Influenced by 1960s counterculture, the free speech movement, and the surf ethos of her native California, Mary Heilmann ranks amongst the most influential abstract painters of her generation. Considered one of the preeminent contemporary Abstract painters, Heilmann’s practice overlays the analytical geometries of Minimalism with the spontaneous ethos of the Beat Generation, and are always distinguishable by their often unorthodox—always joyful—approach to color and form.
Raised in San Francisco and Los Angeles, Heilmann completed a degree in literature, before she studied ceramics at Berkeley. Only after moving to New York in 1968 did she begin to paint. While most artists at that time were experimenting with the concept of dematerialization and demanding that painting should avoid any references to experience outside the material presence of the work itself, Heilmann opted for painting, rebelling against the accepted rules. ‘Rather than following the decrees of modern, non-representational formalism, I started to understand that the essential decisions taken during the creative process were more and more related to content. The Modern movement was over…’
Since then, Heilmann has created compositions that evoke a variety of associations. Her work may be non-representational and based on an elementary, geometrical vocabulary—circles, squares, grids and stripes—but there is always something slightly eccentric, casual about them. The simplicity of the forms is played down by a deceptive form of nonchalance: the contours are not clearly defined. In some paintings, amorphous forms appear to melt into each other like liquid wax. Splashes of color can be discerned, sharp edges bleed for no apparent reason, and the ductus of the brushstrokes is always perceptible. Heilmann’s casual painting technique conceals a frequently complex structure that only gradually reveals itself to the viewer.
Mary Heilmann
Biography
Print BiographyStudied literature at University of California at Santa Barbara, B.A., 1959 – 1962
Studied poetry and ceramics at San Francisco State University, 1963
Studied ceramics and sculpture at University of California at Berkeley, M.A., 1963 – 1967
Moved to New York NY, 1968
Selected Solo Exhibitions
Craig F. Starr Gallery, 'RYB. Mary Heilmann Paintings, 1975-78', New York NY
Whitney Museum of American Art, ‘Mary Heilmann. Sunset’, New York NY
Hamburger Bahnhof – Museum für Gegenwart, 'Mary Heilmann & David Reed. Two by Two', Berlin, Germany
Neues Museum Nürnberg, 'Mary Heilmann. Good Vibrations', Nuremberg, Germany (Travelling Exhibition)
Häusler Contemporary, 'Mary Heilmann. Another Green World', Munich, Germany
Hauser & Wirth London, 'Mary Heilmann. Visions, Waves and Roads', London, United Kingdom
Museum Ludwig, 'Weather Report: Drawings and Prints', Cologne, Germany
New Museum of Contemporary Art, 'Mary Heilmann: To Be Someone', New York NY (Travelling Exhibition)
Wexner Center for the Arts, 'Mary Heilmann: To Be Someone', Columbus OH (Travelling Exhibition)
CAMH - Contemporary Art Museum Houston, 'Mary Heilmann: To Be Someone', Houston TX (Travelling Exhibition)
Crown Point Gallery, 'Mary Heilmann: New Etchings', San Francisco CA
Douglas Hyde Gallery, Trinity College, 'Mary Heilmann. The Architecture of Heaven', Dublin, Ireland
Kenny Schachter Gallery, 'Mary Heilmann: Home', New York NY
Galerie Meyer Kainer, 'Mary Heilmann', Vienna, Austria
Camden Arts Centre, 'Mary Heilmann', London, England
Kunstmuseum St. Gallen, 'Mary Heilmann – Jessica Stockholder', St. Gallen, Switzerland
Galerie Vera Munro, 'Mary Heilmann', Hamburg, Germany
Johnson County Community College, 'Mary Heilmann: Selected Works, 1978-1998', Overland Park KS
Stiftung für konstruktive und konkrete Kunst, 'Mary Heilmann. This and That', Zurich, Switzerland
Hauser & Wirth Zürich, 'Mary Heilmann. Paintings 1973-1997', Zurich, Switzerland
Wolfgang Häusler, 'Modern Art: Paintings and Papers', Munich, Germany
Galerie Stadtpark, 'Mary Heilmann', Krems, Austria
Zeno X Gallery, 'Mary Heilmann', Antwerp, Belgium
M Gallery Bochum Kunstvermittlung, 'Works 1971-1994', Bochum, Germany
Pat Hearn Gallery, 'Greatest Hits', New York NY
San Francisco Art Institute, Walter/McBean Gallery, San Francisco CA
Green Gallery, 'Mary Heilmann', Bay Harbor Islands FL
Institute of Contemporary Art, 'Mary Heilmann: A Survey', Boston MA
Fuller Gross Gallery, 'Mary Heilmann', San Francisco CA
Robbin Lockett Gallery, 'Mary Heilmann', Chicago IL
Pat Hearn Gallery, 'Mary Heilmann', New York NY
Hillman Holland Gallery, 'Mary Heilmann', Atlanta GA
Daniel Weinberg Gallery, 'Mary Heilmann', San Francisco CA
Holly Solomon Editions, 'Mary Heilmann. Ceramics', New York NY
Holly Solomon Gallery, 'Paintings', New York NY
Daniel Weinberg Gallery, 'Mary Heilmann', San Francisco CA
Holly Solomon Gallery, 'Mary Heilmann', New York NY
Selected Group Exhibitions
Resnick Passlof Foundation, 'The Feminine in Abstract Painting', cur. Andrea Belag and Jennifer Samet, New York NY
Hauser & Wirth, 'Chromophilia', Zürich, Switzerland
Museum Haus Konstruktiv, 'Geometric Opulence', Zürich, Switzerland
Tripoli Gallery, 'WAVY. Sabra Moon Elliot & Mary Heilmann', Southampton NY
Hessel Museum of Art, 'The Conditions of Being Art: Pat Hearn Gallery and American Fine Arts, Co. (1983-2004)', Annandale-on-Hudson New York
Hauser & Wirth Los Angeles, ‘Portable Art. A Project by Celia Forner’, Los Angeles CA (Travelling Exhibition)
National Gallery of Art, 'Outliers and American Vanguard Art', Washington DC
Hall Art Foundation, Schloss Derneburg Museum, 'Für Barbara', (cur. Leo Koenig), Derneburg, Germany
Victoria Miro, 'Surface Work', London, United Kingdom
Mary Mary, 'Curve of a hill like the curve of a green shoulder', Glasgow, Scotland
Galerie Proarta, 'Hommages aux Femmes', Zürich, Switzerland
Hauser & Wirth, ‘Portable Art. A Project by Celia Forner’, New York NY (Travelling Exhibition)
American Academy of Arts and Letters, '2017 Exhibition of Work by New Members and Award Winners', New York NY
Jaeckel Gallery, ’Last Picture Show’, New York NY
Pulitzer Arts Foundation, ’Blue Black’, St. Louis MO
Southampton Arts Center, ’A Sense of Place’, Southampton NY
Whitney Museum of American Art, ’Fast Forward: Painting from the 1980s’, New York NY
Wilding Cran Gallery, ‘TRI(…ed): Revisiting TRI Gallery’, Los Angeles CA
Kunstsammlung Nordrhein-Westfalen, ‘Henkel — The Art Collection’, Düsseldorf, Germany
Crown Point Press, ‘John Zurier and Friends’, San Francisco CA
Crown Point Press, ’Summer Choices: A Group Exhibition’, San Francisco CA
Crown Point Press, ’Winter Group Show’, San Francisco CA
Greene Naftali, ‘Work on Paper’, New York NY
TBD, ‘Gargle/Spit’, New York NY
Parrish Art Museum, ‘The Permanent Collection: Connections and Context’, Watermill NY
Ille Arts, 'Oceans Eleven', Amagansett, NY
The Warehouse, 'Geometries On and Off the Grid: Art from 1950 to the Present', Dallas TX
Villa Reale's Galleria d'Arte Moderna, 'Don't Shoot the Painter – UBS Art Collection', Milan, Italy
OMI International Arts Center, 'The Crayon Miscellany', Ghent, NY
Pavel Zoubok Gallery, 'Hooray for Hollywood! In collaboration with Mixed Greens', New York NY
DODGE Gallery, 'Age of Small Things', New York NY
CB1 Gallery, 'Capture the Rapture', Los Angeles CA
Bonnefantenmuseum, 'Beating around the bush. Episode #2', Maastricht, The Netherlands
Edgewood Gallery, Yale University, 'Reliable Tension - In Re:', New Haven, CT
Equinox Gallery, 'Persian Rose Chartreuse Muse Vancouver Grey', Vancouver, Canada
Lori Bookstein Fine Art, 'Speaking Through Paint: Hans Hofmann’s Legacy Today', New York, NY
Columbus College of Art and Design, 'My Crippled Friend', Columbus OH
Martos Gallery, 'Lat. 41 7' N. Long 72 19' W.', East Marion, NY
Cheim&Read, 'Reinventing Abstraction', New York, NY
MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, 'Alice in Wonderland', Rovereto, Italy (Travelling Exhibition)
Museum im Kulturspeicher, 'Aufbruch – Malerei und realer Raum', Wurzburg, Germany (Travelling Exhibition)
Kunsthalle Rostock, 'Aufbruch – Malerei und realer Raum', Rostock, Germany
Christie's, 'We had to destroy it in order to save it. Painting in New York in the 1970's', New York NY
Ille Arts, 'Seating Arrangements', Amagansett NY
Martos Gallery, 'Creature from the Blue Lagoon', Bridgehampton NY
Anton Kern Gallery, 'It’s Always Summer on the Inside', New York NY
Eleven Rivington, 'Braman, Buren, Falls, Heilmann, Louis and Thurman', New York NY
