Roberto Cuoghi

Photo: Alessandra Sofia

Roberto Cuoghi was born in Modena, Italy in 1973, and lives and works in Milan. Cuoghi’s practice is unique: he has no direct influences, and his work doesn’t fit comfortably within any genre of art. His diverse series of works over the past two decades are united by a preoccupation with process: he develops new techniques and methodologies to execute every work with absolute creative control and the highest degree of craftsmanship. Each new series is vastly different than the last, and Cuoghi moves seamlessly from medium to medium, mastering form without being defined by any singular style.

Cuoghi’s practice lies somewhere in the crux of learning and obsession. His most renowned ‘performance’ began in 1998 when, at the age of 25, Cuoghi prematurely aged himself into an older man of 67 years, seeking to ‘become’ his father. Over the next 7 years, Cuoghi accelerated the appearance of his age rapidly and without the use of prosthetics –instead, he increased his weight to over 300 pounds, dyed his hair grey, grew a large beard, and developed chronic dark circles and eye bags. The portrayal had lasting effects –although he eventually reverted his appearance, the physical trauma would permanently damage his health. This prolific period was depicted in his film, ‘The Goodgriefies’ (2000), which highlighted the complexities of Cuoghi’s new identity as an old man, interspersed with altered iconic cartoon characters –a dystopian blockbuster-style movie which gained him international attention. Cuoghi would reject the notion that this incredible feat can be defined simply as an artwork or performance; rather, it falls at the intersection between art and life, where time and perception, nature and technology, and history and myth collide to form new investigations into humanity.

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Roberto Cuoghi


Print Biography
Modena, Italy, 1973
Lives and works in Milan, Italy

Solo Exhibitions

Centre d’Art Contemporain Genève, 'Perla Pollina, 1996-2016', Geneva, Switzerland (Travelling Exhibition)
MADRE Museo d’arte contemporanea Donnaregina, 'Perla Pollina, 1996-2016', Naples, Italy (Travelling Exhibition)
La Biennale di Venezia, '57th International Art Exhibition. Il Mondo Magico (The Magical World)', Venice, Italy
Project Space Slaughterhouse, DESTE Foundation for Contemporary Art, 'Putiferio', Hydra, Greece
Aspen Art Museum, 'Da idā e pingalā a idā e idā o pingalā e pingalā', Aspen CO (Travelling Exhibition)
New Museum, 'Roberto Cuoghi: Šuilakku Corral', New York NY
Le Consortium, 'Da idā e pingalā a idā e idā o pingalā e pingalā', Dijon, France (Travelling Exhibition)
Galleria Massimo De Carlo, 'ZOLOTO', Milan, Italy
UCLA Hammer Museum, 'Roberto Cuoghi', Los Angeles CA
Castello di Rivoli – Museo d’Arte Contemporanea, 'Šuillakku', Rivoli, Italy (Travelling Exhibition)
ICA Institute of Contemporary Arts, 'Šuillakku', London, UK (Travelling Exhibition)
Centre International d’Art et du Paysage de l’Île de Vassivière, 'Roberto Cuoghi: Mei Gui', Beaumont du Lac, France
Galleria Massimo De Carlo, 'Mei Gui', Milan, Italy
Objectif_exhibitions, 'Mbube', Antwerp, Belgium
The Wrong Gallery, New York NY
Galleria Massimo De Carlo, 'Roberto Cuoghi', Milan, Italy
Spazio Aperto, GAM Galleria d’Arte Moderna di Bologna, 'Roberto Cuoghi / Alberta Pellacani', Bologna, Italy
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Group Exhibitions

Musée d'Art Moderne de Paris, 'The Flames. The living art of ceramics. Les Flammes. L'âge de la céramique', Paris, France
Centre Pompidou-Metz, 'Face à Arcimboldo', Metz, France
XNL Piacenza Contemporanea, 'La rivoluzione siamo noi. Collezionismo italiano contemporaneo / We are the Revolution. Contemporary Italian Collecting', Piacenza, Italy
Galleria Civica, 'Cantiere permanente. La messa in scena del sé', Modena, Italy
Frac Franche-Comté, 'Vinyls & Clips Sound Collection Guy Schraenen & clips d’artistes', Besançon, France
Casa Morra, 'Lo Spazio Esistenziale. Definizione #2', Naples, Italy
Palazzo Biscari, 'The Analogous Room. Works from the Sandretto Re Rebaudengo Collection', Catania, Italy
Gallerie d’Italia di Milano, 'Dall’argilla all’algoritmo', Milan, Italy
Estancia FEMSA – Casa Luis Barragán, 'Emissaries for Things abandoned by Gods', Mexico City, Mexico
OGR Officine Grandi Riparazioni / Castello di Rivoli – Museo d’Arte Contemporanea, 'Heart of Darkness. Castello di Rivoli @OGR.1. Can Art Prevent Mistakes?', Turin, Italy
Fondazione Prada, 'Sanguine. Luc Tuymans on Baroque', Milan, Italy
LACMA Los Angeles County Museum, '3D: Double Vision', Los Angeles CA
Gallerie Giorgio Franchetti, Ca d’Oro / Palazzo Ducale, 'Dialoghi contemporanei con Tintoretto', Venice, Italy
The Mistake Room, 'Exquisite Corpse', Los Angeles CA
Fondazione Sandretto Re Rebaudengo, 'Curated by (?)', Turin, Italy
Galleria Civica di Modena, 'Versus: La sfida dell’artista al suo modello in un secolo di fotografia e disegno', Modena, Italy
Galerie Chantal Crousel, 'Ether', Paris, France
Quadriennale d’arte, 'XVI Quadriennale d’arte. A occhi chiusi, gli occhi sono straordinariamente aperti', Rome, Italy
Fondazione Sandretto Re Rebaudengo, 'Fobofilia: Opere dalla Collezione Sandretto Re Rebaudengo', Turin, Italy
Lehmann Maupin Gallery, 'Future Season Past', New York NY
