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McCAR37011, Santa with Butt Plug

Paul McCarthy

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Paul McCarthy is widely considered to be one of the most influential and groundbreaking contemporary American artists. Born in 1945, and raised in Salt Lake City, Utah, he first established a multi-faceted artistic practice, which sought to break the limitations of painting by using unorthodox materials such as bodily fluids and food. He has since become known for visceral, often hauntingly humorous work in a variety of mediums – from performance, photography, film and video, to sculpture, drawing and painting.

During the 1990s, he extended his practice into installations and stand-alone sculptural figures, utilizing a range of materials such as fiberglass, silicone, animatronics and inflatable vinyl. Playing on popular illusions and cultural myths, fantasy and reality collide in a delirious yet poignant exploration of the subconscious, in works that simultaneously challenge the viewer’s phenomenological expectations.

Whether absent or present, the human figure has been a constant in his work, either through the artist‘s own performances or the array of characters he creates to mix high and low culture, and provoke an analysis of our fundamental beliefs. These playfully oversized characters and objects critique the worlds from which they are drawn: Hollywood, politics, philosophy, science, art, literature, and television. McCarthy’s work, thus, locates the traumas lurking behind the stage set of the American Dream and identifies their counterparts in the art historical canon.

McCarthy earned a BFA in painting from the San Francisco Art Institute in 1969, and an MFA in multimedia, film and art from USC in 1973.  For 18 years, he taught performance, video, installation, and art history in the New Genres Department at UCLA, where he influenced future generations of west coast artists and he has exhibited extensively worldwide. McCarthy’s work comprises collaborations with artist-friends such as Mike Kelley and Jason Rhoades, as well as his son Damon McCarthy.

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Biography

  • Born
    Salt Lake City UT, 1945
  • Education

    University of Southern California, Los Angeles CA, 1973
    San Francisco Art Institute, San Francisco CA, 1969
    University of Utah, Salt Lake City UT, 1966 – 1968

  • Resides
    Lives and works in Los Angeles CA

Selected Solo Exhibitions

  • 2018
    M Woods Museum, 'Paul McCarthy. Innocence. Video Works 1970 – 2013', Beijing, China
  • 2017
    Kukje Gallery, 'Cut Up and Silicone, Female Idol, WS', Seoul, South Korea
    Hauser & Wirth Los Angeles, 'WS Spinoffs, Wood Statues, Brown Rothkos', Los Angeles CA
    Fundació Gaspar, 'WS & CSSC, Drawings and Paintings', Barcelona, Spain
    Fondazione Giorgio Cini, 'Paul McCarthy and Christian Lemmerz: New Media (Virtual Reality Art)', Venice, Italy
    Deitch Projects, 'Paul McCarthy and Mike Kelley: Heidi, Midlife Crisis Trauma Center and Negative Media-Engram Abreaction Release Zone 1992', New York NY
  • 2016
    Hauser & Wirth, 'Paul McCarthy. Raw Spinoffs Continuations', New York NY
    Xavier Hufkens, 'Paul McCarthy. White Snow & Coach Stage Stage Coach Spinoffs', Brussels, Belgium
    Lokremise, 'Paul McCarthy', St. Gallen, Switzerland
    Henry Art Gallery, 'Paul McCarthy: White Snow, Wood Sculptures', Seattle WA
  • 2015
    Nasher Museum of Art at Duke University, 'Full Exposure: Paul and Damon McCarthy's Pirate Party', Durham NC
    The Renaissance Society, 'Paul McCarthy. Drawings', Chicago IL
    Volksbühne, 'Paul McCarthy and Damon McCarthy. Rebel Dabble Babble', Berlin, Germany
    Schinkel Pavillon, 'Paul McCarthy', Berlin, Germany
    Economou Collection, 'Inbetween. Baselitz – McCarthy', Athens, Greece
    Hauser & Wirth, 'Paul McCarthy. Spin Offs: White Snow WS, Caribbean Pirates CP', Zurich, Switzerland
    Art & Public – Cabinet P.H., 'Paul McCarthy. Photographs 1977 – 1996', Geneva, Switzerland
  • 2014
    Monnaie de Paris, 'Chocolate Factory', Paris, France
    Hauser & Wirth, 'Paul McCarthy - WS SC', London, England
    Galleri F15, 'Paul McCarthy - Ketchup and Blood', Moss, Norway
    Marlborough Monaco, 'Mike Bouchet & Paul McCarthy - Double Deck Monty Carlo', Monaco, Monaco
    Space Studios, 'Paul McCarthy: Black and White Tapes', London, England
    Portikus, 'Mike Bouchet & Paul McCarthy', Frankfurt, Germany
    Galerie Parisa Kind, 'Mike Bouchet & Paul McCarthy', Frankfurt, Germany
  • 2013
    8. Salon, 'Andy Hope 1930, Paul McCarthy. Down Show Show Down', Hamburg, Germany
    Park Avenue Armory, 'WS', New York NY
    Hauser & Wirth, 'Rebel Dabble Babble', New York NY
    Hauser & Wirth, 'Life Cast', New York NY
    Hauser & Wirth, 'Sculptures', New York NY
  • 2012
    Hauser & Wirth, 'PROPO', Zurich, Switzerland
    Peder Lund, 'White Snow', Oslo, Norway
    Neue Nationalgalerie, Staatliche Museen zu Berlin, 'Paul McCarthy. The Box', Berlin, Germany
    The Box, 'Rebel Dabble Babble', Los Angeles CA
    Kukje Gallery, 'Paul McCarthy, Nine Dwarves', Seoul, South Korea
    Espace Croisé, centre d'art contemporain, 'Mike Kelley - Paul McCarthy', Roubaix, France
  • 2011
    Hauser & Wirth, 'The Dwarves, The Forests', New York NY
    Hauser & Wirth, 'The King, The Island, The Train, The House, The Ship', London, England
    KÖR Kunst im öffentlichen Raum, Kunsthalle Wien, 'Skulptur: Paul McCarthy "Henry Moore Bound to Fail"', Vienna, Austria
    Hammer Museum, 'Paul McCarthy; White Snow Dwarf (Dopey # 1)', Los Angeles CA
    Charles Riva Collection, 'Paul McCarthy – Selected Works', Brussels, Belgium
  • 2010
    Sammlung Friedrichshof, 'Caribbean Pirates – in collaboration with Damon McCarthy', Zurndorf, Austria
    L&M Arts, 'Three Sculptures', Los Angeles CA
    Fondazione Nicola Trussardi, 'Pig Island', Milan, Italy
  • 2009
    Hauser & Wirth, 'Paul McCarthy. White Snow', New York NY