The Fireplace Project, 'Inside Outsiders: Mary Heilmann and Friends', East Hampton NY
The Suburban, 'Jacci Den Hartog + Mary Heilmann', Oak Park IL
Thomas Solomon Gallery, 'Architechtural Dispositions', Los Angeles CA
Museum of Contemporary Art, 'Phantom Limb: Approaches to Painting Today', Chicago IL
JiM Contemporani, 'Mind Head', Barcelona, Spain
Institute of Contemporary Art, 'This Will Have Been: Art, Love, and Politics in the 1980s', Boston MA (Travelling Exhibition)
Walker Art Center, 'This Will Have Been: Art, Love, and Politics in the 1980s', Minneapolis MN (Travelling Exhibition)
MCA Museum of Contemporary Art, 'This Will Have Been: Art, Love, and Politics in the 1980s', Chicago IL (Travelling Exhibition)
Mead Gallery, Warwick Arts Centre, 'The Indiscipline of Painting', Coventry, England (Travelling Exhibition)
Stavanger Kunstmuseum, 'Sidetracks - Painting in the Paramodern Continuum', Stavanger, Norway
New Museum, 'After Hours. Murals on the Bowery', New York NY
Kunstsammlungen der Ruhr-Universität Bochum, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Bochum, Germany (Travelling Exhibition)
mpk, Museum Pfalzgalerie, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Kaiserslautern, Germany (Travelling Exhibition)
Akademie der Künste Berlin, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Berlin, Germany (Travelling Exhibition)
Museum im Kulturspeicher, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Würzburg, Germany (Travelling Exhibition)
Kunsthalle Rostock, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)' Germany (Travelling Exhibition)
Tate St.Ives, 'The Indiscipline of Painting: International Abstraction from the 1960s to Now', St Ives, England (Travelling Exhibition)
Martos Gallery, 'The 2011 Bridgehampton Biennial', Bridgehampton NY
Harris Liebermann, 'A Painting Show’, New York NY
Salomon Contemporary, '112 Greene Street: A Nexus of Ideas in the Early 70s', New York NY
Lehmann Maupin, 'The Parallax View', New York NY
Salon 94 Bowery , 'Paul Clay', New York NY
The Dayton Art Institute, 'Creating the New Century: Contemporary Art from the Dicke Collection', Dayton OH
Hessel Museum of Art & CCS Galleries, 'At home / Not at home: Works from the Collection of Martin and Rebecca Eisenberg', Annandale-on-Hudson NY
SFMoMA San Francisco Museum of Modern Art, 'The More Things Change', San Francisco CA
Kunstmuseum St. Gallen, 'AMBIGU - Malerei im Zwischenbereich/Painting between Abstraction and Narration', St. Gallen, Switzerland
Artpace, 'On the Road', San Antonio TX
De Markten, 'For Your Eyes Only', Brussels, Belgium
Zurcher Studio, 'Devotion', New York NY
Nicole Klagsbrun Gallery, 'Lean', New York NY
Bemis Center for Contemporary Art, 'Borderland Abstraction', Omaha NE
Silas Marder Gallery, 'The Big Show 5', Bridgehampton NY
Metro Pictures, Friedrich Petzel Gallery, and Nyehaus, 'Swell: Art 1950-2010', New York NY
Art Institute of Chicago, 'Contemporary Collecting: The Donna and Howard Stone Collection', Chicago IL
Vera Munro, 'High Ideals & Crazy Dreams', Hamburg, Germany
7Eleven Gallery, 'Make Yourself at Home', New York NY
De Markten, 'For Your Eyes Only', Brussels, Belgium
Four Seasons Resort, 'Think Pink!', Palm Beach FL
Rose Burlingham and Turtle Point Press, 'A Two Gallery Teacup Show: Drawings, Paintings, Collage, Sculpture and Poetry', New York NY
Art Since the Summer of 69', 'Objects, Furniture, and Patterns', New York NY
Marianne Boesky Gallery, 'Your Gold Teeth II', New York NY
Ross School Gallery, 'Spectrum', Bridgehampton NY
Whitechapel Gallery, 'Social Sculpture', London, UK
Acme, 'The Ballad That Becomes an Anthem', Los Angeles CA
303 Gallery, 'Mary's Choice', New York NY
Rhona Hoffman Gallery, 'Angels in America', Chicago IL
Thomas Ammann Fine Art, 'Abstract Vision', Zurich, Switzerland
Whitney Museum of American Art, 'Whitney Biennial 2008', New York NY
Pace Editions 57th Street, 'New Editions', New York NY
Pace Editions Chelsea, 'Heilmann / Berkenblit', New York NY
Matthew Marks Gallery and Greene Naftali Gallery, 'Painting: Now and Forever, Part II', New York NY
Museum Moderner Kunst Kärnten, 'Abstrakt Abstract', Klagenfurt, Austria
Rose Art Museum at Brandeis, 'Arp to Reinhardt: Rose Geometries', Waltham MA
P.S.1 Contemporary Art Center, 'WACK! Art and the Feminist Revolution', Long Island NY (Travelling Exhibition)
ZKM – Zentrum für Kunst und Medientechnologie, 'High Times, Hard Times. New York Painting 1967-1975', Karlsruhe, Germany (Travelling Exhibition)
Dinter Fine Art, 'How to Cook a Wolf'', New York NY
Crown Point Press, 'Abstract Mash-Up', San Francisco CA
China Art Objects at Cottage Home, 'Emerson vs Nietzsche', Los Angeles CA
Royal Academy of Arts, 'Royal Academy Illustrated 2008', London, England
Gallery m Bochum. 'Out of the Blue', Bochum, Germany
Spanierman Modern, 'Present Tense', New York NY
The Fireplace Project, 'The Annual Hampton Show', East Hampton NY
Silas Marder Gallery, 'The Big Show 3', Bridgehampton NY
Johann König, 'Zuordnungsprobleme', Berlin, Germany
Oud Vliegveld, 'The Art of the Real', Oostende, Belgium
Contemporary Art Center of Virginia, 'Counterparts', Virginia Beach VA
Parks Exhibition Center, 'Painting's Edge', Idyllwild Arts CA
Galerie Thomas Flor, 'Short Distance To Now', Dusseldorf, Germany
Henie Onstad Centre of Art, 'Nordea's art collection', Hovikodden, Norway
Kunstraum Innsbruck, 'Franz West, Soufflé – eine Massenausstellung', Innsbruck, Austria
Honor Fraser, 'Hovering Over the Universe …' (cur. by Kristin Calabrese), Venice CA
Barbara Gladstone Gallery, 'Makers and Modelers: Works in Ceramic', New York NY
David Zwirner, 'A Point in Space is a Place for an Argument', New York NY
303 Gallery, 'Three for Society', New York NY
de Pury & Luxembourg, 'Painting as Fact-Fact as Fiction', Zurich, Switzerland
Honor Fraser, 'Group Show', Venice CA
Galerie Mezzanin, 'Humberto Duque, Mary Heilmann, David Korty, Marzena Nowak, Isa Schmidlehner, Christian Schmidt-Rasmussen', Vienna, Austria
Museum of Contemporary Art, 'WACK! Art and the Feminist Revolution', Los Angeles CA (Travelling Exhibition)
National Museum of Women in the Arts, 'WACK! Art and the Feminist Revolution', Washington DC (Travelling Exhibition)
Vancouver Art Gallery, 'WACK! Art and the Feminist Revolution', Vancouver, Canada (Travelling Exhibition)
Millenium Galleries, 'Abstraction: Extracting from the World', Sheffield, England
National Academy Museum, 'High Times, Hard Times. New York Painting 1967-1975', New York NY (Travelling Exhibition)
Museo Tamayo Arte Contemporaneo, 'High Times, Hard Times. New York Painting 1967-1975', Mexico City, Mexico (Travelling Exhibition)
Neue Galerie Graz am Landesmuseum Joanneum, 'High Times, Hard Times. New York Painting 1967-1975', Graz, Austria (Travelling Exhibition)
Zeno X Gallery, '25 years Zeno X', Antwerp, Belgium
Greenberg Van Doren Gallery, 'Woman's work. Large Scale Paintings 1970-1990', New York NY
Weatherspoon Art Museum, 'High Times, Hard Times. New York Painting 1967-1975', Greensboro NC (Travelling Exhibition)
American University Museum, Katzen Arts Center, 'High Times, Hard Times. New York Painting 1967-1975', Washington, DC (Travelling Exhibition)
Crown Point Press, 'Seasons Club July 2006', San Francisco CA
Villa Manin Centre for Contemporary Art, 'Infinite Painting. Contemporary Painting and Global Realism', Codroipo (Udine), Italy
White Columns, 'The Early Show', New York NY
Gavin Brown’s Enterprise, 'Drunk vs. Stoned 2', New York NY
Häusler Contemporary, 'Loveparade 1', Munich, Germany
Blaffer Gallery, University of Houston, 'POPulence', Houston TX
Art Gallery of Ontario, 'The Shape of Colour: Excursions in Colour Field Art, 1950-2005', Toronto, Canada
Albright-Knox Art Gallery, 'Extreme Abstraction', Buffalo NY
Greene Naftali Gallery, 'Post-Modern', New York NY
Hampden Gallery, University of Massachusetts Amherst, 'Masters of the Obvious', Amherst MA
The Parrish Art Museum, 'North Fork/South Fork: East End Art Now', Southampton NY
Meyer Riegger Galerie, 'There's no land but the land (up there is just a sea of possibilities)', Karlsruhe, Germany
Tampa Museum of Art, 'Crosscurrents at Century's End: Selections from the Neuberger Berman Art Collection', Tampa FL
Häusler Contemporary, 'Farbe!', Munich, Germany
48 Wall Street, 'Art Downtown: New York Painting and Sculpture', New York NY
Jan Abrams Fine Arts, 'Objects of Desire', New York NY
Hauser & Wirth Collection, 'House of Fiction. Sammlung (3)', St.Gallen, Switzerland
Trevi Flash Art Museum, 'Inaugurazione', Trevi, Italy
