Photo above:
Barbara Sproul;
photo below:
Frank Lloyd
Philip Guston (1913 – 1980) is one of the great luminaries of twentieth-century art. His commitment to producing work from genuine emotion and lived experience ensures its enduring impact.
Guston’s legendary career spanned a half century, from 1930 to 1980. His paintings—particularly the liberated and instinctual forms of his late work—continue to exert a powerful influence on younger generations of contemporary painters.
For an in-depth overview of his career, click here.
Philip Guston
Biography
Print BiographyFamily moves to Los Angeles, 1919
Receives scholarship to Otis Art Institute in Los Angeles, withdrawing after three months, 1930
Paints large-scale fresco in Morelia, Mexico, 1934 – 35
Joins the Works Progress Administration (WPA) Federal Art Project, 1935
Produces figurative easel paintings while teaching at universities in the Midwestern United States, 1941 – 47
Awarded the prestigious Prix de Rome by the American Academy in Rome, 1948
Holds first solo exhibition of abstract works at the Peridot Gallery in New York, 1952
Retrospective exhibition, Solomon R. Guggenheim Museum, New York, 1962
Moves permanently to Woodstock, New York, withdrawing from the art world, 1967
Produces first late figurative works, 1968
Controversial exhibition of figurative work at Marlborough Gallery, New York, 1970
Serves as Artist in Residence at American Academy in Rome, 1971
Retrospective exhibition the San Francisco Museum of Modern Art, 1980
Selected Solo Exhibitions
Museum of Fine Arts, Boston, 'Philip Guston Now', Boston MA (travelling exhibition)
Saint Louis Art Museum, 'Philip Guston', Saint Louis MO
Ashmolean, Museum of Art and Archaeology, University of Oxford, ‘Philip Guston. Locating the Image’, Oxford, England
Gallerie dell’ Accademia, ‘Philip Guston and The Poets’, Venice, Italy
Hauser & Wirth New York, 18th Street, ’Philip Guston: Painter, 1957 – 1967’, New York NY
Aurel Scheibler Gallery, ‘Philip Guston’, Berlin, Germany
Diechtorhallen, ‘Philip Guston: Late Works’, Hamburg, Germany (travelling exhibition)
Sammlung Falckenberg, ‘Philip Guston: Late Works’, Hamburg, Germany (travelling exhibition)
Louisiana Museum of Modern Art, ‘Philip Guston: Late Works’, Humblebæk, Denmark (travelling exhibition)
Jewish Historical Museum, ‘Philip Guston: Return to Figuration’, Amsterdam, The Netherlands
McKee Gallery, ’Philip Guston: A Centennial Exhibition’, New York NY
Haggerty Museum of Art, ‘Philip Guston: Inevitable Finality, The Gemini Prints’, Milwaukee WI
The Phillips Collection, ‘Philip Guston, Roma’, Washington D.C. (travelling exhibition)
Timothy Taylor Gallery, ‘Philip Guston: Works on Paper’, London, England
L&M Arts, ‘Philip Guston: 1954-1958’, New York NY
McKee Gallery, ‘Philip Guston: Small Oils on Panel’, 1969-1973, New York NY
Louisiana Museum, ‘Philip Guston: Works on Paper’, Humlebæk, Denmark (traveling exhibition)
The Albertina, ‘Philip Guston: Works on Paper’, Vienna, Austria (traveling exhibition)
Staatliche Graphische Sammlung, ‘Philip Guston: Works on Paper’, Munich, Germany (traveling exhibition)
Morgan Library & Museum, ‘Philip Guston: Works on Paper’, New York NY (traveling exhibition)
3W Gallery, The Wordsworth Trust, ‘Guston in Grasmere: Poem-Pictures’, Grasmere, England
Aurel Scheibler, ‘Philip Guston’, Berlin, Germany
McKee Gallery, ‘Philip Guston: Drawings’, New York NY
San Francisco Museum of Modern Art, 'Philip Guston Retrospective', San Francisco CA (travelling exhibition)
Metropolitan Museum of Art, ‘Philip Guston Retrospective’, New York NY (travelling exhibition)
Royal Academy, ‘Philip Guston Retrospective’, London, England (travelling exhibition)
McKee Gallery, ‘Philip Guston: Mind and Matter’, New York NY
Mass MOCA, ‘Poor Richard by Philip Guston’, North Adams MA (travelling exhibition)
Fine Arts Museum of San Francisco, Legion of Honor, ‘Poor Richard by Philip Guston’, San Francisco CA (travelling exhibition)
IVAM, ‘Philip Guston, One-Shot-Painting’, Valencia, Spain (travelling exhibition)
Bonnefanten Museum, ‘Philip Guston, One-Shot-Painting’, Maastricht, The Netherlands (travelling exhibition)
Timothy Taylor Gallery, ‘Philip Guston: The Last Prints’, London, England
BQ Gallery, ‘Philip Guston’, Köln, Germany
Fogg Art Museum, Harvard University, ‘Philip Guston: A New Alphabet’, Cambridge, MA (travelling exhibition)
McKee Gallery, ‘Philip Guston: Small Paintings and Drawings 1968-1980’, New York NY
Württembergischer Kunstverein, ‘Philip Guston: Gemälde 1947 – 1979’, Stuttgart, Germany (travelling exhibition)
National Gallery of Canada, ‘Philip Guston: Gemälde 1947 – 1979’, Ottawa, Canada (travelling exhibition)
Centre national d’art et de culture Georges Pompidou, ‘Philip Guston: Gemälde 1947 – 1979’, Paris, France (travelling exhibition)
Timothy Taylor Gallery, ‘Philip Guston: Works on Paper’, London, England
Lafayette College, ‘Philip Guston: The Last Works’, Easton PA
Manny Silverman Gallery, ‘Philip Guston: Selected Works on Paper and Canvas 1951-1978’, Los Angeles CA
Greenville County Museum of Art, ‘Philip Guston: Working Through the 1940’s’, Greenville SC (travelling exhibition)
Munson Williams Proctor Institute, ‘Philip Guston: Working Through the 1940’s’, Utica NY (travelling exhibition)
The Woodstock Artists’ Association, ‘Philip Guston, Brave New World: 1943’, Woodstock NY (travelling exhibition)
McKee Gallery, ‘Philip Guston, Brave New World: 1943’, New York NY (travelling exhibition)
Virginia Museum of Fine Arts, ‘Philip Guston’, Richmond VA
McKee Gallery, ‘Philip Guston: The Fifties’, New York NY
The Drawing Center, ‘Philip Guston’s Poem Pictures’, New York NY (travelling exhibition)
Boston University Art Gallery, ‘Philip Guston: 1975-1980 Private and Public Battles’, Boston MA
The Tate Gallery, ‘Philip Guston: Paintings in the Collection of the Tate’, London, England
Galerie Lelong, ‘Drawings from the Philip Guston and Clark Coolidge Exchange’, New York NY (travelling exhibition)
McKee Gallery, ‘Philip Guston: Paintings 1961-65’, New York NY
Palau de la Virreina, ‘Philip Guston: Painting Retrospective’, Barcelona, Spain (travelling exhibition)
St. Louis Art Museum, ‘Philip Guston: Painting Retrospective’, St. Louis MO (travelling exhibition)
Dallas Museum of Art, ‘Philip Guston: Painting Retrospective’, Dallas TX (travelling exhibition)
Museum Overholland, ‘The Drawings of Philip Guston’, Amsterdam, The Netherlands (travelling exhibition)
La Fundacion La Caixa, ‘The Drawings of Philip Guston’, Barcelona, Spain (travelling exhibition)
Museum of Modern Art, 'The Drawings of Philip Guston', Oxford, England (travelling exhibition)
Douglas Hyde Gallery, 'The Drawings of Philip Guston', Dublin, Ireland (travelling exhibition)
Galeria Nazionale D’Arte Moderna e Contemporanea, 'The Drawings of Philip Guston', Rome, Italy (travelling exhibition)
Cava Gallery, 'Philip Guston: The Late Prints', Philadelphia PA
David McKee Gallery, Roma 1971, New York NY
North Carolina Museum of Art, ‘Philip Guston’, Raleigh NC (travelling exhibition)
The Atlanta College of Art, ‘Philip Guston’, Atlanta GA (travelling exhibition)
Cava Gallery, ‘Philip Guston: Works on Paper’, Philadelphia PA
Art Gallery of New South Wales, ‘Philip Guston: Drawings’, Sydney, Australia (travelling exhibition)
David McKee Gallery, ‘Philip Guston: Small Works 1968-69’, New York NY
Art Gallery of Western Australia, ‘Philip Guston: The Late Works’, Perth, Australia (travelling exhibition)
Art Gallery of New South Wales, ‘Philip Guston: The Late Works’, Sydney, Australia (travelling exhibition)
Hayden Gallery, Massachusetts Institute of Technology, ‘Philip Guston: Last Works’, Cambridge, MA
Riva Yares Gallery, ’Philip Guston’, Scottsdale AZ
Gemini G.E.L., ‘Philip Guston: Eight Lithographs’, Los Angeles CA
Stedelijk Museum, ‘Philip Guston: Paintings 1969-1980’, Amsterdam, The Netherlands (travelling exhibition)
Kunsthalle, ‘Philip Guston: Paintings 1969-1980’, Basel, Switzerland (travelling exhibition)
Phillips Collection, ‘Philip Guston: The Last Works’, Washington D.C. (travelling exhibition)
Cleveland Museum of Art, ‘Philip Guston: The Last Works’, Cleveland OH (travelling exhibition)
Museum of Art, Carnegie Institute, ‘Philip Guston: The Last Works’, Pittsburgh PA (travelling exhibition)
David McKee Gallery, ‘Philip Guston: The Last Works’, New York (travelling exhibition)
Museo de Arte Moderno, ‘Philip Guston’, Mexico City, Mexico (travelling exhibition)
Centro de Arte Moderno, ‘Philip Guston’, Guadalajara, Mexico (travelling exhibition)
Museo de Arte Moderno, ‘Philip Guston’, Bogota, Colombia (travelling exhibition)
Gemini G.E.L., ‘Philip Guston: New Lithographs’, Los Angeles CA
Asher-Faure Gallery, ‘Paintings by Philip Guston’, Los Angeles CA
Yellowstone Art Center, ‘Philip Guston: Lithographs’, Billings MT
Corcoran Gallery of Art, ‘Philip Guston’, (retrospective exhibition 1930-1979), Washington D.C. (travelling exhibition)
Museum of Contemporary Art, ‘Philip Guston’, (retrospective exhibition 1930-1979), Chicago IL (travelling exhibition)
The Denver Art Museum, ‘Philip Guston’, (retrospective exhibition 1930-1979), Denver CO (travelling exhibition)
Whitney Museum of American Art, ‘Philip Guston’, (retrospective exhibition 1930-1979), New York NY (travelling exhibition)
Akron Art Museum, ‘Philip Guston’, Akron OH
David McKee Gallery, ‘A Tribute to Philip Guston: Paintings and Drawings from 1950 to 1980’, New York NY
John Berggruen Gallery, ‘Philip Guston: Recent Paintings’, San Francisco CA
David McKee Gallery, ‘Philip Guston: Drawings’, 1947 – 1977, New York NY
Alan Frumkin Gallery, ‘Philip Guston: Major Paintings, 1975 – 76’, Chicago IL
Achim Moeller Gallery, ‘A Selection of Recent Works by Philip Guston’, London, England
Galerie Paule Anglim, ‘Philip Guston: Drawings for Bill Berkson’s ‘Enigma Variations’’, San Francisco CA
Gertude Kasle Gallery, ‘Philip Guston’, Detroit MI
David McKee Gallery, ‘Philip Guston’, New York NY
Gertrude Kasle Gallery, ‘Philip Guston, Major Paintings of the Sixties’, Detroit MI
Marlborough Gallery, ‘Philip Guston, Recent Paintings’, New York NY
The Jewish Museum, ‘Philip Guston, Recent Paintings and Drawings’, New York NY
Los Angeles County Museum of Art, ‘Philip Guston (retrospective exhibition 1941-1962)’, Los Angeles CA (travelling exhibition)
Whitechapel Art Gallery, ‘Philip Guston (retrospective exhibition 1941-1962)’, London, England (travelling exhibition)
Palais des Beaux-Arts, ‘Philip Guston (retrospective exhibition 1941-1962)’, Brussels, Belgium (travelling exhibition)
Stedelijk Museum, ‘Philip Guston (retrospective exhibition 1941-1962)’, Amsterdam, Netherlands (travelling exhibition)
School of the Museum of Fine Arts, ‘Philip Guston’, Boston MA
Selected Group Exhibitions
Peoria Riverfront Museum, 'American Revolutionaries: Art & Disruption', Peoria IL
Timothy Taylor, 'A Thing for the Mind', London, UK
Mnuchin Gallery, 'Guston/Morandi/Scully', New York NY
Musée national des beaux-arts du Québec, 'America: Between Dreams and Realities', Quebec City, Canada
The FLAG Art Foundation, 'Courage Before Expectation', cur. Keith Rivers, New York NY
The Baltimore Museum of Art, 'Guarding the Art', Baltimore MD
Zabludowicz Collection, 'The Stand-Ins: Figurative Painting from the Collection', London, UK
Currier Museum of Art, 'WPA in NH: Philip Guston and Musa McKim', Manchester NH
Seattle Art Museum, 'Frisson: The Richard E. Lang and Jane Lang Davis Collection', Seattle WA
Cornell Fine Arts Museum, Rollins College, 'American Modernisms at the Rollins Museum of Art', Winter Park FL
Brooke Alexander, Inc., 'Philip Guston and Raymond Pettibon', New York NY
CaixaForum Madrid, ‘El sueño americano. Del pop a la actualidad’, Madrid, Spain
Blanton Museum of Art, The University of Texas at Austin, ‘Off the Walls: Gifts from Professor John A. Robertson’, Austin TX
Punta della Dogana, ‘Untitled, 2020. Three perspectives on the art of the present’, cur. Caroline Bourgeois, Muna El Fituri and Thomas Houseago, Venice, Italy
Whitney Museum of American Art, ‘Vida Americana: Mexican Muralists Remake American Art, 1925–1945’, cur. Barbara Haskell, New York NY
Solomon R. Guggenheim Museum, ‘Artistic License: Six Takes on the Guggenheim Collection’, New York NY
Smithsonian American Art Museum, ‘Artists Respond. American Art and the Vietnam War, 1965–1975’, Washington DC
American Academy in Rome, ‘Encounters I’, cur. Peter Benson Miller, Rome, Italy
Alexander Berggruen, ‘Words’, New York NY
NSU Art Museum Fort Lauderdale, ‘Remember to React. 60 Years of Collecting’, Fort Lauderdale FL
Anderson Collection, Stanford University, ‘Salon Style. Collected Marks on Paper’, Stanford CA
MoMA – Museum of Modern Art, ‘The Long Run’, cur. Paulina Pobocha and Cara Manes, New York NY
Musée de l’Orangerie, ‘The Water Lilies. American Abstract Painting and the last Monet’, cur. Cécile
Debray, Paris, France
Kunsthalle Krems, ‘Picasso – Gorky – Warhol. Sculptures and Works on Paper. Hubert Looser
Collection’, cur. Florian Steininger, Krems an der Donau, Austria
The National Gallery, ‘Tacita Dean. STILL LIFE’, cur. Tacita Dean, London, England
University of Michigan Museum of Art, ‘Exercising the Eye. The Gertrude Kasle Collection’, Ann Arbor MI
The Institute of Contemporary Art, Miami, ‘The Everywhere Studio’, Miami FL
Fondation Louis Vuitton, ‘Etre moderne: le MoMA à Paris’, Paris, France
Williams College Museum of Art, Pink Art, Williamstown MA
The Met Breuer, ‘Delirious: Art at the Limits of Reason’, New York NY
Washburn Gallery, ‘The WPA’, New York NY
Detroit Institute of Arts, ‘Art of Rebellion: Black Art of the Civil Rights Movement’, Detroit MI
New York Studio School, ‘2017 Alumni Exhibition’, New York NY
Pulitzer Arts Foundation, ‘Blue Black’, St. Louis MO
Kunstmuseum Winterthur, ‘Calder to Kelly. The American Collection’, Winterthur, Switzerland
The British Museum, ‘The American Dream. Pop to the Present’, London UK
Guggenheim, Bilbao, ‘Abstract Expressionism’, Bilbao, Spain (traveling exhibition)
Royal Academy of Arts, ‘America After the Fall’, London, UK (traveling exhibition)
Haus der Kunst, ‘Postwar: Art between the Pacific and the Atlantic 1945-1965’, Munich, Germany
Musée de l’Orangerie, ‘America After the Fall’, Paris, France (traveling exhibition)
The Art Institute of Chicago, ‘America after the Fall’, Chicago IL
PACE London, ‘Everything falls faster than an anvil’, London, England
Phillips Collection, ‘Made in the U.S.A.: Art from the Phillips Collection’, Washington D.C.
De Young Museum, ‘Modernism from the National Gallery of Art: The Robert and Jane Meyerhoff Collection’, San Francisco CA
Steven Kasher Gallery, ‘12 Painters: The Studio School’, New York NY
Marlborough Gallery, ‘Alsoudani, Bacon, Guston, Rego’, New York NY
John Berggruen Gallery, ‘The Time is Now’, San Francisco CA
San Francisco Museum of Modern Art, ‘Don’t Be Shy, Don’t Hold Back: The Logan Collection at SFMOMA’, San Francisco CA
University of Iowa, Museum of Art, ‘New Forms: The Avant-Garde Meets the American Scene, 1934-1949’, Iowa City IA
Hammer Museum, ‘Intimate Immensity: The Susan and Larry Marx Collection’, Los Angeles CA
The Pulitzer Foundation for the Arts, ‘In the Still Epiphany’, St. Louis MO
Colorado University Art Museum, ‘Points of View: Selections from Seven Colorado Collections’, Boulder CO
Jule Collins Smith Museum of Fine Art, Auburn University, ‘Art Interrupted: Advancing American Art and the Politics of Cultural Diplomacy’, Auburn AL (travelling exhibition)
Fred Jones Jr. Museum of Art, University of Oklahoma, ‘Art Interrupted: Advancing American Art and the Politics of Cultural Diplomacy’, Norman OK (travelling exhibition)
Indiana University Art Museum, ‘Art Interrupted: Advancing American Art and the Politics of Cultural Diplomacy’, Bloomington IN (travelling exhibition)
Georgia Museum of Art, University of Georgia, ‘Art Interrupted: Advancing American Art and the Politics of Cultural Diplomacy’, Athens GA (travelling exhibition)
Museum of Art, Washington State University, ‘The Artist’s Hand: American Works on Paper 1945 – 1975’, Pullman WA
Museo Nacional Centro de Arte Reina Sofia, ‘Encounter with the ’30s’, Madrid, Spain
Carlson Gallery, ‘Classics’, London, England
Kunstforum Ostdeutsche Galerie, ‘Permanent Trouble: Art from the Kopp Collection’, Munich, Germany
Centre Pompidou, ‘Dreamlands’, Paris, France
Palais de Tokyo, ‘Fresh Hell’, Paris, France
San Francisco Museum of Modern Art, ‘Calder to Warhol: Introducing the Fischer Collection’, San Francisco CA
Irish Museum of Modern Art, ‘Vertical Thoughts: Morton Feldman and the Visual Arts’, Dublin, Ireland
The Pulitzer Foundation for the Arts, ‘Dreamscapes’, St. Louis MO
Whitney Museum of American Art, ‘Collecting Biennials’, New York NY
Kunstmuseum Bonn, ‘Die Sammlung: Color and Content’, Bonn, Germany
Frist Center for the Visual Arts, ‘Paint Made Flesh’, Nashville, Tennessee (travelling exhibition)
The Phillips Collection, ‘Paint Made Flesh’, Washington D.C. (travelling exhibition)
Memorial Art Gallery, University of Rochester, ‘Paint Made Flesh’, Rochester NY (travelling exhibition)
Die Pinakothek der Moderne, ‘Die Gegenwart der Linie’, Munich, Germany
Seoul Museum of Art, ‘Exhibition of Musee National d’Art Moderne du Pompidou’, Seoul, Korea
Solomon R. Guggenheim Museum, ‘The Third Mind: American Artists Contemplate Asia’, 1860 to 1989, New York NY
McKee Gallery, ‘Artists and the Natural World’, New York NY
The Museum of Modern Art, ‘Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection’, New York NY
Institute of Contemporary Arts, ‘Poor. Old. Tired. Horse’, London, England
Galerie Catherine Putman, ‘Oh Cet Echo: Exposition Palindromique’, Paris, France
Kurimanzutto, ‘My Generation’, Mexico City, Mexico
Philadelphia Museum of Art, ‘Adventures in Modern Art: The Charles K. Williams II Collection’, Philadelphia PA
Deutsche Guggenheim, ‘Abstraktion und Einfühlung’, Berlin, Germany
El Museo Thyssen-Bornemisza, ‘Monet y La Abstracción’, Thyssen-Bornemisza, Spain
National Portrait Gallery, Smithsonian Institution, ‘Reflections/ Refractions: Self- Portraiture in the Twentieth Century’, Washington D.C.
The National Gallery of Art, ‘The Robert and Jane Meyerhoff Collection: Selected Works’, Washington D.C.
Hammer Museum, ‘Oranges and Sardines: Conversations on Abstract Painting’, Los Angeles CA
Yale University Art Gallery, ‘Art for Yale: Collecting for a new century’, New Haven CT
apexart, ‘Lots of Things Like This’ (organized by Dave Eggers), New York NY
Grey Art Gallery, New York University, ‘New York Cool: Painting and Sculpture from the NYU Art Collection’, New York NY
Katonah Museum of Art, ‘Here’s The Thing: The Single Object Still Life’, Katonah NY
The Jewish Museum, ‘Action/Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976’, New York NY
National Gallery of Canada, ‘The 1930s: The Making of ‘The New Man’’, Ottawa, Canada
Mori Art Museum, ‘Art is for the Spirit: Works from the UBS Art Collection’, Tokyo, Japan
Vancouver Art Gallery, ‘Krazy: The Delirious World of Anime + Comics + Video Games + Art’, Vancouver, Canada
National Museum of China, ‘Moving Horizons: The UBS Art Collection: 1960 to the present day’, Beijing, China
National Gallery of Victoria, ‘Guggenheim Collection: 1940s to Now’, Melbourne, Australia
Dallas Museum of Art, ‘Fast Forward: Contemporary Collections for the Dallas Museum of Art’, Dallas TX
Brooke Alexander, ‘Philip Guston & Jasper Johns’, New York NY
Kunsthalle Bielefeld, ‘Perfektion und Zerstorung’, Bielefeld, Germany
Kunstmuseum Winterthur, ‘Plane/Figure’, Winterthur, Switzerland
The Museum of Modern Art, ‘Against the Grain: Contemporary Art from the Edward R. Broida Collection’, New York NY
The Royal Hibernian Academy, ‘I not I – Beckett, Guston, Nauman (Samuel Beckett Centennary Exhibition)’, Dublin, Ireland
Irish Museum of Modern Art, ‘Inner Worlds Outside’, Dublin, Ireland
National Gallery of Art, ‘Selections from the Collection of Edward R. Broida’, Washington D.C.