Museo Ettore Fico, 'Liberi Tutti! Arte e società in Italia 1989-2001', Turin, Italy
Centro de Arte Contemporáneo de Quito, 'Spin-Off: Muestra de la Colección Sandretto Re Rebaudengo', Quito, Ecuador
Triennale di Milano, 'Ennesima: Una mostra di sette mostre sull’arte italiana / An Exhibition of Seven Exhibitions on Italian Art', Milan, Italy
Castello di Rivoli – Museo d’Arte Contemporanea, 'Ritratto dell’artista da giovane / Portrait of the Artist as a Young (Wo)Man', Rivoli/Turin, Italy
MADRE Museo d’arte contemporanea Donnaregina, 'Per formare una collezione #3', Naples, Italy
La Biennale di Venezia, '55th International Art Exhibition. Il Palazzo Enciclopedico / The Encyclopedic Palace', Venice, Italy
Kunsthalle Krems, 'Große Gefühle: Von der Antike bis zur Gegenwart / Deep Feelings: From Antiquity to Now', Krems, Austria
DESTE Foundation for Contemporary Art, 'The System of Objects; The Dakis Joannou Collection reloaded by Andreas Angelidakis', Athens, Greece
Museo di Storia Naturale, 'Bestiario contemporaneo: Fra arte e scienze, gli artisti italiani della collezione ACACIA / A Contemporary Bestiary: Between Art and Science, Italian Artists of the ACACIA Collection', Venice, Italy
Whitechapel Gallery, 'collection Sandretto Re Rebaudengo: Have you seen me before?', London, UK
Cortesi Gallery, 'Out of The Blue', Lugano, Switzerland
Castello di Rivoli – Museo d’Arte Contemporanea, 'Intenzione manifesta: Il disegno in tutte le sue forme / Manifest Intention: Drawing in All Its Forms', Rivoli/Turin, Italy
MoMA Museum of Modern Art, 'Print/Out: 20 Years in Prints', New York NY
Palazzo Reale, 'Gli artisti italiani della Collezione ACACIA / The Italian Artist of the ACACIA Collection', Milan, Italy
Aspen Art Museum, 'The Residue of Memory', Aspen CO
Family Business, 'These Peanuts are Bullets', New York NY
GAM Galleria d’Arte Moderna, 'Fuoriclasse: Vent’anni di arte italiana nei corsi di Alberto Garutti', Milan, Italy
Museo di Storia Naturale, 'Marco Colombaioni: I quadri di Annibale', Milan, Italy
Sala de Arte Santander, 'Espíritu y espacio / Spirit and Space: Colección Sandretto Re Rebaudengo', Madrid, Spain
MACRO Testaccio, 'Plus Ultra: Opere dalla Collezione Sandretto Re Rebaudengo', Rome, Italy
Magasin 3 Stockholm Konsthall, 'Investigations of a Dog: Works from Five European Art Foundation', Stockholm, Sweden (Travelling Exhibition)
DESTE Foundation for Contemporary Art, 'Investigations of a Dog: Works from Five European Art Foundation', Athens, Greece (Travelling Exhibition)
La maison rouge – Fondation Antoine de Galbert, 'Investigations of a Dog: Works from Five European Art Foundation', Paris, France (Travelling Exhibition)
Ellipse Foundation, 'Investigations of a Dog: Works from Five European Art Foundation', Cascais, Portugal (Travelling Exhibition)
GaMeC Galleria d’Arte Moderna e Contemporanea di Bergamo, 'Esposizione Universale: L’arte alla prova del tempo', Bergamo, Italy
Deitch Projects, 'The PIG presents 8 Solo Shows…', New York NY
Capella MACBA, 'The Uncertainty Principle', Barcelona, Spain
Athens Biennale, '2nd Athens Biennale. World Question Center', Athens, Greece
Fondazione Sandretto Re Rebaudengo, 'Investigations of a Dog: Works from Five European Art Foundation', Turin, Italy (Travelling Exhibition)
ExhibAir, Aeroporto Milano Malpensa, 'Electronic Lounge: La Donazione Halevim al Museo del Novecento', Milan, Italy
Centro Saint-Bénin, 'L’Alchimia dell’Arte Contemporanea: Opere dalla Collezione Sandretto Re Rebaudengo', Aosta, Italy
Frankfurter Kunstverein, 'The Great Transformation: Kunst und Taktische Magie', Frankfurt am Main, Germany (Travelling Exhibition)
MACRO Museo de Arte Contemporánea de Vigo, 'The Great Transformation: Kunst und Taktische Magie', Vigo, Spain (Travelling Exhibition)
Villa Rufolo, 'Mediterraneo 2008: Perna Foundation', Ravello/Salerno, Italy
Piazza del Duomo, 'Tarantula', Milan, Italy
Gavin Brown’s Enterprise & Maccarone, 'Pretty Ugly', New York NY
New Museum, 'After Nature', New York NY
Kunsthalle Bern, 'Nolefovers', Bern, Switzerland
Palazzo Grassi, 'Italics: Arte Italiana fra Tradizione e Rivoluzione 1968-2008 / Italian Art between Tradition and Revolution 1968-2008', Venice, Italy (Travelling Exhibition)
Museum of Contemporary Art, 'Italics: Arte Italiana fra Tradizione e Rivoluzione 1968-2008 / Italian Art between Tradition and Revolution 1968-2008', Chicago IL (Travelling Exhibition)
Galerie Emmanuel Perrotin, '…And Back Again (presented by PIG, seven solo shows by Alfredo Jaar, Mario Grubisic, Paola Pivi, Gelitin, Jeremy Deller, Simon Martin and Roberto Cuoghi)', Miami FL
Arario Gallery, 'Our Magic Hour: European artists’ show', Cheonan, South Korea
Galerie Eva Presenhuber, 'I Want to Believe', Zurich, Switzerland
Castello di Rivoli – Museo d’Arte Contemporanea, 'Dalla terra alla luna: Metafore di viaggio (parte I e II)', Rivoli/Turin, Italy
Palazzo Grassi, 'Sequence 1: Pittura e scultura nella Collezione François Pinault / Peinture et sculpture dans la Collection François Pinault', Venice, Italy
Carré d’Art – Musée d’Art Contemporain de Nîmes, 'Où? Scènes du Sud: Espagne, Italie, Portugal', Nîmes, France
Fondazione Sandretto Re Rebaudengo, 'Silenzio: Una mostra da ascoltare / Silence: Listen to the Show', Turin, Italy