D'Amelio Terras, 'Shadow Dancing: 1975-79', New York NY
Kunstverein St. Gallen Kunstmuseum, 'Künstlerräume/Sammlerräume', St. Gallen, Switzerland
Pat Hearn Gallery, 'Part Two (1988-1994)', New York NY
Cheim & Read Gallery, 'Liquid Properties', New York NY
Galerie m Bochum, 'Art for Shelter', Bochum, Germany
Aargauer Kunsthaus, 'Das Gedächtnis der Malerei', Aarau, Switzerland
Avram Gallery, 'Master Art Workshop Exhibition', Southampton NY
Embassy Suites Hotel, 'Contemporary Art', New York NY
Greene Naftali Gallery, 'Free Coke', New York NY
Galerie Thaddaeus Ropac, 'Abstrakt', Salzburg, Austria
Kasseler Kunstverein, 'Special Offer', Kassel, Germany
Zeno X Gallery, 'Shopping the stars', Antwerp, Belgium
Matthew Marks Gallery and Pat Hearn Gallery, 'Painting: Now and Forever', New York NY
Parrish Art Museum, 'Sea Change', Southampton, New York
Musée d'Art Moderne de Saint-Etienne, 'Abstraction/Abstractions. Géométries Provisoires', Saint-Etienne, France
Charlottenborg Exhibition Hall, 'Display' (cur. Mikael Andersen), Copenhagen, Denmark
Wooster Gardens, 'Drawing and Painting', New York NY
Jan Abrams Fine Art, 'American Women Artists of the Seventies', New York NY
Karen McCready Fine Art, 'Systematic', New York NY
Newhouse Center for Contemporary Art, Snug Harbour Cultural Center, 'After the Fall. Aspects of Abstract Painting since 1970', Staten Island NY
Pat Hearn Gallery, 'Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto', New York NY
School of Interior Design, 'Susret-Encounter: Artists and Refugees', New York NY
Forum for Contemporary Art, Saint Louis, 'Reconditioned Abstraction', Saint Louis MO
National Arts Club, 'Leap of Faith: Gregory Amenoff, Mary Heilmann, Gary Stephan, Michael Volanakis', New York NY
Thaddaeus Ropac, 'Abstract Practice', Salzburg, Austria
Transmission Gallery, 'A Grapefruit in the World of Park', Glasgow, Scotland
Monika Sprüth, 'Malerei II', Cologne, Germany
Museo Nacional Centro de Arte Reina Sofía, 'nuevas abstracciones', Madrid, Spain
Kunsthalle Bielefeld, 'Abstrakte Malerie heute. nuevas abstracciones', Bielefeld, Germany
Thaddaeus Ropac, 'Passage de l'acte', Paris, France
David Winton Bell Gallery, Brown University, 'Order/Disorder', Providence RI
New Museum of Contemporary Art, New York, 'A Labor of Love', New York NY
UCLA/Armand Hammer Museum of Art and Cultural Center, Los Angeles, 'Critiques of Pure Abstraction', Los Angeles CA
Aargauer Kunsthaus, 'Karo Dame. Konstruktive, Konkrete und Radikale Konzepte von Frauen von 1914 bis heute' (cur. Beat Wismer), Aarau, Switzerland
Zeno X Gallery, 'Works on Paper', Antwerp, Belgium
Sarah Campbell Blaffer Gallery, University of Houston, 'Critiques of Pure Abstraction', Houston TX
University of Rhode Island, 'All about Edges', Kingston RI
Milwaukee Art Museum, 'Twenty-five Americans: Paintings in the Nineties', Milwaukee WI
Aspen Art Museum, 'Contemporary Drawing: Exploring the Territory', Aspen CO
Museo Alejandro Oter, 'Transatlantica: The America-Europa Non-Representiva', Caracas, Venezuela
Stephen Wirtz Gallery, 'Blue', San Francisco CA
Selby Gallery, 'Embraceable You: Current Abstractions', Sarasota FL
Robert Miller Gallery, 'Abstract Works on Paper', New York NY
Salvatore Ala Gallery, New York NY
Stux Gallery, 'Reveillon `94', New York NY
Center for Fine Art, 'Abstraction: A Tradition of Collecting in Miami', Miami FL
Baumgartner Galleries, 'Mary Heilmann, Jene Highstein', Washington DC
The Drawing Center, 'The Return of the Exquisite Cadavre', New York NY (Travelling Exhibiton)
The Corcoran Gallery of Art, 'The Return of the Exquisite Cadavre', Washington DC (Travelling Exhibiton)
Santa Monica Museum of Art, 'The Return of the Exquisite Cadavre', Santa Monica CA (Travelling Exhibiton)
Forum for Contemporary Art, 'The Return of the Exquisite Cadavre', St. Louis MO (Travelling Exhibiton)
American Center, 'The Return of the Exquisite', Paris, France (Travelling Exhibiton)
Kunsthalle Wien, 'Der zerbrochene Spiegel', Vienna, Austria (Travelling Exhibiton)
Deichtorhallen, 'Der zerbrochene Spiegel', Hamburg, Germany (Travelling Exhibiton)
Hochschule für Angewandte Kunst / Heiligenkreuzerhof, 'Future Perfect. Lili Dujourie, Ann Hamilton, Mary Heilmann, Pello Irazu, Vladimir Kokolia, Svetlana Kopystiansky, Brigitte Kowanz, Langlads & Bell, Walter Obholzer, Elmar Trenkwalder, Günter Umberg' (cur. Dan Cameron), Vienna, Austria
Galleria Nazionale d'Arte Moderna, Logge dei Balestrieri, 'Italia-America: L'Astrazione Ridefinita', San Marino, Italy
Locks Gallery, 'New American Abstraction', Philadelphia PA
Nina Freudenheim Gallery, 'Watercolors', Buffalo NY
Michael Klein, 'Ageometry', New York NY
Pat Hearn Gallery, 'Mary Heilmann, Jack Pierson, Jessica Stockholder', New York NY
P.S.1 Museum, 'Slow Art: Painting in NY Now', Long Island City NY
Michael Klein Gallery, 'A-Geometry', New York NY
TRI Gallery, 'Not Men', Los Angeles CA
Gallery 400, University of Illinois at Chicago, 'On Condition. Painting Between Abstraction and Representation', Chicago IL
Robert Miller Gallery, 'Martha Diamond, Mary Heilmann, Harriet Korman and Bernard Piffaretti: Paintings', New York NY
Sandra Gering Gallery, 'Shades of Difference (The Feminine in Abstract Painting)', New York NY
Sidney Janis Gallery, 'Conceptual Abstraction', New York NY
Pace Prints, 'New Editions', New York NY
Renee Fotouhi Fine Art, 'J.F.K. In Memoriam, Mythology and Denial', East Hampton NY
Lawrence Oliver Gallery, 'Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall', Philadelphia PA
Marc Richards Gallery, 'Geometric Abstractions', Santa Monica CA
Ohio University School of Art, Athens OH
Cummings Art Center, Connecticut College, 'Fluid Geometry', Connecticut
New Jersey Center for Visual Arts, 'Restructure. Subverting the Grid', Summit NJ
Shea & Becker Gallery, 'Diagrams and Surrogates', New York NY
University Art Museum, University of California Santa Barbara, 'Abstract Options', Santa Barbara CA
Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York NY University, 'A Debate on Abstraction', New York NY
Thomas Segal Gallery, 'Expressive Abstractions', Boston MA
Gallery 1709, '___', St. Louis MO
Pratt Institute, 'Sightings. Drawing with Color', New York NY
Saxon Lee Gallery, 'Among Them, But Not Of Them', Los Angeles CA
Robin Lockett Gallery, '___', Chicago IL
Tom Cugliani Gallery, '___', New York NY
M-13 Gallery, 'Spirited Logic', New York NY
La Galeria en El Bohio, 'Contemporary Art Auction 2', New York NY
Seattle Art Museum, 'Clay Revisions: Plate, Cup and Vase', Seattle WA
The Corcoran Gallery of Art, '40th Biennial of American Contemporary Painting', Washington DC
Fred Hoffmann Gallery, '___', Venice CA
Pat Hearn Gallery, 'Drawing Show', New York NY
Holly Solomon Gallery, 'Anniversary Show', New York NY
Katonah Gallery, 'Forms that Function', Katonah NY
Nina Freudenheim Gallery, 'Drawings: New Dimensions', Buffalo NY
Blum Helman Warehouse, 'Bomb Magazine Benefit', New York NY
University Art Gallery, University of South Florida, 'Precious Objects', Tampa FL
Central Washington University Gallery, 'National Drawing Invitational', Ellensberg WA
Lang Art Gallery, 'Thirty-ninth Scripps College Ceramic Annual', Claremont CA
Cantor/Lemberg Gallery, 'Selections from Holly Solomon Editions', Birmingham MI
The Kitchen, 'More Portraits: Anne Doran, Joan Logue, Mark Magill/Mary Heilmann', New York NY
Greenberg Gallery, '___', St. Louis MO
Jacksonville Art Museum, 'The Norman Fisher Collection', Jacksonville FL
Bronx Museum of the Arts, 'Personal Vision: Places / Spaces', Bronx NY
Sarah Lawrence College, 'Painting: 75, 76, 77', Bronxville NY
Museum of Modern Art (Members Gallery), 'Maps', New York NY
Holly Solomon Gallery, 'The First Two Years', New York NY
Daniel Weinberg Gallery, '___', San Francisco CA
Galerie Alexandra Monett, 'Patterning and Decoration', Brussels, Belgium
Sarah Lawrence College, 'Non-Collectible Art from the Collection of Horace and Holly Solomon', Bronxville NY
Holly Solomon Gallery, 'Group Show', New York NY
Museum of Modern Art (Members Gallery), 'Landscape', New York NY
Kenan Center, 'Ten Artists (Who Happen To Be Women)', Lockport NY
Kunsthaus Hamburg, 'American Women Artists', Hamburg, Germany
Institute of Contemporary Art, 'Grids', Boston MA
Newark Museum, 'Painting and / or Sculpture', Newark NJ
Indianapolis Museum of Art, 'Painting and Sculpture Today, 1972', Indianapolis IN
Fine Art Center, University of Rhode Island, 'Three painters: Mary Heilmann, Pat Steir, and Joan Snyder', Kingston RI
Henri 2 Gallery, Washington D.C.