Los Angeles County Museum of Art, ‘Magritte and Contemporary Art: The Treachery of Image’, Los Angeles CA
Woodstock Artists Association and Museum, ‘The Maverick Continues’, Woodstock NY
Phoenix Art Museum, ‘Surrealism USA’, Phoenix AZ (travelling exhibition)
The Museum of Modern Art, ‘Contemporary Voices, works from the UBS Art Collection’, New York NY
National Academy Museum, ‘Surrealism USA’, New York NY (travelling exhibition)
Phoenix Art Museum, ‘Surrealism USA’, Phoenix AZ
Italian Pavilion, 55th Venice Biennale, ‘The Experience of Art’, Venice, Italy
Musée des Beaux-Arts du Canada, ‘La Grande Parade, Portrait de’l’artiste en clown’, Ottawa, Canada (travelling exhibition)
Barcelona Center of Contemporary Culture, ‘At War’, Barcelona, Spain
Museu d’art Contemporani de Barcelona, ‘Art and Utopia, Action Restricted’, Barcelona, Spain
Brooke Alexander, ‘Summer Group Exhibition’, New York NY
Roth Horowitz, ‘Power, Corruption and Lies’, New York NY
Norwich Gallery, Norwich School of Art and Design, ‘Living Dust’, Norfolk, UK
Hammer Museum, ‘The Undiscovered Country’, Los Angeles CA
Whitechapel, ‘Faces in the Crowd, Picturing Modern Life from Manet to Today’, London, England
Museum of Fine Arts, ‘Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art’, Houston, TX (travelling exhibition)
Neue Nationalgalerie, ‘Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art’, Berlin, Germany (travelling exhibition)
Maier Museum of Art, Randolph-Macon Woman’s College, ‘A Bend in the Road’, Lynchburg, VA
Knoedler & Company, ‘Lois Orswell, David Smith, and Friends’, New York NY
Austin Museum of Art, ‘Embracing the Present: The UBS Paine Webber Art Collection’, Austin TX (travelling exhibition)
Phoenix Museum of Art, ‘Embracing the Present: The UBS Paine Webber Art Collection’, Phoenix AZ (travelling exhibition)
Centro Andaluz de Arte Contemporáneo, ‘Los excesos de la mente’, Sevilla, Spain
The Parrish Art Museum, ‘The Stamp of Impulse: Abstract Expressionist Prints’, Southampton NY
DeCordova Museum and Sculpture Park, ‘Painting in Boston: 1950-2000’, Lincoln, MA
Fogg Art Museum, Harvard University, ‘Lois Orswell, David Smith, and Modern Art’, Cambridge MA
Modern Art Museum of Fort Worth, ‘110 Years: The Permanent Collection of the Modern Art Museum of Fort Worth’, Fort Worth, Texas
Senior & Shopmaker Gallery, ‘A Private Reading: The Book As Image & Object’, New York NY
Centre Georges Pompidou, Galerie d’Art graphique, ‘Œuvres sur papier (acquisitions 1996-2001)’, Paris, France
Galleria d’Arte Moderna, ‘La Natura della Natura Morta’, Bologna, Italy
Museum Ludwig, ‘Museum of Our Wishes’, Cologne, Germany
Cornell Fine Arts Museum, Rollins College, ‘Bizarro World! The Parallel Universes of Comics & Fine Art’, Winter Park FL
Aargauer Kunsthaus, ‘Painting as Memory – the Memory as Painting’, Aarau, Switzerland
Brighton Museum and Art Gallery, ‘Carnivalesque’, Brighton, England (travelling exhibition)
Fabrica, ‘Carnivalesque’, Brighton, England (travelling exhibition)
University Gallery, ‘Carnivalesque’, Brighton, England (travelling exhibition)
Castle Museum and Art Gallery, ‘Carnivalesque’, Nottingham, England (travelling exhibition)
Djanogly Art Gallery, ‘Carnivalesque’, Nottingham, England (travelling exhibition)
City art Centre, ‘Carnivalesque’, Edinburgh, Scotland (travelling exhibition)
League Masters Then, The Art Students League of New York, ‘Carnivalesque’, New York NY (travelling exhibition)
San Francisco Museum of Modern Art, ‘Celebrating Modern Art: The Anderson Collection’, San Francisco CA
Centre Georges Pompidou, ‘Le Temps, Vite’, Paris, France (travelling exhibition)
Palazzo delle Esposizioni, ‘Le Temps, Vite’, Rome, Italy (travelling exhibition)
Centre de Cultura Contemporania de Barcelona, ‘Le Temps, Vite’, Barcelona, Spain (travelling exhibition)
Snug Harbor Cultural Center, Newhouse Center for Contemporary Art, ‘The Figure: Another Side of Modernism’, Staten Island NY
National Portrait Gallery, ‘Painting the Century: 101 Portrait masterpieces 1900-2000’, London, England
Centro Cultural de la Fundacio, ‘Made in USA: 1940-1970 Abstract Expressionism to Pop’, Barcelona, Spain (travelling exhibition)
Schirn Kunsthalle, ‘Made in USA: 1940-1970 Abstract Expressionism to Pop’, Frankfurt, Germany (travelling exhibition)
Whitechapel Art Gallery, ‘Examining Pictures: Exhibiting Paintings’, London, England
John Berggruen Gallery, ‘Philip Guston, R. Crumb, Barry McGee’, San Francisco CA
Whitney Museum of American Art, ‘The American Century, Art & Culture 1900-2000, Part II 1950-2000’, New York NY
The Bunkamura Museum of Art, ‘Modern Art at Harvard’, Tokyo, Japan (travelling exhibition)
Takamatsu City Museum of Art, ‘Modern Art at Harvard’, Takamatsu, Japan (travelling exhibition)
Matsuzakaya Art Museum, ‘Modern Art at Harvard’, Matsuzakaya, Japan (travelling exhibition)
Oita Art Museum, ‘Modern Art at Harvard’, Oita, Japan (travelling exhibition)
The Museum of Modern Art, 'Modern Art at Harvard', Ibaraki, Japan (travelling exhibition)
The Susquehanna Art Museum, 'I’m Not Here: Constructing Identity at the Turn of the Century', Harrisburg PA
Fundacion Bancaja, 'Creacion y Figura: Figuracion en el siglo XX', Valencia, Spain
Orlando Museum of Art, ‘The Edward R. Broida Collection’, Orlando FL
Kalamazoo Institute of Arts, ‘Art and the American Experience’, Kalamazoo MI
Des Moines Art Center, ‘Shifting Visions: O’Keeffe, Guston, Richter’, Des Moines IA
The National Portrait Gallery, ‘Rebels – Painters and Poets of the 1950’s’, Washington D.C.
The Art Museum at Florida International University, ‘American Art Today: Images From Abroad’, Miami FL
Whitney Museum of American Art, ‘Views from Abroad: European Perspectives on American Art 2’, New York NY (travelling exhibition)
Museum fur Moderne Kunst, ‘Views from Abroad: European Perspectives on American Art 2’, Frankfurt, Germany (travelling exhibition)
Sezon Museum of Art, ‘Abstract Expressionism’, Tokyo, Japan
Centro Cultural Arte Contemporaneo, ‘Pintura Estadounidense Expresianismo Abstracto’, Mexico City, Mexico
Centre Georges Pompidou, ‘Face a l’Histoire: 1933-1996’, Paris, France
Aspen Art Museum, ‘Private Worlds: 200 Years of American Still Life Painting’, Aspen CO
Museum of Contemporary Art, ‘Founders and Heirs of the New York School’, Tokyo, Japan (travelling exhibition)
The Miyagi Museum of Art and The Museum of Modern Art, ‘Founders and Heirs of the New York School’, Ibaraki, Japan (travelling exhibition)
The Museum of Modern Art, ‘Objects of Desire: The Modern Still Life’, New York NY
John McEnroe Gallery, ‘Traylor, Guston, Basquiat, Komarin’, New York NY
University of Hawaii Art Gallery, ‘Sum of the Parts’, Honolulu HI
Royal Academy of Art, ‘American Art in the 20th Century: Painting and Sculpture’, London, England (travelling exhibition)
William King Regional Arts Center, ‘Masters of Satire’, Abingdon VA.
Ivan Dougherty Gallery, University of New South Wales, ‘Reversals: Philip Guston and Tony Tuckson’, Paddington, Australia (travelling exhibition)
Museum of Modern Art at Heide, ‘Reversals: Philip Guston and Tony Tuckson’, Bulleen, Australia (travelling exhibition)
Palazzo delle Esposizioni, ‘Tutte La Strade Portano A Roma?’, Rome, Italy
Mount Holyoke Art Museum, ‘Collective Pursuits: Mount Holyoke Investigates Modernism’ (from the collection of David and Renee McKee), South Hadley MA
The Jewish Museum at the New York Historical Society, ‘Bridges and Boundaries: African-Americans and American Jews’, New York NY
Sidney Mishkin Gallery, Baruch College, ‘Paths to Discovery – The New York School: Works on paper from the 1950′s and 1960’s’, New York NY
Art Institute of Chicago, ‘High & Low: Modern Art and Popular Culture’, Chicago IL (travelling exhibition)
Museum of Contemporary Art, ‘High & Low: Modern Art and Popular Culture’, Los Angeles CA (travelling exhibition)
National Gallery of Art, ‘The 1980’s: Prints from the Collection of Joshua P. Smith’, Washington D.C.
The Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, ‘Abstract Expressionism: Other Dimensions’, New Brunswick NJ
Asher-Faure Gallery, ‘Home’, Los Angeles CA
Residence of Ambassador and Mrs. John Negroponte, ‘Contemporary American Artists’, Mexico City, Mexico
Laguna Art Museum, ‘Dream and Perspective: The American Scene is Southern California’, 1930-1945, Laguna Beach CA
Allen Memorial Art Museum, Oberlin College, ‘Oberlin Alumni Collect: Modern and Contemporary Art’, Oberlin OH
Bronx Museum of the Arts, ‘Return to the Figure: Three Studies, Philip Guston, Jean Helion, Irene Rice Pereira’, New York NY
Pratt Institute, ‘This Was Pratt: Former Faculty Centennial Exhibition’, Brooklyn NY
The Royal Scottish Academy, ‘Art of Our Time’, Edinburgh, Scotland
San Francisco Museum of Modern Art, ‘Seven Artists in Depth: Joseph Albers, Fletcher Benton, Bruce Conner, Joseph Cornell, Philip Guston, Clyfford Still, William Wiley’, San Francisco CA
Rahr-West Art Museum, ‘Still Life: Painting, Sculpture, Drawing’, Manitowoc WI
Art Museum at Florida International University, ‘American Art Today: The Portrait’, Miami FL
Summit Art Center, ‘Styles of Painting of the New York School: Selections from the CIBA-GEIGY Collection’, Summit NJ
Institute of Contemporary Art, ‘Comic Iconoclasm’, London, England (travelling exhibition)
Douglas Hyde Gallery, ‘Comic Iconoclasm’, Dublin, Ireland (traveling exhibition) Cornerhouse Gallery, ‘Comic Iconoclasm’, Manchester, England (traveling exhibition)
Circulo de Bellas Artes, ‘Comic Iconoclasm’, Madrid, Spain (traveling exhibition)
Foundacio Joan Miro, ‘A Joan Miro’, Barcelona, Spain
Museum of Art, ‘An American Renaissance: Painting and Sculpture Since 1940’, Fort Lauderdale FL
Yares Gallery, ‘The Neo-Figure: An International Survey’, Scottsdale AZ
Whitney Museum of American Art at Equitable Center, ‘Figure as Subject: The Last Decade’, New York NY
Emily Lowe Gallery, Hofstra University, ‘Maelstrom: Contemporary Images of Violence’, Hempstead NY
Nelson-Atkins Museum, ‘Gemini G.E.L.: Art and Collaboration’, Kansas City MO (traveling exhibition)
Seattle Art Museum, ‘Gemini G.E.L.: Art and Collaboration’, Seattle WA (traveling exhibition)
Fogg Art Museum, ‘Gemini G.E.L.: Art and Collaboration’, Cambridge MA (traveling exhibition)
Los Angeles County Museum of Art, ‘Gemini G.E.L.: Art and Collaboration’, Los Angeles CA (traveling exhibition)
Smith College Museum of Art, ‘Dorothy C. Miller: With an Eye to American Art’, Northampton MA
Ecole Nationale Superieure des Beaux Arts, ‘American Drawing: 1930-1980’, Paris, France
The Art Museum at Florida International University, ‘American Art Today: Still Life’, Miami FL
University of New Mexico Art Museum, ‘Fifty Artists, Fifty Printers’, Albuquerque NM
Contemporary Arts Museum, ‘American Still Life 1945-1983’, Houston, TX (travelling exhibition)
Albright-Knox Art Gallery, ‘American Still Life 1945-1983’, Buffalo NY (travelling exhibition)
Columbus Museum of Art, ‘American Still Life 1945-1983’, Columbus OH (travelling exhibition)
Neuberger Museum, ‘American Still Life 1945-1983’, Purchase NY (travelling exhibition)
Portland Art Museum, ‘American Still Life 1945-1983’, Portland OR (travelling exhibition)
The Museum of Modern Art, ‘The Modern Drawing’, New York NY
Allentown Art Museum, ‘At the Artist’s Studio in American Painting: 1840-1983’, Allentown PA
University of Fine Art, Ohio State University, ‘Painters’ Painters: Milton Avery, Philip Guston, Giorgio Morandi’, Columbus OH
The American Federation of Arts, ‘Social Concern and Urban Realism: American Painting of the 1930’s’, Boston MA (travelling exhibition)
International Exhibitions Foundation, ‘Twentieth Century American Drawing: The Figure in Context’, Washington D.C.
The Museum of Contemporary Art, ‘Automobile and Culture’, Los Angeles CA (travelling exhibition)
Detroit Institute of Arts, ‘Automobile and Culture’, Detroit MI (travelling exhibition)
Hirshhorn Museum, ‘Content: A Contemporary Focus 1974-1984’, Washington D.C.
Royal Academy of Arts, ‘A New Spirit in Painting’, London, England
American Academy of the Arts, Institution of Arts and Letters, ‘Alexander Brook, Philip Guston, Clyfford Still Memorial Exhibition’, New York NY
Rose Art Museum, ‘Aspects of the 70s: Mavericks’, Waltham MA
Rockland Center for the Arts, ‘Works on Paper U.S.A.’, West Nyack NY
Asher Faure, ‘David McKee Presents Works on Paper by Franz Kline and Philip Guston’, Los Angeles CA
Denver Art Museum, ‘Poets & Painters’, Denver CO (travelling exhibition)
Albright-Knox Art Gallery, ‘American Painting of the 70’s’, Buffalo NY (travelling exhibition)
Colby College Art Museum, ‘Three Artists of Today: Philip Guston, Conrad Marca-Relli, James Rosati’, Waterville ME
University of Georgia, ‘American Painting: The 1940s’, Athens GA (travelling exhibition)
University of St. Thomas Art Department, ‘Six Painters: Mondrian, Guston, Kline, de Kooning, Pollock, Rothko’, Houston TX
Los Angeles County Museum of Art, ‘New York School: The First Generation, Paintings of the 1940s and 1950s’, Los Angeles CA
Sidney Janis Gallery, ‘Two Generations’, New York NY
Sidney Janis Gallery, ‘A Selection of 20th Century Art of 3 Generations’, New York NY
Carnegie Institute, ‘The Pittsburgh International Exhibition of Paintings’, Pittsburgh PA
Sidney Janis Gallery, ‘11 Abstract Expressionist Painters’, New York NY
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
The Wadsworth Athenaeum, ‘Continuity and Change: 45 American Abstract Painters and Sculptors’, Hartford CT
Sidney Janis Gallery, ‘10 American Painters’, New York NY
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings’, New York NY
IV Festival of Two Worlds, ‘Disegni Americani Moderni’, Spoleto, Italy (travelling exhibition)
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
Institute of Contemporary Art, ‘The Image Lost and Found’, Boston MA
Sidney Janis Gallery, ‘9 American Painters’, New York NY
Museum Fridericianum, Documenta II, Kassel, West Germany
Sidney Janis Gallery, ‘8 American Painters’, New York NY
Museu de Arte Moderna, ‘A V Bienal, Estados Unidos’, Sao Paulo, Brazil
Palais des Beaux-Arts, ‘The New American Painting’, Brussels, Belgium
Art Institute of Chicago, ‘Annual Exhibition of American Paintings and Sculpture’, Chicago IL
Kunsthalle, ‘The New American Painting’, Basel, Switzerland (travelling exhibition)
Galleria Civica d’Arte Moderna, ‘The New American Painting’, Milan, Italy (travelling exhibition)
Museo Nacional de Arte Contemporaneo, ‘The New American Painting’, Madrid, Spain (travelling exhibition)
Hochschule fur Bildende Kunste, ‘The New American Painting’, Berlin, Germany (travelling exhibition)
Stedelijk Museum, ‘The New American Painting’, Amsterdam, The Netherlands (travelling exhibition)
Palais des Beaux Arts, ‘The New American Painting’, Brussels, Belgium (travelling exhibition)
Musee National d’Arte Moderne, ‘The New American Painting’, Paris, France (travelling exhibition)
Tate Gallery, ‘The New American Painting’, London, England (travelling exhibition)
Instituto National de Bellas Artes, ‘Primera Bienal interamericana de pinture y grabado’, Mexico City, Mexico
Whitney Museum of American Art, ‘Nature in Abstraction: The Relation of Abstract Painting and Sculpture to Nature in Twentieth Century American Art’, New York NY (travelling exhibition)
Sidney Janis Gallery, ‘10th Anniversary Exhibition’, New York NY
Carnegie Institute, ‘The Pittsburgh International Exhibition of Paintings’, Pittsburgh PA
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
Sidney Janis Gallery, ‘8 Americans’, New York NY
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
Sidney Janis Gallery, ‘Recent Paintings by 7 Americans’, New York NY
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
Carnegie Institute, ‘The Pittsburgh International Exhibition of Paintings’, Pittsburgh PA
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings’, New York NY
Corcoran Gallery of Art, ‘Biennial Exhibition of Contemporary American Oil Paintings’, Washington D.C.
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings’, New York NY
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings’, New York NY
60 East Ninth Street, ‘Ninth Street Show’, New York NY
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings’, New York NY
Art Institute of Chicago, ‘Annual Exhibition of American Paintings and Sculpture’, Chicago IL
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings’, New York NY
Walker Art Center, ‘110 American Painters Today: The Eighth Annual Purchase Exhibition’, Minneapolis MN
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
Corcoran Gallery of Art, ‘Biennial Exhibition of Contemporary American Oil Paintings’, Washington D.C.
Carnegie Institute, ‘Painting in the United States’, Pittsburgh PA
Carnegie Institute, ‘Painting in the United States’, Pittsburgh PA
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
Pennsylvania Academy of the Fine Arts, ‘Forty-fifth Annual Philadelphia Watercolor and Print Exhibition’, Philadelphia PA
Carnegie Institute, ‘Painting in the United States’, Pittsburgh PA
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
Institute of Modern Art, ‘Twelve Americans’, Boston MA
Art Institute of Chicago, ‘Annual Exhibition of American Paintings and Sculpture’, Chicago IL
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
Corcoran Gallery of Art, ‘Biennial Exhibition of Contemporary American Oil Paintings’, Washington D.C.
Carnegie Institute, ‘Painting in the United States’, Pittsburgh PA
Art Institute of Chicago, ‘Annual Exhibition of American Paintings and Sculpture’, Chicago IL
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
Walker Art Center, ‘110 American Painters Today: The Second Annual Purchase Exhibition’, Minneapolis MN
Carnegie Institute, ‘Painting in the United States’, Pittsburgh PA
Art Institute of Chicago, ‘Annual Exhibition of American Paintings and Sculpture’, Chicago IL
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
Carnegie Institute, ‘Painting in the United States’, Pittsburgh PA
Art Institute of Chicago, ‘Annual Exhibition of American Paintings and Sculpture’, Chicago IL
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
Whitney Museum of American Art, ‘Annual Exhibition of Contemporary American Painting’, New York NY
New York World’s Fair, ‘American Art Today’, New York NY
Awards and Grants
Artist-in-Residence, Washington University, St. Louis MO
Selected Public Collections
Albright-Knox Art Gallery, Buffalo NY
Arkansas Arts Center, Little Rock AK
Art Institute of Chicago, Chicago IL
National Gallery of Australia, Canberra, Australia
Baltimore Museum of Art, Baltimore MD
UC Berkeley Art Museum and Pacific Film Archive, Berkeley CA
Bezalel National Museum, Jerusalem, Israel
Birmingham Museum of Art, Birmingham AL
Binghamton University Art Museum, State University of NY, New York NY
Brooklyn Museum, New York NY
Memphis Brooks Museum of Art, Memphis TN
Carnegie Museum of Art, Pittsburgh, PA
Centre National d’art et de Culture Georges Pompidou, Paris, France
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Ciba-Geigy Collection, Ardsley NY
Cincinnati Art Museum, Cincinnati OH
Cleveland Museum of Art, Cleveland OH
Colby College Museum of Art, Waterville ME
University of Connecticut, The William Benton Museum of Art, Storrs CT
Corcoran Gallery of Art, Washington D.C.