    De Uithof, City of Utrecht, 'Paul McCarthy – Air Pressure', Netherlands
    Hauser & Wirth, 'Paul McCarthy', Zurich, Switzerland
    KUMU Eesti Kunstimuuseum, 'Paul McCarthy & Benjamin Weissman – Quilting Sessions', Tallinn, Estonia (Travelling Exhibition)
    Salt Lake Art Center, 'Contemporary trends in video art – Paul McCarthy', Salt Lake City UT
    Zacheta National Gallery of Art, 'Paul McCarthy & Benjamin Weissman – Quilting Sessions', Warsaw, Poland (Travelling Exhibition)
    CCA Wattis Institute for Contemporary Arts, 'Paul McCarthy's Low Life Slow Life: Part 2', San Francisco CA (curated the artist)
  • 2008
    Whitney Museum of American Art, 'Central Symmetrical Rotation Movement – Three Installations, Two Films', New York NY
    Galleria Civica di Arte Contemporanea, 'Paul McCarthy & Benjamin Weissman – Quilting Sessions', Trento, Italy (Travelling Exhibition)
  • 2007
    Maccarone Gallery, 'PETER PAUL CHOCOLATES. Edibles by Paul McCarthy', New York NY
    S.M.A.K. Stedelijk Museum voor Actuele Kunst, 'Paul McCarthy – Head Shop / Shop Head', Ghent, Belgium (Travelling Exhibition)
    Essl Museum Kunst der Gegenwart, 'Paul McCarthy: Tokyo Santa 1996/2004', Klosterneuburg, Austria
    Middelheim Sculpture Museum, 'Paul McCarthy – Air Born / Air Borne / Air Pressure', Antwerp, Belgium
    Hauser & Wirth Zürich, 'Paul McCarthy – Damon McCarthy. Portfolios', Zurich, Switzerland
    ARoS - Aarhus Museum of Art, 'Paul McCarthy – Head Shop / Shop Head', Aarhus, Denmark (Travelling Exhibition)
  • 2006
    Nyehaus, 'Paul McCarthy. Between Beauty and the Beast. Sculptures, Drawings and Photographs', New York NY
    Moderna Museet, 'Paul McCarthy – Head Shop / Shop Head', Stockholm, Sweden (Travelling Exhibition)
  • 2005
    Whitechapel, 'Paul McCarthy. LaLa land parody paradise', London, England (Travelling Exhibition)
    Haus der Kunst, 'Paul McCarthy. LaLa land parodie paradies', Munich, Germany (Travelling Exhibition)
    Hauser & Wirth, 'John McCracken – Paul McCarthy', Zurich, Switzerland
  • 2004
    Van Abbemuseum, 'Paul McCarthy: Brain Box – Dream Box', Eindhoven, Netherlands (Travelling Exhibition)
    CAC – Centro de Arte Contemporàneo, 'Paul McCarthy: Brain Box – Dream Box', Malaga, Spain (Travelling Exhibition)
  • 2003
    Hauser & Wirth, 'Paul McCarthy. Piccadilly Circus', London, England
    Tate Modern, 'Paul McCarthy at Tate Modern', London, England
    The National Museum of Contemporary Art, 'Paul McCarthy: Films and Video Works', Oslo, Norway
    Museum für Gegenwartskunst, 'Zoe Leonhard und Paul McCarthy: Werke aus der Sammlung Schürmann', Siegen, Germany
  • 2002
    Sammlung Falckenberg, 'Propposition' (collaboration with Jason Rhoades), Hamburg, Germany
    Hauser & Wirth, 'Paul McCarthy & Jason Rhoades: Shit Plug', Zurich, Switzerland
    Luhring Augustine Gallery, 'Paul McCarthy: Clean Thoughts', New York NY
    De Hallen, 'Paul McCarthy: videowerken 1971-1999', Haarlem, Netherlands
    Butler Gallery, 'Paul McCarthy: Videos', Kilkenny, Ireland
  • 2001
    Kunstverein Hamburg, 'Paul McCarthy: Videos und Fotografien', Germany
    Tate Liverpool, Liverpool, England
    Hauser & Wirth Zürich, 'Paul McCarthy, Pirate Drawings', Switzerland
    Villa Arson, Nice, France
    New Museum of Contemporary Art, 'Paul McCarthy', New York NY
    Deitch Projects, 'Paul McCarthy – The Garden', New York NY
    Public Art Fund (IBM Building, 590 Madison Av at 56th Street), 'Paul McCarthy – The Box', New York NY
    Luhring Augustine Gallery, 'Paul McCarthy', New York NY
  • 2000
    MOCA – The Museum of Contemporary Art, Los Angeles CA
    Patrick Painter, Inc., 'Heidi File', Santa Monica CA
    Eleni Koroneou Gallery, 'Paul McCarthy', Athens, Greece
    Wiener Secession, 'Projekt Fassade', Vienna, Austria
    Patrick Painter Inc., 'Paul McCarthy: Selected Works. Mark Lewis: New Works', Los Angeles CA
    The Power Plant, 'Mike Kelley and Paul McCarthy: Collaborative Works', Toronto, Canada
  • 1999
    David Zwirner Gallery, 'Propposition' (collaboration with Jason Rhoades), New York NY
    Sammlung Hauser & Wirth in der Lokremise St.Gallen, 'Dimensions of the Mind', St. Gallen, Switzerland
    Studio Guenzani, 'Dead H and Early Performance Photographs', Milan, Italy
    Blum and Poe, 'Tokyo Santa – Santa's Trees', Santa Monica CA
    La Biennale di Venezia, 'Propposition Propposal' (collaboration with Jason Rhoades), Venice, Italy
    Kunstbunker Tumulka, 'Paul McCarthy - Mike Kelley Videos 1970-1998', Munich, Germany
  • 1998
    Galerie Krinzinger, 'Painter, Video and Drawings', Vienna, Austria
    Luhring Augustine Gallery, 'Photographs-Performance Photographs and Video, 1969-1983', New York NY (Travelling Exhibition)
    Patrick Painter, Inc., 'Photographs-Performance Photographs and Video, 1969-1983', Santa Monica CA (Travelling Exhibition)
    Secession, 'Sod and Sodie Sock' (collaboration with Mike Kelley), Vienna, Austria
  • 1997
    Hauser & Wirth, 'Santa Chocolate Shop', Zurich, Switzerland
  • 1996
    Tomio Koyama Gallery, 'Paul McCarthy', Tokyo, Japan
    Air de Paris, 'Saloon', Paris, France
    Luhring Augustine Gallery, 'Yaa-Hoo', New York NY
    Galerie Drantmann, 'Video Works', Brussels, Belgium
    Galleri Nicolai Wallner, 'Video and Drawings', Copenhagen, Denmark
  • 1995
    Blum & Poe, '5 Photographic Works, 1970-1974', Santa Monica CA
    Projects Room, Museum of Modern Art, 'Painter', New York NY
    Art and Public, 'Paul McCarthy', Geneva, Switzerland
    Künstlerhaus Bethanien, 'Tomato Head', Berlin, Germany
    Galeria Antoni Estrany, 'Pinocchio Pipenose Housholddilemma Tour', Barcelona, Spain (Travelling Exhibition)
    Luhring and Augustine, 'Pinocchio Pipenose Housholddilemma Tour', New York NY (Travelling Exhibition)
    Galleri Nicolai Wallner, 'Pinocchio Pipenose Housholddilemma Tour', Copenhagen, Denmark (Travelling Exhibition)
    Esther Schipper Galerie, 'Pinocchio Pipenose Housholddilemma Tour', Cologne, Germany (Travelling Exhibition)
    Studio Guenzani, 'Pinocchio Pipenose Housholddilemma Tour', Milan, Italy (Travelling Exhibition)
