Matthew Day Jackson

Matthew Day Jackson is an American artist whose multifaceted practice encompasses sculpture, painting, collage, photography, drawing, video, performance and installation. Born in Panorama City, California, in 1974 and currently living and working on the East Coast, his art grapples with big ideas such as the evolution of human thought, the fatal attraction of the frontier and the faith that man places in technological advancement. In particular, his work addresses the myth of the American Dream, exploring the forces of creation, growth, transcendence, and death through visions of its failed utopia.

Individual sculptures and paintings interconnect with each other to create complex scenarios that revisit history and reassemble its narratives. Frequently monumental, his work imposes not only on a large physical scale, but also conceptually, occupying an intellectual terrain that reaches from ancient history to outer space exploration and discovery. He utilizes a familiar iconography, recycling culturally loaded images such as the geodesic structures of Buckminster Fuller, mankind’s first steps on the moon, and the covers of LIFE magazine from the ‘60s and ‘70s, cross-pollinating these and mixing them with numerous references from art history.

Jackson depicts these using the world around him: scorched wood, molten lead, mother-of-pearl, precious metals, formica, and found objects such as worn T-shirts, prosthetic limbs, axe handles and posters. These diverse materials resonate with symbolism, combining apocalyptic elements with the fruits of new technologies, historical imagery with contemporary ingredients. In his art, ideas are granted physical form, and it is in the clash between the two, in the material impact of idealist thought, that it derives its force. The critic Jeffrey Kastner has noted that his works locate ‘startling beauty in their counterintuitive material juxtapositions.’ However for Jackson, beauty is frequently partnered by desolation. His work explores a concept that he terms ‘the Horriful’; the belief that everything one does has the potential to bring both beauty and horror.

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Matthew Day Jackson


Print Biography
Panorama City CA, 1974

BFA, University of Washington, Seattle WA, 1997
MFA, Mason Gross School of the Arts, Rutgers University, New Brunswick NJ, 2001
NHRA License, Frank Hawley’s Drag Racing School, Gainesville FL, 2009

Lives and works in Brooklyn NY

Selected Solo Exhbitions

Camille Obering Fine Art, ‘Matthew Day Jackson: Waterfalls & Birds,’ Wilson WY
Hauser & Wirth, ‘Matthew Day Jackson. Flowers, Windows and Thistles,’ Zurich, Switzerland
Serlachius Museums, ‘Matthew Day Jackson: Maa,’ Mantta, Finland
Hauser & Wirth Somerset, ‘Matthew Day Jackson. Pathetic Fallacy,’ Bruton, UK
Hauser & Wirth, ‘Still Life and the Reclining Nude,’ London, UK
Qiao Space, ‘Matthew Day Jackson. New Landscape,’ Shanghai, China
Grimm Gallery, ‘Gunshot Plywood Bronze Works,’ Amsterdam, Netherlands
Studio des Acacias, ‘New American Art’, Paris, France
Grimm Gallery, ‘Core and Strip’, Amsterdam, Netherlands
Savannah College of Art and Design Atlanta, ‘There Will Come Soft Rains’, Atlanta GA
Hauser & Wirth Zurich, ‘Family’, Zurich, Switzerland
Hauser & Wirth 18th Street, ‘Something Ancient, Something New, Something Stolen, Something Blue’, New York NY
Southwood Garden, St James’s Church, ‘Hauser & Wirth Outdoor Sculpture: Matthew Day Jackson’, London, England
ZKM Museum of Contemporary Art, ‘Total Accomplishment’, Karlsruhe, Germany
Gemeentemuseum, ‘In Search of…’, The Hague, Netherlands
Grimm Gallery Amsterdam, Amsterdam, Netherlands
Hauser & Wirth London, ‘Everything Leads to Another’, London, England
Kunstmuseum Luzern, ‘In Search of…’, Lucerne, Switzerland
MAMbo, ‘In Search of…’, Bologna, Italy
Peter Blum Chelsea New York, ‘In Search of…’, New York NY
Peter Blum Soho New York, ‘The Tomb’, New York NY
Contemporary Arts Museum, ‘The Immeasurable Distance’, Houston TX
Douglas Hyde Gallery, ‘High, Low, and In Between’, Dublin, Ireland
Galerie Emmanuel Perrotin, ‘Gezellig’, Miami FL
Grimm Fine Art, ‘Dynamic Maximum Tension’, Amsterdam, Netherlands
MIT List Visual Art Center, ‘The Immeasurable Distance’, Cambridge MA
Nicole Klagsbrun, ‘Drawings from Tlön’, Manhattan NY
Peter Blum Chelsea, ‘Terranaut, Paintings and Sculpture’, Manhattan NY
The Blanton Museum of Art, Workspace: Matthew Day Jackson, ‘Paradise Now! (The Salvage)’, Austin TX
Mario Diacono at Ars Libri, ‘Diptych’, Boston MA
Perry Rubenstein Gallery, ‘The Lower 48’, Manhattan NY
Cubitt Artists Space, ‘Paradise Now! (Limbo) featuring “Looking for Mother Nature”’, London, England
Mario Diacono at Ars Libri, ‘Oracle (Days of Future Passed)’, Boston MA
Portland Institute of Contemporary Art, ‘Paradise Now!’, Portland OR
Perry Rubenstein Gallery, ‘Matthew Day Jackson’, Manhattan NY
The Locker Plant, Chinati Foundation, ‘By No Means Necessary’, Marfa TX
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Selected Group Exhibitions

What Museum 2F, ‘OKETA COLLECTION. Marriage: From Antiques to Contemporary Art,’ Tokyo, Japan
Lismore Castle Arts, ‘Light and Language,’ Waterford, Ireland