MuHKA Museum voor Hedendaagse Kunst, 'Who’s got the Big Picture', Antwerp, Belgium
Tel Aviv Museum of Art, 'Italian Mentalscapes: A Journey through Italian Contemporary Art', Tel Aviv, Israel
ARC Musée d’Art Moderne de la Ville de Paris, 'Playback', Paris, France
De La Warr Pavilion, 'A Secret Service: Art, Compulsion, Concealment', Bexhill on Sea, UK (Travelling Exhibition)
Whitworth Art Gallery, 'A Secret Service: Art, Compulsion, Concealment', Manchester, UK (Travelling Exhibition)
Kunsthalle Bern, 'Villa Jelmini: The Complex of Respect', Bern, Switzerland
Galleria Civica di Modena, 'EGOmania: Just When I Think I’ve Understood… / Appena ho capito d’aver capito…', Modena, Italy
DESTE Foundation for Contemporary Art, 'Panic Room: Works from the Dakis Joannou Collection', Athens, Greece
OK Centrum für Gegenwartskunst, 'Biennale Cuvée 06: World Selection of Contemporary Art', Linz, Austria
Spazio Oberdan, 'Ecce Uomo: (33+1) artisti contemporanei da collezioni private a Milano', Milan, Italy
Berlin Biennale for Contemporary Art, '4th Berlin Biennale for Contemporary Art. Von Mäusen und Menschend / Of Mice and Men', Berlin, Germany
Central Academy of Fine Arts Beijing, Guangdong Museum of Art, 'Elettroshock: Il video in Italia dagli anni ’70 a oggi (1973-2006)', Beijing, Guangdong, China
Galleria Pio Monti, 'Il buco', Rome, Italy
La Rada, 'Il Museo Insostenibile', Locarno, Switzerland
Domaine Pommery, 'Supernova: Experience Pommery #3', Reims, France
Galleria Continua, 'Young Italian Artists at the Turn of the Millenium', Beijing, China
Gertrude Contemporary Art Spaces, 'Frame: A Selection of Italian Artists', Melbourne, Australia
Hatton Gallery, 'A Secret Service: Art, Compulsion, Concealment', Newcastle, UK (Travelling Exhibition)
NADA Art Fair, 'CerealArt', Miami FL
La Quadriennale di Roma, 'XIV Quadriennale di Roma. Fuori Tema/Italian Feeling', Rome, Italy
ARC Musée d’Art Moderne de la Ville de Paris, 'I Still Believe in Miracles: Dessins sans papier', Paris, France
Fondazione Davide Halevim, 'Strata: Difference and Repetition', Milan, Italy
Centro per l’Arte Contemporanea Luigi Pecci / PAN Palazzo delle Arti di Napoli / Castel Porziano, 'Videominuto PopTV', Prato / Naples / Ostia, Italy
Contemporary Art Center, 'IX Baltic Triennial of International Art – BMW', Vilnius, Lithuania
Museo Laboratorio, 'La linea sottile, logiche, dell’invisibile', Città Sant’Angelo / Pescara, Italy
Castello di Rivoli – Museo d’Arte Contemporanea / Fondazione Sandretto Re Rebaudengo / GAM Galleria Civica d’Arte Moderna e Contemporanea, 'T1 - Torino Triennale Tremusei. La Sindrome di Pantagruel', Rivoli / Turin, Italy
Centre Pompidou, 'Perspectif cinema 2003-2004', Paris, France
Fondazione Nicola Trussardi, 'I Nuovi Mostri', Milan, Italy (Travelling Exhibition)
Fondazione Nicola Trussardi, 'I Nuovi Mostri', Venice, Italy (Travelling Exhibition)
Fondazione Bevilacqua La Masa, 'Paradiso e Inferno', Venice, Italy
Villa Manin Centro d’Arte Contemporanea, 'Vernice: Sentieri della giovane pittura italiana / Pathways Through Young Italian Painting', Passariano / Udine, Italy
MACRO al Mattatoio, 'Mediterraneans: Arte Contemporanea', Rome, Italy
Ex scuole comunali, 'After School Special', Locarno, Switzerland
Galleria Civica d’Arte Contemporanea, 'Dimensione follia, Soggettività, passione ed eccesso nella quotidianità', Trento, Italy
Museo Epicentro, 'XI Esposizione nazionale d’arte: Artisti per Epicentro', Barcellona Pozzo di Gotto / Messina, Italy
Musée départemental d’art contemporain de Rochechouart, 'Spécial Dédicace', Rochechouart, France
Galleria Massimo De Carlo, 'Haluk Akakce, Roberto Cuoghi, Anna Gaskell, Christian Holstad, Raymond Pettibon, David Shrigley', Milan, Italy
Officina della luce, ex Centrale Emilia, 'Cover Theory: L’arte contemporanea come re-interpretazione', Piacenza, Italy
Fondation d’Entreprise Ricard, 'Così va il mondo', Paris, France
Apexart, '2003 Summer Program', New York NY
Galerie Schüppenhauer, 'Cynical Culture', Cologne, Germany
Ferrotel, 'Fuori Uso 2003: Great Expectations!', Pescara, Italy
Mary and Leigh Block Museum of Art, Northwestern University, 'The Gift: Generous Offerings, Threatening Hospitality', Evanston IL (Travelling Exhibition)
Art Gallery of Hamilton, 'The Gift: Generous Offerings, Threatening Hospitality', Hamilton, Canada (Travelling Exhibition)
Manifesta, 'Manifesta 4 – European Biennial of Contemporary Art', Frankfurt am Main, Germany
Museo del Corso, 'Verso il futuro: Identità nell’arte italiana 1990-2002', Rome, Italy
Fondazione Sandretto Re Rebaudengo, 'Exit: Nuove geografie della creatività italiana', Turin, Italy
Centre Pompidou, 'Polyphonix 40', Paris, France
Ex Mattatoio Testaccio, 'VideoROM 4.0', Rome, Italy
Galleria Civica d’Arte Contemporanea, Palazzo delle Albere / MART Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, 'Nuovo spazio italiano', Trento / Rovereto, Italy
Teatro al Parco, 'Ironie, territorialité, stupeur', Parma, Italy
Scottsdale Museum of Contemporary Art, 'The Gift: Generous Offerings, Threatening Hospitality', Scottsdale AZ (Travelling Exhibition)
Bronx Museum of the Arts, 'The Gift: Generous Offerings, Threatening Hospitality', Bronx NY (Travelling Exhibition)
Palazzo delle Papesse Centro Arte Contemporanea, 'Primo piano: Su la testa! Opere e argomenti in scena', Siena, Italy