New Gallery, Cleveland OH
Selected Awards and Grants
Honorary Doctor of Fine Arts, University of Hartford, Hartford CT
Bibliography
Writings by the artist
'Future Greats 2012: Paul Gabrielli', in: Art Review, March 2012, p.81
'Conversations with paintings', in: Tate ETC, London/UK, pp. 80-81
'Nicholas Krushenick: A Survey', New York: Gary Snyder Gallery, 2011. p.122
'Obsessive-Compulsive Daydreaming', in: Art Journal, Summer, 2011
Heilmann, Mary, 'Cory Arcangel', in: Interview, April 2011
'I’m Always Affected by My Clothes', in: Purple, no. 4, Winter 1999–2000, pp. 311–13
'First Day', Rogue, vol. XX, June 1993, p. 11
Publications
Cooke, Lynne, ‘Outliers and American Vanguard Art’, Washington DC: National Gallery of Art, Chicago: University of Chicago Press, 2018, pp. 298-299 (exh. cat.)
Fritz, Nicole (ed.), ‘Sexy and Cool. Minimal Goes Emotional’, Bielfeld: Kerber Verlag/ Kunsthalle Tübingen, 2018
Trembley, Nicolas (ed.), ‘The SYZ Collection’, Zurich: JRP | Ringier, 2018, pp. 68, 82-83,120-21, 152-53, 172-73, ill. in colour (install. views)
Artpace, ‘On the Road’, San Antonio: Artpace San Antonio, 2010, p. 20, int. verso, ill. in colour (install. view)
Hickey, David, '25 Women: Essays on Their Art', Chicago: The University of Chicago Press
Hudson, Suzanne, ‘Painting Now’, New York: Thames and Hudson, 2015
Ammer, Manuela, Hochdörfer, Achim, Joselit, David (eds.), 'Painting 2.0 Expression in the Information Age. Gesture and Spectacle. Eccentric Figuration. Social Networks.', Munich: Prestel, 2015, pp. 117-118, ill. (exh. cat.)
Mazonis, Emanuela (ed.), 'Don't Shoot The Painter', Milan: Skira Editore, 2015, pp. 148, n. p., ill.
Gorgen, Stacey, and Benchley, Amanda, 'Artists Living with Art: A Group of Literary, Musical, Sculptural, Photographic and Film Pieces', New York: Abrams, 2015
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Press
___, 'Highway, Ocean, Daydreams', on: themakermagazine.com, 23 October 2020, ill.
Klingelfuss, Jessica, 'West Side Story', in: Wallpaper, May 2020, pp. 92-112, ill.
Colaizzi, Vittorio, 'On Formal Noodling: Invention and Determination in Recent Abstract Painting’, in: ASAP Journal, Baltimore, January 2018, pp. 67-96
___, ’New Masters’, in: Vanity Fair, New York, 8 March 2018
Yau, John, 'Back When Painting Was Dead', on: hyperallergic.com, New York, 11 February 2018
Yau, John, 'Thomas Nozkowski, a Master Improviser', on: hyperallergic.com, New York, 4 February 2018
Stopa, Jason, 'Painting as Total Environment', on: hyperallergic.com, New York, 6 January 2018
Lau, Lucy, 'Leading contemporary art gallery Hauser & Wirth opens holiday pop-up bookstore in Vancouver', on: www.straight.com, Vancouver, 24 November 2017
Lennon, Anastasia, 'Annual Hamptons "Thanksgiving Collective" To Reflect Upon Good In The World', on: www.hamptons.com, Southampton, 22 November 2017
Segal, Mark, 'The Art Scene: 11.23.17', on: easthamptonstar.com, East Hampton, 22 November 2017
Melchert, Jim, 'Jim Melchert', on: brooklynrail.org, New York NY, 2 November 2017
'‘A Line Between the Morning Sun and the Evening Sun’ at Häusler Contemporary, Zürich', on: www.blouinartinfo.com, New York NY, 25 October 2017
von Burg, Dominique, 'Dialog - A Line Between the Morning Sun and the Evening Sun', in: Kunstbulletin, Zürich, Switzerland, October 2017
Smith, Roberta, 'Mary Heilmann', in: The New York Times, New York NY, 22 September 2017, p. C19
Rhodes, David, 'Mary Heilmann: RYB: Mary Heilmann Paintings 1975-1978', on: brooklynrail.org, Brooklyn NY, 7 September 2017
Rosenfeld, Jason, 'Blue Black: Curated by Glenn Ligon', on: brooklynrail.org, Brooklyn NY, 7 September 2017
Tuchmann, Phyllis, ’’The Geometry of Making’: A Mary Heilmann Doubleheader in New York’, on: www.artnews.com, 16 August 2017
Croak, James, ‘ART REVIEW: The Quiet Poetry of Mary Heilmann’s Paintings at Dan Flavin’, on: hamptonsarthub.com, 7 August 2017
’Bijutsu Techno’, in: Bijutsu Techno, Tokyo Japan, March 2017, pp. 110-111
Wehner, Greg, 'A Sense Of Place' Exhibition Opens At Southampton Arts Center’, on: 27east.com, 28 February 2017
’Fast Forward: Painting from the 1980’s’, in: The New Yorker, 13 February 2017
Viladas, Pilar, ’Inside Marilyn Minter's Colorful, Irrepressible, Art-Filled Hideaway in the Woods’, in: W Magazine, 9 February 2017,
Smith, Roberta, ‘When Brash Met Flash’, in: the New York Times, New York New York, 10 February 2017, p. C19
’Barbara Weiss (1960-2016)’, on: artforum.com, 4 January 2017
Rowland, Hazel, ‘Stories in abstraction: an interview with Mary Heilmann’, on: www.apollo-magazine.com, London UK, 9 July 2016
Breen, Matt, ‘Review: Mary Heilmann: Looking at Pictures’, in: Time Out, London UK, 21 – 27 June 2016, pp.80
Hawksley, Rupert, ‘Mary Heilmann: in the studio’, on: www.telegraph.co.uk, London UK, 17 June 2016
Falconer, Morgan, ‘Mary Heilmann’, in: The World of Interiors, London UK, July 2016, pp.119
Andrew, Theo, ‘Mary Heilmann: Looking at Pictures – Whitechapel Gallery’, on: www.themetropolist.com, London UK, 16 June 2016
Cumming, Laura, ‘Winifred Knights (1899-1947); Mary Heilmann: Looking at Pictures – review’, on: www.theguardian.com, London UK, 12 June 2016
Spencer, Samuel, ‘Mary Heilmann on 1970s New York and Her New Whitechapel Show’, on: www.blouinartinfo.com, New York NY, 10 June 2016
Barry, Robert ‘Formalism On Acid: Mary Heilmann At The Whitechapel Gallery’, on: www.thequietus.com, London UK, 12 June 2016
Searle, Adrian, ’Mary Heilmann: Looking at Pictures review – art that plays fast and loose’, on: www.theguardian.com, London UK, 10 June 2016
‘Interview: Mary Heilmann’, on: www.freize.com, New York NY, 1 June 2010
Epps, Philomela, ‘California Counter-Culture Through the Eyes of Mary Heilmann’, on: www.anothermag.com, London UK, 8 June 2016
Luke, Ben, ‘Mary Heilmann: Looking at Pictures, exhibition review – Be captivated by colour’, on: www.standard.co.uk, London UK, 9 June 2016
Souter, Anna, ‘Mary Heilmann: Looking at Pictures at Whitechapel Gallery’, on: www.theupcoming.co.uk, London UK, 7 June 2016
Farago, Jason, ‘Artist Mary Heilmann: the Californian surfer still making waves in her 70s’, on: www.the guardian.com, London UK, 6 June 2016
Peers, Alexandra, ‘Laughing Last: The Well-Earned Renaissance of Painter Mary Heilmann’, on: www.artspace.com, New York NY, 31 May 2016
Pereira, Lorenzo, ‘First Major UK Survey of the American Artist Mary Heilmann Coming to Whitechapel Gallery’, on: www.widewalls.ch, Ermatingen Switzerland, May 2016
Duray, Dan, ‘Heilmann show marks 50 years of ceramics, road trips and psychedelia’, in: The Art Newspaper, London UK, number 279, May 2016, pp.28
O’Halloran, Robbie, ’Mary Heilmann – Looking at Pictures @ Whitechapel Gallery, London, June 8 – August 21, 2016’, on: theglazelondon.com, London/UK, 22 June 2016
Breen, Matt, ’Mary Heilmann, Looking at Pictures’, in: ’Time Out’, London/UK, 21 June 2016
Kinsella, Eileen, ‘Music Legend Dickie Landry Has First Solo Painting Show at Fort Gansevoort’, on: www.news.artnet.com, New York NY, 1 June 2016
Peers, Alexandra, ‘Laughing Last: The Well-Earned Renaissance of Painter Mary Heilmann’, on: www.artspace.com, New York NY, 31 May 2016
Schachter, Kenny, ‘Kenny Schachter Deals in Difficult Times at New York Auction Week, Part II’, on: www.artnet.com, New York NY, 13 May 2016