Dallas Museum of Art, Dallas TX
Dayton Art Institute, Dayton OH
Denver Art Museum, Denver CO
Denver Institute of Fine Arts, Denver CO
Detroit Institute of Arts, Detroit MI
Everson Museum, Syracuse NY
Museum of Art Ft. Lauderdale, Ft. Lauderdale FL
Fogg Museum, Cambridge MA
Friends of Art and Preservation in Embassies, Washington D.C.
Georgia Museum of Art, University of Georgia, Athens GA
Greenville County Museum of Art, Greenville SC
Solomon R. Guggenheim Museum, New York NY
High Museum of Art, Atlanta GA
Hirshhorn Museum and Sculpture Garden, Washington D.C.
Honolulu Museum of Art, Honolulu HI
Hood Museum of Art, Dartmouth College, Hanover NH
Illinois Wesleyan University, Bloomington IL
Museum of Art, University of Iowa, Cedar Falls IA
The Israel Museum, Jerusalem, Israel
Speed Art Museum, Louisville KY
Herbert F. Johnson Museum of Art, Cornell University, Ithaca NY
S.C. Johnson Collection, Smithsonian Institute, Washington D.C.
Joslyn Art Museum, Omaha NE
Spencer Museum of Art, University of Kansas, Lawrence KA
Kent State University Museum, Kent OH
Krannert Art Museum, University of Illinois, Urbana IL
Kunstmuseum Winterthur, Winterthur, Switzerland
Los Angeles County Museum of Art, Los Angeles CA
Madison Museum of Contermporary Art, Madison WI
The Metropolitan Museum of Art, New York NY
Blanton Museum of Art, The Michener Collection, University of Texas Art Museum, Austin TX
Milwaukee Art Museum, Milwaukee WI
Minneapolis Institute of Arts, Minneapolis MN
Modern Art Museum of Fort Worth, Fort Worth TX
Montclair Art Museum, Montclair NJ
Montgomery Museum of Fine Arts, Montgomery AL
Mount Holyoke College Art Museum, South Hadley MA
Munson-Williams-Proctor Arts Institute, Utica NY
Musee de l’Abbaye Saint-Croix, Les Sables d’Olonne, France
Museo Regional Michoacano de Morelia, Michoacán, México
Museum of Fine Arts, Boston MA
Museum of Fine Arts, Houston TX
The Museum of Modern Art, New York NY
National Gallery of Canada, Ottawa, Canada
National Gallery of Art, Washington D.C.
National Gallery of Victoria, Melbourne, Australia
Smithsonian American Art Museum, Washington D.C.
The Sheldon Memorial Art Gallery, University of Nebraska, Lincoln NE
Nelson-Atkins Museum of Art, Kansas City MO
Newark Museum, Newark NJ
Orange County Museum of Art, Newport Beach CA
Neuberger Museum of Art, Purchase NY
Allen Memorial Art Museum, Oberlin College, Oberlin OH
Parrish Art Museum, Watermill NY
The Phillips Collection, Washington D.C.
Princeton University Art Museum, Princeton NJ
Portland Art Museum, Portland OR
Rhode Island School of Design Museum, Providence RI
John and Mable Ringling Museum of Art, Florida State University, Sarasota FL
Rose Art Museum, Brandeis University, Waltham MA
Museum of Contemporary Art, San Diego CA
San Francisco Museum of Modern Art, San Francisco CA
San Jose State University, San Jose CA
Seattle Art Museum, Seattle WA
Smith College Museum of Art, Northampton MA
South Mall, Albany NY
Stanford University Museum of Art, Stanford CA
University of Northern Iowa, Cedar Falls IA
Stedelijk Museum, Amsterdam, The Netherlands
St. Louis Art Museum, St. Louis MO
City Art Museum of St. Louis, St Louis MO
Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs NY
Tate Modern, London, England
U.S. State Department Collection, Hagerstown MD
Vassar College, Poughkeepsie NY
Virginia Museum of Fine Arts, Richmond VA
The Fralin Museum of Art, University of Virginia, Charlottesville VA
Walker Art Center, Minneapolis MN
Washington University, St. Louis MO
Whitney Museum of American Art, New York NY
Williams College Museum of Art, Williamstown MA
Wight Gallery, University of California, Los Angeles CA
Worcester Art Museum, Worcester MA
Yale University Art Gallery, New Haven CT
Bibliography
Monographs
Cooper, Harry, Godfrey, Mark, de Lima Greene, Alison (et al.), ‘Philip Guston Now’, Washington DC: National Gallery of Art, New York: Distributed Art Publishers, 2020 (exh. cat.)
Cooper, Harry, ‘Poor Richard by Philip Guston’, Washington DC: National Gallery of Art, New York: Distributed Art Publishers, 2020
Mayer, Musa, Bricker Balken, Debra, ‘Philip Guston Nixon Drawings, 1971 & 1975’, New York, Zürich, London: Hauser & Wirth, 2017
Mayer, Musa, ‘Night Studio. A Memoir of Philip Guston’, New York, Zürich, London: Hauser & Wirth, Munich: Sieveking Publishing, 2016
Corbett, William, Schutter, David, Scheibler, Aurel (ed.), ‘Philip Guston’, Berlin: Aurel Scheibler Gallery, 2014
Benson Miller, Peter, ‘Philip Guston: Roma’, Ostfildern: Hatje Cantz Verlag, 2010
Christopher Bucklow, ‘What is in the Dwat: The Universe of Guston’s Final Decade’, Grasmere: The Wordsworth Trust, 2007
Storr, Robert, ‘Philip Guston & Jasper Johns’, New York: Brooke Alexander/Leo Castelli, 2007
McKee Gallery (ed.), ‘Philip Guston: Drawings’, New York: McKee Gallery, 2006
Kosme, de Baranano, ‘Philip Guston: One-Shot-Paintings’, Valencia: Institut Valencià d'Art Modern, 2001
BQ Gallery (ed.), ‘Philip Guston’, Cologne: BQ Gallery, 2001
Whitechapel Art Gallery (ed.), ‘Centenary Exhibition’, London: Whitechapel Art Gallery, 2001
McKee Gallery (ed.), ‘Philip Guston: Small Paintings and Drawings 1968-1980’, New York: McKee Gallery, 2000
John Berggruen Gallery (ed.), ‘Philip Guston, R. Crumb, Barry McGee’, San Francisco: John Berggruen Gallery, 1999
John Berggruen Gallery (ed.), ‘Philip Guston: Works on Paper, 1968-1980’, San Francisco: John Berggruen Gallery, 1998
Lafayette College Art Galleries (ed.), ‘Philip Guston: The Last Works’, Easton: Lafayette College, 1998
Silverman, Manny, ‘Philip Guston: Selected Works on Paper and Canvas 1951-1978’, Los Angeles: Manny Silverman Gallery, 1998
Rowell, Margit, ‘Objects of Desire: The Modern Still Life’, New York: The Museum of Modern Art, 1997
Campbell-Thiebaud Gallery (ed.), ‘Homage to George Herriman’, San Francisco: Campbell-Thiebaud Gallery, 1997
Sandler, Irving, ‘Pintura Estadounidense Expresianismo Abstracto’, Mexico City: Centro Cultural Arte Contemporaneo, 1996
Ameline, Jean-Paul (ed.), ‘Face a l’Histoire: 1933-1996’, Paris: Centre Georges Pompidou/ Flammarion, 1996
Auger, Julia, ‘Private Worlds: 200 Years of American Still Life Painting’, Aspen: Aspen Art Museum, 1996
Ashton, Dore, Hirano, Chieko, ‘Founders and Heirs of the New York School’, Tokyo: Museum of Contemporary Art, 1996
Rubin, David S., Traylor, ‘Guston, Basquiat, Komarin’, New York: John McEnroe Gallery, 1996
McKee Gallery (ed.), ‘Philip Guston: The Fifties’, New York: McKee Gallery, 1995
Balken, Debra Bricket, et al., ‘Philip Guston’s Poem Pictures’, Andover: Addison Gallery of American Art/ Phillips Academy, 1994
Oliver, Tony, ‘Reversals: Philip Guston and Tony Tuckson’, Paddington: Ivan Dougherty Gallery, University of New South Wales, 1994
University of Hawaii Art Gallery (ed.), ‘Sum of the Parts’, Honolulu: University of Hawaii, 1994
McKee Gallery (ed.), ‘Philip Guston: Paintings 1961-65’, New York: McKee Gallery, 1990
David McKee Gallery (ed.), ‘Roma 1971’, New York: David McKee Gallery, 1987
Gemini G.E.L. (ed.), ‘Philip Guston: New Lithographs’, Los Angeles: Gemini G.E.L., 1980
Alan Frumkin Gallery (ed.), ‘Philip Guston: Major Paintings, 1975 – 76’, Chicago: Alan Frumkin Gallery, 1978
David McKee Gallery (ed.), ‘Philip Guston’, New York: David McKee Gallery, 1974
Seitz, William, ‘Philip Guston: A Selective Retrospective Exhibition 1945-1965’, Waltham: Rose Art Museum/ Brandeis University, 1965
Publications
Lapa, Pedro (ed.), 'Coleção Berardo 1909–2019', Lisbon: Museu Coleção Berardo, 2022, p. 282, p. 807, ill.
Blalock, Lucas, 'Objektiv #26: Why must the mounted messenger by mounted', Norway: Objektiv, 2022, ill.
Enass Khansa, Konstantin Klein, Barbara Winckler (eds.), 'Thinking Through Ruins. Genealogies, Functions, and Interpretations', Berlin: Kulturverlag Kadmos Berlin, 2022, pp. 343-359, ill.
Luckraft, Paul, Neilson, Elizabeth (eds.), 'The Stand-Ins: Figurative Painting from the Zabludowicz Collection', London: Zabludowicz Collection, 2022, pp. 90-95, ill. (exh. cat.)
Hoptman, Laura, Gilman, Claire, Shear, Jack (et al.), 'Ways of Seeing: Three Takes on the Jack Shear Drawing Collection', New York: The Drawing Center, 2022, pp. 44, 78, 86, 95, ill. (exh. cat.)
Bui, Phong H., 'Philip Guston. Giorgio Morandi. Sean Scully', New York: Mnuchin Gallery, 2022, pp. 9-10, 22-23, 28-29, 32-33, 60-61, ill. (exh. cat.)
Hine, Hank, 'The Shape of Dreams', St. Petersburg: The Dali Museum, 2022, pp. 40, 136-137, 143, ill. (exh. cat.)
Flucker, Terry M. (et al.), 'Art and Activism at Tougaloo College', New York: American Federation of Arts, Munich: Hirmer Publishers, 2022, pp. 74-75, ill. (exh. cat.)
Sandvik, Frode (ed.), 'To Make a World. Annette Kierulf and Caroline Kierulf', Kode: KODE Bergen Art Museum, 2022, p. 123, ill.
Dohoney, Ryan, 'Morton Feldman. Friendship and Mourning in the New York Avant-Garde', New York: Bloomsbury Academic, 2022, pp. 41, 149-150, 163, 165-166, cover, ill.
Aquin, Stéphane, Markoski, Katherine, Gilbert, André, 'America. Entre rêves et réalités', Québec: Musée national des beaux-arts du Québec, 2022, pp. 114-115, ill.
Aquin, Stéphane, Reeve, Anne, Guttman, Sandy, 'Hirshhorn Museum and Sculpture Garden. The Collection', New York: DelMonico Books, in association with Hirshhorn Museum and Sculpture Garden, 2022, p. 244-245, ill.
Feld, Ross, 'Guston in Time: Remembering Philip Guston', New York: New York Review Books, 2022, ill.
Emelife, Aindrea, 'A Brief History of Protest Art', London: Tate Enterprises, 2022, pp. 46-47, ill.
Malissard, Coralie, Wright, Barnaby (eds.), 'Modern Drawings: The Karshan Gift', London: The Courtauld, 2021, pp. 29, 90-97, 118, ill. (exh. cat.)
Epstein, Molly, Ross Goodman, Abigail (eds.), 'Ground/work', Williamstown: Clark Art Institute, 2021, p. 175, ill. (exh. cat.)
Heller, Ena, Hamming, Grant, Ross Goodman, Abigail, 'American Modernisms at the Rollins Museum of Art', Winter Park: Rollins Museum of Art, 2021, pp. 48-49, ill. (exh. cat.)
Elderfield, John, Flam, Jack, Storr, Robert, 'Frisson: The Richard E. Lang and Jane Lang Davis Collection', Seattle: Seattle Art Museum, 2021, pp. 24, 96-99, 170-175, ill. (exh. cat.)
Ciccaglione, Lynne (ed.), 'Don Marron. Chronicle of Collecting', New York: Phaidon, Acquavella, Gagosian, Pace, 2021, p. 93, ill.
Corbett, John, Dempsey, Jim, Nichols, Thea Liberty (et al.), 'Private Eye: The Imagist Impulse in Chicago Art', Indianapolis: Indianapolis Museum of Art at Newfields, 2021, p. 25, ill.
Blanchflower, Melissa, Grabowska, Natalia, Obrist, Hans Ulrich, 'Jennifer Packer: The Eye Is Not Satisfied With Seeing', London/UK: Serpentine; Cologne: Verlag der Buchhandlung Walther und Franz König, 2021, p. 73, ill.
Franke, Anselm, Ghouse, Nida, Guevara, Paz (eds.), 'Parapolitics. Cultural Freedom and the Cold War', Berlin: HKW Haus der Kulturen der Welt/Sternberg Press, 2021, p. 433, ill.
Hollein, Max, 'Gifts of Art: The Met's 150th Anniversary', New York: The Metropolitan Museum of Art, 2020, p. 150, ill.
de Luca, Théo, ‘A New Spirit in Painting, 1981: On Being an Antimodern’, London: Koenig Books, 2020, p. 80, ill.
Shallcross, Gilian, Tessier, Adam, Teitelbaum, Matthew (et al.), ‘A Guide to the Collections’, Boston: Museum of Fine Arts, Boston, 2020, p. 405, ill.
Coppel, Stephen, Daunt, Catherine, Tallman, Susan, ‘El sueño americano. Del pop a la actualidad’, Barcelona: La Caixa, 2020, pp. 196-197, ill. (exh. cat.)
Storr, Robert, ‘Writings on Art: 1980–2005’, London: HENI Publishing, 2020, p. 237, ill.
Conlon, Rhys, Fortune, Brandon Brame, McGavran, Sarah, ‘Eye to I: Self-Portraits from the National Portrait Gallery’, Munich: Hirmer, 2019, pp. 252-253, ill. (exh. cat.)
Jason Linetzky (ed.), ‘Left of Center. Five Years of the Anderson Collection at Stanford University’, Stanford: Anderson Collection at Stanford University, 2019, p. 18, ill. (exh. cat.)
Doherty, Caitlín, ‘Breaking Ground: The Donald and Maria Cox Collection’, Jacksonville: Museum of Contemporary Art Jacksonville, 2019, pp. 32-35, ill. (exh. cat.)
Kopp, Edourard, Elderfield, John, Shiff, Richard (et al.), ‘Drawing Is Everything. Founding Gifts of the Menil Drawing Institute’, Houston: The Menil Collection, 2019, pp. 88-89, ill.
Ho, Melissa (ed.), ‘Artists Respond. American Art and the Vietnam War, 1965—1975’, Washington, DC: Smithsonian American Art Museum in association with Princeton University Press, 2019, pp. 267-269, ill. (exh. cat.)
Lee Hallman, Jane Hyun (eds.), ‘Modern Art Museum of Fort Worth Collection Highlights’, Fort Worth: Modern Art Museum of Fort Worth, 2019, ill.
Alteveer, Ian, Eckland, Douglas + [et al.], ‘Everything is Connected. Art and Conspiracy’, New York: The Metropolitan Museum of Art, 2018 (exh. cat.)
Katz, Alex, ‘Looking at Art with Alex Katz’, New York: Laurence King Publishing, 2018
Maffesoli, Emmanuelle (ed.), ‘Nymphéas. L‘abstraction américaine et le dernier Monet’, Paris: Musée d’Orsay, 2018 (exh. cat.)
Miller, Mara, Parker, Thomas B. + [et al.], ‘The Masters. Art Students League and their Students’, New York: Hirschl & Adler, 2018 (exh. cat.)
Rumsey, Monica, Swiston, Rachel (eds.), ‘Graphic Revolution. American Prints 1960 to Now’, St. Louis: Saint Louis Art Museum, 2018 (exh. cat.)
Ward, Lucinda (ed.), ‘American Masters’, Parkes: National Gallery of Australia, 2018 (exh. cat.)
Yehuda, Tamar Ben, Fox, Tamar, ‘Red over Yellow. A Selection from a Private Collection’, Har-Tuv: Keter Press, 2017
Bradnock, Lucy, Baum, Kelly + [et al.], ‘Delirious. Art at the Limit of Reason 1950-1980’, New York: The Metropolitan Museum of Art, 2017 (exh. cat.)
Enwezor, Okwui, Siegel, Katy + [et al.], ‘Postwar. Postwar. Art Between the Pacific and the Atlantic, 1945-1965’, Munich: Prestel, 2016 (exh. cat.)