    McKinney Art Center, 'Pinocchio Pipenose Housholddilemma Tour', Dallas TX (Travelling Exhibition)
    Auckland City Art Gallery, 'Pinocchio Pipenose Housholddilemma Tour', Auckland, New Zealand (Travelling Exhibition)
    Ooe Landesmuseum, 'Pinocchio Pipenose Housholddilemma Tour', Linz, Austria (Travelling Exhibition)
    Kunstverein Hamburg, 'Mike Kelley and Paul McCarthy' (cur. Stephen Schmitt-Wulffen), Germany
  • 1994
    Air de Paris, 'Pinocchio Pipenose Housholddilemma Tour', Paris, France (Travelling Exhibition)
    Le Fonds Regional d'Art Contemporain Poitou-Charentes, Angoulême, France
    Air de Paris, 'Paul McCarthy', Nice, France
    Rosamund Felsen Gallery, 'Paul McCarthy', Los Angeles CA
    Galerie George-Philippe Vallois, 'Paul McCarthy', Paris, France
    Studio Guenzani, 'Paul McCarthy', Milan, Italy
  • 1993
    Ynglingagatan 1 Gallery, 'Video', Stockholm, Sweden
    Galerie Krinzinger, 'Paul McCarthy', Vienna, Austria
    Buchholz und Buchholz, 'The Dead Viking', Cologne, Germany
    Lurhing Augustine Gallery, Paul McCarthy, New York NY
  • 1991
    Rosamund Felsen Gallery, 'Paul McCarthy', Los Angeles CA
  • 1990
    Rosamund Felsen Gallery, 'Paul McCarthy', Los Angeles CA
  • 1987
    Rosamund Felsen Gallery, 'Paul McCarthy', Los Angeles CA
  • 1986
    Rosamund Felsen Gallery, 'Paul McCarthy', Los Angeles CA
  • 1985
    AAA Art, 'Paul McCarthy', Los Angeles CA
  • 1983
    Cirque Divers, 'Paintings', Liège, Belgium
  • 1982
    LACE - Los Angeles Contemporary Exhibitions, 'Human Object', Los Angeles CA
    Exile Gallery, 'Works by Richard Newton & Paul McCarthy', Los Angeles CA
  • 1981
    Espace Gallery, 'Objects by Paul McCarthy & Barbara Smith', Los Angeles CA
  • 1979
    Los Angeles Institute of Contemporary Exhibitions, 'Contemporary Cure All', Los Angeles CA
    Los Angeles Institute of Contemporary Exhibitions, 'Deadening', Los Angeles CA
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Selected Group Exhibitions

  • 2018
    Hauser & Wirth, 'Portable Art. A Project by Celia Forner', Los Angeles CA
    Astrup Fearnley Museet, 'I Still Believe in Miracles - Works from Selvaag Art Collection', Oslo, Norway
    Deitch Projects, 'People', New York NY
    Hamburger Bahnhof – Museum für Gegenwart, 'Hello World. Revising a Collection', Berlin, Germany
    PLAY Kontrijk – Circuit for contemporary Art, 'PLAY Kontrijk', Kontrijk, Belgium
    Firstsite, 'Bronze Age', Colchester, England
    Riva Project, 'Animals', Brussels, Belgium
    Rockbund Art Museum, 'Walking On The Fade Out Lines', Shanghai, China
    MAMCO Musée d'art moderne et contemporain, 'Art & Entertainment', Geneva, Switzerland
    The Metropolitan Museum of Art, 'Like Life: Sculpture, Color, and the Body (1300-Now), New York NY
    Hauser & Wirth Somerset, 'The Land We Live In – The Land We Left Behind', Bruton, England
    The National Museum of Art, 'Travelers: Stepping into the Unknown', Osaka, Japan
  • 2017
    Whitechapel Gallery, 'ISelf Collection: The Upset Bucket', London, England
    Institute of Contemporary Art, 'The Everywhere Studio', Miami FL
    National Gallery of Australia, 'Hyper Real', Canberra, Australia
    Riva Project, Charles Riva Collection, 'Animals', Brussels, Belgium
    Faurschou Foundation, 'Recent Acquisitions', Copenhagen, Denmark
    'Sculpture in the City 2017', London, England
    Fondazione Berengo, Palazzo Franchetti, 'Glasstress 2017', Venice, Italy
    Luhring Augustine, 'Larry Clark. White Trash', New York NY
    NMNM Nouveau Musée National de Monaco, 'Poïpoï, une Collection Privée à Monaco', Monaco, Monaco
    ARKEN Museum of Modern Art, 'Hyperrealist Sculpture 1973-2016', Ishøj, Denmark
    'MAC Musée d'art contemporain de Lyon, 'Los Angeles: a fiction', Lyon France
    Faurschou Foundation, 'Mourning and Melancholia', Copenhagen, Denmark
  • 2016
    The Billboard Creative, 'The Billboard Creative Show', Los Angeles CA (in collaboration with Damon McCarthy)
    Pippy Houldsworth Gallery, '5 Years at Heddon Street', London, England
    Whitney Museum of American Art, 'Human Interest: portraits from the Whitney's Collection', New York NY
    Charles Riva Collection, 'The Power and the Glory', Brussels, Belgium
    MARCO Museo de Arte Contempóraneo de Monterrey, 'Hyperrealist Sculpture 1973-2016', Monterrey, Mexico
    Astrup Fearnley Musset, 'Los Angeles: a fiction', Oslo, Norway
    M HKA Museum van Hedendaagse Kunst Antwerpen, 'The Eighties – A Decade of Extremes', Antwerp, Belgium
    Museo de Bellas Artes de Bilbao, 'Hyperrealist Sculpture 1973-2016', Bilbao, Spain​
    Charles Riva Project, 'Human Figure', Brussels, Belgium
    The Geffen Contemporary at MOCA, 'Don't Look Back: The 1990s at MOCA', Los Angeles CA
    Studio Guenzani, ' HYPERLINK "https://www.artfacts.net/login/required" Art from Los Angeles: 1990 – 2010', Milan, Italy
    Galerie Georges-Philippe & Nathalie Vallois, 'Heroes', Paris, France
    Centre for Contemporary Art Ujazdowski Castle, 'Objects Do Things', Warsaw, Poland
    MACBA HYPERLINK "http://www.e-flux.com/client/museu_d_art_contemporani_d" Museu d'Art Contemporani de Barcelona, 'Punk. Its Traces in Contemporary Art', Barcelona, Spain
    Whitney Museum of American Art, 'Human Interest: Portraits from the Whitney’s Collection', New York NY
    Tate Modern, 'Performing for the Camera', London, England
    MAC – Metropolitan Arts Centre, 'Double Act', Belfast, England
    HYPERLINK "https://www.artfacts.net/login/required" Museo Jumex, 'The Natural Order of Things', Mexico City, Mexico
    HYPERLINK "https://www.artfacts.net/login/required" Vancouver Art Gallery, 'MashUp: The Birth of Modern Culture', Vancouver, Canada
    HYPERLINK "https://www.artfacts.net/login/required" Miriam and Ira D. Wallach Art Gallery - Columbia University, ' HYPERLINK "https://www.artfacts.net/login/required" Open This End: Contemporary Art from the Collection of Blake Byrne', New York NY
    The Box, 'impromptu', Los Angeles CA
  • 2015