Rothkopf, Scott, ‘A Curators Swift Ascendance Up the Whitney Museum’s Hierarchy’, in: ‘The New York Times’, New York NY, 3 May 2016
Drohojowska-Philp, Hunter, ‘Off the scale’, in: ‘Wallpaper’, London/UK, April 2016, pp. 234 – 242
Lopez, John ‘Hauser Wirth & Schimmel’s Ambitious New Gallery’, in: ‘Departures’, Los Angeles CA, 9 March 2016
Yablonsky, Linda, ‘A Moment Like This’, in: ‘Artforum’, Los Angeles CA, 4 April 2016
___,’ The Composer’, in: ‘Art News – The Icons Issue’, New York NY, March 2016, pp. Front Cover, 77 – 81
___, ‘Mary Heilmann exhibition, Whitechapel Gallery’, on: www.culturewhisper.com, London/UK, 25 February 2016
___, ‘“I Think We’re Changing Into a Tribal Nation”: A Converstaion with Dave HIckey on “25 Women”, on: www.imomus.com, New York NY, 16 February 2016
___, ‘Parker, Heilmann, and Homes are Guild Hall Academy Honorees’, on: www.easthamptonstar.com, East Hamptons NY, 4 February 2016 R. Myers, Terry, ‘Paintin 2.0: Expression in the Information Age’, on: www.brooklynrail.org, New York NY, 3 February 2016
Coomer, Martin, ‘The ten brightest exhibitions of 2016’, in: ‘Time Out London’, London/UK, 5 January 2016, pp. 44-45
___, ‘Mary Heilmann’, in: ‘Artforum’, New York NY, April 2016, pp. 190-205
Mason, Brook, ‘Breaking rules: Mary Heilmann bends the boundaries of what constitutes art’, on: www.wallpaper.com, November 9, 2015
__, ‘Artful lodgers’ on: www.wmagazine.com, New York, August, 2015
¬__, as told to Monica Kim, ‘Artist Mary Heilmann paints her…’, on: www.nymag.com, June 29, 2015
Bell, Kirsty, ‘Two by Two: Mary Heilmann David Reed’, on: www.frieze.com, June, 2015
Puleo, Risa, Mary Heilmann and David Reed join forces at the Hamburger Bahnhof, on: www.blouinartinfo.com/modern-painters, July 5, 2015
Bacon, Alex, ‘In Conversation. Mary Heilmann and David Reed with Alex Bacon’, in: www.brooklynrail.org, New York, July 2015
Alcorn, Chauncey, Cuestas, Gianluca, and Splendorio, Peter, ‘Ultimate Summer Guide 2015: Make summer in NYC a free-for-all with gratis museum days, concerts and more,’ on: www.nydailynews.com, New York NY, 20 June 2015
__, ‘Essentials: Catching up on NYC’s new attractions while remembering the classics,’ on: www.foxnews.com, New York NY, 11 June 2015
__, ‘Picks of the week,’ on: www.timesunion.com, Albany NY, 11 June 2015
Shiff, Richard, ‘Cliché and a lack of feeling: Richard Shiff explains why critics have failed painting,’ on: www.theartnewspaper.com, London UK, 5 June 2015
Segal, Mark, ‘The Art Scene: 06.04.15,’ on: www.easthamptonstar.com, East Hampton NY, 4 June 2015
Barylanski, Nicole, ‘Local Chefs Coming Together for Eileen’s Angels Art Auction and Garden Party,’ on: www.hamptons.com, Southampton New York, June 2015
Schacter, Kenny, ‘Kenny Schacter On How Art Dealing Has Become Greedy, Boring, and Mean-Spirited,’ on: www.artnet.com, New York NY, 26 May 2015
___, ‘Sunset. Mary Heilmann’s project for the Whitney Museum’, on: www.db-artmag.com, 20 May 2015, ill.
__, ‘Whitney Museum Names Scott Rothkopf as Chief Curator, Donna De Salvo as Senior Curator,’ on: www.artfixdaily.com, New York NY, 20 May 2015
Smith, Jennifer, ‘Whitney Museum, Still Focused on American Art, Looks to Raise Its Global Profile,’ on: www.wsj.com, New York NY, 19 May 2015
Forgione, Mary, ‘New York: Nine tips for dodging crowds, enjoying new Whitney Museum,’ on: www.latimes.com, Los Angeles CA, 19 May 2015
Battaglia, Andy, ‘The Frieze Art Fair, Frame by Frame,’ on: www.wsj.com, New York NY, 18 May 2015
__, ‘A vibrant new home for American art,’ on: www.cbsnews.com, New York NY, 18 May 2015
__, ‘Maze Runner,’ on: www.artforum.com, New York NY, 18 May 2015
Kane, Nancy, ‘Parish Retrospective Gets Up Close And Personal With Chuck,’ on: www.27east.com, Southampton NY, 12 May 2015
Gopnik, Blake, ‘At the Whitney, the Veteran Mary Heilmann Fill Our World’, on: www.news.artnet.com, 7 May 2015, ill.
Tome, Anna, ‘Nancy Haynes: anomalies and non-sequiturs,’ on: www.brooklynrail.org, Brooklyn NY, 7 May 2015
Barylski, ‘Paul McCartney, Alec Baldwin, Toni Ross, Eric Fischl, And April Gornik Featured in “Small Works, Big Artists” Benefit Exhibit,’ on: www.hamptons.com, Southampton NY, 5 May 2015
Rosenbaum, Lee, ‘“America Is Hard to See” Review: Old Favorites in Provocative New Company,’ on: www.wsj.com, New York NY, 5 May 2015
Saltz, Jerry and Wallace-Wells, David, ‘Jerry Saltz: Does the New Whitney Show That Modernism Never Really Happened in America?’ on: www.vulture.com, New York NY, 5 May 2015
Samet, Jennifer, ‘Beer with a Painter: Jason Karolak,’ on: www.hyperallergic.com, Brooklyn NY, 3 May 2015
von Klot, Kristina, ‘Malen wie die Beach Boys: Mary Heilmann und David Reed fuehren in Berlin einen lockeren Meisterdialog’, on: www.Monopol-magazin.de, Berlin, April 2015
Ortved, John, ‘Jeff Koons, David Schwimmer, Rachel Feinstein, and More Come Out to the New Musem Spring Gala,’ on: www.vogue.com, New York NY, 9 April 2015
Crow, Kelly, ‘The New Whitney Marks a Change in Museum Design,’ on: www.wsj.co, New York NY, 9 April 2015
Gordon, Amanda L., ‘Scene Last Night: Och-Ziff’s Brown, Jeff Koons, Kraus, Aby Rosen,’ on: www.bloomberg.com, New York NY, 9 April 2015
Heyman, Marshall, ‘Mastering the Art of the Party at the Whitney,’ on: www.wsj.com, New York NY, 21 April 2015
Pace, Gina, ‘Get a sneak peek inside the Whitney Museum’s new downtown home,’ on: www.nydailynews.com, New York NY, 23 April 2015
Chu, Christie, ‘Stefano Tonchi and Beth Rubin DeWoody Fête Max Mara’s New Whitney Museum Bag,’ on: www.artnet.com, New York NY, 23 April 2015
Yablonsky, Linda, ‘American Beauty,’ on: www.artforum.com, New York NY, 23 April 2015
Boucher, Brian, ‘Brian Boucher’s 10 Reasons To Be Excited About The New Whitney Museum,’ on: www.artnet.com, New York NY, 24 April 2015
Hoffman, Barbara, ‘The curators’ guide to the best art at the new Whitney,’ on: www.nypost.com, New York NY, 25 April 2015
Stoilas, Helen, ‘Director’s tour of the new Whitney Museum,’ on: www.theartnewspaper.com, New York NY, 30 April 2015
Yurick, Michaela, ‘New Whitney Museum Reopens Friday in Downtown Space,’ on: www.nbcnewyork.com, New York NY, 30 April 2015
Crow, Kelly, ‘The New Whitney Marks a Change in Museum Design’, on: www.wsj.com, 9 April 2015
__, ‘Mary Heilmann/David Reed,’ in: Weltkunst, Berlin Germany, April 2015, p. 112
Battaglia, Andy, ‘Weapons grade: The Armory Show looks to the Middle East,’ on: www.thenational.ae, Abu Dhabi United Arab Emirates, 12 March 2015
Pundyk, Anne Sherwood, ‘The Embrace of a Tie-Dyed Utopia,’ on: www.hyperallergic.com, Brooklyn NY, 12 January 2015
Cooper, Ashton, ‘Wangechi Mutu, Leslie Hewitt, and 32 Others Win $50,000 Grants From United States Artists,’ on: www.blouinartinfo.com, New York NY, 16 October 2014
__, ‘United States Artists Fellowship Grantees Announced,’ on: www.artforum.com, New York NY, 13 October 2014
Heilmann, Mary, ‘Mary Heilmann on Malevich,’ on: www.tate.org, London UK, 5 September 2014
Rosenberg, Karen, ‘“The Shaped Canvas, Revisited,”: Luxeumbourg & Dean,’ in: The New York Times, New York NY, 20 June 2014, p. C25
Szewczyk, Monika, ‘“Persian Rose Chartreuse Muse Vancouver Grey”: Equinox Gallery,’ in: Artforum, New York NY, Summer 2014, pp. 375-376
Jones, Justin, ’10 Works to See at the Armory Show in New York City’, on: www.thedailybeast.com, New York NY, 6 March 2014, ill.
