Photo: Alessandra Sofia
Roberto Cuoghi was born in Modena, Italy in 1973, and lives and works in Milan. Cuoghi’s practice is unique: he has no direct influences, and his work doesn’t fit comfortably within any genre of art. His diverse series of works over the past two decades are united by a preoccupation with process: he develops new techniques and methodologies to execute every work with absolute creative control and the highest degree of craftsmanship. Each new series is vastly different than the last, and Cuoghi moves seamlessly from medium to medium, mastering form without being defined by any singular style.
Cuoghi’s practice lies somewhere in the crux of learning and obsession. His most renowned ‘performance’ began in 1998 when, at the age of 25, Cuoghi prematurely aged himself into an older man of 67 years, seeking to ‘become’ his father. Over the next 7 years, Cuoghi accelerated the appearance of his age rapidly and without the use of prosthetics –instead, he increased his weight to over 300 pounds, dyed his hair grey, grew a large beard, and developed chronic dark circles and eye bags. The portrayal had lasting effects –although he eventually reverted his appearance, the physical trauma would permanently damage his health. This prolific period was depicted in his film, ‘The Goodgriefies’ (2000), which highlighted the complexities of Cuoghi’s new identity as an old man, interspersed with altered iconic cartoon characters –a dystopian blockbuster-style movie which gained him international attention. Cuoghi would reject the notion that this incredible feat can be defined simply as an artwork or performance; rather, it falls at the intersection between art and life, where time and perception, nature and technology, and history and myth collide to form new investigations into humanity.
Roberto Cuoghi
Biography
Print Biography
Born
Modena, Italy, 1973
Resides
Lives and works in Milan, Italy
Solo Exhibitions
2023
Hauser & Wirth, 'Roberto Cuoghi. PEPSIS', New York NY
2022
Fridericianum, 'Roberto Cuoghi', Kassel, Germany
2019
Castello di Rivoli – Museo d’Arte Contemporanea, 'Roberto Cuoghi. Miracola', Rivoli, Italy (Site-specific Installation)
2017
Centre d’Art Contemporain Genève, 'Perla Pollina, 1996-2016', Geneva, Switzerland (Travelling Exhibition)
MADRE Museo d’arte contemporanea Donnaregina, 'Perla Pollina, 1996-2016', Naples, Italy (Travelling Exhibition)
La Biennale di Venezia, '57th International Art Exhibition. Il Mondo Magico (The Magical World)', Venice, Italy
MADRE Museo d’arte contemporanea Donnaregina, 'Perla Pollina, 1996-2016', Naples, Italy (Travelling Exhibition)
La Biennale di Venezia, '57th International Art Exhibition. Il Mondo Magico (The Magical World)', Venice, Italy
2016
Project Space Slaughterhouse, DESTE Foundation for Contemporary Art, 'Putiferio', Hydra, Greece
2015
Aspen Art Museum, 'Da idā e pingalā a idā e idā o pingalā e pingalā', Aspen CO (Travelling Exhibition)
2014
New Museum, 'Roberto Cuoghi: Šuilakku Corral', New York NY
Le Consortium, 'Da idā e pingalā a idā e idā o pingalā e pingalā', Dijon, France (Travelling Exhibition)
Le Consortium, 'Da idā e pingalā a idā e idā o pingalā e pingalā', Dijon, France (Travelling Exhibition)
2012
Galleria Massimo De Carlo, 'ZOLOTO', Milan, Italy
2011
UCLA Hammer Museum, 'Roberto Cuoghi', Los Angeles CA
2008
Castello di Rivoli – Museo d’Arte Contemporanea, 'Šuillakku', Rivoli, Italy (Travelling Exhibition)
ICA Institute of Contemporary Arts, 'Šuillakku', London, UK (Travelling Exhibition)
ICA Institute of Contemporary Arts, 'Šuillakku', London, UK (Travelling Exhibition)
2007
Centre International d’Art et du Paysage de l’Île de Vassivière, 'Roberto Cuoghi: Mei Gui', Beaumont du Lac, France
2006
Galleria Massimo De Carlo, 'Mei Gui', Milan, Italy
Objectif_exhibitions, 'Mbube', Antwerp, Belgium
Objectif_exhibitions, 'Mbube', Antwerp, Belgium
2005
The Wrong Gallery, New York NY
2003
Galleria Massimo De Carlo, 'Roberto Cuoghi', Milan, Italy
1997
Spazio Aperto, GAM Galleria d’Arte Moderna di Bologna, 'Roberto Cuoghi / Alberta Pellacani', Bologna, Italy
Group Exhibitions
2022
CAAC Centro Andaluz de Arte Contemporáneo, 'Strange. Sandretto Re Rebaudengo Collection', Seville, Spain
MO.CO., 'Against Nature', Montpellier, France
MO.CO., 'Against Nature', Montpellier, France
2021
Musée d'Art Moderne de Paris, 'The Flames. The living art of ceramics. Les Flammes. L'âge de la céramique', Paris, France
Centre Pompidou-Metz, 'Face à Arcimboldo', Metz, France
MAMC Musée d'art moderne et contemporain Saint-Étienne Métropole, 'L’Énigme autodidacte', Saint-Priest-en-Jarez, France
Centre Pompidou-Metz, 'Face à Arcimboldo', Metz, France
MAMC Musée d'art moderne et contemporain Saint-Étienne Métropole, 'L’Énigme autodidacte', Saint-Priest-en-Jarez, France
2020
XNL Piacenza Contemporanea, 'La rivoluzione siamo noi. Collezionismo italiano contemporaneo / We are the Revolution. Contemporary Italian Collecting', Piacenza, Italy
2019
Galleria Civica, 'Cantiere permanente. La messa in scena del sé', Modena, Italy
Frac Franche-Comté, 'Vinyls & Clips Sound Collection Guy Schraenen & clips d’artistes', Besançon, France
Casa Morra, 'Lo Spazio Esistenziale. Definizione #2', Naples, Italy
Palazzo Biscari, 'The Analogous Room. Works from the Sandretto Re Rebaudengo Collection', Catania, Italy
Gallerie d’Italia di Milano, 'Dall’argilla all’algoritmo', Milan, Italy
Estancia FEMSA – Casa Luis Barragán, 'Emissaries for Things abandoned by Gods', Mexico City, Mexico
OGR Officine Grandi Riparazioni / Castello di Rivoli – Museo d’Arte Contemporanea, 'Heart of Darkness. Castello di Rivoli @OGR.1. Can Art Prevent Mistakes?', Turin, Italy
Frac Franche-Comté, 'Vinyls & Clips Sound Collection Guy Schraenen & clips d’artistes', Besançon, France
Casa Morra, 'Lo Spazio Esistenziale. Definizione #2', Naples, Italy
Palazzo Biscari, 'The Analogous Room. Works from the Sandretto Re Rebaudengo Collection', Catania, Italy
Gallerie d’Italia di Milano, 'Dall’argilla all’algoritmo', Milan, Italy
Estancia FEMSA – Casa Luis Barragán, 'Emissaries for Things abandoned by Gods', Mexico City, Mexico
OGR Officine Grandi Riparazioni / Castello di Rivoli – Museo d’Arte Contemporanea, 'Heart of Darkness. Castello di Rivoli @OGR.1. Can Art Prevent Mistakes?', Turin, Italy
2018
Fondazione Prada, 'Sanguine. Luc Tuymans on Baroque', Milan, Italy
LACMA Los Angeles County Museum, '3D: Double Vision', Los Angeles CA
Gallerie Giorgio Franchetti, Ca d’Oro / Palazzo Ducale, 'Dialoghi contemporanei con Tintoretto', Venice, Italy
LACMA Los Angeles County Museum, '3D: Double Vision', Los Angeles CA
Gallerie Giorgio Franchetti, Ca d’Oro / Palazzo Ducale, 'Dialoghi contemporanei con Tintoretto', Venice, Italy
2016
The Mistake Room, 'Exquisite Corpse', Los Angeles CA
Fondazione Sandretto Re Rebaudengo, 'Curated by (?)', Turin, Italy
Galleria Civica di Modena, 'Versus: La sfida dell’artista al suo modello in un secolo di fotografia e disegno', Modena, Italy
Galerie Chantal Crousel, 'Ether', Paris, France
Quadriennale d’arte, 'XVI Quadriennale d’arte. A occhi chiusi, gli occhi sono straordinariamente aperti', Rome, Italy
Fondazione Sandretto Re Rebaudengo, 'Curated by (?)', Turin, Italy
Galleria Civica di Modena, 'Versus: La sfida dell’artista al suo modello in un secolo di fotografia e disegno', Modena, Italy
Galerie Chantal Crousel, 'Ether', Paris, France
Quadriennale d’arte, 'XVI Quadriennale d’arte. A occhi chiusi, gli occhi sono straordinariamente aperti', Rome, Italy
2015
Fondazione Sandretto Re Rebaudengo, 'Fobofilia: Opere dalla Collezione Sandretto Re Rebaudengo', Turin, Italy
Lehmann Maupin Gallery, 'Future Season Past', New York NY
Museo Ettore Fico, 'Liberi Tutti! Arte e società in Italia 1989-2001', Turin, Italy
Centro de Arte Contemporáneo de Quito, 'Spin-Off: Muestra de la Colección Sandretto Re Rebaudengo', Quito, Ecuador
Triennale di Milano, 'Ennesima: Una mostra di sette mostre sull’arte italiana / An Exhibition of Seven Exhibitions on Italian Art', Milan, Italy
Lehmann Maupin Gallery, 'Future Season Past', New York NY
Museo Ettore Fico, 'Liberi Tutti! Arte e società in Italia 1989-2001', Turin, Italy
Centro de Arte Contemporáneo de Quito, 'Spin-Off: Muestra de la Colección Sandretto Re Rebaudengo', Quito, Ecuador
Triennale di Milano, 'Ennesima: Una mostra di sette mostre sull’arte italiana / An Exhibition of Seven Exhibitions on Italian Art', Milan, Italy
2014
Castello di Rivoli – Museo d’Arte Contemporanea, 'Ritratto dell’artista da giovane / Portrait of the Artist as a Young (Wo)Man', Rivoli/Turin, Italy
MADRE Museo d’arte contemporanea Donnaregina, 'Per formare una collezione #3', Naples, Italy
MADRE Museo d’arte contemporanea Donnaregina, 'Per formare una collezione #3', Naples, Italy
2013
La Biennale di Venezia, '55th International Art Exhibition. Il Palazzo Enciclopedico / The Encyclopedic Palace', Venice, Italy
Kunsthalle Krems, 'Große Gefühle: Von der Antike bis zur Gegenwart / Deep Feelings: From Antiquity to Now', Krems, Austria
DESTE Foundation for Contemporary Art, 'The System of Objects; The Dakis Joannou Collection reloaded by Andreas Angelidakis', Athens, Greece
Museo di Storia Naturale, 'Bestiario contemporaneo: Fra arte e scienze, gli artisti italiani della collezione ACACIA / A Contemporary Bestiary: Between Art and Science, Italian Artists of the ACACIA Collection', Venice, Italy
Whitechapel Gallery, 'collection Sandretto Re Rebaudengo: Have you seen me before?', London, UK
Cortesi Gallery, 'Out of The Blue', Lugano, Switzerland
Castello di Rivoli – Museo d’Arte Contemporanea, 'Intenzione manifesta: Il disegno in tutte le sue forme / Manifest Intention: Drawing in All Its Forms', Rivoli/Turin, Italy
Kunsthalle Krems, 'Große Gefühle: Von der Antike bis zur Gegenwart / Deep Feelings: From Antiquity to Now', Krems, Austria
DESTE Foundation for Contemporary Art, 'The System of Objects; The Dakis Joannou Collection reloaded by Andreas Angelidakis', Athens, Greece
Museo di Storia Naturale, 'Bestiario contemporaneo: Fra arte e scienze, gli artisti italiani della collezione ACACIA / A Contemporary Bestiary: Between Art and Science, Italian Artists of the ACACIA Collection', Venice, Italy
Whitechapel Gallery, 'collection Sandretto Re Rebaudengo: Have you seen me before?', London, UK
Cortesi Gallery, 'Out of The Blue', Lugano, Switzerland
Castello di Rivoli – Museo d’Arte Contemporanea, 'Intenzione manifesta: Il disegno in tutte le sue forme / Manifest Intention: Drawing in All Its Forms', Rivoli/Turin, Italy
2012
MoMA Museum of Modern Art, 'Print/Out: 20 Years in Prints', New York NY
Palazzo Reale, 'Gli artisti italiani della Collezione ACACIA / The Italian Artist of the ACACIA Collection', Milan, Italy
Aspen Art Museum, 'The Residue of Memory', Aspen CO
Family Business, 'These Peanuts are Bullets', New York NY
GAM Galleria d’Arte Moderna, 'Fuoriclasse: Vent’anni di arte italiana nei corsi di Alberto Garutti', Milan, Italy
Museo di Storia Naturale, 'Marco Colombaioni: I quadri di Annibale', Milan, Italy
Palazzo Reale, 'Gli artisti italiani della Collezione ACACIA / The Italian Artist of the ACACIA Collection', Milan, Italy
Aspen Art Museum, 'The Residue of Memory', Aspen CO
Family Business, 'These Peanuts are Bullets', New York NY
GAM Galleria d’Arte Moderna, 'Fuoriclasse: Vent’anni di arte italiana nei corsi di Alberto Garutti', Milan, Italy
Museo di Storia Naturale, 'Marco Colombaioni: I quadri di Annibale', Milan, Italy
2011
Sala de Arte Santander, 'Espíritu y espacio / Spirit and Space: Colección Sandretto Re Rebaudengo', Madrid, Spain
MACRO Testaccio, 'Plus Ultra: Opere dalla Collezione Sandretto Re Rebaudengo', Rome, Italy
Magasin 3 Stockholm Konsthall, 'Investigations of a Dog: Works from Five European Art Foundation', Stockholm, Sweden (Travelling Exhibition)
DESTE Foundation for Contemporary Art, 'Investigations of a Dog: Works from Five European Art Foundation', Athens, Greece (Travelling Exhibition)
MACRO Testaccio, 'Plus Ultra: Opere dalla Collezione Sandretto Re Rebaudengo', Rome, Italy
Magasin 3 Stockholm Konsthall, 'Investigations of a Dog: Works from Five European Art Foundation', Stockholm, Sweden (Travelling Exhibition)
DESTE Foundation for Contemporary Art, 'Investigations of a Dog: Works from Five European Art Foundation', Athens, Greece (Travelling Exhibition)
2010
La maison rouge – Fondation Antoine de Galbert, 'Investigations of a Dog: Works from Five European Art Foundation', Paris, France (Travelling Exhibition)
Ellipse Foundation, 'Investigations of a Dog: Works from Five European Art Foundation', Cascais, Portugal (Travelling Exhibition)
Ellipse Foundation, 'Investigations of a Dog: Works from Five European Art Foundation', Cascais, Portugal (Travelling Exhibition)
2009
GaMeC Galleria d’Arte Moderna e Contemporanea di Bergamo, 'Esposizione Universale: L’arte alla prova del tempo', Bergamo, Italy
Deitch Projects, 'The PIG presents 8 Solo Shows…', New York NY
Capella MACBA, 'The Uncertainty Principle', Barcelona, Spain
Athens Biennale, '2nd Athens Biennale. World Question Center', Athens, Greece
Fondazione Sandretto Re Rebaudengo, 'Investigations of a Dog: Works from Five European Art Foundation', Turin, Italy (Travelling Exhibition)
La Biennale di Venezia, '53rd International Art Exhibition. Fare Mondi / Making Worlds' [with Mei Gui], Venice, Italy
Deitch Projects, 'The PIG presents 8 Solo Shows…', New York NY
Capella MACBA, 'The Uncertainty Principle', Barcelona, Spain
Athens Biennale, '2nd Athens Biennale. World Question Center', Athens, Greece
Fondazione Sandretto Re Rebaudengo, 'Investigations of a Dog: Works from Five European Art Foundation', Turin, Italy (Travelling Exhibition)
La Biennale di Venezia, '53rd International Art Exhibition. Fare Mondi / Making Worlds' [with Mei Gui], Venice, Italy
2008
ExhibAir, Aeroporto Milano Malpensa, 'Electronic Lounge: La Donazione Halevim al Museo del Novecento', Milan, Italy
Centro Saint-Bénin, 'L’Alchimia dell’Arte Contemporanea: Opere dalla Collezione Sandretto Re Rebaudengo', Aosta, Italy
Frankfurter Kunstverein, 'The Great Transformation: Kunst und Taktische Magie', Frankfurt am Main, Germany (Travelling Exhibition)
MACRO Museo de Arte Contemporánea de Vigo, 'The Great Transformation: Kunst und Taktische Magie', Vigo, Spain (Travelling Exhibition)
Villa Rufolo, 'Mediterraneo 2008: Perna Foundation', Ravello/Salerno, Italy
Piazza del Duomo, 'Tarantula', Milan, Italy
Gavin Brown’s Enterprise & Maccarone, 'Pretty Ugly', New York NY
New Museum, 'After Nature', New York NY
Kunsthalle Bern, 'Nolefovers', Bern, Switzerland
Palazzo Grassi, 'Italics: Arte Italiana fra Tradizione e Rivoluzione 1968-2008 / Italian Art between Tradition and Revolution 1968-2008', Venice, Italy (Travelling Exhibition)
Museum of Contemporary Art, 'Italics: Arte Italiana fra Tradizione e Rivoluzione 1968-2008 / Italian Art between Tradition and Revolution 1968-2008', Chicago IL (Travelling Exhibition)
Galerie Emmanuel Perrotin, '…And Back Again (presented by PIG, seven solo shows by Alfredo Jaar, Mario Grubisic, Paola Pivi, Gelitin, Jeremy Deller, Simon Martin and Roberto Cuoghi)', Miami FL
Centro Saint-Bénin, 'L’Alchimia dell’Arte Contemporanea: Opere dalla Collezione Sandretto Re Rebaudengo', Aosta, Italy
Frankfurter Kunstverein, 'The Great Transformation: Kunst und Taktische Magie', Frankfurt am Main, Germany (Travelling Exhibition)
MACRO Museo de Arte Contemporánea de Vigo, 'The Great Transformation: Kunst und Taktische Magie', Vigo, Spain (Travelling Exhibition)
Villa Rufolo, 'Mediterraneo 2008: Perna Foundation', Ravello/Salerno, Italy
Piazza del Duomo, 'Tarantula', Milan, Italy
Gavin Brown’s Enterprise & Maccarone, 'Pretty Ugly', New York NY
New Museum, 'After Nature', New York NY
Kunsthalle Bern, 'Nolefovers', Bern, Switzerland
Palazzo Grassi, 'Italics: Arte Italiana fra Tradizione e Rivoluzione 1968-2008 / Italian Art between Tradition and Revolution 1968-2008', Venice, Italy (Travelling Exhibition)
Museum of Contemporary Art, 'Italics: Arte Italiana fra Tradizione e Rivoluzione 1968-2008 / Italian Art between Tradition and Revolution 1968-2008', Chicago IL (Travelling Exhibition)
Galerie Emmanuel Perrotin, '…And Back Again (presented by PIG, seven solo shows by Alfredo Jaar, Mario Grubisic, Paola Pivi, Gelitin, Jeremy Deller, Simon Martin and Roberto Cuoghi)', Miami FL
2007
Arario Gallery, 'Our Magic Hour: European artists’ show', Cheonan, South Korea
Galerie Eva Presenhuber, 'I Want to Believe', Zurich, Switzerland
Castello di Rivoli – Museo d’Arte Contemporanea, 'Dalla terra alla luna: Metafore di viaggio (parte I e II)', Rivoli/Turin, Italy