    Hauser & Wirth, 'Salon d'Hiver', Zurich, Switzerland
    8. Salon, '"Die Kunst, die Kunst, ich pfeife auf die Kunst": Arthur Cravan im Ring mit 13 Künstlern unserer Zeit', Hamburg, Germany
    Zentrum Paul Klee, 'About Trees', Berne, Switzerland
    Tokyo Station Gallery, ' Voices of 20 Contemporary Artists. at Idem Paris, a Lithography Studio in Montparnasse', Tokyo, Japan
    Fundació Gaspar, 'Art Strikes Back', Barcelona, Spain
    Grand Palais, Galeries nationales, 'Picasso.Mania', Paris, France
    Hamburger Bahnhof, Museum für Gegenwartskunst, 'A Few Free Years - From Absalon to Zobernig: Donations by Friedrich Christian Flick to the Nationalgalerie', Berlin, Germany
    Marborough Chelsea, 'Marlborough Lights', New York NY
    The Warehouse, 'Geometries On and Off the Grid. Art from 1950 to the Present', Dallas TX
    Zentrum Paul Klee, 'About Trees', Berne, Switzerland
    LACMA - Los Angeles County Museum of Art, 'Drawing in L.A.: The 1960s and 70s', Los Angeles CA
    Whitney Museum of American Art, 'America Is Hard to See', New York NY
    Museum Moderner Kunst Stiftung Ludwig, 'My Body ist he Event. Vienna Actionism and International Performance', Vienna, Austria
    Sammlung Falckenberg/ Deichtorhallen Hamburg, 'Self-Inflicted Justice By Bad Shopping – New Acquisitions of the Falckenberg Collection 2011-2014', Hamburg, Germany
    Galeria Marlborough, 'Eagles II. Contemporary American Artists', Madrid, Spain
    The University of Michigan Museum of Art, 'HE. The Hergott Shepard Photography Collection' Ann Arbor, MI
    The George Economou Collection, 'Thorn in the Flesh', Athens, Greece
    Museum of Contemporary Art Chicago, 'Body Doubles', Chicago, IL
    Deutsches Hygiene Museum, 'ROLL UP, ROLL UP! An Anatomical Waxwork Cabinet meets Art', Dresden, Germany
    Centre Pompidou – Musée National d'Art Moderne, 'Une histoire, art, architecture et design, des années 80 à aujourd'hui' Paris, France
    Centre Pompidou – Metz, '1984-1999 The Decade', Metz, France
    Rachel Uffner Gallery, 'Proper Nouns', New York NY
    Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, 'Open This End: Contemporary Art from the Collection of Blake Byrne', Portland OR
    Miriam and Ira D. Wallach Art Gallery, Columbia University, 'Open This End: Contemporary Art from the Collection of Blake Byrne', New York NY
  • 2014
    Fondazione Sandretto Re Rebaudengo, 'Something old Something borrowed Something blue', Turin, Italy
    Centre Pompidou, 'Une histoire, art, architecture et design, des années 80 à aujourd'hui', Paris, France
    The Betty And Edward Marcus Sculpture Park At Laguna Gloria, 'The Contemporary Austin', Austin TX
    The FLAG Art Foundation, 'Disturbing Innocence', New York NY
    Galleria Il Capricorno, 'Bruna Aickelin 1970 - 2014', Venice, Italy
    Musée Des Arts Décoratifs - La Nef, 'Décors à vivre: Les Arts Décoratifs accueillent AD Intérieurs 2014', Paris, France
    Monash University Museum of Art, 'Art as a Verb', Melbourne, Australia
    Saatchi Gallery, 'Post Pop: East Meets West', London, England
    Patrick Painter Inc., 'Titans of the Stratosphere', Santa Monica CA
    Museum of Contemporary Art Chicago, 'Body Doubles', Chicago IL
    Herbert Foundation, 'Use Me', Ghent, Belgium
    George Economou Collection Space, 'Thorn in the Flesh', Athens, Greece
    Nasher Museum of Art at Duke University, 'Open This End: Contemporary Art from the Collection of Blake Byrne', Durham NC
    Ohio State University Urban Arts Space, 'Open This End: Contemporary Art from the Collection of Blake Byrne', Columbus OH
    B.P.S.22, 'The Opposite Worlds. Popular Cultures and contemporary art', Charleroi, Belgium
    Tripostal, 'Secret Passions - Private Flemish Collections', Lille, France
    Delaware Art Museum, 'Retro active: Performance Art From 1964–1987', Wilmington DE
    Garage Center for Contemporary Culture - GCCC, 'do it Moscow', Moscow, Russia
    Galerie Sophie Scheidecker, 'Hybrid Creatures', Paris, France
    Galeria Javier Lopez, 'Knock! Knock!', Madrid, Spain
    The Box, 'Men in LA: Three Generations of Drawers', Los Angeles CA
    Taubman Museum of Art, 'Beg, Borrow and Steal', Roanoke VA
    Deutsches Hygiene Museum, 'Blicke! Körper! Sensationen! Ein anatomisches Wachskabinett und die Kunst', Dresden, Germany
    The Drawing Room, 'The Nakeds', London, England
    Hayward Gallery, 'The Human Factor: Use of the Figure in Contemporary Sculpture', London, England
    MAXXI, 'Remembering is not enough- MAXXI Collection', Rome, Italy
    Belvedere, 'Franz Graf - Siehe was dich sieht', Vienna, Austria
    Centre Pompidou - Metz, '1984 – 1999 The Decade', Metz Cedex, France
    Arp Museum Bahnhof Rolandseck, 'Macht. Wahn. Vision. Rapunzel & Co. Von Türmen und Menschen in der Kunst, Remagen, Germany
    Grimaldi Forum Monaco, 'Artlovers - Stories of Art in the Pinault Collection', Monaco, Monaco
    Galerie Hummel, 'Trash & Art', Vienna, Austria
    Ben Maltz Gallery at Otis College of Art and Design, 'Binding Desire: Unfolding Artists Books', Los Angeles CA
    Hammer Museum, 'Take It or Leave It: Institution, Image, Ideology', Los Angeles, CA
    Wexner Center for the Arts, 'Comic Future', Columbus, Ohio
  • 2013
    Museo Jumex, 'Confusion in the Vault', Mexico City, Mexico
    MABsociety BANK gallery, 'PAINT(erly), Shanghai, China
    Kestnergesellschaft, 'der schein – glanz, glamour, illusion', Hanover, Germany
    Mario Testino's cultural foundation MATE, 'Somos Libres', Lima, Peru
    Ballroom Marfa, 'Comic Future', Marfa TX
    Centro de Arte Visuales. Fundacion Helga Alvear, 'On Paper', Cáceres, Spain
    Hamburger Bahnhof, 'Body Pressure. Sculputres since the 1960s', Berlin, Germany
    Smart Museum of Art, 'State of Mind. New California Art Circa 1970', Chicago IL (Travelling Exhibition)
    Nederlands Fotomuseum, 'White- Photography, Art, Design, Fashion, Film', Rotterdam, Netherlands
    CAB - Centro de Arte Caja de Burgos, 'El Teatro del Arte', Burgos, Spain
    MARTa Herford, Kunstmuseum Ahlen, 'Disturbing the Piece. An expedition through the World of Collage', Herford, Ahlen, Germany