Rondeau, James, Robert Sharp, Wilson McBee + [et al.] (eds.), ‘The Art Institute of Chicago. The Essential Guide’, Chicago: The Art Institute of Chicago, 2015
Venero, Isabel, ‘Laura Owens’, New York: Skira Rizzoli Publications, Inc., 2015
Frank, Susan Behrends (ed.), ‘Made in the U.S.A.: Art from the Phillips Collection’, Washington, D.C.: Phillips Collection, 2014
Slifkin, Robert, ‘Out of Time: Philip Guston and the Refiguration of Postwar American Art’, Berkeley: University of California Press, 2013
Sylvester, David, ‘Ein Gespräch mit Philip Guston’, Bern: Piet Meyer Verlag, 2013
Museo Nacional Centro de Arte Reina Sofía (ed.), ‘The Thirties: Theater of Cruelty, Place of Encounter’, Madrid: Museo Nacional Centro de Arte Reina Sofía, 2013
Stals, José Lebrero, ‘The Grotesque Factor’, Málaga: Museo Picasso Málaga, 2013
Marlborough Gallery (ed.), ‘Alsoudani, Bacon, Guston, Rego’, New York: Marlborough Gallery, 2013
Edwards, Kathleen A. (ed.), ‘New Forms: The Avant-Garde Meets the American Scene, 1934-1949’, Iowa City: University of Iowa Museum of Art, 2013
Beard, Lee, Butler, Adam, Van Cleave, Claire, Fortenberry, Diane, Stirling, Susan, ‘The Art Book’, New York: Phaidon Press Inc., 2012
Pasta, Paulo, ‘A Educação pela Pinutra’, São Paulo: WMF Martins Fontes Ltd., 2012
Van Dyke, Kristina (ed.), ‘In the Still Epiphany’, St. Louis: The Pulitzer Foundation for the Arts, 2012
Becker, Lisa Tamiris (ed.), ‘Points of View: Selections from Seven Colorado Collections’, Boulder: CU Art Museum, University of Colorado Boulder, 2012
Harper, Dennis (ed.), ‘Art Interrupted: Advancing American Art and the Politics of Cultural Diplomacy’, Athens: Georgia Museum of Art, 2012
Bruce, Chris, Wright, Virginia, ‘The Artist’s Hand: American Works on Paper 1945 – 1975’, Pullman: Washington State University, 2012
Mendelson, Jordana, ‘Encounter with the ‘30s’, Madrid: Museo Nacional Centro de Arte Reina Sofia, 2012
Anfam, David, ‘Beckmann and Abstract Expressionism: The Space of Existence’, Frankfurt: Stadel Musem,
2011
Frank, Susan Behrends, Rathbon, Eliza E., ‘Master Paintings From the Phillips Collection’, Washington, D.C.: The Phillips Collection, 2011
Berry, Ian, Shear, Jack (ed.), ‘Twice Drawn: Modern and Contemporary Drawings in Context’, New York/London: Prestel Publishing Ltd., 2011
Madesta, Andrea (ed.), ‘Permanent Trouble: Art from the Kopp Collection, Munich’, Cologne: Snoeck, 2010
Ottinger, Didier, Bajac, Quentin, ‘Dreamlands’, Paris: Centre Pompidou, 2010
Garrels, Gary, ‘Calder to Warhol: Introducing the Fischer Collection’, San Francisco: San Francisco Museum of Modern Art, 2010
Kissane, Sean (ed.), ‘Vertical Thoughts: Morton Feldman and the Visual Arts’, Dublin: Irish Museum of Modern Art, 2010
Herndon-Consagra, Francesca, ‘Dreamscapes’, St. Louis: The Pulitzer Foundation for the Arts, 2010
Scala, Mark W., ‘Paint Made Flesh’, Nashville: Vanderbilt University Press, 2009
Balken, Debra Bricker, ‘After Many Springs: Regionalism, Modernism & the Midwest’, Des Moines/New Haven: Des Moines Art Center/Yale Unviersity Press, 2009
Semff, Michael, Bussmann, Frédéric, ‘Die Gegenwart der Linie’, Munich: Die Pinakothek der Moderne, 2009
Seoul Museum of Art (ed.), ‘Exhibition of Musee National d’Art Moderne du Pompidou’, Korea: Seoul Museum of Art, 2009
Munroe, Alexandra, ‘The Third Mind: American Artists Contemplate Asia, 1860 to 1989’, New York: Solomon R. Guggenheim Museum, 2009
Rattemeyer, Christian, Butler, Cornelia H., ‘Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection’, New York: The Museum of Modern Art, 2009
Guzmán, Daniel (ed.), ‘My Generation’, Mexico City: Kurimanzutto, 2009
Reaves, Wendy Wick, ‘Reflections/ Refractions: Self- Portraiture in the Twentieth Century’, Washington, D.C.: Smithsonian Institution Scholarly Press, 2009
Scharpff-Striebich, Carolin, ‘Let’s Talk Abstract’, Berlin: DISTANZ, 2009
Yale University Art Gallery (ed.), ‘Art for Yale: Collecting for a new century’, New Haven: Yale University Press, 2008
Cottingham, Robert, ‘Here’s The Thing: The Single Object Still Life’, Katonah: Katonah Museum of Art, 2008
Kleeblatt, Norman L., ‘Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976’, New York: The Jewish Museum, 2008
Mori Art Museum (ed.), ‘Art is for the Spirit: Works from the UBS Art Collection’, Tokyo: Mori Art Museum, 2008
Grenville, Bruce, ‘Krazy: The Delirious World of Anime + Comics + Video Games + Art’, Vancouver/Berkeley: Vancouver Art Gallery/D&M/University of California Press, 2008
Garrels, Gary, ‘Oranges and Sardines: Conversations on Abstract Painting’, Los Angeles: Hammer Museum, 2008
Carroll, Peter N., Fernández, James D., ‘1936-1939: Facing Fascism: New York and the Spanish Civil War’, New York: The Museum of the City of New York/NYU Press, 2007
Hillings, Valerie L., ‘Guggenheim Collection: 1940s to Now’, Melbourne: National Gallery of Victoria, 2007
Kellein, Thomas, ‘Perfektion und Zerstorung’, Tübingen: Wasmuth, 2007
Elderfield, John, ‘Against the Grain: Contemporary Art from the Edward R. Broida Collection’, New York: The Museum of Modern Art, 2006
Dunne, Aidan, O’Driscoll, Dennis, Murphy, Patrick T., ‘I not I: Beckett, Guston, Nauman’, Dublin: The Royal Hibernian Academy, 2006
Juncosa, Enrique, Conrado de Villalonga, José, Blazwick, Iwona, ‘Inner Worlds Outside’, Dublin: Irish Museum of Modern Art, 2006
Cappock, Margarita (ed.), ‘20th and 21st Century American Art’, London, Merrell Publishers Limited, 2006
Barron, Stephanie, Draguet, Michael, ‘Magritte and Contemporary Art: The Treachery of Image’, Los Angeles: Los Angeles County Museum of Art, 2006
Bloodgood, Josephine, Wolf, Tom, ‘The Maverick Continues’, Woodstock: Woodstock Artists Association and Museum, 2006
Balken, Debra Bricker, ‘Abstract Expressionism’, London: Tate Publishing, 2005
Temkin, Ann (ed.), ‘Contemporary Voices: works from the UBS Art Collection’, New York: The Museum of Modern Art, 2005
Dervaux, Isabelle (ed.), ‘Surrealism USA’, New York: National Academy Museum, 2005
Clair, John (ed.), ‘The Great Parade, Portrait of the Artist as Clown’, Paris/Ottawa: Gallimard/Musee des beaux-arts du Canada, 2004
Monegal, Antonio, Francesc Torres, José, Ridao, Maria, ‘At War’, Barcelona: Barcelona Center of Contemporary Culture, 2004
Chevrier, Jean-François, ‘Art and Utopia: Action Restricted’, Barcelona: Museu d’art Contemporani de Barcelona, 2004
Musgrave, David, ‘Living Dust’, Norfolk: Norwich Gallery, Norwich School of Art and Design, 2004
Fergusson, Russel, ‘The Undiscovered Country’, Los Angeles: Hammer Museum, 2004
Blazwich, Iwona, Christov-Bakargiev, Carolyn, ‘Faces in the Crowd: Picturing Modern Life from Manet to Today’, London: Whitechapel, 2004
Rainbird, Sean (ed.), ‘Max Beckmann’, London: Tate Publishing, 2003
David Franklin, ‘Treasures of the National Gallery of Canada’, Ottawa/New Haven/London: National Gallery of Canada/Yale University Press, 2003
Elderfield, John (ed.), ‘Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art’, New York: Museum of Modern Art, 2003
Centro Andaluz de Arte Contemporáneo (ed.), ‘Los excesos de la mente’, Sevilla: Centro Andaluz de Arte Contemporáneo, 2002
Acton, David, ‘The Stamp of Impulse: Abstract Expressionist Prints’, Worcester: Worcester Art Museum, 2002
Beamesderfer, Alice (ed.), ‘Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art’, Philadelphia: Philadelphia Museum of Art, 2002
Auping, Michael, ‘Modern Art Museum of Fort Worth 110’, London: Third Millennium Publishing Limited, 2002, pp. 74-79, 242
Centro Andaluz de Arte Contemporáneo (ed.), ‘Los excesos de la mente’, Sevilla: Centro Andaluz de Arte Contemporáneo, 2002
Lafo, Rachel Rosenfield, Capasso, Nicholas, Uhrhane, Jennifer (ed.), ‘Painting in Boston:1950-2000’, Lincoln: DeCordova Museum and Sculpture Park, 2002
Fogg Art Museum (ed.), ‘Marjorie B. Cohn, Lois Orswell, David Smith, and Modern Art’, Cambridge/New Haven/London: Harvard University Art Museums/ Yale University Press, 2002
Palter, Robert, ‘The Duchess of Malfi’s Apricots, and Other Literary Fruits’, Columbia: University of South Carolina Press, 2002
Logan, Vicki, Logan, Kent, ‘The Logan Collection: A Portrait of Our Times’, Denver: The Logan Collection Vail, 2002
Sylvester, David, ‘Interviews with American Artists’, New Haven/London: Yale University Press, 2002
Kianovsky, Sarah B., ‘Lois Orswell, David Smith, and Modern Art’, Cambridge: Fogg Art Museum, 2002
The Whitney Museum of American Art (ed.), ‘American Visionaries: Selections from the Whitney Museum of American Art’, New York: the Whitney Museum of American Art/Harry N. Abrams, Inc., 2001
Roth, Philip, ‘Shop Talk: A Writer and His Colleagues and Their Work’, New York: Houghton Mifflin Company, 2001, pp 131-138
Schweisguth, Claude, ‘Œuvres sur papier (acquisitions 1996-2001) ’, Paris: Centre Georges Pompidou, 2001
Gibson, Robin, ‘Painting the Century: 101 Portrait Masterpieces 1900-2000’, London: National Portrait Gallery Publications, 2000
Wood, James N. (ed.), ‘Treasure from the Art Institute of Chicago’, New York: Hudson Hills Press, 2000
Hills, Patricia, ‘Modern Art in the USA: Issues and Controversies of the 20th Century’, Upper Saddle River: Prentice Hall, 2000
San Francisco Museum of Modern Art (ed.), ‘Celebrating Modern Art: Highlights of the Anderson Collection’, Verona: Mondadori Printing, 2000
Robertson, Jean, McDaniel, Craig, ‘Painting as a Language: Material, Technique, Form and Content’, New York: Harcourt College Publishers, 2000
Wismer, Beat, Omlin, Sibylle, ‘Das Gedächtnis der Malerei’, Cologne: Wathler König, 2000
Storr, Robert, ‘Modern Art despite Modernism’, New York: The Museum of Modern Art, 2000
Lotz, Theo, ‘Bizarro World! The Parallel Universes of Comics & Fine Art’, Winter Park: Cornell Fine Arts Museum, Rollins College, 2000
Aargauer Kunsthaus (ed.), ‘Painting as Memory – the Memory as Painting’, Aarau: Aargauer Kunsthaus, 2000
Hyman, Timothy, Malbert, Roger, ‘Carnivalesque’, Brighton: Brighton Museum and Art Gallery, 2000
Garrels, Gary (ed.), ‘Celebrating Modern Art: The Anderson Collection’, Berkeley: University of California Press, 2000
Criqui, Jean-Pierre (ed.), ‘Le Temps, Vite’, Paris: Centre Georges Pompidou, 2000
Snug Harbor Cultural Center (ed.), ‘The Figure: Another Side of Modernism’, Staten Island: Newhouse Center for Contemporary Art, 2000
Bell, Julian, ‘What is Painting? Representation and Modern Art’, New York: Thames and Hudson, 1999
Schwarz, Dieter (ed.), ‘Van Gogh, Can Doesburg, de Chirico, Picasso, Guston, Weiner, Mangold, Richter’, Verlag/Dusseldorf: Kunstmuseum Winterthur/Richter, 1999
Arnarson, H. Harvard, ‘History of Modern Art’, New York: Harry Abrams, 1999
The Bunkamura Museum of Art (ed.), ‘Modern Art at Harvard’, Tokyo: The Bunkamura Museum of Art, 1999
Messer, Thomas M., ‘Made in USA, 1940–1970: Between Art and Life; de l’Expressionisme Abstracte al Pop’, Barcelona: Centre Cultural de la Fundació la Caixa, 1999
Fundacion Bancaja (ed.), ‘Creacion y Figura: Figuracion en el siglo XX’, Valencia: Fundacion Bancaja, 1999
DeLong, Lea Rossen, ‘Shifting Visions: O’Keeffe, Guston, Richter’, Des Moines: Des Moines Art Center, 1999
Gerhard, Mack (ed.), ‘Kunstler Kritisches Lexikon der Gegenwartskunst’, Munich: Verlage Weltkunst and Bruckmann, 1997
Sandler, Irving, ‘Art of the Post Modern Era: From the Late 1960s to the Early 1990s’, New York: Harper Collins Publishers, 1996
Fineberg, Jonathan, ‘Art Since 1940: Strategies of Being’, Upper Saddle River: Prentice Hall, 1995
Lucie-Smith, Edward, ‘Movements in Art since 1945: Issues and Concepts’, New York: Thames and Hudson, 1995
Hunter, Sam, Jacobus, John (ed.), ‘Modern Art’, New York: Harry N. Abrams, Inc., 1993
Dissentshik, Ronnie, ‘Not for Sale: Loans from the Private Collections of New York Art Dealers’, Tel Aviv: Tel Aviv Museum of Art, 1993
Pagnoux, Michel, ‘La Compagnie Des Objets’, Quimper: Centre d’Art contemporain de Quimper, 1992
Wheeler, Daniel, ‘Art Since Mid-Century 1945 to the Present’, New York: The Vendome Press, 1991
Ross, Clifford, ‘Abstract Expressionism: Creators and Critics’. New York: Harry N. Abrams, Inc., 1990
Schwartz, Sanford, ‘Artists and Writers’, New York: Yarrow Press, 1990
Ritchie, Charles M., Fine, Ruth (ed.), ‘The 1980’s: Prints from the Collection of Joshua P. Smith’, Washington, D.C.: National Gallery of Art, 1990
Asher-Faure Gallery (ed.), ‘Home’, Los Angeles: Asher-Faure Gallery, 1990
Bronx Museum of the Arts (ed.), ‘Return to the Figure: Three Studies, Philip Guston, Jean Helion, Irene Rice Pereira’, New York: Bronx Museum of the Arts, 1988
Hicks, Alistair (ed.), ‘Art of Our Time’, Edinburgh/London: The Royal Scottish Academy/Saatchi Collection, 1988
Rahr-West Art Museum (ed.), ‘Still Life: Painting, Sculpture, Drawing’, Manitowoc: Rahr-West Art Museum, 1987
Summit Art Center (ed.), ‘Styles of Painting of the New York School: Selections from the CIBA-GEIGY Collection’, Summit: Summit Art Center, 1987
Fundació Joan Miró (ed.), ‘A Joan Miró: col·lecció permanent d'art contemporani en homenatge a Joan Miró’, Barcelona, Fundació Joan Miró, 1986
Hunter, Sam, Daniel, Malcolm R., ‘An American Renaissance: Painting and Sculpture Since 1940’, Fort Lauderdale/New York: Fort Lauderdale Museum of Art/Abbeville, 1986
Yares Gallery (ed.), ‘The Neo-Figure: An International Survey’, Scottsdale: Yares Gallery, 1986
Sims, Patterson, ‘Figure as Subject: The Last Decade’, New York: Whitney Museum of American Art, 1986
Emily Lowe Gallery (ed.), ‘Maelstrom: Contemporary Images of Violence’, Hempstead: Hofstra University, 1986
Hopps, Walter, Printz, Neil, ‘American Drawing: 1930-1980’, Paris/Houston: Ecole Nationale Superieure des Beaux Arts/Menil Foundation, 1985
Ratcliff, Carter, ‘American Art Today: Still Life’, Miami: The Art Museum at Florida International University, 1985
Ashton, Dore, ‘American Art Since 1945’ New York: Oxford University Press, 1984, pp. 10, 20, 31, 48, 65, 99, 101, 102, 105, 155, 160, 165
Robbins, Corinne, ‘The Pluralist Era: 1968-1981’, New York: Harper & Row Publishers, 1984, pp. 107-103, 178
Cathcart, Linda L, ‘American Still Life 1945-1983’, Houston/New York: Contemporary Arts Museum/Harper & Row Publishers, 1984
Silk, Gerald, ‘Automobile and Culture’, Los Angeles/New York: The Museum of Contemporary Art/Abrams, 1984
Fox, Howard N. (ed.), ‘Content: A Contemporary Focus 1974-1984’, Washington, D.C.: Smithsonian Institution Press, 1984
Ruth, Fine E., ‘Gemini G.E.L.: Art and Collaboration’, Washington, D.C.: National Gallery of Art, 1984
Bienal Internacional de Sao Paulo (ed.), ‘V Bienal Internacional de Sao Paulo’, Brazil: Bienal Internacional de Sao Paulo, 1982
Vanderlip, Dianne Perry (ed.), ‘Poets & Painters’, Denver: Denver Art Museum, 1979
University of St. Thomas Art Department (ed.), ‘Six Painters: Mondrian, Guston, Kline, de Kooning, Pollock, Rothko’, Houston: University of St. Thomas, 1967
Press
The Week Staff, 'Exhibitions of 2023: must-see new shows in the UK', on: theweek.co.uk, 6 January 2023
McGlynn, Tom, 'GUSTON/MORANDI/SCULLY' [review], in: The Brooklyn Rail, October 2022, p. 85, ill.
Roelstraete, Dieter, 'Die angst vor der kunst', in: Monopol, Berlin, September 2022, pp. 6, 54-66, cover, ill.
Yau, John, 'Philip Guston’s Haunted Testimonies' [review], on: hyperallergic.com, 19 August 2022, ill.
May, Tom, 'The best art books to enjoy in the summer of 2022', on: creativeboom.com, 17 August 2022
McEwan, Olivia, 'A Show Traces Philip Guston’s Impact on Contemporary Artists' [review], on: hyperallergic.com, 7 August 2022, ill.
Schwabsky, Barry, 'Philip Guston’s Philosophy of Doubt', on: thenation.com, 28 July 2022, ill.
Parker, Dian, 'The Writing of Great Artists: Delving into an Artist’s Mind', on: artandobject.com, 11 July 2022, ill.
Conroy, Violet, 'Four Contemporary Artists on the Unsparing Legacy of Philip Guston', on: anothermag.com, 8 July 2022, ill.
___, 'Philip Guston Now', in: Monopol, Berlin, June 2022, p. 124, ill.
Bolton-Fasman, Judy, 'The Art and Social Conscience of Jewish Artist Philip Guston', on: jewishboston.com, 28 June 2022, ill.
Budick, Ariella, 'Philip Guston’s fearless work outshines qualms and controversy in Boston' [review], on: ft.com, 15 June 2022, ill.
Meyer, Lily, 'Don’t Look Away From Philip Guston’s Cartoonish Paintings of Klansmen', on: theatlantic.com, 24 May 2022, ill.
Luke, Ben, 'The enigma of Philip Guston: two books unpack artist's fascination with dualities' [review], on: theartnewspaper.com, 24 May 2022, ill.
Smith, Stephen, 'I Paint What I Want to See by Philip Guston review — notes from the "cancelled" artist who painted the Ku Klux Klan', on: thetimes.co.uk, 17 May 2022, ill.
Dalley, Jan, 'Philip Guston and an art-world comedy of errors', on: ft.com, 13 May 2022, ill.
___, 'Advice to Myself', in: Frieze, London, no. 227, May 2022, pp. 90-97, ill.
Hoffman, A.R., 'Guston: A Genius Beyond Controversy', on: nysun.com, 7 May 2022, ill.
Luke, Ben, Garris, Gareth, Dawson Aimee, 'America's racial reckoning: inside the controversial Guston show' [podcast], on: theartnewspaper.com, 6 May 2022, ill.
Smee, Sebastian, 'In long-awaited Philip Guston show, great art comes with a warning', on: washingtonpost.com, 6 May 2022, ill.
Baillargeon, Stéphane, 'L’art délicat de montrer des oeuvres antiracistes sans froisser', on: ledevoir.com, 5 May 2022, ill.
Dafoe, Taylor, 'An Off-Ramp, a Trauma Specialist, and Preparedness Pamphlets: How the MFA Boston Reworked Its Philip Guston Retrospective', on: news.artnet.com, 5 May 2022, ill.
Burnett, Craig, 'Mixed Emotions', in: Apollo, London, May 2022, pp. 78-84, ill.
Tracy, Marc, Pogrebin, Robin, 'Delayed Philip Guston Show Opens, With a Note From a Trauma Specialist', on: nytimes.com, 1 May 2022, ill.
Scott, Chadd, 'America’s Most Controversial Art Exhibition, ‘Philip Guston Now,’ Debuts At MFA, Boston', on: forbes.com, 1 May 2022, ill.
Plagens, Peter, 'Review: "Philip Guston Now," at Last', on: wsj.com, 30 April 2022, ill.
Whyte, Murray, 'The MFA recast artist Philip Guston amid a nationwide racial reckoning — here's the result', on: bostonglobe.com, 29 April 2022, ill.
Cotter, Holland, 'After a Tempest, Philip Guston Shines in a Show True to His Spirit', on: nytimes.com, 29 April 2022, ill.
Reynolds, Pamela, 'After postponement, Philip Guston's work finally arrives at the MFA', on: wbur.org, 28 April 2022, ill.
Marcus, J.S., 'Controversially postponed Philip Guston show finally gets going. How has it changed?', on: theartnewspaper.com, 26 April 2022, ill.
Saenger, Peter, 'Philip Guston Made Images That Spark Arguments', on: wsj.com, 22 April 2022, ill.
Heardman, Adam, 'Sense and Sensationalism: Is There More to Philip Guston than Controversy?', on: elephant.art, 17 April 2022, ill.
Richel, Justin, 'The Gift of Freedom in Guston's "Flatlands"', in: Alta Journal, San Franciso, Spring 2022, p. 35, ill.
Yau, John, 'Philip Guston’s Unblinking Eye', on: hyperallergic.com, 29 September 2021, ill.
Chui, Vivian, 'Philip Guston’s Most Controversial Decade of Work', on: ocula.com, 22 September 2021, ill.
Schjeldahl, Peter, 'Philip Guston 1969-1979', on: newyorker.com, 20 September 2021, ill.
Whyte, Murray, 'How do you contextualize an artist who captured hate?', on: bostonglobe.com, 16 September 2021, ill.
Smee, Sebastian, 'Museums are still mounting major exhibitions this fall, with no shortage of big-name artists', on: washingtonpost.com, 10 September 2021, ill.
Smith, Roberta, 'After the Storm, Philip Guston for Real', in: The New York Times, New York, 16 September 2021, ill.
Arn, Jackson, 'The Mysterious Mr. Guston', on: airmail.news, 4 September 2021, ill.
Germer, Alexandra, 'Waste Not Want Not. Philip Guston and Raymond Pettibon. Brooke Alexander' [review], in: Spike, Vienna, Berlin, no. 67, Spring 2021, pp. 152-153, ill.
Schwabsky, Barry, 'Philip Guston’s Peculiar History Lesson. On the painter’s politics of self-questioning', on: thenation.com, 12 April 2021, ill.
Bahr, Sarah, 'New York Show of Philip Guston Work to Include Klan Images', on: nytimes.com, 31 March 2021, ill.
___, 'Hauser & Wirth to Show Controversial Philip Guston Klan Paintings', on: artforum.com, 31 March 2021, ill.
Cascone, Sarah, 'Hauser & Wirth Will Exhibit Philip Guston’s Klan Paintings a Year After the Series Sparked a Fiery Debate About Censorship', on: news.artnet.com, 31 March 2021, ill.
Mayer, Musa, 'A New Book by Philip Guston’s Daughter Explores the Origins of the Painter’s Ku Klux Klan Imagery—Read an Excerpt Here', on: news.artnet.com, 18 March 2021, ill.
Eyre, Hermione, 'The truth about my father, Philip Guston – The artist’s daughter tells Hermione Eyre that his paintings can engender the dialogue we need to have about race', on: spectator.co.uk, 13 March 2021, ill.
Ruiz, Cristina, 'Tate curator Mark Godfrey, who was disciplined for questioning the decision to postpone a Philip Guston show, parts ways with institution', on: theartnewspaper.com, 11 March 2021
Greenberger, Alex, 'Curator Mark Godfrey to Depart Tate Modern After Philip Guston Exhibition Controversy', on: artnews.com, 11 March 2021
O’Hagan, Sean, ‘Philip Guston's daughter on his Klan paintings: ‘They're about white culpability – including his own’’, on: theguardian.com, 21 February 2021, ill.
Wood, Eve, ‘Gallery Rounds: Philip Guston’, on: artillerymag.com, Los Angeles, 10 February 2021, ill.
Nastro, Santa, ‘Nuovo libro sul grande pittore Philip Guston. Intervista alla figlia Musa Mayer che l’ha scritto’, on: artribune.com, Rome, 9 February 2021, ill.
Seymour, Harry, ‘Growing up with Philip Guston — my father’, on: christies.com, 5 February 2021, ill.
Harris, Gareth, ‘Q&A | Philip Guston’s daughter Musa Mayer on her new book and the uproar surrounding the artist’s postponed show’, on: theartnewspaper.com
Nadel, Dan, Ofili, Chris, Rich, Sarah K. (et al.), 'Philip Guston. Five contributors consider Guston’s oeuvre', in: Artforum, New York, vol. 59, no. 5, January/February 2021, ill.
Nadel, Dan, 'Now You See Me', in: Artforum, New York, vol. 59, no. 5, January/February 2021, ill.
Ofili, Chris, 'City Limits, 1969', in: Artforum, New York, vol. 59, no. 5, January/February 2021, ill.
Rich, Sarah K., 'Untitled, 1964', in: Artforum, New York, vol. 59, no. 5, January/February 2021, ill.
Slifkin, Robert, 'Ugly Feelings', in: Artforum, New York, vol. 59, no. 5, January/February 2021, ill.
Hancock, Trenton Doyle, 'Project. Trenton Doyle Hancock', in: Artforum, New York, vol. 59, no. 5, January/February 2021, ill.
Smee, Sebastian, 'Philip Guston’s art speaks to our present moment. We shouldn’t have to wait to see it', in: The Washington Post, Washington DC, 14 January 2021, ill.
Tallman, Susan, 'Philip Guston’s Transformations', in: The New York Review of Books, New York, vol. LXVIII, no. 1, 14 January 2021, pp. 12-15, cover, ill.
Hess, Ewa, 'Seelenstärkung abseits der Pisten', in: SonntagsZeitung, Zurich, 10 January 2021, ill.
