’Arte December 2005: No. 249: Charta Milano section.
'The Buddhist spirit in modern art.' Staten Island Source January 8-14, 2004: p 10.
Fressola, Michael, 'Noted poet to appear at benefit.' Staten Island Sunday Advance February 15, 2004 McElroy, Joseph, 'A Poetry of Transience.' Shambhala Sun, March 2004: p 58-65.
Panicelli, Ida, 'The Invisible Thread, Newhouse Center for Contemporary Art, Snug Harbor
Cultural Center.' Artforum, February 2004: p 153.
Schnoor, Chris, 'We’re All Water: The conceptual paintings of Pat Steir.' Boise Weekly January 14-20, 2004: p 14-16.
Owens, Mackubin Thomas, 'Industrialization and Its Role in Armed Conflict.' The Washington Times 15 Jan
2000. Big Chalk eLibrary. Batten Lib., Norfolk Academy. 2 Apr. 2004 . Yau, John, 'Drawing a New Line: Rethinking the History of American Postwar Abstract Painting Through the Work of Louise Fishman, Bill Jensen, Brice Marden and Pat Steir.' Art on Paper January/February 2004:
Smith, Roberta, 'Art in Review; Richard Long.' The New York Times, 8 Oct. 2004.
Von Drathen, Doris, 'Pat Steir: Der Rhythmus der Stille' [Künstler, Kritisches Lexikon der Gegenwartskunst], in: Weltkunst, Berlin, vol. 61, no. 8, first quarter 2003
Cochran, Rebecca Dimling. Pat Steir, Kiang Gallery, Art on Paper, March, Vol.7, No.5, page 69. Fabiani, Rossella. Water in the canvases of Pat Steir and painting becomes meditation,
La Stampa, 23 July.
Landi, Ann. Who Are the Great Women Artists?, Artnews, March, Vol.102. No.3, pages 94-97. MacMillan, Kyle. Pat Steir at Baldwin Gallery, Artforum, February, XLI, No 6, pages 143-144. Pratesi, Ludovico. In Pat Steir’s nature, paint becomes rain, La Repubblica, 5 August.
'The Invisible Thread.' Staten Island Advance, February 26, 2003: Section E.
Von Drathen, Doris, 'Pat Steir: Der Rhythmus Der Stille.' Kunstforum International, January–February 2003: Bd.163: pages 158-175.
Vagheggi, Paolo, 'Air and Water for Pat Steir.' La Repubblica July 21, 2003.
Vettese, Angela, 'Cascades of Water and Air.' Il Sole 24 Ore, August 10, 2003.
Waldman, Ann. Pat Steir:
Pancotto, Paolo, 'Water, Air, Earth, Sky...and gardens: all inside the GNAM.' L’Unita September 7, 2003. Genocchio, Benjamin, 'Art: Review; An Etheral World, Explored Breath by Breath.' The New York Times
September 21, 2003.
Fressola, Michael, 'Good buzz, no Yoko at art opening.' Staten Island Sunday Advance 5 October 2003, 'The Frances Dittmer Series on Contemporary Art.' Bomb, Spring, No. 83, pages 30-37.
Amy, Michael. Pat Steir at Cheim and Read. Art In America, September.
Fressola, Michael J. Preparing for 'The Buddhism Project', Staten Island Sunday Advance,
15 December, pages E1 and E2.
Fox, Catherine. When East Meets West, the Result is Peace, Atlanta Journal-Constitution,
8 November, page 6.
Gardner, James. She won’t Steir us wrong, New York Post, 6 April, page 27. Liebmann, Lisa. Best of 2002, Artforum, December, XLI, No. 4, pages 108-109. McQuaid, Cate. Capturing Eastern Spirit in Spectacle of Paint, The Boston Globe,
24 January.
Panicelli, Ida. Pat Steir at Cheim & Read, Artforum, September.
Reed, David. Pat Steir at Cheim & Read, Art in America, September, page 126.
Ulmer, Sean M, 'Pat Steir: Colors and Other Colors on Top.' University of Michigan Museum of Art.
September 2011.
Sheets, Hillary M. Strange Comfort, Art News, September, page 143. Steir, Pat. Books, Art News, November, pages 180-181.
Cotter, Holland. Art Review; Retrieving Magic From the Vault. The New York Times. 5 January. McNeil, Taylor. Open Sky, Big Splash: Pat Steir follows her muse, B.U. Bridge, 16 March. McQuaid, Cate. Zen and the Art of Making Prints, The Boston Globe, 5 April.
Silver, Joanne. Steir Way to Heavens, The Boston Herald, 6 April. page S5.
Looking Back at 2001, Interview, December.
Mayo, Marti. Going with the Flow, ARTnews, Summer, page 146.
Shottenkirk, Dena. First Person Painting, C International Contemporary Art, Summer, pages 28-31.
Silver, Joanne. Photo Exhibit is Pure Rapture, Boston Herald Tribune, 28 January.
Steir, Pat. Smock: off the wall, Smock Magazine, Premiere Issue, pages 118-119. Temin, Christine. Best of 2000: Some Fine Shows and Bright Hopes, The Boston Sunday Globe, 31 December.