Fairfield University Art Museum, ‘Birds of the Northeast: Gulls to Great Auks,’ Fairfield CT
Projectspace on the Inside, 'Fragments of Sphere', Amsterdam, The Netherlands
Ludwig Forum für Internationale Kunst, ‘Bon Voyage! Reisen in der Kunst der Gegenwart,’ Aachen, Germany
Hauser & Wirth, ‘Artists for New York’ New York NY
21st Century Museum of Contemporary Art, ‘The World: From The OKETA COLLECTION,’ Kanazawa, Japan
Moody Center for the Arts, ‘Moon Shot,’ Houston TX
Drents Museum Assen, ‘Glass Palace’, Assen, Netherlands
Van Goghhuis, ‘After Van Gogh’, Zunden, Netherlands
Museum Kranenburgh, ‘Naked’, Bergen, Netherlands
Firstsite, ‘Bronze Age c. 3500 BC – AD 2018,’ Colchester, England
Museum of Contemporary Art Tucson, 'Blessed Be. Mysticism, Spirituality and the Occult in Contemporary Art', Tucson, Texas
Yorkshire Sculpture Park, ‘Open Air’, West Bretton, UK
Hauser & Wirth, ‘Portable Art: A Project by Celia Forner’, New York NY
Sargent’s Daughters, ‘The Coverly Set’, New York NY
Vicki Myhren Gallery, ‘Dusk to Dusk’, University of Denver, Denver CO
Musée Rath, ‘Le Retour des Ténèbres’, Geneva, Switzerland
College of Wooster Art Museum, ‘Dusk to Dusk’, Wooster OH
Invisible-Exports, ‘Clifford Owens: Hard & Fast’, New York NY
The former Los Angeles Metropolitan Medical Center, ‘Human Condition’, Los Angeles CA
Passerelle Centre d’art contemporain, ‘Naturally Obscure,’ Brest, France
Venus over Los Angeles, ‘Piston Head II’, Los Angeles CA
John Wolf Art Advisory & Brokerage, ‘Human Condition’, Los Angeles CA
Performance Ski, ‘Mount Analogue’, Aspen, CO
Holiday Forever, ‘Invocation/Remnant’, Jackson Hole, WY
Jack Shainman Gallery, ‘For Freedoms’, New York NY
Collezione Maramotti, ‘Industriale Immaginario’, Reggio Emilia, Italy
Oakland Museum of Art, ‘TAHOE: Art of the Lake Tahoe Region’, Oakland CA
Joods Historisch Museum, ‘Excavating The Contemporary’, Amsterdam, Netherlands
Hauser & Wirth, ‘Salon d’Hiver’, Zurich, Switzerland
Museum Beelden aan Zee, ‘Skelet: De armatuur van het lichaam in de hedendaagse beeldhouwkunst’, The Hague, The Netherlands
Zuecca Project Space, ‘Heartbreak Hotel’, Venice, Italy
Nevada Museum of Art, ‘TAHOE: Art of the Lake Tahoe Region’, Reno NV
Hiroshima City Museum of Contemporary Art, ‘A Birds’s-eye View of the World’, Hiroshima, Japan
Kunstmuseum Luzern, ‘Face to Face. Füssli, Böcklin, Rondinone and Others’, Lucerne, Switzerland
Samek Art Museum, ‘Dusk to Dusk’, Lewsberg PA
Otis College of Art and Design, ‘Dusk to Dusk’, Los Angeles CA
Astrup Fearnley Museet, ‘Works from the Astrup Fearnley Collection’, Oslo, Norway
Grimm Gallery, ‘Trieste’, Amsterdam, The Netherlands
Grimm Gallery, ‘Huidige zaken’, Amsterdam, The Netherlands
Lille 3000, ‘Secret Passions. Private Flemish Collections’, Euralille, France
Museum für Gegenwartskunst Siegen, ‘What Models Can Do’, Siegen, Germany
Museum of Fine Arts, ‘National Pride (and Prejudice)’, Boston MA
Susan Inglett, ‘American Beauty’, New York NY
Galerie Perrotin, ‘Happy Birthday Galerie Perrotin / 25 ans’, Lille, France
Gemeentemuseum Den Haag, ‘Anatomische Les – Van Rembrandt tot Damien Hirst’, The Hague, Netherlands
i8 Gallery, ‘Works on Paper‘, Reykjavik, Iceland
Marianne Boesky, ‘Trieste’, New York NY
Collezione Maramotti, ‘Archetypes and Historicity: Painting and Other Radical Forms 1995 – 2007 by Mario Diacono’, Reggio Emilia, Italy
David Roberts Art Foundation, ‘A House of Leaves’, London, England
Federica Schiavo Gallery, ‘Trieste’, Rome, Italy
Fundacíon Banco Santander, ‘Paintings from the Rubell Family Collection’, Madrid, Spain
Hauser & Wirth, “Science on the back end”: Artists selected by Matthew Day Jackson, New York NY
Mendes Wood, ‘Repeat to Fade’, Sao Paolo, Brazil
Musée d’Art Contemporain, ‘Zoo’, Quebec, Canada
Public Art Fund, ‘Common Ground’, New York NY
Saatchi Gallery, ‘Out of focus: Photography’, London, England
Vanhaerents Art Collection, ‘Sympathy for the Devil’, Brussels, Belgium
Ballroom Marfa, ‘Autobody: Featuring North of South West of East’, Marfa, TX
CAB Bastille Art Center, ‘T.O.E Synergies en résonance’, Grenoble, France
Cranbrook Art Museum, ‘No object is an Island: New Dialogues with the Cranbrook Collection’, Bloomfield Hills MI
Gyeongnam Art Museum, ‘American Chambers: 20 American Contemporary Artists’, Gyeongnam, South Korea
The House of the Nobleman, ‘The Return’, London, England
Palazzo Grassi, Francois Pinault Foundation, ‘The World belongs to you’, Venice, Italy
Rubell Family Collection / Contemporary Arts Foundation, ‘American Exuberance’, Miami FL
Van Abbemuseum, ‘The Collectors Show’, Eindhoven, Netherlands
Vanhaerents Art Collection, ‘Sympathy for the Devil’, Brussels, Belgium
Walker Art Center, ‘The Spectacular of Vernacular’, Minneapolis MN
Whitney Museum of American Art, ‘Singular Visions’, New York NY
Zabludowicz Collection, ‘The shape we’re in (London)’, London, England
Centre d’Art contemporain Passages, ‘Storytellers’, Troyes, France
Musee Maillol, ‘C’est la vie: de caravage a Damien Hirst’, Paris, France
Nicole Klagsbrun Gallery, ‘(LEAN)’, New York NY
Palais des Arts et du Festival, ‘Hope!’, Dinard, France
Philips de Pury’s Space, Saatchi Gallery, ‘The Franks-Suss Collection’, London, England