Sherwin, Skye, 'Anatomy of an artwork: Philip Guston’s Musa', in: The Guardian Guide, London, 9 January 2021, p. 25, ill.
Judah, Hettie, 'Philip Guston: A Life Spent Painting, review: a larger-than-life portrait of the controversial artist', on: inews.co.uk, 8 January 2021, ill.
Harris, Gareth, 'Our pick of 2021 art publications', on: theartnewspaper.com
Zuccala, Luca, '“Dipingere è più un impadronirsi che un rappresentare”: Philip Guston totale da Hauser & Wirth St. Moritz. Intervista', on: artslife.com, 1 January 2021, ill.
Locke, Steve, 'Guston, Whiteness, and the Unfinished Business of the Vile World', in: Artforum, New York, December 2020, ill.
Fuchs, Marina U., 'Einem Übervater der modernen Kunst begegnen', in: Südostschweiz, Chur, 31 December 2020, ill.
Rea, Naomi, 'Philip Guston’s Market Has Never Reached the Heights of His Ab-Ex Contemporaries. But This Year’s Controversy May Change That', on: news.artnet.com, 22 December 2020, ill.
Mack, Gerhard, 'Malen gegen Heuchelei und Selbsttäuschung', in: NZZ am Sonntag, Zurich, 20 December 2020, p. 65, ill.
Friedman, Julia, ‘Philip Guston (Not) Now: The Impact Argument’, on: athenaeumreview.org, 16 November 2020, ill.
___, 'Postponed Philip Guston Retrospective to Open in 2022', on: artforum.com, 6 November 2020, ill.
Luke, Ben, ‘Philip Guston show: 2022 opening is welcome news but confusion still remains’, on: theartnewspaper.com, 6 November 2020, ill.
Kenney, Nancy, ‘After tumult, museums say that a delayed Philip Guston exhibition will open in 2022’, on: theartnewspaper.com, 6 November 2020, ill.
Cascone, Sarah, ‘The Postponed Philip Guston Show Will Now Open in 2022 With New Contributions From Artists and Historians’, on: news.artnet.com, 5 November 2020, ill.
McGlone, Peggy, ‘After intense criticism, Philip Guston exhibition rescheduled for 2022-24’, on: washingtonpost.com, 5 November 2020
Schwabsky, Barry, ‘Don’t Hide the Art of Philip Guston’, on: thenation.com, 30 October 2020, ill.
Jacobs, Emma, ‘Museums Postpone Show Over Late Artist’s Images Of Hooded Klansmen’, on: npr.org
Agresta, Michael, ‘A Museum Show in Houston Is Shelved, and the Texas Art Community Cries Foul’, on: texasmonthly.com, 20 October 2020, ill.
Smee, Sebastian, ‘The Philip Guston controversy is turning artists against the National Gallery’, on: washingtonpost.com, 16 October 2020, ill.
Davis, Ben, ‘The Strongest Reactions to the Philip Guston Show’s Postponement Miss Two Key Points. Here’s What They Are—and Why They Matter’, on: news.artnet.com, 15 October 2020, ill.
Schjeldahl, Peter, ‘Philip Guston and the Boundaries of Art Culture’, in: The New Yorker, New York, 19 October 2020, ill.
McGlone, Peggy, Smee, Sebastian, ‘Coronavirus shutdowns and charges of white supremacy: American art museums are in crisis’, on: washingtonpost.com, 12 October 2020, ill.
McGlone, Peggy, ‘National Gallery director defends postponement of show with Klan images but will rethink opening date’, on: washingtonpost.com, 7 October 2020, ill.
Halperin, Julia, ‘Why Did the National Gallery Postpone Its Guston Show? The Museum’s Director Says the Public Doesn’t Need a ‘White Artist to Explain Racism’ Right Now’ [interview], on: news.artnet.com, 6 October 2020, ill.
Robinson, Paul Carter, Anfam, David, ‘Philip Guston Postponed: Curator David Anfam Speaks Out – Paul Carter Robinson’ [interview], on: artlyst.com, 6 October 2020, ill.
Schwendener, Martha, ‘Why Philip Guston Can Still Provoke Such Furor, and Passion’, on: nytimes.com, 2 October 2020, ill.
Charlesworth, J.J., ‘Philip Guston’s KKK Paintings Must Be Shown – But Not as Pawns in the Culture Wars’, on: artreview.com, 2 October 2020, ill.
Trouillot, Terence, Simmons, Gary, Satterwhite, Jacolby (et al.), ‘Artists Speak against the Postponement of ‘Philip Guston Now’’, on: frieze.com, 2 October 2020, ill.
Holland, Oscar, ‘Artists slam decision to postpone exhibition of Philip Guston’s KKK paintings‘, on: cnn.com, 1 October 2020, ill.
Braine, Theresa, ‘Artists slam decision to postpone Philip Guston art exhibit containing KKK images as commentary on racial injustice’, on: nydailynews.com, 1 October 2020, ill.
Harvey, Chris, ‘Art galleries shouldn’t be afraid of ‘evil’ symbols – the public don’t need nannying’, on: telegraph.co.uk, 1 October 2020, ill.
Saltz, Jerry, ‘4 Museums Decided This Work Shouldn’t Be Shown. They’re Both Right and Wrong’, on: vulture.com, 1 October 2020, ill.
Vartanian, Hrag, ‘National Gallery of Art Director Discusses the Decision to Delay the Philip Guston Exhibition’, on: hyperallergic.com, 1 October 2020
Smee, Sebastian, ‘Ford Foundation’s president is apologizing for the wrong thing’, on: washingtonpost.com, 1 October 2020, ill.
Holland, Oscar, ‘Artists slam decision to postpone exhibition of Philip Guston’s KKK paintings’, on: cnn.com, 1 October 2020, ill.
___, ‘Hundreds in Art World Sign Letter Urging Restoration of Postponed Philip Guston Exhibition’, on: artforum.com, 30 September 2020, ill.
Gibson, Eric, ‘Going, Going, Guston’, on: wsj.com, 30 September 2020, ill.
Aaronovitch, David, ‘The Tate is guilty of cowardly self-censorship’, on: thetimes.co.uk, 30 September 2020
Farago, Jason, ‘The Philip Guston Show Should Be Reinstated’, in: The New York Times, New York NY, 30 September 2020, ill.
___, ‘Open Letter: On Philip Guston Now’, in: The Brooklyn Rail, Brooklyn NY, 30 September 2020 (originally published), ill.
Montgomery, Mimi, ‘The Art World is Riled Up Over the Abrupt Postponement of a National Gallery Show That Would Have Featured KKK Imagery’, 29 September 2020, ill.
Davis-Marks, Isis, ‘Understanding the Controversy Over Postponed Exhibition Featuring KKK Imagery’, on: smithsonianmag.com, 29 September 2020, ill.
Emelife, Aindrea, ‘Philip Guston’s KKK images force us to stare evil in the face – we need art like this’, on: theguardian.com, 28 September 2020, ill.
Luke, Ben, ‘Philip Guston’s KKK paintings ‘are not asleep—they’re woke’: catalogue contradicts museum statement controversially halting show’, on: theartnewspaper.com, 28 September 2020, ill.
Greenberger, Alex, ‘Controversial Philip Guston Show Postponement Met with Shock and Anger from Art Community’, on: artnews.com, 28 September 2020, ill.
Schneider, Tim, ‘The Gray Market: Why the Delay of ‘Philip Guston Now’ Will Backfire on the Entire Culture Sector (and Other Insights)’, on: news.artnet.com, 28 September 2020, ill.
Smee, Sebastian, ‘In postponing Guston exhibition, the National Gallery and three other museums have made a terrible mistake’, on, washingtonpost.com, 27 September 2020, ill.
Helmore, Edward, ‘Sense or censorship? Row over Klan images in Tate’s postponed show’, on: the guardian.com, 27 September 2020, ill.
Herman, David, ‘Cancelling Philip Guston’, on: thearticle.com, 27 September 2020, ill.
Blay, Christopher, ‘‘Cowardly and Patronizing’: Responses to Postponement of Philip Guston Retrospective’, on: glasstire.com, 27 September 2020, ill.
Giuliano, Charles, ‘Philip Guston Now to Not Now. What He Meant to Boston’s Artists’, on: berkshirefinearts.com, 26 September 2020, ill.
Holmes, Helen, ‘A Philip Guston Retrospective Has Been Pushed to 2024, and the Art World Is Incensed’, on: observer.com, 25 September 2020, ill.
Jacobs, Julia, Farago, Jason, ‘Delay of Philip Guston Retrospective Divides the Art World’, in: The New York Times, New York NY, 25 September 2020, ill.
McGlone, Peggy, ‘Citing Klan and lynching images, NGA and 3 other museums postpone major Guston exhibition’, on: washingtonpost.com, 25 September 2020, ill.
Harris, Gareth, ‘Critics, scholars—and even museum’s own curator—condemn decision to postpone Philip Guston show over Ku Klux Klan imagery’, on: theartnewspaper.com, 25 September 2020, ill.
Storr, Robert, ‘Philip Guston drew Richard Nixon’s face as a hairy scrotum and phallus—what would he make of President Trump?’, on: theartnewspaper.com, 24 September 2020, ill.
Greenberger, Alex, ‘Philip Guston Blockbuster Pushed Back to 2024 Amid Concerns Over KKK Imagery’, on: artnews.com, 24 September 2020, ill.
Jacobs, Julia, ‘Phillip Guston Blockbuster Show Postponed by Four Museums’, in: The New York Times, New York NY, 24 September 2020, ill.
Smee, Sebastian, ‘Anger at Donald Trump may turn great artists into political cartoonists. It’s happened before.’, 4 September 2020, on: washingtonpost.com, ill.
Mayer, Musa, ‘Musa Mayer Reflects on Paintings by her Father Philip Guston and the Lessons that Endure’, on: culturedmag.com, 31 July 2020, ill.
da Silva, José, 'Philip Guston’s fascination with the ‘funnies’ was key to developing his distinctive later style', on: theartnewspaper.com, 31 July 2020, ill.
Reid, Hilary, ‘This Exhibit of Philip Guston’s 1970s Art Might Help You Cope Today’, on: vulture.com, 31 July 2020, ill.
Selvin, Claire, ‘Figuration to Abstraction and Back Again: How Philip Guston Shaped 20th-Century Painting’, on: artnews.com, 22 July 2020, ill.
Laster, Paul, 'Philip Guston: A Life Lived Through Art', on: artandobject.com, 21 July 2020, ill.
Heartney, Eleanor, 'Shifting Styles and Moral Steadiness Made Philip Guston a Lodestar for Artists Today', on: artnews.com/art-in-america, 22 June 2020, ill.
Wolf, Bryan J., ‘Between the Lines. Philip Guston, the Holocaust, and ‘Bad Painting’’, in: American Art, Chicago/Washington DC, vol. 34, no. 1, Spring 2020, pp. 50-85, ill.
Burnett, Craig, '"Philip Guston’s life traced that of modern art itself"', on: apollo-magazine.com, 12 May 2020, ill.
Arn, Jackson, 'How the Mexican Revolution Changed Modern Art in America' [review], on: frieze.com, 21 April 2020, ill.
Budick, Ariella, 'Modernism via Mexico in Vida Americana at the Whitney', on: ft.com, 6 March 2020, ill.
Saltz, Jerry, '"Vida Americana" Is the Most Relevant Show of the 21st Century', on: vulture.com, 24 February 2020, ill.
Cotter, Holland, 'How Mexico’s Muralists Lit a Fire Under U.S. Artists', on: nytimes.com, 20 February 2020, ill.
Tolbert, Shane, ‘Resilience: Philip Guston in 1971’, in: The Magazine, Los Angeles, January 2020 issue, ill.e Guardian Guide, 9 January 2021, p. 25, ill.
Dunagan, Patrick James, ‘Resilience. Philip Guston in 1971’, in: Rain
Taxi Review of Books, Minneapolis, vol. 24, no. 4, Winter 2019, ill.
Sole, D.K., ‘He paints Gustons’, on: www.settlersandnomads.art, Las Vegas, 27 November 2019, ill.
Stromberg, Matt, ‘Learn More About Philip Guston’s Only Surviving Mural in California’, in: Hyperallergic, Los Angeles, 26 November 2019, ill.
Heitzman, Lorraine, ‘Philip Guston at Hauser & Wirth’, on: www.artandcakela.com, Los Angeles, 21
November 2019, ill.
Knight, Christopher, ‘Review: As impeachment flashbacks go, few better than Philip Guston’s ‘Tricky Dick’ drawings’, in: The Los Angeles Times, Los Angeles CA, 9 October 2019, ill.
Timberg, Scott, ‘Pain and Resilience: Philip Guston at the Crossroads’, in: blog.lareviewofbooks.org, Los
Angeles, 21 September, 2019, ill.
___, ‘Reading & Book Signing of ‘Resilience: Philip Guston in 1971’ with Musa Mayer’, on: www.downtownla.com, Los Angeles, 17 September 2019, ill.
La Force, Thessaly, ‘The 25 Works of Art That Define the Contemporary Age’, in: New York Times Style Magazine, New York, 13 July 2019, ill.
___, ‘Retrospective of Woodstock artist Philip Guston to be held at National Gallery’, on: www.hudsonvalleyone.com, Hudson Valley NY, 11 July 2019, ill.
___, ‘Art Industry News. National Gallery Gives Philip Guston a Major Survey’, on: www.artnet.com, New York, 28 June 2019
Russeth, Andrew, ‘National Gallery of Art Plans 2020 Traveling Philip Guston Retrospective’, on: www.ARTnews.com, New York, 27 June 2019, ill.
Frankel, Eddy, ‘Artists I Steal From review’, on: www.timeout.com, London, 13 June 2019, ill.
Maneker, Marion, ‘Art Basel Sales Report’, on: www.artmarketmonitor.com, New York, 11 June 2019, ill.
Andew, Jason, ‘In a Biting Letter to Basquiat in 1981, Edith Schloss Dragged the NYC Art Scene’, in: Hyperallergic, New York, 28 May 2019
___, ‘American Academy in Rome Announces 2019-20 Fellows’, on: Artforum, New York, 12 April 2019
Cotter, Holland, ‘Critic’s Pick. Vietnam, Through the Eyes of Artists’, on: www.nytimes.com, New York, 4
April 2019
Catlin, Roger, ‘How American Artists Engaged with Morality and Conflict During the Vietnam War’, on: smithsonianmag.com, Washington D.C., 29 March 2019, ill.
Steinhauer, Jillian, ‘This Presidency as a Piece of Work’, in: The New York Times, New York, vol. CLXVIII, no. 58,248, 24 February 2019, p. AR34, ill.
Saltz, Jerry, ‘How to Be an Artist. 33 Rules to take you from Clueless Amateur to Generational Talent’, in: New York Magazine, New York, 26 November - 9 December 2018, p. 28, ill.
Tully, Judd, ‘$90.3 M. Hockney Leads Christie’s to $357.6 M. Finish at Contemporary Art Sale in New York’, on: www.artnews.com, New York, 16 November 2018, ill.
Cain, Abigail, ‘These Famous Artists Proved that Staying Up Late Can Lead to Great Ideas’, on: www.artsy.net, New York, 22 October 2018, ill.
Arn, Jackson, ‘Why AbEx Painter Philip Guston’s Return to Figuration Enraged the Art World’, on: www.artsy.com, New York, 10 October 2018, ill.
Anfam, David, ‘What debt does mid-century American abstract painting owe to Monet?’, on: www.theartnewspaper.com, London, 17 August 2018, ill.
Masters, Hg, ‘A Painter’s Forms: Interview with Musa Mayer’, on: www.artasiapacific.com, Hong Kong, 27 July 2018
Fernández, Eduard, ‘Philip Guston exhibition in Hong Kong, narrated by his daughter, looks at his abstract and figurative works’, on: www.scmp.com, Hong Kong, 19 June 2018
Artinfo, Blouin, ‘‘Philip Guston: A Painter’s Forms, 1950-1979’ at Hauser & Wirth, Hong Kong’, on: www.blouinartinfo.com, New York, 13 June 2018
Jeanne, Deng, ‘Guston Hauser & Wirth Hong Kong Solo Exhibition: Expressive and Metaphysical Expressions’, on: Artco, Taipei, 30 May 2018
Qiao, Liang, ‘American art master Philip Guston’s first Asian solo exhibition debut in Hauser & Wirth’, on: www.news.arton.net, Beijing, 29 May 2018
Brady, Anna, Hanson, Sarah P., ‘Three to see: Tefaf New York Spring’, on: The Art Newspaper, New York, 4 May 2018
Micchelli, Thomas, ‘Philip Guston’s Echoes: One of the defining features of Guston’s last decades is a paradoxical faith in the elusiveness of truth.’ On: Hyperallergic, New York, 28 April 2018
Wagner, Josh, ‘Abstract spaces’, on: Stanford Daily, Standford, 5 April 2018
Boxer, Sarah, ‘Drawing Donald’, in: The Atlantic, Boston, April 2018, pp. 76-82
Gustafson, Mark, ‘Phillip Guston & The Poets’, on: Rain Taxi, Minneapolis, 27 February 2018
Bui Phong, ‘Dear Friends and Readers’, on: brooklynrail.org, New York, 7 February 2018
Ware, Chris, ‘Caricature: Or, Guston’s Graphic Novel’, on: www.nybooks.com, New York, 6 February 2018
Cumming, Laura, ‘Journeys With The Waste Land review – mixing memory and desire in Margate’, on: www.theguardian.com, London, 4 February 2018
Wolgamott, L. Kent, ‘L. Kent Wolgamott: Four cartoon-like paintings make up entertaining Sheldon exhibition’, on: journalstar.com, Lincoln, 3 February 2018
Miller, Peter Benson, ‘Painting in the contact zone: American artists in postwar Rome’, on: www.wantedinrome.com, Rome, 13 January 2018
Luke, Ben, ‘In these darkest of times, what the world needs is great political art’, in: The Art Newspaper, London, January 2018, p. 14
Martinique, Elena, ‘10 Highlights of the MoMA Collection, As Part of "The Long Run" Exhibition’, on: www.widewalls.ch, London, 10 January 2018
Wu, Danielle, ‘How Asian-American Artists Made a Mark on Abstract Expressionism’, on: hyperallergic.com, New York, 9 January 2018
Carey-Kent, Paul, ‘Paul Carey-Kent Chooses His Top London Exhibitions 2017’, on: www.artlyst.com, New York, 17 December 2017
Lucie-Smith, Edward, ‘Edward Lucie-Smith Chooses Ten Exhibitions That Made A Difference In 2017’, on: www.artlyst.com, London, 14 December 2017
Barrilà, Silvia Anna, Marta Adelaide Marchesoni, ‘Wirth: ‘Leader con 24 archivi Focus su studio e mercato’’, in: Il Sole 24 Ore, Milan, 25 November 2017
Freeman, Nate, ‘Sotheby’s Totals $310.2 M. at Postwar and Contemporary Sale, Bacon Triptych Sells for $36.8 M.’ on: www.artnews.com, New York NY, 16 November 2017
Tarmy, James, ‘Exploring Christie’s Vault, Jam-Packed With $200 Million in Art’, on: www.bloombergquint.com, New York NY, 10 November 2017
Micchelli, Thomas, ‘Alberto Savinio’s Pre-Postmodern Grotesque’, on: hyperallergic.com, New York NY, 4 November 2017
Liberty, Megan N., ‘Stanley Whitney: Sketchbook’, on: brooklynrail.org, New York NY, 2 November 2017
Laing, Olivia, ‘The Body Snatchers’, in: Frieze, London, UK, November / December 2017, p. 18
Kaneda, Shirley, ‘The Feminine in Abstract Painting Reconsidered’, on: www.womenandperformance.org, New York NY, 21 October 2017
Owens, Keith A., ‘Art of Rebellion as seen through the eyes of many beholders’, on: michronicleonline.com, Detroit MI, 13 October 2017
Benhamou-Huet, Judith, ‘The two Frieze fairs in London: one for billionaires, one for up-and-coming art’, on: https://judithbenhamouhuet.com/, Roubaix, France, 5 October 2017
Smith, Roberta, ‘A Nervy Makeover for Post-War Art’, in: The New York Times, New York NY, 15 September 2017, pp. C18-19
Coxhead, Gabriel, ‘Philip Guston: Laughter in the Dark, Drawings from 1971 & 1975’, in: ArtReview, New York NY, September 2017, p. 134
Sigler, Jeremy, ‘Philip Guston: A Stumblebum in Venice’, on: www.tabletmag.com, 14 August 2017
Reichert, Kolja, ‘Gemaltes lässt sich nicht sagen, Gesagtes nicht malen’, in: Frankfurter Allgemeine Zeitung, Frankfurter, DE, 4 August 2017
Sooke, Alastair, ‘My father saw family as an interference’, in: The Saturday Telegraph, London, UK, 29 July 2017, p. 14
Stremmel, Kerstin, ‘Seine Radikalität war schuld’, on: www.nzz.ch, 19 July 2017
Ober, Cara, ‘How Philip Guston Found Salvation in Poetry’, on: hyperallergic.com, 20 June 2017
Luke, Ben, ‘Philip Guston: Laughter in the Dark, Drawings from 1971 & 1975, review: Master of satire’, in: The London Evening Standard, 30 May 2017
Dagen, Phillipe, ‘Philip Guston and The Poets’, in: Le Monde, Paris, France, 30 May 2017
Vallora, Marco, ‘Philip Guston and The Poets’ at Gallerie dell’Accademia reviewed’, in: La Stampa, Turin, Italy, 27 May 2017
Russeth, Andrew, ’Painting Politics: Philip Guston, Kerry James Marshall, and Beverly Buchanan Picture America’ on: artnews.com, 11 May 2017
Kim, Hyunjee Nicole, ’Philip Guston’s Nixon drawings are a lesson in satire’, on: www.apollo-magazine.com, 18 January 2017
Viveros-Fauné, Christian, ‘Legendary Painter Philip Guston Calls the President a D*ck (Just Not the One You Think)’, on: news.artnet.com, New York, 6 January 2017
