Influenced by 1960s counterculture, the free speech movement, and the surf ethos of her native California, Mary Heilmann ranks amongst the most influential abstract painters of her generation. Considered one of the preeminent contemporary Abstract painters, Heilmann’s practice overlays the analytical geometries of Minimalism with the spontaneous ethos of the Beat Generation, and are always distinguishable by their often unorthodox—always joyful—approach to color and form.
Raised in San Francisco and Los Angeles, Heilmann completed a degree in literature, before she studied ceramics at Berkeley. Only after moving to New York in 1968 did she begin to paint. While most artists at that time were experimenting with the concept of dematerialization and demanding that painting should avoid any references to experience outside the material presence of the work itself, Heilmann opted for painting, rebelling against the accepted rules. ‘Rather than following the decrees of modern, non-representational formalism, I started to understand that the essential decisions taken during the creative process were more and more related to content. The Modern movement was over…’
Since then, Heilmann has created compositions that evoke a variety of associations. Her work may be non-representational and based on an elementary, geometrical vocabulary—circles, squares, grids and stripes—but there is always something slightly eccentric, casual about them. The simplicity of the forms is played down by a deceptive form of nonchalance: the contours are not clearly defined. In some paintings, amorphous forms appear to melt into each other like liquid wax. Splashes of color can be discerned, sharp edges bleed for no apparent reason, and the ductus of the brushstrokes is always perceptible. Heilmann’s casual painting technique conceals a frequently complex structure that only gradually reveals itself to the viewer.
Mary Heilmann
Biography
Print Biography
Born
San Francisco CA, 1940
Education
Studied literature at University of California at Santa Barbara, B.A., 1959 – 1962
Studied poetry and ceramics at San Francisco State University, 1963
Studied ceramics and sculpture at University of California at Berkeley, M.A., 1963 – 1967
Moved to New York NY, 1968
Resides
Lives and works in New York NY
Selected Solo Exhibitions
2023
Dia Beacon, 'Mary Heilmann', Beacon NY
2022
Jan Shrem and Maria Manetti Shrem Museum of Art, 'Mary Heilmann: Squaring Davis', Davis CA
2020
Hauser & Wirth, 'Mary Heilmann. Highway, Oceans, Daydreams', Southampton NY
2018
Hauser & Wirth Los Angeles, 'Memory Remix', Los Angeles CA
2017
Dan Flavin Art Institute, 'Mary Heilmann. Painting Pictures', Bridgehampton NY
Craig F. Starr Gallery, 'RYB. Mary Heilmann Paintings, 1975-78', New York NY
Craig F. Starr Gallery, 'RYB. Mary Heilmann Paintings, 1975-78', New York NY
2016
Whitechapel Gallery, 'Mary Heilmann. Looking at Pictures', London, England
2015
303 Gallery, 'Mary Heilmann. Geometrics. Waves, Roads, etc.', New York NY
Whitney Museum of American Art, ‘Mary Heilmann. Sunset’, New York NY
Hamburger Bahnhof – Museum für Gegenwart, 'Mary Heilmann & David Reed. Two by Two', Berlin, Germany
Whitney Museum of American Art, ‘Mary Heilmann. Sunset’, New York NY
Hamburger Bahnhof – Museum für Gegenwart, 'Mary Heilmann & David Reed. Two by Two', Berlin, Germany
2013
Kunstmuseum Bonn, 'Mary Blinky Yay', Bonn, Germany
Neues Museum Nürnberg, 'Mary Heilmann. Good Vibrations', Nuremberg, Germany (Travelling Exhibition)
Häusler Contemporary, 'Mary Heilmann. Another Green World', Munich, Germany
Neues Museum Nürnberg, 'Mary Heilmann. Good Vibrations', Nuremberg, Germany (Travelling Exhibition)
Häusler Contemporary, 'Mary Heilmann. Another Green World', Munich, Germany
2012
Bonnefantenmuseum, 'Mary Heilmann. Good Vibrations', Maastricht, The Netherlands
Hauser & Wirth London, 'Mary Heilmann. Visions, Waves and Roads', London, United Kingdom
Hauser & Wirth London, 'Mary Heilmann. Visions, Waves and Roads', London, United Kingdom
2010
Galerie Barbara Weiss, ‘Home Sweet Home’, Berlin, Germany
Museum Ludwig, 'Weather Report: Drawings and Prints', Cologne, Germany
Museum Ludwig, 'Weather Report: Drawings and Prints', Cologne, Germany
2009
303 Gallery, 'Two-Lane Blacktop', New York NY
2008
Zwirner & Wirth New York, 'Some Pretty Colors', New York NY
New Museum of Contemporary Art, 'Mary Heilmann: To Be Someone', New York NY (Travelling Exhibition)
Wexner Center for the Arts, 'Mary Heilmann: To Be Someone', Columbus OH (Travelling Exhibition)
New Museum of Contemporary Art, 'Mary Heilmann: To Be Someone', New York NY (Travelling Exhibition)
Wexner Center for the Arts, 'Mary Heilmann: To Be Someone', Columbus OH (Travelling Exhibition)
2007
Orange County Museum, 'Mary Heilmann: To Be Someone', Newport Beach CA (Travelling Exhibition)
CAMH - Contemporary Art Museum Houston, 'Mary Heilmann: To Be Someone', Houston TX (Travelling Exhibition)
CAMH - Contemporary Art Museum Houston, 'Mary Heilmann: To Be Someone', Houston TX (Travelling Exhibition)
2006
Hauser & Wirth Zürich, 'Saturday Night Kiss', Zurich, Switzerland
Crown Point Gallery, 'Mary Heilmann: New Etchings', San Francisco CA
Crown Point Gallery, 'Mary Heilmann: New Etchings', San Francisco CA
2005
303 Gallery, 'Heaven & Hell', New York NY
2004
Hauser & Wirth London, 'Mary Heilmann', London, England
2003
Secession, 'Mary Heilmann: All Tomorrow's Parties', Vienna, Austria
Douglas Hyde Gallery, Trinity College, 'Mary Heilmann. The Architecture of Heaven', Dublin, Ireland
Douglas Hyde Gallery, Trinity College, 'Mary Heilmann. The Architecture of Heaven', Dublin, Ireland
2002
American Fine Arts, 'Mary Heilmann', New York NY
Kenny Schachter Gallery, 'Mary Heilmann: Home', New York NY
Kenny Schachter Gallery, 'Mary Heilmann: Home', New York NY
2001
Hauser & Wirth Zürich, 'Mary Heilmann', Zurich, Switzerland
Galerie Meyer Kainer, 'Mary Heilmann', Vienna, Austria
Camden Arts Centre, 'Mary Heilmann', London, England
Galerie Meyer Kainer, 'Mary Heilmann', Vienna, Austria
Camden Arts Centre, 'Mary Heilmann', London, England
2000
Oldenburger Kunstverein, 'Mary Heilmann. Malerei', Oldenburg, Germany
Kunstmuseum St. Gallen, 'Mary Heilmann – Jessica Stockholder', St. Gallen, Switzerland
Galerie Vera Munro, 'Mary Heilmann', Hamburg, Germany
Kunstmuseum St. Gallen, 'Mary Heilmann – Jessica Stockholder', St. Gallen, Switzerland
Galerie Vera Munro, 'Mary Heilmann', Hamburg, Germany
1999
Hauser & Wirth Zürich, 'The All Night Movie', Zurich, Switzerland
1998
Pat Hearn Gallery, 'Mary Heilmann. Paintings', New York NY
Johnson County Community College, 'Mary Heilmann: Selected Works, 1978-1998', Overland Park KS
Johnson County Community College, 'Mary Heilmann: Selected Works, 1978-1998', Overland Park KS
1997
Richard Telles Gallery, 'Mary Heilmann', Los Angeles CA
Stiftung für konstruktive und konkrete Kunst, 'Mary Heilmann. This and That', Zurich, Switzerland
Hauser & Wirth Zürich, 'Mary Heilmann. Paintings 1973-1997', Zurich, Switzerland
Wolfgang Häusler, 'Modern Art: Paintings and Papers', Munich, Germany
Galerie Stadtpark, 'Mary Heilmann', Krems, Austria
Stiftung für konstruktive und konkrete Kunst, 'Mary Heilmann. This and That', Zurich, Switzerland
Hauser & Wirth Zürich, 'Mary Heilmann. Paintings 1973-1997', Zurich, Switzerland
Wolfgang Häusler, 'Modern Art: Paintings and Papers', Munich, Germany
Galerie Stadtpark, 'Mary Heilmann', Krems, Austria
1995
Pat Hearn Gallery, 'Works on Paper', New York NY
Zeno X Gallery, 'Mary Heilmann', Antwerp, Belgium
Zeno X Gallery, 'Mary Heilmann', Antwerp, Belgium
1994
Beaver College Art Gallery, 'Mary Heilmann: Paintings, Drawings, Ceramics', Glenside PA
M Gallery Bochum Kunstvermittlung, 'Works 1971-1994', Bochum, Germany
Pat Hearn Gallery, 'Greatest Hits', New York NY
San Francisco Art Institute, Walter/McBean Gallery, San Francisco CA
M Gallery Bochum Kunstvermittlung, 'Works 1971-1994', Bochum, Germany
Pat Hearn Gallery, 'Greatest Hits', New York NY
San Francisco Art Institute, Walter/McBean Gallery, San Francisco CA
1993
Pat Hearn Gallery, 'Mary Heilmann', New York NY
1991
Pat Hearn Gallery, 'Mary Heilmann', New York NY
Green Gallery, 'Mary Heilmann', Bay Harbor Islands FL
Green Gallery, 'Mary Heilmann', Bay Harbor Islands FL
1990
Galerie Isabella Kacprzak, 'Mary Heilmann und Jessica Stockholder', Cologne, Germany
Institute of Contemporary Art, 'Mary Heilmann: A Survey', Boston MA
Fuller Gross Gallery, 'Mary Heilmann', San Francisco CA
Robbin Lockett Gallery, 'Mary Heilmann', Chicago IL
Institute of Contemporary Art, 'Mary Heilmann: A Survey', Boston MA
Fuller Gross Gallery, 'Mary Heilmann', San Francisco CA
Robbin Lockett Gallery, 'Mary Heilmann', Chicago IL
1989
Pat Hearn Gallery, 'Mary Heilmann', New York NY
1988
Gallery Mukai, 'Mary Heilmann', Tokyo, Japan
Pat Hearn Gallery, 'Mary Heilmann', New York NY
Hillman Holland Gallery, 'Mary Heilmann', Atlanta GA
Pat Hearn Gallery, 'Mary Heilmann', New York NY
Hillman Holland Gallery, 'Mary Heilmann', Atlanta GA
1986
Pat Hearn Gallery, 'Mary Heilmann', New York NY
1983
Clocktower, 'Mary Heilmann', New York NY
Daniel Weinberg Gallery, 'Mary Heilmann', San Francisco CA
Daniel Weinberg Gallery, 'Mary Heilmann', San Francisco CA
1981
Holly Solomon Gallery, 'Mary Heilmann. Recent Works', New York NY
Holly Solomon Editions, 'Mary Heilmann. Ceramics', New York NY
Holly Solomon Editions, 'Mary Heilmann. Ceramics', New York NY
1980
Galerie Hans Strelow, 'Mary Heilmann', Düsseldorf, Germany
1979
Galleri Wallner Fersens, 'Mary Heilmann', Malmö, Sweden
Holly Solomon Gallery, 'Paintings', New York NY
Daniel Weinberg Gallery, 'Mary Heilmann', San Francisco CA
Holly Solomon Gallery, 'Paintings', New York NY
Daniel Weinberg Gallery, 'Mary Heilmann', San Francisco CA
1978
Holly Solomon Gallery, ' New Paintings', New York NY
1976
Holly Solomon Gallery, 'The Vent Series', New York NY
Holly Solomon Gallery, 'Mary Heilmann', New York NY
Holly Solomon Gallery, 'Mary Heilmann', New York NY
1974
State University of New York, 'Mary Heilmann', Stony Brook NY
1973
Henri Gallery, 'Mary Heilmann', Washington DC
1972
Paley & Lowe Gallery, 'Mary Heilmann', New York NY
1971
Paley & Lowe Gallery, 'Mary Heilmann', New York NY
1970
Whitney Museum Art Resource Center, 'Mary Heilmann', New York NY
Selected Group Exhibitions
2023
GRAY New York, 'GRAY at 60', New York NY
Resnick Passlof Foundation, 'The Feminine in Abstract Painting', cur. Andrea Belag and Jennifer Samet, New York NY
Resnick Passlof Foundation, 'The Feminine in Abstract Painting', cur. Andrea Belag and Jennifer Samet, New York NY
2022
The Aldrich Contemporary Art Museum, '52 Artists: A Feminist Milestone', Ridgefield CT
Hauser & Wirth, 'Chromophilia', Zürich, Switzerland
Museum Haus Konstruktiv, 'Geometric Opulence', Zürich, Switzerland
Hauser & Wirth, 'Chromophilia', Zürich, Switzerland
Museum Haus Konstruktiv, 'Geometric Opulence', Zürich, Switzerland
2021
Alexander Berggruen, 'Shapes', New York NY
2020
Hauser & Wirth, 'Artists for New York' New York NY
2018
TMC International, 'Frankenstein', Sag Harbor NY
Tripoli Gallery, 'WAVY. Sabra Moon Elliot & Mary Heilmann', Southampton NY
Hessel Museum of Art, 'The Conditions of Being Art: Pat Hearn Gallery and American Fine Arts, Co. (1983-2004)', Annandale-on-Hudson New York
Hauser & Wirth Los Angeles, ‘Portable Art. A Project by Celia Forner’, Los Angeles CA (Travelling Exhibition)
National Gallery of Art, 'Outliers and American Vanguard Art', Washington DC
Hall Art Foundation, Schloss Derneburg Museum, 'Für Barbara', (cur. Leo Koenig), Derneburg, Germany
Victoria Miro, 'Surface Work', London, United Kingdom
Tripoli Gallery, 'WAVY. Sabra Moon Elliot & Mary Heilmann', Southampton NY
Hessel Museum of Art, 'The Conditions of Being Art: Pat Hearn Gallery and American Fine Arts, Co. (1983-2004)', Annandale-on-Hudson New York
Hauser & Wirth Los Angeles, ‘Portable Art. A Project by Celia Forner’, Los Angeles CA (Travelling Exhibition)
National Gallery of Art, 'Outliers and American Vanguard Art', Washington DC
Hall Art Foundation, Schloss Derneburg Museum, 'Für Barbara', (cur. Leo Koenig), Derneburg, Germany
Victoria Miro, 'Surface Work', London, United Kingdom
2017
Rental Gallery, 'Color People', East Hampton NY
Mary Mary, 'Curve of a hill like the curve of a green shoulder', Glasgow, Scotland
Galerie Proarta, 'Hommages aux Femmes', Zürich, Switzerland
Hauser & Wirth, ‘Portable Art. A Project by Celia Forner’, New York NY (Travelling Exhibition)
American Academy of Arts and Letters, '2017 Exhibition of Work by New Members and Award Winners', New York NY
Jaeckel Gallery, ’Last Picture Show’, New York NY
Pulitzer Arts Foundation, ’Blue Black’, St. Louis MO
Southampton Arts Center, ’A Sense of Place’, Southampton NY
Whitney Museum of American Art, ’Fast Forward: Painting from the 1980s’, New York NY
Mary Mary, 'Curve of a hill like the curve of a green shoulder', Glasgow, Scotland
Galerie Proarta, 'Hommages aux Femmes', Zürich, Switzerland
Hauser & Wirth, ‘Portable Art. A Project by Celia Forner’, New York NY (Travelling Exhibition)
American Academy of Arts and Letters, '2017 Exhibition of Work by New Members and Award Winners', New York NY
Jaeckel Gallery, ’Last Picture Show’, New York NY
Pulitzer Arts Foundation, ’Blue Black’, St. Louis MO
Southampton Arts Center, ’A Sense of Place’, Southampton NY
Whitney Museum of American Art, ’Fast Forward: Painting from the 1980s’, New York NY
2016
Sperone Westwater, ’Splotch’, New York NY
Wilding Cran Gallery, ‘TRI(…ed): Revisiting TRI Gallery’, Los Angeles CA
Kunstsammlung Nordrhein-Westfalen, ‘Henkel — The Art Collection’, Düsseldorf, Germany
Crown Point Press, ‘John Zurier and Friends’, San Francisco CA
Crown Point Press, ’Summer Choices: A Group Exhibition’, San Francisco CA
Crown Point Press, ’Winter Group Show’, San Francisco CA
Wilding Cran Gallery, ‘TRI(…ed): Revisiting TRI Gallery’, Los Angeles CA
Kunstsammlung Nordrhein-Westfalen, ‘Henkel — The Art Collection’, Düsseldorf, Germany
Crown Point Press, ‘John Zurier and Friends’, San Francisco CA
Crown Point Press, ’Summer Choices: A Group Exhibition’, San Francisco CA
Crown Point Press, ’Winter Group Show’, San Francisco CA
2015
Museum Brandhorst, ‘Painting 2.0: Expression in the Information Age’, Munich, Germany
Greene Naftali, ‘Work on Paper’, New York NY
TBD, ‘Gargle/Spit’, New York NY
Parrish Art Museum, ‘The Permanent Collection: Connections and Context’, Watermill NY
Ille Arts, 'Oceans Eleven', Amagansett, NY
The Warehouse, 'Geometries On and Off the Grid: Art from 1950 to the Present', Dallas TX
Villa Reale's Galleria d'Arte Moderna, 'Don't Shoot the Painter – UBS Art Collection', Milan, Italy
OMI International Arts Center, 'The Crayon Miscellany', Ghent, NY
Greene Naftali, ‘Work on Paper’, New York NY
TBD, ‘Gargle/Spit’, New York NY
Parrish Art Museum, ‘The Permanent Collection: Connections and Context’, Watermill NY
Ille Arts, 'Oceans Eleven', Amagansett, NY
The Warehouse, 'Geometries On and Off the Grid: Art from 1950 to the Present', Dallas TX
Villa Reale's Galleria d'Arte Moderna, 'Don't Shoot the Painter – UBS Art Collection', Milan, Italy
OMI International Arts Center, 'The Crayon Miscellany', Ghent, NY
2014
David Zwirner, 'Painting on Paper', New York NY
Pavel Zoubok Gallery, 'Hooray for Hollywood! In collaboration with Mixed Greens', New York NY
DODGE Gallery, 'Age of Small Things', New York NY
CB1 Gallery, 'Capture the Rapture', Los Angeles CA
Bonnefantenmuseum, 'Beating around the bush. Episode #2', Maastricht, The Netherlands
Edgewood Gallery, Yale University, 'Reliable Tension - In Re:', New Haven, CT
Equinox Gallery, 'Persian Rose Chartreuse Muse Vancouver Grey', Vancouver, Canada
Lori Bookstein Fine Art, 'Speaking Through Paint: Hans Hofmann’s Legacy Today', New York, NY
Pavel Zoubok Gallery, 'Hooray for Hollywood! In collaboration with Mixed Greens', New York NY
DODGE Gallery, 'Age of Small Things', New York NY
CB1 Gallery, 'Capture the Rapture', Los Angeles CA
Bonnefantenmuseum, 'Beating around the bush. Episode #2', Maastricht, The Netherlands
Edgewood Gallery, Yale University, 'Reliable Tension - In Re:', New Haven, CT
Equinox Gallery, 'Persian Rose Chartreuse Muse Vancouver Grey', Vancouver, Canada
Lori Bookstein Fine Art, 'Speaking Through Paint: Hans Hofmann’s Legacy Today', New York, NY
2013
Halsey McKay Gallery, 'Paint On, Paint Off', East Hampton NY
Columbus College of Art and Design, 'My Crippled Friend', Columbus OH
Martos Gallery, 'Lat. 41 7' N. Long 72 19' W.', East Marion, NY
Cheim&Read, 'Reinventing Abstraction', New York, NY
Columbus College of Art and Design, 'My Crippled Friend', Columbus OH
Martos Gallery, 'Lat. 41 7' N. Long 72 19' W.', East Marion, NY
Cheim&Read, 'Reinventing Abstraction', New York, NY
2012
Hamburger Kunsthalle, 'Alice in the Wonderland of Art', Hamburg, Germany (Travelling Exhibition)
MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, 'Alice in Wonderland', Rovereto, Italy (Travelling Exhibition)
Museum im Kulturspeicher, 'Aufbruch – Malerei und realer Raum', Wurzburg, Germany (Travelling Exhibition)
Kunsthalle Rostock, 'Aufbruch – Malerei und realer Raum', Rostock, Germany
Christie's, 'We had to destroy it in order to save it. Painting in New York in the 1970's', New York NY
Ille Arts, 'Seating Arrangements', Amagansett NY
Martos Gallery, 'Creature from the Blue Lagoon', Bridgehampton NY
Anton Kern Gallery, 'It’s Always Summer on the Inside', New York NY
Eleven Rivington, 'Braman, Buren, Falls, Heilmann, Louis and Thurman', New York NY
The Fireplace Project, 'Inside Outsiders: Mary Heilmann and Friends', East Hampton NY
The Suburban, 'Jacci Den Hartog + Mary Heilmann', Oak Park IL
Thomas Solomon Gallery, 'Architechtural Dispositions', Los Angeles CA
Museum of Contemporary Art, 'Phantom Limb: Approaches to Painting Today', Chicago IL
JiM Contemporani, 'Mind Head', Barcelona, Spain
Institute of Contemporary Art, 'This Will Have Been: Art, Love, and Politics in the 1980s', Boston MA (Travelling Exhibition)
Walker Art Center, 'This Will Have Been: Art, Love, and Politics in the 1980s', Minneapolis MN (Travelling Exhibition)
MCA Museum of Contemporary Art, 'This Will Have Been: Art, Love, and Politics in the 1980s', Chicago IL (Travelling Exhibition)
Mead Gallery, Warwick Arts Centre, 'The Indiscipline of Painting', Coventry, England (Travelling Exhibition)
Stavanger Kunstmuseum, 'Sidetracks - Painting in the Paramodern Continuum', Stavanger, Norway
MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, 'Alice in Wonderland', Rovereto, Italy (Travelling Exhibition)
Museum im Kulturspeicher, 'Aufbruch – Malerei und realer Raum', Wurzburg, Germany (Travelling Exhibition)
Kunsthalle Rostock, 'Aufbruch – Malerei und realer Raum', Rostock, Germany
Christie's, 'We had to destroy it in order to save it. Painting in New York in the 1970's', New York NY
Ille Arts, 'Seating Arrangements', Amagansett NY
Martos Gallery, 'Creature from the Blue Lagoon', Bridgehampton NY
Anton Kern Gallery, 'It’s Always Summer on the Inside', New York NY
Eleven Rivington, 'Braman, Buren, Falls, Heilmann, Louis and Thurman', New York NY
The Fireplace Project, 'Inside Outsiders: Mary Heilmann and Friends', East Hampton NY
The Suburban, 'Jacci Den Hartog + Mary Heilmann', Oak Park IL
Thomas Solomon Gallery, 'Architechtural Dispositions', Los Angeles CA
Museum of Contemporary Art, 'Phantom Limb: Approaches to Painting Today', Chicago IL
JiM Contemporani, 'Mind Head', Barcelona, Spain
Institute of Contemporary Art, 'This Will Have Been: Art, Love, and Politics in the 1980s', Boston MA (Travelling Exhibition)
Walker Art Center, 'This Will Have Been: Art, Love, and Politics in the 1980s', Minneapolis MN (Travelling Exhibition)
MCA Museum of Contemporary Art, 'This Will Have Been: Art, Love, and Politics in the 1980s', Chicago IL (Travelling Exhibition)
Mead Gallery, Warwick Arts Centre, 'The Indiscipline of Painting', Coventry, England (Travelling Exhibition)
Stavanger Kunstmuseum, 'Sidetracks - Painting in the Paramodern Continuum', Stavanger, Norway
2011
Tate Liverpool, 'Alice in Wonderland', Liverpool, United Kingdom (Travelling Exhibition)
New Museum, 'After Hours. Murals on the Bowery', New York NY
Kunstsammlungen der Ruhr-Universität Bochum, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Bochum, Germany (Travelling Exhibition)
mpk, Museum Pfalzgalerie, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Kaiserslautern, Germany (Travelling Exhibition)
Akademie der Künste Berlin, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Berlin, Germany (Travelling Exhibition)
Museum im Kulturspeicher, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Würzburg, Germany (Travelling Exhibition)
Kunsthalle Rostock, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)' Germany (Travelling Exhibition)
Tate St.Ives, 'The Indiscipline of Painting: International Abstraction from the 1960s to Now', St Ives, England (Travelling Exhibition)
Martos Gallery, 'The 2011 Bridgehampton Biennial', Bridgehampton NY
Harris Liebermann, 'A Painting Show’, New York NY
Salomon Contemporary, '112 Greene Street: A Nexus of Ideas in the Early 70s', New York NY
Lehmann Maupin, 'The Parallax View', New York NY
Salon 94 Bowery , 'Paul Clay', New York NY
The Dayton Art Institute, 'Creating the New Century: Contemporary Art from the Dicke Collection', Dayton OH
New Museum, 'After Hours. Murals on the Bowery', New York NY
Kunstsammlungen der Ruhr-Universität Bochum, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Bochum, Germany (Travelling Exhibition)
mpk, Museum Pfalzgalerie, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Kaiserslautern, Germany (Travelling Exhibition)
Akademie der Künste Berlin, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Berlin, Germany (Travelling Exhibition)
Museum im Kulturspeicher, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Würzburg, Germany (Travelling Exhibition)
Kunsthalle Rostock, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)' Germany (Travelling Exhibition)
Tate St.Ives, 'The Indiscipline of Painting: International Abstraction from the 1960s to Now', St Ives, England (Travelling Exhibition)
Martos Gallery, 'The 2011 Bridgehampton Biennial', Bridgehampton NY
Harris Liebermann, 'A Painting Show’, New York NY
Salomon Contemporary, '112 Greene Street: A Nexus of Ideas in the Early 70s', New York NY
Lehmann Maupin, 'The Parallax View', New York NY
Salon 94 Bowery , 'Paul Clay', New York NY
The Dayton Art Institute, 'Creating the New Century: Contemporary Art from the Dicke Collection', Dayton OH
2010
Sarah Gavlak Gallery, 'Think Pink', Palm Beach FL
Hessel Museum of Art & CCS Galleries, 'At home / Not at home: Works from the Collection of Martin and Rebecca Eisenberg', Annandale-on-Hudson NY
SFMoMA San Francisco Museum of Modern Art, 'The More Things Change', San Francisco CA
Kunstmuseum St. Gallen, 'AMBIGU - Malerei im Zwischenbereich/Painting between Abstraction and Narration', St. Gallen, Switzerland
Artpace, 'On the Road', San Antonio TX
De Markten, 'For Your Eyes Only', Brussels, Belgium
Zurcher Studio, 'Devotion', New York NY
Nicole Klagsbrun Gallery, 'Lean', New York NY
Bemis Center for Contemporary Art, 'Borderland Abstraction', Omaha NE
Silas Marder Gallery, 'The Big Show 5', Bridgehampton NY
Metro Pictures, Friedrich Petzel Gallery, and Nyehaus, 'Swell: Art 1950-2010', New York NY
Art Institute of Chicago, 'Contemporary Collecting: The Donna and Howard Stone Collection', Chicago IL
