The Estate of Lee Lozano

Lee Lozano’s paintings are admired for their energy, daring physicality and tirelessness in investigating the body and issues of gender. Although lauded by Lucy Lippard in 1995 as the foremost female conceptual artist of her time, Lozano had disengaged herself from the New York art world completely by the early 1970s. She left behind a body of work of striking formal breadth and complexity.

Lozano fought to consolidate her artistic self in a realm void of systems, rules, and group consciousness. She pursued a wholly independent solo studio practice, which culminated in her rejection of the New York art world and a boycott of women. She first refused to attend public art world functions and withdrew from exhibitions, finally relocating to Dallas, Texas. ‘By refusing to speak to women,’ says Helen Molesworth, Chief Curator of LA MOCA, ‘she exposed the systematic and ruthless division of the world into categories of men and women. By refusing to speak to women as an artwork, she also refused the demand of capitalism for the constant production of private property… The strategy of rejection is a powerful one.’

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Lee Lozano


Print Biography
Newark NJ, 1930

Studied at University of Chicago IL, BA, 1951
Studied at Art Institute of Chicago IL, BFA, 1960

Dallas TX, 1999

Selected Solo Exhibitions

Bourse de Commerce – Pinault Collection, 'Lee Lozano. Strike', Paris, France (Travelling Exhibition)
Pinacoteca Agnelli, 'Lee Lozano. Strike', Turin, Italy (Travelling Exhibition)
Kunstforeningen Gl Strand, 'Lee Lozano. The Ultimate Metaphor is a Mirror', Copenhagen, Denmark
Hauser & Wirth, 'Lee Lozano. ALL VERBS', New York NY
Karma, 'Lee Lozano. Drawings 1958-64', New York NY
Hauser & Wirth Somerset, 'Lee Lozano', Bruton, UK
Fruitmarket Gallery, 'Lee Lozano: Slip, Slide, Splice', Edinburgh, UK
Museo Nacional Centro de Arte Reina Sofía, 'Lee Lozano', Madrid, Spain
Hauser & Wirth, 'Lee Lozano – c. 1962', London, UK
Karma Gallery, 'Lee Lozano – c. 1962', New York NY
Hauser & Wirth, 'Lee Lozano: Drawings & Paintings', New York NY
Hauser & Wirth, 'Lee Lozano: Tools', New York NY
Ratio 3, 'Lee Lozano: Notebooks 1967-1970', San Francisco CA
Moderna Museet, 'Lee Lozano: Retrospective', Stockholm, Sweden
Hauser & Wirth, 'Lee Lozano', Zurich, Switzerland
Hauser & Wirth, 'No Title: 1969', London, UK
Van Abbemuseum, 'Lee Lozano. WIN FIRST DONT LAST WIN LAST DONT CARE', Eindhoven, Netherlands (Travelling Exhibition)
Kunsthalle Basel, 'Win first dont last/Win last dont care', Basel, Switzerland (Travelling Exhibition)
Kunsthalle Wien, 'Dorothy Iannone und Lee Lozano', Vienna, Austria (Travelling Exhibition)
Studio B, 'Lee Lozano: Work on paper from the 1960's', Los Angeles CA
MoMA PS1, 'Lee Lozano: Drawn from Life 1961-1971', New York NY
871 Fine Arts, 'Lee Lozano: paintings and drawings', San Francisco CA
Büro Friedrich, 'Language Pieces', Berlin, Germany
Van Liere Fine Arts, 'A wave painting and some drawings', New York NY
Wadsworth Atheneum, 'Lee Lozano/Matrix: 135', Hartford CT
Mitchell Algus Gallery, 'Early 60s', New York NY
Rosen & van Liere, 'Tool Paintings', New York NY
Margarete Roeder Gallery, 'Minimalism', New York NY
Rosen & van Liere, New York NY
Weatherspoon Art Gallery, University of North Carolina, 'Lee Lozano: the Sixties', Greensboro NC
Nova Scotia College of Art & Design, 'Lee Lozano: Infofiction', Halifax CA
Lisson Gallery, 'Infofiction II', London, UK
Whitney Museum of American Art, New York NY
Galerie Ricke, Cologne, Germany
Bianchini Gallery, New York NY
The New Gallery, Bennington College, Bennington VT
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Selected Group Exhibitions

NEST, ZHdK Zürcher Hochschule der Künste, 'Lee Lozano – Paul McCarthy', Zurich, Switzerland
The Wattis Institute, 'Drum Listens to Heart. Part I', San Francisco CA
Hauser & Wirth, 'Seventy Years of The Second Sex. A Conversation between Works and Words', cur. Dr Sophie Berrebi, Zurich, Switzerland
White Cube, 'Sweet Lust', Paris, France
Hauser & Wirth, 'Bodily Abstractions / Fragmented Anatomies', Monaco
New Britain Museum of American Art, 'String, Steel, Spit Bite: Selections from the LeWitt Collection', New Britain CT
Hauser & Wirth, 'Drawing On The Mind. Curated by Zhang Enli', Central, Hong Kong
KW Institute for Contemporary Art, 'Zeros and Ones' , Berlin, Germany
Fondazione Prada, 'Stop Painting', Venice, Italy
MMK Museum für Moderne Kunst, 'Sammlung', Frankfurt am Main, Germany
Kunstmuseum Wolfsburg, 'In aller Munde. Von Pieter Bruegel bis Cindy Sherman', Wolfsburg, Germany
nGbK neue Gesellschaft für bildende Kunst, 'Radikale Passivität: Politiken des Fleisches', Berlin, Germany
Van Abbemuseum, 'Yael Davids: A Daily Practice', Eidhoven, Netherlands
Blum & Poe, 'New Images of Man', cur. Alison M. Gingeras, Los Angeles CA
Punta della Dogana, François Pinault Foundation, 'Untitled, 2020', François Pinault Foundation, cur. Caroline Bourgeois, Muna El Fituri and Thomas Houseago, Venice, Italy
K21 Kunstsammlung Nordrhein-Westfalen, 'I’M NOT A NICE GIRL!', cur. Isabelle Malz, Dusseldorf, Germany
Hauser & Wirth Somerset, 'Unconscious Landscape. Works from the Ursula Hauser Collection', Bruton, UK
Hauser & Wirth, 'Material Actions', St. Moritz, Switzerland
The Museum of Contemporary Art, 'Open House. Elliott Hundley', Los Angeles CA
CPG Centre de la Photographie Genève, 'OSMOSCOSMOS', Geneva, Switzerland