    Bleecker Street Arts Club, 'Dead Inside', New York NY
    De Halle, 'Middle Gate Geel 13', Geel, Belgium
    Centre Pompidou, 'Le Surréalisme et l'objet - La sculpture au défi', Paris, France
    Perry Rubenstein Gallery, 'The Humors', Los Angeles CA
    Galerie Micky Schubert, 'The Estate', Berlin, Germany
    Fondation Vincent van Gogh, 'Van Gogh Live!', Arles, France
    Kunstmuseum Bern, 'The Weak Sex—How Art Pictures the New Male', Berne, Switzerland
    55th Venice Biennial, 'Il Palazzo Enciclopedico', Venice, Italy
    M+, West Kowloon Cultural District, 'Mobile M+: Inflation', Hong Kong, China
    Utah Biennial of Contemporary Art, 'Mondo Utah: The Folkloric of the Beehive State', Salt Lake City UT
    Kunsthaus Kaufbeuren, 'From Page to Space', Kaufbeuren, Gemany
    Guggenheim Bilbao, 'Riotous Baroque. From Catelan to Zurbarán - Tributes to Precarious Vitality', Bilbao, Spain (Travelling Exhibition)
    Tacoma Arts Museum, 'Drawing Line into Form: Works on Paper by Sculptors
    from the Collection of BNY Mellon', Tacoma WA
    Skarstedt Gallery London, 'From Figuration', London, England
    Parkett Ausstellungs-Raum, 'People', Zurich, Switzerland
    Communauté Urbaine de Dunkerque, 'L'art à l'épreuve du monde', Dunkerque, France
    Oi Futuro Cultural Center, 'Vidéo Vintage 1963 – 1983', Rio de Janeiro, Brazil (Travelling Exhibition)
    National Museum of Modern and Contemporary Art, 'Vidéo Vintage 1963 – 1983', Seoul, Korea (Travelling Exhibition)
    Oi Futuro Cultural Center, 'Vidéo Vintage 1963 – 1983', Belo Horizonte, Brazil (Travelling Exhibition)
    Beirut Art Center, ‘Vidéo Vintage 1963- 1983', Beirut, Lebanon (Travelling Exhibition)
    Centre Pompidou, ‘Vidéo Vintage 1963- 1983', Paris, France (Travelling Exhibition)
    Scottish National Gallery of Modern Art, 'From Death to Death and Other Small Tales –
    Masterpieces from the Scottish National Gallery of Modern Art and the D.Daskalopoulos Collection', Edinburgh, Scotland
    New Museum, 'NYC 1993: Experimental Jet Set, Trash and No Star', New York NY
    Palm Springs Art Museum, 'Beg, Borrow and Steal - Rubell Family Collection', Palm Springs CA
    SITE Santa Fe, 'State of Mind: Art from California Circa 1970', Santa Fe, New Mexico (Travelling Exhibition)
    Centro de Artes Visuales, Fundación Helga de Alvear, 'Language Games. An Introduction to the Art of Our Times', Caceres, Spain
    Ludwig Múzeum, Museum of Contemporary Art, 'The Naked Man', Budapest, Hungary
    Deutsches Hygiene-Museum, 'Do or Die. The Human Condition in Painting and Photography', Dresden, Germany
    Charles Riva Collection, 'California', Brussels, Belgium
    The Bronx Museum of the Arts, 'State of Mind: Art from California Circa 1970', New York NY (Travelling Exhibition)
    The Institute of Contemporary Art, 'This Will Have Been: Art, Love & Politics in the 1980s', Boston MA
  • 2012
    Julia Stoschek Collection, 'Number Six: Flaming Creatures', Dusseldorf, Germany
    The Box, 'Painting', Los Angeles CA
    Artipelag, 'Enlightened: Electric light as the Fairy of Art', Gustavsberg, Sweden
    Centre Pompidou, 'Fruits of Passion', Paris, France
    Centro de Artes Visuales, 'Language Games. An Introduction to the Art of our Times', Fundación Helga de Alver, Ceres, Spain
    ZKM Zentrum für Kunst und Medientechnologie, 'Vidéo Vintage 1963−1983', Karlsruhe, Germany (Travelling Exhibition)
    The Joan Miró Foundation, 'Explosion! The legacy of Jackson Pollock', Barcelona, Spain
    Charles Riva Collection, 'California', Brussels, Belgium
    Lentos Kunstmuseum Linz, 'Der Nackte Mann', Linz, Austria
    All Visual Arts, 'Metamorphosis: The transformation of being', London, England
    Scottish National Gallery of Modern Art, 'From Death to Death – Masterpieces from the Scottish National Gallery and the D. Daskalopoulos collection', Edinburgh, Scotland
    Saatchi Gallery, 'The Art of Chess', London, England
    The Watermill Center, 'The Big Bang: the 19th Annual Watermill Center Summer Benefit', Watermill NY
    Moderna Museet, 'Explosion! Painting in Action', Stockholm, Sweden
    Julia Stoschek Collection, 'Numer six: Flamming Creatures', Dusseldorf, Germany
    Le Lieu Unique, Scène Nationale de Nantes, 'Safari', Nantes, France
    Villa Arson, 'A la vie délibérée! Une histoire de la performance sur la Côte d'Azur de 1951 à 2011', Nice, France
    Staatsgalerie Stuttgart, 'Mythos Atelier Künstlerräume von Carl Spitzweg bis Bruce Nauman', Stuttgart, Germany
    Haus der Kunst, 'Ends of the Earth – Land Art bis 1974', Munich, Germany
    'ART AND THE CITY: Das Festival für Kunst im öffentlichen Raum in Zürich- West', Zurich, Switzerland
    L&M Arts, 'Mash Up: Collage from 1930 to the present', Los Angeles CA
    Kunsthaus Zürich, 'Deftig Barock. Von Cattelan bis Zubaran. Manifeste des prekär Vitalen', Zurich, Switzerland (Travelling Exhibition)
    ICA The Institute of Contemporary Art, 'This Will Have Been: Art, Love & Politics in the 1980s', Boston MA (Travelling Exhibition)
    MoMA - Museum of Modern Art, 'Exquisite Corpses: drawing and Disfiguration', New York NY
    Morris and Helen Belkin Art Gallery, 'State of Mind: Art from California Circa 1970', Vancouver, Canada (Travelling Exhibition)
    National Museum of Contemporary Art, 'Move: Choreografing you', Seoul, Korea
    Walker Art Center, 'This Will Have Been: Art, Love & Politics in the 1980s', Minneapolis MN (Travelling Exhibition)
    Haus der Kunst, 'Ends of the Earth – Land Art bis 1974', Munich, Germany
    Museum Ritter, ’Art with Chocolate’, Waldenbach, Germany
    Maison particulière art center, 'Struggels(s)', Brussels, Belgium
    MOCA - Museum of Contemporary Art, ’Rebel – James Franco, Douglas Gordon, Harmony Korine, Damon McCarthy, Paul McCarthy, Terry Richardson, Ed Ruscha, Aaron Young’, Los Angeles CA
    Mystetskyi Arsenal, 'First International Biennale of Contemporary Art: The Best of Times, The Worst of Times. Rebirth and Apocalypse in Contemporary Art', Kiev, Ukraine