Smith, Roberta, ‘A Dealer’s Eye, and Life,’ on: www.nytimes.com, New York NY, 16 January 2014
Kothenschulte, Daniel, ‘Auf Du mit Malewitsh: Mary Heilmann und Blinky Palermo in einer Binner Doppelausstellung’, in: Monopol, Berlin, Germany, pp. 128–129, ill.
Kliemann, Thomas, ‘Wer hat Angst vor Rot, Gelb und Blau?’ in: General Anzeiger, Bonn, vol. 123, no. 37, p. 11, ill.
Maine, Steven, ‘Mary Heilmann’s Good Vibrations’, on: www.hyperallergic.com, Brooklyn NY, 13 June 2013, ill.
Sachs, Britta, ‘Schöne grüne Welt’, in: Frankfurter Allgemeine Zeitung, 22 March 2013.
‘Good Vibrations’, in: Residence, 28 February 2013, p.142.
___, ‘Art meets Disco’, in: Blueprint, London UK, May 2013, p. 68, 6/6, ill.
Mückl, Christian, ‘ Auf dem Highway zur Halluzination’, in: Nürnberger Nachrichten, Nürnberg, 22 March 2013, p.17, ill.
Ruf, Birgit,’ Ein Platz für alle Wintermüden. Neues Museum geht in die Farb- Offensive: US-Künstlerin Mary Heilmann stellt aus’, in: Nürnberger Nachrichten, Nürnberg, 22 March 2013,p.6, ill.
___, ‘Klotzen mit Klecksen’, in: Süddeutsche Zeitung, Munich, 14 February 2013, ill.
___, ‘Mary Heilmann Künstlerische Welt’, in: Neue Zürcher Zeitung, Zurich, 10 February 2013, pp. 74-75, ill.
Samet, Jennifer, ‘Wild, Punk and Slightly Off-Kilter: An Interview with Mary Heilmann’, on: www.hyperallergic.com, New York NY, 12 January 2013
___, ‘Culture – We Love’, on: www.becauselondon.com, London, 20 March 2012
Lawrence-Jubb, Matilda, ‘London Art Exhibitions Cork Street Reviews’, in: ArtLyst.com, 19 March 2012
Coxhead, Gabriel, ‘Mary Heilmann’, in: Time Out, London, 15 March 2012, p. 51
Coombs, Dan, ’Mary Heilmann at Hauser & Wirth’, on: abstractcritical.com, London, 10 March 2012
Schroyer, Kaitlyn, ’Artist receives honorary degree’, in: The Informer, Hartford, 8 March 2012
McLean-Ferris, Laura, ’Mary Heilmann: Visions, Waves and Roads’, in: i, London, 8 March 2012, p. 38
McLean-Ferris, Laura, ’Mary Heilmann: Visions, Waves and Roads’, in: The Independent, London, 8 March 2012, p. 45
Güner, Fisun, ‘Art Review. Mary Heilmann: Visions, Waves and Roads’, in: Metro, London, 5 March 2012, p. 42
___, ’Mary Heilmann Visions, Waves and Roads @ Hauser & Wirth Gallery, London’, in: Looking Sideways, Brighton, 17 February 2012
Williams, Holly,’Taken to the max’, in: The Independent on Sunday, London, 26 February 2012, pp. 38- 41
Basciano, Oliver, ‘Now Buy This’, in: Art Review, London, March 2012, p. 20.
___, ‘Contributors’, in: Art Review, London, March 2012, pp. 20, 78, 80, 83
O’Neill-Butler, Lauren, ’Mary Heilmann’, on: Artforum online, New York, 20 February 2012,
___, ’Mary Heilmann’, in: Mousse, Milan, February/March 2012, p. 230
___, ’Mary Heilmann’s pop Postmodern Icons (PHOTOS)’, on: www.huffingtonpost.com, New York, 10 February 2012
___, ’10 to See’, in: Aesthetica, London, February/March 2012, p. 24
___, ‘Exhibition diary’, in: The World of Interiors, London, March 2012, p. 160
Lee, Helena, ‘Talking Points. Why don’t you…?’, in: Harper’s Bazaar, London, March 2012, p. 209
___, ‘The Indiscipline of Painting’, in: Art Monthly, London, February 2012, pp. 27, 28
___, ‘Art News. The latest discoveries, exhibits and must-sees in the art world this month’, in: The Mayfair Magazine, London, February 2012, p. 39
___, ’Mary Heilmann’, in: Modern Painters, New York, February 2012, p. 22
___, ’Mary Heilmann: ‚Visions, Waves and Roads’, in: i, London, 30 December 2011, p. 33
Rosenberg, Karen, ‘All Nooks, Crannies, Bedrooms and Trees Are Backdrops for Art’, in: The New York Times, New York, 8 August 2011
‘Paul Clay’, in: New Yorker, 1 August 2011
Henderson, Stephen, ‘There’s Something About Mary’, in: Hamptons Cottages and Gardens, Norwalk CT, July 2011, pp. 72-79
MacAdam, Barbara, ‘The Parallax View’, in: Artnews, April 2011
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Lund, Hayley, ‘Resident Artist’, in: The sag Harbor Express, 31 March 2011
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Butter, Tom, ’112 Greene Street A Nexus of Ideas in the Early 70s’, in: Whitehot Magazine of Contemporary Art. January 2011
Domitz, Chet, ‘Mary Heilmann’s Horizon’, in: Art & Education, 11 January 2011
Myers, Terry R., ‘In Conversation: Deborah Kass with Terry R. Myers’, in: The Brooklyn Rail, New York, September 2010
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‘Waves Breaking: Little Ones and Big Ones’, in: Frieze, June-July 2010, p.196
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Falconer, Morgan, ‘High Times, Hard Times’, in: Frieze, London, June-July 2007, p. 253
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Armetta, Amoreen, ‘Three for Society’, in: Time Out New York, New York NY, 5-11 July 2007, p. 77
Cotter, Holland, ‘The Week Ahead’, in: The New York Times, 10 June 2007
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Bui, Pong, ‘Katy Siegel and David Reed’, in: The Brooklyn Rail, New York NY, February 2007
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CKH, ‘Post Modern. Greene Naftali (Preview)’, in: Modern Painters, London, March 2005, p. 98
___, ‘Review’, in: New Yorker, 21 March 2005
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___, ‘Art in Paradise’, in: Avenue, July 2004, pp. 45–64
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Sheets, Hilariem, ‘Of Voices and No Comments’, in: New York Times, 28 March 2004
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___, ‘Mary Heilmann: All Tomorrow’s Parties’, in: Pharma Time, Vienna, August 2003
Jäger, Susanne, ‘Der Triumph des Dilettantismus’, in: Voralberger Nachrichten, Schwarzach, 23 August 2003
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Melchart, Erwin, ‘Abstrakt, surreal und goldenes Stroh’, in: Kronen Zeitung Wien, Vienna, 5 August 2003
Scheyerer, Nicole, ‘Heiterkeit gegen Heroen’, in: Falter, Vienna, no. 29, 18-24 July 2003, p. 57
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Krumpl, Doris, ‘Abstrakte Malerei, remixed’, in: Der Standard, Vienna, 4 July 2003, p. 26
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___, ‘Kunst’, in: Falter, Vienna, no. 27, 4 July 2003
___, ‘Sendung: Kulturjournal’, on: TV Channel ö 1, Vienna, 3 July 2003
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___, ‘Mary Heilmann at Douglas Hyde Gallery’, in: In Dublin, Dublin, April-May 2003, p. 56
Dunne, Aidan, ‘A promiscuous mixing of styles’, in: The Irish Times, Dublin, 16 April 2003
___, ‘Abstract Tyranny’, in: The Dubliner, Dublin, 2003, p. 30
___, ‘The House of Fiction’, in: Anzeiger von Uster, Uster, 6 May 2002, p. 21
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Spinelli, Claudia, ‘Ohne falsche Scham’, in: Neue Zürcher Zeitung, Zurich, no. 268, 17-18 November 2001, p. 46
___, ‘Galerie Hauser & Wirth’, in: Handelszeitung, Zurich, no. 46, 14 November 2001, p. 29
Ruyter, Lisa, ‘Top Ten’, in: Artforum International, New York NY, vol. XL, no. 1, September 2001, p. 48
Higgie, Jennifer, ‘Mary Heilmann. Camden Arts Centre’, in: Frieze, London, vol. 60, June -July 2001, p. 106
Scheyerer, Nicole, ‘Kunst kurz’, in: Falter, Vienna, no. 22, May 2001, p. 64
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___, ‘Mary Heilmann’, in: Time Out Magazine, Art Previews, London, 11-13 April 2001, 2001
Searle, Adrian, ‘Excess all areas’, in: The Guardian Newspaper, London, 10 April 2001, p. 12 – 13
Coomer, Martin, ‘Mary Heilmann, Camden Arts Centre’, in: Time Out, London, 25 April-2 May 2001, p. 54
Koether, Jutta, ‘Pat Hearn, NYC (1955-2000)’, in: Texte zur Kunst, Berlin, vol. 11, no. 41, March 2001, p. 200-202
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___, ‘Contributors’, in: Artforum, New York NY, vol. XXXIX, no. 6, February 2001, p. 18, ill.