Punta della Dogana, François Pinault Foundation, 'Luogo e Segni', Venice, Italy
Schinkel Pavillon e.V., 'Straying from the line', Berlin, Germany
Mimosa House, 'Do you keep thinking there must be another way', London, UK
Weatherspoon Art Museum, '1960s: A Survey of the Decade', Greensboro NC
Misako & Rosen, 'Happy Mind – Natural High', Tokyo, Japan
Schloss Derneburg Museum, Hall Art Foundation, 'Für Barbara', cur. Leo Koenig, Derneburg, Germany
Greene Naftali Gallery, 'Walking Point', New York NY
Celaya Brothers Gallery, 'Postcards from America', Mexico City, Mexico
Peter Freeman Inc., 'Deadeye Dick: Richard Bellamy and His Circle', New York NY
National Gallery of Victoria, 'Masterworks from MoMA: Melbourne Winter Masterpieces 2018', Melbourne, Australia
Pilar Corrias, 'Adult Swim', London, UK
Galerie Thaddaeus Ropac, 'Minimal Art from the Marzona Collection', London, UK
The British Museum, 'The American Dream: Pop to the Present', London, UK
Mitchell Algus Gallery, 'Works on Paper: 1813-2016', New York NY
Los Angeles County Museum of Art, 'Los Angeles to New York: Dwan Gallery' , Los Angeles CA
The Met Breuer, 'Delirious: Art at the Limits of Reason, 1950-1980', New York NY
National Gallery of Art, 'Los Angeles to New York: Dwan Gallery, 1959-1971', Washington DC
Transmission, 'Don't Tread on Me', Glasgow, UK
Galerie Patrick Seguin, 'Olympia', Paris, France
Kaufmann Repetto, 'Outrageous Acts and Everyday Rebellions', Milan, Italy
Karma, 'Landscape I', Amagansett NY
Grey Art Gallery, New York University, 'Inventing Downtown', New York NY
LWL Museum für Kunst und Kultur, 'Homosexualitäten', Munster, Germany
Miguel Abreu Gallery, 'In Place Of', New York NY
Site 131, 'Dropout: Regarding Lee Lozano', Dallas TX
Centre Pompidou Metz, 'An Imagined Museum', Metz, France
MMK Museum für Moderne Kunst, 'An Imagined Museum', Frankfurt am Main, Germany
mumok Museum Moderner Kunst Stiftung Ludwig Wien, 'Painting 2.0: Expression in the Information Age', Vienna, Austria
Deutsches Historisches Museum, 'HOMOSEXUALITÄT_EN / HOMOSEXUALITY_IES', Berlin, Germany
Tate Liverpool, 'An Imagined Museum', Liverpool, UK
Ballroom Marfa, 'Äppärät', Marfa TX
Kunsthalle Bergen, 'Gestures of Disappearance', Bergen, Norway
David Kordansky Gallery, 'Flat World', Los Angeles CA
Whitney Museum of American Art, 'America Is Hard to See', New York NY
Kunsthaus Zürich, 'Sense (Un)Certainty: A Private Collection', Zurich, Switzerland
Villa Merkel, Galerien der Stadt Esslingen, 'Better than de Kooning', Esslingen, Germany
Bergen Kunsthall, 'Gestures of Disappearance', Bergen, Norway
Museum Brandhorst, 'Painting 2.0: Expression in the Information Age', Munich, Germany
Villa Merkel, 'Better Than de Kooning', Esslingen, Germany
CAM St. Louis, 'Occupational Therapy', St. Louis MO
Palazzo Reale, 'The Great Mother', Milan, Italy
Punta della Dogana, François Pinault Foundation, 'Slip of the Tongue', Venice, Italy
White Columns, 'White Columns Annual', New York NY
Petzel Gallery, 'A Machinery for Living', New York NY
Gucci Museo, 'Feminilitá Radicale', Florence, Italy
Ancient & Modern, 'Jan Pleitner', London, UK
Gebert Foundation, '69 / 96', Rapperswil, Switzerland
SKUC Gallery, 'To melt, trustingly, without reproach', Ljubljana, Slovenia
Kunstverein für die Rheinlande und Westfalen, 'Das Beste vom Besten. Vom riskanten Geschäft der Kunst', Dusseldorf, Germany
Badischer Kunstverein, 'Continental Drift. Conceptual Art in Canada: The 1960s and 70s', Karlsruhe, Germany
Henry Art Gallery, University of Washington, 'Now Here is also Nowhere', Seattle WA
The Box Gallery, 'Painting', Los Angeles CA
The Whitney Museum, 'Sinister Pop', New York NY
Vancouver Gallery, 'Traffic: Conceptual Art in Canada 1965-1980', Vancouver, Canada
Seventeen Gallery, 'A Plea For Tenderness', London, UK
Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, 'Materializing "Six Years": Lucy R. Lippard and the Emergence of Conceptual Art', New York NY
Parra & Romero, 'Ventajas de Viajar en Tren', Madrid, Spain
White Flag Projects, 'Day of the locust', St. Louis MO
MOCA Museum of Contemporary Art, 'The Personal is Political: Women Artists from the Collection', Los Angeles CA
Van Abbemuseum, 'The Collectors Show', Eindhoven, Netherlands
MMK Museum für Moderne Kunst, 'MMK 1991-2011. 20 Years of Presence', Frankfurt am Main, Germany
David Zwirner, 'Proofs and Refutations', New York NY
Tufts University Art Gallery, 'Seductive Subversion: Woman Pop Artists 1958-1968', Medford MA
Museum of Contemporary Art, 'Barely There. Part II', Detroit MI
Walker Art Center, 'Absentee Landlord', Minneapolis MN
David Reed Studio, 'Working drawings', New York NY
The Jewish Museum New York, 'Shifting the Gaze: Painting and Feminism', New York NY
Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, 'Seductive Subversion: Woman Pop Artists 1958-1968', New York NY
Haus der Kunst, 'less is more. Pictures, Objects, Concepts from the Collection and Archive of Herman and Nicole Daled. 1968-1978', Munich, Germany
Overduin and Kite, 'Joint Dialogue. Lozano / Graham / Kaltenbach', Los Angeles CA
The University of the Arts, 'Beyond the Surface: Women in Pop Art 1958-1968', Philadelphia PA
Institut Valencià d’Art Modern, 'Compass in hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection', Valencia, Spain
Contemporary Art Gallery, 'Face Up', Vancouver, Canada
MoMA PS1, New York NY
MoMA Museum of Modern Art, 'Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection', New York NY