Vera Munro, 'High Ideals & Crazy Dreams', Hamburg, Germany
7Eleven Gallery, 'Make Yourself at Home', New York NY
De Markten, 'For Your Eyes Only', Brussels, Belgium
Four Seasons Resort, 'Think Pink!', Palm Beach FL
Rose Burlingham and Turtle Point Press, 'A Two Gallery Teacup Show: Drawings, Paintings, Collage, Sculpture and Poetry', New York NY
Hessel Museum of Art & CCS Galleries, 'At home / Not at home: Works from the Collection of Martin and Rebecca Eisenberg', Annandale-on-Hudson NY
SFMoMA San Francisco Museum of Modern Art, 'The More Things Change', San Francisco CA
Kunstmuseum St. Gallen, 'AMBIGU - Malerei im Zwischenbereich/Painting between Abstraction and Narration', St. Gallen, Switzerland
Artpace, 'On the Road', San Antonio TX
De Markten, 'For Your Eyes Only', Brussels, Belgium
Zurcher Studio, 'Devotion', New York NY
Nicole Klagsbrun Gallery, 'Lean', New York NY
Bemis Center for Contemporary Art, 'Borderland Abstraction', Omaha NE
Silas Marder Gallery, 'The Big Show 5', Bridgehampton NY
Metro Pictures, Friedrich Petzel Gallery, and Nyehaus, 'Swell: Art 1950-2010', New York NY
Art Institute of Chicago, 'Contemporary Collecting: The Donna and Howard Stone Collection', Chicago IL
Vera Munro, 'High Ideals & Crazy Dreams', Hamburg, Germany
7Eleven Gallery, 'Make Yourself at Home', New York NY
De Markten, 'For Your Eyes Only', Brussels, Belgium
Four Seasons Resort, 'Think Pink!', Palm Beach FL
Rose Burlingham and Turtle Point Press, 'A Two Gallery Teacup Show: Drawings, Paintings, Collage, Sculpture and Poetry', New York NY
2009
The Parrish Art Museum, 'Mixed Greens: Artists Choose Artists on the East End', Southampton NY
Art Since the Summer of 69', 'Objects, Furniture, and Patterns', New York NY
Marianne Boesky Gallery, 'Your Gold Teeth II', New York NY
Ross School Gallery, 'Spectrum', Bridgehampton NY
Whitechapel Gallery, 'Social Sculpture', London, UK
Acme, 'The Ballad That Becomes an Anthem', Los Angeles CA
303 Gallery, 'Mary's Choice', New York NY
Art Since the Summer of 69', 'Objects, Furniture, and Patterns', New York NY
Marianne Boesky Gallery, 'Your Gold Teeth II', New York NY
Ross School Gallery, 'Spectrum', Bridgehampton NY
Whitechapel Gallery, 'Social Sculpture', London, UK
Acme, 'The Ballad That Becomes an Anthem', Los Angeles CA
303 Gallery, 'Mary's Choice', New York NY
2008
Hammer Museum, 'Oranges and Sardines: Conversations on Abstract Painting', Los Angeles CA
Rhona Hoffman Gallery, 'Angels in America', Chicago IL
Thomas Ammann Fine Art, 'Abstract Vision', Zurich, Switzerland
Whitney Museum of American Art, 'Whitney Biennial 2008', New York NY
Pace Editions 57th Street, 'New Editions', New York NY
Pace Editions Chelsea, 'Heilmann / Berkenblit', New York NY
Matthew Marks Gallery and Greene Naftali Gallery, 'Painting: Now and Forever, Part II', New York NY
Museum Moderner Kunst Kärnten, 'Abstrakt Abstract', Klagenfurt, Austria
Rose Art Museum at Brandeis, 'Arp to Reinhardt: Rose Geometries', Waltham MA
P.S.1 Contemporary Art Center, 'WACK! Art and the Feminist Revolution', Long Island NY (Travelling Exhibition)
ZKM – Zentrum für Kunst und Medientechnologie, 'High Times, Hard Times. New York Painting 1967-1975', Karlsruhe, Germany (Travelling Exhibition)
Dinter Fine Art, 'How to Cook a Wolf'', New York NY
Crown Point Press, 'Abstract Mash-Up', San Francisco CA
China Art Objects at Cottage Home, 'Emerson vs Nietzsche', Los Angeles CA
Royal Academy of Arts, 'Royal Academy Illustrated 2008', London, England
Gallery m Bochum. 'Out of the Blue', Bochum, Germany
Spanierman Modern, 'Present Tense', New York NY
The Fireplace Project, 'The Annual Hampton Show', East Hampton NY
Silas Marder Gallery, 'The Big Show 3', Bridgehampton NY
Johann König, 'Zuordnungsprobleme', Berlin, Germany
Oud Vliegveld, 'The Art of the Real', Oostende, Belgium
Rhona Hoffman Gallery, 'Angels in America', Chicago IL
Thomas Ammann Fine Art, 'Abstract Vision', Zurich, Switzerland
Whitney Museum of American Art, 'Whitney Biennial 2008', New York NY
Pace Editions 57th Street, 'New Editions', New York NY
Pace Editions Chelsea, 'Heilmann / Berkenblit', New York NY
Matthew Marks Gallery and Greene Naftali Gallery, 'Painting: Now and Forever, Part II', New York NY
Museum Moderner Kunst Kärnten, 'Abstrakt Abstract', Klagenfurt, Austria
Rose Art Museum at Brandeis, 'Arp to Reinhardt: Rose Geometries', Waltham MA
P.S.1 Contemporary Art Center, 'WACK! Art and the Feminist Revolution', Long Island NY (Travelling Exhibition)
ZKM – Zentrum für Kunst und Medientechnologie, 'High Times, Hard Times. New York Painting 1967-1975', Karlsruhe, Germany (Travelling Exhibition)
Dinter Fine Art, 'How to Cook a Wolf'', New York NY
Crown Point Press, 'Abstract Mash-Up', San Francisco CA
China Art Objects at Cottage Home, 'Emerson vs Nietzsche', Los Angeles CA
Royal Academy of Arts, 'Royal Academy Illustrated 2008', London, England
Gallery m Bochum. 'Out of the Blue', Bochum, Germany
Spanierman Modern, 'Present Tense', New York NY
The Fireplace Project, 'The Annual Hampton Show', East Hampton NY
Silas Marder Gallery, 'The Big Show 3', Bridgehampton NY
Johann König, 'Zuordnungsprobleme', Berlin, Germany
Oud Vliegveld, 'The Art of the Real', Oostende, Belgium
2007
Hudson D. Walker Gallery, Fine Arts Work Center, 'Massart Faculty Show', Provincetown MA
Contemporary Art Center of Virginia, 'Counterparts', Virginia Beach VA
Parks Exhibition Center, 'Painting's Edge', Idyllwild Arts CA
Galerie Thomas Flor, 'Short Distance To Now', Dusseldorf, Germany
Henie Onstad Centre of Art, 'Nordea's art collection', Hovikodden, Norway
Kunstraum Innsbruck, 'Franz West, Soufflé – eine Massenausstellung', Innsbruck, Austria
Honor Fraser, 'Hovering Over the Universe …' (cur. by Kristin Calabrese), Venice CA
Barbara Gladstone Gallery, 'Makers and Modelers: Works in Ceramic', New York NY
David Zwirner, 'A Point in Space is a Place for an Argument', New York NY
303 Gallery, 'Three for Society', New York NY
de Pury & Luxembourg, 'Painting as Fact-Fact as Fiction', Zurich, Switzerland
Honor Fraser, 'Group Show', Venice CA
Galerie Mezzanin, 'Humberto Duque, Mary Heilmann, David Korty, Marzena Nowak, Isa Schmidlehner, Christian Schmidt-Rasmussen', Vienna, Austria
Museum of Contemporary Art, 'WACK! Art and the Feminist Revolution', Los Angeles CA (Travelling Exhibition)
National Museum of Women in the Arts, 'WACK! Art and the Feminist Revolution', Washington DC (Travelling Exhibition)
Vancouver Art Gallery, 'WACK! Art and the Feminist Revolution', Vancouver, Canada (Travelling Exhibition)
Millenium Galleries, 'Abstraction: Extracting from the World', Sheffield, England
National Academy Museum, 'High Times, Hard Times. New York Painting 1967-1975', New York NY (Travelling Exhibition)
Museo Tamayo Arte Contemporaneo, 'High Times, Hard Times. New York Painting 1967-1975', Mexico City, Mexico (Travelling Exhibition)
Neue Galerie Graz am Landesmuseum Joanneum, 'High Times, Hard Times. New York Painting 1967-1975', Graz, Austria (Travelling Exhibition)
Contemporary Art Center of Virginia, 'Counterparts', Virginia Beach VA
Parks Exhibition Center, 'Painting's Edge', Idyllwild Arts CA
Galerie Thomas Flor, 'Short Distance To Now', Dusseldorf, Germany
Henie Onstad Centre of Art, 'Nordea's art collection', Hovikodden, Norway
Kunstraum Innsbruck, 'Franz West, Soufflé – eine Massenausstellung', Innsbruck, Austria
Honor Fraser, 'Hovering Over the Universe …' (cur. by Kristin Calabrese), Venice CA
Barbara Gladstone Gallery, 'Makers and Modelers: Works in Ceramic', New York NY
David Zwirner, 'A Point in Space is a Place for an Argument', New York NY
303 Gallery, 'Three for Society', New York NY
de Pury & Luxembourg, 'Painting as Fact-Fact as Fiction', Zurich, Switzerland
Honor Fraser, 'Group Show', Venice CA
Galerie Mezzanin, 'Humberto Duque, Mary Heilmann, David Korty, Marzena Nowak, Isa Schmidlehner, Christian Schmidt-Rasmussen', Vienna, Austria
Museum of Contemporary Art, 'WACK! Art and the Feminist Revolution', Los Angeles CA (Travelling Exhibition)
National Museum of Women in the Arts, 'WACK! Art and the Feminist Revolution', Washington DC (Travelling Exhibition)
Vancouver Art Gallery, 'WACK! Art and the Feminist Revolution', Vancouver, Canada (Travelling Exhibition)
Millenium Galleries, 'Abstraction: Extracting from the World', Sheffield, England
National Academy Museum, 'High Times, Hard Times. New York Painting 1967-1975', New York NY (Travelling Exhibition)
Museo Tamayo Arte Contemporaneo, 'High Times, Hard Times. New York Painting 1967-1975', Mexico City, Mexico (Travelling Exhibition)
Neue Galerie Graz am Landesmuseum Joanneum, 'High Times, Hard Times. New York Painting 1967-1975', Graz, Austria (Travelling Exhibition)
2006
Museo d`Arte Moderna, Chère Louise: in onore di Louise Bourgeois per il suoi 95 anni', Ascona, Switzerland
Zeno X Gallery, '25 years Zeno X', Antwerp, Belgium
Greenberg Van Doren Gallery, 'Woman's work. Large Scale Paintings 1970-1990', New York NY
Weatherspoon Art Museum, 'High Times, Hard Times. New York Painting 1967-1975', Greensboro NC (Travelling Exhibition)
American University Museum, Katzen Arts Center, 'High Times, Hard Times. New York Painting 1967-1975', Washington, DC (Travelling Exhibition)
Crown Point Press, 'Seasons Club July 2006', San Francisco CA
Villa Manin Centre for Contemporary Art, 'Infinite Painting. Contemporary Painting and Global Realism', Codroipo (Udine), Italy
Zeno X Gallery, '25 years Zeno X', Antwerp, Belgium
Greenberg Van Doren Gallery, 'Woman's work. Large Scale Paintings 1970-1990', New York NY
Weatherspoon Art Museum, 'High Times, Hard Times. New York Painting 1967-1975', Greensboro NC (Travelling Exhibition)
American University Museum, Katzen Arts Center, 'High Times, Hard Times. New York Painting 1967-1975', Washington, DC (Travelling Exhibition)
Crown Point Press, 'Seasons Club July 2006', San Francisco CA
Villa Manin Centre for Contemporary Art, 'Infinite Painting. Contemporary Painting and Global Realism', Codroipo (Udine), Italy
2005
P.S.1 Contemporary Art Center, 'The Painted World', Long Island City NY
White Columns, 'The Early Show', New York NY
Gavin Brown’s Enterprise, 'Drunk vs. Stoned 2', New York NY
Häusler Contemporary, 'Loveparade 1', Munich, Germany
Blaffer Gallery, University of Houston, 'POPulence', Houston TX
Art Gallery of Ontario, 'The Shape of Colour: Excursions in Colour Field Art, 1950-2005', Toronto, Canada
Albright-Knox Art Gallery, 'Extreme Abstraction', Buffalo NY
Greene Naftali Gallery, 'Post-Modern', New York NY
White Columns, 'The Early Show', New York NY
Gavin Brown’s Enterprise, 'Drunk vs. Stoned 2', New York NY
Häusler Contemporary, 'Loveparade 1', Munich, Germany
Blaffer Gallery, University of Houston, 'POPulence', Houston TX
Art Gallery of Ontario, 'The Shape of Colour: Excursions in Colour Field Art, 1950-2005', Toronto, Canada
Albright-Knox Art Gallery, 'Extreme Abstraction', Buffalo NY
Greene Naftali Gallery, 'Post-Modern', New York NY
2004
Galerie m Bochum, 'Grenzüberschreitung', Bochum, Germany
Hampden Gallery, University of Massachusetts Amherst, 'Masters of the Obvious', Amherst MA
The Parrish Art Museum, 'North Fork/South Fork: East End Art Now', Southampton NY
Hampden Gallery, University of Massachusetts Amherst, 'Masters of the Obvious', Amherst MA
The Parrish Art Museum, 'North Fork/South Fork: East End Art Now', Southampton NY
2003
Galerie Renos Xippas, 'ON', Athens, Greece
Meyer Riegger Galerie, 'There's no land but the land (up there is just a sea of possibilities)', Karlsruhe, Germany
Tampa Museum of Art, 'Crosscurrents at Century's End: Selections from the Neuberger Berman Art Collection', Tampa FL
Meyer Riegger Galerie, 'There's no land but the land (up there is just a sea of possibilities)', Karlsruhe, Germany
Tampa Museum of Art, 'Crosscurrents at Century's End: Selections from the Neuberger Berman Art Collection', Tampa FL
2002
Hauser & Wirth Zürich, 'Ten Years Galerie Hauser & Wirth', Zurich, Switzerland
Häusler Contemporary, 'Farbe!', Munich, Germany
48 Wall Street, 'Art Downtown: New York Painting and Sculpture', New York NY
Jan Abrams Fine Arts, 'Objects of Desire', New York NY
Hauser & Wirth Collection, 'House of Fiction. Sammlung (3)', St.Gallen, Switzerland
Trevi Flash Art Museum, 'Inaugurazione', Trevi, Italy
Häusler Contemporary, 'Farbe!', Munich, Germany
48 Wall Street, 'Art Downtown: New York Painting and Sculpture', New York NY
Jan Abrams Fine Arts, 'Objects of Desire', New York NY
Hauser & Wirth Collection, 'House of Fiction. Sammlung (3)', St.Gallen, Switzerland
Trevi Flash Art Museum, 'Inaugurazione', Trevi, Italy
2001
Greengrassi Gallery, 'Mary Heilmann – Joanne Greenbaum', London, England
D'Amelio Terras, 'Shadow Dancing: 1975-79', New York NY
Kunstverein St. Gallen Kunstmuseum, 'Künstlerräume/Sammlerräume', St. Gallen, Switzerland
Pat Hearn Gallery, 'Part Two (1988-1994)', New York NY
Cheim & Read Gallery, 'Liquid Properties', New York NY
Galerie m Bochum, 'Art for Shelter', Bochum, Germany
D'Amelio Terras, 'Shadow Dancing: 1975-79', New York NY
Kunstverein St. Gallen Kunstmuseum, 'Künstlerräume/Sammlerräume', St. Gallen, Switzerland
Pat Hearn Gallery, 'Part Two (1988-1994)', New York NY
Cheim & Read Gallery, 'Liquid Properties', New York NY
Galerie m Bochum, 'Art for Shelter', Bochum, Germany
2000
Kunstmuseum St. Gallen, 'Jessica Stockholder – Mary Heilmann (Gemälde aus der Sammlung Hauser und Wirth)', St. Gallen, Switzerland
Aargauer Kunsthaus, 'Das Gedächtnis der Malerei', Aarau, Switzerland
Avram Gallery, 'Master Art Workshop Exhibition', Southampton NY
Embassy Suites Hotel, 'Contemporary Art', New York NY
Aargauer Kunsthaus, 'Das Gedächtnis der Malerei', Aarau, Switzerland
Avram Gallery, 'Master Art Workshop Exhibition', Southampton NY
Embassy Suites Hotel, 'Contemporary Art', New York NY
1999
Galleria Marabini, 'Cosmogram', Bologna, Italy
Greene Naftali Gallery, 'Free Coke', New York NY
Galerie Thaddaeus Ropac, 'Abstrakt', Salzburg, Austria
Kasseler Kunstverein, 'Special Offer', Kassel, Germany
Greene Naftali Gallery, 'Free Coke', New York NY
Galerie Thaddaeus Ropac, 'Abstrakt', Salzburg, Austria
Kasseler Kunstverein, 'Special Offer', Kassel, Germany
1998
Cheim & Read, 'Small Paintings', New York NY
Zeno X Gallery, 'Shopping the stars', Antwerp, Belgium
Matthew Marks Gallery and Pat Hearn Gallery, 'Painting: Now and Forever', New York NY
Parrish Art Museum, 'Sea Change', Southampton, New York
Zeno X Gallery, 'Shopping the stars', Antwerp, Belgium
Matthew Marks Gallery and Pat Hearn Gallery, 'Painting: Now and Forever', New York NY
Parrish Art Museum, 'Sea Change', Southampton, New York
1997
Kunsthaus Bregenz, 'KünstlerInnen: 50 Positionen zeitgenössischer internationaler Kunst' (cur. Edelbert Köb), Bregenz, Austria
Musée d'Art Moderne de Saint-Etienne, 'Abstraction/Abstractions. Géométries Provisoires', Saint-Etienne, France
Charlottenborg Exhibition Hall, 'Display' (cur. Mikael Andersen), Copenhagen, Denmark
Wooster Gardens, 'Drawing and Painting', New York NY
Jan Abrams Fine Art, 'American Women Artists of the Seventies', New York NY
Karen McCready Fine Art, 'Systematic', New York NY
Newhouse Center for Contemporary Art, Snug Harbour Cultural Center, 'After the Fall. Aspects of Abstract Painting since 1970', Staten Island NY
Pat Hearn Gallery, 'Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto', New York NY
School of Interior Design, 'Susret-Encounter: Artists and Refugees', New York NY
Forum for Contemporary Art, Saint Louis, 'Reconditioned Abstraction', Saint Louis MO
National Arts Club, 'Leap of Faith: Gregory Amenoff, Mary Heilmann, Gary Stephan, Michael Volanakis', New York NY
Musée d'Art Moderne de Saint-Etienne, 'Abstraction/Abstractions. Géométries Provisoires', Saint-Etienne, France
Charlottenborg Exhibition Hall, 'Display' (cur. Mikael Andersen), Copenhagen, Denmark
Wooster Gardens, 'Drawing and Painting', New York NY
Jan Abrams Fine Art, 'American Women Artists of the Seventies', New York NY
Karen McCready Fine Art, 'Systematic', New York NY
Newhouse Center for Contemporary Art, Snug Harbour Cultural Center, 'After the Fall. Aspects of Abstract Painting since 1970', Staten Island NY
Pat Hearn Gallery, 'Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto', New York NY
School of Interior Design, 'Susret-Encounter: Artists and Refugees', New York NY
Forum for Contemporary Art, Saint Louis, 'Reconditioned Abstraction', Saint Louis MO
National Arts Club, 'Leap of Faith: Gregory Amenoff, Mary Heilmann, Gary Stephan, Michael Volanakis', New York NY
1996
Pat Hearn Gallery, 'The Flying Saucer Project: Steven Baines, Mary Heilmann, Steve Keister ', New York NY
Thaddaeus Ropac, 'Abstract Practice', Salzburg, Austria
Transmission Gallery, 'A Grapefruit in the World of Park', Glasgow, Scotland
Monika Sprüth, 'Malerei II', Cologne, Germany
Museo Nacional Centro de Arte Reina Sofía, 'nuevas abstracciones', Madrid, Spain
Kunsthalle Bielefeld, 'Abstrakte Malerie heute. nuevas abstracciones', Bielefeld, Germany
Thaddaeus Ropac, 'Passage de l'acte', Paris, France
David Winton Bell Gallery, Brown University, 'Order/Disorder', Providence RI
New Museum of Contemporary Art, New York, 'A Labor of Love', New York NY
UCLA/Armand Hammer Museum of Art and Cultural Center, Los Angeles, 'Critiques of Pure Abstraction', Los Angeles CA
Thaddaeus Ropac, 'Abstract Practice', Salzburg, Austria
Transmission Gallery, 'A Grapefruit in the World of Park', Glasgow, Scotland
Monika Sprüth, 'Malerei II', Cologne, Germany
Museo Nacional Centro de Arte Reina Sofía, 'nuevas abstracciones', Madrid, Spain
Kunsthalle Bielefeld, 'Abstrakte Malerie heute. nuevas abstracciones', Bielefeld, Germany
Thaddaeus Ropac, 'Passage de l'acte', Paris, France
David Winton Bell Gallery, Brown University, 'Order/Disorder', Providence RI
New Museum of Contemporary Art, New York, 'A Labor of Love', New York NY
UCLA/Armand Hammer Museum of Art and Cultural Center, Los Angeles, 'Critiques of Pure Abstraction', Los Angeles CA
1995
Cristine Rose Gallery, 'Mary Heilmann and Elizabeth Cannon', New York NY
Aargauer Kunsthaus, 'Karo Dame. Konstruktive, Konkrete und Radikale Konzepte von Frauen von 1914 bis heute' (cur. Beat Wismer), Aarau, Switzerland
Zeno X Gallery, 'Works on Paper', Antwerp, Belgium
Sarah Campbell Blaffer Gallery, University of Houston, 'Critiques of Pure Abstraction', Houston TX
University of Rhode Island, 'All about Edges', Kingston RI
Milwaukee Art Museum, 'Twenty-five Americans: Paintings in the Nineties', Milwaukee WI
Aspen Art Museum, 'Contemporary Drawing: Exploring the Territory', Aspen CO
Museo Alejandro Oter, 'Transatlantica: The America-Europa Non-Representiva', Caracas, Venezuela
Stephen Wirtz Gallery, 'Blue', San Francisco CA
Aargauer Kunsthaus, 'Karo Dame. Konstruktive, Konkrete und Radikale Konzepte von Frauen von 1914 bis heute' (cur. Beat Wismer), Aarau, Switzerland
Zeno X Gallery, 'Works on Paper', Antwerp, Belgium
Sarah Campbell Blaffer Gallery, University of Houston, 'Critiques of Pure Abstraction', Houston TX
University of Rhode Island, 'All about Edges', Kingston RI
Milwaukee Art Museum, 'Twenty-five Americans: Paintings in the Nineties', Milwaukee WI
Aspen Art Museum, 'Contemporary Drawing: Exploring the Territory', Aspen CO
Museo Alejandro Oter, 'Transatlantica: The America-Europa Non-Representiva', Caracas, Venezuela
Stephen Wirtz Gallery, 'Blue', San Francisco CA
1994
Charles Cowles Gallery, 'About Color', New York NY
Selby Gallery, 'Embraceable You: Current Abstractions', Sarasota FL
Robert Miller Gallery, 'Abstract Works on Paper', New York NY
Salvatore Ala Gallery, New York NY
Stux Gallery, 'Reveillon `94', New York NY
Center for Fine Art, 'Abstraction: A Tradition of Collecting in Miami', Miami FL
Baumgartner Galleries, 'Mary Heilmann, Jene Highstein', Washington DC
Selby Gallery, 'Embraceable You: Current Abstractions', Sarasota FL
Robert Miller Gallery, 'Abstract Works on Paper', New York NY
Salvatore Ala Gallery, New York NY
Stux Gallery, 'Reveillon `94', New York NY
Center for Fine Art, 'Abstraction: A Tradition of Collecting in Miami', Miami FL
Baumgartner Galleries, 'Mary Heilmann, Jene Highstein', Washington DC
1993
Räume für neue Kunst, 'Supervision' (cur. Günther Umberg and Rolf Hengesbach), Wuppertal, Germany
The Drawing Center, 'The Return of the Exquisite Cadavre', New York NY (Travelling Exhibiton)
The Corcoran Gallery of Art, 'The Return of the Exquisite Cadavre', Washington DC (Travelling Exhibiton)
Santa Monica Museum of Art, 'The Return of the Exquisite Cadavre', Santa Monica CA (Travelling Exhibiton)
Forum for Contemporary Art, 'The Return of the Exquisite Cadavre', St. Louis MO (Travelling Exhibiton)
American Center, 'The Return of the Exquisite', Paris, France (Travelling Exhibiton)
Kunsthalle Wien, 'Der zerbrochene Spiegel', Vienna, Austria (Travelling Exhibiton)
Deichtorhallen, 'Der zerbrochene Spiegel', Hamburg, Germany (Travelling Exhibiton)
Hochschule für Angewandte Kunst / Heiligenkreuzerhof, 'Future Perfect. Lili Dujourie, Ann Hamilton, Mary Heilmann, Pello Irazu, Vladimir Kokolia, Svetlana Kopystiansky, Brigitte Kowanz, Langlads & Bell, Walter Obholzer, Elmar Trenkwalder, Günter Umberg' (cur. Dan Cameron), Vienna, Austria
Galleria Nazionale d'Arte Moderna, Logge dei Balestrieri, 'Italia-America: L'Astrazione Ridefinita', San Marino, Italy
Locks Gallery, 'New American Abstraction', Philadelphia PA
Nina Freudenheim Gallery, 'Watercolors', Buffalo NY
Michael Klein, 'Ageometry', New York NY
The Drawing Center, 'The Return of the Exquisite Cadavre', New York NY (Travelling Exhibiton)
The Corcoran Gallery of Art, 'The Return of the Exquisite Cadavre', Washington DC (Travelling Exhibiton)
Santa Monica Museum of Art, 'The Return of the Exquisite Cadavre', Santa Monica CA (Travelling Exhibiton)
Forum for Contemporary Art, 'The Return of the Exquisite Cadavre', St. Louis MO (Travelling Exhibiton)
American Center, 'The Return of the Exquisite', Paris, France (Travelling Exhibiton)
Kunsthalle Wien, 'Der zerbrochene Spiegel', Vienna, Austria (Travelling Exhibiton)
Deichtorhallen, 'Der zerbrochene Spiegel', Hamburg, Germany (Travelling Exhibiton)
Hochschule für Angewandte Kunst / Heiligenkreuzerhof, 'Future Perfect. Lili Dujourie, Ann Hamilton, Mary Heilmann, Pello Irazu, Vladimir Kokolia, Svetlana Kopystiansky, Brigitte Kowanz, Langlads & Bell, Walter Obholzer, Elmar Trenkwalder, Günter Umberg' (cur. Dan Cameron), Vienna, Austria
Galleria Nazionale d'Arte Moderna, Logge dei Balestrieri, 'Italia-America: L'Astrazione Ridefinita', San Marino, Italy
Locks Gallery, 'New American Abstraction', Philadelphia PA
Nina Freudenheim Gallery, 'Watercolors', Buffalo NY
Michael Klein, 'Ageometry', New York NY
1992
Asher/Faure Gallery, 'Bedroom Pictures', Los Angeles CA
Pat Hearn Gallery, 'Mary Heilmann, Jack Pierson, Jessica Stockholder', New York NY
P.S.1 Museum, 'Slow Art: Painting in NY Now', Long Island City NY
Michael Klein Gallery, 'A-Geometry', New York NY
TRI Gallery, 'Not Men', Los Angeles CA
Gallery 400, University of Illinois at Chicago, 'On Condition. Painting Between Abstraction and Representation', Chicago IL
Robert Miller Gallery, 'Martha Diamond, Mary Heilmann, Harriet Korman and Bernard Piffaretti: Paintings', New York NY
Sandra Gering Gallery, 'Shades of Difference (The Feminine in Abstract Painting)', New York NY
Pat Hearn Gallery, 'Mary Heilmann, Jack Pierson, Jessica Stockholder', New York NY
P.S.1 Museum, 'Slow Art: Painting in NY Now', Long Island City NY
Michael Klein Gallery, 'A-Geometry', New York NY