Palazzo Grassi, 'Sequence 1: Pittura e scultura nella Collezione François Pinault / Peinture et sculpture dans la Collection François Pinault', Venice, Italy
Carré d’Art – Musée d’Art Contemporain de Nîmes, 'Où? Scènes du Sud: Espagne, Italie, Portugal', Nîmes, France
Fondazione Sandretto Re Rebaudengo, 'Silenzio: Una mostra da ascoltare / Silence: Listen to the Show', Turin, Italy
MuHKA Museum voor Hedendaagse Kunst, 'Who’s got the Big Picture', Antwerp, Belgium
Tel Aviv Museum of Art, 'Italian Mentalscapes: A Journey through Italian Contemporary Art', Tel Aviv, Israel
ARC Musée d’Art Moderne de la Ville de Paris, 'Playback', Paris, France
De La Warr Pavilion, 'A Secret Service: Art, Compulsion, Concealment', Bexhill on Sea, UK (Travelling Exhibition)
Whitworth Art Gallery, 'A Secret Service: Art, Compulsion, Concealment', Manchester, UK (Travelling Exhibition)
Galerie Eva Presenhuber, 'I Want to Believe', Zurich, Switzerland
Castello di Rivoli – Museo d’Arte Contemporanea, 'Dalla terra alla luna: Metafore di viaggio (parte I e II)', Rivoli/Turin, Italy
Palazzo Grassi, 'Sequence 1: Pittura e scultura nella Collezione François Pinault / Peinture et sculpture dans la Collection François Pinault', Venice, Italy
Carré d’Art – Musée d’Art Contemporain de Nîmes, 'Où? Scènes du Sud: Espagne, Italie, Portugal', Nîmes, France
Fondazione Sandretto Re Rebaudengo, 'Silenzio: Una mostra da ascoltare / Silence: Listen to the Show', Turin, Italy
MuHKA Museum voor Hedendaagse Kunst, 'Who’s got the Big Picture', Antwerp, Belgium
Tel Aviv Museum of Art, 'Italian Mentalscapes: A Journey through Italian Contemporary Art', Tel Aviv, Israel
ARC Musée d’Art Moderne de la Ville de Paris, 'Playback', Paris, France
De La Warr Pavilion, 'A Secret Service: Art, Compulsion, Concealment', Bexhill on Sea, UK (Travelling Exhibition)
Whitworth Art Gallery, 'A Secret Service: Art, Compulsion, Concealment', Manchester, UK (Travelling Exhibition)
2006
Kunsthalle Bern, 'Villa Jelmini: The Complex of Respect', Bern, Switzerland
Galleria Civica di Modena, 'EGOmania: Just When I Think I’ve Understood… / Appena ho capito d’aver capito…', Modena, Italy
DESTE Foundation for Contemporary Art, 'Panic Room: Works from the Dakis Joannou Collection', Athens, Greece
OK Centrum für Gegenwartskunst, 'Biennale Cuvée 06: World Selection of Contemporary Art', Linz, Austria
Spazio Oberdan, 'Ecce Uomo: (33+1) artisti contemporanei da collezioni private a Milano', Milan, Italy
Berlin Biennale for Contemporary Art, '4th Berlin Biennale for Contemporary Art. Von Mäusen und Menschend / Of Mice and Men', Berlin, Germany
Central Academy of Fine Arts Beijing, Guangdong Museum of Art, 'Elettroshock: Il video in Italia dagli anni ’70 a oggi (1973-2006)', Beijing, Guangdong, China
Galleria Pio Monti, 'Il buco', Rome, Italy
La Rada, 'Il Museo Insostenibile', Locarno, Switzerland
Domaine Pommery, 'Supernova: Experience Pommery #3', Reims, France
Galleria Continua, 'Young Italian Artists at the Turn of the Millenium', Beijing, China
Gertrude Contemporary Art Spaces, 'Frame: A Selection of Italian Artists', Melbourne, Australia
Hatton Gallery, 'A Secret Service: Art, Compulsion, Concealment', Newcastle, UK (Travelling Exhibition)
NADA Art Fair, 'CerealArt', Miami FL
Galleria Civica di Modena, 'EGOmania: Just When I Think I’ve Understood… / Appena ho capito d’aver capito…', Modena, Italy
DESTE Foundation for Contemporary Art, 'Panic Room: Works from the Dakis Joannou Collection', Athens, Greece
OK Centrum für Gegenwartskunst, 'Biennale Cuvée 06: World Selection of Contemporary Art', Linz, Austria
Spazio Oberdan, 'Ecce Uomo: (33+1) artisti contemporanei da collezioni private a Milano', Milan, Italy
Berlin Biennale for Contemporary Art, '4th Berlin Biennale for Contemporary Art. Von Mäusen und Menschend / Of Mice and Men', Berlin, Germany
Central Academy of Fine Arts Beijing, Guangdong Museum of Art, 'Elettroshock: Il video in Italia dagli anni ’70 a oggi (1973-2006)', Beijing, Guangdong, China
Galleria Pio Monti, 'Il buco', Rome, Italy
La Rada, 'Il Museo Insostenibile', Locarno, Switzerland
Domaine Pommery, 'Supernova: Experience Pommery #3', Reims, France
Galleria Continua, 'Young Italian Artists at the Turn of the Millenium', Beijing, China
Gertrude Contemporary Art Spaces, 'Frame: A Selection of Italian Artists', Melbourne, Australia
Hatton Gallery, 'A Secret Service: Art, Compulsion, Concealment', Newcastle, UK (Travelling Exhibition)
NADA Art Fair, 'CerealArt', Miami FL
2005
La Quadriennale di Roma, 'XIV Quadriennale di Roma. Fuori Tema/Italian Feeling', Rome, Italy
ARC Musée d’Art Moderne de la Ville de Paris, 'I Still Believe in Miracles: Dessins sans papier', Paris, France
Fondazione Davide Halevim, 'Strata: Difference and Repetition', Milan, Italy
Centro per l’Arte Contemporanea Luigi Pecci / PAN Palazzo delle Arti di Napoli / Castel Porziano, 'Videominuto PopTV', Prato / Naples / Ostia, Italy
Contemporary Art Center, 'IX Baltic Triennial of International Art – BMW', Vilnius, Lithuania
Museo Laboratorio, 'La linea sottile, logiche, dell’invisibile', Città Sant’Angelo / Pescara, Italy
Castello di Rivoli – Museo d’Arte Contemporanea / Fondazione Sandretto Re Rebaudengo / GAM Galleria Civica d’Arte Moderna e Contemporanea, 'T1 - Torino Triennale Tremusei. La Sindrome di Pantagruel', Rivoli / Turin, Italy
ARC Musée d’Art Moderne de la Ville de Paris, 'I Still Believe in Miracles: Dessins sans papier', Paris, France
Fondazione Davide Halevim, 'Strata: Difference and Repetition', Milan, Italy
Centro per l’Arte Contemporanea Luigi Pecci / PAN Palazzo delle Arti di Napoli / Castel Porziano, 'Videominuto PopTV', Prato / Naples / Ostia, Italy
Contemporary Art Center, 'IX Baltic Triennial of International Art – BMW', Vilnius, Lithuania
Museo Laboratorio, 'La linea sottile, logiche, dell’invisibile', Città Sant’Angelo / Pescara, Italy
Castello di Rivoli – Museo d’Arte Contemporanea / Fondazione Sandretto Re Rebaudengo / GAM Galleria Civica d’Arte Moderna e Contemporanea, 'T1 - Torino Triennale Tremusei. La Sindrome di Pantagruel', Rivoli / Turin, Italy
2004
Centre Pompidou, 'Perspectif cinema 2003-2004', Paris, France
Fondazione Nicola Trussardi, 'I Nuovi Mostri', Milan, Italy (Travelling Exhibition)
Fondazione Nicola Trussardi, 'I Nuovi Mostri', Venice, Italy (Travelling Exhibition)
Fondazione Bevilacqua La Masa, 'Paradiso e Inferno', Venice, Italy
Villa Manin Centro d’Arte Contemporanea, 'Vernice: Sentieri della giovane pittura italiana / Pathways Through Young Italian Painting', Passariano / Udine, Italy
MACRO al Mattatoio, 'Mediterraneans: Arte Contemporanea', Rome, Italy
Ex scuole comunali, 'After School Special', Locarno, Switzerland
Galleria Civica d’Arte Contemporanea, 'Dimensione follia, Soggettività, passione ed eccesso nella quotidianità', Trento, Italy
Museo Epicentro, 'XI Esposizione nazionale d’arte: Artisti per Epicentro', Barcellona Pozzo di Gotto / Messina, Italy
Fondazione Nicola Trussardi, 'I Nuovi Mostri', Milan, Italy (Travelling Exhibition)
Fondazione Nicola Trussardi, 'I Nuovi Mostri', Venice, Italy (Travelling Exhibition)
Fondazione Bevilacqua La Masa, 'Paradiso e Inferno', Venice, Italy
Villa Manin Centro d’Arte Contemporanea, 'Vernice: Sentieri della giovane pittura italiana / Pathways Through Young Italian Painting', Passariano / Udine, Italy
MACRO al Mattatoio, 'Mediterraneans: Arte Contemporanea', Rome, Italy
Ex scuole comunali, 'After School Special', Locarno, Switzerland
Galleria Civica d’Arte Contemporanea, 'Dimensione follia, Soggettività, passione ed eccesso nella quotidianità', Trento, Italy
Museo Epicentro, 'XI Esposizione nazionale d’arte: Artisti per Epicentro', Barcellona Pozzo di Gotto / Messina, Italy
2003
Musée départemental d’art contemporain de Rochechouart, 'Spécial Dédicace', Rochechouart, France
Galleria Massimo De Carlo, 'Haluk Akakce, Roberto Cuoghi, Anna Gaskell, Christian Holstad, Raymond Pettibon, David Shrigley', Milan, Italy
Officina della luce, ex Centrale Emilia, 'Cover Theory: L’arte contemporanea come re-interpretazione', Piacenza, Italy
Fondation d’Entreprise Ricard, 'Così va il mondo', Paris, France
Apexart, '2003 Summer Program', New York NY
Galerie Schüppenhauer, 'Cynical Culture', Cologne, Germany
Ferrotel, 'Fuori Uso 2003: Great Expectations!', Pescara, Italy
Mary and Leigh Block Museum of Art, Northwestern University, 'The Gift: Generous Offerings, Threatening Hospitality', Evanston IL (Travelling Exhibition)
Art Gallery of Hamilton, 'The Gift: Generous Offerings, Threatening Hospitality', Hamilton, Canada (Travelling Exhibition)
Galleria Massimo De Carlo, 'Haluk Akakce, Roberto Cuoghi, Anna Gaskell, Christian Holstad, Raymond Pettibon, David Shrigley', Milan, Italy
Officina della luce, ex Centrale Emilia, 'Cover Theory: L’arte contemporanea come re-interpretazione', Piacenza, Italy
Fondation d’Entreprise Ricard, 'Così va il mondo', Paris, France
Apexart, '2003 Summer Program', New York NY
Galerie Schüppenhauer, 'Cynical Culture', Cologne, Germany
Ferrotel, 'Fuori Uso 2003: Great Expectations!', Pescara, Italy
Mary and Leigh Block Museum of Art, Northwestern University, 'The Gift: Generous Offerings, Threatening Hospitality', Evanston IL (Travelling Exhibition)
Art Gallery of Hamilton, 'The Gift: Generous Offerings, Threatening Hospitality', Hamilton, Canada (Travelling Exhibition)
2002
Manifesta, 'Manifesta 4 – European Biennial of Contemporary Art', Frankfurt am Main, Germany
Museo del Corso, 'Verso il futuro: Identità nell’arte italiana 1990-2002', Rome, Italy
Fondazione Sandretto Re Rebaudengo, 'Exit: Nuove geografie della creatività italiana', Turin, Italy
Centre Pompidou, 'Polyphonix 40', Paris, France
Ex Mattatoio Testaccio, 'VideoROM 4.0', Rome, Italy
Galleria Civica d’Arte Contemporanea, Palazzo delle Albere / MART Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, 'Nuovo spazio italiano', Trento / Rovereto, Italy
Teatro al Parco, 'Ironie, territorialité, stupeur', Parma, Italy
Scottsdale Museum of Contemporary Art, 'The Gift: Generous Offerings, Threatening Hospitality', Scottsdale AZ (Travelling Exhibition)
Bronx Museum of the Arts, 'The Gift: Generous Offerings, Threatening Hospitality', Bronx NY (Travelling Exhibition)
Museo del Corso, 'Verso il futuro: Identità nell’arte italiana 1990-2002', Rome, Italy
Fondazione Sandretto Re Rebaudengo, 'Exit: Nuove geografie della creatività italiana', Turin, Italy
Centre Pompidou, 'Polyphonix 40', Paris, France
Ex Mattatoio Testaccio, 'VideoROM 4.0', Rome, Italy
Galleria Civica d’Arte Contemporanea, Palazzo delle Albere / MART Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, 'Nuovo spazio italiano', Trento / Rovereto, Italy
Teatro al Parco, 'Ironie, territorialité, stupeur', Parma, Italy
Scottsdale Museum of Contemporary Art, 'The Gift: Generous Offerings, Threatening Hospitality', Scottsdale AZ (Travelling Exhibition)
Bronx Museum of the Arts, 'The Gift: Generous Offerings, Threatening Hospitality', Bronx NY (Travelling Exhibition)
2001
Palazzo delle Papesse Centro Arte Contemporanea, 'Primo piano: Su la testa! Opere e argomenti in scena', Siena, Italy
The Lux Centre, 'Pandaemonium Biennial of Moving Images 2001. Magic and Loss', London, UK
Openspace Milan, 'Play >', Milan, Italy
Manifattura Tabacchi, 'Espresso: Arte oggi in Italia', Florence, Italy
Palazzo delle Papesse Centro Arte Contemporanea, 'Il dono: Offerta, ospitalità, insidia / The Gift: Generous Offerings, Threatening Hospitality', Siena, Italy (Travelling Exhibition)
Centro Culturale Candiani, 'Il dono: Offerta, ospitalità, insidia / The Gift: Generous Offerings, Threatening Hospitality', Mestre / Venice, Italy (Travelling Exhibition)
Valencia Biennial, 'The 1st Valencia Biennial: Communication between the Arts. Videoroom', Valencia, Spain
Galleria Massimo De Carlo, 'The End of All Things', Milan, Italy
Tirana Biennale / National Gallery / Chinese Pavilion, 'Tirana Biennale 1: Escape', Tirana, Albania
GaMeC Galleria d’Arte Moderna e Contemporanea di Bergamo, 'In fumo: Arte, fumetto, comunicazione', Bergamo, Italy
The Lux Centre, 'Pandaemonium Biennial of Moving Images 2001. Magic and Loss', London, UK
Openspace Milan, 'Play >', Milan, Italy
Manifattura Tabacchi, 'Espresso: Arte oggi in Italia', Florence, Italy
Palazzo delle Papesse Centro Arte Contemporanea, 'Il dono: Offerta, ospitalità, insidia / The Gift: Generous Offerings, Threatening Hospitality', Siena, Italy (Travelling Exhibition)
Centro Culturale Candiani, 'Il dono: Offerta, ospitalità, insidia / The Gift: Generous Offerings, Threatening Hospitality', Mestre / Venice, Italy (Travelling Exhibition)
Valencia Biennial, 'The 1st Valencia Biennial: Communication between the Arts. Videoroom', Valencia, Spain
Galleria Massimo De Carlo, 'The End of All Things', Milan, Italy
Tirana Biennale / National Gallery / Chinese Pavilion, 'Tirana Biennale 1: Escape', Tirana, Albania
GaMeC Galleria d’Arte Moderna e Contemporanea di Bergamo, 'In fumo: Arte, fumetto, comunicazione', Bergamo, Italy
2000
Salara, '3nds: Milano', Bologna, Italy
Lungo fiume sud, 'Fuori Uso 2000. The Bridges: Art on the highway / Arte in autostrada', Pescara, Italy
Sparwasser HQ, 'Fai da te / The Amateur View', Berlin, Germany
Lungo fiume sud, 'Fuori Uso 2000. The Bridges: Art on the highway / Arte in autostrada', Pescara, Italy
Sparwasser HQ, 'Fai da te / The Amateur View', Berlin, Germany
1999
Studio Armin Linke, 'Fine', Milan, Italy
Fondazione Sandretto Re Rebaudengo per l’Arte, 'Guarene Art 99', Guarene d’Alba / Cuneo, Italy
Museum in Progress, 'In Camera Caritatis. Globale Positionen 10', Vienna, Austria
Fondazione Sandretto Re Rebaudengo per l’Arte, 'Guarene Art 99', Guarene d’Alba / Cuneo, Italy
Museum in Progress, 'In Camera Caritatis. Globale Positionen 10', Vienna, Austria
1997
Spazio Laboratorio Hajech, 'Menotrenta: 2a selezione di giovani artisti', Milan, Italy
Viafarini, 'LAB.12.2-T.I.N.A. (there is no alternative)', Milan, Italy
Orto Botanico, 'Conversazione in Giardino', Ferrara, Italy
Palazzina dei Giardini, 'Raccolta del disegno contemporaneo: Nuove acquisizioni 1994-1997', Modena, Italy
La Società Umanitaria, 'Visual Rave', Milan, Italy
Viafarini, 'LAB.12.2-T.I.N.A. (there is no alternative)', Milan, Italy
Orto Botanico, 'Conversazione in Giardino', Ferrara, Italy
Palazzina dei Giardini, 'Raccolta del disegno contemporaneo: Nuove acquisizioni 1994-1997', Modena, Italy
La Società Umanitaria, 'Visual Rave', Milan, Italy
1996
Palazzo della Provincia, 'Orizzontale/Verticale: Giovani artisti modenesi [1a edizione]', Modena, Italy
Bibliography
Monographs, Artist’s Books & Writings
2019
Cuoghi, Roberto, Farronato, Milovan (eds.), 'De Incontinentia', Milan: Mousse Publishing, 2019
2017
Bellini, Andrea (ed.), 'Perla Pollina', Berlin: Hatje Cantz, 2017
Cuoghi, Roberto, 'Putiferio', Athens: The Deste Foundation for Contemporary Art, 2017
Cuoghi, Roberto, 'Putiferio', Athens: The Deste Foundation for Contemporary Art, 2017
2014
Cuoghi, Roberto, 'Da idā e pingalā a idā e idā o pingalā e pingalā', Dijon: Les presses du réel, 2014
Gioni, Massimilano, Norton, Margot (eds.), 'Roberto Cuoghi: Suillakku Corral', New York: New Museum, 2014
Gioni, Massimilano, Norton, Margot (eds.), 'Roberto Cuoghi: Suillakku Corral', New York: New Museum, 2014
2013
Gioni, Massimiliano, Marta, Karen (eds.), 'Roberto Cuoghi: 2000 Words', Athens: DESTE Foundation for Contemporary Art, 2013
Cuoghi, Roberto, 'The Tumor Set Free', in: Frieze, October 2013, pp. 242-252
Cuoghi, Roberto, 'The Tumor Set Free', in: Frieze, October 2013, pp. 242-252
2010
Cuoghi, Roberto; Federico, Pepe, 'Void #1', Dijon: Les presses du reel, 2010
2008
Beccaria, Marcella, 'Roberto Cuoghi', Milan: Skira, 2008
2007
Cuoghi, Roberto, 'Do a Dakis', Milan: Galleria Massimo De Carlo, 2007
Cuoghi, Roberto, Gelitin, 'O like O in Portrait', Milan: Gallerie Massimo De Carlo, 2007
Cuoghi, Roberto, Gelitin, 'O like O in Portrait', Milan: Gallerie Massimo De Carlo, 2007
2006
Cuoghi, Roberto, 'Mbube', 'Mei Gui', in: Simoens, Tommy, ‘Mbube‘, Antwerp: objectif_exhibitions, 2006, pp. 2, 5
2003
Cuoghi, Roberto, 'Art Diary Italia', in: Fondazione Nicola Trussardi advertisement 2003, p. 249
2002
Cuoghi, Roberto, 'Foolish Things', in: Boubnova, Iara et al. (ed.), 'Manifesta 4: European Biennial of Contemporary Art', Ostfildern-Ruit: Hatje Cantz, 2002, p. 164
1999
Cuoghi, Roberto, '’n Camera Caritatis', in: Der Standard, 27 December 1999
Publications
2019
Filipovic, Elena, 'Emissaries for Things Abandoned by Gods. Emisarios de cosas abandonadas por los dioses', Mexico City: Estancia FEMSA – Casa Luis Barragan, 2019, pp. 77, 79, 83, 192-193, ill. (exh. cat.)