Plymouths Art Centre, ‘Alejandro Jodorowsky’s “Dune”: An Exhibition of a Book That Never Was’, Plymouth, England (Travelling Exhibition)
Princeton University Art Museum, ‘Nobody’s Property: Art, Land, Space, 2000-2010’, Princeton NJ
Rosenblum Collection, ‘Born in Dystopia’, Paris, France
Rubell Family Collection Contemporary Arts Foundation, ‘How Soon Now’, Miami FL
Ullens Center for Contemporary Art, ‘Roundtrip: Beijing – New York, New Selections from the Domus Collection’, Beijing, China
Art Unlimited Basel, Basel, Switzerland
The Drawing Room, ‘Alejandro Jodorowsky’s “Dune”: An exhibition of a film of a book that never was’, London, England (Travelling Exhibition)
Hayward Gallery Project Space, ‘Deceitful Moon’, London, England
Louisiana Museum of Modern Art, ‘The World Is Yours’, Humlebæk, Denmark
Nicole Klagsbrun Gallery for FIAC, ‘Matthew Day Jackson/Rashid Johnson’, Paris, France
Palazzo Grassi / Punta della Dogana, ‘Mapping the Studio: Artists from the François Pinault Collection’, Venice, Italy
Contemporary Art Museum, ‘The Old, Weird America’, Houston TX
Gallerie Xippas, ‘Palimpset’, Paris, France
Henry Art Gallery, University of Washington, ‘Matthew Day Jackson and Sara Krajewski: The Violet Hour’, Seattle WA
Martian Museum of Terrestrial Art, Barbican Gallery, ‘Mission: to interpret and understand contemporary art’, London, England
Van Abbemuseum, ‘Heartland’, Eindhoven, The Netherlands
Alexandre Pollazzon Ltd, ‘Shangri La’, London, England
Athens Biennale, ‘Uncertain States of America – American Art in the 3rd Millennium’, Athens, Greece (Travelling Exhibition)
Beijing Biennale, ‘Uncertain States of America – American Art in the 3rd Millennium’, Beijing, China (Travelling Exhibition)
Centre Culturel Suisse, ‘E-flux Video Rental’, Paris, France
CSW Centrum Sztuki Wspolczesneij/Center for Contemporary Art Ujazdowski Castle, ‘Uncertain States of America – American Art in the 3rd Millennium’, Warsaw, Poland (Travelling Exhibition)
Harris Lieberman, ‘The Line of Time and the Plane of Now’, New York NY
Herning Kunstmuseum, ‘Uncertain States of America – American Art in the 3rd Millennium’, Herning, Denmark (Travelling Exhibition)
Moscow Biennale, ‘Uncertain States of America – American Art in the 3rd Millennium’, Moscow, Russia (Travelling Exhibition)
Perry Rubenstein Gallery, ‘Omission’, Manhattan NY
Peter Blum Gallery, ‘Huma Bhabha and Matthew Day Jackson: Sculptures and New Print Editions’, Manhattan NY
Rivington Arms, ‘To Build a Fire’, Manhattan NY
Rivington Arms, ‘To Build a Fire’, New York NY
House of Campari, ’25 Bold Moves’, New York NY
John Connelly Presents, ‘Kamp: K48’, New York NY
Mario Diacono Fine Art, ‘Uncertain States of America – American Art in the 3rd Millennium’, Allston MA (Travelling Exhibition)
Museum Center for Curatorial Studies, Bard College, ‘Uncertain States of America – American Art in the 3rd Millennium’, Annandale-on-Hudson NY (Travelling Exhibition)
Portland Institute for Contemporary Art, ‘Time-Based Art is Happening!’, Portland OR
Reykjavik Art Museum, ‘Uncertain States of America – American Art in the 3rd Millennium’, Reykjavik, Iceland (Travelling Exhibition)
Royal Academy of Art, ‘USA Today’, London, England
Serpentine Gallery, ‘Uncertain States of America – American Art in the 3rd Millennium’, London, England (Travelling Exhibition)
White Box, ‘The Searchers’, New York NY
Whitney Museum of American Art, Whitney Biennal, ‘Day for Night’, New York NY
Villa Manin Centro d’arte Contemporanea, ‘Infinite Painting’, Manin, Italy
Astrup Fearnley Museum, ‘The Uncertain States of America’, Oslo, Norway
The Ballroom, ‘You Are Here’, Marfa TX
Barbra Gladstone Gallery, ‘Bridge Freezes Before Road’, New York NY
Perry Rubenstein Gallery, ‘Sticks and Stones’, New York NY
PS1 Contemporary Art Center, ‘The Greater New York’, New York NY
Public Art Fund, Metro Teach Center, ‘Material World’, New York NY
Santa Fe Art Institute, ‘Motion’, Santa Fe NM
Tony Oursler Studio, Metropolitan Museum of Art, ‘Studio: Seven Months of My Aesthetic Education (Plus Some) New York Version and Climaxed’, New York NY
Yerba Buena Center for the Arts, ‘The Zine UnBound – Kults, Werewolfs and Sarcastic Hippies’, San Francisco CA
Capsule Gallery, ‘Mommy! I! am! not! an! animal!’, New York NY
Feigen Contemporary, ‘Relentless Proselytizers’, New York NY
Samson Projects, ‘Super Salon’, Boston MA
Valentino Pier Park, ‘Drift III’, Brooklyn NY
D’amelio Terras Gallery, ‘Now Playing’, New York, NY
Daniel Silverstein Gallery, ‘Spiritual Hunger’, New York NY
Deitch Projects, ‘K48: Klubhouse’, Brooklyn NY
Home of Buckminster Fuller, ‘Drift II’, Northern NJ
Portland Museum of Art, ‘Biennial’ Portland OR
Storefront 1838, ‘ White, Black, Yellow, Red’, New York NY
‘Drift’, Manasquan NJ
Rabbett Gallery, ‘…sorta like a revelation’, New Brunswick NJ
Boulder Museum of Contemporary Art, ‘Sans Titre’, Boulder CO
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LaBarge, Emily, ‘Light and Language,’ Waterford: Lismore Castle Arts, 2021, pp. 29, 56-59, ill. (exh. cat.)­
Weber, Carey Mack, Walker, Brian, ‘Birds of the Northeast. Gulls to Great Auks,’ Fairfield: Fairfield University Art Museum, 2021, p. 10, ill. (exh. cat.)