Temin, Christine. Assorted artists capture 'Rapture', The Boston Globe, 2 February, Pages D1 and D7.
Adams, Brooks. Steir Gazing, Interview Magazine, December.
Denson, G. Roger. Watercourse Way, Art in America. November, pages 114-121. Silverstein, Joel. Pat Steir: New Paintings, Marlborough Chelsea, Review,
1 December, pages 32-35.
Naves, Mario. Nine Parts Turpentine, One Part Pigment, New York Observer.
6 December, page 20.
Altabe, Joan. Waterfall Series: Painter Pat Steir Lets Gravity Take Its Course, Sarasota Herald-
Tribune. 16 January, pages 1G-2G.
Altabe, Joan. Steir’s Landscapes are Boundless, Sarasota Herald-Tribune, 21 January, page 28. Corbino, Marcia. Steir’s waterfalls make a splendid exhibition, The Longboat Observer, February 10,
2000, page B7.
Dault, Michael. Pat Steir at Artcore, The Globe and Mail, Toronto, 2 December, page R14. Ducci, Carlo. Pat Steir, Vogue Italia, July, pages 182-185.
Fox, Catherine. Abstract Realities, The Atlanta Journal-Constitution, 17 November, page Q8.
Donovan, Molly, 'Pat Steir: Or and Curtain Waterfall', in: National Gallery of Art Bulletin, Washington, no. 21, Spring 1999, pp. 12-13.
Breidenbach, Tom. Pat Steir, Robert Miller Gallery, Artforum, February.
Gilbert, Chris. Enough History, Pat Steir, Baumgartner Gallery, Washington City Paper, 24 April. Petry, Michael, 'A Thing of Beauty', Art & Design, May–June 1997 p. 37.
Holg, Garrett. Pat Steir: Rhona Hoffman Gallery, Art News, October, page 150. Harris, Susan. Pat Steir’s Water Drawings and the Nature of Drawing, Drawing, Fall, vol. 20 no.1, pages 10-12.
Bell, J. Bower. Pat Steir: Wind Water Stone at Robert Miller Gallery, Review, November, page 31. Chambers, Karen. Pat Steir: Wind Water Stone, Robert Miller Gallery, Review, November. Frank, Peter. TV Pick of the Week. Art City: Making it in Manhattan, L.A. Weekly,
12-18 December, vol. 20, no. 3.
Johnson, Ken. Art in Review: Pat Steir, The New York Times, 14 November, page E45. Newhall, Edith. Pat Steir, New York Magazine, 24 November.
Auer, James. Art museum exhibit embraces pluralism, Milwaukee Journal/Sentinel, 10 September, pages 1 and 12.
Bourdon, David. New York, Pat Steir at Robert Miller, Art in America, November, page 109. Clech, Renaud. Les ‘waterfalls’ de Pat Steir jusqu’au 20 decembre au Quartier, LeTelegramme, 15 October.
Hagen, Charles. The Artist’s Camera, Photographs by Contemporary Artists,
The New York Times, 10 February, page C27.
Morvan, Daniel. Pat Steir peint des idees de cascades. Ouest, 14-15 October.
Morvan, Daniel. Pat Steir, The New Yorker (Goings on About Town), 9 October.
Slowey, Ann. New York Scoop at Pat’s, Women’s Wear Daily, 6 October, page 5.
Schweighofer, Kerstin. Pat Steir Unendlich Wie Das Leben. Art, no. 8, August, pages 72-79.
Steir, Pat. The Sciences (reproductions only), May/June, vol. 35, no. 3, page 24. Wesseling, Janneke. Vallende verf: Pat Steir kijkt toe bij het onstaan van haar schilderijen, NRC Handelsblad, 22 December.
Braff, Phyllis, 'Applying Original Ideas to Canvas.' The New York Times, June 27, 1993, p. 16 (L.I.) Haden-Guest, Anthony, 'Nudism, Nomadismo Haunt Venice Biennale.' The New York Observer, July 5-July 12,1993, p. 1, 18.
Kohler, Werner, 'Reviews: Pat Steir: Wall Drawings.' Forum International (May-August 1993)
no. 18, p. 127.
Lewellan, Constance, 'Pat Steir.' Contemporary Artists Review, (Spring 1993) no.13, pp. 26-33.
Newhall, Edith, 'Pat Steir, Robert Miller.' Artnews, (March 1993) p.108.
Schwabsky, Barry, 'Pat Steir, Robert Miller Gallery.' Artforum, (March 1993) p.93.
Slivka, Rose C.S, 'From the Studio.' The East Hampton Star, June 24 1993, p. II-9.
Smith, Roberta, 'Long Island Shows Off Paintings of and From Itself.' The New York Times,
July 23, 1993, p. C25.
Sparks, Amy, 'Plumbing Nature.' The Cleveland-Free Times, April 21,1993, p.19.
Steir, Pat, 'Mortal Elements.' Artforum. Summer 1993, pp. 86-87, 127. (article on Louise Bourgeois).
Steir, Pat. (statement), 'The Question of Gender in Art.' (Winter issue, 1993)
(international edition), pp. 48-60, her statement on p. 48.
Wulffen, Thomas, 'Reviews: Pat Steir: Galerie Franck & Schulte, Berlin.' Flash Art (News) (May/June 1993) p. 121.
