Viewing Room

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‘What are you doing in here’ (2018) is a consummate example of Mark Bradford’s distinctive visual lexicon and his pioneering mode of ‘social abstraction.’ Layering and transforming quotidian materials...

Emerging from Guston’s prolific final years, ‘Conversation’ (1978) abounds with autobiographical references. This tender self-portrait develops Guston’s key visual motifs: the head in profile with its...

Strikingly vertical and pointed at both ends, Louise Bourgeois’s ‘Persistent Antagonism’ (1946-1948) is an extraordinary work from the artist’s landmark ‘Personage’ series, which marked her debut as a...

‘Coping’ (2008) is a masterful example of Nicole Eisenman’s allegorical paintings, which merge the autobiographical with art history and fiction to create a cutting critique of present-day social and political...

At an undisclosed time, a lamé-clad go-go dancer ascends a light blue platform with a personal listening device. Surrounded by 48 illuminated lightbulbs, listening to music of their own choosing, they...

Exhibited at important institutions including the Kunstmuseum Bern, Schirn Kunsthalle Frankfurt and the Louisiana Museum of Modern Art, Humlebaek, Meret Oppenheim’s late painting, ‘Das Auge der Mona Lisa’...

‘Cell (Choisy Two)’ is from Louise Bourgeois’s series of remarkable and highly personal installations called the Cells. Inviting associations with the biological cell, imprisonment, or a place of solitary...

‘Two Hearts’ (1978) captures the intimacy, introspection and self-revelation of Philip Guston’s late canvases. In the 1970s, Guston’s wife Musa battled serious illness twice, profoundly impacting the artist,...

‘I Look In The Mirror, I Know What I Need’ (2024) is a powerful new lithograph, related to William Kentridge's nine-episode video series ‘Self-Portrait as a Coffee-Pot,’ that premiered in April 2024 in...