Proosdij, Emma, ‘Eigen+Beeld. Moderne sculptuur. Collectie van museum Beelden aan Zee,’ Zwolle: Waanders & De Kunst, 2020, ill.
Forner, Celia, ‘Portable Art: A Project by Celia Forner,’ New York: Hauser & Wirth, 2017, ill. (exh. cat.)
Moeckli, Justine, van Tilburg, Merel (eds.) ‘Le Retour des Ténèbres’, Geneva: MAH and Los Angeles: DoPe Press, 2016, pp. 416, ill. colour
Antoine, Jean-Philippe, Perret, Catherine (eds.), ‘Le Genre Humain’, Paris: Seuil, 2015, pp. 215-224, ill. bw
‘New American Art. Matthew Day Jackson. Rashid Johnson’, Paris: Editions Studio des Acacias, 2015
Ann M. Wolfe (ed.), ‘Tahoe: A Visual History’, New York: Skira Rizzoli, 2015, pp. 244- 245, ill. colour
Naoko Sumi (ed.), ‘Hiroshima Trilogy: 70th Anniversary of the Atomic Bomb/ Part 2: A Bird’s-eye View of the World’, Hiroshima: Hiroshima MOCA, 2015, pp. 40-41, ill. colour
Roselione-Valadez, Juan (ed.) ‘Rubell Family Collection. Highlights & Artists’ Writings. Volume 1’, Florida: Rubell Family Collection/Contemporary Arts Foundation, 2014, pp. 496- 497, ill. colour
Beitin, Andreas, Hartung, Martin (eds.) ‘Matthew Day Jackson. Total Accomplishment’, Berlin: Distanz Verlag, 2004 (exh. cat.)
Museum für Gegenwartskunst Siegen (ed.), ‘Was Modelle können’, Cologne: Snoeck, 2014
David, Caroline, Baud-Berthier, Claire (eds.), ‘Passions Secrètes. Collections Privées Flamandes’, Lille: Lille3000;Vision Publishers, 2014
Sperling, Franziska, Sperling, Johannes (eds.), ‘A Man Walks Into A Bar… Jokes & Postcards’, Ostfildern, Hatje Cantz, 2014, p. 125, ill. in colour.
Thompson, Don, ‘The Supermodel and the Brillo Box: Back Stories and Peculiar Economics from the World of Contemporary Art’, New York: St. Martin’s Press, 2014
Aillagon, Jean-Jacques, ‘L’Art a l’epreuve du monde’, Dunkerque: Depoland Dunkerque, 2013
‘Blanton Museum of Art: 110 Favorites from the Collection’, Austin: University of Texas Press, 2013
Unterdörfer, Michaela (ed.), ‘Hauser & Wirth.20 Years’, Ostfildern: Hatje Cantz, 2013
Moszynska, Anna, ‘Sculpture Now’, London: Thames & Hudson, 2013, p. 41, ill.
Fraser, Marie, LeTourneux François, Latulippe, Julie-Ann (et al.), 'Zoo', Montréal: Musée d'art contemporain de Montréal, 2012, ill. (exh. cat.)
Ewing, William A., ‘Out of Focus: Photography’, London: Saatchi Gallery London, 2012
Jackson, Matthew Day, Johnson, Rashid, ‘I’m Not Sure’, in ‘Parkett No. 90’, Zurich: Parkett, pp. 134 – 145
Roselione-Valadez, Juan, ‘American Exuberance’, Florida: Rubell Family Collection, pp. 68-71, ill.
Rosenblum Collection Edition, ‘Born in Dystopia’, Paris: Rosenblum Collection Edition, pp. 155
Bourgeois, Caroline, ‘The World Belongs to You’, Milan: Electa, 2011, pp. 77-82, pp. 268-271, ill.
Jackson, Matthew Day, ‘Matthew Day Jackson: In Search of… ‘, Bologna: MAMbo, 2011
Adicéam, Ashok, ‘Hope! Une exposition d’art contemporain sur l’espoir’, Paris: Skira Flammarion, 2010
Morton, Tom, ‘Matthew Day Jackson: Dynamic Maximum Tension’, Amsterdam: Grimm Fine Art, 2010, ill. (exh. cat.)
Jackson, Matthew Day, ‘HIGH, LOW AND IN BETWEEN’, Dublin: Douglas Hyde Gallery, 2009
Mindell, David, Morton, Tom, ‘The Immeasurable Distance’, Houston TX: MIT List Visual Arts Center and Contemporary Arts Museum, 2009
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Kadic, Vanja, 'Es ist September! Was wir diesen Monat nicht verpassen dürfen', on:, 7 September 2021
Lloyd-Smith, Harriet, 'Contemporary artists pay homage to land art legend Nancy Holt', on:, 24 June 2021, ill.
Madden, Helena, 'The Best in Design, From a Bentley Home Desk to a Michelin-Grade Kitchen', on:, 23 June 2021, ill.