    Public Art Fund, City Hall Park, 'Common Ground', New York NY
    The Geffen Contemporary at MOCA, 'Ends of the Earth. Land Art to 1974', Los Angeles CA
    MALBA – Fundacion Costantini, Museo de Arte Latinoamericano, 'Bye Bye American Pie', Buenos Aires, Argentina
    VOX Contemporary Image Centre, 'Art Histories', Montreal, Canada
    21er Haus, Museum und Schloss Belvedere, 'Utopia Gesamtkunstwerk', Vienna, Austria
    Marta Herford, ‘Atelier + Kitchen – Laboratories of the Senses’, Herford, Germany
    Mitterrand + Cramer, 'Hotel California II', Geneva, Switzerland
    The Box, 'Los Angeles Free Music Society: Beneath the Valley of the Lowest Form of Music', Los Angeles CA
    Berkeley Art Museum, 'State of Mind: New California Art circa 1970', Berkeley CA (Travelling Exhibition)
    Boston University Art Gallery, '100 Years (version 4 Boston, 2012)', Boston MA
    Museum of Contemporary Art Chicago, 'This Will Have Been: Art, Love & Politics in the 1980s', Chicago IL (Travelling Exhibition)
    PMCA Pasadena Museum of California Art, 'LA Raw: Abject Expressionism in Los Angeles 1945-1980, From Rico Lebrun to Paul McCarthy', Pasadena CA
    K21 Ständehaus, Kunstsammlung Nordrhein Westfalen, 'Big Picture III (Szenen / Figuren)', Dusseldorf, Germany
    Deutsches Hygiene-Museum, 'Do or Die. The Human Condition in Painting and Photography', Dresden, Germany
  • 2011
    Boston University Art Gallery, '100 Years (Version #4 Boston, 2012)', Boston MA
    Rubell Family Collection / Contemporary Arts Foundation, 'American Exuberance', Miami FL
    LACE Los Angeles Contemporary Exhibitions, 'Recollecting Performance', Los Angeles, California
    Fundació Antoni Tàpies, 'In the first Circle. A Project by Imogen Stidworthy', Barcelona, Spain
    MUMO - Mobile Museum (mobile exhibition for children which travels throughout France and Africa supported by UNESCO)
    Weserburg Museum für moderne Kunst, 'Farbe im Fluss/Color in Flux', Bremen, Germany
    Herning Museum of Contemporary Art, 'Welcome in the Dark!', Herning, Denmark
    MoMu ModeMuseum Provencie Antwerpen, 'Walter Van Beirendonck: Dream the World Awake', Antwerp, Belgium
    Van Abbemuseum, 'The Collectors Show', Eindhoven, Netherlands
    Deichtorhallen Internationale Kunst und Fotografie Hamburg, 'Zwei Sammler – Thomas Olbricht und Harald Falckenberg', Hamburg, Germany
    Staatsgalerie Stuttgart, 'Das Atlelier – Werkstatt und Mythos', Stuttgart, Germany
    Marres Maastrich – Centre for Contemporary Culture, 'Out of Storage. Provisoire & Définitif', Maastricht, Netherlands
    Museu Serralves – Museu de Arte Cantemporânea, 'Off the Wall / Fora da Parede', Porto Portugal
    De Hallen, 'He disappeared into complete silence – rereading a single artwork by Louise Bourgeois', Haarlem, Netherlands
    Centre Pompidou, 'Dance You Life', Paris, France
    Timmerfabriek, Marres Projects, 'Out of Storage. Provisoire & Définitif', Maastricht, Netherlands
    PMCA Pasadena Museum of California Art, 'LA Raw: Abject Expressionism in Los Angeles 1945-1980, From Rico Lebrun to Paul McCarthy', Pasadena CA
    OCMA Orange County Museum of Art, 'State of Mind: New California Art Circa 1970', Newport CA
    MOCA - The Museum of Contemporary Art, 'Under the Big Black Sun: California Art 1974-1981', Los Angeles CA
    LACE - Los Angeles Contemporary Exhibitions, 'Los Angeles Goes Live: Performance Art in Southern California 1970-1983', Los Angeles CA
    White Flag Projects, 'Another Kind of Vapor', Saint Louis MO
    Fundación/Colección Jumex, 'Glimmer', Mexico City, Mexico
    Kathleen Cullen Fine Art, Elisabeth Ivers Gallery, 'Two Colors', New York NY
    Luxembourg & Dayan, 'Unpainted Paintings', New York NY
    Fundación Caixa Catalunya, 'Eating Art', Barcelona, Spain
    PKM Trinity Gallery, 'TEXT/VIDEO/FEMALE – Art after 60’s', Seoul, South Korea
    Galerie Bob van Orsouw, 'The luxury of dirt', Zurich, Switzerland
    David Risley Gallery, 'DeKooning, DeKooning, DeKooning…', Copenhagen, Denmark
    Kunsthalle Emden, 'Zwischen Film und Kunst – Storyboards von Hitchcock bis Spielberg', Emden, Germany
    Guggenheim Museum, 'The Luminous Interval', Bilbao, Spain
    Punta della Dogana, Francois Pinault Foundation, 'In Praise of Doubt', Venice, Italy
    DESTE Foundation, 'Investigations of a Dog', Athens, Greece (Travelling Exhibition)
    Martin Gropius Baus, 'Kompass – Zeichnungen aus dem Museum of Modern Art New York', Berlin, Germany
    Essl Museum, 'Festival der Tiere', Klosterneuburg, Austria
    Magasin 3 Stockholm Konsthall, 'Investigations of a Dog', Stockholm, Sweden (Travelling Exhibition)
    Haus der Kunst, 'Move – Kunst und Tanz seit den 1960er Jahren', Munich, Germany (Travelling Exhibition)
    Vancouver Art Gallery, 'From the collection: Unreal', Vancouver, Canada
    Vanhaerents Art Collection, 'Disorder in the house', Brussels, Belgium
    Fondazione Nicola Trussardi, '8 ½', Stazione Leopolda, Florence, Italy
    Kunsthaus Bregenz, 'Living Archives – Cooperation Van Abbemuseum', Bregenz, Austria
  • 2010
    Hangaram Museum, '200 Artworks – 25 Years', Seoul, Korea
    GAM Civica Galleria d'Arte Moderna di Gallarate, 'Cosa fa la mia anima mentre sto lavorando? - Opere d'arte contemporanea dalla collezione Consolandi', Gallarate, Italy
    Torrance Art Museum, 'What's New, Pussycat?', Torrance, Canada
    Institut Valencia d’Art Modern, 'Compass in hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection', Valencia, Spain
    The Hayward Gallery, 'Move: Choreographing You', London, England (Travelling Exhibition)
    GAMeC – Galleria d’Arte Moderna e Contemporanea, 'THE PRIVATE MUSEUM. The passion for contemporary art in the collections in Bergamo', Bergamo, Italy
    Gasser / Grunert, 'Exquisite Corpse Project: Leading Artists Recreate Surrealist Parlor Game', New York NY
    CAC - Cincinnati Contemporary Arts Center, 'Where Do We Go From Here? Selections from La Colección Jumex', Cincinnati OH