Baker, R.C., ‘Philip Guston’s Splenetic Drawings of Richard Nixon Arrive Just in Time’, on: villagevoice.com, 14 December 2016
Cowan, Sarah, ‘Poor Richard’, on: theparisreview.org, 13 December 2016
Cea, Max, ‘Everything old is new again: Philip Guston’s cartoons of Dick Nixon on display at Hauser & Wirth gallery give cold comfort’, on:salon.com, 29 November 2016
___, ‘Konstnärernas Konstnär’, Artlover, no. 28, 2016, p. 20
Cohen, Alina, ‘Philip Guston’s Man Beyond Redemption’, on: thenation.com, 26 November 2016 Rubenstein, Bradley, ‘In a Political Nemesis, Philp Guston Found His Greatest Muse’, on:
artslant.com, 15 November 2016
Sutton, Benjamin, ‘In Philip Guston’s Nixon Drawings, a Tool Kit for Satirizing Loathsome Presidents’, on: hyperallergic.com, 12 November 2016
Helmke, Juliet, ‘Philip Guston’s Nixon Caricatures at Hauser & Wirth’, on: blouinartinfo.com, 02 November 2016
McGrath, Charles, ‘Guston’s Barbed Pen Nixon Years’, in: The New York Times, New York NY, 31 October 2016, pp. 1–2
‘As America Heads to the Polls, Philip Guston’s ‘Nixon Drawings’ Go On View in New York City’, on: nyartmagazine.com, 26 October 2016
Schwabsky, Barry, ‘Seeing David Hammons’, on: thenation.com, 21 September 2016
Russeth, Andrew, ‘Right Before a Leap: ‘Philip Guston: Painter, 1957–1967’ at Hauser & Wirth in New York Is a Stunner’, on: artnews.com, 28 July 2016
Farley, Michael Anthony, ‘This Is the Last Week to See Philip Guston at Hauser & Wirth, if That’s Your Thing’, on: artfcity.com, 26 July 2016
Cole, Thomas P., ‘The Porch: Philip Guston’, in: The Jounral of the Medical Association, 12 July 2016, Chicago IL, pp. 132–133
Savig, Mary, ‘The Art of Handwriting’, in: The Atlantic, Washington D.C., 5 July 2016
Burnett, Craig, ‘Does today’s gallery system work for artists?’, in: Apollo Magazine, London, July/August 2016
Gopnik, Blake, ‘Philip Guston, the anti-Mondrian?’, on: artnet.com, 15 June 2016
___, ‘Philip Guston. 1957-1967 at Hauser & Wirth’, on: artsology.com, 10 June 2016
Saltz, Jerry, ‘Philip Guston’s Freakout‘, in: New York Magazine, New York, 30 May 2016
Plagens, Peter, ‘‘Affordable’ Art, Powerful Panels and the AbEx Table’, on: wsj.com, 20 May 2016
Baker, R.C., ‘Master Baffler: How Philip Guston Gave Form to Doubt’, on: villagevoice.com, 17 May 2016
ArteFuse ‘Philip Guston Painter, 1957-1967 at Hauser and Wirth’, 17 May 2016, video
Smee, Sebastian, ‘Philip Guston’s confounding vision’, on: bostonglobe.com, 16 May 2016
Smith, Roberta, ‘Abstract Expressionism’s Restless Mutineer’, in: The New York Times, New York, 13 May 2016
___, ‘Philip Guston: Painter 1957-1967’, on: galleriesnow.net, 10 May 2016
Blackqube, ‘Bold Strokes. Philip Guston at Hauser & Wirth’, on:blackqube.de, 10 May 2016
Scobie, Ilka, ‘Philip Guston’s Last Decade of Abstraction. Hauser & Wirth NY’, on: artlyst.com, 10 May 2016
Mendelsohn, Meredith, ‘8 Must-See Spring Art Exhibitions in New York’, on:
architecturaldigest.com, 9 May 2016
___, ‘Philip Guston. Painter, 1957-1967’, in: Blouin Gallery Guide, New York, May 2016
Laster, Paul, ‘30 Artworks We Want to Take Home From Frieze New York’, in: Whitehot Magazine, New York, May 2016
Eckardt, Stephanie, ‘Philip Guston’s Pivotal Period at Hauser & Wirth’, on: wmagazine.com, 27 April 2016
Kinsella, Eileen, ‘Hauser and Wirth Opens Huge Philip Guston Show Pinpointing ‘Pivotal’ Decade’, on: news.artnet.com, 27 April 2016
Johnson, Paddy, Farley, Michael Anthony, ‘This Week’s Must See Events: So Many Open Studios’, on: artfcity.com, 26 April 2016
Greenberger, Alex, ‘Opening: Phillip Guston at Hauser & Wirth’, on: artnews.com, 25 April 2016
Pobric, Pac, ‘Philip Guston: Painter, 1957-1967’, on: villagevoice.vom, 24 April 2016, video
Cobo Social, ‘CoBo speaks with Neil Wenman, Director of Hauser & Wirth @ Art Basel Hong Kong 2016’, 29
Robinson, Zev, ‘Philip Guston: Forget Style It Was All About Freedom’, on: artlyst.com, 9 March 2016
Steadman, Ryan, ‘7 New York Gallery Shows You’ll Flip For This Spring’, on: observer.com, New York, 7 March 2016
Myers, Terry R., ‘Painting 2.0: Expression in the Information Age’, in: The Brooklyn Rail, New York, 3 February 2016
Artspace Editors, ‘Calder Foundation President Sandy Rowers’s 5 Favorite Works From Art Basel Miami 2015’, 5 December 2015
Heddaya, Mostafa, Kats, Anna ‘Hauser & Wirth to Rep Guston Estate, British Museum Appoints First Foreign Director, and More’, New York, 25 September 2015
Sheets, Hilarie M., ‘New Home For Guston’, in: The New York Times, New York, 25 September 2015
___, ‘Hauser & Wirth is Pleased to Announce Representation of the Estate of Philip Guston’, on: artdependence.com, 25 September 2015
___, ‘Philip Guston Estate to be Exclusively Represented by Hauser & Wirth’, on: artlyst.com 25 September 2015
Maneker, Marion, ‘Guston Estate Goes to Hauser + Wirth’, on: artmarketmonitor.com, 24 September 2015
Sheets, Hilarie M., Kennedy, Randy, ‘Richard Prince Takes a New Approach to Cowboys’, on: nytimes.com, 24 September 2015
Greenwald, Xico, ‘Guston at 100’, on: www.nysun.com, 19 March 2013
Zaller, Robert, ‘Philip Guston’s centennial, in New York’, on: www.broadstreetreview.com, Philadelphia, 12 April 2013
Miller, Peter Benson, ‘Rotten with Stories’, in: Apollo: The International Art Magazine, London, June 2013
Urfalino, Mathilde, ‘Les poem-pictures de Philip Guston’, in: octopusnotes, Paris, Issue 2, December 2013
___, ‘Lets Talk: Ingrid Pfeiffer & Bernhard Martin on Philip Guston’, in: Art Mag by Deutsche Bank, Frankfurt am Main, Issue 3, November 2013
Bruce, Keith, ‘Between Pollock and Warhol’, in: The Herald, New York, 27 Friday 2012
Cumming, Laura, ‘Against the dying of the light’, in: The Observer, London, 12 August 2012
Chan, Paul, ‘Wanderlusting’, in: Art in America, June-July 2012
Jeffrey, Moira, ‘Different Strokes’, in: Scotland on Sunday, Edinburg, 29 July 2012
Hamilton, Adrian, ‘The Hand that Rocked the Art Establishment’, in: The Independent, London, 20 August 2012
Urfalino, Mathilde, ‘Un trait d’union entre le dessin et l’écriture l’expérience des poem-pictures de Philip Guston’, in: Roven: Revue critique sur le dessin contemporain, Paris, No. 8, Autumn-Winter 2012-2013
James, Merlin, ‘Late Guston, Edinburgh’, in: The Burlington Magazine, London, November 2012
Joo, Eungie, ‘Top Ten’, in: Artforum, New York, December 2012
Seed, John, ‘Mazurki: The Multiple Meanings of a Philip Guston Drawing’, on: wwww.huffingtonpost.com, New York, 11 January 2011
Dawson, Jessica, ‘’Narcicissim of Minor Differences’ shows how fast intolerance turns to violence’, on: www.washingtonpost.com, Washington, D.C., 13 January 2011
Sharratt, Chris, ‘David Shrigley on Philip Guston, Magritte and more’, on: www.creativetimes.co.uk, London, January 2011
Ivry, Benjamin, ‘The Escape Artist’, in: The Jewish Daily Forward, New York, 4 February 2011
Rosen, Aaron, ‘Review: ‘Telling Stories: Philip Guston’s Later Works’’, in: Zeek, New York February 2011
Kennicott, Philip, ‘Philip Guston, Roma’, in: The Washington Post, Washington, D.C., 11 February 2011
Cudlin, Jeffry, ‘Philip Guston: Roma’, in: Washington City Paper, Washington, D.C., 18 February 2011
McCabe, Bret, ‘A Matter of Perception’, in: Baltimore City Paper, Baltimore, 9 March 2011
Miller, Peter Benson, ‘Philip Guston Roma’, in: The Phillips Collection Magazine, Washington, D.C., Winter 2011
Smee, Sebastian, ‘Telling vivid stories with a paintbrush’, on: www.boston.com, Boston, 13 March 2011
Wilkin, Karen, ‘An Anxious Modern Eyes the Eternal City’, in: The Wall Street Journal, New York, 22 March 2011
Comenetz, Jacob, ‘Philip Guston: A ‘Roma’ Retreat at the Philip’s Collection’, in: The Washington Diplomat, Washington, D.C., 10 April 2011
Gilbert, Sophie, ‘Art Preview: Philip Guston and David Smith at the Phillips Collection’, on: www.washingtonian.com, Washington, D.C., 8 February 2011
Fujimori, Manami, ‘Philip Guston’, in: Bijutsu Notebook, Tokyo, Vol. 63, No. 951, May 2011, pp. 200-203
Slifkin, Robert, ‘Philip Guston’s Return to Figuration and the ‘1930s Renaissance’ of the 1960s’, in: The Art Bulletin, Los Angeles, Vol. XCIII, No. 2, June 2011
MacAdam, Alfred, ‘Philip Guston’, in: ARTNews, New York, Vol. 109, No. 3, March 2010
Kuspit, Donald, ‘Philip Guston’, in: Artforum, New York, March 2010
Sassi, Edoardo, ‘Guston, tonalità in rosa’, in: Corriere della Sera, Milan, 4 June 2010
Bucci, Carlo Alberto, ‘Nel mondo rosa di Guston tra Astrattismo e Pop’, in: La Repubblica, Rome, 5 June 2010
Schloss, Edith, ‘Philip Guston’s Roman soujourn’, in: Wanted in Rome, Rome, 23 June 2010
Barilli, Renato, ‘Guston Macchie di Poesia’, in: L’Unità, Rome, 3 July 2010
de Leonardis, Manuela, ‘Philip Guston’, in: Exibart, Rome, 1 July 2010
Ashton, Dore, ‘Rome, Imperium Sine Fine? (Dominion Without Limits?)’, in: The Brooklyn Rail, New York, July-August 2010
Vallora, Marco, ‘Al Museo Bilotti un protagonista del dopoguerra’, in: La Stampa, Turin, 8 August 2010
Margonari, Renzo, ‘II Ku Klux Klan a Villa Borghese’, in: Cronaca di Mantova, Mantova, 3 September 2010
Anfam, David, ‘Philip Guston: Rome and Washington’, in: The Burlington Magazine, London, September 2010
Cooper, Harry, ‘Like Clockwork’, in: Artforum, New York, October 2010
Saltz, Jerry, ‘The Old is New Again: Eleven paintings you can’t miss at MoMA’s historic Abstract Expressionism show’, in: New York Magazine, New York, 15 November 2010
McCauley, Mary Carole, ‘MICA show tackles intolerance’, in: The Sun, Baltimore, 12 December 2010, p. 3E
___, ‘Jerry Saltz’s Favorite Paintings’, on: www.nymag.com (video), 21 December 2010
Schwabsky, Barry, ‘Shelf Life: On Philip Guston, Carolee Scheeman and Ilya Kabakov’, in: The Nation, New York, 22 December 2010
Reed, David, ‘Soul-Beating’, in: Art Journal, New York, Vol. 69, No. 4, Winter 2010, p. 97-107
Klimek, Chris, ‘Philip Guston: Raw at the National Gallery’, in: Washington Examiner, Washington, D.C., 6 May 2009
Giménez, Carmen, ‘Lasting Impact: Carmen Giménez on Abstraction and Empathy’, in: Deutsche Guggenheim Magazine, Berlin, Issue 8, Summer 2009
Cranston, Meg, ‘and Simplify’, in: Tate Etc., London, Issue 17, Autumn 2009
Zaller, Robert, ‘Guston Miniatures, in New York’, in: Broad Street Review, New York, 28 November 2009
Smith, Roberta, ‘Philip Guston, Small Oils on Panel: 1969-1973’, in: The New York Times, New York, 11 December 2009
Finch, Charlie, ‘Guston’s Finger Puppets’, on: www.artnet.com, New York, 7 December 2009
Johnson, Ken, ‘Primal Instincts Hooked to an Art Against Artifice’, in: The New York Times, 2 May 2008
Naves, Mario, ‘How Abstract Clumps Became Philip Roth and Dick Nixon’, in: New York Observer, New Yorl, 6 May 2008
___, ‘Philip Guston: The man who changed his mind’, in: The Economist, London, 10 May 2008
Karen, Wilkin, ‘An Artist’s Drawings Trace an Odd Trajectory’, in: The Wall Street Journal, New York, 12 June 2008
Schjeldahl, Peter, ‘Better Late’, in: The New Yorker, New York, 23 June 2008
Dault, Julia, ‘Philip Guston’, in: Border Crossings, Winnipeg, Vol. 27, No. 4, November 2008
Kuspit, Donald, ‘Philip Guston at the Morgan Library and Museum’, in: Artforum, New York, November 2008
Landau, Ellen G., ‘Double Consciousness in Mexico: How Philip Guston and Rubin Kadish Painted a Morelian Mural’, in: American Art (Smithsonian), Washington, D.C., Spring 2007
McCormack, Ed, ‘Guston by the Book: Solipsistic Riffs, Gonzo Recollections, and Reprobate Ruminations on Art, Aging, and Late-Life Rebirth’, in: Gallery & Studio, New York, June-July-August 2006, pp. 14-18
Levy, John, ‘The Painter Philip Guston’, in: First Intensity, Lawrence, Issue #21, Fall 2006, pp. 78-197
Tumlir, Jan, ‘Review: ‘Enigma Variations: Philip Guston and Giorgio de Chirico’ at the Santa Monica Museum of Art’, in: ArtForum, New York, December 2006
Goodrich, John, ‘A Highly Original Appetite’, in: The New York Sun, New York 30 November 2006
Schwendener, Martha, ‘Philip Guston Drawings’, in: The New York Times, New York, 15 December 2006
Boodro, Michael, ‘Alan Wanzenberg: 12 Things He Can’t Live Without’, in: Elle Décor Magazine, New York, March 2005, p. 54
Zaller, Robert, ‘The Abandoned Studio: Philip Guston’s Gnostic Testament’, in: Boulevard, St. Louis, Vol. 20, No. 2 & 3, Spring 2005, pp. 100-118
Potter, Keith, ‘For Philip Guston’, in: The Independent, London, 10 March 2004
Service, Tom, ‘For Philip Guston’, in: The Independent, London, 12 March 2004
___, ‘Recent Acquisitions’, in: Mount Holyoke College Art Museum Newsletter, South Hadley, Spring 2004
___, ‘Verbatim’, in: RA Magazine, St. Louis, Spring 2004
Ebony, David, ‘Record-Breaking Attendance at ADAA Art Fair’, in: Art in America, New York, April 2004
Furness, Rosalind, ‘London: Royal Academy, Timothy Taylor Gallery, Philip Guston’, in: Contemporary, London, Issue 61, March 2004
Imber, Jon, ‘Guston and Dylan, Tangled Up in Blue’, in: Art in America, New York, May 2004
Montejano, Yolanda, ‘Llegan norteamericanos para recuperar mural’, in: Provincia, Latina, 12 May 2004
Aguilar, Claudia, ‘Buscan revalorar La Inquisition’, in: Cambio de Michoacan, Michoacán, 12 May 2004
López, Eugenio Mercado, ‘La inquisición, Un mural del Museo Regional Michoacano de Morelia, Michoacán, México’, in: Acento, Fayetteville, 12 May 2004
Museums of the INAH, ‘Por Más De Treinta Años, El Mural La INQUISICIÓN, Del Museo Regional Michoacano Permaneció En El Anonimato’, in: Conaculta, Mexico City, May 2004
Llena, Antoni, ‘Hi ha tantes modernitats com dogmatismes?’, in: El Punt, Barcelona, 8 July 2004
Urban, David, ‘Painting’s Radiant Array’, in: Border Crossings, Winnipeg, August 2004
Spike, John T., ‘Switch Hitter: Philip Guston Defines the Trends’, in: Art & Antiques, New York, September 2004
McHardy, Wein Fiona, ‘The Art of Phiilip Guston’, in: Education Guide, Royal Academy of Arts, Burlington, 2004
Anfam, David, ‘The Art of Philip Guston’, in: Gallery Guide, Royal Academy of Arts, 2004
Rosenthal, Norman, ‘vanity projects’, in: Art & Auction, New York, April 2004
Reiner, Lucas, ‘Trees and Words’, in: Beyond Baroque Books, Los Angeles, Summer 2004
Reiner, Lucas, ‘Fear and Trembling of the Image’, in: Beyond Baroque, Los Angeles, Vol. 26, No. 2, 2004
Milne, Drew, ‘The Anxiety of Surfaces’, in: Blunt Edge, London, Issue 4, April 2004
Oxlade, Roy, ‘Guston & Eliot’, in: Blunt Edge, London, Issue 4, April 2004
Stein, Joel, ‘Enrique Chagoya: Big and Little Drawings, at George Adams Gallery’, in: Art on Paper, New York, September-October 2004
Baker, R.C., ‘Before the Empire Strikes Back’, in: The Village Voice, New York, 6 October 2004
Storr, Robert, ‘View from the Bridge’, in: Frieze, London, November-December 2004
Roberta, Smith, ‘Philip Guston’, in: The New York Times, New York, 2 January 2004
Roth, Philip, ‘The Odd Couple’, in: The Sunday Telegraph, 4 January 2004
___, ‘Guston with gusto’, in: Rochester Democrat and Chronicle, Rochester, 11 January 2004
O’Hagan, Sean, ‘An everyday genius’, in: The Observer, London, 11 January 2004
Searle, Adrian, ‘The Devil Inside’, in: The Guardian, London, 20 January 2004
Packer, William, ‘Contentious Hand that Lately Reveals Its Worth’, in: Financial Times, London, 21 January 2004
Sewell, Brian, ‘What a Waste of a Little Bit of Talent’, in: Evening Standard, London, 23 January 2004
Lambirth, Andrew, ‘Apocalyptic Vision’, in: The Spectator, London, 24 January 2004
Lloyd, Jill, ‘Krazy Kat Cuts the Crapola’, in: The Times Literary Supplement, London, 6 February 2004
Collings, Matthew, ‘Overrated Guston’, in: The Times Literary Supplement, New York, 13 February 2004, p. 17
Kaufmann, David, ‘The Double Mystery of Creativity and Personality’, in: Forward, Damascus, 27 February 2004
Rubenstein, Raphael, ‘Philip Guston: Some Thoughts’, in: Art In America, New York, March 2004
William, Corbett, ‘___’, in: The Art Book, London, Volume 11, Issue 1, January 2004
Hirsch, Faye, ‘Dunham’s Demonology’, in: Art in America, New York, January 2003
___, ‘In SF: fine arts and dining’, in: Gentry Magazine, Menlo Park CA, January 2003
Robinson, Gaile, ‘An EYE for anguish, Modern’s exhibit gives Philip Guston a rare turn in the spotlight’, in: Star Time, Fort Worth, 28 March 2003, (cover), ill.
Kutner, Janet, ‘Bold Strokes, Modern of Fort Worth provides grand setting for Philip Guston’s daring canvases’, in: The Dallas Morning News, Dallas, 30 March 2003
___, ‘Philip Guston’, in: New in the Galleries, Denver Art Museum, Denver, Spring 2003
___, ‘Philip Guston Retrospective’, in: At the Modern, Modern Art Museum of Fort Worth, Fort Worth, Spring 2003, (cover), ill.
Biederman, Christine, ‘Krazy Philip’, in: www.dallasobserver.com, Dallas, 10 April 2003
Enright, Robert, ‘The Undiscovered Familiar, The Art of George Condo’, Border Crossings, Winnipeg, Vol. 22, No. 2, Issue No. 86, May 2003
Muzzillo, Allegra, ‘Guston Gets the Glory’, in: Art & Auction, New York, May 2003
Anfam, David, ‘Telling Tales’, in: Artforum, New York, May 2003, (cover), ill.
Tøjner, Poul Erik, ‘Udsat (Philip Guston)’, in: Louisiana Magasin, Fredensborg, May 2003
___, ‘Farewell to Guston’, in: At the Modern, Modern Art Museum of Fort Worth, Fort Worth, Summer 2003
Binkowski, Kraig, ‘Philip Guston Retrospective’, in: Library Journal, New York, 1 June 2003
___, ‘Philip Guston: Retrospective’, in: Publishers Weekly, New York, 2 June 2003
Baker, Kenneth, ‘Philip Guston’s magnificent conflicts yielded great controversy. And some great paintings as well, says Kenneth Baker’, in: San Francisco Chronicle, San Francisco, 28 June 2003
Knight, Christopher, ‘The paint is the thing’, in: Los Angeles Times, Los Angeles, 23 August 2003
Schmerier, Sarah, ‘Learning to scrawl’, in: Time Out, New York, New York, 4 September 2003
Nichols, Tucker, ‘Philip Guston Made Me Do It’, on: www.stretcher.org, San Francisco, 28 June 2003
Roth, Philip, ‘Pictures of Guston’, in: Modern Painters, New York, Autumn 2003
Corbett, William, ‘Agreeing to disagree, Ross Feld explores the tumult of Philip Guston’, in: The Boston Phoenix, Boston, 3 October 2003
Kimmelman, Michael, ‘Anxious Liberator Of an Era’s Demons’, in: The New York Times, New York, 31 October 2003
Corbett, William, ‘Philip Guston in Retrospect’, in: The Brooklyn Rail, New York, November 2003
Yuskavage, Lisa, ‘To Philip Guston’, in: The Brooklyn Rail, New York, November 2003
Schjeldahl, Peter, ‘The Junkman’s Son: A Philip Guston retrospective’, in: The New Yorker, New York, 3 November 2003
___, ‘Exhibitions & The Collection: Philip Guston’, The Metropolitan Museum of Art Calendar, November-December 2003, p. 7, ill.