2018
Tuymans, Luc (ed.), 'Sanguine. Luc Tuymans on Baroque', Milan: Fondazione Prada, 2018, oo. 162-163, ill. (exh. cat.)
Osanna, Massimo, Viliani, Andrea (eds.), '[email protected] Materia Archeologica', Milan: Electa, 2018
De Rosa, Nicoletta, Kosmadaki, Pasini et al., 'Ametria', Athens: The Deste Foundation for Contemporary Art, 2018
Osanna, Massimo, Viliani, Andrea (eds.), '[email protected] Materia Archeologica', Milan: Electa, 2018
De Rosa, Nicoletta, Kosmadaki, Pasini et al., 'Ametria', Athens: The Deste Foundation for Contemporary Art, 2018
2017
Wiley, Chris, 'A Different Type of Time', in: Alemani, Cecilia, 'The Magical World', Venice: Marsilio, 2017, pp. 196-229 (exh. cat.)
Alemani, Cecilia, 'The Magical World', in: Alemani, Cecila, ‘The Magical World‘, Venice: Marsilio, 2017, pp. 31-36 (exh. cat.)
Alemani, Cecilia, 'Padiglione Italia', in: Macel, Christine (ed.), 'Viva Arte Viva', 2017 (exh. cat.)
D’Aurizio, Michele, '___', in: Elderton, Louisa, Morrill, Rebecca (eds.), 'Vitamin C. Clay + Ceramic', New York: Phaidon, 2017, p. 68-69
Bellini, Andrea, 'Centre d’Art Contemporain Genève – 1974-2017', Dijon: Les presses du reel, 2017, pp. 342-347, 483
Alemani, Cecilia, 'The Magical World', in: Alemani, Cecila, ‘The Magical World‘, Venice: Marsilio, 2017, pp. 31-36 (exh. cat.)
Alemani, Cecilia, 'Padiglione Italia', in: Macel, Christine (ed.), 'Viva Arte Viva', 2017 (exh. cat.)
D’Aurizio, Michele, '___', in: Elderton, Louisa, Morrill, Rebecca (eds.), 'Vitamin C. Clay + Ceramic', New York: Phaidon, 2017, p. 68-69
Bellini, Andrea, 'Centre d’Art Contemporain Genève – 1974-2017', Dijon: Les presses du reel, 2017, pp. 342-347, 483
2016
Bruciati, Andra, De Luigi, Daniele, Goldoni, Serena (eds,), 'Versus: la sfida dell’artista al sup modello in un secolo die fotografie', Milan: Silvana Editoriale, 2016 (exh. cat.)
De Cecco, Emanuela, 'Il cerchio si chiiude e gira meglio: Roberto Cuoghi, Patrick Tuttofuoco', 'Roberto Cuoghi: Foolish Things', in: De Cecco, Emanuela, 'Non volendo aggiungere altro: Politiche dell’arte nella sfera pubblica', Milan: Postmedia, 2016, pp. 43-54, 64-69
Lo Pinto, Luca, 'A occhi chiusi, gli occhi sono straordinariamente aperti', in: Palazzo delle Esposizioni, 'Altri tempi altri miti: XVI Quadriennale di Roma', Rome: Nero, 2016, pp. 127-140, 248
Marta, Karen, McClister, Nell, Michaelidi, Eleni (eds.), 'DESTE 33 Years: 1983-2015', Athens: DESTE Foundation for Contemporary Art, 2016, pp. 404-411, 442-465, 480-499, 504-511, 520-527, 564-583, 606
Spence, Jocelyn, 'Performative Experience Design', Basel: Springer, 2016, p. 56
De Cecco, Emanuela, 'Il cerchio si chiiude e gira meglio: Roberto Cuoghi, Patrick Tuttofuoco', 'Roberto Cuoghi: Foolish Things', in: De Cecco, Emanuela, 'Non volendo aggiungere altro: Politiche dell’arte nella sfera pubblica', Milan: Postmedia, 2016, pp. 43-54, 64-69
Lo Pinto, Luca, 'A occhi chiusi, gli occhi sono straordinariamente aperti', in: Palazzo delle Esposizioni, 'Altri tempi altri miti: XVI Quadriennale di Roma', Rome: Nero, 2016, pp. 127-140, 248
Marta, Karen, McClister, Nell, Michaelidi, Eleni (eds.), 'DESTE 33 Years: 1983-2015', Athens: DESTE Foundation for Contemporary Art, 2016, pp. 404-411, 442-465, 480-499, 504-511, 520-527, 564-583, 606
Spence, Jocelyn, 'Performative Experience Design', Basel: Springer, 2016, p. 56
2015
Beatrice, Luca, Busto, Andrea, Perrella, Cristiana (eds.), 'Liberi tutti: Arte e sociatà in Italia 1989-2001', Turin: Tai edizioni, 2015, pp. 172-173 (exh. cat.)
De Bellis, Vincenzo (ed.), 'Ennesima: Una mpstra di sette mostre sull’arte italiana', La Triennale di Milano, Milan: Mousse Publishing, 2015, pp. 48-49, 209
Phaidon Editors (eds.), 'Body of Art', London and New York: Phaidon, 2015, p. 76
Villafranca Soissons, Isabella, Simoncelli Silvia, 'Disturbare la materia', in: Villafranca Soissons, Isabella (ed.), 'In opera: Conservare e restaurare l’arte contemporanea', Venice: Marsilio, 2015, pp. 53-57
De Bellis, Vincenzo (ed.), 'Ennesima: Una mpstra di sette mostre sull’arte italiana', La Triennale di Milano, Milan: Mousse Publishing, 2015, pp. 48-49, 209
Phaidon Editors (eds.), 'Body of Art', London and New York: Phaidon, 2015, p. 76
Villafranca Soissons, Isabella, Simoncelli Silvia, 'Disturbare la materia', in: Villafranca Soissons, Isabella (ed.), 'In opera: Conservare e restaurare l’arte contemporanea', Venice: Marsilio, 2015, pp. 53-57
2014
Merz, Beatrice, Vecellio, Marianna (eds.), 'Intenzione manifesta: Il disegni in tutte le sue forme', Castello di Rivoli, Mantova: Corraini, 2014, pp. 190-191 (exh. cat.)
Panaro, Luca, 'Casualità e controllo: Fotografia, video e web', Milan: Postmedia, 2014, pp. 30-34
Phaidon Editors (eds.), 'The Twenty First Century Art Book', London and New York: Phaison, 2014, p. 58
Norton, Margot, 'Interview with Roberto Cuoghi', in: Gioni, Massimiliano, Norton, Margot (eds.), 'Roberto Cuoghi: Šuillakku Corral', New York: New Museum, 2014, pp. 10-16
Panaro, Luca, 'Casualità e controllo: Fotografia, video e web', Milan: Postmedia, 2014, pp. 30-34
Phaidon Editors (eds.), 'The Twenty First Century Art Book', London and New York: Phaison, 2014, p. 58
Norton, Margot, 'Interview with Roberto Cuoghi', in: Gioni, Massimiliano, Norton, Margot (eds.), 'Roberto Cuoghi: Šuillakku Corral', New York: New Museum, 2014, pp. 10-16
2013
Angelidakis, Andreas, Didero, Maria Cristina (eds.), 'The System of Objecrs: The Dakis Joannou Collection Reloaded', Athens: DESTE Foundation for Contemporary Art, 2013 (exh. cat.)
Borchardt-Hume, Achim (ed.), 'Think Twice: Twenty Years of Contemporary Art from Collection Sandretto Re Rebaudengo', London: Whitechapel Gallery and Fondazione Sandretto Re Rebaudengo, 2012, pp. 116-117 (exh. cat.)
Cortesi, Stefano, Salvadori, Alberto (eds.), 'Out of the Blue', Cortesi Gallery, Milan: Mousse Publishing, 2013 (exh. cat.)
De Angelis, Gemma, Verzotti, Giorgio (eds.), 'Bestiario contemporaneo: Fra arte e scienze – gli artisti italiani della collezione ACACIA', Muso di Storia Naturale Venezia, Venice: MUVE, 2013, pp. 30-31
Gioni, Massimiliano (ed.), 'Il Palazzo enciclopedio', 55. Esposizione internazional d’arte Venezia, Venice: Marsilio, 2013, pp. 190-192, 387-388 (exh. cat.)
Wipplinger, Hans-Peter (ed.), 'Große Gefühle: Von der Kunst der Antike bis zur Gegenwart', Kunsthalle Krems, Nuremberg: Verlag für Moderne Kunst, 2013, pp. 139, 184 (exh. cat.)
Cerizza, Luca, 'Il giorno dopo le bombe', in: Ferri, Davide, Grulli, Antonio (ed.), 'Sentimiento Nuevo: Un’antologia', Bologna: MAMbo, 2013, pp. 243–247
Ratti, Iolanda, 'The Artist’s Interview as a Tool for Documenting and Recreating a Complex Installation: The Example of Mbube, an Audio-Installation by Roberto Cuoghi in the Museo del Novecento, Milan', in: Noordegraaf, Julia, Saba, Cosetta G., Le Maître, Barbara, Hediger, Vinzenz (eds.), 'Preserving and Exhibiting Media Art: Challenges and Perspectives', Amsterdam: Amsterdam University Press and Eye Film Institute, 2013, pp. 176-180
Borchardt-Hume, Achim (ed.), 'Think Twice: Twenty Years of Contemporary Art from Collection Sandretto Re Rebaudengo', London: Whitechapel Gallery and Fondazione Sandretto Re Rebaudengo, 2012, pp. 116-117 (exh. cat.)
Cortesi, Stefano, Salvadori, Alberto (eds.), 'Out of the Blue', Cortesi Gallery, Milan: Mousse Publishing, 2013 (exh. cat.)
De Angelis, Gemma, Verzotti, Giorgio (eds.), 'Bestiario contemporaneo: Fra arte e scienze – gli artisti italiani della collezione ACACIA', Muso di Storia Naturale Venezia, Venice: MUVE, 2013, pp. 30-31
Gioni, Massimiliano (ed.), 'Il Palazzo enciclopedio', 55. Esposizione internazional d’arte Venezia, Venice: Marsilio, 2013, pp. 190-192, 387-388 (exh. cat.)
Wipplinger, Hans-Peter (ed.), 'Große Gefühle: Von der Kunst der Antike bis zur Gegenwart', Kunsthalle Krems, Nuremberg: Verlag für Moderne Kunst, 2013, pp. 139, 184 (exh. cat.)
Cerizza, Luca, 'Il giorno dopo le bombe', in: Ferri, Davide, Grulli, Antonio (ed.), 'Sentimiento Nuevo: Un’antologia', Bologna: MAMbo, 2013, pp. 243–247
Ratti, Iolanda, 'The Artist’s Interview as a Tool for Documenting and Recreating a Complex Installation: The Example of Mbube, an Audio-Installation by Roberto Cuoghi in the Museo del Novecento, Milan', in: Noordegraaf, Julia, Saba, Cosetta G., Le Maître, Barbara, Hediger, Vinzenz (eds.), 'Preserving and Exhibiting Media Art: Challenges and Perspectives', Amsterdam: Amsterdam University Press and Eye Film Institute, 2013, pp. 176-180
2012
Cerizza, Luca (ed.), 'Fuoriclasse Vent’anni di arte italiana nei corsi di Alberto Garutti', Gallerie d’Arte Moderna, Milan: Kaleidoscope Press, 212, pp. 34-35 (exh. cat.)
Cherix, Christophe, Conaty, Kim, Suzuki, Sarah J. S. (eds.), 'Print Out: 20 Years in Print', the Museum of Modern Art, New York: The Museum of Modern Art, 2012, pp- 74-75, 223 (exh. cat.)
De Angelis, Gemma, Verzotti, Giorgio (eds.), 'Gli artisti italiani della Collezione ACACIA', Palazzo Reale, Milan: Silvana Editoriale, 2012, pp. 40-43 (exh. cat.)
Le Dictateur (ed.), 'These Peanunts are Bullets', Dijon: Les presses du reel, 2012 (exh. cat.)
Cherix, Christophe, Conaty, Kim, Suzuki, Sarah J. S. (eds.), 'Print Out: 20 Years in Print', the Museum of Modern Art, New York: The Museum of Modern Art, 2012, pp- 74-75, 223 (exh. cat.)
De Angelis, Gemma, Verzotti, Giorgio (eds.), 'Gli artisti italiani della Collezione ACACIA', Palazzo Reale, Milan: Silvana Editoriale, 2012, pp. 40-43 (exh. cat.)
Le Dictateur (ed.), 'These Peanunts are Bullets', Dijon: Les presses du reel, 2012 (exh. cat.)
2011
Abbate, Nino (ed.), 'Un tributo all’arte: Come nasce la collezione d’arte contemporanea su mattonelle', Messina: Museo Epicentro, 2011, p. 75
Bonami, Francesco (ed.), 'Espiritu y espacio: Spirit and Sapce: Collección Sandretto Re Rebaudengo', Sala de Arte Santander, Madrid: Fundación Banco Santander, TF. Editores, 2011, pp. 54-55 (exh. cat.)
Cerizza, Luca, 'The Art of storytelling – The storytelling of art', in: Mattews, Hannah (ed.), 'Power to the People: Contemporary Conceptualism and the Object in Art', Australian Centre for Contemporary Art, Melbourne: Australian Centre for Contemporary Art, 2011 (exh. cat.)
Marta, Karen (ed.), 'Skin Fruit A View of a Collection: Curated by Jeff Koons', Athens: DESTE Foundation for Contemporary Art, 2011, pp. 10-11, 84
Mercurio, Gianni, Paparoni, Demetrio (eds.), 'Surreal versus Surrealismo en el arte contemporáneo', Valencia: IVAM Institut Valencià d’Art Modern, 2011, pp. 51, 128-129, 150, 158, 203 (exh. cat.)