MARRES Centre for Contemporary Art, 'Depression', Maastricht, Netherlands
Jack Shainman Gallery, 'Works on View', New York NY
Seattle Art Museum, 'Target Practice: Painting Under Attack 1949-1978', Seattle WA
Palazzo Grassi / Punta della Dogana, François Pinault Foundation, 'Mapping the Studio: Artists from the François Pinault Collection', Venice, Italy
mumok Museum moderner Kunst Stiftung Ludwig Wien, 'Mind Expanders', Vienna, Austria
Ludwig Forum, 'Pop-Up!', Aachen, Germany
MMK Museum für Moderne Kunst, 'Yellow and Green: Positions from the collection of the MMK', Frankfurt, Germany
Michele Maccarone and Gavin Brown, 'Pretty / Ugly', New York NY
The Office for Contemporary Art Norway, 'Whatever Happened to Sex in Scandinavia', Oslo, Norway
Zacheta National Gallery of Art, 'Revolutions 1968', Warsaw, Poland
Wexner Center for the Arts, 'Solitaire: Lee Lozano, Sylvia Plimack Mangold and Joan Semmel', Columbus OH (Travelling Exhibition)
Wadsworth Atheneum Museum of Art, 'Solitaire: Lee Lozano, Sylvia Plimack Mangold and Joan Semmel', Hartford CT (Travelling Exhibition)
MoMA PS1, 'WACK! Art and the Feminist Revolution, 1965-1980', New York NY (Travelling Exhibition)
Vancouver Art Gallery, 'WACK! Art and the Feminist Revolution, 1965-1980', Vancouver, Canada (Travelling Exhibition)
ZKM Zentrum für Kunst und Medien, 'High Times, Hard Times. New York Painting 1967-1975', Karlsruhe, Germany (Travelling Exhibition)
Galerie Thomas Flor, 'Short Distance To Now', Dusseldorf, Germany
Fellows of Contemporary Art, 'StoneFace I', Los Angeles CA
Davis Museum and Cultural Center, Wellesley College, 'Don't Look. Contemporary Drawings from an Alumna's Collection (Martina Yamin), Class of 1958', Wellesley MA
David Zwirner, 'A Point in Space is a Place for an Argument', New York NY
MoMA Museum of Modern Art, 'What is Painting? Contemporary Art from the Collection', New York NY
MMK Museum für Moderne Kunst, 'Das Kapital', Frankfurt, Germany
documenta, 'documenta 12', Kassel, Germany
Gagosian Gallery, 'Beneath the Underdog', New York NY
Rowley Kennerk Gallery, 'Sam Durant, Robert Heinecken, Lee Lozano, Cady Noland and Richard Prince', Chicago IL
MOCA Museum of Contemporary Art, 'WACK! Art and the Feminist Revolution, 1965-1980', Los Angeles CA (Travelling Exhibition)
National Museum of Women in the Arts, 'WACK! Art and the Feminist Revolution, 1965-1980', Washington DC (Travelling Exhibition)
Ronald Feldman Fine Arts, 'Mixed Signals', New York NY
MACRO Museo d'Arte Contemporanea Roma, 'Into Me / Out of Me', Rome, Italy (Travelling Exhibition)
The National Academy Museum of Fine Arts, 'High Times, Hard Times. New York Painting 1967-1975', New York NY (Travelling Exhibition)
Museo Tamayo Arte Contemporaneo, 'High Times, Hard Times. New York Painting 1967-1975', Mexico City, Mexico (Travelling Exhibition)
Neue Galerie am Landesmuseum Joanneum, 'High Times, Hard Times. New York Painting 1967-1975', Graz, Austria (Travelling Exhibition)
mumok Museum Moderner Kunst Stiftung Ludwig Wien, 'Konzept. Aktion. Sprache', Vienna, Austria
KW Institute for Contemporary Art, 'Into Me / Out of Me', Berlin, Germany (Travelling Exhibition)
MoMA PS1, 'Into Me / Out of Me', New York NY (Travelling Exhibition)
Daniel Weinberg Gallery, 'BLOCK PARTY: An Exhibition of Drawings', Los Angeles CA
Tang Art Museum, Skidmore College, 'Twice Drawn', Saratoga Springs NY
Solo Projects Studio B, 'Nineteen Sixty-Eight', Los Angeles CA
Mitchell Algus Gallery, 'Exquisite Corpse – Cadavre Exquis: a game played between Mitchell Algus and Bob Nickas', New York NY
Greene Naftali Gallery, 'Motore Immobile', New York NY
Weatherspoon Art Museum, 'High Times, Hard Times. New York Painting 1967-1975', Greensboro NC (Travelling Exhibition)
American University Museum at the Katzen Arts Center, 'High Times, Hard Times. New York Painting 1967-1975', Washington DC (Travelling Exhibition)
Andrea Rosen Gallery, 'Looking at Words. The Formal Presence of Text in Modern and Contemporary Works on Paper', New York NY
Kunstmuseum St. Gallen, 'Sweet Temptations. Dialoge mit der Sammlung Rolf Ricke', St. Gallen, Switzerland
MoMA Museum of Modern Art, 'Drawing from the Modern, 1945-1975', New York NY
MoMA PS1, 'Collection (or How I Spent a Year)', New York NY
mumok Museum Moderner Kunst Stiftung Ludwig Wien, 'Kurze Karrieren', Vienna, Austria
Dinter Fine Arts, 'Word of Mouth. A Selection: Part I', New York NY
Des Moines Art Center, 'Work Ethic', Des Moines IA (Travelling Exhibition)
Wexner Center for the Arts, 'Work Ethic', Columbus OH (Travelling Exhibition)
Margarete Roeder Gallery, 'Drawings, drawings, drawings', New York NY
Daniel Reich Gallery, 'Karaoke Death Machine', New York NY
Kunstraum Innsbruck, 'Chocolate, what else: The Rolfe Ricke Collection', Innsbruck, Austria
Jack S. Blanton Museum of Art, University of Texas, 'Transgressive Women: Yayoi Kusama, Lee Lozano, Ana Mendieta and Joan Semmel', Austin TX
Andrew Kreps Gallery, 'I can't be you', New York NY
Baltimore Museum of Art, 'Work Ethic', Baltimore MD (Travelling Exhibition)
Galerie der Hochschule für Grafik und Design, HGB Hochschule für Grafik und Design, 'Kunst verlassen', Leipzig, Germany
Neues Museum Nürnberg, 'Einfach Kunst: Sammlung Rolf Ricke', Nuremberg, Germany
Carpenter Center for the Visual Art & Fogg Museum, Harvard University, 'Extreme Connoisseurship', Cambridge MA
Wadsworth Atheneum, 'Non-composition: 15 case studies', Hartford CT