Dijksterhuis, Edo, 'Fragments of Sphere: hoe kunst externe ruis kan wegdrukken | Het Parool', on:, 3 May 2021Jacobs, Laura, '"Birds of the Northeast: Gulls to Great Auks" Review: In Top-Flight Form', on:, 10 February 2021
Wychowanok, Thibaut, 'La fascination du cosmos', in: Numéro, Paris, no. 218, November 2020, ill.
___, 'Matthew Day Jackson at Hauser & Wirth', on:, 6 October 2020, ill.
Martorelli, Manuela, 'Critical Pour. An Interview with Artist Matthew Day Jackson', in: ZOO Magazine, Amsterdam, no. 68, Fall 2020, pp. 228-239, ill.
___, 'Matthew Day Jackson debuts a suite of new drawings and paintings at Hauser & Wirth Zurich', on:, 14 September 2020, ill.
Klingelfuss, Jessica, 'West Side Story', in: Wallpaper, May 2020, pp. 92-112, ill.
Can, Gulnaz, ‘Matthew Day Jackson. Pathetic Fallacy’, on:, London, 22 April 2019, ill.
Morris, Ali, ‘Matthew Day Jackson creates Kolho furniture using moon-inspired Formica’, on:, London, 10 April 2019, ill.
 Hooper, Mark, ‘Curl Power. Matthew Day Jackson’s sinuous chair throws us for a loop’, in: Wallpaper, London, May 2019, pp. 92-96, ill.
d’Arenberg, Diana, ‘Matthew Day Jackson in Conversation’, [interview], on:, Shanghai, 7 March 2019, ill.
Ings, Simon, ‘Art to Hold Humanity to Account’, on:, London, 26 February 2019, ill.
Peirson-Hagger, Ellen, ‘What to Book. Matthew Day Jackson at Hauser & Wirth Somerset’, on:, London, 30 December 2018, ill.
___, ‘Qiao Space & Hauser & Wirth. Matthew Day Jackson's Solo Exhibition ‘New Landscape’’, in: Artco & Investment, Hong Kong, December 2018, p. 120, ill.
Originalsbk, 'Matthew Day Jackosn. An Artist without a Past', on:, Shanghai, 6 November 2018, ill.
___, 'Matthew Day Jackson’, on: W Magazine Art, New York, 21 April 2018
Editorial, RRJ, 'Interview With Artist Matthew Day Jackson’, on: Roman Road Journal, London, 17 April 2018
___, 'Hauser & Wirth London exhibits works by Matthew Day Jackson’, on:, Los Angeles, April 5 2018
Burns, Charlotte, 'Nation statement' Monocle, London, March 2018, pp. 104-107
___, '3 London Talks To Pique Your Cultural Curiosity', on:, London, 20 February 2018
Kirpal, Neha, ‘Jaipur’s Nahargarh Fort is the site of India’s first Sculpture Park; to display leading artists’ works’, on:, Mumbai, India, 12 November 2017
Lesser, Casey, ‘WeTransfer’s Innovative Approach to Promoting Creatives’, on:, New York NY, 8 November 2017
Stephens, Suzanne, ‘Bloomberg Center by Morphosis Architects at Cornell Tech’, on:, New York NY, 1 November 2017
McMahon, Katherine, and Andy Battaglia, ‘Step into a New Phase: Eleven Madison Park Makes Art Part of a Fabled Restaurant Setting’, on:, New York NY, 10 October 2017
Sheets, Hilarie M., ‘At Cornell Tech, Art Engineered for the Imagination’, on:, New York NY, 13 September 2017
__, ‘Artists Build ‘Observatories’ to Watch the Solar Eclipse in Jackson Hole, Wyoming’,on:, New York, 24 August 2017
Jones, Isa, ‘Longtime art collaborators form formal collective’, on:, 23 August 2017
Goldstein, Caroline, ’Total Eclipse of the Art: Matthew Day Jackson Organizes Celestial-Themed Exhibition in Wyoming’, on:, New York, 21 August 2017
Boyle, Sarah, ’The High Line announces a new major stage for sculpture on the park’s new section’, on:, New York, 11 January 2017
Stapley-Brown, Victoria, ‘New York to get its own Fourth Plinth competition on the High Line’, on:, New York NY, 10 January 2017
Kennedy, Randy, ’A Permanent Plinth for New Art Coming to the High Line’, in: The New York Times, New York NY, 9 January 2017
Daly, Meg, ’Skin Deep: Peeling away the layers of a new exhibit by Matthew Day Jackson’, in: Planet Jackson Hole, Jackson WY, 17 August 2016, pp. 22
Daly, Meg, ‘Brutality and Rebirth: A thought provoking performance art piece invites Jackson audiences into new territories’, Planet Jackson Hole, Jackson WY, 3 August 2016, pp. 24
Wychowanok, Thibault, ‘L’exposition ‘New American Art’ au Studio des Acacias’, on:, Paris France, 21 October 2015
Lo Iacono, Amanda, Saracino Fendi, Paoloa, and Werner, Alexandra, ‘Collecting Guide: Post War and Contemporary Art,’ on:, New York NY, 17 June 2015
Terrell, Matthew, ‘Natural Nostalgia: Matthew Day Jackson at SCAD Atlanta,’ on:, Atlanta GA, 12 June 2015
__, ‘Here’s what the $10M-$20M NYC investment sales market looked like last week,’ on:, New York NY, 9 June 2015
Hanley, Sarah Kirk, ‘Life and Death,’ on:, Chicago IL, 6 May 2015
__, ‘Jane Farver, former director of the MIT List Visual Arts Center, dies,’ on:, Cambridge MA, 4 May 2015
Vanhaerents, Walter, ‘Inside the Heartbreak Hotel,’ on:, New York NY, 29 April 2015
Martin, Hannah, ‘Peek Inside Zöe and Joel Dictrow’s Art-Filled Home,’ on:, New York NY, 6 March 2015
Romano, Mary, and Kazakina, Katya, ‘Paintings Sold Out at Armory? Galleries Had More on IPads,’ on:, New York NY, 10 March 2015
