Viewing Room

‘Cell (Choisy Two)’ is from Louise Bourgeois’s series of remarkable and highly personal installations called the Cells. Inviting associations with the biological cell, imprisonment, or a place of solitary...

‘Two Hearts’ (1978) captures the intimacy, introspection and self-revelation of Philip Guston’s late canvases. In the 1970s, Guston’s wife Musa battled serious illness twice, profoundly impacting the artist,...

‘I Look In The Mirror, I Know What I Need’ (2024) is a powerful new lithograph, related to William Kentridge's nine-episode video series ‘Self-Portrait as a Coffee-Pot,’ that premiered in April 2024 in...

‘Interior in London, Brunswick Square’ (1912) is an extraordinary example of Vilhelm Hammershøi’s seminal late work. It was painted during Hammershøi’s final of several highly influential trips to London...

Rita Ackermann’s ‘American Iconology’ (2024) belongs to a body of work that debuted at Hauser & Wirth New York in 2024. Titled ‘Splits,’ these works feature fragmentary figures and distinct registers that...

Louise Bourgeois’s commanding spider sculptures are among the most iconic works of the past century. First depicted in a 1947 ink and charcoal drawing, this motif evolved into a prevailing theme in her...

A remarkable example of Ed Clark’s late work, ‘Green & Yellow-White’ (2004) demonstrates the artist’s singular approach to abstraction, materiality and color. In this monumental painting, wide swathes...

‘Still Life’ (2024) is a remarkable example of Nicolas Party’s alluring, imaginative still lifes. Party breathes new vivacity into this important historical genre, borrowing aesthetic flourishes from European...

‘Ode to Andy: For Andy Warhol’ (1986) showcases Jack Whitten’s pioneering approach to painting and abstraction. One of the highlights of his celebrated retrospective at Berlin’s Hamburger Bahnhof in 2019,...

‘Soul Painting “Raise It Up”’ (2024) is the first painting to debut from Rashid Johnson’s new and highly anticipated Soul Painting series. Recognized as one of the major voices of his generation, Johnson’s...

Philip Guston’s late work brims with a personal vocabulary, at once quotidian and idiosyncratic. In his extraordinary ‘Orders’ (1978), a cluster of shoes silhouetted against a pink and blue sky rises above...

First exhibited in ‘Henry Taylor: B Side,’ a major survey exhibition at the Museum of Contemporary Art, Los Angeles in 2022 that travelled to The Whitney Museum of American Art the following year, ‘Untitled’...