TRI Gallery, 'Not Men', Los Angeles CA
Gallery 400, University of Illinois at Chicago, 'On Condition. Painting Between Abstraction and Representation', Chicago IL
Robert Miller Gallery, 'Martha Diamond, Mary Heilmann, Harriet Korman and Bernard Piffaretti: Paintings', New York NY
Sandra Gering Gallery, 'Shades of Difference (The Feminine in Abstract Painting)', New York NY
1991
Max Protetch Gallery, 'Stubborn Painting, Now and Then', New York NY
Sidney Janis Gallery, 'Conceptual Abstraction', New York NY
Pace Prints, 'New Editions', New York NY
Renee Fotouhi Fine Art, 'J.F.K. In Memoriam, Mythology and Denial', East Hampton NY
Sidney Janis Gallery, 'Conceptual Abstraction', New York NY
Pace Prints, 'New Editions', New York NY
Renee Fotouhi Fine Art, 'J.F.K. In Memoriam, Mythology and Denial', East Hampton NY
1990
Shoshana Wayne Gallery, 'The Ends of Painting. The Edges of Abstraction', Santa Monica CA
Lawrence Oliver Gallery, 'Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall', Philadelphia PA
Marc Richards Gallery, 'Geometric Abstractions', Santa Monica CA
Ohio University School of Art, Athens OH
Cummings Art Center, Connecticut College, 'Fluid Geometry', Connecticut
Lawrence Oliver Gallery, 'Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall', Philadelphia PA
Marc Richards Gallery, 'Geometric Abstractions', Santa Monica CA
Ohio University School of Art, Athens OH
Cummings Art Center, Connecticut College, 'Fluid Geometry', Connecticut
1989
The Whitney Museum of American Art, 'The Whitney Biennial', New York NY
New Jersey Center for Visual Arts, 'Restructure. Subverting the Grid', Summit NJ
Shea & Becker Gallery, 'Diagrams and Surrogates', New York NY
University Art Museum, University of California Santa Barbara, 'Abstract Options', Santa Barbara CA
Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York NY University, 'A Debate on Abstraction', New York NY
Thomas Segal Gallery, 'Expressive Abstractions', Boston MA
Gallery 1709, '___', St. Louis MO
New Jersey Center for Visual Arts, 'Restructure. Subverting the Grid', Summit NJ
Shea & Becker Gallery, 'Diagrams and Surrogates', New York NY
University Art Museum, University of California Santa Barbara, 'Abstract Options', Santa Barbara CA
Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York NY University, 'A Debate on Abstraction', New York NY
Thomas Segal Gallery, 'Expressive Abstractions', Boston MA
Gallery 1709, '___', St. Louis MO
1988
Instituto de Estudios Nordamericanos, 'Sightings. Drawing with Color', Barcelona, Spain
Pratt Institute, 'Sightings. Drawing with Color', New York NY
Saxon Lee Gallery, 'Among Them, But Not Of Them', Los Angeles CA
Robin Lockett Gallery, '___', Chicago IL
Tom Cugliani Gallery, '___', New York NY
M-13 Gallery, 'Spirited Logic', New York NY
La Galeria en El Bohio, 'Contemporary Art Auction 2', New York NY
Pratt Institute, 'Sightings. Drawing with Color', New York NY
Saxon Lee Gallery, 'Among Them, But Not Of Them', Los Angeles CA
Robin Lockett Gallery, '___', Chicago IL
Tom Cugliani Gallery, '___', New York NY
M-13 Gallery, 'Spirited Logic', New York NY
La Galeria en El Bohio, 'Contemporary Art Auction 2', New York NY
1987
Pat Hearn Gallery, 'Sculpture', New York NY
Seattle Art Museum, 'Clay Revisions: Plate, Cup and Vase', Seattle WA
The Corcoran Gallery of Art, '40th Biennial of American Contemporary Painting', Washington DC
Seattle Art Museum, 'Clay Revisions: Plate, Cup and Vase', Seattle WA
The Corcoran Gallery of Art, '40th Biennial of American Contemporary Painting', Washington DC
1986
Wright State University Art Gallery, 'The Use of Geometry in the 80s', Dayton OH
Fred Hoffmann Gallery, '___', Venice CA
Pat Hearn Gallery, 'Drawing Show', New York NY
Fred Hoffmann Gallery, '___', Venice CA
Pat Hearn Gallery, 'Drawing Show', New York NY
1985
Blum Helman Gallery, 'Mary Heilmann, Janice Tchalenko, Betty Woodman', New York NY
Holly Solomon Gallery, 'Anniversary Show', New York NY
Holly Solomon Gallery, 'Anniversary Show', New York NY
1984
Baskerville and Watson Gallery, 'Brilliant Color', New York NY
Katonah Gallery, 'Forms that Function', Katonah NY
Nina Freudenheim Gallery, 'Drawings: New Dimensions', Buffalo NY
Blum Helman Warehouse, 'Bomb Magazine Benefit', New York NY
Katonah Gallery, 'Forms that Function', Katonah NY
Nina Freudenheim Gallery, 'Drawings: New Dimensions', Buffalo NY
Blum Helman Warehouse, 'Bomb Magazine Benefit', New York NY
1983
Douglas College Gallery, Rutgers University, 'Women Artists Retrospective', New Brunswick NJ
University Art Gallery, University of South Florida, 'Precious Objects', Tampa FL
Central Washington University Gallery, 'National Drawing Invitational', Ellensberg WA
Lang Art Gallery, 'Thirty-ninth Scripps College Ceramic Annual', Claremont CA
University Art Gallery, University of South Florida, 'Precious Objects', Tampa FL
Central Washington University Gallery, 'National Drawing Invitational', Ellensberg WA
Lang Art Gallery, 'Thirty-ninth Scripps College Ceramic Annual', Claremont CA
1981
Marianne Deson Gallery, 'A Painting Show: Painting for the Eighties', Chicago IL
Cantor/Lemberg Gallery, 'Selections from Holly Solomon Editions', Birmingham MI
The Kitchen, 'More Portraits: Anne Doran, Joan Logue, Mark Magill/Mary Heilmann', New York NY
Cantor/Lemberg Gallery, 'Selections from Holly Solomon Editions', Birmingham MI
The Kitchen, 'More Portraits: Anne Doran, Joan Logue, Mark Magill/Mary Heilmann', New York NY
1980
Holly Solomon Gallery, 'Three More', New York NY
Greenberg Gallery, '___', St. Louis MO
Jacksonville Art Museum, 'The Norman Fisher Collection', Jacksonville FL
Greenberg Gallery, '___', St. Louis MO
Jacksonville Art Museum, 'The Norman Fisher Collection', Jacksonville FL
1979
Freedmann Gallery, Albright College, 'Small Is Beautiful', Reading PA
1978
Holly Solomon Gallery, 'Gold / Silver', New York NY
Bronx Museum of the Arts, 'Personal Vision: Places / Spaces', Bronx NY
Bronx Museum of the Arts, 'Personal Vision: Places / Spaces', Bronx NY
1977
P.S.1 Museum, 'The Painting Show', Long Island City NY
Sarah Lawrence College, 'Painting: 75, 76, 77', Bronxville NY
Museum of Modern Art (Members Gallery), 'Maps', New York NY
Holly Solomon Gallery, 'The First Two Years', New York NY
Daniel Weinberg Gallery, '___', San Francisco CA
Galerie Alexandra Monett, 'Patterning and Decoration', Brussels, Belgium
Sarah Lawrence College, 'Painting: 75, 76, 77', Bronxville NY
Museum of Modern Art (Members Gallery), 'Maps', New York NY
Holly Solomon Gallery, 'The First Two Years', New York NY
Daniel Weinberg Gallery, '___', San Francisco CA
Galerie Alexandra Monett, 'Patterning and Decoration', Brussels, Belgium
1976
Yale School of Art, 'Choices', New Haven CT
Sarah Lawrence College, 'Non-Collectible Art from the Collection of Horace and Holly Solomon', Bronxville NY
Sarah Lawrence College, 'Non-Collectible Art from the Collection of Horace and Holly Solomon', Bronxville NY
1975
112 Greene Street Gallery, 'Suzanne Harris, Mary Heilmann, Harriet Korman', New York NY
Holly Solomon Gallery, 'Group Show', New York NY
Holly Solomon Gallery, 'Group Show', New York NY
1973
Contemporary Arts Center, 'Options 73/30: Recent Works of Art', Cincinnati OH
Museum of Modern Art (Members Gallery), 'Landscape', New York NY
Kenan Center, 'Ten Artists (Who Happen To Be Women)', Lockport NY
Museum of Modern Art (Members Gallery), 'Landscape', New York NY
Kenan Center, 'Ten Artists (Who Happen To Be Women)', Lockport NY
1972
The Whitney Museum of American Art, 'Whitney Annual', New York NY
Kunsthaus Hamburg, 'American Women Artists', Hamburg, Germany
Institute of Contemporary Art, 'Grids', Boston MA
Newark Museum, 'Painting and / or Sculpture', Newark NJ
Indianapolis Museum of Art, 'Painting and Sculpture Today, 1972', Indianapolis IN
Fine Art Center, University of Rhode Island, 'Three painters: Mary Heilmann, Pat Steir, and Joan Snyder', Kingston RI
Henri 2 Gallery, Washington D.C.
Kunsthaus Hamburg, 'American Women Artists', Hamburg, Germany
Institute of Contemporary Art, 'Grids', Boston MA
Newark Museum, 'Painting and / or Sculpture', Newark NJ
Indianapolis Museum of Art, 'Painting and Sculpture Today, 1972', Indianapolis IN
Fine Art Center, University of Rhode Island, 'Three painters: Mary Heilmann, Pat Steir, and Joan Snyder', Kingston RI
Henri 2 Gallery, Washington D.C.
1971
The Aldrich Museum of Contemporary Art, 'Women Artists', Ridgefield CT
New Gallery, Cleveland OH
New Gallery, Cleveland OH
1970
Paley & Lowe Gallery, New York NY
Selected Awards and Grants
2012
Biennial Award for Contemporary Art, Bonnefanten Museum, Maastricht, Netherlands
Honorary Doctor of Fine Arts, University of Hartford, Hartford CT
Honorary Doctor of Fine Arts, University of Hartford, Hartford CT
2006
The Anonymous Was a Woman Foundation Award
Bibliography
Writings by the artist
2012
'Mary Heilmann. Seeing Things. Vision, Waves and Roads', edited by Jochen Kienbaum, Cologne/DE: Snoeck, 2012
'Future Greats 2012: Paul Gabrielli', in: Art Review, March 2012, p.81
'Future Greats 2012: Paul Gabrielli', in: Art Review, March 2012, p.81
2011
'Survey: Music.', in: Frieze, London/UK, September 2011
'Conversations with paintings', in: Tate ETC, London/UK, pp. 80-81
'Nicholas Krushenick: A Survey', New York: Gary Snyder Gallery, 2011. p.122
'Obsessive-Compulsive Daydreaming', in: Art Journal, Summer, 2011
Heilmann, Mary, 'Cory Arcangel', in: Interview, April 2011
'Conversations with paintings', in: Tate ETC, London/UK, pp. 80-81
'Nicholas Krushenick: A Survey', New York: Gary Snyder Gallery, 2011. p.122
'Obsessive-Compulsive Daydreaming', in: Art Journal, Summer, 2011
Heilmann, Mary, 'Cory Arcangel', in: Interview, April 2011
2007
'Signs and Wonders', in: Art Forum, New York NY, November 2007, p. 314
2004
'What is the Object?', in: Frieze, London, No. 82, April 2004, p. 68
2002
'Telling Stories: Elizabeth Murray and Her Art', in: Elizabeth Murray: Paintings and Work on Paper, N.H.: Dartmouth College, 2002
2000
'Joanne Greenbaum', in: Bomb, no. 71, Spring 2000, pp. 103–5
1999
Heilmann, Mary, 'The All Night Movie', Galerie Hauser & Wirth, Zurich: Offizin, 1999
'I’m Always Affected by My Clothes', in: Purple, no. 4, Winter 1999–2000, pp. 311–13
'I’m Always Affected by My Clothes', in: Purple, no. 4, Winter 1999–2000, pp. 311–13
1993
'Cherchez La Femme' Peintre (inquiry), in: Parkett, Zurich: Parkett-Verlag, no. 37, September 1993, pp. 127-128, 138-139
'First Day', Rogue, vol. XX, June 1993, p. 11
'First Day', Rogue, vol. XX, June 1993, p. 11
1992
'Does Gender Make a Difference in Contemporary Art' (inquiry), in: Tema Celeste, Syracuse, no. 37-38, sepcial issue, Autumn 1992, p. 63
Publications
2022
Morrill, Rebecca, Hunegs, Simon, Murphy, Maia (eds.), 'Great Women Painters', London: Phaidon, 2022, p. 132, ill.
2020
Karmel, Pepe, 'Abstract Art. A Global History', Farnborough: Thames & Hudson, 2020, p. 140, ill.
2019
Van Cauteren, Philippe (ed.), 'S.M.A.K. Highlights for a Future', Bruxelles/BE: S.M.A.K., Mercatorfonds, 2019, p. 137, ill.
2018
Dziewior, Yilmaz (ed.), 'Museum Ludwig. Art. 20th/21st Centuries. Collection. Painting, Sculpture, New Media', Cologne: Verlag der Buchhandlung Walther König, 2018, p. 237, ill.
Cooke, Lynne, ‘Outliers and American Vanguard Art’, Washington DC: National Gallery of Art, Chicago: University of Chicago Press, 2018, pp. 298-299 (exh. cat.)
Fritz, Nicole (ed.), ‘Sexy and Cool. Minimal Goes Emotional’, Bielfeld: Kerber Verlag/ Kunsthalle Tübingen, 2018
Trembley, Nicolas (ed.), ‘The SYZ Collection’, Zurich: JRP | Ringier, 2018, pp. 68, 82-83,120-21, 152-53, 172-73, ill. in colour (install. views)
Artpace, ‘On the Road’, San Antonio: Artpace San Antonio, 2010, p. 20, int. verso, ill. in colour (install. view)
Cooke, Lynne, ‘Outliers and American Vanguard Art’, Washington DC: National Gallery of Art, Chicago: University of Chicago Press, 2018, pp. 298-299 (exh. cat.)
Fritz, Nicole (ed.), ‘Sexy and Cool. Minimal Goes Emotional’, Bielfeld: Kerber Verlag/ Kunsthalle Tübingen, 2018
Trembley, Nicolas (ed.), ‘The SYZ Collection’, Zurich: JRP | Ringier, 2018, pp. 68, 82-83,120-21, 152-53, 172-73, ill. in colour (install. views)
Artpace, ‘On the Road’, San Antonio: Artpace San Antonio, 2010, p. 20, int. verso, ill. in colour (install. view)
2016
Yee, Lydia, ‘Mary Heilmann: Looking at Pictures’, London: Whitechapel, 2016
Hickey, David, '25 Women: Essays on Their Art', Chicago: The University of Chicago Press
Hickey, David, '25 Women: Essays on Their Art', Chicago: The University of Chicago Press
2015
Kittelmann, Udo, ed., ’Two by Two: Mary Heilmann & David Reed’, Berlin: Staatliche Museen zu Berlin, 2015
Hudson, Suzanne, ‘Painting Now’, New York: Thames and Hudson, 2015
Ammer, Manuela, Hochdörfer, Achim, Joselit, David (eds.), 'Painting 2.0 Expression in the Information Age. Gesture and Spectacle. Eccentric Figuration. Social Networks.', Munich: Prestel, 2015, pp. 117-118, ill. (exh. cat.)
Mazonis, Emanuela (ed.), 'Don't Shoot The Painter', Milan: Skira Editore, 2015, pp. 148, n. p., ill.
Gorgen, Stacey, and Benchley, Amanda, 'Artists Living with Art: A Group of Literary, Musical, Sculptural, Photographic and Film Pieces', New York: Abrams, 2015
Hudson, Suzanne, ‘Painting Now’, New York: Thames and Hudson, 2015
Ammer, Manuela, Hochdörfer, Achim, Joselit, David (eds.), 'Painting 2.0 Expression in the Information Age. Gesture and Spectacle. Eccentric Figuration. Social Networks.', Munich: Prestel, 2015, pp. 117-118, ill. (exh. cat.)
Mazonis, Emanuela (ed.), 'Don't Shoot The Painter', Milan: Skira Editore, 2015, pp. 148, n. p., ill.
Gorgen, Stacey, and Benchley, Amanda, 'Artists Living with Art: A Group of Literary, Musical, Sculptural, Photographic and Film Pieces', New York: Abrams, 2015
2013
Staff, Craig, 'After Modernist Painting. The History of a Contemporary Practice', London UK: I.B.Tauris & Co Ltd, 2013, ill.
Schreier, Christoph, Gronert, Stefan (eds.), 'Mary Blinky Yay!', Cologne: Snoek Verlagsgesellschaft, 2013, (exh.cat.)
Unterdörfer, Michaela (ed.), 'Hauser & Wirth. 20 Years', Ostfildern: Hatje Cantz, 2013
Fensterstock, Ann, 'Art on the Block: Tracking the New York Art World from SoHo to the Boweery, Bushwick and Beyond', New York: St. Martin’s Press, 2013
Schreier, Christoph, Gronert, Stefan (eds.), 'Mary Blinky Yay!', Cologne: Snoek Verlagsgesellschaft, 2013, (exh.cat.)
Unterdörfer, Michaela (ed.), 'Hauser & Wirth. 20 Years', Ostfildern: Hatje Cantz, 2013
Fensterstock, Ann, 'Art on the Block: Tracking the New York Art World from SoHo to the Boweery, Bushwick and Beyond', New York: St. Martin’s Press, 2013
2012
Paula van den Bosch, Angelika Nollert (eds.), 'Mary Heilmann. Good Vibrations', Cologne: Verlag der Buchhandlung Walther König (exh. cat.)
Cappellazzo, Amy, Rose, Barbara + [et al.], '"We had to destroy it in order to save it"'. Painting in New York in the 1970's.', New York: Christie's, 2012, pp. 50-53, ill. (cat.)
Molesworth, Helen, 'This Will Have Been: Art, Love & Politics in the 1980s', Chicago: Museum of Contemporary Art Chicago, 2012, pp. 78 – 81, ill. (exh.cat.)
Hubertus Gassner, Annabelle Görgen, Christoph Benjamin Schulz, 'Alice im Wunderland der Kunst', Ostfildern/DE: Hatje Cantz, 2012, ill. (exh. cat.)
Cappellazzo, Amy, Rose, Barbara + [et al.], '"We had to destroy it in order to save it"'. Painting in New York in the 1970's.', New York: Christie's, 2012, pp. 50-53, ill. (cat.)
Molesworth, Helen, 'This Will Have Been: Art, Love & Politics in the 1980s', Chicago: Museum of Contemporary Art Chicago, 2012, pp. 78 – 81, ill. (exh.cat.)
Hubertus Gassner, Annabelle Görgen, Christoph Benjamin Schulz, 'Alice im Wunderland der Kunst', Ostfildern/DE: Hatje Cantz, 2012, ill. (exh. cat.)
2011
Franz, Erich (ed.), Possegger, Iris (ed.), 'Aufbruch. Malerei und realer Raum', Heidelberg: Verlag das Wunderhorn, pp. 126 – 127
Gary Snyder Gallery, 'Nicholas Krushenick: A Survey, New York, 2011 (exh. cat.)
Strugis, Daniel, Clark Martin, Shalgosky, Sarah, 'The Indiscipline of Painting', Uckfield: Pureprint Ltd, pp. 65-66
Butler, Connie, 'Defining Contemporary Art: 25 Years in 200 Privotal Artworks', New York, Phaidon 2011, pp. 246-247
'The 2011 Bridgehampton Biennial', New York: Martos Gallery, 2011
'Hanne Borchgrevink', Bergen: Bergen Kunsthall, 2011, p. 71
Johnson, Ken, 'Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art', New York: Prestel Publishing, 2011
'Creating the New Century: Contemporary Art from the Dicke Collection' Dayton: The Dayton Art Institute, 2011, p. 79
Farthing, Stephan, 'Revised and Updated Edition: 1000 Paintings You Must See Before You Die', New York: Universe Publications, 2011
Gary Snyder Gallery, 'Nicholas Krushenick: A Survey, New York, 2011 (exh. cat.)
Strugis, Daniel, Clark Martin, Shalgosky, Sarah, 'The Indiscipline of Painting', Uckfield: Pureprint Ltd, pp. 65-66
Butler, Connie, 'Defining Contemporary Art: 25 Years in 200 Privotal Artworks', New York, Phaidon 2011, pp. 246-247
'The 2011 Bridgehampton Biennial', New York: Martos Gallery, 2011
'Hanne Borchgrevink', Bergen: Bergen Kunsthall, 2011, p. 71
Johnson, Ken, 'Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art', New York: Prestel Publishing, 2011
'Creating the New Century: Contemporary Art from the Dicke Collection' Dayton: The Dayton Art Institute, 2011, p. 79
Farthing, Stephan, 'Revised and Updated Edition: 1000 Paintings You Must See Before You Die', New York: Universe Publications, 2011
2010
Imdahl, Georg, 'Mary Heilmann', in: Kuenstler. Kritisches Lexikon der Gegenwartskunst, München, Ausgabe 91, Heft 17, 3. Quartal 2010
Kunstmuseum St.Gallen (ed.), 'Ambigu - Zeitgenössische Malerei zwischen Abstraktionen und Narration', Heidelberg/DE: Kehrer Verlag, 2010 (exh. cat.)
Rondeau, James, 'Contemporary Collecting: The Donna and Howard Stone Collection', Chicago IL: Art Institute of Chicago, 2010
'At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg', Annandale-on-Hudson: Center for Curatorial Studies, Bard College, 2010
Kunstmuseum St.Gallen (ed.), 'Ambigu - Zeitgenössische Malerei zwischen Abstraktionen und Narration', Heidelberg/DE: Kehrer Verlag, 2010 (exh. cat.)
Rondeau, James, 'Contemporary Collecting: The Donna and Howard Stone Collection', Chicago IL: Art Institute of Chicago, 2010
'At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg', Annandale-on-Hudson: Center for Curatorial Studies, Bard College, 2010
2009
Scharpff-Striebich, Carolin, ‘Let’s Talk Abstract’, Berlin: DISTANZ, 2009
Sollins, Marybeth (ed.), 'art:21, art in the twenty-first century', New York NY: Art21, 2009, pp. 74-87
Godfrey, Tony, 'Painting Today', New York: Phaidon, 2009
Nickas, Bob, 'Painting Abstraction: New Elements in Abstract Painting', New York: Phaidon, 2009
Fig, Joe, 'Inside the Painter’s Studio', New York: Princeton Architectural Press, 2009
'Rises in the East: A Gallery in Whitechapel', London: Whitechapel Gallery Ventues Limited, 2009, pp. 79 and 104
Sollins, Marybeth (ed.), 'art:21, art in the twenty-first century', New York NY: Art21, 2009, pp. 74-87
Godfrey, Tony, 'Painting Today', New York: Phaidon, 2009
Nickas, Bob, 'Painting Abstraction: New Elements in Abstract Painting', New York: Phaidon, 2009
Fig, Joe, 'Inside the Painter’s Studio', New York: Princeton Architectural Press, 2009
'Rises in the East: A Gallery in Whitechapel', London: Whitechapel Gallery Ventues Limited, 2009, pp. 79 and 104
2008
Garrels, Gary, 'Oranges and Sardines: Conversations on Abstract Painting', Los Angeles: Hammer Museum, 2008
Madesta, Andrea (ed.), 'abstrakt / abstract', Cologne/ Klagenfurt: Snoeck/MMKK, 2008, pp. 56-57, ill. (exh. cat.)
Brown, Brice, Winkfield, Trevor (ed.), 'The Sienese Shredder', New York NY: Sienese Shredder Editions, 2008, pp. 299-310
Huldisch, Henriette, Momin, Shamim, 'Whitney Biennial 2008', New Haven CT: Yale University Press, 2008 (exh. cat.)
'Abstract Vision', Zurich: Thomas Ammann Fine Art, 2008, p. 14
'Dan Walsh: Paintings', New York: Paula Cooper Gallery and Paris: Galerie Xippas, 2007, p. 101
'Royal Academy Illustrated 2008', London: Royal Academy of Arts, 2008, p. 42
Heartney, Eleanor, 'Art & Today', in: New York: Phaidon Press Inc., 2008, pp. 70 and 75
Madesta, Andrea (ed.), 'abstrakt / abstract', Cologne/ Klagenfurt: Snoeck/MMKK, 2008, pp. 56-57, ill. (exh. cat.)
Brown, Brice, Winkfield, Trevor (ed.), 'The Sienese Shredder', New York NY: Sienese Shredder Editions, 2008, pp. 299-310
Huldisch, Henriette, Momin, Shamim, 'Whitney Biennial 2008', New Haven CT: Yale University Press, 2008 (exh. cat.)
'Abstract Vision', Zurich: Thomas Ammann Fine Art, 2008, p. 14
'Dan Walsh: Paintings', New York: Paula Cooper Gallery and Paris: Galerie Xippas, 2007, p. 101
'Royal Academy Illustrated 2008', London: Royal Academy of Arts, 2008, p. 42
Heartney, Eleanor, 'Art & Today', in: New York: Phaidon Press Inc., 2008, pp. 70 and 75
2007
Mark, Lisa Gabrielle, Hamilton, Elizabeth (eds.), 'WACK! Art and the feminist Revolution', London: MIT Press/ Los Angeles: MoCA, 2007 (exh. cat.)
Thorp, David, 'Abstraction: Extracting from the World', Sheffield: Millenium Galleries, 2007
Myers, Terry, 'Mary Heilmann: Save the Last Dance for Me', Afterall Books, 2007
Armstrong, Elizabeth; Burton, Johanna; Hickey, David, 'Mary Heilmann. To Be Someone', New York NY: Prestel Publishing 2007 (exh. cat.)
Burton, Johann, 'Marilyn Minter', New York NY: Gregory R. Miller & Co., 2007, pp. 14-27
Cole-Cunningham, Ragan, 'Counterparts: Contemporary Painters and Their Influences', Virginia Beach VA: Contemporary Art Center of Virginia, 2007 (exh. cat.)
Erf, Lisa K, 'Collected Visions: Modern and Contemporary Works from the JPMorgan Chase Art Collection', Istanbul: Pera Museum, 2007
Morrison, Toni, 'Artworks: The Progressive Collection', New York NY: D.A.P./Distributed Art Publishers, Inc., 2007
Thorp, David, 'Abstraction: Extracting from the World', Sheffield: Millenium Galleries, 2007 (exh. cat.)
Heartney, Eleanor, 'Art & Today', New York: Phaidon Press, 2008, pp. 70 and 75
Thorp, David, 'Abstraction: Extracting from the World', Sheffield: Millenium Galleries, 2007
Myers, Terry, 'Mary Heilmann: Save the Last Dance for Me', Afterall Books, 2007
Armstrong, Elizabeth; Burton, Johanna; Hickey, David, 'Mary Heilmann. To Be Someone', New York NY: Prestel Publishing 2007 (exh. cat.)
Burton, Johann, 'Marilyn Minter', New York NY: Gregory R. Miller & Co., 2007, pp. 14-27
Cole-Cunningham, Ragan, 'Counterparts: Contemporary Painters and Their Influences', Virginia Beach VA: Contemporary Art Center of Virginia, 2007 (exh. cat.)
Erf, Lisa K, 'Collected Visions: Modern and Contemporary Works from the JPMorgan Chase Art Collection', Istanbul: Pera Museum, 2007
Morrison, Toni, 'Artworks: The Progressive Collection', New York NY: D.A.P./Distributed Art Publishers, Inc., 2007
Thorp, David, 'Abstraction: Extracting from the World', Sheffield: Millenium Galleries, 2007 (exh. cat.)
Heartney, Eleanor, 'Art & Today', New York: Phaidon Press, 2008, pp. 70 and 75
2006
Villa Manin Centro d’Arte Contemporanea (ed.), 'Infinite Painting. Pittura Contemporanea e Realismo Globale. Contemporary Painting and Global Realism', Tolmezzo (Udine): Andrea Moro, 2006 (exh. cat.)
von Berswordt-Wallrabe, Alexander and Silke (ed.), 'Art for Shelter: Art Against Trafficking in Women and Sexual Exploitation', Basel, 2006, p. 21 (exh. cat.)
Ruf, Bearix (ed.), 'Laura Owens', Zurich, JRP Ringier, 2006 (exh. cat.)
Siegel, Katy (ed.), 'High Times Hard Times: New York Painting 1967-1975', New York NY: Independent Curators International, 2006 (exh. cat.)