__, ‘International News Digest: March 2,’ on:, New York NY, 2 March 2015
Corcoran, Heather, ‘Matthew Day Jackson,’ in: Bijutsu Techno, Tokyo Japan, March 2015, p. 108
__, ‘Preview Art Basel Hong Kong: Works by Jeff Koons, Takashi Murakami, Cindy Sherman, Michalene Thomas & More,’ on:, New York NY, March 2015
Hanley, Sarah Kirk, ‘New Editions from Diane Villani and Hauser & Wirth,’ in: Art In Print, Chicago IL, pp. 8-9
Corcoran, Heather, ‘Feasts of Human Civilization on a Collision Course with Death: Matthew Day Jackson,’ in: Bijutsu Techno, Tokyo Japan, Spring 2015
Nilsson, Anton K., ‘Onward and Upward from Infamy, Former Nightclub on Sale as $11 Million Artist Pad,’ on:, Brooklyn NY, 25 February 2015
Binlot, Ann, ‘Nari Ward’s “So-Called” at the SCAD Museum of Art,’ on:, New York NY, 20 February 2015
Carlson, Jen, ‘Greenpoint Rock Club Now $11 Million Condo,’ on:, New York NY, 11 February 2015
Alberts, Hana R., ‘Artist Turns Greenpint Club Into Massive Home Asking $11M,’ on:, New York NY, 10 Feburary 2015
__, ‘Hauser & Wirth,’ on:, London UK, 16 December 2014
Cigainero, Jack, ‘Hidden Trasures in Flanders’, in: The New York Times, New York, NY, 4 December 2014
Solway, Diane, ‘Artful Finnish,’ in: W Magazine, New York NY, November 2014, pp. 154-158
__, ‘Matthew Day Jackson: Family,’ on:, New York NY, 13 September 2014
___, ‘Matthew Day Jackson’s first solo exhibition in Zurich opens at Hauser & Wirth’, on:, Mexico City MX, 4 September 2014, ill.
___, ‘Matthew Day Jackson at Hauser and Wirth Zurich: where has the mountain guide gone in the meantime?’ on:, 2 September 2014, ill.
___, ‘Matthew Day Jackson presents his family at Hauser & Wirth’, on:, Paris FR, 20 August 2014
Adam, Georgina, ‘The rise and rise of the superstar artists’, on:, London UK, 20 June 2014
Spence, Rachel, ‘Room for a little one?’, in: FT Weekend, London UK, 3/4 May 2014, p. 6
___, ‘Are Mid-Size Galleries Disappearing, And Who’s To Blame’, on:, 10 April 2014
___, ‘Zabludowicz Collection Announces 2014 Sarvisalo Finland Artist Residency Programme’, on:, London UK, 21 March 2014
___, ‘Susan Inglett Gallery’, on:, New York NY, 23 January 2014
Kastner, Jeffrey, ‘Matthew Day Jackson. Hauser & Wirth’, in: Artforum, New York NY, November 2013, p. 285, ill.
___, ‘Art. Ati Maier and Matthew Day Jackson’, interview on: Bomblog, October 2013
Hrbacek, Mary, ‘New York City Gallery, Hauser & Wirth, with Matthew Day Jackson’s ‘Capture’, on:, Stockholm, October 2013, ill.
Laster, Paul, ‘Matthew Day Jackson, “Something Ancient, Something New, Something Stolen, Something Blue”’, in: TimeOut New York, New York NY, p. 39, ill.
Boatright, Kristen, ‘Video: A Focus on the Body With Matthew Day Jackson’, on:, October 2013, ill.
Shulan, Alexander, ‘Matthew Day Jackson. Something Ancient, Something New, Something Stolen, Something Blue’, on:, New York NY, October 2013, ill.
Laster, Paul, ‘Matthew Day Jackson, “Something Ancient, Something New, Something Stolen, Something Blue”’, on:, New York NY, 30 September 2013, ill.
Shiffman, Allyson, ‘Matthew Day Jackson’s Milestones ‘, on:, New York NY, September 2013, ill.
Cochran, Samuel, ‘Matthew Day Jackson’s New Paintings And Sculpture At Hauser & Wirth Gallery’, New York NY, September 2013, ill.
___, ‘Matthew Day Jackson At Hauser & Wirth’, on:, New York NY, September 2013, ill.
Duray, Dan, ‘Matthew Day Jackson to Open 200-Square-Foot Gallery’, on:, New York NY, September 2013, ill.
Lescaze, Zoe, ‘Look at This! Matthew Day Jackson at Hauser & Wirth’, on:, New York NY, September 2013, ill.
Halperin, Julia, ‘An alternative room of one’s own’, on:, September 2013, ill.
Battaglia, Andy, ‘A Death Staged Over and Over’ on:, New York NY, September 2013, ill.
Healy, Mark, ‘Man on Fire’, in: The New York Times Magazine, New York NY, Fall 2013, pp. 134-137, ill.
Healy, Mark, ‘The Artist With the Race Car in His Studio’, on:, New York NY, 13 September 2013, ill.
Shiffman, Allyson, ‘Matthew Day Jackson’s Milestones’, on:, New York NY, September 2013, ill.
Kazakina, Katya, ‘Buy Rotting Flesh at $95,000: Walls $1.6 Million: Chelsea’, on:, New York NY, 11. September 2013, ill.
Cochran, Samuel, ‘Matthew Day Jackson’s new Paintings and Sculpture at Hauser & Wirth Gallery’, on:, New York NY, 9 September 2013, ill.
Lescaze, Zoe, ‘Look at This! Matthew Day Jackson at Hauser & Wirth’, on:, New York NY, 6 September 2013, ill.
Halperin, Julia, ‘An alterntive room of one’s own. Matthew Day Jackson ist he latest big-name artist to bankroll his own gallery’, on:, Northampton UK, 6 September 2013, ill.
Battaglia, Andy, ‘A Death Staged Over and Over. Matthew Day Jackson Faces Mortality as Part of New Show’, on:, New York NY, 3 September 2013, ill.