Monti, Pio, 'Advertising', Milan: Giancarlo Politi Editore, 2011, ill. on cover
___, 'Defining Contemporary Art: 25 Years in 200 Pivotal Artworks', London and New York: Phaidon, 2011, pp. 424-425
Bonami, Francesco (ed.), 'Espiritu y espacio: Spirit and Sapce: Collección Sandretto Re Rebaudengo', Sala de Arte Santander, Madrid: Fundación Banco Santander, TF. Editores, 2011, pp. 54-55 (exh. cat.)
Cerizza, Luca, 'The Art of storytelling – The storytelling of art', in: Mattews, Hannah (ed.), 'Power to the People: Contemporary Conceptualism and the Object in Art', Australian Centre for Contemporary Art, Melbourne: Australian Centre for Contemporary Art, 2011 (exh. cat.)
Marta, Karen (ed.), 'Skin Fruit A View of a Collection: Curated by Jeff Koons', Athens: DESTE Foundation for Contemporary Art, 2011, pp. 10-11, 84
Mercurio, Gianni, Paparoni, Demetrio (eds.), 'Surreal versus Surrealismo en el arte contemporáneo', Valencia: IVAM Institut Valencià d’Art Modern, 2011, pp. 51, 128-129, 150, 158, 203 (exh. cat.)
Monti, Pio, 'Advertising', Milan: Giancarlo Politi Editore, 2011, ill. on cover
___, 'Defining Contemporary Art: 25 Years in 200 Pivotal Artworks', London and New York: Phaidon, 2011, pp. 424-425
2010
Beccaria, Marcella, Volpato, Elena (eds.), 'Dieci anni e oltre: La collezione della Fondazione per l’Arte Moderna e Contemporana – CRT per Torino e il Piemonte', Berlin: Archive Books, 2010, pp. 186-187
Bonami, Francesco (ed.), '21 x 21: 21 artisti per il 21° secolo + Alberto Garutti', Turin and Rome: Sandretto Re Rebaudengo Press and SIPI Spa, 2010, pp. 108–13, 210 (exh. cat.)
___ (ed.), 'Plus Ultra: Opere dalla Collezione Sandretto Re Rebaudengo', Rome and Venice: MACRO and Marsilio, 2010 (exh. cat.)
Brusarosco, Patrizia, and Farronato, Milovan (eds.), 'Souvenir d’Italie: A nonprofit art story', Milan: Mousse Publishing, 2010, pp. 61, 224, 391
Canning, Susan (ed.), 'Hareng Saur: Ensor en de Hedendaagse Kunst / Ensor and Contemporary Art', Museum voor Schone Kunsten and S.M.A.K. Ghent, Antwerp: Ludion, 2010, pp. 88, 144, 233 (exh. cat.)
Cerizza, Luca, 'L’uccello e la piuma: La questione della leggerezza nell’arte italiana', Milan: Et al. / edizioni, 2010
___, 'Roberto Cuoghi, Untitled (Senza titolo), 1996–1997', in: Brusarosco, Patrizia, Farronato, Milovan (eds.), 'Souvenir d’Italie: A nonprofit art story', Milan: Mousse Publishing, 2010, pp. 296–297
Di Pietrantonio, Giacinto, Garutti, Francesco (eds.), 'Ibrido: Genetica delle forme d’arte', PAC – Padiglione d’Arte Contemporanea, Milan: Silvana editoriale, 2010, pp. 54–55, 154 (exh. cat.)
Di Pietrantonio, Giacinto, Rodeschini, Maria Cristina (eds.), 'Il Museo Privato: La passione per l’arte contemporanea nelle collezioni bergamasche', Galleria d’Arte Moderna e Contemporanea, Bergamo: GAMeC, 2010, pp. 74–75, 104, 114 (exh. cat.)
Gioni, Massimiliano (ed.), 'A chi serve la luna? Le mostre della Fondazione Nicola Trussardi', Ostfildern: Hatje Cantz, 2010, pp. 248–55, 340–53, 355–56, 359–60
___, 'Alpha Omega: Works from the Dakis Joannou Collection', Athens: DESTE Foundation for Contemporary Art, 2010, pp. 23, 28 (exh. cat.)
Gioni, Massimiliano, Ditner, Judy (eds.), '10000 Lives: The 8th Gwangju Biennale', Gwangju Biennale Foundation, 2010, pp. 366–68, 440 (exh. cat.)
Koons, Jeff (ed.), 'Skin Fruit: Selections from the Dakis Joannou Collection', New York: New Museum, 2010, pp. 48–49 (exh. cat.)
Foundation of Arts for a Contemporary Europe, 'FACE: Investigations of a Dog; Works from Five European Art Foundations', Zurich: JRP|Ringier, 2010, pp. 34–35 (exh. cat.)
Bonami, Francesco (ed.), '21 x 21: 21 artisti per il 21° secolo + Alberto Garutti', Turin and Rome: Sandretto Re Rebaudengo Press and SIPI Spa, 2010, pp. 108–13, 210 (exh. cat.)
___ (ed.), 'Plus Ultra: Opere dalla Collezione Sandretto Re Rebaudengo', Rome and Venice: MACRO and Marsilio, 2010 (exh. cat.)
Brusarosco, Patrizia, and Farronato, Milovan (eds.), 'Souvenir d’Italie: A nonprofit art story', Milan: Mousse Publishing, 2010, pp. 61, 224, 391
Canning, Susan (ed.), 'Hareng Saur: Ensor en de Hedendaagse Kunst / Ensor and Contemporary Art', Museum voor Schone Kunsten and S.M.A.K. Ghent, Antwerp: Ludion, 2010, pp. 88, 144, 233 (exh. cat.)
Cerizza, Luca, 'L’uccello e la piuma: La questione della leggerezza nell’arte italiana', Milan: Et al. / edizioni, 2010
___, 'Roberto Cuoghi, Untitled (Senza titolo), 1996–1997', in: Brusarosco, Patrizia, Farronato, Milovan (eds.), 'Souvenir d’Italie: A nonprofit art story', Milan: Mousse Publishing, 2010, pp. 296–297
Di Pietrantonio, Giacinto, Garutti, Francesco (eds.), 'Ibrido: Genetica delle forme d’arte', PAC – Padiglione d’Arte Contemporanea, Milan: Silvana editoriale, 2010, pp. 54–55, 154 (exh. cat.)
Di Pietrantonio, Giacinto, Rodeschini, Maria Cristina (eds.), 'Il Museo Privato: La passione per l’arte contemporanea nelle collezioni bergamasche', Galleria d’Arte Moderna e Contemporanea, Bergamo: GAMeC, 2010, pp. 74–75, 104, 114 (exh. cat.)
Gioni, Massimiliano (ed.), 'A chi serve la luna? Le mostre della Fondazione Nicola Trussardi', Ostfildern: Hatje Cantz, 2010, pp. 248–55, 340–53, 355–56, 359–60
___, 'Alpha Omega: Works from the Dakis Joannou Collection', Athens: DESTE Foundation for Contemporary Art, 2010, pp. 23, 28 (exh. cat.)
Gioni, Massimiliano, Ditner, Judy (eds.), '10000 Lives: The 8th Gwangju Biennale', Gwangju Biennale Foundation, 2010, pp. 366–68, 440 (exh. cat.)
Koons, Jeff (ed.), 'Skin Fruit: Selections from the Dakis Joannou Collection', New York: New Museum, 2010, pp. 48–49 (exh. cat.)
Foundation of Arts for a Contemporary Europe, 'FACE: Investigations of a Dog; Works from Five European Art Foundations', Zurich: JRP|Ringier, 2010, pp. 34–35 (exh. cat.)
2009
Birnbaum, Daniel, Volz, Jochen (eds.), 'Fare Mondi / Making Worlds', 53. Esposizione internazionale d’arte, Venice: Marsilio, 2009, pp. 34–35 (exh. cat.)
Di Pietrantonio, Giacinto (ed.), 'Esposizione Universale: L’arte alla prova del tempo', Galleria d’Arte Moderna e Contemporanea, Bergamo: Carlo Cambi Editore, 2009, p. 104 (exh. cat.)
Viliani, Andrea, 'Roberto Cuoghi', in: 'Civica 1989–2009: Celebration Institution Critique', Trento: Fondazione Galleria Civica, 2009, pp. 70–71 (exh. cat.)
Di Pietrantonio, Giacinto (ed.), 'Esposizione Universale: L’arte alla prova del tempo', Galleria d’Arte Moderna e Contemporanea, Bergamo: Carlo Cambi Editore, 2009, p. 104 (exh. cat.)
Viliani, Andrea, 'Roberto Cuoghi', in: 'Civica 1989–2009: Celebration Institution Critique', Trento: Fondazione Galleria Civica, 2009, pp. 70–71 (exh. cat.)
2008
Annibali, Manuela (ed.), 'Mediterraneo 2008: Perna Foundation', Naples: Electa, 2008, pp. 100–101
Bonami, Francesco (ed.), 'Italics: Arte Italiana fra Tradizione e Rivoluzione 1968–2008', Palazzo Grassi, Milan: Electa, 2008, pp. 173, 288–289 (exh. cat.)
___, 'Castello di Rivoli Museo d’Arte Contemporanea: La Residenza Sabauda; La collezione', Milan: Skira, 2008, pp. 206–207
Cerizza, Luca, 'Art-rosis: Vecchi corpi per nuovi artisti', in: Benzoni, Stefano, 'I giovani non esistono: Viaggio allucinante nel mondo dei vecchi', Milan: Isbn Edizioni, 2008, n. pag. Reprinted in Ferri, Davide, Grulli, Antonio (eds.), 'Sentimiento Nuevo: Un’antologia', Bologna: MAMbo Museo d’Arte Moderna di Bologna, 2013, pp. 222–224
Gioni, Massimiliano, 'After Nature', New York: New Museum, 2008 (exh. cat.)
Gnemmi, Edoardo, Ratti, Iolanda (eds.), 'Electronic Lounge: La donazione Halevim al Museo del Novecento', Milan: Carlo Cambi Editore, 2008 (exh. cat.)
Kunsthalle Bern, 'Benefiz Auktion / Benefit Auction', Bern: Kunsthalle Bern, 2008, pp. 44–45 (exh. cat.)
___, 'L’Alchimia dell’Arte Contemporanea: Opere dalla Collezione Sandretto Re Rebaudengo / L’Alchimie de l’Art Contemporain: Œuvres de la Collection Sandretto Re Rebaudengo', Centro Saint-Bénin Aosta, Milan: Electa, 2008, pp. 27, 84–85 (exh. cat.)
Martínez, Chus (ed.), 'The Great Transformation: Art and Tactical Magic', Frankfurter Kunstverein, Rotterdam: Veenman Publishers, 2008, pp. 122–129 (exh. cat.)
Nicolin, Paola, 'Sragionare in lungo e in largo: Note sull’arte italiana oggi, tra ricerca dell’identità e ipotesi di spazio', in: Bonami, Francesco, 'Italics: Arte Italiana fra Tradizione e Rivoluzione 1968–2008', Palazzo Grassi, Milan: Electa, 2008, pp. 63–69 (exh. cat.)
Bonami, Francesco (ed.), 'Italics: Arte Italiana fra Tradizione e Rivoluzione 1968–2008', Palazzo Grassi, Milan: Electa, 2008, pp. 173, 288–289 (exh. cat.)
___, 'Castello di Rivoli Museo d’Arte Contemporanea: La Residenza Sabauda; La collezione', Milan: Skira, 2008, pp. 206–207
Cerizza, Luca, 'Art-rosis: Vecchi corpi per nuovi artisti', in: Benzoni, Stefano, 'I giovani non esistono: Viaggio allucinante nel mondo dei vecchi', Milan: Isbn Edizioni, 2008, n. pag. Reprinted in Ferri, Davide, Grulli, Antonio (eds.), 'Sentimiento Nuevo: Un’antologia', Bologna: MAMbo Museo d’Arte Moderna di Bologna, 2013, pp. 222–224
Gioni, Massimiliano, 'After Nature', New York: New Museum, 2008 (exh. cat.)
Gnemmi, Edoardo, Ratti, Iolanda (eds.), 'Electronic Lounge: La donazione Halevim al Museo del Novecento', Milan: Carlo Cambi Editore, 2008 (exh. cat.)
Kunsthalle Bern, 'Benefiz Auktion / Benefit Auction', Bern: Kunsthalle Bern, 2008, pp. 44–45 (exh. cat.)
___, 'L’Alchimia dell’Arte Contemporanea: Opere dalla Collezione Sandretto Re Rebaudengo / L’Alchimie de l’Art Contemporain: Œuvres de la Collection Sandretto Re Rebaudengo', Centro Saint-Bénin Aosta, Milan: Electa, 2008, pp. 27, 84–85 (exh. cat.)
Martínez, Chus (ed.), 'The Great Transformation: Art and Tactical Magic', Frankfurter Kunstverein, Rotterdam: Veenman Publishers, 2008, pp. 122–129 (exh. cat.)
Nicolin, Paola, 'Sragionare in lungo e in largo: Note sull’arte italiana oggi, tra ricerca dell’identità e ipotesi di spazio', in: Bonami, Francesco, 'Italics: Arte Italiana fra Tradizione e Rivoluzione 1968–2008', Palazzo Grassi, Milan: Electa, 2008, pp. 63–69 (exh. cat.)
2007
Bang Larsen, Lars, Martínez, Chus, 'La máquina del horizonte: El desencanto de la pedagogía en el arte contemporáneo', in: Larrosa, Jorge (ed.), 'Entre Nosotros: Sobre la convivencia entre generatione', Barcelona: Fundació Viure i Conviure de Caixa Catalunya, 2007, pp. 267–283, 434–437
Bonami, Francesco (ed.), 'Silence: Listen to the Show / Silenzio: Una mostra da ascoltare', Fondazione Sandretto Re Rebaudengo, Milan: Electa, 2007, pp. 34–35 (exh. cat. with CD-ROM)
Bondi, Giulia, Sitton, Silvia, 'Non di sola arte: Viaggio in Italia tra voci e numeri della giovane arte contemporanea', Turin: Edizioni della Fondazione Giovanni Agnelli, 2007, p. 122
Cohen, Françoise (ed.), 'Où? Scènes du Sud: Espagne, Italie, Portugal', Carré d’Art – Musée d’Art Contemporain de Nîmes, Paris: Archibooks + Sautereau éditeur, 2007, pp. 90–93 (exh. cat.)
Deitch, Jeffrey (ed.), 'Fractured Figure: Works From The Dakis Joannou Collectio', Athens: DESTE Foundation for Contemporary Art, 2007, pp. 120-121 , ill. on cover, 2nd edition, 2008 (exh. cat.)
Dressen, Anne (ed.), 'Playback', Musée d’Art Moderne de la Ville de Paris, Paris: Éditions des Musées de la Ville de Paris, 2007, p. 86 (exh. cat.)
Farronato, Milovan (ed.), 'Our Magic Hour: European artists’ show', Cheonan: Arario Gallery, 2007, pp. 17–20 (exh. cat.)
Gingeras, Alison M. (ed.), 'Sequence 1: Pittura e scultura nella collezione François Pinault / Sequence 1: Peinture et sculpture dans la Collection François Pinault', Palazzo Grassi, Milan: Skira, 2007, pp. 20–21, 90–91, 182–183, 214–215 (exh. cat.)
Grayson, Kathy (ed.), 'Panic Room: Works from the Dakis Joannou Collection', DESTE Foundation for Contemporary Art, New York: Deitch Projects, 2007, pp. 26, VII (exh. cat.)
Paparoni, Demetrio (ed.), 'Mentalgrafie: Viaggio nell’arte contemporanea italiana', Tel Aviv Museum of Art, Milan: Skira, 2007, p. 60 (exh. cat.)
Poels, Anne-Marie, 'Transformed into another dimension', in: Pirotte, Philippe, van den Abbeele, Win, Van Rossem, Patrick (eds.), 'objectif_exhibitions [monographic projects] 2004–2007', Antwerp: objectif_exhibitions, 2007, pp. 32–37
Bonami, Francesco (ed.), 'Silence: Listen to the Show / Silenzio: Una mostra da ascoltare', Fondazione Sandretto Re Rebaudengo, Milan: Electa, 2007, pp. 34–35 (exh. cat. with CD-ROM)
Bondi, Giulia, Sitton, Silvia, 'Non di sola arte: Viaggio in Italia tra voci e numeri della giovane arte contemporanea', Turin: Edizioni della Fondazione Giovanni Agnelli, 2007, p. 122
Cohen, Françoise (ed.), 'Où? Scènes du Sud: Espagne, Italie, Portugal', Carré d’Art – Musée d’Art Contemporain de Nîmes, Paris: Archibooks + Sautereau éditeur, 2007, pp. 90–93 (exh. cat.)
Deitch, Jeffrey (ed.), 'Fractured Figure: Works From The Dakis Joannou Collectio', Athens: DESTE Foundation for Contemporary Art, 2007, pp. 120-121 , ill. on cover, 2nd edition, 2008 (exh. cat.)
Dressen, Anne (ed.), 'Playback', Musée d’Art Moderne de la Ville de Paris, Paris: Éditions des Musées de la Ville de Paris, 2007, p. 86 (exh. cat.)
Farronato, Milovan (ed.), 'Our Magic Hour: European artists’ show', Cheonan: Arario Gallery, 2007, pp. 17–20 (exh. cat.)
Gingeras, Alison M. (ed.), 'Sequence 1: Pittura e scultura nella collezione François Pinault / Sequence 1: Peinture et sculpture dans la Collection François Pinault', Palazzo Grassi, Milan: Skira, 2007, pp. 20–21, 90–91, 182–183, 214–215 (exh. cat.)
Grayson, Kathy (ed.), 'Panic Room: Works from the Dakis Joannou Collection', DESTE Foundation for Contemporary Art, New York: Deitch Projects, 2007, pp. 26, VII (exh. cat.)