Bonami, Francesco, 'Slow Art.' Flash Art News, (Summer 1992) vol. XXV, no. 165, p. 57. (illus. only).
Chadwick, Susan, 'Summer images, abstract pieces shine at galleries.' The Houston Post, August 4,1992, p. E1, E8.
Johnson, Patricia C, 'A sensual thoughtful Summer.' Houston Chronicle,
July 29,1992, section D, p. 1, 10.
Kimmelman, Michael, '’Quotations’, ‘The Second History of Art’.' The New York Times, August 21,1992, p. C23.
Larson, Kay, 'The Painting Pyramid.' New York, May 25, 1992,pp. 85-86. ,
Liebmann, Lisa, 'Documenting Documenta' Interview (June 1992) pp. 44-49.
Miller, Peter, 'That’s American Entertainment.' Popolo, (Tokyo) (December 1992,)no.2. Miller, Peter, 'Artnews and Avon Sponsor Awards.' Artnews, (December 1992) p. 32. Miller, Peter .'Pat Steir.' The New Yorker, December 14, 1992, p. 20.
Miller, Peter .'Pat Steir.' The New Yorker. December 21, 1992, p. 24.
Rose, Barbara, '(barbara rose’s journal) The Name Game.' Art & Auction (May 1992), p.56,58.
Schjeldahl, Peter, 'Drawing Blood.' Village Voice, March 3, p. 85.
Slivka, Rose C, 'From the Studio.' The East Hampton Star, May 7,1992.
Smith, Roberta, 'From New York Painters, Work That Takes Time.' The New YorkTimes,
May 1,1992.
Smith, Roberta, 'A Small Show Within an Enormous One.'
The New York Times, June 22, 1992,p. C13, 16.
Smith, Roberta, 'Art in Review: Pat Steir.' The New York Times, December 11, 1992, p.C30.
Steir, Pat, 'Pictures of Light.' Tema Celeste (January-March) n. 34, p. 87.
Stellweg, Carla, 'Novena Documenta: Donde estan los Beuys...', Art Nexus,(published in Colombia), English translation (October 1992) no. 6, pp. 101-107 with translation on pp. 193-196.
Stellweg, Carla, 'What’s that you’re wearing? the ‘juice’.' Interview (December 1992) pp. 84-92. (reproduction only).
Bromberg, Craig, 'The Untitled Orbit.' Art & Auction (October 1991) vol. XIV, no.3, pp. 142-147,180. Cotter, Holland, 'Pat Steir.' FlashArt International, (Flashart News section) (Summer 1991)
vol. XXIV, n. 159, p. 163.
Curtis, Cathy. (review). Los Angeles Times, April 19. 1991.
Galligan, Gregory. (New York Reviews), Art International (Spring/Summer 1991) no. 14,pp.69, 70.
Gardner, Paul, 'What Artists Like About the Art They Like When They Don’t Know Why.' Artnews. (October 1991) vol. 90, no. 8, pp. 116-121.
Grinnell, Gene, 'Printed Art Today Part 4: Crown Point Press.' Mizue, 1991, no.959, pp. 108-118.
Grinnell, Gene, '18 artistes.' El Pais, June 15,1991.
Guasch, Anna, 'El comissari com a artiste: ‘Rope’ o la perversio a l’art.' Diari de Barcelona, June 20,
Hess, Elizabeth, 'Upstairs, Downstairs.' The Village Voice, April 30, pp. 93, 94.
Hollander, Reineke, 'Whitney Biennale bepaalt welke lunstenaar in of wit is in Amerika.'
NRC Handelsblad, May 11,1991, p. 7.
Kimmelman, Michael, 'At the Whitney, a Biennial That’s Eager to Please.' The New York Times, April 19,1991, pp. C1, C24.
Larson, Kay, 'A Shock to the System.' New York, April 29, 1991,p. 86. .
Larson, Kay, 'Spectator Sport.' New York, July 29, 1991, p. 50.
Leigh, Christian, 'The 1991 Whitney Biennial.' FlashArt International, (Flashart News section) (Summer 1991) vol. XXIV, n.159, p. 161.
Lewallen, Constance, 'View: Pat Steir' [View is a series published by Crown Point Press], Vol. VII, No. 6, Fall 1991
Mahoney, Robert, 'Pat Steir.' (review), Tema Celeste (January-February 1991). n. 29, p.82. (reprinted in Italian Edition in March/April 1991, n.30, p. 86.)
McFadden, Sarah, 'Three Americans in Brussels.' The Bulletin, (publication of Brussels, Belgium), November 7,1991, p. 12.
'Pat Steir.' Print Collector’s Newsletter, (May/June 1991).
Schjeldahl, Peter, 'Cutting Hedge.' The Village Voice, April 30, pp. 93, 94.
Albertazzi, Liliana. Canada, Contemporanea, vol. III, no. 2, February, pages 86-87.
Gardner, Paul. Some Seventies Works, The New Yorker, 16 July, page 13.
Holst, Lise. Pat Steir Robert Miller, Art in America, vol. 78, no. 12, December, page 165.