The Lux Centre, 'Pandaemonium Biennial of Moving Images 2001. Magic and Loss', London, UK
Openspace Milan, 'Play >', Milan, Italy
Manifattura Tabacchi, 'Espresso: Arte oggi in Italia', Florence, Italy
Palazzo delle Papesse Centro Arte Contemporanea, 'Il dono: Offerta, ospitalità, insidia / The Gift: Generous Offerings, Threatening Hospitality', Siena, Italy (Travelling Exhibition)
Centro Culturale Candiani, 'Il dono: Offerta, ospitalità, insidia / The Gift: Generous Offerings, Threatening Hospitality', Mestre / Venice, Italy (Travelling Exhibition)
Valencia Biennial, 'The 1st Valencia Biennial: Communication between the Arts. Videoroom', Valencia, Spain
Galleria Massimo De Carlo, 'The End of All Things', Milan, Italy
Tirana Biennale / National Gallery / Chinese Pavilion, 'Tirana Biennale 1: Escape', Tirana, Albania
GaMeC Galleria d’Arte Moderna e Contemporanea di Bergamo, 'In fumo: Arte, fumetto, comunicazione', Bergamo, Italy
Salara, '3nds: Milano', Bologna, Italy
Lungo fiume sud, 'Fuori Uso 2000. The Bridges: Art on the highway / Arte in autostrada', Pescara, Italy
Sparwasser HQ, 'Fai da te / The Amateur View', Berlin, Germany
Studio Armin Linke, 'Fine', Milan, Italy
Fondazione Sandretto Re Rebaudengo per l’Arte, 'Guarene Art 99', Guarene d’Alba / Cuneo, Italy
Museum in Progress, 'In Camera Caritatis. Globale Positionen 10', Vienna, Austria
Spazio Laboratorio Hajech, 'Menotrenta: 2a selezione di giovani artisti', Milan, Italy
Viafarini, 'LAB.12.2-T.I.N.A. (there is no alternative)', Milan, Italy
Orto Botanico, 'Conversazione in Giardino', Ferrara, Italy
Palazzina dei Giardini, 'Raccolta del disegno contemporaneo: Nuove acquisizioni 1994-1997', Modena, Italy
La Società Umanitaria, 'Visual Rave', Milan, Italy
Palazzo della Provincia, 'Orizzontale/Verticale: Giovani artisti modenesi [1a edizione]', Modena, Italy
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Cuoghi, Roberto, Farronato, Milovan (eds.), 'De Incontinentia', Milan: Mousse Publishing, 2019
Tuymans, Luc (ed.), 'Sanguine. Luc Tuymans on Baroque', Milan: Fondazione Prada, 2018, oo. 162-163, ill. (exh. cat.)
Osanna, Massimo, Viliani, Andrea (eds.), '[email protected] Materia Archeologica', Milan: Electa, 2018
De Rosa, Nicoletta, Kosmadaki, Pasini et al., 'Ametria', Athens: The Deste Foundation for Contemporary Art, 2018
Bellini, Andrea. Ed. Perla Pollina. Berlin: Hatje Cantz, 2017. Published on the occasion of Cuoghi’s solo exhibition Perla Pollina, 1996-2016, Centre d’Art Contemporain Genève, Geneva, February 21 – April 30, 2017, Madre, May 26 – September 18, 2017.
Cuoghi, Roberto. Putiferio. Athens: The Deste Foundation for Contemporary Art, 2017. Published on the occasion of Cuoghi’s solo projec Putiferio, DESTE Foundation Project Space Slaughterhouse, Hydra, June 21 – September 30, 2016.
Garutti, Francesco. “Artist’s Things: Roberto Cuoghi.” Icon Design 3 (March 2016), pp. 218–19. Texts by Roberto Cuoghi.
Cuoghi, Roberto. Da iḍā e piṅgalā a iḍā e iḍā o piṅgalā e piṅgalā. Dijon: Les presses du réel, 2014. Texts by Stefano Arduini and Yorgos Tzirtzillakis. Published on the occasion of Cuoghi’s solo exhibition Da iḍā e piṅgalā a iḍā e iḍā o piṅgalā e piṅgalā, Le Consortium, centre d’art, Dijon, October 17, 2014 – January 11, 2015, and Aspen Art Museum, Aspen, February 13 – May 31, 2015.
Gioni, Massimiliano, and Margot Norton, eds. Roberto Cuoghi: Šuillakku Corral. New York: New Museum, 2014. Texts by Margot Norton and Alison M. Gingeras. Published on the occasion of the exhibition Roberto Cuoghi: Šuillakku Corral, New Museum, New York, April 30 – June 29, 2014.
Cuoghi, Roberto. “The Tumour Set Free.” Frieze 158 (October 2013), pp. 244–52. Specially commissioned artist’s project.
Cuoghi, Roberto, and Milovan Farronato, eds. De Incontinentia. Fiorucci Art Trust. Milan: Mousse Publishing, 2013. Preface by Milovan Farronato, texts by Roberto Cuoghi, Gian Antonio Gilli, Michele Ernandes, Luciano Manicardi, Massimo Carboni, Pier Paolo Tamburelli, and Luca Scarlini. Published on the occasion of the group exhibition Arimortis, curated by Roberto Cuoghi and Milovan Farronato, Museo del Novecento, Milan, April 5 – September 8, 2013.
Gioni, Massimiliano, and Karen Marta, eds. Roberto Cuoghi: 2000 Words. Athens: DESTE Foundation for Contemporary Art, 2013. Texts by Roberto Cuoghi, Ali Subotnick.
Cuoghi, Roberto. KINDERAMA. 3D stereoscopic viewer, project commissioned by the DESTE Foundation for Contemporary Art, Athens, 2010. Published in a limited edition of 250 copies and presented during the exhibition Skin Fruit: Selections from the Dakis Joannou Collection at the New Museum in New York, March 3 – June 6, 2010.
———. “Six Short Stories (A)” and “Six Short Stories (B).” Kaleidoscope 6 (April–May 2010), pp. 135, 139. Excerpts from O like O in Portrait. Milan: Galleria Massimo De Carlo, 2006.
Cuoghi, Roberto, and Pepe Federico. Void #1. Dijon: Les presses du réel, 2010.
Bellini, Andrea. “L’improvvisazione è viva, la puoi sempre portare in giro Gelitin. Note per Artissima – the Theater Project, 4–8 novembre 2009” / “Improvisation is alive; you can always take it around with you. Notes for Artissima – the Theater Project, 4–8 November 2009, Turin.” Domus 930 (November 2009), pp. 97–100. Design by Gelitin, text by Roberto Cuoghi.
Cuoghi, Roberto. “Enigma No. 2.” Kaleidoscope 2 (Summer 2009), p. 34.