Daniel Reich Gallery, 'Miss World 1972', New York NY
Contemporary Arts Museum, 'Afterimage', Houston TX
Moderna Galerija Ljubljana, 'Worthless (Invaluable)', Ljubljana, Slovenia
Margarete Roeder Gallery, 'Painting of the Sixties and Seventies', New York NY
Museum of Contemporary Art, 'Afterimage: Drawing Through Process', Los Angeles CA
Queens Museum, 'Global Conceptualism: Points of Origin 1950s-1980s', New York NY
Ubu Gallery, 'The Sixties in the Seventies', New York NY
Margarete Roeder Gallery, New York NY
Lawrence Markley, 'Graphite: Lee Bontecou, Helmut Federle, Lee Lozano, Robert Moskowitz, Cary Smith, Myron Stout, Robert Therrien', New York NY
Grey Art Gallery, New York University, '1969: a Year Revisited', New York NY
Weatherspoon Art Gallery, University of North Carolina, 'Art on Paper', Greensboro NC
P.S. 1 Contemporary Art Center, 'Abstract Art: 1960-1969', New York NY
Suermondt-Ludwig-Museum, Aachen, Germany
Neue Galerie im alten Kurhaus, 'Klischee + Antiklischee: Bildformen der Gegenwart', Aachen, Germany
Reese Palley Gallery, 'Some New York Painting', San Francisco CA
Galerie Ricke, 'Bilder, Skulpturen, Objekte & Zeichnungen', Cologne, Germany
Paula Cooper Gallery, 'Drawings', New York NY
University Arts Museum, The University of Texas, 'Art and Things: Painting in the Sixties from the Michener Collection', Austin TX
Dwan Gallery, 'Language III', New York NY
Paula Cooper Gallery, 'Number 7', New York NY
New York Shakespeare Festival, Public Theatre, 'Art / Peace Event', New York NY
Corcoran Gallery, '31st Biennial Exhibition', Washington DC
Galerie Ricke, Cologne, Germany
Watson Gallery, Wheaton College, '8 Painters', Norton MA
Art Resources Center / Whitney Museum of American Art, 'Drawings', New York NY
The Contemporary Art Center, 'Gordon, Lozano, Ryman & Stanley', Cincinnati OH
Old Dominion College, 'Contemporary Paintings from the Michener Foundation Collection', Norfolk VA
Noah Goldowsky & Richard Bellamy, 'From Arp to Artschwager Show, I', New York NY
Bianchini Gallery, New York NY
The Lannis Museum of Normal Art, 'Normal Art', New York NY
Allentown Art Museum, 'New Acquisitions 1963-1966: The James A. Michener Foundation Collection', Allentown PA
Green Gallery, New York NY
Sheldon Art Gallery, University of Nebraska, '74th Annual Exhibit', Lincoln NE
Green Gallery, New York NY
Van Bovenkamp Gallery, 'Contemporary Erotica', New York NY
Davison Art Center, Wesleyan University, 'The New Art', Middletown CA
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Applin, Jo, 'Lee Lozano: Not Working', London: Yale University Press, 2018, ill.
Bradley, Fiona (ed.), 'Lee Lozano. Slip Slide Splice', Edinburgh: Fruitmarket Gallery, 2018, ill. (exh. cat.)
McLean, Elizabeth (ed.), 'Lee Lozano. Language Pieces', Edinburgh: The Fruitmarket Gallery, Zurich: Hauser & Wirth Publishers, 2018, ill.
Molesworth, Helen, Nickas, Bob, 'Lozano c. 1962', New York: Karma, 2017, ill.
Velázquez, Teresa, Applin, Jo, 'Lee Lozano. Forzar la máquina', Madrid: Museo Nacional Centro de Arte Reina Sofia, 2017, ill. (exh. cat.)
Lehrer-Graiwer, Sarah, 'Lee Lozano. Dropout Piece', London: Afterall Books, 2014, ill.
Folie, Sabine, 'Lozano Tools', New York: An Art Service, 2011, ill.
Müller-Westermann, Iris (ed.), 'Lee Lozano', Ostfildern: Hatje Cantz, 2010, ill. (exh. cat.)
Szymczyk, Adam, 'Lee Lozano. Win first don't last. Win last don't care', Basel: Schwabe, 2006, ill. (exh. cat.)
Rosen, Barry, van Liere, Jaap, Timpanelli, Gioia, 'Lee Lozano. Drawings. Which One Are You?', New Haven: Yale University Press, 2006, ill.
Folie, Sabine, Matt, Gerald, Kunsthalle Wien (eds.), 'Lee Lozano. Seek the extremes...', Nuremberg: Verlag für moderne Kunst Nürnberg, 2006, ill. (exh. cat.)
Rondeau, James, (ed.), 'Lee Lozano / MATRIX 135', Hartford: Wadsworth Atheneum, 1998, ill. (exh. cat.)
Kinmont, Ben (ed.), 'Project Series: Lee Lozano', New York: Agency, 1998
Carpenter, Gilbert F., Lawing, Eric, Mullins, K. T., 'Lee Lozano: the Sixties', Greensboro: Weatherspoon Art Gallery, 1988 (exh. brochure)
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Artist's Books & Writings

Lozano, Lee, 'Private Book 7' [1970, ed. 1972], New York: Karma Publishing, 2019
Lozano, Lee, 'Private Book 6' [1970, ed. 1972], New York: Karma Publishing, 2019
Lozano, Lee, 'Private Book 5' [1969-1970, ed. 1972], New York: Karma Publishing, 2018
Lozano, Lee, 'Private Book 4' [1969, ed. 1972], New York: Karma Publishing, 2018
Lozano, Lee, 'Private Book 3' [1969-1970, ed. 1972], New York: Karma Publishing, 2018
Lozano, Lee, 'Private Book 2' [1969, ed. 1972], New York: Karma Publishing, 2017
Lozano, Lee, 'Private Book 1' [1968-1969, ed. 1972], New York: Karma Publishing, 2016
Lozano, Lee, 'Lee Lozano: Notebooks 1967-70', New York: Primary Information, 2009
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Morrill, Rebecca, Hunegs, Simon, Murphy, Maia (eds.), 'Great Women Painters', London: Phaidon, 2022, p. 184, ill.
Kushner, Rachel, 'Harte Leute', Hamburg: Rowohlt Verlag, 2022, p. 155, ill.
Römer, Stefan, 'DeConceptualize – Zur Dekonstruktion des Konzeptuellen in Kunst, Film, Musik', Berlin: Hatje Cantz, 2022, p. 135, ill.
Fogle, Douglas, Skerath, Hanneke (eds.), 'Making Strange. The Chara Schreyer Collection', New York: DelMonico Books, 2021, p. 170, ill.
Garcia, Dora (ed.), 'If I Could Wish for Something. A Book of Visual and Text Essays', Oslo: Fotogalleriet, Aalst: Netwerk Aalst, 2021, p. 205, ill.