Liu, Catherine. Pat Steir Robert Miller Gallery, Artforum, vol. XMX, no. 4, December, pages 136-137. MacAdam, Barbara. Pat Steir Robert Miller, Artnews, vol. 89,no. 10, December, page 155.
Mahc, Robert. VERTIGO,Contemporanea, December.
Muschamp, Herbert. Oil and Water, Vogue, July, pages 200-205 and 226.
Muschamp, Herbert. Pat Steir at Robert Miller Gallery, Art Now Gallery Guide,
September, page 6NY.
Newhall, Edith. Galleries, New York, 10 September, pages 55 and 58.
Perl, Jed. In the Galleries, Art & Antiques, vol. VII, no. X, December, page 114.
The New Yorker, 8 October, page 21.
Appleyard, Bryan. God Moves in a Mysterious Way, Sunday Times (London), 1 August, pages 44-46.
Baker, Kenneth. Finding a Message in Found Objects, The San Francisco Chronicle,
7 January, pages C4, C5 and C6.
. Baker, Kenneth. Paint That Flows Like Water, San Francisco Chronicle, 4 March, page C6.
Baker, Kenneth. L.A. Art Gets a Foothold in N.Y., San Francisco Chronicle, 19 March. Hornung, David. Pat Steir: Massimo Audiello, Artnews, vol.88, no. 6, Summer, page 163. Kafka, Barbara. Pleasing the Palette, Artnews, vol. 88, no. 8, October, pages 162-165. Kimmelman, Michael. Review: Pat Steir, The New York Times, 7 April, page C27.
Larson, Kay. Art: Gilt Trip, New York, 10 April, pages 106-107.
Levin, Kim. Pat Steir, The Village Voice, 11 April.
Steir, Pat. The Word Unspoken, Artforum, vol. XXVIII, no. 4, December, pages 125-127. Temin, Christine. Three Roads from Here to Infinity, Boston Globe, 31 March.
Campbell, Robert. Architectural Digest, February, page 133.
Drew, Susan. Artist’s On Break, Elle, August, pages 260, 262.
Howell, John. A Bloom of One’s Own, Elle, February, pages 102 and 104.
Kimrnelman, Michael. This American In Paris Kept True to New York, The New York Times, 17 April, page H43.
McCoy, Pat. Pat Steir: Knoedler, Artscribe, January/February, page 74.
Smith, Roberta. Group-Show Survey: Downtown Galleries, The New York Times,
18 June, page 10.
Tuchman, Phyllis. Interpreting Nature in a SoHo Setting, Newsday, 26 July, section II.
Adeyemi, Ester, 'Stir is nur die Oberflache.' Berner Zeitung BZ, December 12, 1987, p. 14. Bakargiev, Carolyn Christov, 'Da Abo a Buren da Steir a Lewitt.' Il Sole, o. 315,
November 15,1987, p. 24.
Brenson, Michael, 'Landscapes That Are Rooted In the 60’s.'
The New York Times, March 22, 1987, p. H33, section 2.
Cotter, Holland, 'Pat Steir: New Museum.' Flash Art, p. 106.
Danto, Ginger, 'What Becomes an Artist Most?.' Artnews (November 1987) vol. 86,
no. 9, pp. 149-53.
Descombes, Mirelle, 'Les melanges de Pat Steir.' Tribune de Geneve, May 29, 1987.
Dorsey, John, 'Reality, abstraction intertwine.' The Sun (Maryland),
December 24,1987, p.20.
Flarn, Jack, 'Old Artists, New Styles.' Wall Street Journal, March 25,1987.
Gill, Susan, 'New York Reviews, Pat Steir: Knoedler, New Museum of Contemporary Art.' Artnews, (Summer 1987) vol. 86, no. 6, p.202, 205.
Grilj, Matias, 'Steirische Herbst.' Wolkenkratzer (December 1987) p. 39.
Hoy, Anne, 'Portrait Photographs From Artnews 1905-1986.'Artnews (February 1987) vol. 86, no. 2, pp. 93- 100.
Knight, Christopher, 'Avant-garde according to LACMA: New packaging for old traditions.' Los Angeles Herald, May 3, 1987,p. E8.
McEvilley, Thomas, 'Reviews, Pat Steir: New Museum of Contemporary Art.' Artforum (Summer 1987) vol. XXV, no. 10, p. 117.
Princenthal, Nancy, 'The Self in Parts.' Art in America (November 1987)
vol. 75, no. 11, pp. 170-173.
Rebeiz, Constantin A, 'Ever Green.' The Sciences (September/October 1987) pp. 40-45.
Shinbrot, Marvin, 'Things Fall Apart.' The Sciences (May/June 1987) p.37.
Simons, Riki, 'Pat Steir: Interview.' Avenue Magazine, (December 1987) pp. 150-153 (In Dutch).
Steir, Pat, 'What The Birds Fly, What The Lines Whisper.' Artforum (May 1987)
vol. XXV, no. 9, pp. 107-111 (on Ross Bleckner).
Teplow, Joshua, 'Self Portrait: An Installation.' C Magazine (Fall 1987) p. 60-61
Van Berkum, Ans, 'Pat Steirs variant op de Vanitas-gedachte Onsterfelijkheid in plaats
van verwelken' Ruimte (January 1987) pp. 9-13.