Beccaria, Marcella. Roberto Cuoghi. Milan: Skira, 2008. Published on the occasion of Cuoghi’s solo exhibition Šuillakku, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (Turin), May 6 – July 27, 2008.
Cuoghi, Roberto. Do a Dakis. Milan: Galleria Massimo De Carlo, 2007. Flipbook.
Gelitin and Roberto Cuoghi. O like O in Portrait. Milan: Galleria Massimo De Carlo, 2007. Works by Gelitin, texts by Roberto Cuoghi. Published on the occasion of the exhibition Gelitin: Strozzi Pappolozzi, Galleria Massimo De Carlo, Milan, February 7 – March 25, 2006.
Cuoghi, Roberto. “Mbube” and “Mei Gui.” In Mbube, edited by Tommy Simoens, exh. cat. Antwerp, objectif_exhibitions. Antwerp: objectif_exhibitions, 2006, pp. 2, 5.
Cuoghi, Roberto. Art Diary Italia (2003), p. 240. Fondazione Nicola Trussardi’s advertisement.
Cuoghi, Roberto. “Foolish Things.” In Manifesta 4: European Biennial of Contemporary Art, edited by Iara Boubnova, Nuria Enguita Mayo, and Stéphanie Moisdon Trembley, exh. cat. Frankfurt am Main et al. Osfildern-Ruit: Hatje Cantz, 2002, p. 164.
Mir, Aleksandra. Daily News, New York’s Hometown Newspaper, September 11, 2002. Unique issue of the newspaper conceived by Mir, printed in an edition of 1,000 copies, published by Gavin Brown’s Entreprise, New York, and greengrassi, London, 2002. Cuoghi contributed to the journal with a comic strip about Andy Warhol’s life, related to his series of works Friendly Neighbourhood (2001).
Cuoghi, Roberto. “In Camera Caritatis.” Der Standard, Vienna, December 27, 1999. Published on the occasion of Globale Positionen 10, Museum in Progress, Vienna, 1999.
———. “Roberto Cuoghi.” In Guarene Arte 99, exh. cat. Guarene d’Alba, Fondazione Sandretto Re Rebaudengo per l’Arte. Rivoli (Turin): Neos Edizioni, 1999, pp. 18–20, 24.
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Selected Articles

Diehl, Ute. “Umrisse einer neuen.” Art (August 2018), p.86.
Hohmann, Silke. “Porträt: Roberto Cuoghi.” Monopol (October 2017), pp. 94-102
Colin, Gianluigi. “Corpo a corpo con il corpo. Cuoghi sceglie il deforme.” La Lettura – Corriere della Sera (10 September 2017), p.31.
Pappalardo, Dario . “L’alchimista di sé stesso.” La Repubblica (27 August 2017), p.30-31.
Gratza, Agnieszka. “Roberto Cuoghi “Perla Pollina, 1996-2016”at MADRE, Naples.” Mousse Magazine (18 August 2017).
Colasanti, Claudia. “Gli infiniti ‘Cristi’ d’Italia appesi e dilaniati da Cuoghi”. Il Fatto Quotidiano (21 June 2017), p.23.
Bianchi, Enzo. “La carne umana, la vita di Gesù”, (18 June 2017) › Preghiera › Vangelo della domenica
Pratesi, Ludovico. “Biennale di Venezia. Parallelo tra le inquietudini di Roberto Cuoghi e Anne Imhof”. Artribune (13 June 2017)
Pratesi, Ludovico. “Nel mondo dell’oscurità.” (9 June 2017).
Azimi, Roxana. “Bâle et le principe des vases communicants. ” Le Temps (7 June 2017)
Casavecchia, Barbara. “Roberto Cuoghi.” Frieze (June-July-August 2017) p.193.
Mammì, Alessandra. “Cuoghi oltre i tabù.”L’Espresso (28 May 2017), pp.91-93.
Pasini, Francesca. “Il prezzo politico della Biennale”. Alfabeta2 (27 May 2017).
Cortellessa, Andrea. “Padiglione Italia. Nuova carne, nuovo mondo”. Alfabeta2 (27 May 2017)
Cervasio, Stella. “Al Madre 70 opere di Cuoghi. L’arte che ‘si sposta’ di continuo.” La Repubblica (26 May 2017).
Cotter, Holland. “Venice Biennale: Whose Reflection Do You See?” The New York Times (22 May 2017)
Pratesi, Ludovico. “Biennale di Venezia. L’editoriale di Ludovico Pratesi”. Artribune (14 May 2017)
Alemani, Cecilia -Wendy Vogel. “Conversation, ‘Il Mondo Magico’ at Italian Pavilion, Venice Biennale.” Mousse Magazine (13 May 2017).
Colasanti, Claudia. “La grande truffa di Hirst e il gelo cosmico tedesco.” Il Fatto Quotidiano (12 May 2017)
Panza, Pierluigi. “Il Mondo Magico e mistico del Padiglione Italia.” Corriere della Sera (11 May 2017).
Bonito Oliva, Achille. “Benvenuti al convivio globale.” la Repubblica (10 May 2017).
Testino, Arianna. “Uno strepitoso Padiglione Italia alla Biennale di Venezia.” Artribune (9 May 2017)
Grandjean, Emmanuel. “Roberto Cuoghi, l’artiste qui voulait disparaître.” Le Temps (1 March 2017)
Laubard, Charlotte. “No Gods, No Masters.” Roberto Cuoghi, né Dio, né Maestro”. Flash Art International/Flash Art (March-April 2017 / Maggio-Giugno 2017), pp. 40-47 / 52-57
Tenconi, Roberta. “Roberto Cuoghi.” L’Officiel Italia (April 2017), pp.58-63.
Bellini, Andrea – Cortellessa, Andrea. “Roberto Cuoghi. Un artista flamboyant.” Artribune (19 February 2017)
Bailey, Stephanie. “The Equilibrists: A report from Greece.” Ocula (July 21, 2016). Available online:
Cascone, Sarah. “See Photos of the Most Exclusive Summer Art Event.” Artnet news (June 22, 2016). Available online:
Forrest, Nicholas. “Roberto Cuoghi’s Post-Apocalyptic ‘Putiferio’ on Hydra, Greece.” Blouin Artinfo (July 1, 2016). Available online:
Kim, Seungduk. “Art génétiquement modifié: Roberto Cuoghi à l’œuvre.” L’Officiel art 17 (April–May 2016), pp. 136–43.