Beitin, Andreas, Böhme, Hartmut, Bredekamp, Horst (et al.), 'In Aller Munde. Das Orale in Kunst und Kultur', Berlin: Hatje Cantz, 2020, ill.
Gaensheimer, Susanne, Malz, Isabelle (eds.), 'I’m not a Nice Girl! Eleanor Antin, Lee Lozano, Adrian Piper, Mierle Laderman Ukeles', Dusseldorf: Kunstsammlung Nordrhein-Westfalen, 2020, ill. (exh. cat.)
Bethenod, Martin (ed.), 'Luogo e segni', Venice: Marsilio Editori, 2019, ill. (exh. cat.)
Bader, Joerg (ed.), '50JPG OSMOCOSMOS', Geneva: Centre de la photographie Genève, 2019, ill. (exh. cat.)
Cras, Sophie, 'The Artist as Economist. Art and Capitalism in the 1960s', New Haven: Yale University Press, 2019, ill.
Deitch, Jeffrey, Gingeras, Alison, Dean, Aria (et al.), 'Unrealism. New Figurative Painting', New York: Rizzoli Electa, 2019, ill.
Birnbaum, Daniel, Noring, Ann-Sofing (eds.), 'Moderna Museet. The Collection', London: König Books, Stockholm: Moderna Museet, 2018, pp. 148-149, ill.
Cras, Sophie, 'L'économie à l'épreuve de l'art. Art et capitalisme dans les années 1960', Paris: Les Presses du Réel, 2018, ill.
Friedman, Samantha, Kinchin, Juliet (et al.), 'MoMA at NGV', Melbourne: National Gallery of Australia, 2018, ill. (exh. cat.)
Schaar, Elisa, Prasad, Prerona (eds.), 'Do I Have to Draw You a Picture?', Cambridge: Downing College, 2018, ill. (exh. cat.)
Bradnock, Lucy, Baum, Kelly (et al.), 'Delirious. Art at the Limit of Reason 1950-1980', New York: The Metropolitan Museum of Art, 2017, ill. (exh. cat.)
Doyle, Oona, Franklin, Paul B. (eds.), 'Minimal Art from the Marzona Collection', London: Galerie Thaddeous Ropac, 2017, ill. (exh. cat.)
Ayas, Define, Kleinman, Adam (ed.), 'WdW Review: Arts, Culture, and Journalism in Revolt, Vol. 1 (2013-2016)', Rotterdam: Witte de With Center for Contemporary Art, 2017, p. 242, ill.
Carroll, Alisa, 'Art House. The Collaboration of Chara Schreyer and Gary Hutton', New York: Assouline, 2016, pp. 74-75, 94, 220, ill.
Stein, Judith, 'Eye of the Sixties. Richard Bellamy and the Transformation of Modern Art', New York: fsg books, 2016, p. 203, ill.
Allen, Gwen (ed.), 'The Magazine' [Whitechapel: Documents of Contemporary Art Series], Cambridge: The MIT Press, London: Whitechapel Gallery, 2016, p. 28, ill.
Ammer, Manuela, Hochdörfer, Achim, Joselit, David (eds.), 'Painting 2.0. Expression in the Information Age. Gesture and Spectacle. Eccentric Figuration. Social Networks', Munich: Prestel, 2015, pp. 88-89, 132-134, ill. (exh. cat.)
Nisbet, James, 'Ecologies, Environments, and Energy Systems in the Art of the 1960s and 1970s', Cambridge: The MIT Press, 2014, pp. 197-201, ill.
Stout, Katharine, 'Contemporary Drawing. From the 1960s to Now', London: Tate Publishing, 2014, p. 58, ill.
Kittelmann, Udo, Jäger, Joachim, Scholz, Dieter (eds.), 'Die Sammlung der Nationalgalerie 1945-1968. Der geteilte Himmel', Berlin: Distanz Verlag, 2013, ill. (exh. cat.)
Unterdörfer, Michaela (ed.), 'Hauser & Wirth. 20 Years', Ostfildern: Hatje Cantz, 2013, ill.
Stein, Loris (ed.), 'The Paris Review', New York: The Paris Review Foundation, 2012, p. 206, ill.
Catherine, Morris, Vincent, Bonin (ed.), 'Materializing Six Years. Lucy R. Lippard and the Emergence of Conceptual Art', New York: Brooklyn Museum, 2012, pp. 158-159, pp. 50-51, ill. (exh. cat.)
Berry, Ian, Shear, Jack (eds.), 'Twice Drawn. Modern and Contemporary Drawings in Context', Munich: Prestel, pp. 86-88, 186-187, ill.
Bernardi, Donatella, Etienne, Noémie (eds.), 'Standing on the Beach with a Gun in my Hand', Geneva: Labor et Fides, 2011, pp. 46-49, ill. (exh. cat.)
Allen, Gwen (ed.), 'Artists’ Magazines. An Alternative Space for Art', Cambridge: The MIT Press, pp. 13-41, ill.
Pirano, Michelle, 'Target Practice: Painting Under Attack 1949-78', Seattle: Seattle Art Museum, pp. 33, 81, ill.
Gingeras, Alison M., Bonami, Francesco (eds.), 'Mapping the studio. Artists from the François Pinault Collection', Milan: Electa, 2009, pp. 220-221, 302-303, ill.
Molesworth, Helen (ed.), 'Solitaire: Lee Lozano, Sylvia Plimack Mangold, Joan Semmel', Columbus: Wexner Center for the Arts, 2008, ill.
Meyer-Stoll, Christiane, 'Sammlung Rolf Ricke. Ein Zeitdokument', Ostfildern: Hatje Cantz, 2008, pp. 259-260, 340, ill.
Mark, Lisa Gabrielle, Hamilton, Elizabeth (eds.), 'WACK! Art and the feminist Revolution', London: MIT Press, Los Angeles: MoCA Museum of Contemporary Art, 2007, ill. (exh. cat.)
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Wach, Alexandra, 'Lee Lozano in der Pinacoteca Agnelli. Der Ausstieg gilt heute als ihr grösstes Werk', on:, 29 March 2023, ill.
Blythe, Finn, 'Lee Lozano, the Cult Conceptual Painter Who Left the Art World Forever', on:, 23 March 2023, ill.
Wach, Alexandra, 'Lee Lozano in Turin. Die mit dem Hammer malte', on:, 21 March 2023, ill.
Chiono, Elisabetta, 'Lee Lozano per la prima volta in Italia alla Pinacoteca Agnelli', on:, March 2023, ill.
Giordano, Andrea, 'Lee Lozano, la rivoluzionaria dell'arte in mostra a Torino', on:, 13 March 2023, ill.