Weinstein, Jeff, 'Installation Art 305A.' The Village Voice, March 24, p,77.
Weinstein, Jeff, 'Pat Steir: Centre d’art Contemporain, Journal de Geneve, March17,1987.
Weinstein, Jeff, 'Accrochages', L’Hebdo, March 26, 1987
Bondini, C, 'Pat Steir: Fuller Goldeen Gallery.' The Guide to Art and Art Events, vol. 1, no. 1 (March-April1986) pp. 2-3.
Brenson, Michael. Why Asian Culture Answers the Needs of Western Artists, The New York Times April
20,1986, pp. H31 & 34.
'Breughel Door Pat Steir.' Avenue (November 1986) p. 196.
Cohrs, Timothy, 'Pat Steir.' Arts ( May1986) vol. 60, no. 9, p. 125.
Indiana, Gary, 'Pat Steir.' (review), The Village Voice, March 25. 1986.
Johnson,Barry, 'Critic’s Choice.' The Oregonian, December 12,1986, p. 21.
Johnson, Patricia C, 'Works by Two Artists With Sharply Contrasting Visions.'Houston Chronicle, May 18, p. 26. Knight, Christopher, 'The Question of Authenticity is Handled With‘Appropriation’.' Los Angeles Herald
Examiner, June 15,1986.
Kutner, Janet, 'Panels of Historical Importance.' The Dallas Morning News, November 5, 1986,
Larson, Kay, 'New Faces of ‘86.' New York March 24, 1986, p. 84
McGill, Douglas, 'Art People.' The New York Times, March 7, 1986, p.C19.
McKenzie, Barbara, 'Genuine Love of Drawing Apparent in Exhibit.'
The Atlanta Journal and Constitution, October 5, 1986.
Morch, Al, 'Portrayals of the Wild Sea and Geometric Abstracts.' SanFrancisco Chronicle-Examiner, March 10,1986.
Muchnic, Suzanne, 'The Art Galleries. La Cienega Area.' The Los Angeles Times, June 6, 1986,Part IV, p. 16. Nusbaum, Eliot, 'Steir study in self-analysis.' Des Moines Sunday Morning Register, June 8, 1986,
Ratcliff, Carter, 'Pat Steir at Castelli Graphics.' Art in America, July, 1986, vol.74, no. 7,p. 113-14.
Silver, Joanne, 'Wave On: Steir Studies the Ebb and Flow of Influence.'
The Providence Journal-Bulletin, May 23,1986, Section D.
Solnit, Rebecca, 'Surveying the Land.' Frank Magazine (April 1986) pp.26 27.
Stapen, Nancy, 'Splashing, Energetic Waves.' The Boston Herald, May 23, 1986, p. 59.
Steir, Pat, 'Drawing now and then' WhiteWalls, no13 (Spring1986) p.51.
Steir, Pat, 'Courbet The Moon, Van Gogh The Wind.' Artforum, vol. XXIV, no. 8,
(April1986) pp. 82-85, (a project for Artforum, no text.)
Steir, Pat, 'Artist’s Choice' ,Art & Antiques (December 1986) p. 101-104.
Temin, Christine, 'Steir Shows Continuity.' The Boston Globe, May 22, 1986.
Temin, Christine, 'Another Yezerski Gallery Opens.' The Boston Globe August 11,1986,p.76.
Tully, Judd, 'Dehner Retro, Local 1199 Center.' Art/World, vol 10, no. 8 (May1986).
Vath-Hinz, Dr. Henriette, 'Durch die Blume gesprochen....' Pan (December 1986) pp. 90-94. Wallach, Amei, 'Mimicking the Master on a Tour of Art History.' Newsday, March 9,1986, part II, p. 11. Wallach, Amei, 'Breughel door Pat Steir', Avenue (November 1986) p.196.
Wallach, Amei, 'Pat Steir' The Village Voice, March 25, 1986.
Wallach, Amei. Concentrations 14: Pat Steir, Dallas Museum of Art, Winter Bulletin, page 10.
Addington, Fran, 'Grids, Panels and Revery.' Fan ( May.1985) vol. 2, no. 5, p4.
Baker, Kenneth, 'Post Modern Patchwork.' San Francisco Chronicle, November 10, 1985, p. 12-13.
Borrini, Catherine France, 'L’Oeil du Maitre.' L’Hebdo, April 4, 1985. p. 64.
Borrini, Catherine France.'Promenades en sculptures.' L’Hebdo, June 6, 1985, p. 60-61.
Brenson, Michael, 'Critics’ Choices: Art.' The New York Times, April 21,1985, section 2A, p.2
Brenson, Michael, 'Flowering P1D - Chinese Motif for the Passing of Beauty.'The New YorkTimes, June 2,1985 Section 2, pp. 29, 31.
Castle, Ted, 'What Was on in New York.' Art Monthly, no. 84, March, 1985, p. 2.
Danto, Arthur C, 'Works on Paper.' The Nation, August 17, 1985.
French, Christopher, 'Style as Content.' Artweek vol. 16, no. 40 (November 1985) p.1,and cover.