    MUDAC - Musée de design et d’arts appliqués contemporains, 'Covering the wall. Contemporary wallpapers', Lausanne, Switzerland
    Galerías Hermenegildo Bustos, '¡Sin techo está pelón!', Guanajuato, Mexico
    MOCA Grand Avenue, The Geffen Contemporary at MOCA, 'The Artist's Museum', Los Angeles CA
    Museum on the Seam, 'The Right to Protest', Jerusalem, Israel
    MUDAC - Musée de design et d'arts appliqués contemporains, 'Face au mur', Lausanne, Switzerland
    Matts Gallery, 'TAPS: Improvisations with Paul Burwell', London, England
    Whitney Museum of American Art, 'Collecting Biennials', New York NY
    14th Biennale of Carrara, 'Postmonument', Carrara, Italy
    Whitney Museum of American Art, 'Off the Wall: Part 1 – Thirty Performative Actions', New York NY
    ACCA - Australian Centre for Contemporary Art, 'Gestures and Procedures', Melbourne, Australia
    Kunstforum Ostdeutsche Galerie, 'Permanent Trouble. Kunst aus der Sammlung Kopp München', Regensburg, Germany
    Pinchuk Art Centre, 'Sexuality and Transcendence', Kiev, Ukraine
    Gagosian Gallery, 'Crash – Homage to JG Ballard', London, England
    17th Biennale of Sydney, 'The Beauty of Distance: Songs of Survival in a Precarious Age', Sydney, Australia
    Cheekwood Botanical Garden & Museum of Art, 'Soaps, Flukes, and Follies', Nashville TN
    Galerie im Taxispalais, 'Eating The Universe. Vom Essen in der Kunst', Innsbruck, Austria (Travelling Exhibition)
    Gavlak Gallery, 'Think Pink', Palm Beach FL
    New Museum, 'Skin Fruit: Selections from the Dakis Joannou Collection', New York NY
    La maison rouge – fondation antoine de galbert, 'Investigations of a Dog', Paris, France (Travelling Exhibition)
    Ellipse Foundation, 'Investigations of a Dog', Cascais, Portugal (Travelling Exhibition)
    Museet for Samtidskunst - Museum of Contemporary Art, 'Gestures – Performance and Sound', Roskilde, Denmark
    The 8th Gwangju Biennale, Gwangju, South Korea
    Kunsthalle Goeppingen, 'Happy End', Göppingen, Germany
    The Fruitmarket Gallery, 'Childish Things', Edinburgh, Scotland
    Wallraf-Richartz-Museum, 'Do or Die – The Human Condition in Painting and Photography', Cologne, Germany
    Gasworks, 'Hydrarchy: Power and Resistance at Sea', London, England
    Kunstmuseum Stuttgart, 'EAT ART. Vom Essen in der Kunst', Stuttgart, Germany (Travelling Exhibition)
    S.M.A.K. - Stedelijk Museum voor Actuele Kunst & Museum of Fine Arts, 'Hareng Saur – Ensor and Contemporary Art', Ghent, Belgium
    Simon Lee Gallery, 'Barbaric Freedom', London, England
    Portland Art Museum, 'Disquieted', Portland OR
    Temporäre Kunsthalle, 'FischGrätenMelkStand', Berlin, Germany
    Suntory Museum Osaka, 'Resonance', Osaka, Japan
    Walker Art Center, 'Abstract Resistance', Minneapolis MN
    CA2M - Centro de Arte Dos de Mayo, 'Sonic Youth etc.: Sensational Fix', Móstoles, Spain (Travelling Exhibition)
    ARoS Aarhus Kunstmuseum, 'I love you', Aarhus, Denmark
  • 2009
    Hamburger Bahnhof Museum für Gegenwart, 'Die Kunst ist super', Berlin, Germany
    Fondazione Sandretto Re Rebaudengo, 'Investigations of a Dog', Turin, Italy (Travelling Exhibition)
    Rubell Family Collection, 'Beg Borrow and Steal', Miami FL
    Foundation 20 21/Nyehaus, New York NY
    Museum of Contemporary Art, 'Collection: MOCA's First Thirty Years', Los Angeles CA
    Bass Museum of Art, 'Where Do We Go From Here? Selections from La Colección Jumex', Miami FL
    Seattle Art Museum, 'Target Practice: Painting Under Attack 1949-78', Seattle CA
    S.M.A.K. - Stedelijk Museum voor Actuele Kunst, 'GAGARIN the Artists in their Own Words – The First Decade', Ghent, Belgium
    FRAC Poitou-Charentes – Site de Linazay, 'Attraction (Voyage sentimental)’, Angouleme, France
    L & M Arts, 'Beyond Black, White and Gray’, New York NY
    Lisson Gallery, 'Boule to Braid’, London, England
    Deste Foundation, 'A Guest + A Host = Ghost', Athens, Greece
    Lisson Gallery, 'Boule to Braid', London, England
    Château Guiraud, 'Quand la première ivresse des succès bruyants…', Sautrenes, France
    Elgiz Museum of Contemporary Art, 'Now New: New Works, New Space', Istanbul, Turkey
    Kurimanzutto, 'My Generation', Mexico City, Mexico
    Kunstnernes Hus, 'Live Art', Oslo, Norway
    Palais des Arts de Dinard, 'Who's afraid of the Artist?', Dinard, France
    The Garage Centre for Contemporary Culture in Moscow, 'Un Certain Etat du Monde?', Moscow, Russia
    MoMA - Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Culture', New York NY
    IMA - Institute of Modern Art, 'The Same River Twice: Part 2', Brisbane, Australia
    Musée d'Art Contemporain, 'N'importe quoi', Lyon, France
    Kunsthalle Düsseldorf, 'Sonic Youth etc.: Sensational Fix', Germany (Travelling Exhibition)
    Palazzo Grassi/Punta della Dogana, 'Mapping the Studio: Artists from the François Pinault Collection', Venice, Italy
    Contemporary Arts Museum, 'The Puppet Show', Houston TX (Travelling Exhibition)
    Frye Art Museum, 'The Puppet Show', Seattle WA (Travelling Exhibition)
    Reykjavik Art Museum, 'The Art of Chess', Reykjavik, Iceland (Travelling Exhibition)
    Salzburger Kunstverein, 'No Sound of Music', Salzburg, Austria
    Galleria Civica d'Arte Moderna e Contemporanea di Torino, 'The Theatre of Performance', Turin, Italy
    Kunsthalle Düsseldorf, 'Eat the Universe – Vom Essen in der Kunst', Dusseldorf, Germany
    Compton Verney, 'The Artist's Studio', Warwickshire, England
    MACG - Museo de Arte Carrillo Gil, 'I Use Perfume to Occupy more Space', Mexico City Mexico
  • 2008
    1031PE, 'Group Show', Los Angeles CA
    Phoenix Kulturstiftung, 'Helga de Alvear und Harald Falckenberg im Dialog', Hamburg, Germany
    MUNAL - Museo Nacional de Arte, 'The Practice of Everyday Life. Fundación / Colección Jumex', Mexico City, Mexico
    White Columns, 'Looking Back: The White Columns Annual', New York NY
    Vanabbemuseum, 'Stars and Stripes Forever', Eindhoven, Netherlands
    Galerie Erna Hécey, 'The Cult of Personality – Portraits and Mass Culture', Brussels, Belgium