Valacchi, Maria Chiara, 'La storia di Lee Lozano in una grande retrospettiva alla Pinacoteca Agnelli di Torino', on:, 7 March 2023, ill.
Minucci, Emanuela, 'Ecco i dieci motivi per cui la mostra di Lee Lozano "Strike" deve essere vista', on:, 8 March 2023, ill.
Ruperti, Barbara, '"Galleggia oppure vola": Lee Lozano alla Pinacoteca Agnelli, Torino', on:, 13 March 2023, ill.
Harrison, Anya, ‘Lee Lozano. GL Strand’, in: Artforum, New York, vol. 61, no. 5, January 2023, pp. 150-151, ill.
Dillon, Noah, 'Lee Lozano. Hauser & Wirth, New York, USA', in: Frieze Magazine, London, no. 230, October 2022, p. 182, ill.
Ahm Krag, Ferdinand, 'Pseudo-phallus. Lee Lozano’s caustic cultural critique depicts the violent perversions on which American culture is founded', on:, 4 November 2022, ill.
Golus, Carrie, 'Radical Refusal', on:, Summer 2022, ill.
Dillon, Noah, 'Lee Lozano’s Subtle Verbs. "ALL VERBS" at Hauser & Wirth highlights more nuanced forms of action in the artist’s oeuvre', on:, 20 July 2022, ill.
Wood, Issy, 'Top Ten', in: Artforum, New York, May 2022, vol. 60, no. 9, pp. 81-82, ill.
D’Arcangelo Speculates, Christopher, 'Transcending the Art-Labor Dialectic in Post-Fiscal-Crisis New York', in: American Art, Chicago, vol. 36, no. 2, Spring 2022, pp. 91-109, ill.
Liberty, Megan N., 'Book Corner: Private Pages Made Public', in: Gagosian Quarterly, New York, Summer 2020, pp. 134-139, ill.
O’Grady, Megan, 'The Shadows', on:, 13 April 2020
Kennedy, Randy (ed.), 'Letters. Lee Lozano writes to Virginia Dwan with an apology and an astrological reading', in: Ursula, New York, vol. 2, no. 6, Spring 2020, pp. 14-15, ill.
Reinhardt, Von Anja, 'Grosse Künstlerin statt nettes Mädchen', on:, 20 January 2020
Brown, Kate, 'A Revealing New Exhibition in Germany Delves into the Archive of a Top Art Dealer from the 1960s to Show How Female Artists Were Kept Out', on:, 17 January 2020, ill.
Robert, Émilie, 'Au-delà de l’art, une existence conceptuelle: Lee Lozano et Stanley Brouwn', in: Nouvelle revue d’esthétique, Montpellier, vol. 2, no. 24, 2019, pp. 73-80
Khosla, Anjali, 'Lee Lozano', in: Gossamer Magazine, New York, vol. 3, July 2019, pp. 100-107, ill.
Duncan, Nigel (ed.), 'At the Fruitmarket Gallery – Lee Lozano', on:, 14 April 2018
Rappolt, Mark (ed.), 'Preview', in: Art Review, London, March 2018
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Colaizzi, Vittorio, 'On Formal Noodling: Invention and Determination in Recent Abstract Painting', in: ASAP Journal, Baltimore, January 2018, pp. 67-96, ill.
Barnard, Imelda, 'It's a record of my life, translated into art', on:, 17 March 2018
Weisburg, Madeline, 'Private Book 1-3 (Karma, 2017)', in: The Brooklyn Rain, New York, February 2018, p. 80
Petrossiants, Andreas, 'Inside and Outside: Cady Noland and the Violence of the Everyday', on:, 7 February 2018
Mansfield, Susan, 'Arts preview of 2018: Susan Mansfield and Duncan Macmillan on the year ahead in visual art', on:, 1 January 2018
Vilalta, Helena, 'Getting Real: Helena Vilalta on Lee Lozano at Museo Reina Sofia, Madrid', in: Texte zur Kunst, Berlin, December 2017, pp. 249-253
Dressen, Anne, 'Anne Dressen', in: Artforum, New York, December 2017, p. 148
Manatakis, Alexandra, 'Why we need absurdist art in uncertain times', on:, 10 November 2017
Kopel, Dana, 'Combining Histories: Alvaro Barrington', on:, November 2017
Rhodes, David, 'Deadeye Dick: Richard Bellamy and His Circle', on:, 2 November 2017
Fontaine, Claire, 'Artist's Favourites', in: Spike Art Quarterly, Vienna, Autumn 2017, pp. 42-45
Lebovici, Elisabeth. 'Madrid – Museo Nacional Centro de Arte Reina Sofia. Lee Lozano', in: Pinault Collection, Paris, no. 8, April/September 2017, pp. 58-67, ill.
Aron, Nina Renata, 'This radical artist ignored women for a project, but then kept up the boycott her whole life', on:, 29 September 2017
___, 'Deadeye Dick: Richard Bellamy and His Circle at Peter Freeman Inc, New York', on:, 19 September 2017
___, 'Lee Lozano at Museo Nacional Centro de Arte Reina Sofía', on:, 15 September 2017
Smith, Roberta, 'A Nervy Makeover for Post-War Art', in: The New York Times, New York, 15 September 2017, pp. 18-19
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Swirsky, Rebecca, 'Lee Lozano', in: Frieze, London, September 2017, p. 177
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___, 'The provocative and radical work of Lee Lozano at the Reina Sofía Museum', on:, 17 June 2017
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Cornwell, Jane, 'How Swiss design has moved on from cuckoo clocks', on:, 7 June 2017
Sadler, Victoria, 'Review: Ida Appleborg and Lee Lozano, Hauser & Wirth Female Artists Reexamined', on:, 31 May 2017, ill.
Moràn, Carmen, 'Las obsesiones fálicas de Lee Lozano llegan al Reina Sofía', on:, 30 May 2017
___, 'Lee Lozano: Pulling out the Stops', on:, 31 May 2017
Flores, García, Belén, Ana, 'The provocative energy of Lee Lozano', on:, 30 May 2017
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___, 'Lee Lozano's defiant and lascivious legacy takes over Reina Sofía', on:, 30 May 2017
Moran, Carmen, 'The phallic obsessions of Lee Lozano arrive at Reina Sofía', on:, 30 May 2017
Frankel, Eddy, 'Lee Lozano', in: Time Out London, London, 30 May 2017
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Sutphin, Eric, 'Lee Lozano', on:, 3 February 2017, ill.
Di Franco, Karen, 'Dropout Artist. Lee Lozano turned "not doing" into her final art project, one that endured until her death almost 30 years later. Two decades after that, her (in)action still speaks to the anxieties of the present', in: ArtReview, London, March 2017
Gotthardt, Alexxa, 'Escape Artists: Why These 7 Creatives Disappeared from the Art World', on:, 5 July 2016, ill.