Paparoni, Demetrio (ed.), 'Mentalgrafie: Viaggio nell’arte contemporanea italiana', Tel Aviv Museum of Art, Milan: Skira, 2007, p. 60 (exh. cat.)
Poels, Anne-Marie, 'Transformed into another dimension', in: Pirotte, Philippe, van den Abbeele, Win, Van Rossem, Patrick (eds.), 'objectif_exhibitions [monographic projects] 2004–2007', Antwerp: objectif_exhibitions, 2007, pp. 32–37
2006
Bonito Oliva, Achille (ed.), 'Il buco', Rome: Galleria Pio Monti, 2006, pp. 54–55
Cattelan, Maurizio, Gioni, Massimiliano, Subotnick, Ali (eds.), 'Von Mäusen und Menschen: 4. Berlin Biennale für Zeitgenössische Kunst / Of Mice and Men: 4th Berlin Biennal for Contemporary Art', KW Institute of Contemporary Art Berlin, various other venues, Ostfildern: Hatje Cantz, 2006, pp. 214–215, 327 (exh. cat.)
Di Marino, Bruno, Nicoli, Lara (eds.), 'Elettroshock: Il video in Italia dagli anni ’70 a oggi (1973–2006)', Central Academy of Fine Arts Beijing, Guangdong Museum of Art Guangzhou, offiCina Ltd, 2006, pp. 86, 126, 148 (exh. cat.)
Falconer, Morgan, 'Like Father Like Son', in: Grayson, Richard, Carolin, Clare, Cardinal, Roger (eds.), 'A Secret Service: Art, Compulsion, Concealment', Hatton Gallery Newcastle, London: Hayward Gallery Publishing, South Bank Centre, 2006, pp. 54–55 (exh. cat.)
Farronato, Milovan (ed.), 'EGOmania: Just When I Think I’ve Understood… / Appena ho capito d’aver capito…', Galleria civica and Palazzina dei Giardini Modena, Milan: Silvana Editoriale, 2006, booklet no. 13
Lavrador, Judicaël (ed.), 'Supernova: Experience Pommery #3', special issue of Beaux Arts magazine, Paris, Reims: Beaux Arts SAS and Groupe Vranken Pommery Monopole, 2006, pp. 7, 44
Ratti, Iolanda, 'Roberto Cuoghi, Mbube, 2005. Installazione sonora. Milano, Civiche Raccolte d’Arte, Donazione Halevim', in: Pugliese, Marina (ed.), 'Tecnica mista: Materiali e procedimenti nell’arte del XX secolo', Milan: Bruno Mondadori, 2006, pp. 168–169
Simoens, Tommy (ed.), 'Mbube', Antwerp: objectif_exhibitions, 2006 (exh. cat.)
Testa, Gemma, Risaliti, Sergio (eds.), 'Ecce Uomo: (33+1) artisti contemporanei da collezioni private a Milano', Spazio Oberdan, Milan: Electa, 2006, pp. 58–59 (exh. cat.)
Vettese, Angela, 'Capire l’arte contemporanea dal 1945 a oggi', Turin: Allemandi, 2006, p. 344
___, 'Young Italian Artists at the Turn of the Millennium', Beijing: Galleria Continua in collaboration with Collezione Giulio di Gropello, 2006 (exh. cat.)
Ratti, Iolanda, 'Roberto Cuoghi', in: Pugliese, Martina (ed.), 'Tecnica mista: Materiali e procedimenti nell’arte del XX secolo', Milan: Bruno Mondadori, 2006, pp. 190–191
Cattelan, Maurizio, Gioni, Massimiliano, Subotnick, Ali (eds.), 'Von Mäusen und Menschen: 4. Berlin Biennale für Zeitgenössische Kunst / Of Mice and Men: 4th Berlin Biennal for Contemporary Art', KW Institute of Contemporary Art Berlin, various other venues, Ostfildern: Hatje Cantz, 2006, pp. 214–215, 327 (exh. cat.)
Di Marino, Bruno, Nicoli, Lara (eds.), 'Elettroshock: Il video in Italia dagli anni ’70 a oggi (1973–2006)', Central Academy of Fine Arts Beijing, Guangdong Museum of Art Guangzhou, offiCina Ltd, 2006, pp. 86, 126, 148 (exh. cat.)
Falconer, Morgan, 'Like Father Like Son', in: Grayson, Richard, Carolin, Clare, Cardinal, Roger (eds.), 'A Secret Service: Art, Compulsion, Concealment', Hatton Gallery Newcastle, London: Hayward Gallery Publishing, South Bank Centre, 2006, pp. 54–55 (exh. cat.)
Farronato, Milovan (ed.), 'EGOmania: Just When I Think I’ve Understood… / Appena ho capito d’aver capito…', Galleria civica and Palazzina dei Giardini Modena, Milan: Silvana Editoriale, 2006, booklet no. 13
Lavrador, Judicaël (ed.), 'Supernova: Experience Pommery #3', special issue of Beaux Arts magazine, Paris, Reims: Beaux Arts SAS and Groupe Vranken Pommery Monopole, 2006, pp. 7, 44
Ratti, Iolanda, 'Roberto Cuoghi, Mbube, 2005. Installazione sonora. Milano, Civiche Raccolte d’Arte, Donazione Halevim', in: Pugliese, Marina (ed.), 'Tecnica mista: Materiali e procedimenti nell’arte del XX secolo', Milan: Bruno Mondadori, 2006, pp. 168–169
Simoens, Tommy (ed.), 'Mbube', Antwerp: objectif_exhibitions, 2006 (exh. cat.)
Testa, Gemma, Risaliti, Sergio (eds.), 'Ecce Uomo: (33+1) artisti contemporanei da collezioni private a Milano', Spazio Oberdan, Milan: Electa, 2006, pp. 58–59 (exh. cat.)
Vettese, Angela, 'Capire l’arte contemporanea dal 1945 a oggi', Turin: Allemandi, 2006, p. 344
___, 'Young Italian Artists at the Turn of the Millennium', Beijing: Galleria Continua in collaboration with Collezione Giulio di Gropello, 2006 (exh. cat.)
Ratti, Iolanda, 'Roberto Cuoghi', in: Pugliese, Martina (ed.), 'Tecnica mista: Materiali e procedimenti nell’arte del XX secolo', Milan: Bruno Mondadori, 2006, pp. 190–191
2005
Bonami, Francesco (ed.), 'Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo', Milan: Skira, 2005, pp. 297, 398
Bossé, Laurence (ed.), 'I Still Believe in Miracles: Dessins sans papier', Paris: Musée d’Art Moderne de la Ville de Paris – ARC, 2005 (exh. cat.)
Burnett, Craig, 'Changes of Mind: Belief and Transformation', London: Haunch of Venison, 2005
Cerizza, Luca, 'Nothing to See, Nothing to Hide: Random thoughts on about 35 years of disappearances, mysticism and mystification', in: Hernández Chong Cuy, Sofia, Malašauskas, Raimundas, Vaillant, Alexis (eds.), 'The Weird But True Book, IX Baltic Triennial, Vilnius. Vilnius and Frankfurt am Main: Contemporary Art Center and Revolver Publishing, 2005 (exh. cat.)
Ciavoliello, Giulio, 'Dagli anni ’80 in poi: Il mondo dell’arte contemporanea in Italia', Milan and Trieste: Artshow edizioni and Juliet editrice, 2005
Christov-Bakargiev, Carolyn (ed.), 'La sindrome di Pantagruel: T1 Torino Triennale Tremusei', Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Fondazione Sandretto Re Rebaudengo, GAM – Galleria Civica d’Arte Moderna e Contemporanea, Milan: Skira, 2005, pp. 240–243, 461 (exh. cat.)
Di Pietrantonio, Giacinto, 'La nuova tradizione del nuovo: Niente può essere come prima', in: 'Fuori tema, Italian Feeling: XIV Quadriennale di Roma', Galleria Nazionale d’Arte Moderna, Rome. Milan: Electa, 2005, pp. 22–25 (exh. cat.)
Gingeras, Alison M., '___', in: Burton, Johanna (ed.), 'Vitamin D: New Perspectives in Drawing', London and New York: Phaidon Press, 2005, pp. 68–69
Hernández Chong Cuy, Sofía, Raimundas Malašauskas, and Alexis Vaillant, (eds.), 'The Black Box: BMW (Black Market Worlds)', IX Baltic Triennial, Vilnius and Frankfurt am Main: Contemporary Art Center and Revolver Publishing, 2005, pp. 380–385 (exh. cat.)
Hoffmann, Jens, Jonas, Joan (eds.), 'Perform', London: Thames & Hudson, 2005, pp. 106, 192
Vanderlinden, Barbara, Filipovic, Elena Filipovic (eds.), 'The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe', Cambridge MA: MIT Press, 2005, p. 295
___, 'Fuori tema, Italian Feeling: XIV Quadriennale di Roma', Galleria Nazionale d’Arte Moderna, Milan: Electa, 2005, pp. 56, 190 (exh. cat.)
Bossé, Laurence (ed.), 'I Still Believe in Miracles: Dessins sans papier', Paris: Musée d’Art Moderne de la Ville de Paris – ARC, 2005 (exh. cat.)
Burnett, Craig, 'Changes of Mind: Belief and Transformation', London: Haunch of Venison, 2005
Cerizza, Luca, 'Nothing to See, Nothing to Hide: Random thoughts on about 35 years of disappearances, mysticism and mystification', in: Hernández Chong Cuy, Sofia, Malašauskas, Raimundas, Vaillant, Alexis (eds.), 'The Weird But True Book, IX Baltic Triennial, Vilnius. Vilnius and Frankfurt am Main: Contemporary Art Center and Revolver Publishing, 2005 (exh. cat.)
Ciavoliello, Giulio, 'Dagli anni ’80 in poi: Il mondo dell’arte contemporanea in Italia', Milan and Trieste: Artshow edizioni and Juliet editrice, 2005
Christov-Bakargiev, Carolyn (ed.), 'La sindrome di Pantagruel: T1 Torino Triennale Tremusei', Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Fondazione Sandretto Re Rebaudengo, GAM – Galleria Civica d’Arte Moderna e Contemporanea, Milan: Skira, 2005, pp. 240–243, 461 (exh. cat.)
Di Pietrantonio, Giacinto, 'La nuova tradizione del nuovo: Niente può essere come prima', in: 'Fuori tema, Italian Feeling: XIV Quadriennale di Roma', Galleria Nazionale d’Arte Moderna, Rome. Milan: Electa, 2005, pp. 22–25 (exh. cat.)
Gingeras, Alison M., '___', in: Burton, Johanna (ed.), 'Vitamin D: New Perspectives in Drawing', London and New York: Phaidon Press, 2005, pp. 68–69
Hernández Chong Cuy, Sofía, Raimundas Malašauskas, and Alexis Vaillant, (eds.), 'The Black Box: BMW (Black Market Worlds)', IX Baltic Triennial, Vilnius and Frankfurt am Main: Contemporary Art Center and Revolver Publishing, 2005, pp. 380–385 (exh. cat.)
Hoffmann, Jens, Jonas, Joan (eds.), 'Perform', London: Thames & Hudson, 2005, pp. 106, 192
Vanderlinden, Barbara, Filipovic, Elena Filipovic (eds.), 'The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe', Cambridge MA: MIT Press, 2005, p. 295
___, 'Fuori tema, Italian Feeling: XIV Quadriennale di Roma', Galleria Nazionale d’Arte Moderna, Milan: Electa, 2005, pp. 56, 190 (exh. cat.)
2004
Bonami, Francesco, Cosulich Canarutto, Sarah (eds.), 'Vernice: Sentieri della giovane pittura italiana / Vernice: Pathways Through Young Italian Painting', Udine: Villa Manin, 2004, pp. 30–31, 71 (exh. cat.)
Barilli, Renato, Museo Epicentro, 'Epicentro: Museo delle mattonelle; Collezione d’arte contemporanea su mattonelle 1994–2004', Messina: Museo Epicentro, 2004, pp. 36, 48 (exh. cat.)
___, 'I nuovi mostri', Milan: Fondazione Trussardi, 2004
Barilli, Renato, Museo Epicentro, 'Epicentro: Museo delle mattonelle; Collezione d’arte contemporanea su mattonelle 1994–2004', Messina: Museo Epicentro, 2004, pp. 36, 48 (exh. cat.)
___, 'I nuovi mostri', Milan: Fondazione Trussardi, 2004
2003
Laubard, Charlotte, Parisi, Chiara, Rabottini, Alessandro, Smarrelli, Marcello (eds.), 'Fuori Uso 2003: Great Expectations!', Pescara: Arte Nova, 2003 (exh. cat.)
Maccarone, Michele, 'Roberto Cuoghi', in: National Gallery / Veletržní palác (eds.), Prague Biennale 1: Peripheries become the center, Milan: Giancarlo Politi editore, 2003, pp. 310–311 (exh. cat.)
Rabottini, Alessandro, 'Roberto Cuogh', in: Bonami, Francesco (ed.), 'ExIt: Nuove geografie della creatività italiana', Milan: Oscar Mondadori, 2002, p. 68
Maccarone, Michele, 'Roberto Cuoghi', in: National Gallery / Veletržní palác (eds.), Prague Biennale 1: Peripheries become the center, Milan: Giancarlo Politi editore, 2003, pp. 310–311 (exh. cat.)
Rabottini, Alessandro, 'Roberto Cuogh', in: Bonami, Francesco (ed.), 'ExIt: Nuove geografie della creatività italiana', Milan: Oscar Mondadori, 2002, p. 68
2002
Bonami, Francesco (ed.), 'ExIt: Nuove geografie della creatività italiana', Milan: Oscar Mondadori, 2002, pp. 68–69
Boubnova, Iara, Enguita Mayo, Nuria, Moisdon Trembley, Stéphanie (eds.), 'Manifesta 4: European Biennial of Contemporary Art', Osfildern: Hatje Cantz, 2002, pp. 164–165 (exh. cat.)
Cavallucci, Fabio, Nicoletti, Giovanna, Verzotti, Giorgio (eds.), 'Nuovo spazio italiano / New Italian Space', Galleria Civica di Arte Contemporanea and Palazzo delle Albere – MART Museo d’Arte Contemporanea di Trento e Rovereto, Milan: Charta, 2002, pp. 63–67 (exh. cat.)
Lebel, Jean-Jacques, Cahen, Jacqueline, 'Polyphonix', Paris: Éditions du Centre Pompidou and L. Scheer, 2002 (exh. cat.)
Rabottini, Alessandro, 'Roberto Cuoghi', in: Pratesi, Ludovico, D’Orazio, Costantino (eds.), 'Verso il futuro: Identità nell’arte italiana 1990–2002', Milan: Charta, 2002, pp. 51, 88–89 (exh. cat.)
Senaldi, Marco (ed.), 'Cover Theory: L’arte contemporanea come re-interpretazione', Milan: Libri Scheiwiller, 2003, pp. 21, 155–156 (exh. cat.)
Boubnova, Iara, Enguita Mayo, Nuria, Moisdon Trembley, Stéphanie (eds.), 'Manifesta 4: European Biennial of Contemporary Art', Osfildern: Hatje Cantz, 2002, pp. 164–165 (exh. cat.)
Cavallucci, Fabio, Nicoletti, Giovanna, Verzotti, Giorgio (eds.), 'Nuovo spazio italiano / New Italian Space', Galleria Civica di Arte Contemporanea and Palazzo delle Albere – MART Museo d’Arte Contemporanea di Trento e Rovereto, Milan: Charta, 2002, pp. 63–67 (exh. cat.)
Lebel, Jean-Jacques, Cahen, Jacqueline, 'Polyphonix', Paris: Éditions du Centre Pompidou and L. Scheer, 2002 (exh. cat.)
Rabottini, Alessandro, 'Roberto Cuoghi', in: Pratesi, Ludovico, D’Orazio, Costantino (eds.), 'Verso il futuro: Identità nell’arte italiana 1990–2002', Milan: Charta, 2002, pp. 51, 88–89 (exh. cat.)
Senaldi, Marco (ed.), 'Cover Theory: L’arte contemporanea come re-interpretazione', Milan: Libri Scheiwiller, 2003, pp. 21, 155–156 (exh. cat.)
2001
Cerizza, Luca, Perrella, Cristiana, 'Magic and Loss', in: 'Pandæmonium: Biennial of Moving Images 2001', London: The Lux Centre, 2001, pp. 62–63 (exh. cat.)
Di Pietrantonio, Giacinto (ed.), 'In fumo: Arte, fumetto, comunicazione / In fumo: Art, comics, communication', Bergamo: Associazione per la Galleria d’Arte Moderna e Contemporanea di Bergamo and Lubrina Editore, 2001, pp. 50–53, 153–154, 164 (exh. cat.)
Hoffmann, Jens, 'Roberto Cuoghi', in: 'Tirana Biennale 1: ESCAPE', Milan: Giancarlo Politi editore, 2001, pp. 136–137 (exh. cat.)
Maraniello, Gianfranco, 'Fuori dal presente', in: Del Vecchio, Gigiotto (ed.), 'Play >', Milan: Comune di Milano, La Fabbrica del Vapore, 2001, pp. 298–301
Maraniello, Gianfranco, Risaliti, Sergio, Somaini, Antonio (eds.), 'Il dono: Offerta, ospitalità, insidia / The Gift: Generous Offerings, Threatening Hospitality', Palazzo delle Papesse Centro Arte Contemporanea Siena, Milan: Charta, 2001, p. 433 (exh. cat.)
Perrella, Cristiana, 'Videorom', in: Settembrini, Luigi (ed.), 'The 1st Valencia Biennial: Communication between the Arts', Valencia and Milan: Generalitat Valenciana and Charta, 2001, pp. 324–333, 475 (exh. cat.)
Di Pietrantonio, Giacinto (ed.), 'In fumo: Arte, fumetto, comunicazione / In fumo: Art, comics, communication', Bergamo: Associazione per la Galleria d’Arte Moderna e Contemporanea di Bergamo and Lubrina Editore, 2001, pp. 50–53, 153–154, 164 (exh. cat.)