Stosuy, Brandon (ed.), 'Up is Up But Down is Down: New York’s Downtown Literary Scene, 1974-1992', New York NY: New York University Press, 2006, p. 130
'Zeno X Gallery: 25 Years', Antwerp. Zeno X Gallery, 2006, pp. 98-99
von Berswordt-Wallrabe, Alexander and Silke (ed.), 'Art for Shelter: Art Against Trafficking in Women and Sexual Exploitation', Basel, 2006, p. 21 (exh. cat.)
Ruf, Bearix (ed.), 'Laura Owens', Zurich, JRP Ringier, 2006 (exh. cat.)
Siegel, Katy (ed.), 'High Times Hard Times: New York Painting 1967-1975', New York NY: Independent Curators International, 2006 (exh. cat.)
Stosuy, Brandon (ed.), 'Up is Up But Down is Down: New York’s Downtown Literary Scene, 1974-1992', New York NY: New York University Press, 2006, p. 130
'Zeno X Gallery: 25 Years', Antwerp. Zeno X Gallery, 2006, pp. 98-99
2005
Swiss Reinsurance Company (ed.), 'Art at 30 St Mary Axe London', Zurich, 2005, pp. 154-159, ill. (exh. cat.)
Moos, David (ed.), 'The Shape of Colour: Excursions in Colour Field Art, 1950-2005', Toronto ON: Art Gallery, 2005
Pagel, David, 'POPulence', Houston: Blaffer Gallery, 2005
Moos, David (ed.), 'The Shape of Colour: Excursions in Colour Field Art, 1950-2005', Toronto ON: Art Gallery, 2005
Pagel, David, 'POPulence', Houston: Blaffer Gallery, 2005
2004
'North Fork/South Fork: East End Art Now', Southampton, NY: The Parrish Art Museum, 2004
Moser, Jill, et al. 'Masters of the Obvious', Amherst: Hampden Gallery, Fine Arts Center, University of Massachusetts, 2004
Moser, Jill, et al. 'Masters of the Obvious', Amherst: Hampden Gallery, Fine Arts Center, University of Massachusetts, 2004
2003
Secession (ed.), 'Mary Heilmann. All Tomorrow’s Parties', Cologne: Verlag der Buchhandlung Walther König, 2003 (exh. cat.)
Hutchinson, John (ed.), Mary Heilmann. 'The Architecture of Heaven', Dublin: Douglas Hyde Gallery, 2003 (exh. cat.)
Curiger, Bice (ed.) 'Georgia O’Keeffe', Ostfildern-Ruit: Hatje Cantz Verlag, p. 182, ill. (exh. cat.)
Hutchinson, John (ed.), Mary Heilmann. 'The Architecture of Heaven', Dublin: Douglas Hyde Gallery, 2003 (exh. cat.)
Curiger, Bice (ed.) 'Georgia O’Keeffe', Ostfildern-Ruit: Hatje Cantz Verlag, p. 182, ill. (exh. cat.)
2002
Unterdörfer, Michaela (ed.), 'The House of Fiction. Sammlung Hauser und Wirth / 3', Nürnberg: Verlag für moderne Kunst, 2002, pp. 69, 70, 73, ill. (exh. cat.)
'Mary Heilmann in Conversation with David Ryan', in: Ryan, David, 'Talking Painting, Dialogues with Twelves Contemporary artists', New York NY: Taylor and Francis Books, 2002, pp. 109 – 118
Joselit, David, 'Mary Heilmann’s embodied Grids (1990)', in: Ryan, David, 'Talking Painting, Dialogues with Twelves Contemporary artists', New York NY: Taylor and Francis Books, 2002, pp. 101 – 108
'Mary Heilmann in Conversation with David Ryan', in: Ryan, David, 'Talking Painting, Dialogues with Twelves Contemporary artists', New York NY: Taylor and Francis Books, 2002, pp. 109 – 118
Joselit, David, 'Mary Heilmann’s embodied Grids (1990)', in: Ryan, David, 'Talking Painting, Dialogues with Twelves Contemporary artists', New York NY: Taylor and Francis Books, 2002, pp. 101 – 108
2001
Camden Arts Centre (ed.), London: 'Mary Heilmann', 2001, (exh. cat.)
2000
Kunstmuseum St. Gallen/Sammlung Hauser und Wirth (ed.), 'Mary Heilmann. Little 9 x 9 (1973) / Blue Room (1997) ' (text by Konrad Bitterli), Cologne: Oktagon Verlag, 2000, ill. (exh. cat.)
1999
Galerie Hauser & Wirth (ed.), 'Mary Heilmann. The All Night Movie' (text by Jutta Koether), Zurich: Offizin-Verlag, 1999, ill. (exh. cat.)
1997
Stiftung für konstruktive und konkrete Kunst Zürich (ed.), 'Mary Heilmann. This and That', Zurich: Stiftung für konstruktive und konkrete Kunst, 1997, ill. (exh. bro.)
Kunsthaus Bregenz, Köb, Edelbert (ed.), 'KünstlerInnen. 50 Gespräche', Cologne: Verlag der Buchhandlung Walther König, 1997, pp. 116-120, ill. (exh. cat.)
Kunsthaus Bregenz, Köb, Edelbert (ed.), 'KünstlerInnen. 50 Positionen zeitgenössischer internationaler Kunst. Videoportraits und Werke', Bregenz: Kunsthaus Bregenz, 1997, p. 14, ill. (exh. bro.)
Häusler, Christa (ed.), 'Mary Heilmann. Farbe und Lust', Ostfildern: Cantz, 1997, ill. (exh. cat.)
Musée d’Art Moderne, Saint-Etienne (ed.), 'Abstraction/Abstractions. Géométries Provisoires', St. Etienne/Paris: Musée d’Art Moderne Saint-Etienne/Adagp/Spadem, 1997, pp. 38-45, ill. (exh. cat.)
Kunsthaus Bregenz, Köb, Edelbert (ed.), 'KünstlerInnen. 50 Gespräche', Cologne: Verlag der Buchhandlung Walther König, 1997, pp. 116-120, ill. (exh. cat.)
Kunsthaus Bregenz, Köb, Edelbert (ed.), 'KünstlerInnen. 50 Positionen zeitgenössischer internationaler Kunst. Videoportraits und Werke', Bregenz: Kunsthaus Bregenz, 1997, p. 14, ill. (exh. bro.)
Häusler, Christa (ed.), 'Mary Heilmann. Farbe und Lust', Ostfildern: Cantz, 1997, ill. (exh. cat.)
Musée d’Art Moderne, Saint-Etienne (ed.), 'Abstraction/Abstractions. Géométries Provisoires', St. Etienne/Paris: Musée d’Art Moderne Saint-Etienne/Adagp/Spadem, 1997, pp. 38-45, ill. (exh. cat.)
1996
Herzog, Hans-Michael (ed.), 'Abstrakte Malerei heute. nuevas abstracciones', Bielefeld: Kunsthalle Bielefeld, 1996, ill. (exh. cat.)
1995
Wismer, Beat (ed.), 'Karo Dame. Konstruktive, Konkrete und Radikale Kunst von Frauen von 1914 bis heute', Aarau/Baden: Aargauer Kunsthaus/Verlag Lars Müller, 1995, pp. 378-383, ill. (exh. cat.)
Rosenthal, Mark, 'Critiques of Pure Abstraction', New York NY: Independent Curators Incorporated, 1995 (exh. cat.)
Rosenthal, Mark, 'Critiques of Pure Abstraction', New York NY: Independent Curators Incorporated, 1995 (exh. cat.)
1993
König, Kaspar, Obrist, Hans-Ulrich (ed.), 'Der zerbrochene Spiegel. Positionen zur Malerei', Vienna: Kunsthalle Wien, 1993, pp. 94-97, ill. (exh. cat.)
Hochschule für Angewandte Kunst (ed.), 'Future Perfect', Vienna: Heiligenkreuzerhof, 1993 (exh. cat.)
Galleria Nazionale d’Arte Moderna (ed.), 'Italia-America. L’Astrazione Redefinita', San Marino, 1993 (exh. cat.)
Hochschule für Angewandte Kunst (ed.), 'Future Perfect', Vienna: Heiligenkreuzerhof, 1993 (exh. cat.)
Galleria Nazionale d’Arte Moderna (ed.), 'Italia-America. L’Astrazione Redefinita', San Marino, 1993 (exh. cat.)
1992
AsherFaure/RubinSpangle (ed.), 'Bedroom Pictures', Los Angeles, 1992 (exh. bro.)
1991
Max Protech Gallery (ed.), 'Stubborn Painting, Now and Then', New York NY, 1991 (exh. cat.)
Sidney Janis Gallery (ed.), 'Conceptual Abstraction', New York NY, 1991 (exh. bro.
Sidney Janis Gallery (ed.), 'Conceptual Abstraction', New York NY, 1991 (exh. bro.
1990
Shoshana Wayne Gallery (ed.), 'The Ends of Painting. The Edge of Abstraction' (Text by David Pagel), Santa Monica CA, 1990 (exh. cat.)
Institute of Contemporary Art (ed.), 'Mary Heilmann: A Survey' (Text by David Joselit), Boston MA: Institute of Contemporary Art, 1990 (exh. cat.)
Cummings Arts Center. Connecticut College (ed.), 'Fluid Geometry', Connecticut, 1990 (exh. bro.)
Lawrence Oliver Gallery (ed.), 'Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall' (Text by Barry Schabsky), Philadelphia PA, 1990 (exh. cat.)
Institute of Contemporary Art (ed.), 'Mary Heilmann: A Survey' (Text by David Joselit), Boston MA: Institute of Contemporary Art, 1990 (exh. cat.)
Cummings Arts Center. Connecticut College (ed.), 'Fluid Geometry', Connecticut, 1990 (exh. bro.)
Lawrence Oliver Gallery (ed.), 'Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall' (Text by Barry Schabsky), Philadelphia PA, 1990 (exh. cat.)
1989
New Jersey Center for Visual Arts, 'Restructure. Subverting the Grid', Summit, 1989 (exh. cat.)
Whitney Museum of American Art (ed.), 'The Whitney Biennial', New York NY: Whitney Museum of American Art, 1989 (exh. cat.)
University Art Museum (ed.), 'Abstract Options', Santa Barbara CA, 1989 (exh. cat.)
Whitney Museum of American Art (ed.), 'The Whitney Biennial', New York NY: Whitney Museum of American Art, 1989 (exh. cat.)
University Art Museum (ed.), 'Abstract Options', Santa Barbara CA, 1989 (exh. cat.)
1988
Hunter College (ed.), 'A Debate of Abstraction', New York NY: Hunter College, 1988 (exh. cat.)
Pratt Institute/Instituto de Estudios Norteamericanos (ed.), 'Sightings. Drawings with Color', New York NY/Barcelona, 1988 (exh. cat.)
Gallery Mukai (ed.), 'Mary Heilmann', Tokyo, 1988, ill. (exh. bro.)
Pratt Institute/Instituto de Estudios Norteamericanos (ed.), 'Sightings. Drawings with Color', New York NY/Barcelona, 1988 (exh. cat.)
Gallery Mukai (ed.), 'Mary Heilmann', Tokyo, 1988, ill. (exh. bro.)
1987
Seattle Art Museum (ed.), 'Clay Revisions. Plate, Cup & Vase', Seattle, 1987 (exh. cat.)
Corcoran Gallery of Art (ed.), '40th Biennial of American Contemporary Painting', Washington, 1987 (exh. cat.)
Corcoran Gallery of Art (ed.), '40th Biennial of American Contemporary Painting', Washington, 1987 (exh. cat.)
1986
Smith, Roberta, 'Mary Heilmann', New York NY: Pat Hearn Gallery, 1986, ill. (exh. bro.)
1985
Holly Solomon Gallery (ed.) 'The 10th Anniversary', New York NY, 1983 (exh. bro.)
1980
Holly Solomon Gallery (ed.), 'Three More', New York NY, 1980 (exh. bro.)
Jacksonville Art Museum (ed.), 'The Norman Fisher Collection', Jacksonville FL, 1980 (exh. cat.)
Jacksonville Art Museum (ed.), 'The Norman Fisher Collection', Jacksonville FL, 1980 (exh. cat.)
1977
Sarah Lawrence College (ed.), 'Painting: 75, 76, 77', Bronxville WC, 1977 (exh. bro.)
Holly Solomon Gallery (ed.), 'The First Two Years', New York NY, 1977 (exh. bro.)
Holly Solomon Gallery (ed.), 'The First Two Years', New York NY, 1977 (exh. bro.)
1973
Contemporary Arts Center, 'Options', Cincinati OH, 1973 (exh. bro.)
Kenan Center, 'Ten Artists Who Happen to be Women', Fredonia NY, 1973 (exh. bro.)
Kenan Center, 'Ten Artists Who Happen to be Women', Fredonia NY, 1973 (exh. bro.)
1972
Newark Museum (ed.), 'Painting and/or Sculpture', Newark NJ, 1972 (exh. bro.)
Whitney Museum of American Art (ed.), 'Whitney Annual', New York NY, 1972 (exh. cat.)
Kunsthaus Hamburg (ed.), 'American Women Artists', Hamburg, 1972 (exh. cat.)
Whitney Museum of American Art (ed.), 'Whitney Annual', New York NY, 1972 (exh. cat.)
Kunsthaus Hamburg (ed.), 'American Women Artists', Hamburg, 1972 (exh. cat.)
Press
2022
Sheets, Hilarie M., 'Revisiting a Groundbreaking Show of Feminist Art', on: nytimes.com, 27 April 2022, ill.
2020
Landes, Jennifer, 'Mary Heilmann Hangs 10 (or More) in Southampton', on: easthamptonstar.com, 25 November 2020, ill.
___, 'Highway, Ocean, Daydreams', on: themakermagazine.com, 23 October 2020, ill.
Klingelfuss, Jessica, 'West Side Story', in: Wallpaper, May 2020, pp. 92-112, ill.
___, 'Highway, Ocean, Daydreams', on: themakermagazine.com, 23 October 2020, ill.
Klingelfuss, Jessica, 'West Side Story', in: Wallpaper, May 2020, pp. 92-112, ill.
2018
Rimanelli, David, ‘The Conditions of Being Art. Pat Hearn Gallery and American Fine Arts, Co. (1983-2004)’, in: Artforum, New York, vol. 57, no. 4, December 2018, p. 163, ill.
Colaizzi, Vittorio, 'On Formal Noodling: Invention and Determination in Recent Abstract Painting’, in: ASAP Journal, Baltimore, January 2018, pp. 67-96
___, ’New Masters’, in: Vanity Fair, New York, 8 March 2018
Yau, John, 'Back When Painting Was Dead', on: hyperallergic.com, New York, 11 February 2018
Yau, John, 'Thomas Nozkowski, a Master Improviser', on: hyperallergic.com, New York, 4 February 2018
Stopa, Jason, 'Painting as Total Environment', on: hyperallergic.com, New York, 6 January 2018
Colaizzi, Vittorio, 'On Formal Noodling: Invention and Determination in Recent Abstract Painting’, in: ASAP Journal, Baltimore, January 2018, pp. 67-96
___, ’New Masters’, in: Vanity Fair, New York, 8 March 2018
Yau, John, 'Back When Painting Was Dead', on: hyperallergic.com, New York, 11 February 2018
Yau, John, 'Thomas Nozkowski, a Master Improviser', on: hyperallergic.com, New York, 4 February 2018
Stopa, Jason, 'Painting as Total Environment', on: hyperallergic.com, New York, 6 January 2018
2017
Daly, Tara, 'The Aldrich Museum: Champions of Emerging Female Artists', on: news.hamlethub.com, Ridgefield, 30 November 2017
Lau, Lucy, 'Leading contemporary art gallery Hauser & Wirth opens holiday pop-up bookstore in Vancouver', on: www.straight.com, Vancouver, 24 November 2017
Lennon, Anastasia, 'Annual Hamptons "Thanksgiving Collective" To Reflect Upon Good In The World', on: www.hamptons.com, Southampton, 22 November 2017
Segal, Mark, 'The Art Scene: 11.23.17', on: easthamptonstar.com, East Hampton, 22 November 2017
Melchert, Jim, 'Jim Melchert', on: brooklynrail.org, New York NY, 2 November 2017
'‘A Line Between the Morning Sun and the Evening Sun’ at Häusler Contemporary, Zürich', on: www.blouinartinfo.com, New York NY, 25 October 2017
von Burg, Dominique, 'Dialog - A Line Between the Morning Sun and the Evening Sun', in: Kunstbulletin, Zürich, Switzerland, October 2017
Smith, Roberta, 'Mary Heilmann', in: The New York Times, New York NY, 22 September 2017, p. C19
Rhodes, David, 'Mary Heilmann: RYB: Mary Heilmann Paintings 1975-1978', on: brooklynrail.org, Brooklyn NY, 7 September 2017
Rosenfeld, Jason, 'Blue Black: Curated by Glenn Ligon', on: brooklynrail.org, Brooklyn NY, 7 September 2017
Tuchmann, Phyllis, ’’The Geometry of Making’: A Mary Heilmann Doubleheader in New York’, on: www.artnews.com, 16 August 2017
Croak, James, ‘ART REVIEW: The Quiet Poetry of Mary Heilmann’s Paintings at Dan Flavin’, on: hamptonsarthub.com, 7 August 2017
’Bijutsu Techno’, in: Bijutsu Techno, Tokyo Japan, March 2017, pp. 110-111
Wehner, Greg, 'A Sense Of Place' Exhibition Opens At Southampton Arts Center’, on: 27east.com, 28 February 2017
’Fast Forward: Painting from the 1980’s’, in: The New Yorker, 13 February 2017
Viladas, Pilar, ’Inside Marilyn Minter's Colorful, Irrepressible, Art-Filled Hideaway in the Woods’, in: W Magazine, 9 February 2017,
Smith, Roberta, ‘When Brash Met Flash’, in: the New York Times, New York New York, 10 February 2017, p. C19
’Barbara Weiss (1960-2016)’, on: artforum.com, 4 January 2017
Lau, Lucy, 'Leading contemporary art gallery Hauser & Wirth opens holiday pop-up bookstore in Vancouver', on: www.straight.com, Vancouver, 24 November 2017
Lennon, Anastasia, 'Annual Hamptons "Thanksgiving Collective" To Reflect Upon Good In The World', on: www.hamptons.com, Southampton, 22 November 2017
Segal, Mark, 'The Art Scene: 11.23.17', on: easthamptonstar.com, East Hampton, 22 November 2017
Melchert, Jim, 'Jim Melchert', on: brooklynrail.org, New York NY, 2 November 2017
'‘A Line Between the Morning Sun and the Evening Sun’ at Häusler Contemporary, Zürich', on: www.blouinartinfo.com, New York NY, 25 October 2017
von Burg, Dominique, 'Dialog - A Line Between the Morning Sun and the Evening Sun', in: Kunstbulletin, Zürich, Switzerland, October 2017
Smith, Roberta, 'Mary Heilmann', in: The New York Times, New York NY, 22 September 2017, p. C19
Rhodes, David, 'Mary Heilmann: RYB: Mary Heilmann Paintings 1975-1978', on: brooklynrail.org, Brooklyn NY, 7 September 2017
Rosenfeld, Jason, 'Blue Black: Curated by Glenn Ligon', on: brooklynrail.org, Brooklyn NY, 7 September 2017
Tuchmann, Phyllis, ’’The Geometry of Making’: A Mary Heilmann Doubleheader in New York’, on: www.artnews.com, 16 August 2017
Croak, James, ‘ART REVIEW: The Quiet Poetry of Mary Heilmann’s Paintings at Dan Flavin’, on: hamptonsarthub.com, 7 August 2017
’Bijutsu Techno’, in: Bijutsu Techno, Tokyo Japan, March 2017, pp. 110-111
Wehner, Greg, 'A Sense Of Place' Exhibition Opens At Southampton Arts Center’, on: 27east.com, 28 February 2017
’Fast Forward: Painting from the 1980’s’, in: The New Yorker, 13 February 2017
Viladas, Pilar, ’Inside Marilyn Minter's Colorful, Irrepressible, Art-Filled Hideaway in the Woods’, in: W Magazine, 9 February 2017,
Smith, Roberta, ‘When Brash Met Flash’, in: the New York Times, New York New York, 10 February 2017, p. C19
’Barbara Weiss (1960-2016)’, on: artforum.com, 4 January 2017
2016
Interview with Mary Heilmann, Looking at Pictures at Whitechapel Gallery’, on: www.aestheticamagazine.com, York UK, 16 July 2016
Rowland, Hazel, ‘Stories in abstraction: an interview with Mary Heilmann’, on: www.apollo-magazine.com, London UK, 9 July 2016
Breen, Matt, ‘Review: Mary Heilmann: Looking at Pictures’, in: Time Out, London UK, 21 – 27 June 2016, pp.80
Hawksley, Rupert, ‘Mary Heilmann: in the studio’, on: www.telegraph.co.uk, London UK, 17 June 2016
Falconer, Morgan, ‘Mary Heilmann’, in: The World of Interiors, London UK, July 2016, pp.119
Andrew, Theo, ‘Mary Heilmann: Looking at Pictures – Whitechapel Gallery’, on: www.themetropolist.com, London UK, 16 June 2016
Cumming, Laura, ‘Winifred Knights (1899-1947); Mary Heilmann: Looking at Pictures – review’, on: www.theguardian.com, London UK, 12 June 2016
Spencer, Samuel, ‘Mary Heilmann on 1970s New York and Her New Whitechapel Show’, on: www.blouinartinfo.com, New York NY, 10 June 2016
Barry, Robert ‘Formalism On Acid: Mary Heilmann At The Whitechapel Gallery’, on: www.thequietus.com, London UK, 12 June 2016
Searle, Adrian, ’Mary Heilmann: Looking at Pictures review – art that plays fast and loose’, on: www.theguardian.com, London UK, 10 June 2016
‘Interview: Mary Heilmann’, on: www.freize.com, New York NY, 1 June 2010
Epps, Philomela, ‘California Counter-Culture Through the Eyes of Mary Heilmann’, on: www.anothermag.com, London UK, 8 June 2016
Luke, Ben, ‘Mary Heilmann: Looking at Pictures, exhibition review – Be captivated by colour’, on: www.standard.co.uk, London UK, 9 June 2016
Souter, Anna, ‘Mary Heilmann: Looking at Pictures at Whitechapel Gallery’, on: www.theupcoming.co.uk, London UK, 7 June 2016
Farago, Jason, ‘Artist Mary Heilmann: the Californian surfer still making waves in her 70s’, on: www.the guardian.com, London UK, 6 June 2016
Peers, Alexandra, ‘Laughing Last: The Well-Earned Renaissance of Painter Mary Heilmann’, on: www.artspace.com, New York NY, 31 May 2016
Pereira, Lorenzo, ‘First Major UK Survey of the American Artist Mary Heilmann Coming to Whitechapel Gallery’, on: www.widewalls.ch, Ermatingen Switzerland, May 2016
Duray, Dan, ‘Heilmann show marks 50 years of ceramics, road trips and psychedelia’, in: The Art Newspaper, London UK, number 279, May 2016, pp.28
O’Halloran, Robbie, ’Mary Heilmann – Looking at Pictures @ Whitechapel Gallery, London, June 8 – August 21, 2016’, on: theglazelondon.com, London/UK, 22 June 2016
Breen, Matt, ’Mary Heilmann, Looking at Pictures’, in: ’Time Out’, London/UK, 21 June 2016
Kinsella, Eileen, ‘Music Legend Dickie Landry Has First Solo Painting Show at Fort Gansevoort’, on: www.news.artnet.com, New York NY, 1 June 2016
Peers, Alexandra, ‘Laughing Last: The Well-Earned Renaissance of Painter Mary Heilmann’, on: www.artspace.com, New York NY, 31 May 2016
Schachter, Kenny, ‘Kenny Schachter Deals in Difficult Times at New York Auction Week, Part II’, on: www.artnet.com, New York NY, 13 May 2016
Rothkopf, Scott, ‘A Curators Swift Ascendance Up the Whitney Museum’s Hierarchy’, in: ‘The New York Times’, New York NY, 3 May 2016
Drohojowska-Philp, Hunter, ‘Off the scale’, in: ‘Wallpaper’, London/UK, April 2016, pp. 234 – 242
Lopez, John ‘Hauser Wirth & Schimmel’s Ambitious New Gallery’, in: ‘Departures’, Los Angeles CA, 9 March 2016
Yablonsky, Linda, ‘A Moment Like This’, in: ‘Artforum’, Los Angeles CA, 4 April 2016
___,’ The Composer’, in: ‘Art News – The Icons Issue’, New York NY, March 2016, pp. Front Cover, 77 – 81
___, ‘Mary Heilmann exhibition, Whitechapel Gallery’, on: www.culturewhisper.com, London/UK, 25 February 2016
___, ‘“I Think We’re Changing Into a Tribal Nation”: A Converstaion with Dave HIckey on “25 Women”, on: www.imomus.com, New York NY, 16 February 2016
___, ‘Parker, Heilmann, and Homes are Guild Hall Academy Honorees’, on: www.easthamptonstar.com, East Hamptons NY, 4 February 2016 R. Myers, Terry, ‘Paintin 2.0: Expression in the Information Age’, on: www.brooklynrail.org, New York NY, 3 February 2016
Coomer, Martin, ‘The ten brightest exhibitions of 2016’, in: ‘Time Out London’, London/UK, 5 January 2016, pp. 44-45
___, ‘Mary Heilmann’, in: ‘Artforum’, New York NY, April 2016, pp. 190-205
Rowland, Hazel, ‘Stories in abstraction: an interview with Mary Heilmann’, on: www.apollo-magazine.com, London UK, 9 July 2016
Breen, Matt, ‘Review: Mary Heilmann: Looking at Pictures’, in: Time Out, London UK, 21 – 27 June 2016, pp.80
Hawksley, Rupert, ‘Mary Heilmann: in the studio’, on: www.telegraph.co.uk, London UK, 17 June 2016
Falconer, Morgan, ‘Mary Heilmann’, in: The World of Interiors, London UK, July 2016, pp.119
Andrew, Theo, ‘Mary Heilmann: Looking at Pictures – Whitechapel Gallery’, on: www.themetropolist.com, London UK, 16 June 2016
Cumming, Laura, ‘Winifred Knights (1899-1947); Mary Heilmann: Looking at Pictures – review’, on: www.theguardian.com, London UK, 12 June 2016
Spencer, Samuel, ‘Mary Heilmann on 1970s New York and Her New Whitechapel Show’, on: www.blouinartinfo.com, New York NY, 10 June 2016
Barry, Robert ‘Formalism On Acid: Mary Heilmann At The Whitechapel Gallery’, on: www.thequietus.com, London UK, 12 June 2016
Searle, Adrian, ’Mary Heilmann: Looking at Pictures review – art that plays fast and loose’, on: www.theguardian.com, London UK, 10 June 2016
‘Interview: Mary Heilmann’, on: www.freize.com, New York NY, 1 June 2010
Epps, Philomela, ‘California Counter-Culture Through the Eyes of Mary Heilmann’, on: www.anothermag.com, London UK, 8 June 2016
Luke, Ben, ‘Mary Heilmann: Looking at Pictures, exhibition review – Be captivated by colour’, on: www.standard.co.uk, London UK, 9 June 2016
Souter, Anna, ‘Mary Heilmann: Looking at Pictures at Whitechapel Gallery’, on: www.theupcoming.co.uk, London UK, 7 June 2016
Farago, Jason, ‘Artist Mary Heilmann: the Californian surfer still making waves in her 70s’, on: www.the guardian.com, London UK, 6 June 2016
Peers, Alexandra, ‘Laughing Last: The Well-Earned Renaissance of Painter Mary Heilmann’, on: www.artspace.com, New York NY, 31 May 2016
Pereira, Lorenzo, ‘First Major UK Survey of the American Artist Mary Heilmann Coming to Whitechapel Gallery’, on: www.widewalls.ch, Ermatingen Switzerland, May 2016
Duray, Dan, ‘Heilmann show marks 50 years of ceramics, road trips and psychedelia’, in: The Art Newspaper, London UK, number 279, May 2016, pp.28
O’Halloran, Robbie, ’Mary Heilmann – Looking at Pictures @ Whitechapel Gallery, London, June 8 – August 21, 2016’, on: theglazelondon.com, London/UK, 22 June 2016
Breen, Matt, ’Mary Heilmann, Looking at Pictures’, in: ’Time Out’, London/UK, 21 June 2016
Kinsella, Eileen, ‘Music Legend Dickie Landry Has First Solo Painting Show at Fort Gansevoort’, on: www.news.artnet.com, New York NY, 1 June 2016
Peers, Alexandra, ‘Laughing Last: The Well-Earned Renaissance of Painter Mary Heilmann’, on: www.artspace.com, New York NY, 31 May 2016
Schachter, Kenny, ‘Kenny Schachter Deals in Difficult Times at New York Auction Week, Part II’, on: www.artnet.com, New York NY, 13 May 2016
Rothkopf, Scott, ‘A Curators Swift Ascendance Up the Whitney Museum’s Hierarchy’, in: ‘The New York Times’, New York NY, 3 May 2016
Drohojowska-Philp, Hunter, ‘Off the scale’, in: ‘Wallpaper’, London/UK, April 2016, pp. 234 – 242
Lopez, John ‘Hauser Wirth & Schimmel’s Ambitious New Gallery’, in: ‘Departures’, Los Angeles CA, 9 March 2016
Yablonsky, Linda, ‘A Moment Like This’, in: ‘Artforum’, Los Angeles CA, 4 April 2016
___,’ The Composer’, in: ‘Art News – The Icons Issue’, New York NY, March 2016, pp. Front Cover, 77 – 81
___, ‘Mary Heilmann exhibition, Whitechapel Gallery’, on: www.culturewhisper.com, London/UK, 25 February 2016
___, ‘“I Think We’re Changing Into a Tribal Nation”: A Converstaion with Dave HIckey on “25 Women”, on: www.imomus.com, New York NY, 16 February 2016
___, ‘Parker, Heilmann, and Homes are Guild Hall Academy Honorees’, on: www.easthamptonstar.com, East Hamptons NY, 4 February 2016 R. Myers, Terry, ‘Paintin 2.0: Expression in the Information Age’, on: www.brooklynrail.org, New York NY, 3 February 2016
Coomer, Martin, ‘The ten brightest exhibitions of 2016’, in: ‘Time Out London’, London/UK, 5 January 2016, pp. 44-45
___, ‘Mary Heilmann’, in: ‘Artforum’, New York NY, April 2016, pp. 190-205
2015
Yau, John, ‘Mary Heilmann Invites Us to Join her in Arcadia’, on: www.hyperallergic.com, November 30, 2015
Mason, Brook, ‘Breaking rules: Mary Heilmann bends the boundaries of what constitutes art’, on: www.wallpaper.com, November 9, 2015
__, ‘Artful lodgers’ on: www.wmagazine.com, New York, August, 2015
¬__, as told to Monica Kim, ‘Artist Mary Heilmann paints her…’, on: www.nymag.com, June 29, 2015
Bell, Kirsty, ‘Two by Two: Mary Heilmann David Reed’, on: www.frieze.com, June, 2015
Puleo, Risa, Mary Heilmann and David Reed join forces at the Hamburger Bahnhof, on: www.blouinartinfo.com/modern-painters, July 5, 2015
Bacon, Alex, ‘In Conversation. Mary Heilmann and David Reed with Alex Bacon’, in: www.brooklynrail.org, New York, July 2015
Alcorn, Chauncey, Cuestas, Gianluca, and Splendorio, Peter, ‘Ultimate Summer Guide 2015: Make summer in NYC a free-for-all with gratis museum days, concerts and more,’ on: www.nydailynews.com, New York NY, 20 June 2015
__, ‘Essentials: Catching up on NYC’s new attractions while remembering the classics,’ on: www.foxnews.com, New York NY, 11 June 2015
__, ‘Picks of the week,’ on: www.timesunion.com, Albany NY, 11 June 2015
Shiff, Richard, ‘Cliché and a lack of feeling: Richard Shiff explains why critics have failed painting,’ on: www.theartnewspaper.com, London UK, 5 June 2015
Segal, Mark, ‘The Art Scene: 06.04.15,’ on: www.easthamptonstar.com, East Hampton NY, 4 June 2015
Barylanski, Nicole, ‘Local Chefs Coming Together for Eileen’s Angels Art Auction and Garden Party,’ on: www.hamptons.com, Southampton New York, June 2015
Schacter, Kenny, ‘Kenny Schacter On How Art Dealing Has Become Greedy, Boring, and Mean-Spirited,’ on: www.artnet.com, New York NY, 26 May 2015