___, 'Gemeentemuseum Den Haag acquires large painting by American artist Lee Lozano', on:, 2 May 2016, ill.
___, 'Jo Applin Wins $50,000 Mellor Prize for Research on Women Artists', on:, 8 October 2015, ill.
Cascone, Sarah, 'Jo Applin's Monograph on Art World Drop Out Lee Lozano Wins $ 50,000 Mellor Prize', on:, 8 October 2015, ill.
Weiss, Judith Elisabeth, 'Dropout als totale Revolution', in: Kunstforum, Cologne, pp. 68-71, ill.
Herbert, Martin, 'Maximum Withdrawl', in: Mousse, Milan, February 2015, pp. 141-151, ill.
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Spada, Sabina, 'Femminilità. Tra eros e sofferenza', in: Arte, Milan, April 2014, pp. 96-100, ill.
Myers-Szupinska, Julian, 'Artists and Workers', in: Mousse, Milan, October-November 2013, pp. 252-263, ill.
Place, Vanessa, 'The Frictionless Witness or Us, Keeping Us Real', in: Mousse, Milan, October-November 2013, pp. 246-249, ill.
Cras, Sophie, 'Art as Investment and Artistic Shareholding Experiments in the 1960s', in: American Art, Washington, vol. 27, no. 1, Spring 2013, pp. 3-23, ill.
Winant, Carmen, 'Materializing "Six Years"', in: Frieze, London, March 2013, p. 150, ill.
___, 'Materializing "Six Years"', in: Art News, New York, February 2013, p. 92. ill.
Russeth, Andrew, 'Odd Couple: Mitchell Algus and Amy Greenspon Are Showing – and, Yes, Selling – the Unknown, the Emergin, the Dead', on:, 29 May 2012
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Spears, Dorothy, 'Lee Lozano, Surely Defiant, Drops In', in: The New York Times, New York, 9 January 2011, p. 23, ill.
O'Neill-Butler, Lauren, 'Lee Lozano: Notebooks 1967-70', in: Art Journal, vol. 69, no. 4, 2010, p. 124
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___, 'Lee Lozano', in: Monopol, Berlin, March 2010, p. 116, ill.
E.S., 'Lee Lozano. Moderna Museet, Stockholm', in: The Art Newspaper, London, February 2010, ill.
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Tatley, Roger, 'Nachlässe', in: Monopol, Berlin, December 2009, p. 55
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Herbert, Martin, 'Whatever Happened to Sex in Scandinavia?', in: Frieze, London, pp. 153-54, ill.
Blom, Ina, 'Carnal Knowledge', in: ArtForum, New York, March 2009, pp. 111-112, ill.
Kalm, James, 'Brooklyn Dispatches', in: Brooklyn Rail, New York, March 2009, ill.
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___, 'Lee Lozano', in: Kunst Bulletin, Zurich, December 2008, ill.
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Kalm, James, 'Brooklyn Dispatches: Resurrection of a Bad-Ass Girl, Part I', in: The Brooklyn Rail, New York, November 2008, ill.
Sharp, Chris, 'The title of this show', in: Art Review, London, no. 26, October 2009, p. 166, ill.
Heiss, Alanna, 'The Principal of P.S.1', in: The Culture Pages, New York, May 2008, pp. 60-62, ill.
Schor, Gabriele, 'Eine Reise durch den Kosmos der Emanzipation', in: Neue Zürcher Zeitung, Zurich, 30 April 2008, p. 12
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Spiegler, Almuth, '"Mädchen-Kunst"?', in: Morgen, Vienna, April 2008, pp. 26-30, ill.
Siegel, Katy, 'Solitaire: Lee Lozano, Sylvia Plimack Mangold, Joan Semmel', in: Artforum, New York, no. 5, January 2008, p. 135
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___, 'A Point in Space is a Place for an Argument', in: The New York Times, New York, 6 August 2007, p. 13
___, 'Gesucht: Weiblich, wenig beachtet, tot', in: Monopol, Berlin, No. 8, August 1, 2007, p. 15, ill.
Smith, Roberta, 'A Point in Space is a Place for an Argument', in: The New York Times, New York, 20 July 2007, p. 29, ill.
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___, 'Listings: Best by Day', in: Time Out New York, New York, 5-11 July 2007, p. 84
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Mueller, Stephen, 'Quotidian and Engaging. David Zwirner group show of living and dead is July's best', in: Gay City News, New York, 12-18 July 2007, p. 17
Van der Heide, Door Bart, 'Tussenstops', in: Metropolis M, Utrecht, no. 3, June-July 2007, pp. 24-26, ill.
___, 'Lee Lozano', in: Time Out, London, 18 April 2007, p. 38, ill.
Lippard, Lucy, 'No Regrets', in: Art in America, New York, no. 6, June/July 2007, p. 75, ill.
Smith, Cherry, 'Lee Lozano: No Title, 1969', in: Art Review, New York, no. 12, June 2007, p. 148, ill.
Mummenhoff, Julia, 'White Angel, Double Killer', on:, 29 June 2007, ill.
Schwarze, Dirk, 'Radikale Positionen der Malerei. Wie die documenta 12 die Kunst präsentiert – Konfrontationen IV: Gerhard Richter und Lee Lozano', in: HNA, Kassel, 9 May 2007, ill.
Ward, Ossian, 'Lee Lozano. Hauser & Wirth West End', in: Time Out, London, 18-24 April 2007, p. 38, ill.
Sachs Samet, Jennifer, 'Rewriting Recent Art History', in: The Sun, New York, 6 February 2007
Bui, Pong, 'Katy Siegel and David Reed', in: The Brooklyn Rail, New York, February 2007
Sachs, Hinrich, 'Lee Lozano', in: De Witte Raaf, Brussel, no. 124, November-December 2006, p. 45
Lambrecht, Luk, 'Lee Lozano – Van Abbemuseum in Eindhoven', on:, Fall 2006, ill.
___, 'Lee Lozano in Van Abbemuseum', in: Weekblad voor Deurne, Deurne, 9 November 2006, p. 27, ill.
Schoonen, Rob, 'De wondere wereld van Lee Lozano', in: Eindhovens Dagblad, Eindhoven, 21 October 2006, p. 21, ill.
___, 'Lee Lozano gebruikt machokunst als pamflet', in: de Ingenieur, Amsterdam, 6 October 2006, p. 63, ill.
Kattenberg, Peter, 'Wat zij wil', in: Persoonlijk, Amsterdam, 14 October 2006, p. 22, ill.
Smallenburg, Sandra, 'Lily van der Stokker', in: NRC – M, Amsterdam, 31 August 2006, pp. 66-67, ill.