Meistere, Una. “Art Roads Leads to Athens.” Arterritory (July 5, 2016). Available online:
R. C. “Tropic of Cancer: A Grecian crustacean invasion.” Modern Painters (September 2016), p. 28.
“Roberto Cuoghi: Putiferio, DESTE Foundation.” My Art Guide (June 2016). Available online:
Speretta, Tommaso. “Roberto Cuoghi DESTE Foundation / Atene.” Flash Art online (August 31, 2016). Available online:
Swanson, Carl. “Dakis Joannou’s Art Addiction.” Vulture: Devouring Culture (June 17, 2016). Available online:
Zohn, Patricia. “CultureZohn: The Deste Foundation; As Greece Struggles, The Private Sector Steps Up.” The Huffington Post (June 23, 2016). Available online:
Milonas, George. “Ametria: A Labyrinth Exhibition at the Benaki Museum.” The Huffington Post – Greece (July 19, 2015). Available online:
Reid, James. “The error that turns out to be right: ‘Ametria’ at the Benaki Museum, Athens.” Wallpaper (June 23, 2015). Available online:
Thatcher, Elise. “Good & Evil Intertwined: Taking a Tour at the Aspen Art Museum.” Aspen Public Radio (February 18, 2015). Available online:
Travers, Andrew. “Art Matters at the Aspen Art Museum.” Aspen Times Weekly (February 19–25, 2015), p. 32.
Yablonsky, Linda. “Paradise Garage.” Artforum (June 16, 2015). Available online:
Birnbaum, Daniel. “Roberto Cuoghi.” Artforum (May 2014), p. 184.
Boucher, Brian. “Roberto Cuoghi at New Museum, New York.” Art in America (September 23, 2014). Available online:
Budick, Ariella. “Kjartansson/Henrot/Cuoghi, New Museum, New York.” Financial Times, London (June 3, 2014). Available online:
Davis, Ben. “The Hidden Message of Roberto Cuoghi’s Assyrian Lament.” Artnet News (May 23, 2014). Available online:
Fabbri, Franca. “Roberto Cuoghi, il padre come forma ‘il peso del padre.’” Eidos: Cinema psyche e arti visive 29 (March–June 2014), pp. 54–56.
Graff, Sarah. “Pazuzu: Beyond Good and Evil.” Assyria to Iberia, Exhibition Blog of The Metropolitan Museum (September 29, 2014). Available online:
Lavrador, Judicaël. “Exorcismes.” Les Inrockuptibles (November 5, 2014), p. 96.
Smith, Roberta. “Sounds of All but Silence: Aural Installations Take Over New Museum.” The New York Times (May 22, 2014). Available online:
Zimberoff, Larissa. “Of Sound and Vision: Roberto Cuoghi at the New Museum.” SciArt Magazine (June 25, 2014). Available online:
Casavecchia, Barbara. “Fuoriclasse.” Frieze 152 (January–February 2013), p. 178.
Chiodi, Stefano. “L’eciclopedia interminabile.” Doppiozero (June 10, 2013). Available online:
Fontana, Emi. “Il Palazzo Enciclopedico: Collezionista di collezioni.” Flash Art 311 (July–September 2013).
Fuoco, Michele. “Modenese trionfa a Venezia.” La Gazzetta di Modena, Modena (August 2013), p. 28.
Novelli, Anna Maria. “55. Biennale d’arte di Venezia: L’evento enciclopedico di Gioni.” Hat 58 (Fall–Winter 2013), pp. 3–5.
Thorne, Sam. “The Encyclopedic Palace.” Frieze 157 (September 2013), pp. 104–5.
Angelotti, Martina. “Roberto Cuoghi: Zoloto.” Domusweb (June 30, 2012). Available online:
“Gli artisti italiani della Collezione ACACIA.” Artecultura 5 (May 2012), p. 8.
Menin, Samuele. “Roberto Cuoghi / Massimo De Carlo.” Flash Art 304 (July–September 2012), p. 93.
Rinaldi, Costanza. “Roberto Cuoghi: La caricatura dell’identità.” Doppiozero (June 11, 2012). Available online:
Bellini, Andrea. “Le chaman de l’autoportrait.” Beaux Arts magazine, special issue (December 2011), p. 66.
Drake, Cathryn. “Investigations of a dog.” Frieze 142 (October 2011).
Mosler, Elisa. “Roberto Cuoghi’s diverse collection of self-portraits, on display at the Hammer Museum, addresses universal theme of personal potential and re-assessment.” Daily Bruin, Los Angeles (January 23, 2011). Available online:
Zuckerman Jacobson, Heidi. “What to see this month.” Art Review 48 (March 2011), p. 48.
Beccaria, Marcella. “The Rules of Vision.” Kaleidoscope 6 (April–May 2010), pp. 128–34.
Friedman, Jane. “Italics: Art between Tradition and Revolution 1968–2008 at the Museum of Contemporary Art, Chicago.” California Literary Review (January 4, 2010). Available online:–at-the-museum-of-contemporary-art-chicago/.
Gioni, Massimiliano. “Deformazioni d’artista (in 3D).” Wired 14 (April 2010), p. 132.
———. “The Inverted Life of Roberto Cuoghi.” Kaleidoscope 6 (April–May 2010), pp. 136–38.
Kazanjian, Dodie. “The Body Eccentric.” Vogue (February 2010), pp. 188–93.
Lissoni, Andrea. “Tutto suo padre.” Rolling Stone 76 (February 2010).
Saltz, Jerry. “Less Than the Sum of Its Parts.” New York Magazine (March 26, 2010). Available online:
Schjeldahl, Peter. “Big Time: ‘Skin Fruit,’ at the New Museum.” The New Yorker (March 15, 2010). Available online:
Smith, Roberta. “Anti-Mainstream Museum’s Mainstream Show.” The New York Times (March 5, 2010), p. C21.
Tagliaferro, Marco. “Celebration, Institution, Critique.” Artforum (January 2010). Available online:
Bailey, Stephanie. “Heaven: 2nd Athens Biennale.” Art Papers (October 2009), pp. 40–41.
Bellini, Andrea. “Made in Italy.” GQ 112 (January 2009), p. 82.
Campagnola, Sonia. “Italics.” Frieze 122 (April 2009), p. 125.
Fanelli, Franco. “Fare mondi nel palazzo delle Esposizioni ai Giardini.” Vernissage: Il fotogiornale dell’arte 106 (July–August, 2009), pp. 3–4.