___, ‘Sunset. Mary Heilmann’s project for the Whitney Museum’, on: www.db-artmag.com, 20 May 2015, ill.
__, ‘Whitney Museum Names Scott Rothkopf as Chief Curator, Donna De Salvo as Senior Curator,’ on: www.artfixdaily.com, New York NY, 20 May 2015
Smith, Jennifer, ‘Whitney Museum, Still Focused on American Art, Looks to Raise Its Global Profile,’ on: www.wsj.com, New York NY, 19 May 2015
Forgione, Mary, ‘New York: Nine tips for dodging crowds, enjoying new Whitney Museum,’ on: www.latimes.com, Los Angeles CA, 19 May 2015
Battaglia, Andy, ‘The Frieze Art Fair, Frame by Frame,’ on: www.wsj.com, New York NY, 18 May 2015
__, ‘A vibrant new home for American art,’ on: www.cbsnews.com, New York NY, 18 May 2015
__, ‘Maze Runner,’ on: www.artforum.com, New York NY, 18 May 2015
Kane, Nancy, ‘Parish Retrospective Gets Up Close And Personal With Chuck,’ on: www.27east.com, Southampton NY, 12 May 2015
Gopnik, Blake, ‘At the Whitney, the Veteran Mary Heilmann Fill Our World’, on: www.news.artnet.com, 7 May 2015, ill.
Tome, Anna, ‘Nancy Haynes: anomalies and non-sequiturs,’ on: www.brooklynrail.org, Brooklyn NY, 7 May 2015
Barylski, ‘Paul McCartney, Alec Baldwin, Toni Ross, Eric Fischl, And April Gornik Featured in “Small Works, Big Artists” Benefit Exhibit,’ on: www.hamptons.com, Southampton NY, 5 May 2015
Rosenbaum, Lee, ‘“America Is Hard to See” Review: Old Favorites in Provocative New Company,’ on: www.wsj.com, New York NY, 5 May 2015
Saltz, Jerry and Wallace-Wells, David, ‘Jerry Saltz: Does the New Whitney Show That Modernism Never Really Happened in America?’ on: www.vulture.com, New York NY, 5 May 2015
Samet, Jennifer, ‘Beer with a Painter: Jason Karolak,’ on: www.hyperallergic.com, Brooklyn NY, 3 May 2015
von Klot, Kristina, ‘Malen wie die Beach Boys: Mary Heilmann und David Reed fuehren in Berlin einen lockeren Meisterdialog’, on: www.Monopol-magazin.de, Berlin, April 2015
Ortved, John, ‘Jeff Koons, David Schwimmer, Rachel Feinstein, and More Come Out to the New Musem Spring Gala,’ on: www.vogue.com, New York NY, 9 April 2015
Crow, Kelly, ‘The New Whitney Marks a Change in Museum Design,’ on: www.wsj.co, New York NY, 9 April 2015
Gordon, Amanda L., ‘Scene Last Night: Och-Ziff’s Brown, Jeff Koons, Kraus, Aby Rosen,’ on: www.bloomberg.com, New York NY, 9 April 2015
Heyman, Marshall, ‘Mastering the Art of the Party at the Whitney,’ on: www.wsj.com, New York NY, 21 April 2015
Pace, Gina, ‘Get a sneak peek inside the Whitney Museum’s new downtown home,’ on: www.nydailynews.com, New York NY, 23 April 2015
Chu, Christie, ‘Stefano Tonchi and Beth Rubin DeWoody Fête Max Mara’s New Whitney Museum Bag,’ on: www.artnet.com, New York NY, 23 April 2015
Yablonsky, Linda, ‘American Beauty,’ on: www.artforum.com, New York NY, 23 April 2015
Boucher, Brian, ‘Brian Boucher’s 10 Reasons To Be Excited About The New Whitney Museum,’ on: www.artnet.com, New York NY, 24 April 2015
Hoffman, Barbara, ‘The curators’ guide to the best art at the new Whitney,’ on: www.nypost.com, New York NY, 25 April 2015
Stoilas, Helen, ‘Director’s tour of the new Whitney Museum,’ on: www.theartnewspaper.com, New York NY, 30 April 2015
Yurick, Michaela, ‘New Whitney Museum Reopens Friday in Downtown Space,’ on: www.nbcnewyork.com, New York NY, 30 April 2015
Crow, Kelly, ‘The New Whitney Marks a Change in Museum Design’, on: www.wsj.com, 9 April 2015
__, ‘Mary Heilmann/David Reed,’ in: Weltkunst, Berlin Germany, April 2015, p. 112
Battaglia, Andy, ‘Weapons grade: The Armory Show looks to the Middle East,’ on: www.thenational.ae, Abu Dhabi United Arab Emirates, 12 March 2015
Pundyk, Anne Sherwood, ‘The Embrace of a Tie-Dyed Utopia,’ on: www.hyperallergic.com, Brooklyn NY, 12 January 2015
Mason, Brook, ‘Breaking rules: Mary Heilmann bends the boundaries of what constitutes art’, on: www.wallpaper.com, November 9, 2015
__, ‘Artful lodgers’ on: www.wmagazine.com, New York, August, 2015
¬__, as told to Monica Kim, ‘Artist Mary Heilmann paints her…’, on: www.nymag.com, June 29, 2015
Bell, Kirsty, ‘Two by Two: Mary Heilmann David Reed’, on: www.frieze.com, June, 2015
Puleo, Risa, Mary Heilmann and David Reed join forces at the Hamburger Bahnhof, on: www.blouinartinfo.com/modern-painters, July 5, 2015
Bacon, Alex, ‘In Conversation. Mary Heilmann and David Reed with Alex Bacon’, in: www.brooklynrail.org, New York, July 2015
Alcorn, Chauncey, Cuestas, Gianluca, and Splendorio, Peter, ‘Ultimate Summer Guide 2015: Make summer in NYC a free-for-all with gratis museum days, concerts and more,’ on: www.nydailynews.com, New York NY, 20 June 2015
__, ‘Essentials: Catching up on NYC’s new attractions while remembering the classics,’ on: www.foxnews.com, New York NY, 11 June 2015
__, ‘Picks of the week,’ on: www.timesunion.com, Albany NY, 11 June 2015
Shiff, Richard, ‘Cliché and a lack of feeling: Richard Shiff explains why critics have failed painting,’ on: www.theartnewspaper.com, London UK, 5 June 2015
Segal, Mark, ‘The Art Scene: 06.04.15,’ on: www.easthamptonstar.com, East Hampton NY, 4 June 2015
Barylanski, Nicole, ‘Local Chefs Coming Together for Eileen’s Angels Art Auction and Garden Party,’ on: www.hamptons.com, Southampton New York, June 2015
Schacter, Kenny, ‘Kenny Schacter On How Art Dealing Has Become Greedy, Boring, and Mean-Spirited,’ on: www.artnet.com, New York NY, 26 May 2015
___, ‘Sunset. Mary Heilmann’s project for the Whitney Museum’, on: www.db-artmag.com, 20 May 2015, ill.
__, ‘Whitney Museum Names Scott Rothkopf as Chief Curator, Donna De Salvo as Senior Curator,’ on: www.artfixdaily.com, New York NY, 20 May 2015
Smith, Jennifer, ‘Whitney Museum, Still Focused on American Art, Looks to Raise Its Global Profile,’ on: www.wsj.com, New York NY, 19 May 2015
Forgione, Mary, ‘New York: Nine tips for dodging crowds, enjoying new Whitney Museum,’ on: www.latimes.com, Los Angeles CA, 19 May 2015
Battaglia, Andy, ‘The Frieze Art Fair, Frame by Frame,’ on: www.wsj.com, New York NY, 18 May 2015
__, ‘A vibrant new home for American art,’ on: www.cbsnews.com, New York NY, 18 May 2015
__, ‘Maze Runner,’ on: www.artforum.com, New York NY, 18 May 2015
Kane, Nancy, ‘Parish Retrospective Gets Up Close And Personal With Chuck,’ on: www.27east.com, Southampton NY, 12 May 2015
Gopnik, Blake, ‘At the Whitney, the Veteran Mary Heilmann Fill Our World’, on: www.news.artnet.com, 7 May 2015, ill.
Tome, Anna, ‘Nancy Haynes: anomalies and non-sequiturs,’ on: www.brooklynrail.org, Brooklyn NY, 7 May 2015
Barylski, ‘Paul McCartney, Alec Baldwin, Toni Ross, Eric Fischl, And April Gornik Featured in “Small Works, Big Artists” Benefit Exhibit,’ on: www.hamptons.com, Southampton NY, 5 May 2015
Rosenbaum, Lee, ‘“America Is Hard to See” Review: Old Favorites in Provocative New Company,’ on: www.wsj.com, New York NY, 5 May 2015
Saltz, Jerry and Wallace-Wells, David, ‘Jerry Saltz: Does the New Whitney Show That Modernism Never Really Happened in America?’ on: www.vulture.com, New York NY, 5 May 2015
Samet, Jennifer, ‘Beer with a Painter: Jason Karolak,’ on: www.hyperallergic.com, Brooklyn NY, 3 May 2015
von Klot, Kristina, ‘Malen wie die Beach Boys: Mary Heilmann und David Reed fuehren in Berlin einen lockeren Meisterdialog’, on: www.Monopol-magazin.de, Berlin, April 2015
Ortved, John, ‘Jeff Koons, David Schwimmer, Rachel Feinstein, and More Come Out to the New Musem Spring Gala,’ on: www.vogue.com, New York NY, 9 April 2015
Crow, Kelly, ‘The New Whitney Marks a Change in Museum Design,’ on: www.wsj.co, New York NY, 9 April 2015
Gordon, Amanda L., ‘Scene Last Night: Och-Ziff’s Brown, Jeff Koons, Kraus, Aby Rosen,’ on: www.bloomberg.com, New York NY, 9 April 2015
Heyman, Marshall, ‘Mastering the Art of the Party at the Whitney,’ on: www.wsj.com, New York NY, 21 April 2015
Pace, Gina, ‘Get a sneak peek inside the Whitney Museum’s new downtown home,’ on: www.nydailynews.com, New York NY, 23 April 2015
Chu, Christie, ‘Stefano Tonchi and Beth Rubin DeWoody Fête Max Mara’s New Whitney Museum Bag,’ on: www.artnet.com, New York NY, 23 April 2015
Yablonsky, Linda, ‘American Beauty,’ on: www.artforum.com, New York NY, 23 April 2015
Boucher, Brian, ‘Brian Boucher’s 10 Reasons To Be Excited About The New Whitney Museum,’ on: www.artnet.com, New York NY, 24 April 2015
Hoffman, Barbara, ‘The curators’ guide to the best art at the new Whitney,’ on: www.nypost.com, New York NY, 25 April 2015
Stoilas, Helen, ‘Director’s tour of the new Whitney Museum,’ on: www.theartnewspaper.com, New York NY, 30 April 2015
Yurick, Michaela, ‘New Whitney Museum Reopens Friday in Downtown Space,’ on: www.nbcnewyork.com, New York NY, 30 April 2015
Crow, Kelly, ‘The New Whitney Marks a Change in Museum Design’, on: www.wsj.com, 9 April 2015
__, ‘Mary Heilmann/David Reed,’ in: Weltkunst, Berlin Germany, April 2015, p. 112
Battaglia, Andy, ‘Weapons grade: The Armory Show looks to the Middle East,’ on: www.thenational.ae, Abu Dhabi United Arab Emirates, 12 March 2015
Pundyk, Anne Sherwood, ‘The Embrace of a Tie-Dyed Utopia,’ on: www.hyperallergic.com, Brooklyn NY, 12 January 2015
2014
__, ‘Lawrence Abu Hamdan Announced As Commissioned Artist For 2015 Armory Show,’ on: www.artlyst.com, London UK, 27 October 2014
Cooper, Ashton, ‘Wangechi Mutu, Leslie Hewitt, and 32 Others Win $50,000 Grants From United States Artists,’ on: www.blouinartinfo.com, New York NY, 16 October 2014
__, ‘United States Artists Fellowship Grantees Announced,’ on: www.artforum.com, New York NY, 13 October 2014
Heilmann, Mary, ‘Mary Heilmann on Malevich,’ on: www.tate.org, London UK, 5 September 2014
Rosenberg, Karen, ‘“The Shaped Canvas, Revisited,”: Luxeumbourg & Dean,’ in: The New York Times, New York NY, 20 June 2014, p. C25
Szewczyk, Monika, ‘“Persian Rose Chartreuse Muse Vancouver Grey”: Equinox Gallery,’ in: Artforum, New York NY, Summer 2014, pp. 375-376
Jones, Justin, ’10 Works to See at the Armory Show in New York City’, on: www.thedailybeast.com, New York NY, 6 March 2014, ill.
Smith, Roberta, ‘A Dealer’s Eye, and Life,’ on: www.nytimes.com, New York NY, 16 January 2014
Cooper, Ashton, ‘Wangechi Mutu, Leslie Hewitt, and 32 Others Win $50,000 Grants From United States Artists,’ on: www.blouinartinfo.com, New York NY, 16 October 2014
__, ‘United States Artists Fellowship Grantees Announced,’ on: www.artforum.com, New York NY, 13 October 2014
Heilmann, Mary, ‘Mary Heilmann on Malevich,’ on: www.tate.org, London UK, 5 September 2014
Rosenberg, Karen, ‘“The Shaped Canvas, Revisited,”: Luxeumbourg & Dean,’ in: The New York Times, New York NY, 20 June 2014, p. C25
Szewczyk, Monika, ‘“Persian Rose Chartreuse Muse Vancouver Grey”: Equinox Gallery,’ in: Artforum, New York NY, Summer 2014, pp. 375-376
Jones, Justin, ’10 Works to See at the Armory Show in New York City’, on: www.thedailybeast.com, New York NY, 6 March 2014, ill.
Smith, Roberta, ‘A Dealer’s Eye, and Life,’ on: www.nytimes.com, New York NY, 16 January 2014
2013
Posca, Claudia, ‘Mary, Blinky, Yay! Mary Heilmann und Blinky Palermo im Dialog’, in: Kunstforum, Ruppichteroth DE, October-December 2013, pp. 324-326, ill.
Kothenschulte, Daniel, ‘Auf Du mit Malewitsh: Mary Heilmann und Blinky Palermo in einer Binner Doppelausstellung’, in: Monopol, Berlin, Germany, pp. 128–129, ill.
Kliemann, Thomas, ‘Wer hat Angst vor Rot, Gelb und Blau?’ in: General Anzeiger, Bonn, vol. 123, no. 37, p. 11, ill.
Maine, Steven, ‘Mary Heilmann’s Good Vibrations’, on: www.hyperallergic.com, Brooklyn NY, 13 June 2013, ill.
Sachs, Britta, ‘Schöne grüne Welt’, in: Frankfurter Allgemeine Zeitung, 22 March 2013.
‘Good Vibrations’, in: Residence, 28 February 2013, p.142.
___, ‘Art meets Disco’, in: Blueprint, London UK, May 2013, p. 68, 6/6, ill.
Mückl, Christian, ‘ Auf dem Highway zur Halluzination’, in: Nürnberger Nachrichten, Nürnberg, 22 March 2013, p.17, ill.
Ruf, Birgit,’ Ein Platz für alle Wintermüden. Neues Museum geht in die Farb- Offensive: US-Künstlerin Mary Heilmann stellt aus’, in: Nürnberger Nachrichten, Nürnberg, 22 March 2013,p.6, ill.
___, ‘Klotzen mit Klecksen’, in: Süddeutsche Zeitung, Munich, 14 February 2013, ill.
___, ‘Mary Heilmann Künstlerische Welt’, in: Neue Zürcher Zeitung, Zurich, 10 February 2013, pp. 74-75, ill.
Samet, Jennifer, ‘Wild, Punk and Slightly Off-Kilter: An Interview with Mary Heilmann’, on: www.hyperallergic.com, New York NY, 12 January 2013
Kothenschulte, Daniel, ‘Auf Du mit Malewitsh: Mary Heilmann und Blinky Palermo in einer Binner Doppelausstellung’, in: Monopol, Berlin, Germany, pp. 128–129, ill.
Kliemann, Thomas, ‘Wer hat Angst vor Rot, Gelb und Blau?’ in: General Anzeiger, Bonn, vol. 123, no. 37, p. 11, ill.
Maine, Steven, ‘Mary Heilmann’s Good Vibrations’, on: www.hyperallergic.com, Brooklyn NY, 13 June 2013, ill.
Sachs, Britta, ‘Schöne grüne Welt’, in: Frankfurter Allgemeine Zeitung, 22 March 2013.
‘Good Vibrations’, in: Residence, 28 February 2013, p.142.
___, ‘Art meets Disco’, in: Blueprint, London UK, May 2013, p. 68, 6/6, ill.
Mückl, Christian, ‘ Auf dem Highway zur Halluzination’, in: Nürnberger Nachrichten, Nürnberg, 22 March 2013, p.17, ill.
Ruf, Birgit,’ Ein Platz für alle Wintermüden. Neues Museum geht in die Farb- Offensive: US-Künstlerin Mary Heilmann stellt aus’, in: Nürnberger Nachrichten, Nürnberg, 22 March 2013,p.6, ill.
___, ‘Klotzen mit Klecksen’, in: Süddeutsche Zeitung, Munich, 14 February 2013, ill.
___, ‘Mary Heilmann Künstlerische Welt’, in: Neue Zürcher Zeitung, Zurich, 10 February 2013, pp. 74-75, ill.
Samet, Jennifer, ‘Wild, Punk and Slightly Off-Kilter: An Interview with Mary Heilmann’, on: www.hyperallergic.com, New York NY, 12 January 2013
2012
Ellis, Paticia, Kobald, Christian, ‘Mary Heilmann. Visions, Waves and Roads’, in: Spike, Vienna, April 2012, pp. 113 – 114
___, ‘Culture – We Love’, on: www.becauselondon.com, London, 20 March 2012
Lawrence-Jubb, Matilda, ‘London Art Exhibitions Cork Street Reviews’, in: ArtLyst.com, 19 March 2012
Coxhead, Gabriel, ‘Mary Heilmann’, in: Time Out, London, 15 March 2012, p. 51
Coombs, Dan, ’Mary Heilmann at Hauser & Wirth’, on: abstractcritical.com, London, 10 March 2012
Schroyer, Kaitlyn, ’Artist receives honorary degree’, in: The Informer, Hartford, 8 March 2012
McLean-Ferris, Laura, ’Mary Heilmann: Visions, Waves and Roads’, in: i, London, 8 March 2012, p. 38
McLean-Ferris, Laura, ’Mary Heilmann: Visions, Waves and Roads’, in: The Independent, London, 8 March 2012, p. 45
Güner, Fisun, ‘Art Review. Mary Heilmann: Visions, Waves and Roads’, in: Metro, London, 5 March 2012, p. 42
___, ’Mary Heilmann Visions, Waves and Roads @ Hauser & Wirth Gallery, London’, in: Looking Sideways, Brighton, 17 February 2012
Williams, Holly,’Taken to the max’, in: The Independent on Sunday, London, 26 February 2012, pp. 38- 41
Basciano, Oliver, ‘Now Buy This’, in: Art Review, London, March 2012, p. 20.
___, ‘Contributors’, in: Art Review, London, March 2012, pp. 20, 78, 80, 83
O’Neill-Butler, Lauren, ’Mary Heilmann’, on: Artforum online, New York, 20 February 2012,
___, ’Mary Heilmann’, in: Mousse, Milan, February/March 2012, p. 230
___, ’Mary Heilmann’s pop Postmodern Icons (PHOTOS)’, on: www.huffingtonpost.com, New York, 10 February 2012
___, ’10 to See’, in: Aesthetica, London, February/March 2012, p. 24
___, ‘Exhibition diary’, in: The World of Interiors, London, March 2012, p. 160
Lee, Helena, ‘Talking Points. Why don’t you…?’, in: Harper’s Bazaar, London, March 2012, p. 209
___, ‘The Indiscipline of Painting’, in: Art Monthly, London, February 2012, pp. 27, 28
___, ‘Art News. The latest discoveries, exhibits and must-sees in the art world this month’, in: The Mayfair Magazine, London, February 2012, p. 39
___, ’Mary Heilmann’, in: Modern Painters, New York, February 2012, p. 22
___, ‘Culture – We Love’, on: www.becauselondon.com, London, 20 March 2012
Lawrence-Jubb, Matilda, ‘London Art Exhibitions Cork Street Reviews’, in: ArtLyst.com, 19 March 2012
Coxhead, Gabriel, ‘Mary Heilmann’, in: Time Out, London, 15 March 2012, p. 51
Coombs, Dan, ’Mary Heilmann at Hauser & Wirth’, on: abstractcritical.com, London, 10 March 2012
Schroyer, Kaitlyn, ’Artist receives honorary degree’, in: The Informer, Hartford, 8 March 2012
McLean-Ferris, Laura, ’Mary Heilmann: Visions, Waves and Roads’, in: i, London, 8 March 2012, p. 38
McLean-Ferris, Laura, ’Mary Heilmann: Visions, Waves and Roads’, in: The Independent, London, 8 March 2012, p. 45
Güner, Fisun, ‘Art Review. Mary Heilmann: Visions, Waves and Roads’, in: Metro, London, 5 March 2012, p. 42
___, ’Mary Heilmann Visions, Waves and Roads @ Hauser & Wirth Gallery, London’, in: Looking Sideways, Brighton, 17 February 2012
Williams, Holly,’Taken to the max’, in: The Independent on Sunday, London, 26 February 2012, pp. 38- 41
Basciano, Oliver, ‘Now Buy This’, in: Art Review, London, March 2012, p. 20.
___, ‘Contributors’, in: Art Review, London, March 2012, pp. 20, 78, 80, 83
O’Neill-Butler, Lauren, ’Mary Heilmann’, on: Artforum online, New York, 20 February 2012,
___, ’Mary Heilmann’, in: Mousse, Milan, February/March 2012, p. 230
___, ’Mary Heilmann’s pop Postmodern Icons (PHOTOS)’, on: www.huffingtonpost.com, New York, 10 February 2012
___, ’10 to See’, in: Aesthetica, London, February/March 2012, p. 24
___, ‘Exhibition diary’, in: The World of Interiors, London, March 2012, p. 160
Lee, Helena, ‘Talking Points. Why don’t you…?’, in: Harper’s Bazaar, London, March 2012, p. 209
___, ‘The Indiscipline of Painting’, in: Art Monthly, London, February 2012, pp. 27, 28
___, ‘Art News. The latest discoveries, exhibits and must-sees in the art world this month’, in: The Mayfair Magazine, London, February 2012, p. 39
___, ’Mary Heilmann’, in: Modern Painters, New York, February 2012, p. 22
2011
McLean-Ferris, Laura, ’Mary Heilmann: Visions, Waves and Roads’, in: The Independent, London, 30 December 2011, p.4
___, ’Mary Heilmann: ‚Visions, Waves and Roads’, in: i, London, 30 December 2011, p. 33
Rosenberg, Karen, ‘All Nooks, Crannies, Bedrooms and Trees Are Backdrops for Art’, in: The New York Times, New York, 8 August 2011
‘Paul Clay’, in: New Yorker, 1 August 2011
Henderson, Stephen, ‘There’s Something About Mary’, in: Hamptons Cottages and Gardens, Norwalk CT, July 2011, pp. 72-79
MacAdam, Barbara, ‘The Parallax View’, in: Artnews, April 2011
Heinrich, Will, ‘Big Pins in Bloom: Tara Donovan at Pace, Parallax at Lehmann Maupin’, in:
Lund, Hayley, ‘Resident Artist’, in: The sag Harbor Express, 31 March 2011
Kennedy, Randy, ‘ Artists to Transform Bowery’s Roll-Down gates’, in: The New York Times, New York, 31 March 2011
Heinrich, Will, ‘Big Pins in Bloom: Tara Donovan at Pace; ‘Parallax’ at Lehmann Maupin’, in: The New York Observer, 23 February 2011
Butter, Tom, ’112 Greene Street A Nexus of Ideas in the Early 70s’, in: Whitehot Magazine of Contemporary Art. January 2011
Domitz, Chet, ‘Mary Heilmann’s Horizon’, in: Art & Education, 11 January 2011
___, ’Mary Heilmann: ‚Visions, Waves and Roads’, in: i, London, 30 December 2011, p. 33
Rosenberg, Karen, ‘All Nooks, Crannies, Bedrooms and Trees Are Backdrops for Art’, in: The New York Times, New York, 8 August 2011
‘Paul Clay’, in: New Yorker, 1 August 2011
Henderson, Stephen, ‘There’s Something About Mary’, in: Hamptons Cottages and Gardens, Norwalk CT, July 2011, pp. 72-79
MacAdam, Barbara, ‘The Parallax View’, in: Artnews, April 2011
Heinrich, Will, ‘Big Pins in Bloom: Tara Donovan at Pace, Parallax at Lehmann Maupin’, in:
Lund, Hayley, ‘Resident Artist’, in: The sag Harbor Express, 31 March 2011
Kennedy, Randy, ‘ Artists to Transform Bowery’s Roll-Down gates’, in: The New York Times, New York, 31 March 2011
Heinrich, Will, ‘Big Pins in Bloom: Tara Donovan at Pace; ‘Parallax’ at Lehmann Maupin’, in: The New York Observer, 23 February 2011
Butter, Tom, ’112 Greene Street A Nexus of Ideas in the Early 70s’, in: Whitehot Magazine of Contemporary Art. January 2011
Domitz, Chet, ‘Mary Heilmann’s Horizon’, in: Art & Education, 11 January 2011
2010
Lorch, Catrin, ‘Bilder wie Honig’, in: Süddeutsche Zeitung, 30 April- May 2010
Myers, Terry R., ‘In Conversation: Deborah Kass with Terry R. Myers’, in: The Brooklyn Rail, New York, September 2010
Arcangel, Cory, ‘Strictly Formal’, on: https://strictly-formal.org, July 2010, ill.