Hoffmann, Jens, 'Roberto Cuoghi', in: 'Tirana Biennale 1: ESCAPE', Milan: Giancarlo Politi editore, 2001, pp. 136–137 (exh. cat.)
Maraniello, Gianfranco, 'Fuori dal presente', in: Del Vecchio, Gigiotto (ed.), 'Play >', Milan: Comune di Milano, La Fabbrica del Vapore, 2001, pp. 298–301
Maraniello, Gianfranco, Risaliti, Sergio, Somaini, Antonio (eds.), 'Il dono: Offerta, ospitalità, insidia / The Gift: Generous Offerings, Threatening Hospitality', Palazzo delle Papesse Centro Arte Contemporanea Siena, Milan: Charta, 2001, p. 433 (exh. cat.)
Perrella, Cristiana, 'Videorom', in: Settembrini, Luigi (ed.), 'The 1st Valencia Biennial: Communication between the Arts', Valencia and Milan: Generalitat Valenciana and Charta, 2001, pp. 324–333, 475 (exh. cat.)
2000
De Cecco, Emanuela, 'Il cantastorie (un omaggio di seconda mano a Jeff Wall)” / “The Storyteller (Second hand hommage to Jeff Wall)', in: Kontova, Helena, De Cecco, Emanuela, Hanru Hou, Rosenberg Angela, Schlaegel, Andreas, 'Fuori Uso 2000: The Bridges: Art on the highway / Arte in autostrada', Milan: Giancarlo Politi Editore, 2000, pp. 190–193 (exh. cat.)
Maraniello, Gianfranco, 'Con la debita distanza', in: Galasso, Alessandra, Maraniello, Gianfranco (eds.), '3nds: Milano', Ferrara: editore Edisai, 2000, pp. 25–34, 68–71, 82 (exh. cat.)
Maraniello, Gianfranco, 'L’immagine in sospeso', 'Roberto Cuoghi', in: Risaliti, Sergio (ed.), 'Espresso arte oggi in Italia', Milan: Electa, 2000, pp. 30–39, 118–125
Maraniello, Gianfranco, 'Con la debita distanza', in: Galasso, Alessandra, Maraniello, Gianfranco (eds.), '3nds: Milano', Ferrara: editore Edisai, 2000, pp. 25–34, 68–71, 82 (exh. cat.)
Maraniello, Gianfranco, 'L’immagine in sospeso', 'Roberto Cuoghi', in: Risaliti, Sergio (ed.), 'Espresso arte oggi in Italia', Milan: Electa, 2000, pp. 30–39, 118–125
1999
___, 'Roberto Cuoghi', in: Guarene d’Alba, Fondazione Sandretto Re Rebaudengo per l’arte, Rivoli: Neos Edizioni, 1999, pp. 18-20, 24
De Cecco, Emanuela, 'Roberto Cuoghi', in: 'Guarene Arte 99', Turin: Neos Edizioni, 1999, pp. 21–23 (exh. cat.)
De Cecco, Emanuela, 'Roberto Cuoghi', in: 'Guarene Arte 99', Turin: Neos Edizioni, 1999, pp. 21–23 (exh. cat.)
1997
Gianoli, Ilaria (ed.), 'Visual Rave', La Società Umanitaria, Milan: Centro Arte a Parte, 1997 (exh. cat.)
Pellizzola, Gilberto (ed.), 'Conversazione in giardino', Ferrara: Cartografica Artigiana, 1997 (exh. cat.)
Pensa, Francesca, Tedeschi, Francesco (eds.), 'Menotrenta: 2a selezione di giovani artisti', Milan: Spazio Laboratorio Hajech, 1997 (exh. cat.)
Pellizzola, Gilberto (ed.), 'Conversazione in giardino', Ferrara: Cartografica Artigiana, 1997 (exh. cat.)
Pensa, Francesca, Tedeschi, Francesco (eds.), 'Menotrenta: 2a selezione di giovani artisti', Milan: Spazio Laboratorio Hajech, 1997 (exh. cat.)
1996
Daolio, Roberto, Martinelli Braglia, Graziella (eds.), 'Orizzontale verticale: Giovani artisti modenesi; 1a edizione', Modena: Palazzo della Provincia, 1996, pp. 39–42 (exh. cat.)
Press
2023
Conti, Riccardo, 'Pepsis, la prima personale di Roberto Cuoghi da Hauser & Wirth a New York. Pepsis, Roberto Cuoghi's first solo show at Hauser & Wirth in New York', on: harpersbazaar.com, 16 March 2023, ill.
Trebing, Saskia, 'In Kassel spielt Roberto Cuoghi mit dem Feuer', in: Monopol, Berlin, February 2023, p. 109, ill.
Trebing, Saskia, 'In Kassel spielt Roberto Cuoghi mit dem Feuer', in: Monopol, Berlin, February 2023, p. 109, ill.
2022
Von Busse, Mark-Christian, 'Experimente und Extreme. Der Italiener Roberto Cuoghi mit einer üppigen Einzelausstellung im Fridericianum in Kassel', in: Hessische Allgemeine, Kassel, no. 282, 3-4 December 2022, p. 35, ill.
Hohmann, Silke, 'Künstler Roberto Cuoghi. Der Extremist' [updated version of an article that appeared in Monopol 10/2017], on: monopol-magazin.de, 30 November 2022, ill.
Pratesi, Ludovico, 'Futuro Antico. Intervista a Roberto Cuoghi', on: artribune.com, 16 February 2022, ill.
Hohmann, Silke, 'Künstler Roberto Cuoghi. Der Extremist' [updated version of an article that appeared in Monopol 10/2017], on: monopol-magazin.de, 30 November 2022, ill.
Pratesi, Ludovico, 'Futuro Antico. Intervista a Roberto Cuoghi', on: artribune.com, 16 February 2022, ill.
2018
Diehl, Ute, 'Umrisse einer neuen', in: Art, Hamburg/DE, August 2018, p. 86
2017
Hohmann, Silke. “Porträt: Roberto Cuoghi.” Monopol (October 2017), pp. 94-102
Colin, Gianluigi. “Corpo a corpo con il corpo. Cuoghi sceglie il deforme.” La Lettura – Corriere della Sera (10 September 2017), p.31.
Pappalardo, Dario . “L’alchimista di sé stesso.” La Repubblica (27 August 2017), p.30-31.
Gratza, Agnieszka. “Roberto Cuoghi “Perla Pollina, 1996-2016”at MADRE, Naples.” Mousse Magazine (18 August 2017).
Colasanti, Claudia. “Gli infiniti ‘Cristi’ d’Italia appesi e dilaniati da Cuoghi”. Il Fatto Quotidiano (21 June 2017), p.23.
Bianchi, Enzo. “La carne umana, la vita di Gesù”, (18 June 2017) www.monasterodibose.it › Preghiera › Vangelo della domenica
Pratesi, Ludovico. “Biennale di Venezia. Parallelo tra le inquietudini di Roberto Cuoghi e Anne Imhof”. Artribune (13 June 2017)
Pratesi, Ludovico. “Nel mondo dell’oscurità.” Exibart.com (9 June 2017).
Azimi, Roxana. “Bâle et le principe des vases communicants. ” Le Temps (7 June 2017)
Casavecchia, Barbara. “Roberto Cuoghi.” Frieze (June-July-August 2017) p.193.
Mammì, Alessandra. “Cuoghi oltre i tabù.”L’Espresso (28 May 2017), pp.91-93.
Pasini, Francesca. “Il prezzo politico della Biennale”. Alfabeta2 (27 May 2017).
Cortellessa, Andrea. “Padiglione Italia. Nuova carne, nuovo mondo”. Alfabeta2 (27 May 2017)
Cervasio, Stella. “Al Madre 70 opere di Cuoghi. L’arte che ‘si sposta’ di continuo.” La Repubblica (26 May 2017).
Cotter, Holland. “Venice Biennale: Whose Reflection Do You See?” The New York Times (22 May 2017)
Pratesi, Ludovico. “Biennale di Venezia. L’editoriale di Ludovico Pratesi”. Artribune (14 May 2017)
Alemani, Cecilia -Wendy Vogel. “Conversation, ‘Il Mondo Magico’ at Italian Pavilion, Venice Biennale.” Mousse Magazine (13 May 2017).
Colasanti, Claudia. “La grande truffa di Hirst e il gelo cosmico tedesco.” Il Fatto Quotidiano (12 May 2017)
Panza, Pierluigi. “Il Mondo Magico e mistico del Padiglione Italia.” Corriere della Sera (11 May 2017).
Bonito Oliva, Achille. “Benvenuti al convivio globale.” la Repubblica (10 May 2017).
Testino, Arianna. “Uno strepitoso Padiglione Italia alla Biennale di Venezia.” Artribune (9 May 2017)
Grandjean, Emmanuel. “Roberto Cuoghi, l’artiste qui voulait disparaître.” Le Temps (1 March 2017)
Laubard, Charlotte. “No Gods, No Masters.” Roberto Cuoghi, né Dio, né Maestro”. Flash Art International/Flash Art (March-April 2017 / Maggio-Giugno 2017), pp. 40-47 / 52-57
Tenconi, Roberta. “Roberto Cuoghi.” L’Officiel Italia (April 2017), pp.58-63.
Bellini, Andrea – Cortellessa, Andrea. “Roberto Cuoghi. Un artista flamboyant.” Artribune (19 February 2017)
Colin, Gianluigi. “Corpo a corpo con il corpo. Cuoghi sceglie il deforme.” La Lettura – Corriere della Sera (10 September 2017), p.31.
Pappalardo, Dario . “L’alchimista di sé stesso.” La Repubblica (27 August 2017), p.30-31.
Gratza, Agnieszka. “Roberto Cuoghi “Perla Pollina, 1996-2016”at MADRE, Naples.” Mousse Magazine (18 August 2017).
Colasanti, Claudia. “Gli infiniti ‘Cristi’ d’Italia appesi e dilaniati da Cuoghi”. Il Fatto Quotidiano (21 June 2017), p.23.
Bianchi, Enzo. “La carne umana, la vita di Gesù”, (18 June 2017) www.monasterodibose.it › Preghiera › Vangelo della domenica
Pratesi, Ludovico. “Biennale di Venezia. Parallelo tra le inquietudini di Roberto Cuoghi e Anne Imhof”. Artribune (13 June 2017)
Pratesi, Ludovico. “Nel mondo dell’oscurità.” Exibart.com (9 June 2017).
Azimi, Roxana. “Bâle et le principe des vases communicants. ” Le Temps (7 June 2017)
Casavecchia, Barbara. “Roberto Cuoghi.” Frieze (June-July-August 2017) p.193.
Mammì, Alessandra. “Cuoghi oltre i tabù.”L’Espresso (28 May 2017), pp.91-93.
Pasini, Francesca. “Il prezzo politico della Biennale”. Alfabeta2 (27 May 2017).
Cortellessa, Andrea. “Padiglione Italia. Nuova carne, nuovo mondo”. Alfabeta2 (27 May 2017)
Cervasio, Stella. “Al Madre 70 opere di Cuoghi. L’arte che ‘si sposta’ di continuo.” La Repubblica (26 May 2017).
Cotter, Holland. “Venice Biennale: Whose Reflection Do You See?” The New York Times (22 May 2017)
Pratesi, Ludovico. “Biennale di Venezia. L’editoriale di Ludovico Pratesi”. Artribune (14 May 2017)
Alemani, Cecilia -Wendy Vogel. “Conversation, ‘Il Mondo Magico’ at Italian Pavilion, Venice Biennale.” Mousse Magazine (13 May 2017).
Colasanti, Claudia. “La grande truffa di Hirst e il gelo cosmico tedesco.” Il Fatto Quotidiano (12 May 2017)
Panza, Pierluigi. “Il Mondo Magico e mistico del Padiglione Italia.” Corriere della Sera (11 May 2017).
Bonito Oliva, Achille. “Benvenuti al convivio globale.” la Repubblica (10 May 2017).
Testino, Arianna. “Uno strepitoso Padiglione Italia alla Biennale di Venezia.” Artribune (9 May 2017)
Grandjean, Emmanuel. “Roberto Cuoghi, l’artiste qui voulait disparaître.” Le Temps (1 March 2017)
Laubard, Charlotte. “No Gods, No Masters.” Roberto Cuoghi, né Dio, né Maestro”. Flash Art International/Flash Art (March-April 2017 / Maggio-Giugno 2017), pp. 40-47 / 52-57
Tenconi, Roberta. “Roberto Cuoghi.” L’Officiel Italia (April 2017), pp.58-63.
Bellini, Andrea – Cortellessa, Andrea. “Roberto Cuoghi. Un artista flamboyant.” Artribune (19 February 2017)
2016
Bailey, Stephanie. “The Equilibrists: A report from Greece.” Ocula (July 21, 2016). Available online:
https://ocula.com/magazine/reports/the-equilibrists-a-report-from-greece/.
Cascone, Sarah. “See Photos of the Most Exclusive Summer Art Event.” Artnet news (June 22, 2016). Available online: https://news.artnet.com/exhibitions/hydra-deste-foundation-roberto-cuoghi-putiferio-523583.
Forrest, Nicholas. “Roberto Cuoghi’s Post-Apocalyptic ‘Putiferio’ on Hydra, Greece.” Blouin Artinfo (July 1, 2016). Available online: https://www.blouinartinfo.com/news/story/1443379/roberto-cuoghis-post-apocalyptic-putiferio-on-hydra-greece.
Kim, Seungduk. “Art génétiquement modifié: Roberto Cuoghi à l’œuvre.” L’Officiel art 17 (April–May 2016), pp. 136–43.
Meistere, Una. “Art Roads Leads to Athens.” Arterritory (July 5, 2016). Available online: https://www.arterritory.com/en/lifestyle/culture_traveler/5734-art_roads_lead_to_athens/.
R. C. “Tropic of Cancer: A Grecian crustacean invasion.” Modern Painters (September 2016), p. 28.
“Roberto Cuoghi: Putiferio, DESTE Foundation.” My Art Guide (June 2016). Available online: https://myartguides.com/exhibitions/roberto-cuoghi-putiferio/.
Speretta, Tommaso. “Roberto Cuoghi DESTE Foundation / Atene.” Flash Art online (August 31, 2016). Available online: https://www.flashartonline.it/2016/08/roberto-cuoghi-deste-foundation-atene/.
Swanson, Carl. “Dakis Joannou’s Art Addiction.” Vulture: Devouring Culture (June 17, 2016). Available online: https://www.vulture.com/2016/06/dakis-joannous-art-addiction.html#.
Zohn, Patricia. “CultureZohn: The Deste Foundation; As Greece Struggles, The Private Sector Steps Up.” The Huffington Post (June 23, 2016). Available online: https://www.huffingtonpost.com/patricia-zohn/culturezohn-the-deste-foundation-as-greece-struggles-the-private-sector-steps-up_b_10624916.html.
https://ocula.com/magazine/reports/the-equilibrists-a-report-from-greece/.
Cascone, Sarah. “See Photos of the Most Exclusive Summer Art Event.” Artnet news (June 22, 2016). Available online: https://news.artnet.com/exhibitions/hydra-deste-foundation-roberto-cuoghi-putiferio-523583.
Forrest, Nicholas. “Roberto Cuoghi’s Post-Apocalyptic ‘Putiferio’ on Hydra, Greece.” Blouin Artinfo (July 1, 2016). Available online: https://www.blouinartinfo.com/news/story/1443379/roberto-cuoghis-post-apocalyptic-putiferio-on-hydra-greece.
Kim, Seungduk. “Art génétiquement modifié: Roberto Cuoghi à l’œuvre.” L’Officiel art 17 (April–May 2016), pp. 136–43.
Meistere, Una. “Art Roads Leads to Athens.” Arterritory (July 5, 2016). Available online: https://www.arterritory.com/en/lifestyle/culture_traveler/5734-art_roads_lead_to_athens/.
R. C. “Tropic of Cancer: A Grecian crustacean invasion.” Modern Painters (September 2016), p. 28.
“Roberto Cuoghi: Putiferio, DESTE Foundation.” My Art Guide (June 2016). Available online: https://myartguides.com/exhibitions/roberto-cuoghi-putiferio/.
Speretta, Tommaso. “Roberto Cuoghi DESTE Foundation / Atene.” Flash Art online (August 31, 2016). Available online: https://www.flashartonline.it/2016/08/roberto-cuoghi-deste-foundation-atene/.
Swanson, Carl. “Dakis Joannou’s Art Addiction.” Vulture: Devouring Culture (June 17, 2016). Available online: https://www.vulture.com/2016/06/dakis-joannous-art-addiction.html#.
Zohn, Patricia. “CultureZohn: The Deste Foundation; As Greece Struggles, The Private Sector Steps Up.” The Huffington Post (June 23, 2016). Available online: https://www.huffingtonpost.com/patricia-zohn/culturezohn-the-deste-foundation-as-greece-struggles-the-private-sector-steps-up_b_10624916.html.
2015
Milonas, George. “Ametria: A Labyrinth Exhibition at the Benaki Museum.” The Huffington Post – Greece (July 19, 2015). Available online: https://www.huffingtonpost.gr/2015/07/19/culture-ametria-mouseio-mpenaki_n_7823316.html#.
Reid, James. “The error that turns out to be right: ‘Ametria’ at the Benaki Museum, Athens.” Wallpaper (June 23, 2015). Available online: https://www.wallpaper.com/art/the-error-that-turns-out-to-be-right-ametria-at-the-benaki-museum-athens.
Thatcher, Elise. “Good & Evil Intertwined: Taking a Tour at the Aspen Art Museum.” Aspen Public Radio (February 18, 2015). Available online: https://aspenpublicradio.org/post/good-evil-intertwined-taking-tour-aspen-art-museum#stream/0.
Travers, Andrew. “Art Matters at the Aspen Art Museum.” Aspen Times Weekly (February 19–25, 2015), p. 32.
Yablonsky, Linda. “Paradise Garage.” Artforum (June 16, 2015). Available online: https://www.artforum.com/diary/id=52902.