Heilmann, Mary, ‘O Pioneer! Mary Heilmann on Pat Hearn’, in: Artforum, New York NY, vol. XXXIX, no. 6, February 2001, pp. 35-36
Pühringer, Alexander, ‘Zwischen nichts und allem ist es nicht weit’, in: Frame, Vienna, no. 5, January- February 2001, p. 104-107
Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: Sihltaler, Adliswil, 31 May 2000, p. 25
Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: March Höfe Zeitung, Lachen, 31 May 2000, p. 25
Kraft, Martin, ‘Mary Heilmann im Kunstmuseum’, in: Der Landbote, Winterthur, 26 May 2000, p. 21
___, ‘Komplexe Farbigkeit’, in: St.Galler Nachrichten, St.Gall, 11 May 2000, p. 30
Hoffmann, Gabriele, ‘Ytong-Stein in Legoland’, in: Tageszeitung, Berlin, 2 May 2000, p. 14
Engler, Martin, ‘Materialwirbel mit Shakespeare’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 96, 25 April 2000, p.54
___, ‘Zwei Amerikanerinnen in St.Gallen’, in: Zürichsee-Zeitung, Zurich, 22 April 2000, p. 19
___, ‘Inhalt erlaubt: Mary Heilmann in St.Gallen’, in: Vorarlberger Nachrichten, Bregenz, 8-9 April 2000, p. D7
Pichler, Karlheinz, ‘Wenn Vorstellungskraft und Material zum Stelldichein bitten’, in: Kultur, April 2000, pp. 30-31
___, ‘Jessica Stockholder. Mary Heilmann’, in: Schweizer Monatshefte, Zurich, April 2000, p. 55
Wäspe, Roland, ‘New York, New York. Jessica Stockholder und Mary Heilmann im Kunstmuseum St. Gallen’, in: Saiten, St. Gall, vol. 7, no. 73, April 2000, pp. 62-63
Badrutt Schoch, Ursula, ‘Strassen und Frühlingsrollen. Mary Heilmanns Malerei im Kunstmuseum St. Gallen’, in: Bodensee Tagblatt, Arbon, 31 March 2000, p. 22
Schaufelberger, Peter E., ‘Dem Gebrauchswert entrückt’, in: Südkurier, Konstanz, no. 71, 25 March 2000
Basting, Barbara, ‘Landschaft mit Parkbank und Duplosteinen’, in: Zürcher Tages-Anzeiger, Zurich, 25 March 2000, p. 55
___, ‘Freundschaftlich gegensätzlich’, in: Der Landbote, Winterthur, 22 March 2000, p. 21
___, in: Appenzeller Zeitung, Herisau, 17 March 2000, p. 57
___, in: St. Galler Tagblatt, Gossau, 17 March 2000, p. 49
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Jerichow, Regina, ‘Spielerischer Sieg über die Strenge’, in: Nordwest-Zeitung, 16 March 2000
___, in: Nordwest-Zeitung, 13 March 2000
Schicke, Sabine, ‘Als Rebellin in der Malerei Farbe bekannt’, in: Nordwest-Zeitung, 11 March 2000
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___, ‘Schweizer Ausstellungen. Experimentelle Einfachheit’, in: Neue Zürcher Zeitung, Zurich, no. 77, March 2000, p. 66
Casadio, Mariuccia, ‘Decopainting’, in: Vogue Italia, Milan, no. 595, March 2000
Molinari, Guido, in: Flash Art, Milan, vol. XXXIII, no. 220, February-March 2000
___, in: Vogue Italia, Milan, Supplement to no. 591, November 1999
Maurer, Simon, ‘Neugier’, in: Züritipp, Zurich: TA-Media AG, Zurich, 9 April 1999
Bleckner, Ross, ‘Mary Heilmann’, in: Bomb. The Arts and Culture Quarterly, New York NY, no. 67, Spring 1999, pp. 56-63
Davis, Whitney, ‘Männerphantasien’, in: Texte zur Kunst, Cologne, vol. 8, no. 31, September 1998, pp. 72-81
___, in: The New Yorker, New York NY, 13 April 1998
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Pedersen, Victoria, ‘Gallery Go `Round: Short List’, Paper Magazine, April 1998
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Johnson, Ken, ‘Mary Heilmann’, in: The New York Times, New York NY, vol. CXLVII, no. 51,109, 27 March 1998, p. E39
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Myers, Terry R., ‘Mary Heilmann at Richard Telles’, in: LA Weekly, Los Angeles LA, vol. 19, no. 49, 31 October–6 November, 1997, p. 51
Pagel, David, ‘A Decisive Collection That’s the Picture of Ease’, in: Los Angeles Times, Los Angeles LA, 17 October 1997, p. F30
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___, ‘Space Craft’, in: Interview Magazine, August 1997, pp. 114-115
Imdahl, Georg, ‘Die das Blau zum Glühen bringt. Konkrete Kunst voll Charme und Temperament: Die amerikanische Malerin Mary Heilmann in Zürich’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 158/28D, 11 July 1997, p. 36
VN-kapi, ‘Vor saftiger Vitalität strotzend. Arbeiten von Mary Heilmann im Zürcher Haus für konstruktive und konkrete Kunst’, in: Vorarlberger Nachrichten, Bregenz, 28 June 1997, p. 72
Zwez, Annelise, ‘Mit Lust wider die strenge Geometrie’, in: Schaffhauser Nachrichten, Schaffhausen, 20 June 1997, p. 13
afk, ‘This and that. Mary Heilmann im Haus für konstruktive und konkrete Kunst’, in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 139, 19 June 1997, p. 54
___, ‘Mary Heilmann in Zürich’, in: Cash, Zurich, 13 June 1997, p. 61
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sfd, ‘Zürich: Mary Heilmanns anarchische Geometrie’, in: Der Landbote, Winterthur, 5 June 1997, p. 17
Zwez, Annelise, ‘Vital. die erste europäische Museumsausstellung von Mary Heilmann in Zürich. Mit dem Gestus subversiver Lust wider die Strenge der Geometrie’, in: Aargauer Zeitung, Baden, 3 June 1997, p. 57
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Maurer, Simon, ‘Gepunkteter Likör, naturhaft komponiert. Mary Heilmann in Zürich’, in: Tages-Anzeiger, Zurich: TA Media AG, vol. 105, no. 124, 2 June 1997, p. 63
sfd, ‘Hollywood, Poesie und Jazz von Mary Heilmann. Im Zürcher Haus für konstruktive und konkrete Kunst’, in: Anzeiger von Uster, Uster, 2 June 1997, p. 21
sfd, ‘Hollywood, Poesie und Jazz von Mary Heilmann. Im Zürcher Haus für konstruktive und konkrete Kunst’, in: Der Zürcher Oberländer, Wetzikon, 2 June 1997, p. 21
___, ‘Abstrakte Sprache’, in: Annabelle, Zurich, no. 10, 16 May 1997, p. 19
Kurjakovic, Daniel, ‘Herzergreifende Abstraktion. Malerei von Mary Heilmann und Juan Uslé in Zürich’, in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 109, 14 May 1997, p. 54
___, ‘Mary Heilmann in der Galerie Hauser & Wirth und in der Stiftung für konstruktive und konkrete Kunst’, in: Kunst-Bulletin, Zurich, no. 5, May 1997, p. 50
Goodrow, Gérard A., ‘Painting I and II’, in: ARTnews, New York NY, vol. 95, no. 8, September 1996, p. 142
Smith, Roberta, ‘The Gallery Doors Open to the Long Denied’, in: The New York Times, New York NY, vol. CXLV, no. 50’439, 26 May 1996, Sec2, pp. 1, 29
Smith, Roberta, ‘ ‘Screen‘: Petzel Gallery’, in: The New York Times, New York NY, vol. CXLV, no. 50,325, 2 February 1996, p. C26
Hucko, Leslie, ‘Clothing with Culture. Cristenerose Gallery’, in: I.D. Industrial Design Magazine, New York NY, vol. 43, no. 1, January-February 1996
Pagel, David, ‘Mary Heilmann & Elizabeth Cannon: Cristinerose New York’, in: Frieze, London, no. 26, January-February 1996, p. 74-75
Humphrey, David, ‘New York Fax’, in: Art Issues, Los Angeles LA, no. 40, November-December 1995, pp. 30-31
Smith, Roberta, ‘Heading West, with Canvases’, in: The New York Times, New York NY, vol. CXLV, no. 50,248, 17 November 1995, p. C28