Stevens, Mark, ‘Cartoon Character’, on: www.newyorkmetro.com, New York, 10 November 2003
Richard, Paul, ‘Disparate Measures: Philip Guston’s Great Divide’, in: The Washington Post, Washington, D.C., 16 November 2003
Naves, Mario, ‘Guston, Vindicated Underdog, A Man Who Changed His Mind’, in: The New York Observer, New York, 17 November 2003
Sozanski, Edward J., ‘Art | In 2 exhibitions, lessons in fame’, on: www.philly.com, Philadelphia, 23 November 2003
Kimmelman, Michael, ‘Philip Guston’, in: The New York Times, New York, 28 November 2003
Douglas, Sarah, ‘Philip Guston: mind and matter, McKee Gallery’, in: The Art Newspaper, New York, December 2003.
Lee, Pamela M., ‘Best of 2003: #2, Philip Guston’, in: Artforum, New York, December 2003
Hainley, Bruce, ‘Best of 2003: #1, Philip Guston‘, in: Artforum, New York, December 2003
___, ‘Goings on About Town’, in: The New Yorker, New York, 1 December 2003
Henry, Clare, ‘An artist who delighted in ‘crapola’’, in: Financial Times, London, 1 December 2003
Benfrey, Christopher, ‘Philip Guston Retrospective’, in: The New York Times Book Review, New York, 7 December 2003
Siegel, Lee, ‘The Artful Dodger, Philip Guston was misunderstood – but why?’, on: www.slate.com, New York, 9 December 2003
Smith, Roberta, ‘Philip Guston’, in: The New York Times, New York, 12 December 2003
Kimmelman, Michael, ‘Philip Guston’, in: The New York Times, New York, 19 December 2003
Johnson, Ken, ‘Philip Guston, Bruce Nauman, Raymond Pettibon’, in: The New York Times, New York, 19 December 2003
Kimmelman, Michael, ‘Philip Guston, Metropolitan Museum of Art’, in: The New York Times, New York, 26 December 2003
Smith, Roberta, ‘Philip Guston, Mind and Matter, McKee Gallery’, in: The New York Times, New York, 26 December 2003
Danto, Arthur C., ‘The Abstract Impressionist’, in: www.thenation.com, New York, 29 December 2003
Kunitz, Daniel, ‘The Three Faces of Philip Guston’, in: The New York Sun, New York, 30 December 2003
Krauss, Nicole, ‘the first painter after the last’, in: Modern Painters, New York, Winter 2003
Anfam, Daivd, ‘Eye to Eye with Philip Guston’, in: RA Magazine, St. Louis, Winter 2003, (cover), ill.
Burgess, Andy, ‘Tired of all that purity’, in: The Jewish Quarterly, London, Winter 2003-2004
Garnería, José, ‘Philip Guston, Expresionismo abstracto?’, in: Las Provincias, Valencia, 14 January 2002
___, ‘La Propuesta del Día’, in: ABC Comunidad Valenciana, Valencia, 19 January 2002
Corbett, William, ‘Philip Guston’s Poor Richard’, in: Art on Paper, New York, January-February 2002
Ratner, Megan, ‘Philip Guston: Poor Richard’, in: Art on Paper, New York, January-February 2002
Baker, Kenneth, ‘Just what is a masterpiece?’, in: San Francisco Chronicle, San Francisco, 17 February 2002
Heartney, Eleanor, ‘Philip Guston at David McKee’, in: Art in America, New York, March 2002
Danto, Arthur C., ‘Cheerio to Cheerios’, in: BookForum, New York, Spring 2002
van Grevenstein, Alexander, ‘Philip Guston: The Demos (1973-1979)’, in: Bonnefanten Magazine, Maastricht, Summer 2002
Balken, Debra Bricker, ‘Philip Guston’s Poor Richard’, in: Gastronomica, Santa Cruz, Summer 2002
Boxer, Sarah, ‘Drawings Are Still Kicking Nixon Around’, in: The New York Times, New York, 17 June 2002
Boxer, Sarah, ‘Still Kicking Nixon around’, in: International Herald Tribune, New York, 20 June 2002
___,‘Philip Guston’s Poor Richard’, in: Newsletter: Achenbach Graphic Arts Council, California Palace of the Legion of Honor, San Francisco, Vol. 9, No. 3, Fall 2002
Martin, Jean, ‘Philip Guston’s Poor Richard’, in: The Art Book, London, Vol. 9, Issue 4, September 2002
Kimmelman, Michael, ‘Brave Enough to Be Himself (A Season for Visionaries, New, Old and Ancient)’, in: The New York Times, New York, 8 September 2002
Baker, Kenneth, ‘Philip Guston’s mightier pen skewers politicos’, in: San Francisco Chronicle, San Francisco, 16 October 2002
Shank, Will, ‘Tricky Dick, captured in ink on paper’, in: Bay Area Reporter, San Francisco, 24 October 2002
Storr, Robert, ‘Slow Burn’, in: Artforum, New York, November 2002
Baker, Kenneth, ‘___’, in: San Francisco Chronicle, San Francisco, 22 November 2002
Kalina, Richard, ‘Expressing the Abstract’, in: Art in America, New York, December 2002
___, ‘In SF: fine arts and dining’, in: Gentry Magazine, Menlo Park, December 2002
Baker, Kenneth, ‘SFMOMA advances to forefront’, in: San Francisco Chronicle, San Francisco, 29 December 2002
Baker, Kenneth, ‘The weird, wild, and wonderful: Happenings on the 2002 arts and entertainment scene worth remembering’, in: San Francisco Chronicle, San Francisco, 29 December 2002
Cooper, Harry, ‘Philip Guston’s ‘Poor Richard’’, in: BookForum, New York, Fall 2001, Vol. 8, Issue 3
Fulchéri, Fabienne, ‘Philip Guston’, in: Le Journal des Arts, Paris, 14-27 September 2001
___, ‘Philip Guston’, in: The New Yorker, New York, 24 September 2001
Aronson, Steven M. L., ‘The Collecting Impulse’, in: Architectural Digest, New York, October 2001
Naves, Mario, ‘The Life and Times of Richard Nixon’, in: The New York Observer, New York, 1 October 2001
Danto, Arthur C., ‘Dick (Nixon) Heads’, in: The Nation, New York, 1 October 2001
___, ‘Dos citas ineludibles con el arte’, in: Las Provincias, Valencia, 23 October 2001
Kliemann, Thomas, ‘Wunschkonzert für den König von Köln’, in: General-Anzeiger, Bonn, 2 November 2001
Haase, Amine, ‘Ein Kunst-Haus in Bewegung’, in: Kölner Stadt-Anzeiger, Cologne, No. 254, 2 November 2001
___, ‘Dos citas ineludibles con el arte’, in: Las Provincias, Valencia, 23 November 2001
___, ‘If you could have any five artworks for your home, what would you choose?’, in: Frieze, London, November-December 2001
Leydier, Richard, ‘Philip Guston’, in: Art Press, Paris, Issue 274, December 2001
Revuelta, Laura, ‘Las iluminaciones de Philip Guston’, in: ABC Cultural, Madrid, 8 December 2001
Rivas, Quico, ‘La vida como un cenicero atestado de colillas’, in: ABC Cultural, Madrid, 8 December 2001
Solana, Guillermo, ‘Philip Guston la alegoria del absurdo’, in: El Cultural, Madrid, 12-18 December 2001
de Baranano, Kosme, ‘El ùltimo aliento del Gigante Guston’, on: www.masdearte.com, Madrid, 13 December 2001
___, ‘Philip Guston en las salas del IVAM’, in: El Punto de las Artes, Madrid, 13 December 2001
Chacon, Francisco, ‘The enigmas of Philip Guston’, in: El Mundo, Madrid, 14 December 2001
Aleman, Gladys, ‘E1 IVAM resurre a Bancaja para financiar una muestra tras la subida de los seguros’, in: El Mundo, Madrid, 14 December 2001
Bono, Ferran, ‘E1 IVAM reùne las pinturas que Philip Guston realizò de un solo impulso’, in: El Pais, Madrid, 14 December 2001
Aimeur, Carlos, ‘Philip Guston expone en el IVAM gracias a que Bancaja paga el seguro’, in: Las Provincias, Valencia, 14 December 2001
___, ‘E1 IVAM muestra las pinturas de Guston ‘intimas y personales’’, in: Diario de Valencia, Valenica, 14 December 2001
R.V.M., ‘Una muestra refleja la pasiòn de Guston por la figuraciòn’, in: Levante-EMV, Valencia, 14 December 2001
___, ‘El intimismo de Guston en el IVAM’, in: ABC Comunidad Valenciana, Valencia, 14 December 2001
Marco, E., ‘Retrospectiva de Guston en el IVAM’, in: La Vanguardia, Barcelona, 21 December 2001
Jarque, Vicente, ‘Philip Guston, librepensador de la pintura’, in: El Pais, Madrid, 22 December 2001
J.M.V., ‘Navidades con Sorolla y Contemporáne’, in: Levante-EMV, Valencia, 23 December 2001
Smith, Arthur, ‘A Quick One’, in: The Guardian, London, 17 January 2001
Miller, Francine Koslow, ‘Philip Guston, Fogg Art Museum’, in: Artforum, New York, February 2001
Kaufmann, David, ‘A vast precaution to avoid immobility: Philip Guston’s ‘To I.B.’ (1977) ’, in: The Burlington Magazine, London, May 2001
Carrier, David, ‘Arte estrema, di rottura che smantella uno stile’, in: Tema Celeste, Milan January-February 2000
Bannat, Christoph, ‘Heimlicher Vater, Tabubruch: Philip Guston kehrte von der Abstraktion zurük zur Figur’, in: Vogue, New York, February 2000
Leisten, Von Gerog, ‘Zurück zur Figuration’, in: Stuttgarter Zeitung, Stuttgart, 18 February 2000
Ihlefeld, Von Claudia, ‘Kraftstrotzender Kulturpessimist’, in: Heilbronner Stimme, Heilbronn, 19 February 2000
Bauermeister, Volker, ‘Der Vorturner des Stilbruchs’, in: Badische Zeitung, Freiburg im Breisgau, 26 February 2000
Forstbauer, Von Nikolai B., ‘Malerei der offenen Faust oder Die Form ist die Farbe’, in: Stuttgarter Nachrichten, Stuttgart, 29 February 2000
Everett, Deborah, ‘Philip Guston-Paintings and Drawings from the 1970’s’, in: NY Arts, New York, Vol. 5, No. 3, Winter 2000
Nemiroff, Diana, ‘The Painter’s Quest’, in: Vernissage, Ottawa, Spring 2000
Thiele, Carmela, ‘Kapuzen und das Böse im Ich’, in: Badische Neueste Nachrichten, Karlsruhe, 2 Mar 2000
Marquar, Christian, ‘Der Ku-Klux Klan ist immer dabei’, in: Kunst, Berlin, 2 March 2000
Thiele, Von Carmela, ‘Mich interessiert das Böse’, in: Tagesspiegel, Berling, 5 March 2000
___, ‘Die Wucht der Dinge’, in: Schwäbische Zeitung, Leutkirch, 16 March 2000
Mezger, Von Martin, ‘Körper zwischen Lust und Leiden’, in: Eblinger Zeitung, Esslingen, 17 March 2000
Steinemann, Holger, ‘Weg zurück zur Gegenständlichkeit’, in: Staatsanzeiger für Baden-Württemberg, Stuttgart, 20 March 2000
Glueck, Grace, ‘Philip Guston: Small Paintings and Drawings of the 70’s’, in: The New York Times, New York, 24 March 2000
Altstatt, Rosanne, ‘Philip Guston im Kunstverein’, in: Kunstbulletin, Zurich, April 2000
___, ‘Drömilk gestaltning av det absurda’, in: Svenska Dagbladet, Stockholm, 8 April 2000
___, ‘Philip Guston’, in: The New Yorker, New York, 10 April 2000
Glueck, Grace, ‘Philip Guston’, in: The New York Times, New York, 14 April 2000
Couëlle, Jennifer, ‘Philip le Grand’, in: Le Presse, Montréal, 17 June 2000
Glueck, Grace, ‘Yale University Art Gallery’, in: The New York Times, New York, 21 July 2000
Halkes, Petra, ‘Figuring Out Abstraction’, in: Border Crossings, Winnipeg, Vol. 19, No. 3, Issue 75, August 2000
Jeffries, Stuart, ‘Philip Guston’, in: The Guardian, London, Fall 2000
Regnier, Philippe, ‘Un expressionniste militant, Philip Guston, un abstrait hanté par la figure’, in: Le Journal des arts, Paris, September 2000
Gauville, Hervé, ‘Guston la gaffe’, in: Liberation, Paris, 13 September 2000
Breerette, Geneviève, ‘Au Centr Georges-Pompidou, Philip Guston le désenchanté’, in: Le Monde, Paris, 15 September 2000
Cena, Olivier, ‘Sous l’ombre de Satan’, in: Télérama, Paris, 27 September 2000
Lequeux, Emmanuelle, ‘La Peinture Existentialiste De Philip Guston’, in: Le Monde, Paris, 27 September – 3 October 2000
Gignoux, Sabine, ‘Guston, pinceau au poing’, in: La Croix, Paris, 28 September 2000
Gibson, Michael, ‘Philip Guston: A Rage to Paint’, in: International Herald Tribune, Paris, 30 September – 1 October 2000
Gopnik, Blake, ‘Philip Guston, National Gallery of Canada, Ottawa’, in: ARTnews, New York, October 2000
Leydier, Richard, ‘The Heresies of Philip Guston’, in: Art Press, Paris, Issue 261, October 2000
Grenier, Alexandre, ‘Philip Guston star inconnue’, in: Pariscope, Paris, October 2000
___, ‘Philip Guston, Peintures 1947-79’, in: Descubrir el Arte, Madrid, October 2000
Cohen-Solal, Annie, ‘L’art américain mine de rien’, in: Le Journal des arts, Paris, 6 October 2000
Van den Abeele, Lieven, ‘Schilderen tegen Ku Klux Klan’, in: De Standaard, Groot-Bijgaarden, 17 October 2000
___, ‘Philip Guston’, in: Télérama, Paris, 21-27 October 2000
A.G., ‘Philip Guston: peintures, 1947-1979: Le rire de la liberté’, in: Zurban, Paris, 8 November 2000
___, ‘Philip Guston. Peintures, 1947-1979, Entre Michel-Ange et Walt Disney’, in: A Nous Paris! L’Hebdo Du Métro, Paris, 20-26 November 2000
___, ‘Philip Guston’, in: De Witte Raaf, Brussel, Issue 88, November-December 2000
___, ‘Can Painting as an Art Survive? An Anxious Yes’, in: The Economist, London, 1 May 1999
Packer, William, ‘Painting brought to a Head’, in: The Financial Times, London, 15-16 May 1999
Serota, Nicholas, ‘Words and Deeds’, in: Artforum, New York, October 1999
Herzog, Samuel, ‘Stiller Abschied vom Absoluten, Ausstellung Philip Guston im Kunstmuseum Bonn’, in: Neue Zürcher Zeitung, Zurich, 15 October 1999
Grabner, Michelle, ‘Examining Pictures: Exhibiting Paintings’, in: Frieze, London, Issue 49, November-December 1999
Cooper, Harry, ‘Philip Guston: Paintings 1947-1979’, in: Artforum, New York, December 1999
Anfam, David, ‘Bonn, Philip Guston’, in: The Burlington Magazine, New York, December 1999
Feaver, William, ‘The Passionate Aesthete: Nicholas Serota’s Choice of Art’, in: Vernissage, National Gallery of Canada, Ottawa, No. 98, December 1999
Rowlands, Penelope, ‘Guston Works on Paper at John Berggruen’, in: Art & Auction, New York, January 1998
Bonetti, David, ‘Different Styles, different scales’, in: San Francisco Examiner, San Francisco, 29 January 1998
Bishop, Philip E., ‘A Celebration of Contemporary Art’, in: The Orlando Sentinel, Orlando, 15 March 1998
Milani, Joanne, ‘Quality’s the Theme in Collector’s Show’, in: The Tampa Tribune, Tampa, 24 May 1998
Muchnic, Suzanne, ‘The Shock of the Old’, in: Los Angeles Times, Los Angeles, 7 June 1998
___, ‘Summer Fiction Issue’, in: The New Yorker, New York, 22 June 1998
___, ‘Present Time’, in: ARTnews, New York, September 1998
Pagel, David, ‘Jabs and Stabs’, in: The Los Angeles Times, Los Angeles, 13 November 1998
Day, Jeffrey, ‘Greenville takes the lead with Guston and Mann exhibits’, in: Tempo, Charlotte, 11 May 1997
Patterson, Tom, ‘Guston’s ‘40s works frame his future’, in: The Charlotte Observer, Charlotte, 18 May 1997
Smith, Roberta, ‘Something Constant in a Procession of Styles’, in: The New York Times, New York, 22 August 1997
Koppelman, Dorothy, ‘Philip Guston: The Man, His Life and His Work’, on: www.aestheticrealism.org, New York, September 1997
Wilson, MaLin, ‘deomKrazy in the American West’, in: Art Issues, Los Angeles, September-October 1997
Turner, Grady T., ‘Philip Guston’, in: ARTnews, New York, November 1997
Griffin, Tim, ‘Philip Guston: Brave New World:1943’, in: Art On Paper, New York, November-December 1997
Kimmelman, Michael, ‘Philip Guston: Paintings From the 70’s’, in: The New York Times, New York, 11 October 1996
Griffin, Tim, ‘Philip Guston, Major Paintings From the Seventies’, in: Time Out-New York, New York, 24-31 October 1996
___, ‘In vollkommener Freiheit…, Ausstellung um Picasso, Guston, Miro und de Kooning im Neuen Museum Weserburg’, in: Bremer Anzeiger, Bremen, 26 October 1996
___, ‘Galleries Uptown’, in: The New Yorker, New York, 4 November 1996
Berndt, Hans, ‘In Vollkommer Freiheit…’, in: Handelsblatt, Düsseldorf, 8-9 November 1996
Levin, Kim, ‘Art Short List: Philip Guston’, in: The Village Voice, New York, 12 November 1996
Bode, Ursula, ‘Alte Manner sind gefahrlich: Das Spatwerk von Guston, de Kooning, Miro und Picasso in Bremen’, in: Die Zeit, Hamburg, 20 November 1996
Winter, Peter, ‘Schwung, Volumen und Dichte: Vier Maler mit ihrem Spatwerk in der Bremer Weserburg: Picasso, Miro, de Kooning und Guston’, in: Frankfurter Allgemeine, Frankfurt, 25 November 1996
Schmidt-Missner, Jurgen, ‘Mit dem Alter wachst die Freiheit: Saptwerker der Moderne im Weserburg-Museum Bremen’, in: Hannoversche Allgemeine Zeitung, Hannover, 2 December 1996
Heiner Stachelhaus, ‘Die Krise des Alters malend gemeistert: das Weserburg-Museum konfrontiert Zeitgenossisches mit dem Spatwerk von vier Klassikern’, in: St. Galler Tagblatt, St. Galler, December 1996
Corbett, William, ‘Philip Guston: Drawing Poems’, in: Art New England, Boston, December 1994 – January 1995
Imber, Jon, ‘Philip Guston: Teacher, Mentor, and Friend’, in: Art New England, Boston, December 1994 – January 1995
McGrath, Patrick, ‘Philip Guston: Head and Bottle, 1975’, in: Artforum, New York, February 1995
Smith, Roberta, ‘A Philip Guston Decade Colored by Red and Pink’, in: The New York Times, New York, 28 April 1995
Ottinger, Didier, ‘Acqisition d’un Tableau de Philip Guston par le Musee Des Sables D’Olonne’, in: Revue du Louvre, Paris, March 1995
Curtis, Cathy, ‘The Figures are Hooded, but the Message is Clear’, in: Los Angeles Times, Los Angeles, 18 April 1995
___, ‘Philip Guston’, in: The New Yorker, New York, 15 May 1995
Russ, Sabine, ‘Die Suche nach der Mitte’, in: Aufbau, New York, 26 May 1995
Lewis, Joel, ‘Guston Gets Another Go’, in: Forward, Damascus, 9 June 1995
Newhall, Edith, ‘Retrospective: Soul Mates’, in: New York Magazine, New York, 19 June 1995
Dagen, Philippe, ‘Philip Guston aux Sables-d’Olnne: l’abstraction aller et retour’, in: Le Monde, Paris, 4 July 1995
Kalinsky, Nicola, ‘Exhibition Review: Drawing the Line’, in: Burlington Magazine, London, July 1995
Cotter, Holland, ‘A Painter Who Collaborated with Poets’, in: The New York Times, New York, 7 July 1995
Wilkin, Karen, ‘At the Galleries’, in: Partisan Review, New York, Summer 1995
Pedersen, Victoria, ‘Gallery Go Round’, in: Paper Magazine, New York, Summer 1995
Carrier, David, ‘Reviews’, in: Burlington Magazine, London, August 1995
Lebovici, Elisabeth, ‘Guston, dessins sur un champ de mines’, in: Liberation, Paris, No. 4431, 17 August 1995
Pradel, Jean-Louis, ‘L’Apocalypse triviale de Philip Guston’, in: L’Événement du jeudi, Paris, 30 August 1995
___, ‘Philip Guston’, in: Art Press, Paris, No. 205, September 1995
Jover, Manuel, ‘L’art impur de Philip Guston’, in: Beaux Arts Magazine, Paris, No. 137, September 1995
Rubenstein, Raphael, ‘Ars Poetica’, in: Art in America, New York, September 1995
Barnet, Andrea, ‘Parallel Sensibilities’, in: The New York Times, New York, 3 September 1995
Brach, Paul, ‘Review’, in: Art in America, New York, October 1995
Jones, Ronald, ‘Philip Guston’s Poem-Pictures’, in: Frieze, London, November 1995
Loxley, Anne, ‘National Identity Explored’, in: The Sydney Morning Herald, Sydney, 29 April 1994
Lynn, Elwyn, ‘Driven to surrealist abstraction’, in: The Weekend Australian, Surry Hills, 7-8 May 1994