Slenske, Michael, ‘Matthew Day Jackson on Drag Racing as Art and His New Personal Gallery’, on:, New York NY, 6 September 2013, ill.
Cashdan, Marina, ‘Helter Shelter’, in: Surface Magazine, New York NY, September-October 2013, p. 58, ill.
Halperin, Julia, ‘An alternative room of one’s own’, in: The Art Newspaper, London UK, September 2013, p. 5, ill.
Crow, Kelly, ‘Attack of the Giant Art Galleries’, in: The Wall Street Journal, New York NY, pp. D1-D2, ill.
Claus, Jürgen, ‘Ein Universum von Geschichte. Karlsruhe: Matthew Day Jackson im ZKM’, in: Kunstzeitung, Regensburg DE, August 2013, p. 8, ill.
___, ‘Matthew Day Jackson Presents ‘Something Ancient, Something New, Something Stolen, Something Blue’‘, on:, New York NY, 29 July 2013, ill.
Duray, Dan, ‘At Frieze’s FOOD Reprisal, Matthew Day Jackson and Company Offer Jerky, Tang’, on:, New York NY, 9 May 2013, ill.
___, ‘ Five Objects to Warm Up a Trip to Frieze’, on:, New York NY, 9 May 2013, ill.
Uszerowicz, Monica, ‘Matthew Day Jackson: The work of many hands’, in: Garagisme, Paris FR, April 2013, p. 64
Sanati, Mercedeh, ‘Globetrotter. On the road’, in: The Globe and Mail, Toronto CA, April 2013, ill.
Jovanovic, Rozalia, ‘ Whitney Art Party Takes Annual Benefit Sale Online With Artsy Partnership’ , on:, 12 April 2013, ill.
Pootschi, Becky,’ Hauser und Wirth is proud to present Matthew Day Jacksons polished stainless steel sculpture’ on:, London, 26 February 2013, ill.
Allen, Ian, ‘Grand Plans’, in: Surface, New York, January 2013, pp. 105 – 110, ill.
Takase, Yasuyuki, ‘The Nine Artists and Alternative Reality’, in: HUGE, Tokyo, January 2013, pp. 18, 20, 48-55, ill.
Spears, Dorothy, ‘Vroom for Change’, in: Art News, New York, January 2013, p. 28
___, ‘Hans Jossephson – A Body of Work’, on:, London, 27 July 2012, ill.
___, ‘Hauser & Wirth: Science on the back End’, on:, New York, 5 June 2012, ill.
___, ‘Next Most Collectible Artists’, in: Art+Auction’, New York, June 2012, pp. 105 – 106, ill.
Scheifele, Kris, ‘Of Scientific Pinterest. Science on the Back End at Hauser & Wirth’. on:, 20 May 2012, ill.
Micchelli, Thomas, ‘Are Artists the Best Curators?’, on:, New York, 5 May 2012, ill.
___, ‘Life’s a drag’, on:, London, 5 May 2012, ill.
___, ‘The art of science’, in: Art Newspaper, London, 3/ 4 May 2012, p. 14, ill.
Gobnik, Blake, ‘Daily Pic’, on: Blake Gopnik on Art,, 2 May 2012, ill.
De Craen, Irene, ‘Frieze; Mathew Day Jackson’, on:, London, 19 April 2012, ill.
Sinclair, Charlotte, ‘Art For One & Art For All’, in: FT Smart Arts, London, 18 February 2012, pp. 10 – 14, ill.
Tompkins, David, ‘Freefall: The Work of Matthew Day Jackson’, in: Flash Art, Milan, January 2012, pp. 72 – 73, ill.
Spears, Dorothy, ‘Fusing Identity: Dollops of Humor and Shea Butter’, on:, New York, 5 January 2012, ill.
___, ‘Sweet and sour Golem’, in: Garage, London, Fall/Winter 2011, pp. 56-57, 158-159, 260-261, Content, ill.
Rosenau, Mirja, ‘Leben, Streben, Sterben’, in: Art, Hamburg, November 2011, p. 107, ill.
Bugmann, Urs, ‘Auf der Suche nach dem Menschen’, in:Neue Luzerner Zeitung’, Lucerne, 22 October 2011, p. 9
Azimi, Roxana, ‘Krise? Welche Krise?’, in: Monopol, Berlin, September 2011, pp. 110-11, ill.
Schultz, Charles, ‘Matthew Day Jackson with Charles Schultz’, in: Brooklyn Rail online, 12 July 2011
___, ‘Private Views’, in: FT Weekend, Life &Arts, London, 23 July 2010, p. 10
Merjiam, Ara H., ‘Matthew Day Jackson MAMbo’, in: Art in America, June-July 2011, unpag.
‘Matthew Day Jackson: Everything Leads to Another’, in: ‘It’s Nice That’, Online, London, 14 July 2011, unpag.
Furseth, Jessica, ‘Matthew Day Jackson: Everything Leads to Another’, in: this is tomorrow, July 2011, unpag.
___, ‘Matthew Day Jackson’s “Everything Leads to Another” ‘, in: Whitewall online, 14 June 2011, unpag.
___, ‘Reconfiguring The Diverse’, in: World Sculpture News, Spring 2011, pp. 22-24, ill.
Sansom, Anna, ‘Rosenblums: The Collectors’, in: Whitewall Spring 2011, pp. 72-75, ill.
Cook, Xerxes, ‘Art Talks: Matthew Day Jackson on Everything Leads to Another’, in: Another Mag, 23 May 2011, unpag.
___, ‘Pick of the week’, in: The Guardian Guide, 21 May 2011, p.36
Austen, Kat, ‘The art of exploration’, in: New Scientist, 21 May 2011, p.46, ill.
Roux, caroline, ‘An impressive body of work’, in: The Independent, Arts & Books, 27 May 2011, p.2, ill.
Rappolt, Mark, ‘Matthew Day Jackson, A strange kind of beautiful’, in: Art Review, Issue 50, May 2011, pp. 74-79, ill.