Reid, James. “The error that turns out to be right: ‘Ametria’ at the Benaki Museum, Athens.” Wallpaper (June 23, 2015). Available online: https://www.wallpaper.com/art/the-error-that-turns-out-to-be-right-ametria-at-the-benaki-museum-athens.
Thatcher, Elise. “Good & Evil Intertwined: Taking a Tour at the Aspen Art Museum.” Aspen Public Radio (February 18, 2015). Available online: https://aspenpublicradio.org/post/good-evil-intertwined-taking-tour-aspen-art-museum#stream/0.
Travers, Andrew. “Art Matters at the Aspen Art Museum.” Aspen Times Weekly (February 19–25, 2015), p. 32.
Yablonsky, Linda. “Paradise Garage.” Artforum (June 16, 2015). Available online: https://www.artforum.com/diary/id=52902.
2014
Birnbaum, Daniel. “Roberto Cuoghi.” Artforum (May 2014), p. 184.
Boucher, Brian. “Roberto Cuoghi at New Museum, New York.” Art in America (September 23, 2014). Available online: https://www.artinamericamagazine.com/reviews/roberto-cuoghi/.
Budick, Ariella. “Kjartansson/Henrot/Cuoghi, New Museum, New York.” Financial Times, London (June 3, 2014). Available online: https://www.ft.com/intl/cms/s/2/debc8940-ea7f-11e3-8dde-00144feabdc0.html.
Davis, Ben. “The Hidden Message of Roberto Cuoghi’s Assyrian Lament.” Artnet News (May 23, 2014). Available online: https://news.artnet.com/art-world/the-hidden-message-of-roberto-cuoghis-assyrian-lament-25141.
Fabbri, Franca. “Roberto Cuoghi, il padre come forma ‘il peso del padre.’” Eidos: Cinema psyche e arti visive 29 (March–June 2014), pp. 54–56.
Graff, Sarah. “Pazuzu: Beyond Good and Evil.” Assyria to Iberia, Exhibition Blog of The Metropolitan Museum (September 29, 2014). Available online: https://www.metmuseum.org/exhibitions/listings/2014/assyria-to-iberia/blog/posts/pazuzu.
Lavrador, Judicaël. “Exorcismes.” Les Inrockuptibles (November 5, 2014), p. 96.
Smith, Roberta. “Sounds of All but Silence: Aural Installations Take Over New Museum.” The New York Times (May 22, 2014). Available online: https://www.nytimes.com/2014/05/23/arts/design/aural-installations-take-over-new-museum.html?_r=2.
Zimberoff, Larissa. “Of Sound and Vision: Roberto Cuoghi at the New Museum.” SciArt Magazine (June 25, 2014). Available online: https://www.sciartmagazine.com/blog/-of-sound-and-vision-roberto-cuoghi-at-the-new-museum.
Boucher, Brian. “Roberto Cuoghi at New Museum, New York.” Art in America (September 23, 2014). Available online: https://www.artinamericamagazine.com/reviews/roberto-cuoghi/.
Budick, Ariella. “Kjartansson/Henrot/Cuoghi, New Museum, New York.” Financial Times, London (June 3, 2014). Available online: https://www.ft.com/intl/cms/s/2/debc8940-ea7f-11e3-8dde-00144feabdc0.html.
Davis, Ben. “The Hidden Message of Roberto Cuoghi’s Assyrian Lament.” Artnet News (May 23, 2014). Available online: https://news.artnet.com/art-world/the-hidden-message-of-roberto-cuoghis-assyrian-lament-25141.
Fabbri, Franca. “Roberto Cuoghi, il padre come forma ‘il peso del padre.’” Eidos: Cinema psyche e arti visive 29 (March–June 2014), pp. 54–56.
Graff, Sarah. “Pazuzu: Beyond Good and Evil.” Assyria to Iberia, Exhibition Blog of The Metropolitan Museum (September 29, 2014). Available online: https://www.metmuseum.org/exhibitions/listings/2014/assyria-to-iberia/blog/posts/pazuzu.
Lavrador, Judicaël. “Exorcismes.” Les Inrockuptibles (November 5, 2014), p. 96.
Smith, Roberta. “Sounds of All but Silence: Aural Installations Take Over New Museum.” The New York Times (May 22, 2014). Available online: https://www.nytimes.com/2014/05/23/arts/design/aural-installations-take-over-new-museum.html?_r=2.
Zimberoff, Larissa. “Of Sound and Vision: Roberto Cuoghi at the New Museum.” SciArt Magazine (June 25, 2014). Available online: https://www.sciartmagazine.com/blog/-of-sound-and-vision-roberto-cuoghi-at-the-new-museum.
2013
Casavecchia, Barbara. “Fuoriclasse.” Frieze 152 (January–February 2013), p. 178.
Chiodi, Stefano. “L’eciclopedia interminabile.” Doppiozero (June 10, 2013). Available online: https://www.doppiozero.com/materiali/biennale-di-venezia/l%E2%80%99enciclopedia-interminabile.
Fontana, Emi. “Il Palazzo Enciclopedico: Collezionista di collezioni.” Flash Art 311 (July–September 2013).
Fuoco, Michele. “Modenese trionfa a Venezia.” La Gazzetta di Modena, Modena (August 2013), p. 28.
Novelli, Anna Maria. “55. Biennale d’arte di Venezia: L’evento enciclopedico di Gioni.” Hat 58 (Fall–Winter 2013), pp. 3–5.
Thorne, Sam. “The Encyclopedic Palace.” Frieze 157 (September 2013), pp. 104–5.
Chiodi, Stefano. “L’eciclopedia interminabile.” Doppiozero (June 10, 2013). Available online: https://www.doppiozero.com/materiali/biennale-di-venezia/l%E2%80%99enciclopedia-interminabile.
Fontana, Emi. “Il Palazzo Enciclopedico: Collezionista di collezioni.” Flash Art 311 (July–September 2013).
Fuoco, Michele. “Modenese trionfa a Venezia.” La Gazzetta di Modena, Modena (August 2013), p. 28.
Novelli, Anna Maria. “55. Biennale d’arte di Venezia: L’evento enciclopedico di Gioni.” Hat 58 (Fall–Winter 2013), pp. 3–5.
Thorne, Sam. “The Encyclopedic Palace.” Frieze 157 (September 2013), pp. 104–5.
2012
Angelotti, Martina. “Roberto Cuoghi: Zoloto.” Domusweb (June 30, 2012). Available online: https://www.domusweb.it/content/domusweb/it/arte/2012/06/30/roberto-cuoghi-zoloto.html.
“Gli artisti italiani della Collezione ACACIA.” Artecultura 5 (May 2012), p. 8.
Menin, Samuele. “Roberto Cuoghi / Massimo De Carlo.” Flash Art 304 (July–September 2012), p. 93.
Rinaldi, Costanza. “Roberto Cuoghi: La caricatura dell’identità.” Doppiozero (June 11, 2012). Available online: https://www.doppiozero.com/materiali/ars/roberto-cuoghi-la-caricatura-dell%E2%80%99identita
“Gli artisti italiani della Collezione ACACIA.” Artecultura 5 (May 2012), p. 8.
Menin, Samuele. “Roberto Cuoghi / Massimo De Carlo.” Flash Art 304 (July–September 2012), p. 93.
Rinaldi, Costanza. “Roberto Cuoghi: La caricatura dell’identità.” Doppiozero (June 11, 2012). Available online: https://www.doppiozero.com/materiali/ars/roberto-cuoghi-la-caricatura-dell%E2%80%99identita
2011
Bellini, Andrea. “Le chaman de l’autoportrait.” Beaux Arts magazine, special issue (December 2011), p. 66.
Drake, Cathryn. “Investigations of a dog.” Frieze 142 (October 2011).
Mosler, Elisa. “Roberto Cuoghi’s diverse collection of self-portraits, on display at the Hammer Museum, addresses universal theme of personal potential and re-assessment.” Daily Bruin, Los Angeles (January 23, 2011). Available online: https://dailybruin.com/2011/01/23/roberto_cuoghis_diverse_collection_of_selfportraits_
on_display_at_the_hammer_museum_addresses_univer/.
Zuckerman Jacobson, Heidi. “What to see this month.” Art Review 48 (March 2011), p. 48.
Drake, Cathryn. “Investigations of a dog.” Frieze 142 (October 2011).
Mosler, Elisa. “Roberto Cuoghi’s diverse collection of self-portraits, on display at the Hammer Museum, addresses universal theme of personal potential and re-assessment.” Daily Bruin, Los Angeles (January 23, 2011). Available online: https://dailybruin.com/2011/01/23/roberto_cuoghis_diverse_collection_of_selfportraits_
on_display_at_the_hammer_museum_addresses_univer/.
Zuckerman Jacobson, Heidi. “What to see this month.” Art Review 48 (March 2011), p. 48.
2010
Beccaria, Marcella. “The Rules of Vision.” Kaleidoscope 6 (April–May 2010), pp. 128–34.
Friedman, Jane. “Italics: Art between Tradition and Revolution 1968–2008 at the Museum of Contemporary Art, Chicago.” California Literary Review (January 4, 2010). Available online: https://calitreview.com/6016/italics-italian-art-between-tradition-and-revolution-1968%E2%80%932008–at-the-museum-of-contemporary-art-chicago/.
Gioni, Massimiliano. “Deformazioni d’artista (in 3D).” Wired 14 (April 2010), p. 132.
———. “The Inverted Life of Roberto Cuoghi.” Kaleidoscope 6 (April–May 2010), pp. 136–38.
Kazanjian, Dodie. “The Body Eccentric.” Vogue (February 2010), pp. 188–93.
Lissoni, Andrea. “Tutto suo padre.” Rolling Stone 76 (February 2010).
Saltz, Jerry. “Less Than the Sum of Its Parts.” New York Magazine (March 26, 2010). Available online: https://nymag.com/arts/art/reviews/65115/.
Schjeldahl, Peter. “Big Time: ‘Skin Fruit,’ at the New Museum.” The New Yorker (March 15, 2010). Available online: https://www.newyorker.com/magazine/2010/03/15/big-time-3.
Smith, Roberta. “Anti-Mainstream Museum’s Mainstream Show.” The New York Times (March 5, 2010), p. C21.
Tagliaferro, Marco. “Celebration, Institution, Critique.” Artforum (January 2010). Available online:
https://www.artforum.com/picks/id=24597.
Friedman, Jane. “Italics: Art between Tradition and Revolution 1968–2008 at the Museum of Contemporary Art, Chicago.” California Literary Review (January 4, 2010). Available online: https://calitreview.com/6016/italics-italian-art-between-tradition-and-revolution-1968%E2%80%932008–at-the-museum-of-contemporary-art-chicago/.
Gioni, Massimiliano. “Deformazioni d’artista (in 3D).” Wired 14 (April 2010), p. 132.
———. “The Inverted Life of Roberto Cuoghi.” Kaleidoscope 6 (April–May 2010), pp. 136–38.
Kazanjian, Dodie. “The Body Eccentric.” Vogue (February 2010), pp. 188–93.
Lissoni, Andrea. “Tutto suo padre.” Rolling Stone 76 (February 2010).
Saltz, Jerry. “Less Than the Sum of Its Parts.” New York Magazine (March 26, 2010). Available online: https://nymag.com/arts/art/reviews/65115/.
Schjeldahl, Peter. “Big Time: ‘Skin Fruit,’ at the New Museum.” The New Yorker (March 15, 2010). Available online: https://www.newyorker.com/magazine/2010/03/15/big-time-3.
Smith, Roberta. “Anti-Mainstream Museum’s Mainstream Show.” The New York Times (March 5, 2010), p. C21.
Tagliaferro, Marco. “Celebration, Institution, Critique.” Artforum (January 2010). Available online:
https://www.artforum.com/picks/id=24597.
2009
Bailey, Stephanie. “Heaven: 2nd Athens Biennale.” Art Papers (October 2009), pp. 40–41.
Bellini, Andrea. “Made in Italy.” GQ 112 (January 2009), p. 82.
Campagnola, Sonia. “Italics.” Frieze 122 (April 2009), p. 125.
Fanelli, Franco. “Fare mondi nel palazzo delle Esposizioni ai Giardini.” Vernissage: Il fotogiornale dell’arte 106 (July–August, 2009), pp. 3–4.
“L’artista: Un ufo su Babele.” D – La Repubblica 656 (July 25, 2009), p. 34.
Mascheroni, Loredana. “Roberto Cuoghi canta la protesta civile.” Domusweb (July 21, 2009). Available online: https://www.domusweb.it/it/notizie/2009/07/21/roberto-cuoghi-canta-la-protesta-civile.html.
Moisdon, Stéphanie. “Roberto Cuoghi, The ICA, Londres, Castello di Rivoli, Turin.” Frog 8 (February 2009), pp. 32–35.
Smith, Roberta, and Ken Johnson. “Art in Review: The Pig.” The New York Times – Weekend Arts (July 30, 2009). Available online: https://www.nytimes.com/2009/07/31/arts/design/31gall.html.
Bellini, Andrea. “Made in Italy.” GQ 112 (January 2009), p. 82.
Campagnola, Sonia. “Italics.” Frieze 122 (April 2009), p. 125.
Fanelli, Franco. “Fare mondi nel palazzo delle Esposizioni ai Giardini.” Vernissage: Il fotogiornale dell’arte 106 (July–August, 2009), pp. 3–4.
“L’artista: Un ufo su Babele.” D – La Repubblica 656 (July 25, 2009), p. 34.
Mascheroni, Loredana. “Roberto Cuoghi canta la protesta civile.” Domusweb (July 21, 2009). Available online: https://www.domusweb.it/it/notizie/2009/07/21/roberto-cuoghi-canta-la-protesta-civile.html.
Moisdon, Stéphanie. “Roberto Cuoghi, The ICA, Londres, Castello di Rivoli, Turin.” Frog 8 (February 2009), pp. 32–35.
Smith, Roberta, and Ken Johnson. “Art in Review: The Pig.” The New York Times – Weekend Arts (July 30, 2009). Available online: https://www.nytimes.com/2009/07/31/arts/design/31gall.html.
2008
Adam, Georgina. “The Italian renaissance.” The Art Newspaper (November 1, 2008), p. 68.
“Arte, il ‘Pazuzu’ di Cuoghi all’Ica di Londra.” Il Sole 24 Ore 280, Milan (October 10, 2008), p. 31.
“Artists dictionary.” Flash Art International 260 (May–June 2008), pp. 116–25.
Bache, Pauline. “The pagan ceremony of a people abandoned by Gods.” Aesthetica (October 2008), pp. 28–29.
Beccaria, Marcella. “Nuove generazioni: Roberto Cuoghi, Šuillakku.” Urban 68 (May 2008).
Bonacossa, Ilaria. “Milano crocevia dell’arte italiana.” Domus 919 (November 2008), pp. 76–83.
Bria, Ginevra. “Roberto Cuoghi: Castello di Rivoli.” Espoarte 53 (June–July 2008), p. 131.
Bucci, Stefano. “Perché la crisi fa bene all’arte.” Il Corriere della Sera, Milan (November 19, 2008), p. 49.
Burton, Johanna. “Roberto Cuoghi.” Flash Art International 260 (May–June 2008), p. 118.
Capelli, Pia. “Con ‘Tarantula’ la videoarte conquista Milano.” Libero, Milan (July 6, 2008).
Casavecchia, Barbara. “Time Is on Our Side.” Flash Art International 260 (May–June 2008), pp. 112–15.
———. “Roberto Cuoghi: Metamorphosis and ‘Life sharing’; decadent humour and demon kings.” Frieze 116 (June–August 2008), pp. 208–9.
Glover, Michael. “For the love of Pazuzu, stop this awful racket.” The Independent, London (October 28, 2008), p. 18.
Joannou, Dakis. “Megas Dakis.” BHMagazino 378 (January 13, 2008), pp. 26–35 (ill. on cover).
Joly, Patrice. “Roberto Cuoghi.” 02 47 (October–November 2008), p. 57.
Lissoni, Andrea. “L’identità che abita dentro di noi.” Rolling Stone 57 (July 2008), p. 32.
Magnanini, Carlotta. “Talismani moderni.” L’Espresso 22 (June 2008), p. 183.
Martinazzoli, Luca. “Suillakku.” Rodeo 47 (May 2008), p. 42.
Martínez, Chus. “Roberto Cuoghi: Suillakku.” Artforum 4 (December 2008), p. 291.
Moisdon, Stéphanie. “Roberto Cuoghi: Pavane pour un dieu défunt.” Beaux Arts magazine (July 2008), pp. 88–89.
Rabottini, Alessandro. “Roberto Cuoghi: Castello di Rivoli.” Modern Painters (September 2008), p. 116.
Rifkind, Hugo. “Armageddon time.” The Times, The Knowledge (October 11–17, 2008), pp. 30–31.
“Roberto Cuoghi e tanti altri al Castello di Rivoli.” Flash Art 268 (February–March 2008), p. 45.
“Roberto Cuoghi.” The Art Newspaper (October 17, 2008), p. 4.
Sommariva, Elena. “Italics.” Domus 917 (September 2008), n. pag.
Verzotti, Giorgio. “Roberto Cuoghi: Castello di Rivoli.” Artforum (September 2008), p. 480.
“Arte, il ‘Pazuzu’ di Cuoghi all’Ica di Londra.” Il Sole 24 Ore 280, Milan (October 10, 2008), p. 31.
“Artists dictionary.” Flash Art International 260 (May–June 2008), pp. 116–25.
Bache, Pauline. “The pagan ceremony of a people abandoned by Gods.” Aesthetica (October 2008), pp. 28–29.
Beccaria, Marcella. “Nuove generazioni: Roberto Cuoghi, Šuillakku.” Urban 68 (May 2008).
Bonacossa, Ilaria. “Milano crocevia dell’arte italiana.” Domus 919 (November 2008), pp. 76–83.
Bria, Ginevra. “Roberto Cuoghi: Castello di Rivoli.” Espoarte 53 (June–July 2008), p. 131.
Bucci, Stefano. “Perché la crisi fa bene all’arte.” Il Corriere della Sera, Milan (November 19, 2008), p. 49.