Furst, Jay, 'Brueghel art a puzzle with no solution.' St. Paul Pioneer Press and Dispatch April 14,1985 p. 9E. Gardener, Paul, 'Pat Steir: Seeing Through the Eyes of Others.' Artnews, cover story, vol. 84, no. 9, (November
1985) pp. 80-88.
Greenspan, Stuart, 'Pat Steir: The Breughel Series (A Vanitas of Style).' Art & Auction, vol. 7, no. 7, (February 1985) pp. 56-59.
Groot, Paul, 'Pat Steir’s Breughel Series.' Museum Journal, no. 3, pp.164-168.
Indiana, Gary, 'Art.' The Village Voice, March 5, 1985, p. 83.
Larson, Kay,, 'Privileged Access.' New York, July 22,. 1985, pp. 61-62.
Larson, Kay,'Art.' New York December 23,1985, p. 146.
Lewallen, Constance, 'Pat Steir.' Matrix/Berkeley, pamphlet published by the University Art Museum, Berkeley,
CA (November/December1985).
Martin, Mary Abbe, '’Breughel’ painting installed at college.' Minneapolis Star and Tribune, April 14,1985, p. 6G. McEvilley, Thomas, 'I Think Therefore I Art.' Artforum, vol. 23, no. 10 (June 1985) pp. 74--84.
McEvilley, Thomas, 'Reviews.' Artforum, no. 8 (April 1985) vol. 23, p. 92-93.
Paine, Sylvia, 'A Vanitas of Style.' Arts (Magazine for the members of the Minneapolis Museum of Fine Arts)
(April 1985) vol. 59, no. 8, pp. 113.
Paine, Sylvia. Pat Steir: de 1981 a 1985.' Tribune de Geneve, March 19,1985. Paine, Sylvia, 'Pat Steir: Galerie Eric Franck, Geneve.' Art Press, no. 92, p.56.
Print Collector’s Newsletter (May-June 1985) p. 58.
Raynor, Vivien, 'Art: Contemporary Drawings at the Modern.' The New York Times, July 5, 1985, p.C21. Shere, Charles, 'New art books explore artist’s place in history.' Oakland Tribune, May 25.1985. Wechsler, Max, 'Paradise Gained.' Artforum, vol. 24, no. 1 (September 1985) pp. 94-97.
Woodville, Louisa, 'Three Painters, Three Decades.' Arts, vol. 59, no. 5 (January 1985) p. 19.
Artner, Alan G. Art Galleries-Shorr: Altering the Aim of Photography; Pat Steir, Chicago Tribune, 16 March, Section 5, page 6.
Banister, Amy. Pat Steir Exhibit Opening at CAC, Forum, A Woman’s Studies Quarterly, Winter. Brenson, Michael. Art: Pat Steir’s Breughel Series, The New York Times, 14 December, page C33. Castle, Ted. Pat Steir: Ways of Marking, Art in America, vol. 72, no. 6, Summer, pages 124-129. Findsen, Owen. Reorganization Gives Artist Vision, Cincinnati Inquirer, 5 February, page D18.
Glueck, Grace, 'Beauties and Beasts at the Pratt Gallery.' The New YorkTimes, April 6, 1984 p. C28. Green, Judith, 'Opposites Attract in 2-Artist Show.' Cincinnati Post, February 9,1984.
Hayden, Harold, 'Mid-Season Offerings are Rich With Diverse Styles.' Chicago Sun-Times, March 2,1984. Hoffmann, Donald, 'True, unaffected, delightfully folk.' The Kansas City Star, April 1,1984, p. 8G.
Howell, George, 'Steir’s Paintings are Quietly Non- Violent.' The Buffalo News, October 18,1984. Kotiik, Charlotta, 'Museum Presents New Works by Pat Steir in Grand Lobby.' The Brooklyn Museum Newsletter (December 1984).
Rogers-Lafferty, Sarah, 'Arbitrary Order, Paintings by Pat Steir.' Dialogue (January/February 1984) p. 54.
Rubin, Michael G, 'Works of New York Artists Displayed at Signet Gallery', St. Louis Globe-Democrat, February
25-26, 1984.
Russell, John, 'The Image of the Buddha Continues to Enthrall.' The New York Times, December 2,1984.Section 2, p. H29. ,
Simons, Rikki, 'Dreiluiken als eerbetoon aan Van Gogh.' NRC Handelshlad, November 21, 1984.
Teghammer, Jan, 'Tva amerikanskor i Lund.' Skanska Dagbladet, (Malmo, Sweden), March 13,1984
Weinstein, Jeff, 'Art: Sex.' Village Voice, December 18, 1984, centerfold.
Wingen, Ed, 'Pat Steir en Osvaldo Romberg.' Kunst Beeld (November 1984) pp. 44-45.
Wingen, Ed, 'Pat Steir', Tableau, vol. 7, no. 2 (November 1984) p. 88.
Wingen, Ed, 'Pat Steir in boei dand zig Van Gogh.', De Telegraf; November 23,1984
Alhander, Leslie. Lowe Offers Triple Passage Through Time, Miami News, 16 December. Baker, Kenneth. Pat Steir’s Paper Roses, Boston Phoenix, section 3, 22 March.
Champey, Ines. Pat Steir, Art Press, no. 67, February.