___, ‘Questionnaire. Mary Heilmann, What do you like the look of?’, in: Frieze, London, June-August 2010, p. 196, ill.
‘Waves Breaking: Little Ones and Big Ones’, in: Frieze, June-July 2010, p.196
Levin, Kim, ‘\(LEAN’, in: ARTnews, June, 2010
Rosenfield Lafo, Rachel, ‘Vancouver’s Art Scene Gets A Boost’, in: Art in America, New York NY, May 2010, p. 36
‘Daydreaming in the Same Way’, on: ArtSlant.com, 31 May 2010
Rosenau, Mirja, ‘Rasender Stillstand’, in: Art das Kunstmagazin, Hamburg, February 2010
___, ‘Waves Breaking: Little Ones and Big Ones’, in: Frieze, London, June-July 2010
Levin, Kim, ‘(Lean)’, in: Artnews, June 2010
Lorch, Catrin, ‘Bilder wie Honig’, in: Süddeutsche Zeitung, 30 April 2010
Maak, Niklas, ‘Formspiele: Mary Heilmann in Köln’, in: Frankfurter Allgemeine Zeitung, 6 February 2010
Rosenau, Mirja, ‘Rasender Stillstand’, in: ART das Kunstmagazin, February 2010
Härtling, Ursula, ‘Im Wetterbericht: Museum Ludwig zeigt Papierwerke der US-Künstlerin Mary Heilmann’, in: Kölnische Rundschau, Cologne, 22 January 2010
Deschler, Bettina, ‘Eine Bilderreise mit Musik’, in: Kölner Stadt-Anzeiger, 23 January 2010
Myers, Terry R., ‘In Conversation: Deborah Kass with Terry R. Myers’, in: The Brooklyn Rail, New York, September 2010
Arcangel, Cory, ‘Strictly Formal’, on: https://strictly-formal.org, July 2010, ill.
___, ‘Questionnaire. Mary Heilmann, What do you like the look of?’, in: Frieze, London, June-August 2010, p. 196, ill.
‘Waves Breaking: Little Ones and Big Ones’, in: Frieze, June-July 2010, p.196
Levin, Kim, ‘\(LEAN’, in: ARTnews, June, 2010
Rosenfield Lafo, Rachel, ‘Vancouver’s Art Scene Gets A Boost’, in: Art in America, New York NY, May 2010, p. 36
‘Daydreaming in the Same Way’, on: ArtSlant.com, 31 May 2010
Rosenau, Mirja, ‘Rasender Stillstand’, in: Art das Kunstmagazin, Hamburg, February 2010
___, ‘Waves Breaking: Little Ones and Big Ones’, in: Frieze, London, June-July 2010
Levin, Kim, ‘(Lean)’, in: Artnews, June 2010
Lorch, Catrin, ‘Bilder wie Honig’, in: Süddeutsche Zeitung, 30 April 2010
Maak, Niklas, ‘Formspiele: Mary Heilmann in Köln’, in: Frankfurter Allgemeine Zeitung, 6 February 2010
Rosenau, Mirja, ‘Rasender Stillstand’, in: ART das Kunstmagazin, February 2010
Härtling, Ursula, ‘Im Wetterbericht: Museum Ludwig zeigt Papierwerke der US-Künstlerin Mary Heilmann’, in: Kölnische Rundschau, Cologne, 22 January 2010
Deschler, Bettina, ‘Eine Bilderreise mit Musik’, in: Kölner Stadt-Anzeiger, 23 January 2010
2009
Green, Penelope, ‘The Living Room, Furnished by Artists’, in: The New York Times, New York, 17 December 2009
Rubinstein, Raphael, ‘Provisional Painting’‘, in: Art in America, May 2009
Tuchman, Phyllis, ‘Artists in Residence’, in: Town and Country, May 2009, p. 62
Mack, Joshua, ‘Special Focus: Reviews Marathon, New York’, in: Art Review, London, issue 31, April 2009, p. 82
___, Mary Heilmann, in: ‘Texte zur Kunst-Edition Heft Nr. 73’, Texte zur Kunst, Berlin, März 2009, p. 258-259, ill.
Collings Matthew, ‘Das Leben ist ein Strand’, in: Monopol, Berlin, March 2009, pp. 74-82, ill.
Mittelstaedt, Debora, ‘Das Leben ist ein Strand’, in: Monopol, Berlin, March 2009, pp. 74-82, ill.
Verwoert, Jan, ‘Life Work’, in: Frieze, London, March 2009, pp.120-125, ill.
Verwoert, Jan, ‘Life Work’, in: Frieze, March 2009
Nelson, Maggie, ‘Oranges and Sardines, Hammer Museum Los Angeles’ in: ArtForum, New York NY, February 2009, pp.178-79, ill.
Howard Halle (ed.), ‘Mary Heilmann + Elizabeth Peyton’, in: Time out New York, New York NY, January 2009, ill.
Dilligan, Thomas, ‘Review: ‘Oranges and Sardines ‘ at the Hammer’ in: Los Angeles Times, Los Angeles LA, 5 January 2009, ill.
Fig, Joe, ‘Inside the Painter’s Studio’, in: Princeton Architectural Press, New York, 2009
Schwender, Martha, ‘Brush Up on Your Painting’, in: Village Voice, 21-27 January 2009
Pagel, David, ‘Review: Oranges and Sardines at the Hammer’, in: Los Angeles Times, 2 January 2009
Minami, Yuki, ‘Mute #3: Acoustic Color’, Tokyo: Tanin Inc., 2009, pp.32-41
Rubinstein, Raphael, ‘Provisional Painting’‘, in: Art in America, May 2009
Tuchman, Phyllis, ‘Artists in Residence’, in: Town and Country, May 2009, p. 62
Mack, Joshua, ‘Special Focus: Reviews Marathon, New York’, in: Art Review, London, issue 31, April 2009, p. 82
___, Mary Heilmann, in: ‘Texte zur Kunst-Edition Heft Nr. 73’, Texte zur Kunst, Berlin, März 2009, p. 258-259, ill.
Collings Matthew, ‘Das Leben ist ein Strand’, in: Monopol, Berlin, March 2009, pp. 74-82, ill.
Mittelstaedt, Debora, ‘Das Leben ist ein Strand’, in: Monopol, Berlin, March 2009, pp. 74-82, ill.
Verwoert, Jan, ‘Life Work’, in: Frieze, London, March 2009, pp.120-125, ill.
Verwoert, Jan, ‘Life Work’, in: Frieze, March 2009
Nelson, Maggie, ‘Oranges and Sardines, Hammer Museum Los Angeles’ in: ArtForum, New York NY, February 2009, pp.178-79, ill.
Howard Halle (ed.), ‘Mary Heilmann + Elizabeth Peyton’, in: Time out New York, New York NY, January 2009, ill.
Dilligan, Thomas, ‘Review: ‘Oranges and Sardines ‘ at the Hammer’ in: Los Angeles Times, Los Angeles LA, 5 January 2009, ill.
Fig, Joe, ‘Inside the Painter’s Studio’, in: Princeton Architectural Press, New York, 2009
Schwender, Martha, ‘Brush Up on Your Painting’, in: Village Voice, 21-27 January 2009
Pagel, David, ‘Review: Oranges and Sardines at the Hammer’, in: Los Angeles Times, 2 January 2009
Minami, Yuki, ‘Mute #3: Acoustic Color’, Tokyo: Tanin Inc., 2009, pp.32-41
2008
Perl, Jed, ‘Private Lives’, in: The New Republic, 24 December 2008
Skye Sherwin (ed.), ‘To be Someone’, London: Art Review, November 2008, p.47 ill.
Mac Adam, Alfred, ‘Mary Heilman at Zwirner & Wirth’ in: Art News, New York NY, November, 2008, p. 160, ill.
Sheets, Hilarie M., ‘The Sardine Factor, in: ARTnews, November 2008, p.86
Flood, Richard, ‘Mary Heilmann: To Be Someone’, in: New Museum PAPER, Fall/Winter 2008, p. 6
Griffin, Tim, ‘Oranges and Sardines: Conversations on Abstract Painting’, in: ArtForum, New York NY, September 2008, p. 218.
Spears, Dorothy, ‘Mary Heilmann’s winding, abstract road to success’, International Herald Tribune, New York NY, 6 October 2008, ill.
Spears, Dorothy, ‘Swimming with the Big Fish at Last’, in: The New York Times, New York NY, 5 October 2008, ill.
Johnson, Ken, ‘Unabashedly Joyful Paintings That Look Fun and Easy, but Don’t Be Fooled’, in: The New York Times, 24 October 2008
Sneed, Gillian, ‘Breaking Ground. Painted’, on: NY Arts, New York NY, August 2008, pp. 232-238, 277-278, ill.
Schor, Gabriele, ‘Eine Reise durch den Kosmos der Emanzipation’, in: Neue Zürcher Zeitung, Zurich, 30 April 2008, p. 12
Schjeldahl, Peter, ‘Lessness: The Whitney Biennial’, in: The New Yorker, New York NY, 17
Schjeldahl, Peter, ‘ Just for Fun’, in: The New Yorker, New York, 3 November 2008
March 2008, p. 86
Johnson, Ken, ‘Striking When the Spirit Was Hot’, in: The New York Times, New York NY, 15 February 2008
Berwick, Carly, ‘The Season at a Glance’, in: New York Magazine, New York, 1-8 September 2008
Smith, Roberta, ‘Art in Review’, in: The New York Times, 8 August 2008
Boucher, Brian, ‘From the Studio to Your Monitor’, in: Art in America, November 2008
Brown, Alix, ‘Artful Lodgers’, in: The New York Times Style Magazine, New York, Winter 2008
Goldstein, Andrew, ‘Artist Mary Heilmann Paints Little Boxes’, in: New York Magazine, New York, 22 October 2008
Halle, Howard, ‘Mary Heilmann + Elizabeth Peyton’, in: Time Out New York, New York, 13-19 November 2008
Kinkley, Jonathan, ‘Angles in America’, in: Time Out Chicago, Chicago. 2-8 October 2008
Kinsella, Eileen, ‘Back in the Spotlight’, in: Artnews, November 2008
Kung, Michelle, ‘Being Mary Heilmann’, in: Wall Street Journal Magazine, 21 October 2008
Pym, William, ‘Something About mary’, on: www.artforum.com, 27 October 2008
Sheets, Hilarie M., ‘The Sardine Factor’, in: Artnews, November 2008
Stein, Jesse, ‘Soft Geometry: Review’, in: F Newsmagazine: School of the Art Institute of Chicago, Chicago, 29 September 2008
Smith, Roberta, ‘Art in Review’, in: The New York Times, New York, 8 August 2008
Taylor, Alex, ‘Mary Heilmann, Super-Cool-Painter, Has Big Show at New Museum, in: The New York Observer, 24 October 2008
Verwoert, Jan, ‘Ohne Ödipus’, in: Parkett No. 82 2008
Volk, Gregory, ‘Spring in Dystopia’, in: Art in America, May 2008
Wiley, Chris, ‘The Office: Mary Heilmann’, in: Abitare, October 2008
Yablonsky, Linda, ‘Pier-to-Peer’, on: www.artforum.com, 28 March 2008
Verwoert, Jan, ‘Ohne Ödipus, in: Parkett, No. 82, 2008
Skye Sherwin (ed.), ‘To be Someone’, London: Art Review, November 2008, p.47 ill.
Mac Adam, Alfred, ‘Mary Heilman at Zwirner & Wirth’ in: Art News, New York NY, November, 2008, p. 160, ill.
Sheets, Hilarie M., ‘The Sardine Factor, in: ARTnews, November 2008, p.86
Flood, Richard, ‘Mary Heilmann: To Be Someone’, in: New Museum PAPER, Fall/Winter 2008, p. 6
Griffin, Tim, ‘Oranges and Sardines: Conversations on Abstract Painting’, in: ArtForum, New York NY, September 2008, p. 218.
Spears, Dorothy, ‘Mary Heilmann’s winding, abstract road to success’, International Herald Tribune, New York NY, 6 October 2008, ill.
Spears, Dorothy, ‘Swimming with the Big Fish at Last’, in: The New York Times, New York NY, 5 October 2008, ill.
Johnson, Ken, ‘Unabashedly Joyful Paintings That Look Fun and Easy, but Don’t Be Fooled’, in: The New York Times, 24 October 2008
Sneed, Gillian, ‘Breaking Ground. Painted’, on: NY Arts, New York NY, August 2008, pp. 232-238, 277-278, ill.
Schor, Gabriele, ‘Eine Reise durch den Kosmos der Emanzipation’, in: Neue Zürcher Zeitung, Zurich, 30 April 2008, p. 12
Schjeldahl, Peter, ‘Lessness: The Whitney Biennial’, in: The New Yorker, New York NY, 17
Schjeldahl, Peter, ‘ Just for Fun’, in: The New Yorker, New York, 3 November 2008
March 2008, p. 86
Johnson, Ken, ‘Striking When the Spirit Was Hot’, in: The New York Times, New York NY, 15 February 2008
Berwick, Carly, ‘The Season at a Glance’, in: New York Magazine, New York, 1-8 September 2008
Smith, Roberta, ‘Art in Review’, in: The New York Times, 8 August 2008
Boucher, Brian, ‘From the Studio to Your Monitor’, in: Art in America, November 2008
Brown, Alix, ‘Artful Lodgers’, in: The New York Times Style Magazine, New York, Winter 2008
Goldstein, Andrew, ‘Artist Mary Heilmann Paints Little Boxes’, in: New York Magazine, New York, 22 October 2008
Halle, Howard, ‘Mary Heilmann + Elizabeth Peyton’, in: Time Out New York, New York, 13-19 November 2008
Kinkley, Jonathan, ‘Angles in America’, in: Time Out Chicago, Chicago. 2-8 October 2008
Kinsella, Eileen, ‘Back in the Spotlight’, in: Artnews, November 2008
Kung, Michelle, ‘Being Mary Heilmann’, in: Wall Street Journal Magazine, 21 October 2008
Pym, William, ‘Something About mary’, on: www.artforum.com, 27 October 2008
Sheets, Hilarie M., ‘The Sardine Factor’, in: Artnews, November 2008
Stein, Jesse, ‘Soft Geometry: Review’, in: F Newsmagazine: School of the Art Institute of Chicago, Chicago, 29 September 2008
Smith, Roberta, ‘Art in Review’, in: The New York Times, New York, 8 August 2008
Taylor, Alex, ‘Mary Heilmann, Super-Cool-Painter, Has Big Show at New Museum, in: The New York Observer, 24 October 2008
Verwoert, Jan, ‘Ohne Ödipus’, in: Parkett No. 82 2008
Volk, Gregory, ‘Spring in Dystopia’, in: Art in America, May 2008
Wiley, Chris, ‘The Office: Mary Heilmann’, in: Abitare, October 2008
Yablonsky, Linda, ‘Pier-to-Peer’, on: www.artforum.com, 28 March 2008
Verwoert, Jan, ‘Ohne Ödipus, in: Parkett, No. 82, 2008
2007
Finkel, Jori, ‘‘Rosebud’, ‘Lola’, and the ‘Jack of Hearts’‘, in: ARTnews, New York NY, December 2007, pp. 132-135, ill.
Subotnick, Ali, ‘Best of 2007’, in: Art Forum, December 2007, p. 336
Wagner, Anne M., ‘Field Trips’, in: Art Forum, November 2007, p. 306 [cover image]
Goldstein, Ann, ‘Ann Goldstein / Mary Heilmann: to Be Someone’, in: Artforum, New York NY, December 2007, pp. 318-319, ill.
Subotnick, Ali, ‘Mary Heilmann: To Be Someone’, in: Artforum, New York NY, Best of 2007, December 2007, pp. 336-337, ill.
Wood, Tria, ‘All About Mary’, in: Artshouston, November 2007, p.18
Kalm, James, ‘Signs and Omens: A Reading’, in: The Brooklyn Rail, Brooklyn NY, December 2007-January 2008, p. 63
Plagens, Peter, ‘Mary Heilmann: coloring Outside the Lines’, in: Art in America, New York NY, November 2007, p. 170, cover image
Wood, Tria, ‘All About Mary’, in: Artshouston, Houston TX, November 2007, p. 18
Wagner, Anne M., ‘Field Trips’, in: Artforum, New York NY, vol. XLVI, no. 3, November 2007, pp. 306-313, ill.
Plagens, Peter, ‘Mary Heilmann: Coloring Outside the Lines’, in: Art in America, New York NY, No. 10, November, 2007, pp. 170-175, ill.
___, ‘Signs and Wonders’, in: Artforum, New York NY, vol. XLVI, no. 3, November 2007, pp. 314-317, ill.
Anderson, Virginia Billeaud, ‘Go ask Mary about abstract art’, in: Greater Houston Weekly, Houston TX, 31 October 2007, ill.
Saltz, Jerry, ‘The Artists Who Still Matter’, in: New York NY, 15 October 2007, pp. 40-41
Rubinstein, Raphael, ‘It’s Not Made by Great Men’, in: Art in America, New York NY, September 2007, p. 61
Smith, Roberta, ‘It’s Just Clay but How About a Little Respect? ‘, in: The New York Times, New York NY, 7 September 2007
Pagel, David, ‘Kristin Calabrese show at Honor Fraser Gallery Invites the Imagination into Action’, in: The Los Angeles Times, Los Angeles LA, 31 August 2007
Butter, Tom, ‘Mary Heilmann Interview’, on: whitehotmagazine.com, St. Victoria BC, September 2007
Burton, Johanna, ‘After the mermaids’, in: Texte zur Kunst, Berlin, no. 67, September 2007, pp. 191-195 (eng.), pp. 295-301 (ger.)
Kazanjian, Dodie, ‘in living color’, in: Vogue US, New York NY, August 2007, p. 232-239, 277-278
Drohojowska-Philp, Hunter, ‘Finally, Somebody’, in: artnet Magazine, New York NY, August 2007
Falconer, Morgan, ‘High Times, Hard Times’, in: Frieze, London, June-July 2007, p. 253
Mueller, Stephen, ‘Quitidian and Enggaging: David Zwirner Group Show of Living and Dead is July’s Best’, in: Gay City News, New York NY, 12-18 July 2007, p. 17
Smith, Roberta, ‘A Point in Space Is A Place for an Argument’, in: The New York Times, New York NY, 20 July 2007
Armetta, Amoreen, ‘Three for Society’, in: Time Out New York, New York NY, 5-11 July 2007, p. 77
Cotter, Holland, ‘The Week Ahead’, in: The New York Times, 10 June 2007
Knight, Christopher, ‘Life of the abstractionist party’, in: Los Angeles Times, Los Angeles LA, 3 June 2007
Chang, Richard, ‘Something about Mary’, in: Orange County Register, Santa Ana CA, 3 June 2007
Chin, Jit Fong, ‘Mary, Mary Quite Contrary’, in: Squeeze OC, 1 June 2007
Smith, Roberta, ‘The Week Ahead’, in: The New York Times, New York NY, 13 May 2007
Mendenhall, Lauri, ‘Variations on a Theme’, in: Coast Magazine, Santa Ana CA, May 2007, p. 162
Feher, Erin, ‘The Best in Art, Auctions and Gallery Openings’, in: California Home and Design, May, 2007
Griley, Ellen, ‘Mother’s Little Helper’, in: District, 25 May 2007
Mendenhall, Lauri, ‘Variations on a Theme’, in: Coast Magazine, May, 2007, p. 162
Norden, Linda, ‘Mary Heilmann’, in: Art Forum, May, 2007
Rogers, Mike, ‘Mary Heilmann’, in: Art US, Summer 2007
Landes, Jennifer, ‘Artists Chase Inspiration: Philosopher, psychologist join artists for discussion’, in: The East Hampton Star, East Hampton NY, 26 April 2007
LaRocco, Ben, ‘High Times Hard Times: New York Painting 1967-1975’, in: The Brooklyn Rail, New York NY, March 2007
Goleas, Janet M, ‘The Raw Nerve of Art in the Sixties’, in: The East Hampton Star, East Hamtpon NY, 22 March 2007, p. C1
Myers, Terry R., ‘Heil Mary’, in: Modern Painters, New York NY, April 2007, pp. 74-79
Dumbadze, Alexander, ‘Making it look easy’, in: Modern Painters, New York NY, April 2007, pp. 80-83
Richard, Frances, High Times, Hard Times: New York Painting 1967-1975, in: Artforum, New York NY, vol. XLV, no. 8, April 2007, p. 265
Yablonsky, Linda, ‘Hail Mary’, on: Artforum.com, 26 March, 2007
Smith, Roberta, ‘Painting in the Heady Days, After It Was Proclaimed Dead’, on: nytimes.com, New York NY, 16 February 2007
Cohen, David, ‘Painting when Painting was Dead’, in: The Sun, New York NY, 15 February 2007
Sachs Samet, Jennifer, ‘Rewriting Recent Art History’, in: The Sun, New York NY, 6 February 2007
Bui, Pong, ‘Katy Siegel and David Reed’, in: The Brooklyn Rail, New York NY, February 2007
Subotnick, Ali, ‘Best of 2007’, in: Art Forum, December 2007, p. 336
Wagner, Anne M., ‘Field Trips’, in: Art Forum, November 2007, p. 306 [cover image]
Goldstein, Ann, ‘Ann Goldstein / Mary Heilmann: to Be Someone’, in: Artforum, New York NY, December 2007, pp. 318-319, ill.
Subotnick, Ali, ‘Mary Heilmann: To Be Someone’, in: Artforum, New York NY, Best of 2007, December 2007, pp. 336-337, ill.
Wood, Tria, ‘All About Mary’, in: Artshouston, November 2007, p.18
Kalm, James, ‘Signs and Omens: A Reading’, in: The Brooklyn Rail, Brooklyn NY, December 2007-January 2008, p. 63
Plagens, Peter, ‘Mary Heilmann: coloring Outside the Lines’, in: Art in America, New York NY, November 2007, p. 170, cover image
Wood, Tria, ‘All About Mary’, in: Artshouston, Houston TX, November 2007, p. 18
Wagner, Anne M., ‘Field Trips’, in: Artforum, New York NY, vol. XLVI, no. 3, November 2007, pp. 306-313, ill.
Plagens, Peter, ‘Mary Heilmann: Coloring Outside the Lines’, in: Art in America, New York NY, No. 10, November, 2007, pp. 170-175, ill.
___, ‘Signs and Wonders’, in: Artforum, New York NY, vol. XLVI, no. 3, November 2007, pp. 314-317, ill.
Anderson, Virginia Billeaud, ‘Go ask Mary about abstract art’, in: Greater Houston Weekly, Houston TX, 31 October 2007, ill.
Saltz, Jerry, ‘The Artists Who Still Matter’, in: New York NY, 15 October 2007, pp. 40-41
Rubinstein, Raphael, ‘It’s Not Made by Great Men’, in: Art in America, New York NY, September 2007, p. 61
Smith, Roberta, ‘It’s Just Clay but How About a Little Respect? ‘, in: The New York Times, New York NY, 7 September 2007
Pagel, David, ‘Kristin Calabrese show at Honor Fraser Gallery Invites the Imagination into Action’, in: The Los Angeles Times, Los Angeles LA, 31 August 2007
Butter, Tom, ‘Mary Heilmann Interview’, on: whitehotmagazine.com, St. Victoria BC, September 2007
Burton, Johanna, ‘After the mermaids’, in: Texte zur Kunst, Berlin, no. 67, September 2007, pp. 191-195 (eng.), pp. 295-301 (ger.)