Schambelan, Elizabeth, 'Best of 2006 – Lee Lozano', in: Artforum, New York, vol. XLV, no. 4, December 2006, pp. 284-285, ill.
Sansom, Anna, 'Basel: Kunsthalle', in: Contemporary, London, no. 86, 2006, pp. 70-71, ill.
Donegan, Cheryl, 'All Weapons are Boomerangs', in: Modern Painters, London, October 2006, pp. 76-79, ill.
Vogel, Sabine B., 'Re View', in: Monopol, Berlin, no. 5, October/November 2006, pp. 132-133, ill.
Hafner, Hans-Jürgen, 'Lee Lozano', in: Kunstforum International, Ruppichteroth, vol. 182, October/November 2006, pp. 372-374, ill.
Hainley, Bruce, 'On E', in: Frieze, London, no. 102, October 2006, pp. 12, 242-247, ill.
Wahler, Olivier, 'Portfolio: Lee Lozano', in: Palais, Paris, Fall-Winter 2006, pp. 54-55, ill.
Saxenhuber, Hedwig, 'Suche die Extreme, dort spielt sich alles ab!', in: Springerin, Vienna, vol. XII, no. 4, Autumn 2006, pp. 36-39, ill.
Gebetsroither, Ines, 'Dorothy Iannone, Lee Lozano: Seek the Extremes…!', in: Spike, Vienna, Autumn 2006, p. 76, ill.
Buss, Esther, 'Art Dreamer', in: Texte zur Kunst, Berlin, no. 63, September 2006, pp. 217-220, ill.
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Ackermann, Tim, Borcherdt, Gesine, Hohmann, Silke, 'Die Guten, die Bösen und der etwas Banale', in: Monopol kompakt, Berlin, no. 1, Summer 2007, p. 16, ill.
Merkel, Klaus, 'Kaputt in Hollywood/Modernes Antiquariat', on:, 17 August 2006, ill.
G. M., 'Harte Bilder, radikale Künstlerin', in: NZZ am Sonntag, Zurich, 6 August 2006, p. 51, ill.
Vogel, Sabine B., 'Dorothy Iannone und Lee Lozano in der Kunsthalle Wien', in: Kunst-Bulletin, Zurich, no. 9, 2006, p. 73
Buss, Esther, 'In Wellen an den Rändern', in: Die Tageszeitung, Berlin, 22 July 2006, ill.
I. T., 'Basel Retrospektive für eine Rebellin', in: Schweizer Illustrierte, Zurich, p. 74, ill.
Benzer, Christa, 'Sex im Summer of Love', in: Der Standard, Vienna, 8-9 July 2006, p. 38, ill.
Borchardt-Binrbaumer, Brigitte, 'Reise in weibliche Extreme', in: Wiener Zeitung, Vienna, 7 July 2006
Heiser, Jörg, 'Gewinne zuletzt und dir ist's auch egal', in: Süddeutsche Zeitung, Munich, no. 154, 7 July 2006, p. 11, ill.
Smith, Roberta, 'In Basel. Contemporary Art Enjoys a Bounty of Friends', in: The New York Times, New York, 7 July 2006
___, 'Neues aus Museen und Kunsthallen', in: Informationsdienst Kunst, Regensburg, no. 355, 6 July 2006, p. 6
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Scharrer, Eva, 'Ohne Rücksicht auf Verluste', on:, 3 July 2006, p. 8, ill.
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___, 'All the fun of the art fair', in: The Irish Times, Dublin, 12 March 2005
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Perret, Mai-Thu, 'Lee Lozano', in: Metropolis M, Utrecht, no. 1, February-March 2005, pp. 98-100, ill.
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Morris, Catherine, 'No woman, no why', in: Time Out, New York, 26 February 2004, ill.
Kunitz, Daniel, 'A Determined Anti-Decorousness', in: The New York Sun, New York, 5 February 2004, ill.
Goddard, Donald, 'Lee Lozano: Drawn from Life, 1961-1971', in: New York Art World, New York NY, 2004
Reed, David, 'The Morning After: A Roundtable', in: Artforum, New York, vol. XLI, no. 7, March 2003, pp. 206-211, 267-270, ill.
Molesworth, Helen, 'Tune in, torn on, drop out: The Rejection of Lee Lozano', in: Art Journal, New York, Winter 2002, pp. 64-70
Lamm, April, 'Lee Lozano and Bik van der Pol', in: Frieze, London, no. 61, September 2001
Heidenreich, Stefan, 'Nichts gegessen', in: Frankfurter Allgemeine Zeitung, Frankfurt, 28 April 2001
Siegel, Katie, Reed, David, 'Making Waves', in: Artforum, New York, vol. XL, no. 2, October 2001, pp. 120-128, ill.
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Frank, Peter, 'Afterimage, defining eye', in: LA Weekly, Los Angeles, 13 August 1999
Vetrocq, Marcia, 'Conceptualism: An Expanded View', in: Art in America, New York, July 1999
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Wilonsky, Robert, 'The Dropout Piece', in: Dallas Observer, Dallas, 9-15 December 1999, pp. 35-50, ill.
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Rexer, Lyle, 'Long Live Loz', in: Review. The Critical State of Visual Art in New York, New York, 15 February 1998, pp. 5-6, cover
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___, 'Lee Lozano at Wadsworth', in: Flash Art, Milan, vol. XXXI, no. 198, January-February 1998, p. 44, ill.
Zimmer, William, 'Women Show the Courage of Their Convictions', in: The New York Times, New York, 1 March 1998, p. 16, ill.
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___, 'Scenes', in: The Village Voice, New York, 15 October 1970, pp. 10-11
___, 'Time' [review], 7 February 1969
Castle, Frederic, 'Threat Art', in: ARTNews, New York, vol. 67, no. 6, October 1968, pp. 54-55, 65-66
Robins, Corinne, 'The Circle in Orbit', in: Art in America, New York, vol. LVI, no. 6, November/December 1968, pp. 62-69, ill.
Adrian, Dennis, 'Lee Lozano', in: Artforum, New York, vol. V, no. 5, January 1967
Waldman, Diane, 'Lee Lozano', in: ARTNews, New York, vol. LXV, no. 8, December 1966, p. 13, ill.
Benedikt, Michael, 'Lee Lozano', in: ARTNews, New York, vol. LXV, no. 7, November 1966, pp. 14-15
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Lee Lozano
8 Mar - 23 Jul 2023 , Pinacoteca Agnelli, Turin, Italy
Lee Lozano
The Ultimate Metaphor is a Mirror
17 Sep - 13 Nov 2022 , Kunstforeningen GL Strand, Copenhagen, Denmark

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