Curtis, Cathy. Without Illusions, Artweek, vol.14, 23 April, page 4.
Johnson, Patricia C. Teaching Herself, Others, Houston Chronicle, 12 June, Zest section, page 24.
Johnson, Patricia C. Still lifes; career exhibit, Houston Chronicle, 23 October, P23, page 14.
Kalil, Susie. Pat Steir’s Paintings, Prints, Drawings, The Houston Post, 12 June, Section F, pages 1, 9 and 10. Kohen, Helen T. Lowes Shows Art Made in America, Miami Herald, 11 December, page L5.
Mays, John Bentley. Steering Clear of Painterly Hot Sauce, The Globe and Mail, 11 March, page E5.
Muchnic, Susan. Richards, Steir, Speak an Intimate Language, Los Angeles Times, 11 April, Part IV, pages 1 and 4. Temin, Christine. Three Roads From Here to Infinity, Boston Globe, 31 March, page 62.
Twardy, Chuck. Talks to Study 'Print Life Cycle', Lawrence Journal-World, 30 January, pages B11 and B12. Wechsler, Max. Zurich: Pat Steir, Galerie Annemarie Verna, Artforum, vol. 21, no. 8, April, pages 82-83.
Translated from the German by Martha Humpreys.
Women Artists, Bijutsu Techo, vol. 35, no. 515, September, pages 82-83.
Cassademont, Joan. Pat Steir: Max Protetch Gallery, Artforum, vol. 20, no.6, February, page 84. Castle,Ted. Pat Steir and the Science of the Admirable, Artforum, vol. 20, no. 9, May, pages 47-55. Frank, Elizabeth. Pat Steir at Max Protetch, Art in America, vol. 70, no. 3, March, pages 143-144. Goldman, Judith. Woodcuts: A Revival?, Portfolio, vol. 4, no 6, November-December, pages 66-71. Navone, Edward. Art in Words, Forum, April, pages 10-11.
Phillip, Deborah. New York Reviews: Pat Steir (Max Protetch), Artnews, vol. 81, no. 2, February, pages 164-165.
Prints and Photographs Published: Pat Steir, Print Collector’s Newsletter, vol.12, no. 6, January-February, page 182.
Shirey, David L. Glimpses of What’s Current, The New York Times, 20 June, page 20 (LI). Silverthorne, Jeanne. The Pressure to Paint, Marlborough Gallery, Artforum, vol. 21, no. 2, October, pages 67-68.
Simon, Joan. Expressionism Today: An Artist’s Symposium: Pat Steir, Art in America, vol. 70, no. 11 December, pages 58-75.
Artner, Ellen G. Art, Chicago Tribune, 19 June, sec. 2, page 12.
Berntsson, Asa. Konst som liv och manniska. Sydsvenska Daghladet, 7 December.
Dickinson, Nancy. Pat Steir: Vital Painting, Rhode Island Review, October, page 12.
Foran, Jack. Fine Show of Works on Paper in the Nina Freudenheim Gallery,
The Buffalo Evening News, 13 March, Gusto Section, page 35.
Horstfield, Kate. On Art and Artists: Pat Steir, Profile, vol. 1, no. 6, November, pages 1-22
Huntington, Richard. Tough, Peaceful 'Paper Work' Show, Buffalo Courier Express,
15 March, pages E1 and E6.
Laurent, Rachel. Pat Steir, Art Press, no. 46, March.
Levine, Melinda. Layers, Marks and Hypnotic Regression, Artweek, vol.12, no. 41,
5 December, page 1.
Phillips, Deborah. Pat Steir: Max Protetch Gallery, Arts, vol. 55, no. 8, April, page 29.
Rogers-Lafferty, Sarah. Arbitrary Order: Paintings by Pat Steir, Dialogue: An Arts Journal, January/February, page 51.
Russell, John. Met Unveils Treasures of Islamic Golden Age, The New York Times, 20 November, page C28. Shere, Charles. Steir Show Opens New Crown Point Gallery, Oakland Tribune, 24 December.
Zimmer, William. Pat Steir, The Soho Weekly News, 1 December, page 48.
Cohen, Ronny. Pat Steir: Droll/Kolbert Gallery, Artforum, vol. 18, no. 9, May, pages 82-83. Glueck, Grace. Pat Steir: Droll Kolbert Gallery, The New York Times, 22 February, page 19. Glueck, Grace. Artists’ Conference Alights at a South Seas Island, The New York Times,
24 February, page 44.
Huntington, Richard. Drawings Exhibit at Freudenheim, Buffalo Courie Express,
20 January, page A8.
Perreault, John. Report from Micronesia Panoply in Ponape, Art in America, vol. 68, no.5, May, pages 35-39.
White, Robin. Pat Steir; un expressionisme reflechi, Art Press, no. 18, October, pages 17-18.
Day, Holliday T. Midwest Art, A Special Report, Indianapolis, Cincinnati, Dayton, Art in America, vol 67, no 4, July/August, page 68.
Nuridsany, Michel. Pat Steir, une puissance magique, Le Figaro, 16 November.
Rickey, Carrie. Beyond the Canvas...Artists’ Books and Notations, Artforum, vol. 17, no. 6,
February, pages 60-61.