Kazanjian, Dodie, ‘in living color’, in: Vogue US, New York NY, August 2007, p. 232-239, 277-278
Drohojowska-Philp, Hunter, ‘Finally, Somebody’, in: artnet Magazine, New York NY, August 2007
Falconer, Morgan, ‘High Times, Hard Times’, in: Frieze, London, June-July 2007, p. 253
Mueller, Stephen, ‘Quitidian and Enggaging: David Zwirner Group Show of Living and Dead is July’s Best’, in: Gay City News, New York NY, 12-18 July 2007, p. 17
Smith, Roberta, ‘A Point in Space Is A Place for an Argument’, in: The New York Times, New York NY, 20 July 2007
Armetta, Amoreen, ‘Three for Society’, in: Time Out New York, New York NY, 5-11 July 2007, p. 77
Cotter, Holland, ‘The Week Ahead’, in: The New York Times, 10 June 2007
Knight, Christopher, ‘Life of the abstractionist party’, in: Los Angeles Times, Los Angeles LA, 3 June 2007
Chang, Richard, ‘Something about Mary’, in: Orange County Register, Santa Ana CA, 3 June 2007
Chin, Jit Fong, ‘Mary, Mary Quite Contrary’, in: Squeeze OC, 1 June 2007
Smith, Roberta, ‘The Week Ahead’, in: The New York Times, New York NY, 13 May 2007
Mendenhall, Lauri, ‘Variations on a Theme’, in: Coast Magazine, Santa Ana CA, May 2007, p. 162
Feher, Erin, ‘The Best in Art, Auctions and Gallery Openings’, in: California Home and Design, May, 2007
Griley, Ellen, ‘Mother’s Little Helper’, in: District, 25 May 2007
Mendenhall, Lauri, ‘Variations on a Theme’, in: Coast Magazine, May, 2007, p. 162
Norden, Linda, ‘Mary Heilmann’, in: Art Forum, May, 2007
Rogers, Mike, ‘Mary Heilmann’, in: Art US, Summer 2007
Landes, Jennifer, ‘Artists Chase Inspiration: Philosopher, psychologist join artists for discussion’, in: The East Hampton Star, East Hampton NY, 26 April 2007
LaRocco, Ben, ‘High Times Hard Times: New York Painting 1967-1975’, in: The Brooklyn Rail, New York NY, March 2007
Goleas, Janet M, ‘The Raw Nerve of Art in the Sixties’, in: The East Hampton Star, East Hamtpon NY, 22 March 2007, p. C1
Myers, Terry R., ‘Heil Mary’, in: Modern Painters, New York NY, April 2007, pp. 74-79
Dumbadze, Alexander, ‘Making it look easy’, in: Modern Painters, New York NY, April 2007, pp. 80-83
Richard, Frances, High Times, Hard Times: New York Painting 1967-1975, in: Artforum, New York NY, vol. XLV, no. 8, April 2007, p. 265
Yablonsky, Linda, ‘Hail Mary’, on: Artforum.com, 26 March, 2007
Smith, Roberta, ‘Painting in the Heady Days, After It Was Proclaimed Dead’, on: nytimes.com, New York NY, 16 February 2007
Cohen, David, ‘Painting when Painting was Dead’, in: The Sun, New York NY, 15 February 2007
Sachs Samet, Jennifer, ‘Rewriting Recent Art History’, in: The Sun, New York NY, 6 February 2007
Bui, Pong, ‘Katy Siegel and David Reed’, in: The Brooklyn Rail, New York NY, February 2007
2006
Heffley, Lynne, ‘Mary Heilmann’, in: The Los Angeles Times, Los Angeles LA, 28 December 2006
Dumbadze, Alexander, ‘High Times Hard Times: New York Paintings 1967-1975’, in: Modern Painters, October 2006, p. 101
Herstatt, Claudia, ‘Karaoke im Arbeiterviertel’, in: Der Tagesspiegel, Berlin, no. 19 306, 9 September 2006, p. 24
___, ‘Mary Heilmann’, in: Art in America, New York NY, Annual 2006-2007, August 2006, p. 45
___, ‘Mary Heilman’, In: Sonntags Zeitung, Zurich, 27 August 2006, p. 49
Colman, David, ‘Mary Heilmann’, in: Elle Décor, June 2006
Spears, Dorothy, ‘Artists under the Influence’, in: Art and Antiques 29, Summer 2006, pp. 86–93
Falconer, Morgan, ‘Show business’, in: Art Review, London, vol. IX, January 2006, pp. 64-81
Dumbadze, Alexander, ‘High Times Hard Times: New York Paintings 1967-1975’, in: Modern Painters, October 2006, p. 101
Herstatt, Claudia, ‘Karaoke im Arbeiterviertel’, in: Der Tagesspiegel, Berlin, no. 19 306, 9 September 2006, p. 24
___, ‘Mary Heilmann’, in: Art in America, New York NY, Annual 2006-2007, August 2006, p. 45
___, ‘Mary Heilman’, In: Sonntags Zeitung, Zurich, 27 August 2006, p. 49
Colman, David, ‘Mary Heilmann’, in: Elle Décor, June 2006
Spears, Dorothy, ‘Artists under the Influence’, in: Art and Antiques 29, Summer 2006, pp. 86–93
Falconer, Morgan, ‘Show business’, in: Art Review, London, vol. IX, January 2006, pp. 64-81
2005
___, ‘Hauser & Wirth, Zürich, London’, in: Weltkunst, München, no. 14, December 2005, p. 18
Fyfe, Joe, ‘Mary Heilmann at 303’, in: Art in America, New York NY, no. 6, June-July 2005, pp. 177-178
Burton, Johanna, ‘Mary Heilmann: 303 Gallery’, in: Artforum, New York NY, vol. XLIII, no. 9, May 2005, p. 246
Yablonsky, Linda, ‘What makes a painting a painting?’, in: Artnews, New York NY, vol. 104, no. 4, April 2005, pp. 96-101
CKH, ‘Post Modern. Greene Naftali (Preview)’, in: Modern Painters, London, March 2005, p. 98
___, ‘Review’, in: New Yorker, 21 March 2005
Stern, Steven, ‘Mary Heilmann’, in: Absolut 1, March 2005, pp. 94–97
Fyfe, Joe, ‘Mary Heilmann at 303’, in: Art in America, New York NY, no. 6, June-July 2005, pp. 177-178
Burton, Johanna, ‘Mary Heilmann: 303 Gallery’, in: Artforum, New York NY, vol. XLIII, no. 9, May 2005, p. 246
Yablonsky, Linda, ‘What makes a painting a painting?’, in: Artnews, New York NY, vol. 104, no. 4, April 2005, pp. 96-101
CKH, ‘Post Modern. Greene Naftali (Preview)’, in: Modern Painters, London, March 2005, p. 98
___, ‘Review’, in: New Yorker, 21 March 2005
Stern, Steven, ‘Mary Heilmann’, in: Absolut 1, March 2005, pp. 94–97
2004
___, ‘Survey: Which artists from the past decades still assert a great influence on the art of today?’, in: Tema Celeste, Milan, no. 100, November-December 2004, pp. 58-63
Schütte, Christoph, ‘Himbeer auf grüner Leinwand’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 11 November 2004
Goodbody, Bridget L: ‘Jenseits des Rasters. Die Malereien der Mary Heilmann / Off The Grid. The Paintings of Mary Heilmann’, in: Spike, Vienna, no. 1, October 2004, pp. 66 – 7
___, ‘Art in Paradise’, in: Avenue, July 2004, pp. 45–64
Jones, Dafydd, ‘Party: Hauser & Wirth Paintings by Mary Heilmann Attracted London’s Art Glitterati’, in: Art Review, March 2004, p. 114
Sheets, Hilariem, ‘Of Voices and No Comments’, in: New York Times, 28 March 2004
Herbert, Martin, ‘Mary Heilmann. Hauser & Wirth West End’, in: Time Out, London, 11-18 February 2004, p. 53
Schütte, Christoph, ‘Himbeer auf grüner Leinwand’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 11 November 2004
Goodbody, Bridget L: ‘Jenseits des Rasters. Die Malereien der Mary Heilmann / Off The Grid. The Paintings of Mary Heilmann’, in: Spike, Vienna, no. 1, October 2004, pp. 66 – 7
___, ‘Art in Paradise’, in: Avenue, July 2004, pp. 45–64
Jones, Dafydd, ‘Party: Hauser & Wirth Paintings by Mary Heilmann Attracted London’s Art Glitterati’, in: Art Review, March 2004, p. 114
Sheets, Hilariem, ‘Of Voices and No Comments’, in: New York Times, 28 March 2004
Herbert, Martin, ‘Mary Heilmann. Hauser & Wirth West End’, in: Time Out, London, 11-18 February 2004, p. 53
2003
Grzonka, Patricia, ‘Mary Heilmann in der Secession’, in: Kunst-Bulletin, Zurich, no. 9, September 2003, p.58
___, ‘Kunst’, in: Falter, Vienna, 5 September 2003
___, ‘Mary Heilmann: All Tomorrow’s Parties’, in: Pharma Time, Vienna, August 2003
Jäger, Susanne, ‘Der Triumph des Dilettantismus’, in: Voralberger Nachrichten, Schwarzach, 23 August 2003
Borchhardt-Birbaumer, Brigitte, ‘Fragen von Abstraktion, Repräsentation und Psyche’, in: Wiener Zeitung, Vienna, 19 August 2003
Melchart, Erwin, ‘Abstrakt, surreal und goldenes Stroh’, in: Kronen Zeitung Wien, Vienna, 5 August 2003
Scheyerer, Nicole, ‘Heiterkeit gegen Heroen’, in: Falter, Vienna, no. 29, 18-24 July 2003, p. 57
Probst, Ursula Maria, ‘Es darf getanzt werden’, in: artmagazine, Vienna, 17 July 2003
Horny, Henriette, ‘Stroh-Kunst-Vitrinen und Partystimmung’, in: Kurier, Vienna, 16 July 2003
Krumpl, Doris, ‘Abstrakte Malerei, remixed’, in: Der Standard, Vienna, 4 July 2003, p. 26
Spiegler, Almuth, ‘Goldenes Stroh für alle Parties’, in: Die Presse, Vienna, 4 July 200.
___, ‘Kunst’, in: Falter, Vienna, no. 27, 4 July 2003
___, ‘Sendung: Kulturjournal’, on: TV Channel ö 1, Vienna, 3 July 2003
König, Kaspar, ‘Gespräch mit Mary Heilmann’, on: mip.at, Museum in Progress, Vienna, May 2003
___, ‘There she goes again: Mary Heilmann is drug-fuelled early years giving way to her’, in: Sunday Times, London, 4 May 2003
___, ‘Mary Heilmann at Douglas Hyde Gallery’, in: In Dublin, Dublin, April-May 2003, p. 56
Dunne, Aidan, ‘A promiscuous mixing of styles’, in: The Irish Times, Dublin, 16 April 2003
___, ‘Abstract Tyranny’, in: The Dubliner, Dublin, 2003, p. 30
___, ‘Kunst’, in: Falter, Vienna, 5 September 2003
___, ‘Mary Heilmann: All Tomorrow’s Parties’, in: Pharma Time, Vienna, August 2003
Jäger, Susanne, ‘Der Triumph des Dilettantismus’, in: Voralberger Nachrichten, Schwarzach, 23 August 2003
Borchhardt-Birbaumer, Brigitte, ‘Fragen von Abstraktion, Repräsentation und Psyche’, in: Wiener Zeitung, Vienna, 19 August 2003
Melchart, Erwin, ‘Abstrakt, surreal und goldenes Stroh’, in: Kronen Zeitung Wien, Vienna, 5 August 2003
Scheyerer, Nicole, ‘Heiterkeit gegen Heroen’, in: Falter, Vienna, no. 29, 18-24 July 2003, p. 57
Probst, Ursula Maria, ‘Es darf getanzt werden’, in: artmagazine, Vienna, 17 July 2003
Horny, Henriette, ‘Stroh-Kunst-Vitrinen und Partystimmung’, in: Kurier, Vienna, 16 July 2003
Krumpl, Doris, ‘Abstrakte Malerei, remixed’, in: Der Standard, Vienna, 4 July 2003, p. 26
Spiegler, Almuth, ‘Goldenes Stroh für alle Parties’, in: Die Presse, Vienna, 4 July 200.
___, ‘Kunst’, in: Falter, Vienna, no. 27, 4 July 2003
___, ‘Sendung: Kulturjournal’, on: TV Channel ö 1, Vienna, 3 July 2003
König, Kaspar, ‘Gespräch mit Mary Heilmann’, on: mip.at, Museum in Progress, Vienna, May 2003
___, ‘There she goes again: Mary Heilmann is drug-fuelled early years giving way to her’, in: Sunday Times, London, 4 May 2003
___, ‘Mary Heilmann at Douglas Hyde Gallery’, in: In Dublin, Dublin, April-May 2003, p. 56
Dunne, Aidan, ‘A promiscuous mixing of styles’, in: The Irish Times, Dublin, 16 April 2003
___, ‘Abstract Tyranny’, in: The Dubliner, Dublin, 2003, p. 30
2002
___, ‘Mary Heilmann’, in: The New Yorker, New York NY, 11 November 2002
___, ‘The House of Fiction’, in: Anzeiger von Uster, Uster, 6 May 2002, p. 21
Prinzhorn, Martin, ‘Images as the Symptoms of Painting: The Antitotalitarianism of Mary Heilmann’, in: Afterall, A Journal of Art, Context and Enquiry, London, issue 05, 2002, pp. 48-57
Myers, Terry R., ‘Love Action: Mary Heilmann and the joy of painting’, in: Afterall, A Journal of Art, Context and Enquiry, London, issue 05, 2002, pp. 58-63
___, ‘The House of Fiction’, in: Anzeiger von Uster, Uster, 6 May 2002, p. 21
Prinzhorn, Martin, ‘Images as the Symptoms of Painting: The Antitotalitarianism of Mary Heilmann’, in: Afterall, A Journal of Art, Context and Enquiry, London, issue 05, 2002, pp. 48-57
Myers, Terry R., ‘Love Action: Mary Heilmann and the joy of painting’, in: Afterall, A Journal of Art, Context and Enquiry, London, issue 05, 2002, pp. 58-63
2001
___, ‘Von Gehr bis Zelli, Böcklin bis Gelatin’, in: St.Galler Tagblatt, St. Gall, 29 December 2001, p. 41
Spinelli, Claudia, ‘Ohne falsche Scham’, in: Neue Zürcher Zeitung, Zurich, no. 268, 17-18 November 2001, p. 46
___, ‘Galerie Hauser & Wirth’, in: Handelszeitung, Zurich, no. 46, 14 November 2001, p. 29
Ruyter, Lisa, ‘Top Ten’, in: Artforum International, New York NY, vol. XL, no. 1, September 2001, p. 48
Higgie, Jennifer, ‘Mary Heilmann. Camden Arts Centre’, in: Frieze, London, vol. 60, June -July 2001, p. 106
Scheyerer, Nicole, ‘Kunst kurz’, in: Falter, Vienna, no. 22, May 2001, p. 64
‘Mary Heilmann London’, in: The Guardian Guide, Art previews, London, 31 March -6 April, 2001
Clark, Paul, ‘Going out’, in: Evening Standard, London, 5 April, 2001, ill.
___, ‘Mary Heilmann’, in: Time Out Magazine, Art Previews, London, 11-13 April 2001, 2001
Searle, Adrian, ‘Excess all areas’, in: The Guardian Newspaper, London, 10 April 2001, p. 12 – 13
Coomer, Martin, ‘Mary Heilmann, Camden Arts Centre’, in: Time Out, London, 25 April-2 May 2001, p. 54
Koether, Jutta, ‘Pat Hearn, NYC (1955-2000)’, in: Texte zur Kunst, Berlin, vol. 11, no. 41, March 2001, p. 200-202
Herstatt, Claudia, ‘Galerienszene Hamburg. Die junge Kunst holt auf’, in: Handelsblatt, Düsseldorf, no. 57, 21 March 2001, p. 58
___, ‘Contributors’, in: Artforum, New York NY, vol. XXXIX, no. 6, February 2001, p. 18, ill.
Heilmann, Mary, ‘O Pioneer! Mary Heilmann on Pat Hearn’, in: Artforum, New York NY, vol. XXXIX, no. 6, February 2001, pp. 35-36
Pühringer, Alexander, ‘Zwischen nichts und allem ist es nicht weit’, in: Frame, Vienna, no. 5, January- February 2001, p. 104-107
Spinelli, Claudia, ‘Ohne falsche Scham’, in: Neue Zürcher Zeitung, Zurich, no. 268, 17-18 November 2001, p. 46
___, ‘Galerie Hauser & Wirth’, in: Handelszeitung, Zurich, no. 46, 14 November 2001, p. 29
Ruyter, Lisa, ‘Top Ten’, in: Artforum International, New York NY, vol. XL, no. 1, September 2001, p. 48
Higgie, Jennifer, ‘Mary Heilmann. Camden Arts Centre’, in: Frieze, London, vol. 60, June -July 2001, p. 106
Scheyerer, Nicole, ‘Kunst kurz’, in: Falter, Vienna, no. 22, May 2001, p. 64
‘Mary Heilmann London’, in: The Guardian Guide, Art previews, London, 31 March -6 April, 2001
Clark, Paul, ‘Going out’, in: Evening Standard, London, 5 April, 2001, ill.
___, ‘Mary Heilmann’, in: Time Out Magazine, Art Previews, London, 11-13 April 2001, 2001
Searle, Adrian, ‘Excess all areas’, in: The Guardian Newspaper, London, 10 April 2001, p. 12 – 13
Coomer, Martin, ‘Mary Heilmann, Camden Arts Centre’, in: Time Out, London, 25 April-2 May 2001, p. 54
Koether, Jutta, ‘Pat Hearn, NYC (1955-2000)’, in: Texte zur Kunst, Berlin, vol. 11, no. 41, March 2001, p. 200-202
Herstatt, Claudia, ‘Galerienszene Hamburg. Die junge Kunst holt auf’, in: Handelsblatt, Düsseldorf, no. 57, 21 March 2001, p. 58
___, ‘Contributors’, in: Artforum, New York NY, vol. XXXIX, no. 6, February 2001, p. 18, ill.
Heilmann, Mary, ‘O Pioneer! Mary Heilmann on Pat Hearn’, in: Artforum, New York NY, vol. XXXIX, no. 6, February 2001, pp. 35-36
Pühringer, Alexander, ‘Zwischen nichts und allem ist es nicht weit’, in: Frame, Vienna, no. 5, January- February 2001, p. 104-107
2000
Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: Linth Zeitung, Rapperswil, 31 May 2000, p. 25
Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: Sihltaler, Adliswil, 31 May 2000, p. 25
Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: March Höfe Zeitung, Lachen, 31 May 2000, p. 25
Kraft, Martin, ‘Mary Heilmann im Kunstmuseum’, in: Der Landbote, Winterthur, 26 May 2000, p. 21
___, ‘Komplexe Farbigkeit’, in: St.Galler Nachrichten, St.Gall, 11 May 2000, p. 30
Hoffmann, Gabriele, ‘Ytong-Stein in Legoland’, in: Tageszeitung, Berlin, 2 May 2000, p. 14
Engler, Martin, ‘Materialwirbel mit Shakespeare’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 96, 25 April 2000, p.54
___, ‘Zwei Amerikanerinnen in St.Gallen’, in: Zürichsee-Zeitung, Zurich, 22 April 2000, p. 19
___, ‘Inhalt erlaubt: Mary Heilmann in St.Gallen’, in: Vorarlberger Nachrichten, Bregenz, 8-9 April 2000, p. D7
Pichler, Karlheinz, ‘Wenn Vorstellungskraft und Material zum Stelldichein bitten’, in: Kultur, April 2000, pp. 30-31
___, ‘Jessica Stockholder. Mary Heilmann’, in: Schweizer Monatshefte, Zurich, April 2000, p. 55
Wäspe, Roland, ‘New York, New York. Jessica Stockholder und Mary Heilmann im Kunstmuseum St. Gallen’, in: Saiten, St. Gall, vol. 7, no. 73, April 2000, pp. 62-63
Badrutt Schoch, Ursula, ‘Strassen und Frühlingsrollen. Mary Heilmanns Malerei im Kunstmuseum St. Gallen’, in: Bodensee Tagblatt, Arbon, 31 March 2000, p. 22
Schaufelberger, Peter E., ‘Dem Gebrauchswert entrückt’, in: Südkurier, Konstanz, no. 71, 25 March 2000
Basting, Barbara, ‘Landschaft mit Parkbank und Duplosteinen’, in: Zürcher Tages-Anzeiger, Zurich, 25 March 2000, p. 55
___, ‘Freundschaftlich gegensätzlich’, in: Der Landbote, Winterthur, 22 March 2000, p. 21
___, in: Appenzeller Zeitung, Herisau, 17 March 2000, p. 57
___, in: St. Galler Tagblatt, Gossau, 17 March 2000, p. 49
___, ‘Jessica Stockholder und Mary Heilmann im Kunstmuseum’, in: News the blue window, Zurich, 17 March 2000, p. 1
Jerichow, Regina, ‘Spielerischer Sieg über die Strenge’, in: Nordwest-Zeitung, 16 March 2000
___, in: Nordwest-Zeitung, 13 March 2000
Schicke, Sabine, ‘Als Rebellin in der Malerei Farbe bekannt’, in: Nordwest-Zeitung, 11 March 2000
Mark, Magill, ‘Mary Heilmann’, in: Punkt. Kunst im Nordwesten, Bremen: Der Kunstverein in Bremen, no. 1, March 2000, p. 26
___, ‘Schweizer Ausstellungen. Experimentelle Einfachheit’, in: Neue Zürcher Zeitung, Zurich, no. 77, March 2000, p. 66
Casadio, Mariuccia, ‘Decopainting’, in: Vogue Italia, Milan, no. 595, March 2000
Molinari, Guido, in: Flash Art, Milan, vol. XXXIII, no. 220, February-March 2000
Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: Sihltaler, Adliswil, 31 May 2000, p. 25
Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: March Höfe Zeitung, Lachen, 31 May 2000, p. 25
Kraft, Martin, ‘Mary Heilmann im Kunstmuseum’, in: Der Landbote, Winterthur, 26 May 2000, p. 21
___, ‘Komplexe Farbigkeit’, in: St.Galler Nachrichten, St.Gall, 11 May 2000, p. 30
Hoffmann, Gabriele, ‘Ytong-Stein in Legoland’, in: Tageszeitung, Berlin, 2 May 2000, p. 14
Engler, Martin, ‘Materialwirbel mit Shakespeare’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 96, 25 April 2000, p.54
___, ‘Zwei Amerikanerinnen in St.Gallen’, in: Zürichsee-Zeitung, Zurich, 22 April 2000, p. 19
___, ‘Inhalt erlaubt: Mary Heilmann in St.Gallen’, in: Vorarlberger Nachrichten, Bregenz, 8-9 April 2000, p. D7
Pichler, Karlheinz, ‘Wenn Vorstellungskraft und Material zum Stelldichein bitten’, in: Kultur, April 2000, pp. 30-31
___, ‘Jessica Stockholder. Mary Heilmann’, in: Schweizer Monatshefte, Zurich, April 2000, p. 55
Wäspe, Roland, ‘New York, New York. Jessica Stockholder und Mary Heilmann im Kunstmuseum St. Gallen’, in: Saiten, St. Gall, vol. 7, no. 73, April 2000, pp. 62-63
Badrutt Schoch, Ursula, ‘Strassen und Frühlingsrollen. Mary Heilmanns Malerei im Kunstmuseum St. Gallen’, in: Bodensee Tagblatt, Arbon, 31 March 2000, p. 22
Schaufelberger, Peter E., ‘Dem Gebrauchswert entrückt’, in: Südkurier, Konstanz, no. 71, 25 March 2000
Basting, Barbara, ‘Landschaft mit Parkbank und Duplosteinen’, in: Zürcher Tages-Anzeiger, Zurich, 25 March 2000, p. 55
___, ‘Freundschaftlich gegensätzlich’, in: Der Landbote, Winterthur, 22 March 2000, p. 21
___, in: Appenzeller Zeitung, Herisau, 17 March 2000, p. 57
___, in: St. Galler Tagblatt, Gossau, 17 March 2000, p. 49
___, ‘Jessica Stockholder und Mary Heilmann im Kunstmuseum’, in: News the blue window, Zurich, 17 March 2000, p. 1
Jerichow, Regina, ‘Spielerischer Sieg über die Strenge’, in: Nordwest-Zeitung, 16 March 2000
___, in: Nordwest-Zeitung, 13 March 2000
Schicke, Sabine, ‘Als Rebellin in der Malerei Farbe bekannt’, in: Nordwest-Zeitung, 11 March 2000
Mark, Magill, ‘Mary Heilmann’, in: Punkt. Kunst im Nordwesten, Bremen: Der Kunstverein in Bremen, no. 1, March 2000, p. 26
___, ‘Schweizer Ausstellungen. Experimentelle Einfachheit’, in: Neue Zürcher Zeitung, Zurich, no. 77, March 2000, p. 66
Casadio, Mariuccia, ‘Decopainting’, in: Vogue Italia, Milan, no. 595, March 2000
Molinari, Guido, in: Flash Art, Milan, vol. XXXIII, no. 220, February-March 2000
1999
Miretti, Monica, ‘Marabini e la affinità elettive’, in: La pagina dell’Arte, 25 November 1999
___, in: Vogue Italia, Milan, Supplement to no. 591, November 1999
Maurer, Simon, ‘Neugier’, in: Züritipp, Zurich: TA-Media AG, Zurich, 9 April 1999
Bleckner, Ross, ‘Mary Heilmann’, in: Bomb. The Arts and Culture Quarterly, New York NY, no. 67, Spring 1999, pp. 56-63
___, in: Vogue Italia, Milan, Supplement to no. 591, November 1999
Maurer, Simon, ‘Neugier’, in: Züritipp, Zurich: TA-Media AG, Zurich, 9 April 1999
Bleckner, Ross, ‘Mary Heilmann’, in: Bomb. The Arts and Culture Quarterly, New York NY, no. 67, Spring 1999, pp. 56-63
1998
Koestenbaum, Wayne, ‘The Best of 1998’, in: Artforum, New York NY, vol. XXXVII, no. 4, December 1998, pp. 100-101
Davis, Whitney, ‘Männerphantasien’, in: Texte zur Kunst, Cologne, vol. 8, no. 31, September 1998, pp. 72-81
___, in: The New Yorker, New York NY, 13 April 1998
Johnson, Ken, ‘Mary Heilmann’ (review Pat Hearn Gallery), in: The New York Times (Art Guide), New York NY, vol. CXLVII, no. 51,123, 10 April 1998, p. E40
Schwendener, Martha, ‘Mary Heilmann’, in: Time Out New York, New York NY, no. 133, 9-16 April 1998
Pedersen, Victoria, ‘Gallery Go `Round: Short List’, Paper Magazine, April 1998
Levin, Kim, Voice Choices: ‘Mary Heilmann’, in: The Village Voice, New York NY, vol. XLIIII, no. 13, 25 March-31 March, 1998, p. 86
Johnson, Ken, ‘Mary Heilmann’, in: The New York Times, New York NY, vol. CXLVII, no. 51,109, 27 March 1998, p. E39
Schjeldahl, Peter, ‘Mary Rebop’ (review Pat Hearn Gallery), in: The Village Voice, New York NY, vol. XLIII, no. 12, 18 March-24 March, 1998, p. 133
De Pont stichting voor hedendaagse kunst (ed.), ‘De Pont. the colllectie’, Tilburg: De Pont, 1998, pp. 100-102
Davis, Whitney, ‘Männerphantasien’, in: Texte zur Kunst, Cologne, vol. 8, no. 31, September 1998, pp. 72-81
___, in: The New Yorker, New York NY, 13 April 1998
Johnson, Ken, ‘Mary Heilmann’ (review Pat Hearn Gallery), in: The New York Times (Art Guide), New York NY, vol. CXLVII, no. 51,123, 10 April 1998, p. E40
Schwendener, Martha, ‘Mary Heilmann’, in: Time Out New York, New York NY, no. 133, 9-16 April 1998
Pedersen, Victoria, ‘Gallery Go `Round: Short List’, Paper Magazine, April 1998
Levin, Kim, Voice Choices: ‘Mary Heilmann’, in: The Village Voice, New York NY, vol. XLIIII, no. 13, 25 March-31 March, 1998, p. 86
Johnson, Ken, ‘Mary Heilmann’, in: The New York Times, New York NY, vol. CXLVII, no. 51,109, 27 March 1998, p. E39
Schjeldahl, Peter, ‘Mary Rebop’ (review Pat Hearn Gallery), in: The Village Voice, New York NY, vol. XLIII, no. 12, 18 March-24 March, 1998, p. 133
De Pont stichting voor hedendaagse kunst (ed.), ‘De Pont. the colllectie’, Tilburg: De Pont, 1998, pp. 100-102
1997
Reust, Hans Rudolf, ‘Mary Heilmann’, in: Artforum, New York NY, vol. XXXVI, no. 4, December 1997, p. 126
Hickey, David, ‘Top Tex X 12’, in: Artforum, New York NY, vol. XXXVI, no. 4, December 1997, p. 89
Myers, Terry R., ‘Mary Heilmann at Richard Telles’, in: LA Weekly, Los Angeles LA, vol. 19, no. 49, 31 October–6 November, 1997, p. 51
Pagel, David, ‘A Decisive Collection That’s the Picture of Ease’, in: Los Angeles Times, Los Angeles LA, 17 October 1997, p. F30
Heilmann, Mary: ‘Biographie’, in: Pratiques. Reflexion sur l‘ art. Rennes: Presses Universitaires de Rennes, no. 3/4, Autumn 1997, p. 136-138
Westfall, Stephen: ‘Motifs de sensibilité’, in: Pratiques. Reflexion sur l‘ art. Rennes: Presses Universitaires de Rennes, no. 3/4, Autumn 1997, p. 139-145
___, ‘Space Craft’, in: Interview Magazine, August 1997, pp. 114-115
Imdahl, Georg, ‘Die das Blau zum Glühen bringt. Konkrete Kunst voll Charme und Temperament: Die amerikanische Malerin Mary Heilmann in Zürich’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 158/28D, 11 July 1997, p. 36