Feldman, Melissa, ‘Painting Supports my Ceramics Habit’, in: Women’s Art Magazine, November 1995, pp. 12-13
Yablonsky, Linda, ‘Mary Heilmann at Pat Hearn Gallery’, in: Time Out, New York NY, no. 3, 11-18 October 1995
Doove, Edith, ‘Mary Heilmann – Zeno X, Antwerpen’, in: Metropolis M, Amsterdam, no. 3, May-June 1995, pp. 48-49
Doove, Edith, ‘Mary Heilmann: De Rechte is Krom’, in: Urudag, 5 May 1995
Doove, Edith, ‘Mary Heilmann. De Techte is Krom’, in: Artsenkrant, no. 863, May 5, 1995
Lambrecht, Luk, ‘Een Feest Met Gekleurde Ballen’, in: De Morgen, Brussel, 25 April 1995
Avgikos, Jan, ‘In With the Out Crowd’ (review Whitney Biennial), in: Artforum, New York NY, vol. XXXIII, no. 7, March 1995, pp. 12
Goldberger, Paul, ‘The Next 15 Minutes in Art are in His Hands’, in: The New York Times Magazine, New York NY, 25 February 1995
van Siclen, Bill, ‘Geometric Art Crosses the Line of Convention’, in: The Providence Journal Bulletin, Weekend Section: Lifebeat, 10 February 1995
Breen, Allison, ‘Toward the Real. New Abstraction in America’, in: Vytvarne Umeni, Prague, no. 1, January-February 1995, pp. 163-172
Schmidt, Konrad, ‘Geometrie und Leben’, in: Ruhr Nachrichten, Dortmund, 20 October 1994
Schmidt, Konrad, ‘Quadrate und Punkte ergänzen sich im Spiel der Elemente’, in: Ruhr Nachrichten, Dortmund, 15 October 1994
Joselit, David, ‘Mary Heilmann. Embodied Grids’, in: Flash Art, Milan, vol. XXVII, no. 178, October 1994, pp. 69-71, Cover
Donohoe, Victoria, ‘Painting and Ceramics by Mary Heilmann at Beaver College’, in: The Philadelphia Inquirer, 25 September 1994
Rosenthal, Mark, ‘Critique of Pure Abstraction. Mary Heilmann’, in: Atelia International, no. 810, August 1994, pp. 86-87
Denton, Monroe, ‘Mary Heilmann’s Greatest Hits’, in: Arti, Art Today, Athens, vol. 20, May-July 1994, pp. 140-149
___, ‘Soft Geometry’, in: The New Yorker, New York NY, vol. 70, no. 13, 16 May 1994, p. 20
Cotter, Holland, ‘‘Greatest Hits’‘ (review Pat Hearn Gallery), The New York Times, New York NY, vol. CXLIII, no. 49,695, 13 May 1994, p. C26
Schwabsky, Barry, ‘Mary Heilmann’, in: American Ceramics, New York NY, vol. 11, no. 2, Spring 1994, pp. 34-39
Kuspit, Donald, ‘Neo-News is No News: The Broken Mirror’, in: Artforum, New York NY, vol. XXXII, no. 3, November 1993, pp. 87-88, 131
Westfall, Stephen, ‘Patterns of Sensibility’, in: Art in America, New York NY, vol. 81, no. 11, November 1993
Pagel, David, ‘Strange Bedfellows’, in: The Los Angeles Times, Los Angeles LA, November 1993
Dannat, Adrian, ‘Spotlight: The Broken Mirror’, in: Flash Art, Milan, vol. XXVI, no. 172, October 1993
Searle, Adrian, ‘The Broken Mirror‘, in: Frieze, London, no. 12, September-October 1993
___, ‘Cherchez La Femme Peintre’ (inquiry), in: Parkett, Zurich: Parkett-Verlag, no. 37, September 1993, pp. 127-128, 138-139
Levin, Kim, ‘Voice Choices: Mary Heilmann’, in: The Village Voice, New York NY, vol. XXXVIII, no. 21, 19-25 May 1993, p. 67
Myers, Terry, in: Art Issues, Los Angeles LA, Spring 1993
___, ‘Goings On About Time’, in: The New Yorker, New York NY, 12 October 1992
Stockholder, Jessica, ‘In the Studio: Mary Heilmann’, in: Artforum, New York NY, vol. XXXI, no. 1, September 1992, pp. 76-77
___, ‘The Question of Gender in Art’ (inquiry), in: Tema Celeste, Syracuse/IT, no. 37-38, special issue, Autumn 1992, p. 63
Cotter, Holland, in: New York Times, New York NY, 26 June 1992
Murphy, Mary, ‘Consciousness in the Abstract’, in: New York Examiner, New York NY, June 1992
Liebmann, Lisa, ‘Slow Art at P.S.1’, in: Interview, May 1992
Myles, Eileen, ‘Mary Heilmann at Pat Hearn’, in: Art in America, New York NY, vol. 79, no. 10, pp. 147-148
Weinstein, Matthew, ‘Mary Heilmann – Pat Hearn Gallery’, in: Artforum, New York NY, vol. XXX, no. 1, September 1991, pp. 127-128
Kaneda, Shirley, ‘Painting and Its Others. In the Realm of the Feminine’, in: Artforum, New York NY, vol. XXIX, no. 10, Summer 1991
___, ‘Goings On About Town’, in: The New Yorker, New York NY, 13 May 1991
Levin, Kim, ‘Voice Choices: Mary Heilmann’, in: The Village Voice, New York NY, vol. XXXVI, no. 19, 1-7 May 1991, p. 95
Pagel, David, ‘The Ends of Painting. The Edgess of Abstraction’, in: Artspace, Albuquerque, January-February 1991
Schmidt, Eva, ‘Mary Heilmann, Jessica Stockholder’, in: Kunstforum International, Ruppichteroth, no. 111, January-February 1991, pp. 359-360
Schwabsky, Barry, ‘Mary Heilmann’, in: Arts Magazine, New York NY, vol. 65, no. 1, September 1990, p. 84
Artner, Alan, in: Chicago Tribune, Chicago CA, 27 April 1990
Temin, Christine, ‘Abstraction That Screams’, The Boston Globe, Boston MA, 25 April 1990
Enders, Alexandra, in: Art & Antiques, New York NY, April 1990
Carrier, David, ‘Abstract Working Spaces’, in: Art International, Paris, no. 10, Spring 1990, p. 68-70
Baker, Kenneth, in: The San Francisco Chronicle, San Francisco CA, 1 February 1990
Myers, Terry, in: Flash Art, Milan, January 1990
Zimmer, William, ‘Geometry. Sometimes Garish’, in: The New York Times (New Jersey Edition), New York NY, 10 December 1989
McCoy, Pat, ‘A Modern Lexicon. The Work of Mary Heilmann’, in: Arts Magazine, New York NY, vol. 64, no. 3, November 1989, pp. 48-51
Ettlinger, Catherine, ‘High color’ (only illustration), in: American Home, New York NY, Fall/Winter 1989, pp. 90-91
Yau, John, ‘Official Policy. Toward the 1990s with the Whitney Biennial’, in: Arts Magazine, New York NY, vol. 64, no. 1, September 1989, pp. 50-54
(illustration), in: Bijutsu Techo, Tokyo, vol. 40, no. 592, March 1988, p. 85
Spector, Nancy, in: Artscribe International, London, January 1988
Goldberg, Sally, in: ARTnews, New York NY, February 1987
Leibmann, Lisa, M.B.A. ‘Abstractionism’, in: Flash Art, Milan, January 1987
Yau, John, ‘Mary Heilmann. Pat Hearn Gallery ‘, in: Artforum, New York NY, vol. XXV, no. 5, January 1987, p. 109
Zimmer, William, ‘A Rarefied Atmosphere in the Feisty East Village’, in: The New York Times, New York NY, vol. CXXXVI, no. 46,951, 7 November 1986, p. C27
Armstrong, Richard, ‘Donald Judd, Blum Helman Gallery; Mary Heilmann, the Clocktower’ (review), in: Artforum, New York NY, vol. XXII, no. 7, March 1984, pp. 90-91
Raynor, Vivian, ‘Forms That Function’, in: The New York Times, New York NY, 1984
Dobson, Donna, ‘Gallery Round Up’, in: The Bulletin, November 1977
Salle, David, in: Arts Magazine, New York NY, December 1976
Zucker, Barbara, in: ARTnews, New York NY, November 1976
Perrault, John, ‘Women Ain’t Losers’, in: SoHo Weekly News, New York NY, September 1976
Elderfield, John, ‘Grids’, in: Artforum, New York NY, May 1972
Ratcliffe, Carter, in: ARTnews, New York NY, March 1971
Glueck, Grace, in: The New York Times, New York NY, November 1970
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