Boorsch, Suzanne. New EDITIONS: Pat Steir, Artnews, vol. 77, no. 3, March, page 37.
Buonagurio, Edgar. Artists’ Books and Notations, Arts, vol. 53, no. 3, November, page 5.
Cavaliere, Barbara. Pat Steir: Droll/Kolbert, Arts, vol. 52, no. 9, May, page 27.
McFadden, Sarah. Pat Steir at Droll/Kolbert, Art in America, vol. 66, no. 5, September/October, page 118. Perrone, Jeff. Pat Steir: Droll/Kolbert Gallery, Artforum, vol. 16, no. 9, May, pages 7-58.
Prints and Photographs Published: Pat Steir, Print Collector’s Newsletter, vol. 9,no. 4, September/October, page
Raynor, Vivien. Art: Pat Steir, the Expressed Self, The New York Times, 10 March, page C23. Schwartz, Ellen. Pat Steir: Droll/Kolbert Gallery, Artnews, vol. 77, no. 5, May, page 186. White, Robin. Pat Steir, Interview at Crown Point Press, View, vol. 1, no.3, June, pages 1-16. Zimmer, William. Pat Steir: Droll/Kolbert Gallery, Soho Weekly News, 16 March, page 24.
Forgey, Benjamin. The Whitney Biennial, Artnews, vol. 76, no. 4, April, pages 121-122. Glueck, Grace. Art People, The New York Times, 14 January, page C16.
Andre, Michael. Pat Steir, Artnews, vol. 75, no. 7, September, pages 68-69.
Brach, Paul. Pat Steir: Xavier-Fourcade Gallery, Artforum, vol. 15, no. 2, October, page 62.
Crary, Jonathan. Pat Steir, Arts, vol. 50, no. 10, June, page 10.
Ellenzweig, Allen. Group Show, Arts, vol. 50, no. 2, October, page 13.
Heinemann, Susan. Pat Steir: Fourcade-Droll Inc, Artforum, vol. 13, no. 10, Summer, pages 75-76.
Henry, Gerrit. Is New York Still THE Artistic Place to Be?, Artnews, vol. 75, no. 9, November, page 47. Lyons, Harriet. Pat Steir: Interior Landscapes, Ms., vol. 4, no. 9,March, pages 34 and 36-37.
Russell, John. Pat Steir at Fourcade-Droll Gallery, The New York Times, 5 April, page 24.
Russell, John. Art: French Neo-Classicism Without the Arguments, The New York Times, 24 April, page 19. Tucker, Marcia. Interview with Pat Steir, Journal of the Los Angeles Institute of Contemporary Art, no. 10,
March/April, pages 22-25.
Wilson, William. Downbeat Exhibition at Otis Galleries, The Los Angeles Times, 6 September, part 4, page 2.
Andre, Michael. Pat Steir, Artnews, vol. 74, no. 6, Summer, page 144. Baker, Kenneth. Pat Steir, Arts, vol. 49, no. 8, April, page 21.
Derfner, Phyllis. New York, Art International, vol. 19, no. 5, May, page 66.
Heinmann, Susan. Pat Steir, Joan Snyder, Institute of Contemporary Art, Boston, Artforum, vol. 13, no. 4, December, page 75.
Taylor, Robert. Joan Snyder and Pat Steir: The Outer World and the 'Inner' Self, Boston Sunday Globe, 6 October, page 81.
Forgey, Benjamin. Three New Yorkers at Corcoran, The Washington Star News, 26 November, page C8.
Richard, Paul. Homage Paid to Nameless Gods, The Washington Post,
13 November, page E7.
Tucker, Marcia. Pat Steir: The Thing Itself, Made by Me, Art in America, vol.1, no. 1, January/February, pages 70- 74.
Baker, Kenneth, 'The World Within Around Us', in: Christian Science Monitor, 17 November 1972
Bordon, Lizie, 'Pat Steir: Paley & Lowe', in: Artforum, New York, vol. 11, no. 4, December 1972, p. 88
Canaday, John, 'Painting by Pat Steir at Paley & Lowe', in: The New York Times, New York, 30 September 1972, p. 27
Canaday, John, 'Only Half Bad - And That’s Half Good', in: The New York Times, New York, 6 February 1972, p. D23
Canaday, John, 'Art: Two Shows South of Houston St', in: The New York Times, New York, 30 September 1972
Crimp, Douglas, 'Pat Steir', in: Artnews, vol. 71, no. 6, October 1972, pp. 82-83
Hughes, Robert, 'Myths of Sensibility', in: Time, 20 March 1972, pp. 72-77
Matthais, Rosemary, 'Pat Steir: Paley & Lowe', in: Arts, vol. 47, no. 2, November 1972, p. 68
Wellish, Marjorie, 'New York Letter', in: Art International, vol. 16, no. 10, December 1972, p. 69
Gollin, Jane, 'Pat Steir', in: Artnews, vol. 69, no. 10, February 1971, p. 26
Brown, Gordon, 'Pat Steir: Paley & Lowe', in: Arts, vol. 45, no. 4, February 1964, pp. 65-66
Campbell, Lawrence, 'Pat Steir', in: Artnews, vol. 63, no. 7, November 1964, p. 22

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