VN-kapi, ‘Vor saftiger Vitalität strotzend. Arbeiten von Mary Heilmann im Zürcher Haus für konstruktive und konkrete Kunst’, in: Vorarlberger Nachrichten, Bregenz, 28 June 1997, p. 72
Zwez, Annelise, ‘Mit Lust wider die strenge Geometrie’, in: Schaffhauser Nachrichten, Schaffhausen, 20 June 1997, p. 13
afk, ‘This and that. Mary Heilmann im Haus für konstruktive und konkrete Kunst’, in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 139, 19 June 1997, p. 54
___, ‘Mary Heilmann in Zürich’, in: Cash, Zurich, 13 June 1997, p. 61
(Zürcher Wochenkalender), in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 125, 6 June 1997, p. 87
sfd, ‘Zürich: Mary Heilmanns anarchische Geometrie’, in: Der Landbote, Winterthur, 5 June 1997, p. 17
Zwez, Annelise, ‘Vital. die erste europäische Museumsausstellung von Mary Heilmann in Zürich. Mit dem Gestus subversiver Lust wider die Strenge der Geometrie’, in: Aargauer Zeitung, Baden, 3 June 1997, p. 57
Zwez, Annelise, ‘Vital. die erste europäische Museumsausstellung von Mary Heilmann in Zürich. Mit dem Gestus subversiver Lust wider die Strenge der Geometrie’, in: Limmattaler Tagblatt, Dietikon, 3 June 1997, p. 27
Maurer, Simon, ‘Gepunkteter Likör, naturhaft komponiert. Mary Heilmann in Zürich’, in: Tages-Anzeiger, Zurich: TA Media AG, vol. 105, no. 124, 2 June 1997, p. 63
sfd, ‘Hollywood, Poesie und Jazz von Mary Heilmann. Im Zürcher Haus für konstruktive und konkrete Kunst’, in: Anzeiger von Uster, Uster, 2 June 1997, p. 21
sfd, ‘Hollywood, Poesie und Jazz von Mary Heilmann. Im Zürcher Haus für konstruktive und konkrete Kunst’, in: Der Zürcher Oberländer, Wetzikon, 2 June 1997, p. 21
___, ‘Abstrakte Sprache’, in: Annabelle, Zurich, no. 10, 16 May 1997, p. 19
Kurjakovic, Daniel, ‘Herzergreifende Abstraktion. Malerei von Mary Heilmann und Juan Uslé in Zürich’, in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 109, 14 May 1997, p. 54
___, ‘Mary Heilmann in der Galerie Hauser & Wirth und in der Stiftung für konstruktive und konkrete Kunst’, in: Kunst-Bulletin, Zurich, no. 5, May 1997, p. 50
Hickey, David, ‘Top Tex X 12’, in: Artforum, New York NY, vol. XXXVI, no. 4, December 1997, p. 89
Myers, Terry R., ‘Mary Heilmann at Richard Telles’, in: LA Weekly, Los Angeles LA, vol. 19, no. 49, 31 October–6 November, 1997, p. 51
Pagel, David, ‘A Decisive Collection That’s the Picture of Ease’, in: Los Angeles Times, Los Angeles LA, 17 October 1997, p. F30
Heilmann, Mary: ‘Biographie’, in: Pratiques. Reflexion sur l‘ art. Rennes: Presses Universitaires de Rennes, no. 3/4, Autumn 1997, p. 136-138
Westfall, Stephen: ‘Motifs de sensibilité’, in: Pratiques. Reflexion sur l‘ art. Rennes: Presses Universitaires de Rennes, no. 3/4, Autumn 1997, p. 139-145
___, ‘Space Craft’, in: Interview Magazine, August 1997, pp. 114-115
Imdahl, Georg, ‘Die das Blau zum Glühen bringt. Konkrete Kunst voll Charme und Temperament: Die amerikanische Malerin Mary Heilmann in Zürich’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 158/28D, 11 July 1997, p. 36
VN-kapi, ‘Vor saftiger Vitalität strotzend. Arbeiten von Mary Heilmann im Zürcher Haus für konstruktive und konkrete Kunst’, in: Vorarlberger Nachrichten, Bregenz, 28 June 1997, p. 72
Zwez, Annelise, ‘Mit Lust wider die strenge Geometrie’, in: Schaffhauser Nachrichten, Schaffhausen, 20 June 1997, p. 13
afk, ‘This and that. Mary Heilmann im Haus für konstruktive und konkrete Kunst’, in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 139, 19 June 1997, p. 54
___, ‘Mary Heilmann in Zürich’, in: Cash, Zurich, 13 June 1997, p. 61
(Zürcher Wochenkalender), in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 125, 6 June 1997, p. 87
sfd, ‘Zürich: Mary Heilmanns anarchische Geometrie’, in: Der Landbote, Winterthur, 5 June 1997, p. 17
Zwez, Annelise, ‘Vital. die erste europäische Museumsausstellung von Mary Heilmann in Zürich. Mit dem Gestus subversiver Lust wider die Strenge der Geometrie’, in: Aargauer Zeitung, Baden, 3 June 1997, p. 57
Zwez, Annelise, ‘Vital. die erste europäische Museumsausstellung von Mary Heilmann in Zürich. Mit dem Gestus subversiver Lust wider die Strenge der Geometrie’, in: Limmattaler Tagblatt, Dietikon, 3 June 1997, p. 27
Maurer, Simon, ‘Gepunkteter Likör, naturhaft komponiert. Mary Heilmann in Zürich’, in: Tages-Anzeiger, Zurich: TA Media AG, vol. 105, no. 124, 2 June 1997, p. 63
sfd, ‘Hollywood, Poesie und Jazz von Mary Heilmann. Im Zürcher Haus für konstruktive und konkrete Kunst’, in: Anzeiger von Uster, Uster, 2 June 1997, p. 21
sfd, ‘Hollywood, Poesie und Jazz von Mary Heilmann. Im Zürcher Haus für konstruktive und konkrete Kunst’, in: Der Zürcher Oberländer, Wetzikon, 2 June 1997, p. 21
___, ‘Abstrakte Sprache’, in: Annabelle, Zurich, no. 10, 16 May 1997, p. 19
Kurjakovic, Daniel, ‘Herzergreifende Abstraktion. Malerei von Mary Heilmann und Juan Uslé in Zürich’, in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 109, 14 May 1997, p. 54
___, ‘Mary Heilmann in der Galerie Hauser & Wirth und in der Stiftung für konstruktive und konkrete Kunst’, in: Kunst-Bulletin, Zurich, no. 5, May 1997, p. 50
1996
Cotter, Holland, ‘The Flying Saucer Project’, in: The New York Times, New York NY, vol. CXLVI, no. 50,654, 27 December 1996, p. A27
Goodrow, Gérard A., ‘Painting I and II’, in: ARTnews, New York NY, vol. 95, no. 8, September 1996, p. 142
Smith, Roberta, ‘The Gallery Doors Open to the Long Denied’, in: The New York Times, New York NY, vol. CXLV, no. 50’439, 26 May 1996, Sec2, pp. 1, 29
Smith, Roberta, ‘ ‘Screen‘: Petzel Gallery’, in: The New York Times, New York NY, vol. CXLV, no. 50,325, 2 February 1996, p. C26
Hucko, Leslie, ‘Clothing with Culture. Cristenerose Gallery’, in: I.D. Industrial Design Magazine, New York NY, vol. 43, no. 1, January-February 1996
Pagel, David, ‘Mary Heilmann & Elizabeth Cannon: Cristinerose New York’, in: Frieze, London, no. 26, January-February 1996, p. 74-75
Goodrow, Gérard A., ‘Painting I and II’, in: ARTnews, New York NY, vol. 95, no. 8, September 1996, p. 142
Smith, Roberta, ‘The Gallery Doors Open to the Long Denied’, in: The New York Times, New York NY, vol. CXLV, no. 50’439, 26 May 1996, Sec2, pp. 1, 29
Smith, Roberta, ‘ ‘Screen‘: Petzel Gallery’, in: The New York Times, New York NY, vol. CXLV, no. 50,325, 2 February 1996, p. C26
Hucko, Leslie, ‘Clothing with Culture. Cristenerose Gallery’, in: I.D. Industrial Design Magazine, New York NY, vol. 43, no. 1, January-February 1996
Pagel, David, ‘Mary Heilmann & Elizabeth Cannon: Cristinerose New York’, in: Frieze, London, no. 26, January-February 1996, p. 74-75
1995
Smith, Roberta, ’2 Shows as Bookends to the Mondrian Exhibition’, in: The New York Times, New York NY, vol. CXLV, no. 50,262, 1 December 1995, p. C30
Humphrey, David, ‘New York Fax’, in: Art Issues, Los Angeles LA, no. 40, November-December 1995, pp. 30-31
Smith, Roberta, ‘Heading West, with Canvases’, in: The New York Times, New York NY, vol. CXLV, no. 50,248, 17 November 1995, p. C28
Feldman, Melissa, ‘Painting Supports my Ceramics Habit’, in: Women’s Art Magazine, November 1995, pp. 12-13
Yablonsky, Linda, ‘Mary Heilmann at Pat Hearn Gallery’, in: Time Out, New York NY, no. 3, 11-18 October 1995
Doove, Edith, ‘Mary Heilmann – Zeno X, Antwerpen’, in: Metropolis M, Amsterdam, no. 3, May-June 1995, pp. 48-49
Doove, Edith, ‘Mary Heilmann: De Rechte is Krom’, in: Urudag, 5 May 1995
Doove, Edith, ‘Mary Heilmann. De Techte is Krom’, in: Artsenkrant, no. 863, May 5, 1995
Lambrecht, Luk, ‘Een Feest Met Gekleurde Ballen’, in: De Morgen, Brussel, 25 April 1995
Avgikos, Jan, ‘In With the Out Crowd’ (review Whitney Biennial), in: Artforum, New York NY, vol. XXXIII, no. 7, March 1995, pp. 12
Goldberger, Paul, ‘The Next 15 Minutes in Art are in His Hands’, in: The New York Times Magazine, New York NY, 25 February 1995
van Siclen, Bill, ‘Geometric Art Crosses the Line of Convention’, in: The Providence Journal Bulletin, Weekend Section: Lifebeat, 10 February 1995
Breen, Allison, ‘Toward the Real. New Abstraction in America’, in: Vytvarne Umeni, Prague, no. 1, January-February 1995, pp. 163-172
Humphrey, David, ‘New York Fax’, in: Art Issues, Los Angeles LA, no. 40, November-December 1995, pp. 30-31
Smith, Roberta, ‘Heading West, with Canvases’, in: The New York Times, New York NY, vol. CXLV, no. 50,248, 17 November 1995, p. C28
Feldman, Melissa, ‘Painting Supports my Ceramics Habit’, in: Women’s Art Magazine, November 1995, pp. 12-13
Yablonsky, Linda, ‘Mary Heilmann at Pat Hearn Gallery’, in: Time Out, New York NY, no. 3, 11-18 October 1995
Doove, Edith, ‘Mary Heilmann – Zeno X, Antwerpen’, in: Metropolis M, Amsterdam, no. 3, May-June 1995, pp. 48-49
Doove, Edith, ‘Mary Heilmann: De Rechte is Krom’, in: Urudag, 5 May 1995
Doove, Edith, ‘Mary Heilmann. De Techte is Krom’, in: Artsenkrant, no. 863, May 5, 1995
Lambrecht, Luk, ‘Een Feest Met Gekleurde Ballen’, in: De Morgen, Brussel, 25 April 1995
Avgikos, Jan, ‘In With the Out Crowd’ (review Whitney Biennial), in: Artforum, New York NY, vol. XXXIII, no. 7, March 1995, pp. 12
Goldberger, Paul, ‘The Next 15 Minutes in Art are in His Hands’, in: The New York Times Magazine, New York NY, 25 February 1995
van Siclen, Bill, ‘Geometric Art Crosses the Line of Convention’, in: The Providence Journal Bulletin, Weekend Section: Lifebeat, 10 February 1995
Breen, Allison, ‘Toward the Real. New Abstraction in America’, in: Vytvarne Umeni, Prague, no. 1, January-February 1995, pp. 163-172
1994
Steletz, Werner, ‘Wo Flächen und Farben irritieren’, in: WOZ, Zurich, no. 245, 20 October 1994
Schmidt, Konrad, ‘Geometrie und Leben’, in: Ruhr Nachrichten, Dortmund, 20 October 1994
Schmidt, Konrad, ‘Quadrate und Punkte ergänzen sich im Spiel der Elemente’, in: Ruhr Nachrichten, Dortmund, 15 October 1994
Joselit, David, ‘Mary Heilmann. Embodied Grids’, in: Flash Art, Milan, vol. XXVII, no. 178, October 1994, pp. 69-71, Cover
Donohoe, Victoria, ‘Painting and Ceramics by Mary Heilmann at Beaver College’, in: The Philadelphia Inquirer, 25 September 1994
Rosenthal, Mark, ‘Critique of Pure Abstraction. Mary Heilmann’, in: Atelia International, no. 810, August 1994, pp. 86-87
Denton, Monroe, ‘Mary Heilmann’s Greatest Hits’, in: Arti, Art Today, Athens, vol. 20, May-July 1994, pp. 140-149
___, ‘Soft Geometry’, in: The New Yorker, New York NY, vol. 70, no. 13, 16 May 1994, p. 20
Cotter, Holland, ‘‘Greatest Hits’‘ (review Pat Hearn Gallery), The New York Times, New York NY, vol. CXLIII, no. 49,695, 13 May 1994, p. C26
Schwabsky, Barry, ‘Mary Heilmann’, in: American Ceramics, New York NY, vol. 11, no. 2, Spring 1994, pp. 34-39
Schmidt, Konrad, ‘Geometrie und Leben’, in: Ruhr Nachrichten, Dortmund, 20 October 1994
Schmidt, Konrad, ‘Quadrate und Punkte ergänzen sich im Spiel der Elemente’, in: Ruhr Nachrichten, Dortmund, 15 October 1994
Joselit, David, ‘Mary Heilmann. Embodied Grids’, in: Flash Art, Milan, vol. XXVII, no. 178, October 1994, pp. 69-71, Cover
Donohoe, Victoria, ‘Painting and Ceramics by Mary Heilmann at Beaver College’, in: The Philadelphia Inquirer, 25 September 1994
Rosenthal, Mark, ‘Critique of Pure Abstraction. Mary Heilmann’, in: Atelia International, no. 810, August 1994, pp. 86-87
Denton, Monroe, ‘Mary Heilmann’s Greatest Hits’, in: Arti, Art Today, Athens, vol. 20, May-July 1994, pp. 140-149
___, ‘Soft Geometry’, in: The New Yorker, New York NY, vol. 70, no. 13, 16 May 1994, p. 20
Cotter, Holland, ‘‘Greatest Hits’‘ (review Pat Hearn Gallery), The New York Times, New York NY, vol. CXLIII, no. 49,695, 13 May 1994, p. C26
Schwabsky, Barry, ‘Mary Heilmann’, in: American Ceramics, New York NY, vol. 11, no. 2, Spring 1994, pp. 34-39
1993
Avgikos, Jan, ‘The Humpty Dumpty Dilemma: The Broken Mirror and American Art in the 20th Century’, in: Artforum, New York NY, vol. XXXII, no. 3, November 1993, pp. 85-86, 131
Kuspit, Donald, ‘Neo-News is No News: The Broken Mirror’, in: Artforum, New York NY, vol. XXXII, no. 3, November 1993, pp. 87-88, 131
Westfall, Stephen, ‘Patterns of Sensibility’, in: Art in America, New York NY, vol. 81, no. 11, November 1993
Pagel, David, ‘Strange Bedfellows’, in: The Los Angeles Times, Los Angeles LA, November 1993
Dannat, Adrian, ‘Spotlight: The Broken Mirror’, in: Flash Art, Milan, vol. XXVI, no. 172, October 1993
Searle, Adrian, ‘The Broken Mirror‘, in: Frieze, London, no. 12, September-October 1993
___, ‘Cherchez La Femme Peintre’ (inquiry), in: Parkett, Zurich: Parkett-Verlag, no. 37, September 1993, pp. 127-128, 138-139
Levin, Kim, ‘Voice Choices: Mary Heilmann’, in: The Village Voice, New York NY, vol. XXXVIII, no. 21, 19-25 May 1993, p. 67
Myers, Terry, in: Art Issues, Los Angeles LA, Spring 1993
Kuspit, Donald, ‘Neo-News is No News: The Broken Mirror’, in: Artforum, New York NY, vol. XXXII, no. 3, November 1993, pp. 87-88, 131
Westfall, Stephen, ‘Patterns of Sensibility’, in: Art in America, New York NY, vol. 81, no. 11, November 1993
Pagel, David, ‘Strange Bedfellows’, in: The Los Angeles Times, Los Angeles LA, November 1993
Dannat, Adrian, ‘Spotlight: The Broken Mirror’, in: Flash Art, Milan, vol. XXVI, no. 172, October 1993
Searle, Adrian, ‘The Broken Mirror‘, in: Frieze, London, no. 12, September-October 1993
___, ‘Cherchez La Femme Peintre’ (inquiry), in: Parkett, Zurich: Parkett-Verlag, no. 37, September 1993, pp. 127-128, 138-139
Levin, Kim, ‘Voice Choices: Mary Heilmann’, in: The Village Voice, New York NY, vol. XXXVIII, no. 21, 19-25 May 1993, p. 67
Myers, Terry, in: Art Issues, Los Angeles LA, Spring 1993
1992
Myers, Terry, ‘Mary Heilmann, Jack Pierson, Jessica Stockholder. Pat Hearn’, in: Flash Art, Milan, vol. XXV, no. 167, November-December 1992, p. 98-99
___, ‘Goings On About Time’, in: The New Yorker, New York NY, 12 October 1992
Stockholder, Jessica, ‘In the Studio: Mary Heilmann’, in: Artforum, New York NY, vol. XXXI, no. 1, September 1992, pp. 76-77
___, ‘The Question of Gender in Art’ (inquiry), in: Tema Celeste, Syracuse/IT, no. 37-38, special issue, Autumn 1992, p. 63
Cotter, Holland, in: New York Times, New York NY, 26 June 1992
Murphy, Mary, ‘Consciousness in the Abstract’, in: New York Examiner, New York NY, June 1992
Liebmann, Lisa, ‘Slow Art at P.S.1’, in: Interview, May 1992
___, ‘Goings On About Time’, in: The New Yorker, New York NY, 12 October 1992
Stockholder, Jessica, ‘In the Studio: Mary Heilmann’, in: Artforum, New York NY, vol. XXXI, no. 1, September 1992, pp. 76-77
___, ‘The Question of Gender in Art’ (inquiry), in: Tema Celeste, Syracuse/IT, no. 37-38, special issue, Autumn 1992, p. 63
Cotter, Holland, in: New York Times, New York NY, 26 June 1992
Murphy, Mary, ‘Consciousness in the Abstract’, in: New York Examiner, New York NY, June 1992
Liebmann, Lisa, ‘Slow Art at P.S.1’, in: Interview, May 1992
1991
Tager, Alisa, ‘Colors’, in: Lapiz, Madrid, October 1991
Myles, Eileen, ‘Mary Heilmann at Pat Hearn’, in: Art in America, New York NY, vol. 79, no. 10, pp. 147-148
Weinstein, Matthew, ‘Mary Heilmann – Pat Hearn Gallery’, in: Artforum, New York NY, vol. XXX, no. 1, September 1991, pp. 127-128
Kaneda, Shirley, ‘Painting and Its Others. In the Realm of the Feminine’, in: Artforum, New York NY, vol. XXIX, no. 10, Summer 1991
___, ‘Goings On About Town’, in: The New Yorker, New York NY, 13 May 1991
Levin, Kim, ‘Voice Choices: Mary Heilmann’, in: The Village Voice, New York NY, vol. XXXVI, no. 19, 1-7 May 1991, p. 95
Pagel, David, ‘The Ends of Painting. The Edgess of Abstraction’, in: Artspace, Albuquerque, January-February 1991
Schmidt, Eva, ‘Mary Heilmann, Jessica Stockholder’, in: Kunstforum International, Ruppichteroth, no. 111, January-February 1991, pp. 359-360
Myles, Eileen, ‘Mary Heilmann at Pat Hearn’, in: Art in America, New York NY, vol. 79, no. 10, pp. 147-148
Weinstein, Matthew, ‘Mary Heilmann – Pat Hearn Gallery’, in: Artforum, New York NY, vol. XXX, no. 1, September 1991, pp. 127-128
Kaneda, Shirley, ‘Painting and Its Others. In the Realm of the Feminine’, in: Artforum, New York NY, vol. XXIX, no. 10, Summer 1991
___, ‘Goings On About Town’, in: The New Yorker, New York NY, 13 May 1991
Levin, Kim, ‘Voice Choices: Mary Heilmann’, in: The Village Voice, New York NY, vol. XXXVI, no. 19, 1-7 May 1991, p. 95
Pagel, David, ‘The Ends of Painting. The Edgess of Abstraction’, in: Artspace, Albuquerque, January-February 1991
Schmidt, Eva, ‘Mary Heilmann, Jessica Stockholder’, in: Kunstforum International, Ruppichteroth, no. 111, January-February 1991, pp. 359-360
1990
Yood, James, ‘Mary Heilmann. Robbin Lockett Gallery’, in: Artforum, New York NY, vol. XXIX, no. 1, September 1990, p. 164
Schwabsky, Barry, ‘Mary Heilmann’, in: Arts Magazine, New York NY, vol. 65, no. 1, September 1990, p. 84
Artner, Alan, in: Chicago Tribune, Chicago CA, 27 April 1990
Temin, Christine, ‘Abstraction That Screams’, The Boston Globe, Boston MA, 25 April 1990
Enders, Alexandra, in: Art & Antiques, New York NY, April 1990
Carrier, David, ‘Abstract Working Spaces’, in: Art International, Paris, no. 10, Spring 1990, p. 68-70
Baker, Kenneth, in: The San Francisco Chronicle, San Francisco CA, 1 February 1990
Myers, Terry, in: Flash Art, Milan, January 1990
Schwabsky, Barry, ‘Mary Heilmann’, in: Arts Magazine, New York NY, vol. 65, no. 1, September 1990, p. 84
Artner, Alan, in: Chicago Tribune, Chicago CA, 27 April 1990
Temin, Christine, ‘Abstraction That Screams’, The Boston Globe, Boston MA, 25 April 1990
Enders, Alexandra, in: Art & Antiques, New York NY, April 1990
Carrier, David, ‘Abstract Working Spaces’, in: Art International, Paris, no. 10, Spring 1990, p. 68-70
Baker, Kenneth, in: The San Francisco Chronicle, San Francisco CA, 1 February 1990
Myers, Terry, in: Flash Art, Milan, January 1990
1989
Stapen, Nancy, in: The Boston Herald, Boston MA, 17 December 1989
Zimmer, William, ‘Geometry. Sometimes Garish’, in: The New York Times (New Jersey Edition), New York NY, 10 December 1989
McCoy, Pat, ‘A Modern Lexicon. The Work of Mary Heilmann’, in: Arts Magazine, New York NY, vol. 64, no. 3, November 1989, pp. 48-51
Ettlinger, Catherine, ‘High color’ (only illustration), in: American Home, New York NY, Fall/Winter 1989, pp. 90-91
Yau, John, ‘Official Policy. Toward the 1990s with the Whitney Biennial’, in: Arts Magazine, New York NY, vol. 64, no. 1, September 1989, pp. 50-54
Zimmer, William, ‘Geometry. Sometimes Garish’, in: The New York Times (New Jersey Edition), New York NY, 10 December 1989
McCoy, Pat, ‘A Modern Lexicon. The Work of Mary Heilmann’, in: Arts Magazine, New York NY, vol. 64, no. 3, November 1989, pp. 48-51
Ettlinger, Catherine, ‘High color’ (only illustration), in: American Home, New York NY, Fall/Winter 1989, pp. 90-91
Yau, John, ‘Official Policy. Toward the 1990s with the Whitney Biennial’, in: Arts Magazine, New York NY, vol. 64, no. 1, September 1989, pp. 50-54
1988
Smith, Roberta, ‘Arte Povera Installations: Engineering and Alchemy’, in: The New York Times, New York NY, vol. CXXXVII, no. 47,511, 20 May 1988, p. C25
(illustration), in: Bijutsu Techo, Tokyo, vol. 40, no. 592, March 1988, p. 85
Spector, Nancy, in: Artscribe International, London, January 1988
(illustration), in: Bijutsu Techo, Tokyo, vol. 40, no. 592, March 1988, p. 85
Spector, Nancy, in: Artscribe International, London, January 1988
1987
Wei, Lilly, ‘Talking Abstract’, in: Art im America, New York New York, July 1987
Goldberg, Sally, in: ARTnews, New York NY, February 1987
Leibmann, Lisa, M.B.A. ‘Abstractionism’, in: Flash Art, Milan, January 1987
Yau, John, ‘Mary Heilmann. Pat Hearn Gallery ‘, in: Artforum, New York NY, vol. XXV, no. 5, January 1987, p. 109
Goldberg, Sally, in: ARTnews, New York NY, February 1987
Leibmann, Lisa, M.B.A. ‘Abstractionism’, in: Flash Art, Milan, January 1987
Yau, John, ‘Mary Heilmann. Pat Hearn Gallery ‘, in: Artforum, New York NY, vol. XXV, no. 5, January 1987, p. 109
1986
Westfall, Stephen, in: Art in America, New York NY, December 1986
Zimmer, William, ‘A Rarefied Atmosphere in the Feisty East Village’, in: The New York Times, New York NY, vol. CXXXVI, no. 46,951, 7 November 1986, p. C27
Zimmer, William, ‘A Rarefied Atmosphere in the Feisty East Village’, in: The New York Times, New York NY, vol. CXXXVI, no. 46,951, 7 November 1986, p. C27
1984
Castle,Ted, in: Art in America, New York NY, April 1984
Armstrong, Richard, ‘Donald Judd, Blum Helman Gallery; Mary Heilmann, the Clocktower’ (review), in: Artforum, New York NY, vol. XXII, no. 7, March 1984, pp. 90-91
Raynor, Vivian, ‘Forms That Function’, in: The New York Times, New York NY, 1984
Armstrong, Richard, ‘Donald Judd, Blum Helman Gallery; Mary Heilmann, the Clocktower’ (review), in: Artforum, New York NY, vol. XXII, no. 7, March 1984, pp. 90-91
Raynor, Vivian, ‘Forms That Function’, in: The New York Times, New York NY, 1984
1983
___, ‘Mary Heilmann. Artist’s Project’, in: Bomb. The Arts and Culture Quarterly, New York NY, no. 8, 1983
1982
___, ‘Un Tour d’Horizon’, in: Bomb. The Arts and Culture Quarterly, New York NY, no. 4, 1982 (Guest Editor: Mary Heilmann)
1979
Larson, Kay, ‘Can You Hear the Music?’, in: Village Voice, New York NY, October 1979
1977
Frankenstein, A., in: San Francisco Chronicle, San Francisco CA, December 1977
Dobson, Donna, ‘Gallery Round Up’, in: The Bulletin, November 1977
Dobson, Donna, ‘Gallery Round Up’, in: The Bulletin, November 1977
1976
___, in: Art in America, New York NY, October 1976
Salle, David, in: Arts Magazine, New York NY, December 1976
Zucker, Barbara, in: ARTnews, New York NY, November 1976
Perrault, John, ‘Women Ain’t Losers’, in: SoHo Weekly News, New York NY, September 1976
Salle, David, in: Arts Magazine, New York NY, December 1976
Zucker, Barbara, in: ARTnews, New York NY, November 1976
Perrault, John, ‘Women Ain’t Losers’, in: SoHo Weekly News, New York NY, September 1976
1973
Forgey, Benjamin, in: Washington Star, Washington DC, April 1973
1972
___, in: ARTnews, New York NY, Summer 1972
Elderfield, John, ‘Grids’, in: Artforum, New York NY, May 1972
Elderfield, John, ‘Grids’, in: Artforum, New York NY, May 1972
1971
Arinomis, in: Arts Magazine, New York NY, May 1971
Ratcliffe, Carter, in: ARTnews, New York NY, March 1971
Ratcliffe, Carter, in: ARTnews, New York NY, March 1971
1970
Linville, Kasha, in: Artforum, New York NY, December 1970
Glueck, Grace, in: The New York Times, New York NY, November 1970
Glueck, Grace, in: The New York Times, New York NY, November 1970
Audiovisuals
2009
‘Art:21 Art in the Twenty-First Century’, Season Five. Prod. Susan Sollins. PBS, 2009. DVD and television program
1993
‘museum in progress, Künstlerporträt, Mary Heilmann’ (interview with Kasper König), May 1993 (VHS, 20 min.)
News
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Mary Heilmann
Past Present Future
Past Present Future
6 Feb - 14 May 2021 , Zurich
Mary Heilmann
Highway, Oceans, Daydreams
Highway, Oceans, Daydreams
17 Oct - 29 Nov 2020 , Southampton
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