Delaruelle, Jacques, ‘A Different Mode of Thinking’, in: The Sydney Review, Sydney, May 1994
Corbett, William, ‘Guston’s Nixon’, in: Lingo Magazine, New York, 1994
Corbett, William, ‘Guston’s Guston: How One Bold Artist Saw His Place In The Universe’, in: The Boston Phoenix, Boston, September 1994
McQuaid, Cate, ‘Battleground: How Philip Guston Fought The War To Create Art’, in: The Boston Phoenix, Boston, September 1994
Shapiro, Michael Edward, ‘Philip Guston: The War Years’, in: The Print Collector’s Newsletter, Chicago,
September-October 1994
Balken, Debra Bricker, ‘Double Billings: Philip Guston’s Poem-Pictures’, in: The Print Collector’s Newsletter, Chicago, September-October 1994
Ablow, Joseph, ‘Ordered Terror: The Art of Philip Guston’, in: Bostonia, Boston, Fall 1994
Taylor, Robert, ‘Philip Guston’s poem-pictures rise above art lingo’, in: The Boston Sunday Globe, Boston, 2 October 1994
Stapen, Nancy, ‘Philip Guston exhibit at B.U. offers profound rewards’, in: The Boston Sunday Globe, Boston, 2 October 1994
Bullard, CeCe, ‘A painter’s anguish and anxiety’, in: Richmond Times-Dispatch, Richmond, November 1994
Roberts-Pullen, Paulette, ‘Between Reality and Dreams’, in: Richmond Times- Dispatch, Richmond, November 1994
Stapen, Nancy, ‘Philip Guston, Boston University Art Gallery’, in: ARTnews, New York, December 1994
Russell, John, ‘American Art Through European Eyes’, in: The New York Times, New York, 30 May 1993
Hughes, Robert, ‘The View from Piccadilly’, in: Time Magazine, New York, 4 October 1993
___, ‘Philip Guston, el arte del dibujo’, in: El Punto de las artes, Madrid, 21-27 May 1993
Luis Merino, Jose, ‘Guston’, in: El Mundo, Madrid, May 1993
Saenz de Gorbea, Xabier, ‘La Raiz del dibujo y sus rutas’, in: Arte, Rome, May 1993
Chacon, Francisco, ‘La investigadora de Guston’, in: El Mundo, Madrid, 14 May 1993
Gonzalez Carrera, J. A., ‘La Sala Rekalde de Bilbao exhibe una antologica de dibujos de Philip Guston’, in: El Correo espanol, Bilbao, 12 May 1993
Chacon, Francisco, ‘Philip Guston, Obsesion por el dibujo’, in: El Mundo, Madrid, 11 May 1993
Bonet, Juan Manuel, ‘El Philip Guston intimo’, in: ABC de las Artes, Madrid, May 1993
Gandariasbeitia, M.J., ‘135 dibujos mostraran en Bilbao la trayectoria del pintor norteamericano Philip Guston’, in: Deia, Bilbao, 9 May 1993
Storr, Robert, ‘Philip Guston’, in: MoMA: Members Quarterly, New York, Summer 1992
Wilkin, Karen, ‘At the Galleries’, in: Partisan Review, New York, Winter 1991
Ashton, Dore, ‘Which Way is Up?’, in: Contemporanea, New York, January 1991
Graham-Dixon, Andrew, ‘Laughing in the Dark’, in: The Independent Magazine, London, 23 February 1991
Mayer, Musa, ‘Under the Influence’, in: Mirabella, New York, March 1991
Curtis, Anthony, ‘Portrait of an Action Painter’, in: Financial Times, London, 23-24 February 1991
Corbett, William, ‘Philip Guston / Clark Coolidge’, in: Arts Magazine, New York, Summer 1991
Jenkins, Nicholas, ‘Philip Guston’, in: Art News, New York, December 1991
Gilbert-Rolfe, Jeremy, ‘Unmade in America’, in: Arts Magazine, New York, September 1990
Larsen, Kay, ‘Pop Goes the Easel’, in: New York Magazine, New York, 15 October 1990
Brenson, Michael, ‘Philip Guston: Paintings’, in: The New York Times, New York, 9 November 1990
Tio Bellido, Ramon, ‘Philip Guston, Figures Fantomes’, in: Beaux Arts, Paris, March 1989
Fernandez, Horacio, ‘El Ultimo Perplejo’, in: El Europeo, Barcelona, March 1989
Yau, John, ‘The Phoenix of the Self’, in: Artforum, New York, April 1989
Fontova, Rosario, ‘El Enigma de Philip Guston se exhibe en la Virreina’, in: El Periodico de
Catalunya, Barcelona, 26 May 1989
Costa, Jordi, ‘Tras Su Coleccion de Dibujos, Llega La Obra Pictorica de Philip Guston a la Virreina’, in: ABC Comunidad Valenciana, Valencia, 26 May 1989
___, ‘Tota la Trajectoria del Pintor Philip Guston Revisada a la Virreina’, in: AVUI, Barcelona, 26 May 1989
___, ‘Una Retrospectiva de Philip Guston Ocupa el Palau de la Virreina’, in: Diari de Barcelona, Barcelona, 26 May 1989
Spiegel, Olga, ‘Una Completa Retrospectiva de la Obra Pictorica de Guston Inaugurada en la Virreina’, in: La Vanguardia, Barcelona, 26 May 1989
___, ‘Una Retrospectiva de Philip Guston’, in: Heraldo de Aragon, Zaragoza, 26 May 1989
___, ‘El Pintor Philip Guston, Influenciado Por Goya, Expone en Barcelona’, in: El Correo De Andalucia, Sevilla, 27 May 1989
Uberquoi, Marie-Claire, ‘La Carrera Singular d’un Pintor Inquiet’, in: Diari de Barcelona, Barcelona, 27 May 1989
___, ‘Philip Guston en el Virreina’, in: El Punto de las Artes, Madrid, 2-8 June 1989
MacFarlane, Hugh, ‘Museum of Modern Art’, in: The Oxford Times, Oxford, 2 June 1989
Petherbridge, Deanna, ‘Graphic Revelations from the Sharp End of the Pencil’, in: Financial Times, London, 2 June 1989
Tysome, Tony, ‘Hobnai Boots’, in: The Oxford Times, Oxford, June 1989
de Francia, Peter, ‘Effigies and Images’, in: New Statesman and Society, London, 9 June 1989
Hilton, Tim, ‘Ghosts of the Past’, in: The Guardian, London, 9 June 1989
Feaver, William, ‘Have His KKK and Eat It’, in: The Observer, London, 25 June 1989
W.J., ‘A Forgotten Portrait of T.S. Eliot’, in: The Guardian, London, 16 June 1989
Miralles, Francesc, ‘Guston, la Lucha a Contracorriente’, in: La Vanguardia, Barcelona, 17 June 1989
Miquel Garcia, Josep, ‘Philip Guston’, in: Guia del Ocio, Madrid, 2 July 1989
Fallon, Brian, ‘Drawing Close to the Edges of Nightmare’, in: Irish Times, Dublin, 5 July 1989
Figueres, Abel, ‘Les Relacions Entre Contingut Forma’, in: AVUI, Barcelona, 9 July 1989
Oxlade, Roy, ‘Philip Guston’, in: Modern Painters, New York, Vol. 2, No. 2, Summer 1989
Dunne, Aidan, ‘Staying Same By Changing’, in: The Sunday Tribune, Dublin, 13 August 1989
Fallon, Brian, ‘Philip Guston at Douglas Hyde Gallery’, in: Irish Times, Dublin, 17 August 1989
Robinson, Kate, ‘Guston: Satire and the Threat of Violence’, in: Sunday Independent, Dublin, September 1989
Degener, Patricia, ‘Retrospective Of Philip Guston`s Paintings Shows ‘A Life Lived’’, in: St. Louis Post-Dispatch, St. Louis, 10 September 1989
Roth, Philip, ‘Breast Baring’, in: Vanity Fair, New York, October 1989
Hutchinson, John, ‘A Dose of Streetwise Cynicism’, in: Sunday Press, Los Altos, 27 August 1989
Corbett, William, ‘Philip Guston Drawing Poems’, in: NOTUS, New York, Vol.4, No. 2, Fall 1989
Montana, Guido, ‘Philip Guston e la tematica del Ku Klux Klan’, in: L’Umanita, Rome, 20 October 1989
Micacchi, Dario, ‘Philip Guston: le rovine del sogno Americano’, in: L’Unita, Rome, 26 October 1989
Giuffre, Guido, ‘I Designi di Phiip Guston’, in: La Discussione, Rome, 4 November 1989
Kutner, Janet, ‘The Guston Looks’, in: The Dallas Morning News, Dallas, 18 November 1989
Mayer, Musa, ‘My Father, Philip Guston’, in: The New York Times Magazine, New York, 7 August 1988
Raynor, Vivien, ‘Three Artists Who Abandoned Abstraction’, in: The New York Times, New York, 17 July 1988
Kramer, Hilton, ‘Guston at MoMA: What Was ‘In’ Drove this Artist Compulsively’, in: The New York Observer, New York, 19 September 1988
Smith, Roberta, ‘Retrospective Covers Guston’s Two Careers’, in: The New York Times, New York, 9 September 1988
Larson, Kay, ‘Waiting for the Light’, in: New York Magazine, New York, 26 September 1988
Wolff, Theodore F., ‘Philip Guston’s Wide-Ranging 50 Year Career in Art’, in: The Christian Science Monitor, Boston, 26 September 1988
Raven, Arlene, ‘Seeing and Believing’, in: Village Voice, New York, 27 September 1988
Baker, Kenneth, ‘A Giant Emerges’, in: San Francisco Chronicle, San Francsico, 2 October 1988
Gopnik, Adam, ‘Cyclops’, in: The New Yorker, New York, 3 October 1988
Feld, Ross, ‘Guston in Time’, in: Arts Magazine, New York, November 1988
Welish, Marjorie, ‘I Confess: The Drawings of Philip Guston’, in: Arts Magazine, New York, November 1988
Corbett, William, ‘What a Miracle Images Are!’, in: Arts Magazine, New York, November 1988
Greene, Alison de Lima, ‘The Artist as Performer’, in: Arts Magazine, New York, November 1988
Rand, Archie, ‘The Victory of the Futile’, in: Arts Magazine, New York, November 1988
Ashton, Dore, ‘That is Not What I Meant at All: Why Philip Guston is not Post Modern’, in: Arts Magazine, New York, November 1988
Heartney, Eleanor, ‘The Drawings of Philip Guston’, in: ARTnews, New York, December 1988
Ashton, Dore, ‘Impassioned Quest’, in: Art International, Lugano, Winter 1988
Flam, Jack, ‘The Gallery: Philip Guston’, in: The Wall Street Journal, New York, 17 October 1988
Zaller, Robert, ‘Philip Guston and the Crisis of the Image’, in: Critical Inquiry, Chicago, Vol. 14, No. 1, Autumn 1987
Russell, John, ‘___’, in: The New York Times, New York, 25 October 1987
Vishny, Michele, ‘On The Walls: Murals by Ben Shahn, Philip Guston, and Seymour Fogel for the Social Security Building, Washington, D.C.’, in: Arts Magazine, New York, March 1987
Bell, Tiffany, ‘Philip Guston’, in: The Empire State Collection: Art for the Public, New York, 1987
Beck, James, ‘Il Segno Americano’, in: Promoteo, Milan, September 1986
Barry, Schwabsky, ‘The Real Situation: Philip Guston and Mark Rothko at the End of the Sixties’, in: Arts Magazine, New York, December 1986
Robert, Storr, ‘Assured Successes and Surprises’, in: The New York Times, New York, 28 December 1986
Bass, Ruth, ‘Philip Guston – review’, in: Arts Magazine, New York, November 1985
Cotter, Holland, ‘Philip Guston – review’, in: Arts Magazine, New York, November 1985
Stuart, Morgan, ‘Bread and Circuses’, in: Artforum, New York, March 1985
Purviance, Nina, ‘Philip Guston in the Fifties: The Power of Suggestion’, in: Arts Magazine, New York, September 1985
Brach, Paul, ‘Paint Remover: The Late Guston’, in: Art in America, New York, February 1984
Russell, John, ‘Mixed Painting Show – Philip Guston’, in: The New York Times, New York, 6 April 1984
Gassert, Siegmar, ‘Aus Einer Entsetzlich Ehrlichen Welt’, in: Basler Zeitung, Basel, 9 May 1983
Thommen, Elsbeth, ‘___’, in: Basler Woche, Basel, 13 May 1983
Wechsler, Vox Max, ‘Das Spatwerk des Amerikaners, Philip Guston’, in: Vaterland, Vaduz, 14 May 1983
Zellweger, Von Harry, ‘Guston’s Post-Expressionismus’, in: Luzerner Tagblatt, Luzern, 27 May 1983
Zellweger, Von Harry, ‘Mit den Jungen Deutschen Verwandt’, in: Solothurner Zeitung, Solothurn, 30 May 1983
Schuab, Martin, ‘Eine Monumentale Hasslichkeit’, in: Tages Anzeiger, Zurich, 6 June 1983
Dienst, Rolf-Gunter, ‘Aus der Buchse der Pandora’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 8 June 1983
Zellweger, Harry, ‘Philip Guston’s Post Expressionismus’, in: Der Landbote, Zurich, 6 October 1983
Ammann, Jean-Christophe, ‘De L’Oeuvre Tardive de Philip Guston’, in: Artistes, Paris, No. 17, 1983
Brenson, Michael, ‘Assessing Guston by His Late Paintings’, in: The New York Times, New York, 21 October, 1983
Ashton, Dore, ‘Philip Guston, Different Subjects’, in: Flash Art, Milan, January 1982
Sweet, David, ‘Philip Guston and Beyond’, in: Artscribe, London, No. 38, 1982
___, ‘The Good, The Bad, and the Ugly’, in: Vogue, New York, March 1982
Cavaliere, Barbara, ‘Philip Guston’, in: Arts Magazine, New York, April 1982
Januszczak, Waldemar, ‘Philip Guston’, in: The Guardian, London, 13 October 1982
Taylor, John Russell, ‘Philip Guston, Paintings 1969-1980’, in: The New York Times, New York, 19 October 1982
Spurling, John, ‘Caught Short’, in: New Statesman, London, 22 October 1982
Feaver, William, ‘The Shockers’, in: The London Observer, London, 24 October 1982
Packer, William, ‘Change and Philip Guston’, in: Financial Times, London, 26 October 1982
McCloud, Mac, ‘Philip Guston at Asher Faure Gallery’, in: Images & Issues, Los Angeles, November-December 1982
___, ‘Philip Guston: Stumblebum’, in: Artsline, London, November 1982
Roberts, John, ‘Philip Guston: The Last Years’, in: Art Monthly, London, November 1982
King, Mary, ‘The Guston Retrospective: A Grim Mirror to Our Time’, in: St. Louis Post Dispatch, St. Louis, 1 February 1981
Richard, Paul, ‘The Gusto of Guston’, in: The Washington Post, Washington, D.C., 9 April 1981
Russell, John, ‘Art: Philip Guston in Retrospect’, in: The New York Times, New York, 3 July 1981
Perreault, John, ‘Guston Winds’, in: Soho News, New York, 8 July 1981
Larsen, Kay, ‘Painting From Ground Zero’, in: New York Magazine, New York, 21 July 1981
Hackett, Regina, ‘Guston’s Legacy Lives’, in: Seattle Post Intelligencer, Seattle, 12 July 1981
Grant, Daniel, ‘Philip Guston, Rebel Painter in Retrospect’, in: Newsday, New York, 12 July 1981
Scheldahl, Peter, ‘___’, in: Village Voice, New York, 15-21 July 1981
Clark, John, ‘Philip Guston and Metaphysical Painting’, in: Artscribe, London, No. 30, August 1981
Hughes, Robert, ‘Reflections in a Bloodshot Eye’, in: Time Magazine, New York, August 1981
Baker, Kenneth, ‘Modern Metamorphosis’, in: Boston Phoenix, Boston, 4 August 1981
Hanson, Bernard, ‘Whitney Review’, in: Hartford Courant, Hartford, 1981
Hill, Andrea, ‘No Picnic: Philip Guston at the Whitney’, in: Artscribe, London, No. 30, August 1981
Roud, Richard, ‘Art of U.S. Imperialism?’, in: The Guardian, London, 16 November 1981
Albright, Thomas, ‘A Survey of a Man’s Life’, in: San Francisco Chronicle, San Francisco, 15 May 1980
Shere, Charles, ‘Looking Beyond Guston’s Paintings’, in: Oakland Tribune, Oakland, 18 May 1980
Morch, Al, ‘Impressive Guston Gamut’, in: San Francisco Examiner, San Francisco, 19 May 1980
Moss, Stacey, ‘Guston at the Museum of Modern Art’, in: Peninsula Times Tribune, Palo Alto, 24 May 1980
Albright, Thomas, ‘A Curious Repertorie of the Guston Imagery’, in: San Francisco Chronicle, San Francisco, 25 May 1980
Burkhart, Dorothy, ‘Two Artists who Continue to Surprise their Audience’, in: Mercury News, San Jose, 25 May 1980
Curtis, Cathy, ‘Philip Guston: One of a Kind’, in: North East Bay Independent and Gazette, Berkeley, 25 May 1980
Demore, Harre W., ‘SCM sponsoring S.F. Modern Art Exhibit with More than Altruism in Mind’, in: San Francisco Business Journal, San Francisco, 26 May 1980
Fowler, Carla, ‘Guston Retrospective Mirrors his Life’, in: Costa Times, Walnut Creek, 4 June 1980
___, ‘Renegade Artist’s Paintings Exhibited’, in: Nevada State Journal, Reno, 17 May 1980
___, ‘Philip Guston’, in: Santa Barbara Chronicle, Santa Barbara, June 1980
Williams, Paul, ‘The Art of Philip Guston’, in: Valley Pioneer, Invermere, 4 June 1980
Curtis, Cathy, ‘Philip Guston: The Continuity of Change’, in: Artweek, New York, 7 June 1980
Stevens, Mark, ‘Diamond in the Rough’, in: Newsweek, New York, 23 June 1980
Glueck, Grace, ‘___’, in: New York Times, New York, 10 June 1980
Wilson, William, ‘Mystery at the Core of Guston Memorial Exhibition’, in: LA Times, Los Angeles, 15 June 1980
Rickey, Carrie, ‘___’, in: Village Voice, New York, 23 June 1980
Kingsley, April, ‘Philip Guston’s Endgame’, in: Horizon Magazine, Tuscaloosa, June 1980
Boettger, Suzaan, ‘Art for Modern Times’, in: Daily Californian, Berkeley, 26 June 1980
Taylor, Robert, ‘A Triumphant Vision of Art’s Complexities’, in: Boston Sunday Globe, Boston, 29 June 1980
Butterfield, Jan, ‘A Very Anxious Fix: Philip Guston’, in: Images & Issues, Los Angeles, Summer 1980
Forgey, Benjamin, ‘Getting to know Guston’, in: The Washington Star, Washington, D.C., 20 July 1980
___, ‘Philip Guston, 1913-1980’, in: West Magazine, San Jose, 27 June 1980
Albright, Thomas, ‘Philip Guston: It’s a Strange Thing to Be Immersed in the Culture of Painting’, in: ARTnews, New York, September 1980
Smith, Roberta, ‘Philip Guston 1913 – 1980’, in: Art in America, New York, September 1980
Baker, Kenneth, ‘Breaking the Silence’, in: Artforum, New York, September 1980
Toucatt, Ralph, ‘Metamorphosis: The Art of Philip Guston’, in: The Threepenny Review, Berkeley, Fall 1980
Rickey, Carrie, ‘Gust, Gusto, Guston’, in: Artforum, New York, October 1980
Artner, Alan, ‘___’, in: The Chicago Tribune, Chicago, 30 November 1980
Elliot, David, ‘Philip Guston: A Nagging Honesty’, in: The Sun Times, Chicago, 30 November 1980
Brach, Paul, ‘Looking at Guston’, in: Art in America, New York, November 1980
Buonagurio, Edgar, ‘Philip Guston – review’, in: Arts Magazine, New York, February 1979
Zimmer, William, ‘Art for the Me Decade’, in: Soho Weekly News, New York, February 1979
Shirey, David, ‘An Artistic Celebration’, in: The New York Times, New York, 6 May 1979
Feaver, William, ‘Loads of Sprockets’, in: London Observer, London, 6 May 1979
Saunders, Wade, ‘Art Inc.: The Whitney’s 1979 Biennial’, in: Art in America, New York, May-June 1979
Schipper, Merle, ‘Kline and Guston: Phases of Drawing’, in: ArtWeek, New York, 11 August 1979
Rickey, Carrie, ‘What Becomes a Legend Most’, in: The Village Voice, New York, 22 October 1979
Ashton, Dore, ‘A Response to Philip Guston’s New Paintings’, in: Arts Magazine, New York, December 1979
Feld, Ross, ‘Philip Guston’s Wharf’, in: Arts Magazine, New York, April 1978
Artner, Alan G., ‘Carefully Watched, An Escape Artist Finds New Freedom’, in: Chicago Tribune, Chicago, 15 October 1978
Schulze, Franz, ‘3 Artists Defy Trend’, in: Chicago Sun-Times, Chicago, 15 October 1978
___, ‘Philip Guston – review’, in: Soho Weekly News, New York, October 1978
___, ‘Philip Guston – review’, in: ARTnews, New York, December 1978
Richard, Rene, ‘Philip Guston – review’, in: Art in America, New York, November-December 1978
Talmer, Jerry, ‘Creation is for Beauty Parlors’, in: New York Post, New York, 9 April 1977
Baker, Kenneth, ‘Philip Guston’s Drawing: Delirious Figuration’, in: Arts Magazine, New York, June 1977
Glueck, Grace, ‘The 20th-Century Artists Most Admired By Other Artists’, in: ARTnews, New York, November 1977
Feld, Ross, ‘Philip Guston’, in: Arts Magazine, New York, May 1976
Rosenberg, Harold, ‘Liberation from Detachment’, in: The New Yorker, New York, November 1970
Kramer, Hilton, ‘A Mandarin Pretending To Be A Stumblebum’, in: The New York Times, New York, 25 October 1970
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