“L’artista: Un ufo su Babele.” D – La Repubblica 656 (July 25, 2009), p. 34.
Mascheroni, Loredana. “Roberto Cuoghi canta la protesta civile.” Domusweb (July 21, 2009). Available online:
Moisdon, Stéphanie. “Roberto Cuoghi, The ICA, Londres, Castello di Rivoli, Turin.” Frog 8 (February 2009), pp. 32–35.
Smith, Roberta, and Ken Johnson. “Art in Review: The Pig.” The New York Times – Weekend Arts (July 30, 2009). Available online:
Adam, Georgina. “The Italian renaissance.” The Art Newspaper (November 1, 2008), p. 68.
“Arte, il ‘Pazuzu’ di Cuoghi all’Ica di Londra.” Il Sole 24 Ore 280, Milan (October 10, 2008), p. 31.
“Artists dictionary.” Flash Art International 260 (May–June 2008), pp. 116–25.
Bache, Pauline. “The pagan ceremony of a people abandoned by Gods.” Aesthetica (October 2008), pp. 28–29.
Beccaria, Marcella. “Nuove generazioni: Roberto Cuoghi, Šuillakku.” Urban 68 (May 2008).
Bonacossa, Ilaria. “Milano crocevia dell’arte italiana.” Domus 919 (November 2008), pp. 76–83.
Bria, Ginevra. “Roberto Cuoghi: Castello di Rivoli.” Espoarte 53 (June–July 2008), p. 131.
Bucci, Stefano. “Perché la crisi fa bene all’arte.” Il Corriere della Sera, Milan (November 19, 2008), p. 49.
Burton, Johanna. “Roberto Cuoghi.” Flash Art International 260 (May–June 2008), p. 118.
Capelli, Pia. “Con ‘Tarantula’ la videoarte conquista Milano.” Libero, Milan (July 6, 2008).
Casavecchia, Barbara. “Time Is on Our Side.” Flash Art International 260 (May–June 2008), pp. 112–15.
———. “Roberto Cuoghi: Metamorphosis and ‘Life sharing’; decadent humour and demon kings.” Frieze 116 (June–August 2008), pp. 208–9.
Glover, Michael. “For the love of Pazuzu, stop this awful racket.” The Independent, London (October 28, 2008), p. 18.
Joannou, Dakis. “Megas Dakis.” BHMagazino 378 (January 13, 2008), pp. 26–35 (ill. on cover).
Joly, Patrice. “Roberto Cuoghi.” 02 47 (October–November 2008), p. 57.
Lissoni, Andrea. “L’identità che abita dentro di noi.” Rolling Stone 57 (July 2008), p. 32.
Magnanini, Carlotta. “Talismani moderni.” L’Espresso 22 (June 2008), p. 183.
Martinazzoli, Luca. “Suillakku.” Rodeo 47 (May 2008), p. 42.
Martínez, Chus. “Roberto Cuoghi: Suillakku.” Artforum 4 (December 2008), p. 291.
Moisdon, Stéphanie. “Roberto Cuoghi: Pavane pour un dieu défunt.” Beaux Arts magazine (July 2008), pp. 88–89.
Rabottini, Alessandro. “Roberto Cuoghi: Castello di Rivoli.” Modern Painters (September 2008), p. 116.
Rifkind, Hugo. “Armageddon time.” The Times, The Knowledge (October 11–17, 2008), pp. 30–31.
“Roberto Cuoghi e tanti altri al Castello di Rivoli.” Flash Art 268 (February–March 2008), p. 45.
“Roberto Cuoghi.” The Art Newspaper (October 17, 2008), p. 4.
Sommariva, Elena. “Italics.” Domus 917 (September 2008), n. pag.
Verzotti, Giorgio. “Roberto Cuoghi: Castello di Rivoli.” Artforum (September 2008), p. 480.
Bonami, Francesco. “Dakis’s World.” Domus 909 (December 2007), pp. 120–22.
Davis, Ben. “Pinault and Co.” (May 11, 2007). Available online:
Gingeras, Alison M. “Sequence 1 Palazzo Grassi.” L’uomo Vogue 381 (May–June 2007), pp. 188–201.
Panza, Pierluigi. “Italia passatista, ignora l’arte contemporanea.” Il Corriere della Sera, Milan (November 7, 2007), p. 51.
Pellissier, Jan. “Sentieri del silenzio.” Inside Art 34 (June 2007), pp. 18–19.
Poggianti, Alessandra. “Honrarás a tu padre: Roberto Cuoghi.” Código 39 (June–July 2007), pp. 44–47.
Politi, Giancarlo. “Pierluigi Mazzari: My Private.” Flash Art 264 (June–July 2007), pp. 74–76.
Basting, Barbara “Villa Jelmini oder was von Szeemann bleibt.” Tages Anzeiger, Zurich (January 28, 2006), p. 55.
Bellini, Andrea. “Of mice and men: 4th Berlin Biennale; vecchie e nuove ossessioni.” Flash Art 258 (June–July 2006), pp. 104–7.
“Berlin Biennale: Roberto Cuoghi.” Art: Das Kunstmagazin 4 (April 2006), p. 24.
Crippa, Vania. “Le visioni distorte di Roberto Cuoghi.” Psychologies 1–2 (January–Februrary 2006), p. 41.
Delux, Bertrand. “Roberto Cuoghi, Chris Burden, Ryan Gander.” Zero02 212 (October 16–31, 2006), p. 61.
“Ecce Uomo.” Flash Art 257 (April–May 2006), p. 67.
Gioni, Massimiliano. “Milan.” Artforum 4 (December 2006), pp. 259–61.
Herzog, Samuel. “Faust im Sack: Villa Jelmini – keine Hommage in der Kunsthalle Bern.” Neue Zürcher Zeitung, Zurich (February 22, 2006), p. 53.
Lotta, Daniela. “Egomania.” Flash Art 257 (April–May 2006), p. 143.
Moisdon, Stéphanie. “Over Exposed.” Self Service 24 (Spring–Summer 2006).
Möller, Lotte. “Bb4.” Tema Celeste 114 (March–April 2006), pp. 94–97.
Scardi, Gabi. “Chris Burden, Roberto Cuoghi, Ryan Gander.” Flash Art International 251 (November–December 2006), p. 60.
Scardi, Gabi. “Chris Burden, Roberto Cuoghi, Ryan Gander.” Flash Art 261 (December 2006 – January 2007), pp. 124–25.