Jackson, Matthew Day, ‘Huma Bhabha’, in: FlashArt, Milano, November December 2010, pp. 88-91, ill.
Beck, Graham T., ‘Matthew Day Jackson’, in: Frieze, London, November – December 2010, pp. 116-117, ill.
Wells, Nicholas, ‘Matthew Day Jackson: In Search of’, in: CityArts, St. Seattle WA, 27 October – 9 November 2010, p. 12
Coffield, Cynthia, ‘Matthew Day Jackson {read more}’, in: Art Lies, Houston TX, Spring 2010, Issue 65, p. 75
Arning, Bill, ‘Matthew Day Jackson’, in: Flash Art, Milan, January-February 2010, pp. 68-71
Dumas, Marlene, ‘The Third World War’, in: Metropolis M, Utrecht, no. 6, December / January
___, ‘Stedelijk Museum acquires work by Matthew Day Jackson’, in: Parool, Amsterdam, 12 December 2009, p. 36
___, ‘Stedelijk Museum: last acquisition Dymaxion Biotron’, in: Volkskrant, Amsterdam, 11 December 2009, pp. 14-15
Sherwin, Skye, ‘Matthew Day Jackson’, in: 10 Magazine, London, Winter 2009, Issue 33, p. 86
Lamoree, Jhim, ‘Dynamic Maximum Tension review’, in: Parool, Amsterdam, 7 November 2009, p. 39
Britt, Douglas, ‘Jackson exhibit probes human consciousness’, in: Houston Chronicle, Houston TX, 16 October 2009, p. E2
Braat, Manon, ‘Dromen tussen utopie en catastrofe’, in: Kunstbeeld, Diemen, no. 10, October 2009, pp. 22-29
McCarthy, Gerry, ‘His faces ring a bell’, in: The Sunday Times, London, 19 July 2009
Vogel, Carol, ‘A Thriftier Lot Comes to Basel This Year’, in: The New York Times, New York NY, 12 June 2009, p. C27
McQuaid, Cate, ‘Exhibit highlights his dark side’, in: The Boston Globe, Boston MA, 24 May 2009
Ragona, Melissa, ‘Matthew Day Jackson’, in: Frieze, London, issue 121, March 2009
___, ‘Best in Show: Matthew Day Jackson, Terranaut’, on: The Village Voice, New York NY, 5 November 2008
Maine, Stephen, ‘Matthew Day Jackson’, in: Art in America, New York NY, November 2008, pp. 180-181
Kastner, Jeffrey, ‘Matthew Day Jackson’, in: Artforum, New York NY, November 2008
___, ‘Matthew Day Jackson’, on:, 31 October 2008.
___, ‘The Lunatic is on the Grass: Pink Floyd, a Crashed Corvette, and Brutalist Architecture at the Henry: Capturing the Angst of an Era’, in: The Stranger, Seattle WA, 28 August 2008, p. 22
Kröner, Magdalena, ‘Matthew Day Jackson: Wir sind immer noch mitten in Bürgerkrieg’, in: Kunstforum, Ruppichteroth, February 2008, pp. 138–149
Arning, Bill, ‘Introducing Matthew Day Jackson’, in: Modern Painters, New York NY, October 2007, pp. 58-60
___, ‘Matthew Day Jackson: Paradise Now! (Limbo)’, in: Art Review, London, February 2007, p. 159
Cole, Lori, ‘Omission’, on:, January 2007
Motley, John, ‘Matthew Day Jackson’, in: PICA, Portland OR, September 2006
Jones, Kristin M., ‘Matthew Day Jackson’, in: Frieze, London, March 2006, p. 167
___, ‘Spread Your Wings For Peace: Phoenix’, in: The Village Voice, New York NY, vol. L, no. 51, December 2005, pp. 21-27
Smith, Roberta, ‘Spotting an Aesthetic Dispute and Embracing All Sides’, in: The New York Times, New York NY, 17 December 2005, p. B13
Kerr, Merrily, ‘Matthew Day Jackson: Fortunate Son’, in: Time Out, New York NY, 5 December 2005, p. 119
Cambourg, Clemence de, ‘The History Man’, in: Art Review, London, 5 November 2005, p. 34
Bae, James, ‘You Are Here, Ballroom Marfa’, in: ArtLies, Houston TX, issue no. 48, Fall 2005, pp. 106-107
Matthew Day Jackson, ‘Matthew Day Jackson’, in: V36 Magazine, 2005
Giovannotti, Micaela, ‘The Greater New York 2005’, in: Tema Celeste, New York NY, no. 109, May/June 2005, p. 98
Ho, Christopher K., ‘In View: Greater New York 2005’, in: Modern Painters, New York NY, May 2005, pp. 105-106
___, ‘Our Selection A-Z’, in: The Art Newspaper, London, no. 157, April 2005, p. 2
Rosenberg, Karen, ‘Artists on the Verge of a Breakthrough’, in: New York Magazine, New York NY, 7 March 2005, pp. 34-36
Nickas, Bob, ‘First Take’, in: Artforum, New York NY, vol. XLIII, no. 5, January 2005, pp. 155-156
Johnson, Ken, ‘___’, in: The New York Times, 6 August 2004, p. E32
Levin, Kim, ‘___’, in: The Village Voice, New York NY, 28 July 2004
Phillips, Lisa (juror), in: New American Paintings: The MFA Annual 2001
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Museum Exhibitions

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Wed 28 Oct 2020, 5:30
On Zoom from NYC & Zurich

On the occasion of the exhibition ‘Matthew Day Jackson. Flowers, Windows and Thistles’ currently on view at Hauser & Wirth in Zurich, please join us for a live virtual walkthrough and conversation on Zoom with the artist Matthew Day Jackson and Hauser & Wirth Director of…
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Sat 16 Feb 2019, 10:00

Inspired by the art of the Dutch Masters’, this one-day workshop will look at how a still life was and is arranged for a painting. The workshop coincides with the exhibition ‘Matthew Day Jackson. Pathetic Fallacy’ and is inspired by Jackson’s mixed media works that reference…
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