Burton, Johanna. “Roberto Cuoghi.” Flash Art International 260 (May–June 2008), p. 118.
Capelli, Pia. “Con ‘Tarantula’ la videoarte conquista Milano.” Libero, Milan (July 6, 2008).
Casavecchia, Barbara. “Time Is on Our Side.” Flash Art International 260 (May–June 2008), pp. 112–15.
———. “Roberto Cuoghi: Metamorphosis and ‘Life sharing’; decadent humour and demon kings.” Frieze 116 (June–August 2008), pp. 208–9.
Glover, Michael. “For the love of Pazuzu, stop this awful racket.” The Independent, London (October 28, 2008), p. 18.
Joannou, Dakis. “Megas Dakis.” BHMagazino 378 (January 13, 2008), pp. 26–35 (ill. on cover).
Joly, Patrice. “Roberto Cuoghi.” 02 47 (October–November 2008), p. 57.
Lissoni, Andrea. “L’identità che abita dentro di noi.” Rolling Stone 57 (July 2008), p. 32.
Magnanini, Carlotta. “Talismani moderni.” L’Espresso 22 (June 2008), p. 183.
Martinazzoli, Luca. “Suillakku.” Rodeo 47 (May 2008), p. 42.
Martínez, Chus. “Roberto Cuoghi: Suillakku.” Artforum 4 (December 2008), p. 291.
Moisdon, Stéphanie. “Roberto Cuoghi: Pavane pour un dieu défunt.” Beaux Arts magazine (July 2008), pp. 88–89.
Rabottini, Alessandro. “Roberto Cuoghi: Castello di Rivoli.” Modern Painters (September 2008), p. 116.
Rifkind, Hugo. “Armageddon time.” The Times, The Knowledge (October 11–17, 2008), pp. 30–31.
“Roberto Cuoghi e tanti altri al Castello di Rivoli.” Flash Art 268 (February–March 2008), p. 45.
“Roberto Cuoghi.” The Art Newspaper (October 17, 2008), p. 4.
Sommariva, Elena. “Italics.” Domus 917 (September 2008), n. pag.
Verzotti, Giorgio. “Roberto Cuoghi: Castello di Rivoli.” Artforum (September 2008), p. 480.
2007
Bonami, Francesco. “Dakis’s World.” Domus 909 (December 2007), pp. 120–22.
Davis, Ben. “Pinault and Co.” Artnet.it (May 11, 2007). Available online:
https://www.artnet.com/magazineus/reviews/davis/davis5-11-07.asp.
Gingeras, Alison M. “Sequence 1 Palazzo Grassi.” L’uomo Vogue 381 (May–June 2007), pp. 188–201.
Panza, Pierluigi. “Italia passatista, ignora l’arte contemporanea.” Il Corriere della Sera, Milan (November 7, 2007), p. 51.
Pellissier, Jan. “Sentieri del silenzio.” Inside Art 34 (June 2007), pp. 18–19.
Poggianti, Alessandra. “Honrarás a tu padre: Roberto Cuoghi.” Código 39 (June–July 2007), pp. 44–47.
Politi, Giancarlo. “Pierluigi Mazzari: My Private.” Flash Art 264 (June–July 2007), pp. 74–76.
Davis, Ben. “Pinault and Co.” Artnet.it (May 11, 2007). Available online:
https://www.artnet.com/magazineus/reviews/davis/davis5-11-07.asp.
Gingeras, Alison M. “Sequence 1 Palazzo Grassi.” L’uomo Vogue 381 (May–June 2007), pp. 188–201.
Panza, Pierluigi. “Italia passatista, ignora l’arte contemporanea.” Il Corriere della Sera, Milan (November 7, 2007), p. 51.
Pellissier, Jan. “Sentieri del silenzio.” Inside Art 34 (June 2007), pp. 18–19.
Poggianti, Alessandra. “Honrarás a tu padre: Roberto Cuoghi.” Código 39 (June–July 2007), pp. 44–47.
Politi, Giancarlo. “Pierluigi Mazzari: My Private.” Flash Art 264 (June–July 2007), pp. 74–76.
2006
Basting, Barbara “Villa Jelmini oder was von Szeemann bleibt.” Tages Anzeiger, Zurich (January 28, 2006), p. 55.
Bellini, Andrea. “Of mice and men: 4th Berlin Biennale; vecchie e nuove ossessioni.” Flash Art 258 (June–July 2006), pp. 104–7.
“Berlin Biennale: Roberto Cuoghi.” Art: Das Kunstmagazin 4 (April 2006), p. 24.
Crippa, Vania. “Le visioni distorte di Roberto Cuoghi.” Psychologies 1–2 (January–Februrary 2006), p. 41.
Delux, Bertrand. “Roberto Cuoghi, Chris Burden, Ryan Gander.” Zero02 212 (October 16–31, 2006), p. 61.
“Ecce Uomo.” Flash Art 257 (April–May 2006), p. 67.
Gioni, Massimiliano. “Milan.” Artforum 4 (December 2006), pp. 259–61.
Herzog, Samuel. “Faust im Sack: Villa Jelmini – keine Hommage in der Kunsthalle Bern.” Neue Zürcher Zeitung, Zurich (February 22, 2006), p. 53.
Lotta, Daniela. “Egomania.” Flash Art 257 (April–May 2006), p. 143.
Moisdon, Stéphanie. “Over Exposed.” Self Service 24 (Spring–Summer 2006).
Möller, Lotte. “Bb4.” Tema Celeste 114 (March–April 2006), pp. 94–97.
Scardi, Gabi. “Chris Burden, Roberto Cuoghi, Ryan Gander.” Flash Art International 251 (November–December 2006), p. 60.
Scardi, Gabi. “Chris Burden, Roberto Cuoghi, Ryan Gander.” Flash Art 261 (December 2006 – January 2007), pp. 124–25.
Schindler, Magdalena. “Annäherung durch Respekt.” Der Bund, Bern (January, 28, 2006), p. 11.
“Uomini e topi.” Flash Art 256 (February–March 2006), p. 55.
Vettese, Angela. “Nel nome del padre.” Vernissage: Il fotogiornale dell’arte 69 (March 2006).
Von Thon, Ute. “Biennale: Künstler – Möbel, Monster, Mutationen.” Art – Das Kunstmagazin 4 (April 2006), p. 24.
Bellini, Andrea. “Of mice and men: 4th Berlin Biennale; vecchie e nuove ossessioni.” Flash Art 258 (June–July 2006), pp. 104–7.
“Berlin Biennale: Roberto Cuoghi.” Art: Das Kunstmagazin 4 (April 2006), p. 24.
Crippa, Vania. “Le visioni distorte di Roberto Cuoghi.” Psychologies 1–2 (January–Februrary 2006), p. 41.
Delux, Bertrand. “Roberto Cuoghi, Chris Burden, Ryan Gander.” Zero02 212 (October 16–31, 2006), p. 61.
“Ecce Uomo.” Flash Art 257 (April–May 2006), p. 67.
Gioni, Massimiliano. “Milan.” Artforum 4 (December 2006), pp. 259–61.
Herzog, Samuel. “Faust im Sack: Villa Jelmini – keine Hommage in der Kunsthalle Bern.” Neue Zürcher Zeitung, Zurich (February 22, 2006), p. 53.
Lotta, Daniela. “Egomania.” Flash Art 257 (April–May 2006), p. 143.
Moisdon, Stéphanie. “Over Exposed.” Self Service 24 (Spring–Summer 2006).
Möller, Lotte. “Bb4.” Tema Celeste 114 (March–April 2006), pp. 94–97.
Scardi, Gabi. “Chris Burden, Roberto Cuoghi, Ryan Gander.” Flash Art International 251 (November–December 2006), p. 60.
Scardi, Gabi. “Chris Burden, Roberto Cuoghi, Ryan Gander.” Flash Art 261 (December 2006 – January 2007), pp. 124–25.
Schindler, Magdalena. “Annäherung durch Respekt.” Der Bund, Bern (January, 28, 2006), p. 11.
“Uomini e topi.” Flash Art 256 (February–March 2006), p. 55.
Vettese, Angela. “Nel nome del padre.” Vernissage: Il fotogiornale dell’arte 69 (March 2006).
Von Thon, Ute. “Biennale: Künstler – Möbel, Monster, Mutationen.” Art – Das Kunstmagazin 4 (April 2006), p. 24.
2005
Falconer, Morgan. “Like father, like son.” The Guardian, London (June 29, 2005), p. 10.
“Future Greats 2005.” ArtReview 65 (December 2005), pp. 69, 75, 97, 99.
Gingeras, Alison M. “Roberto Cuoghi.” Artforum 10 (Summer 2005), pp. 316–17.
Gioni, Massimiliano. “Zeroarte.” Zero: L’Italia di plastica 1 (January 2005), p. 50.
Mammì, Alessandra. “Triennale pantagruelica.” L’Espresso 39 (October 6, 2005), pp. 143–45.
Maraniello, Gianfranco. “Roberto Cuoghi curated by Maraniello.” Boiler – Viva! Italia 5 (September 2005), pp. 48–57. The issue of the magazine included a DVD also containing The Goodgriefies reloaded (2000).
Moisdon, Stéphanie. “Madame de Fursac.” Frog 2 (November 2005), pp. 193–95.
Moulène, Claire. “Le dessin fait un carton.” Les Inrockuptibles (April 2, 2005).
Rabottini, Alessandro. “Skin and Concrete: The New Faces of Italian Art.” ArtReview 59 (June 2005), pp. 64–69 (ill. on cover).
“Roberto Cuoghi.” ArtReview (December 2005)
“Future Greats 2005.” ArtReview 65 (December 2005), pp. 69, 75, 97, 99.
Gingeras, Alison M. “Roberto Cuoghi.” Artforum 10 (Summer 2005), pp. 316–17.
Gioni, Massimiliano. “Zeroarte.” Zero: L’Italia di plastica 1 (January 2005), p. 50.
Mammì, Alessandra. “Triennale pantagruelica.” L’Espresso 39 (October 6, 2005), pp. 143–45.
Maraniello, Gianfranco. “Roberto Cuoghi curated by Maraniello.” Boiler – Viva! Italia 5 (September 2005), pp. 48–57. The issue of the magazine included a DVD also containing The Goodgriefies reloaded (2000).
Moisdon, Stéphanie. “Madame de Fursac.” Frog 2 (November 2005), pp. 193–95.
Moulène, Claire. “Le dessin fait un carton.” Les Inrockuptibles (April 2, 2005).
Rabottini, Alessandro. “Skin and Concrete: The New Faces of Italian Art.” ArtReview 59 (June 2005), pp. 64–69 (ill. on cover).
“Roberto Cuoghi.” ArtReview (December 2005)
2004
Dannatt, Adrian. “Roberto Cuoghi at Massimo De Carlo.” Art in America 3 (March 2004), p. 140.
“Friends – Fondazione Nicola Trussardi.” Boiler (March 2004), p. 124.
Fulco, Elisa. “Roberto Cuoghi. Massimo De Carlo.” Flash Art 243 (December 2003–January 2004), p. 111.
Pinto, Roberto. “Dimensione follia: Soggettività, passione ed eccesso nella quotidianità” / “Dimension folly: Subjectivity, passion and excess in everyday life.” Work: Art in Progress 10 (Fall 2004), pp. 18–49..
“Si salvi chi può.” Kult-Mymi (March 2004), pp. 46–47.
Sossai, Maria Rosa. “Great Expectations: Fuori Uso, Pescara.” Flash Art 244 (February–March 2004), p. 152.
“Friends – Fondazione Nicola Trussardi.” Boiler (March 2004), p. 124.
Fulco, Elisa. “Roberto Cuoghi. Massimo De Carlo.” Flash Art 243 (December 2003–January 2004), p. 111.
Pinto, Roberto. “Dimensione follia: Soggettività, passione ed eccesso nella quotidianità” / “Dimension folly: Subjectivity, passion and excess in everyday life.” Work: Art in Progress 10 (Fall 2004), pp. 18–49..
“Si salvi chi può.” Kult-Mymi (March 2004), pp. 46–47.
Sossai, Maria Rosa. “Great Expectations: Fuori Uso, Pescara.” Flash Art 244 (February–March 2004), p. 152.
2003
A.D. “Et aussi….” A Nous Paris (June 23, 2003).
Conti, Riccardo. “Roberto Cuoghi: Milano, Galleria Massimo De Carlo.” Exibart.com (October 6, 2003). Available online: https://www.exibart.com/notizia.asp?IDNotizia=8281.
Frame, Anna. “Art and the City.” The Times, London (September 20, 2003).
“Galleries-Soho: Summer Program.” The New Yorker (July 28, 2003).
Gioni, Massimiliano. “Cuoghi e i fantasmi” / “Cuoghi and the ghosts.” Carnet Arte 1 (September–October 2003), pp. 13–14.
Laubard, Charlotte. “Roberto Cuoghi.” Artforum (March 2003). Available online: https://www.artforum.com/picks/id=4382.
Polveroni, Adriana. “Cover d’autore: A Piacenza ecco l’arte del rifacimento.” La Repubblica, Rome (May 16, 2003).
Rabottini, Alessandro. “Roberto Cuoghi: L’età incompleta.” Flash Art 238 (February–March 2003), pp. 112–14 (ill. on cover).
Schmerler, Sarah. “Be Our Guest.” Time Out: New York 404 (June 26–July 2, 2003), p. 59.
Smith, Roberta. “In the Galleries a Grand Finale of Group Show Fireworks.” The New York Times – Weekend Arts (July 18, 2003).
Smith, Rupert. “Destiny’s Children.” The Guardian, London (September 26, 2003).
Conti, Riccardo. “Roberto Cuoghi: Milano, Galleria Massimo De Carlo.” Exibart.com (October 6, 2003). Available online: https://www.exibart.com/notizia.asp?IDNotizia=8281.
Frame, Anna. “Art and the City.” The Times, London (September 20, 2003).
“Galleries-Soho: Summer Program.” The New Yorker (July 28, 2003).
Gioni, Massimiliano. “Cuoghi e i fantasmi” / “Cuoghi and the ghosts.” Carnet Arte 1 (September–October 2003), pp. 13–14.
Laubard, Charlotte. “Roberto Cuoghi.” Artforum (March 2003). Available online: https://www.artforum.com/picks/id=4382.
Polveroni, Adriana. “Cover d’autore: A Piacenza ecco l’arte del rifacimento.” La Repubblica, Rome (May 16, 2003).
Rabottini, Alessandro. “Roberto Cuoghi: L’età incompleta.” Flash Art 238 (February–March 2003), pp. 112–14 (ill. on cover).
Schmerler, Sarah. “Be Our Guest.” Time Out: New York 404 (June 26–July 2, 2003), p. 59.
Smith, Roberta. “In the Galleries a Grand Finale of Group Show Fireworks.” The New York Times – Weekend Arts (July 18, 2003).
Smith, Rupert. “Destiny’s Children.” The Guardian, London (September 26, 2003).
2002
De Cecco, Emanuela. “El círculo se cierra y gira mejor.” Lapiz 183 (May 2002), pp. 56–65.
Maccarone, Michele. “Roberto Cuoghi.” Sherman 1 (Winter 2002–03), p. 27.
Maraniello, Gianfranco. “C’est un problème de temps, notes sur l’art italien d’aujourd’hui” / “All in Good Time: Notes on Italian Art Today.” Artpress 279 (May 2002), pp. 24–30.
Polveroni, Adriana. “Giovani, artisti e occupati: Radiografia di una generazione in corso d’opera.” Work: Art in Progress 4 (February–March 2002), pp. 6–14.
Maccarone, Michele. “Roberto Cuoghi.” Sherman 1 (Winter 2002–03), p. 27.
Maraniello, Gianfranco. “C’est un problème de temps, notes sur l’art italien d’aujourd’hui” / “All in Good Time: Notes on Italian Art Today.” Artpress 279 (May 2002), pp. 24–30.
Polveroni, Adriana. “Giovani, artisti e occupati: Radiografia di una generazione in corso d’opera.” Work: Art in Progress 4 (February–March 2002), pp. 6–14.
2001
Cuoghi, Roberto. Lolabrigida (Summer 2001), pp. 96–97 (ill. on cover).
“La Fabbrica del vapore.” Tema celeste 84 (March–April 2001).
“La Fabbrica del vapore.” Tema celeste 84 (March–April 2001).
2000
Gioni, Massimiliano. “Mistakes, Mis-shapes.” Flash Art International 211 (March–April 2000), pp. 63–64.
Hoffmann, Jens. “Roberto Cuoghi.” Flash Art International 214 (October 2000), p. 92.
Hoffmann, Jens. “Roberto Cuoghi.” Flash Art International 214 (October 2000), p. 92.
1999
De Cecco, Emanuela. “Roberto Cuoghi: Il coccodeista.” Cross 3 (1999), pp. 124–30.
Romano, Gianni. “Italian Holiday.” Artnet.com (December 1999). Available online: https://www.artnet.com/magazine_pre2000/reviews/romano/romano12-14-99.asp.
Tolosano, Elisabetta. “Guarene Arte.” Flash Art 218 (October–November 1999), p. 118.
Romano, Gianni. “Italian Holiday.” Artnet.com (December 1999). Available online: https://www.artnet.com/magazine_pre2000/reviews/romano/romano12-14-99.asp.
Tolosano, Elisabetta. “Guarene Arte.” Flash Art 218 (October–November 1999), p. 118.
1998
Maraniello, Gianfranco. “Visual Rave.” Flash Art 208 (February–March 1998), p. 121.
Molinari, Guido. “Roberto Cuoghi/Alberta Pellacani.” Flash Art 209 (April–May 1998), p. 140.
Verzotti, Giorgio. “The New School from Milan.” Artforum (Summer 1998), pp. 49–54.
Molinari, Guido. “Roberto Cuoghi/Alberta Pellacani.” Flash Art 209 (April–May 1998), p. 140.
Verzotti, Giorgio. “The New School from Milan.” Artforum (Summer 1998), pp. 49–54.