Schindler, Magdalena. “Annäherung durch Respekt.” Der Bund, Bern (January, 28, 2006), p. 11.
“Uomini e topi.” Flash Art 256 (February–March 2006), p. 55.
Vettese, Angela. “Nel nome del padre.” Vernissage: Il fotogiornale dell’arte 69 (March 2006).
Von Thon, Ute. “Biennale: Künstler – Möbel, Monster, Mutationen.” Art – Das Kunstmagazin 4 (April 2006), p. 24.
Falconer, Morgan. “Like father, like son.” The Guardian, London (June 29, 2005), p. 10.
“Future Greats 2005.” ArtReview 65 (December 2005), pp. 69, 75, 97, 99.
Gingeras, Alison M. “Roberto Cuoghi.” Artforum 10 (Summer 2005), pp. 316–17.
Gioni, Massimiliano. “Zeroarte.” Zero: L’Italia di plastica 1 (January 2005), p. 50.
Mammì, Alessandra. “Triennale pantagruelica.” L’Espresso 39 (October 6, 2005), pp. 143–45.
Maraniello, Gianfranco. “Roberto Cuoghi curated by Maraniello.” Boiler – Viva! Italia 5 (September 2005), pp. 48–57. The issue of the magazine included a DVD also containing The Goodgriefies reloaded (2000).
Moisdon, Stéphanie. “Madame de Fursac.” Frog 2 (November 2005), pp. 193–95.
Moulène, Claire. “Le dessin fait un carton.” Les Inrockuptibles (April 2, 2005).
Rabottini, Alessandro. “Skin and Concrete: The New Faces of Italian Art.” ArtReview 59 (June 2005), pp. 64–69 (ill. on cover).
“Roberto Cuoghi.” ArtReview (December 2005)
Dannatt, Adrian. “Roberto Cuoghi at Massimo De Carlo.” Art in America 3 (March 2004), p. 140.
“Friends – Fondazione Nicola Trussardi.” Boiler (March 2004), p. 124.
Fulco, Elisa. “Roberto Cuoghi. Massimo De Carlo.” Flash Art 243 (December 2003–January 2004), p. 111.
Pinto, Roberto. “Dimensione follia: Soggettività, passione ed eccesso nella quotidianità” / “Dimension folly: Subjectivity, passion and excess in everyday life.” Work: Art in Progress 10 (Fall 2004), pp. 18–49..
“Si salvi chi può.” Kult-Mymi (March 2004), pp. 46–47.
Sossai, Maria Rosa. “Great Expectations: Fuori Uso, Pescara.” Flash Art 244 (February–March 2004), p. 152.
A.D. “Et aussi….” A Nous Paris (June 23, 2003).
Conti, Riccardo. “Roberto Cuoghi: Milano, Galleria Massimo De Carlo.” (October 6, 2003). Available online:
Frame, Anna. “Art and the City.” The Times, London (September 20, 2003).
“Galleries-Soho: Summer Program.” The New Yorker (July 28, 2003).
Gioni, Massimiliano. “Cuoghi e i fantasmi” / “Cuoghi and the ghosts.” Carnet Arte 1 (September–October 2003), pp. 13–14.
Laubard, Charlotte. “Roberto Cuoghi.” Artforum (March 2003). Available online:
Polveroni, Adriana. “Cover d’autore: A Piacenza ecco l’arte del rifacimento.” La Repubblica, Rome (May 16, 2003).
Rabottini, Alessandro. “Roberto Cuoghi: L’età incompleta.” Flash Art 238 (February–March 2003), pp. 112–14 (ill. on cover).
Schmerler, Sarah. “Be Our Guest.” Time Out: New York 404 (June 26–July 2, 2003), p. 59.
Smith, Roberta. “In the Galleries a Grand Finale of Group Show Fireworks.” The New York Times – Weekend Arts (July 18, 2003).
Smith, Rupert. “Destiny’s Children.” The Guardian, London (September 26, 2003).
De Cecco, Emanuela. “El círculo se cierra y gira mejor.” Lapiz 183 (May 2002), pp. 56–65.
Maccarone, Michele. “Roberto Cuoghi.” Sherman 1 (Winter 2002–03), p. 27.
Maraniello, Gianfranco. “C’est un problème de temps, notes sur l’art italien d’aujourd’hui” / “All in Good Time: Notes on Italian Art Today.” Artpress 279 (May 2002), pp. 24–30.
Polveroni, Adriana. “Giovani, artisti e occupati: Radiografia di una generazione in corso d’opera.” Work: Art in Progress 4 (February–March 2002), pp. 6–14.
Cuoghi, Roberto. Lolabrigida (Summer 2001), pp. 96–97 (ill. on cover).
“La Fabbrica del vapore.” Tema celeste 84 (March–April 2001).
Gioni, Massimiliano. “Mistakes, Mis-shapes.” Flash Art International 211 (March–April 2000), pp. 63–64.
Hoffmann, Jens. “Roberto Cuoghi.” Flash Art International 214 (October 2000), p. 92.
De Cecco, Emanuela. “Roberto Cuoghi: Il coccodeista.” Cross 3 (1999), pp. 124–30.
Romano, Gianni. “Italian Holiday.” (December 1999). Available online:
Tolosano, Elisabetta. “Guarene Arte.” Flash Art 218 (October–November 1999), p. 118.
Maraniello, Gianfranco. “Visual Rave.” Flash Art 208 (February–March 1998), p. 121.
Molinari, Guido. “Roberto Cuoghi/Alberta Pellacani.” Flash Art 209 (April–May 1998), p. 140.
Verzotti, Giorgio. “The New School from Milan.” Artforum (Summer 1998), pp. 49–54.
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Fri 11 Mar 2022, 7:00
Recital Hall<br>King's Bruton<br>Plox<br>Bruton<br>BA10 0ED

To celebrate Ida Applebroog’s solo exhibition ‘Right Up To Now 1969 – 2021’, we are thrilled to present a screening of ‘Call Her Applebroog’ (2016) directed by filmmaker, and the artist’s daughter, Beth B. This deeply personal portrait of acclaimed New York–based artist Ida Applebroog was…
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Mon 28 Feb 2022, 11:00

Hauser & Wirth and Chillida Leku are taking part in The Big Draw Festival, join our activities from Somerset, Menorca and Chillida Leku, San Sebastián. The Big Draw is the world’s largest drawing festival with thousands of drawing activities connecting people of all ages with museums,…
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