    Galleria Civica di Arte Contemporanea, 'The Rocky Mountain People Show', Trento, Italy
    Broelmuseum Kortrijk – Museum voor beeldende en toegepaste kunst, 'FuturARTextiel', Kortrijk, Belgium
    MCASD – Museum of Contemporary Art San Diego, La Jolla, 'Weighing and Wanting: Selections from the Collection', San Diego CA
    Institute of Modern Art, 'The Same River Twice Part 1', Brisbane, Australia
    Yokohama Triennale 2008, 'Time Crevasse', Yokohama, Japan
    MOCA - Museum of Contemporary Art, 'Index: Conceptualism in California from the Permanent Collection', Los Angeles CA
    MoMA - Museum of Modern Art, 'Here Is Every. Four Decades of Contemporary Art', New York NY
    CCS Bard Hessel Museum, 'I've got something in my eye', Annandale-on-Hudson NY
    Perry Rubenstein Gallery, 'A Sorry Kind of Wisdom', New York NY
    ICA - Institute of Contemporary Art, 'The Puppet Show', Philadelphia PA (Travelling Exhibition)
    Santa Monica Museum of Art, 'The Puppet Show', Santa Monica CA (Travelling Exhibition)
    The Contemporary Museum, 'The Puppet Show', Honolulu, Hawaii HI (Travelling Exhibition)
    The Power plant Contemporary Art Gallery, 'Not Quite How I Remembered it', Toronto, Canada
    Museion – Museum für moderne und zeitgenössische Kunst, 'Peripherer Blick und kollektiver Körper – Peripheral Vision and collective body', Bolzano, Italy
    MuHKA - Museum van Hedendaagse Kunst, 'Collectie XXII Fantasy', Antwerp, Belgium
    Laguna Art Museum, 'In the Land of Retinal Delights: The Juxtapoz Factor', Laguna Beach CA
    Victoria and Albert Museum, 'Blood on Paper: The Art of the Book', London, England
    Galerie Vallois, 'Hotel California', Paris, France
    Hamburger Bahnhof - Museum für Gegenwart, 'Cult of the artist: "I can't just slice off an ear every day" Deconstructing the Myth of the Artist', Berlin, Germany
    'XIII Biennale Internazionale di Scultura di Carrara', Carrara, Italy
    Maccarone Gallery and Gavin Brown's Enterprise, 'Pretty Ugly', New York NY
    Park de Oude Warande, Museum De Pont, 'Lustwarande 08 – Wanderland. 3rd edition international sculpture exhibition in Baroque pleasure-garden', Tilburg, Netherlands
    Gering-Lopez Gallery, 'No Images of Man', New York NY
    Grote Zaal Koninklijke Schouwburg Den Haag, 'The Hague Sculpture 2008. FREEDOM – American Sculpture', The Hague, Netherlands
    MARTa Herford, 'Die Hände der Kunst – Mehr als 190 Zeichnungen, Drucke und Collagen mit Händen zeitgenössischer Künstler', Herford, Germany
    FRAC - Fonds Régional d'Art Contemporain Languedoc-Roussillon, 'La dégelée Rabelais', Montpellier, France
    KW Institute for Contemporary Art, 'Hotel Marienbad 002: Sammlung Rausch', Berlin, Germany
    Paul Klee Zentrum, 'Lost Paradise – Der Blick des Engels', Berne, Switzerland
    CAPC - Musée d'art contemporain de Bordeaux Entrepôt, 'Less is less, more is more, that's all', Bordeaux, France
    ExhibAir Malpensa, 'Electronic Lounge. La donazione Halevim al museo del Novecento', Milan, Italy
    Kramer Amthaus, 'Entschleunigung', Munster, Germany
    Moderna Museet, 'Eclipse – Art in a Dark Age', Stockholm, Sweden
    Indianapolis Museum of Art, 'On Procession', Indianapolis IN
    Tel Aviv Museum of Art, 'Depletion: Works from the Doron Sebbag Art Collection', Tel Aviv, Israel
    MCA - Museum of Contemporary Art, 'Southern Exposure: Works from the Collection of the Museum of Contemporary Art San Diego', Sydney, Australia
    Eleni Koroneou Gallery, 'Faces', Athens, Greece
    Villa Arson, 'Ne pas jouer avec des choses mortes', Nice, France
    Thyssen-Bornemisza Art Contemporary, 'Other than Yourself. An Investigation Between Inner and Outer Space', Vienna, Austria
    Barbican Art Gallery, 'Martian Museum of Terrestrial Art', London, England
    J. Paul Getty Museum, 'California Video', Los Angeles CA
    Freiraum, MuseumQuartier, 'The Sound of Art – TONSPUR expanded', Vienna, Austria
    Sebastian Guinees Gallery, 'The Art of Chess', Dublin, Ireland
  • 2007
    MoMA - Museum of Modern Art, 'Multiplex: Directions in Art, 1970 to Now', New York NY
    EFA Gallery, 'Performance on Demand', New York NY
    Bloomberg SPACE, 'No, Future', London, England
    Gagosian Gallery, 'Fit to Print – Printed Media in recent Collage', New York NY
    Getty Center, 'Evidence of Movement', Los Angeles CA
    Museum on the Seam, 'Bare Life', Jerusalem, Israel
    MuHKA - Museum van Hedendaagse Kunst, 'Who's got the big picture?', Antwerp, Belgium
    Orange County Museum of Art, 'Art since the 1960's: California Experiments', Newport Beach CA
    David Zwirner, 'A Point in Space is a Place for an Argument', New York NY
    Vanhaerents Art Collection, 'Disorder in the House', Brussels, Belgium
    Essl Museum Kunst der Gegenwart, 'Foto.Kunst', Klosterneuburg, Austria
    Christchurch Art Gallery, 'Reboot – The Jim Barr and Mary Barr Collection', Christchurch, New Zealand
    Hamburger Bahnhof, 'There is never a stop and never a finish. Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof. In memoriam Jason Rhoades', Berlin, Germany
    Barbican Center, 'Panic Attack! Art in the Punk Years', London, England
    Kunsthalle & MUMOK - Museum Moderner Kunst Stiftung Ludwig Wien, 'Dream & Trauma – Works from the Dakis Joannou Collection, Athens', Vienna, Austria
    National Gallery of Victoria, 'Guggenheim Collection: 1940s to Now. New York – Venice – Bilbao – Berlin', Melbourne, Australia
    Essl Museum Kunst der Gegenwart, 'Passion for Art', Klosterneuburg, Austria
    Deste Foundation, 'The Fractured Figure', Athens, Greece
    Museum of Modern Art, 'Live / Work: Performance into Drawing', New York NY
    De Hallen Haarlem, 'Nothing Else Matters', Haarlem, Netherlands
    Fine Art Fair Frankfurt 2007, Frankfurt, Germany
    Domus Artium 2002, 'IDYLLE', Salamanca, Spain
    Kunsthalle Mannheim, '100 Jahre Kunsthalle Mannheim', Mannheim, Germany
    10. Triennale Kleinplastik, 'Bodycheck', Fellbach, Germany
    Museum Kunstpalast, 'Die Kunst zu Sammeln', Dusseldorf, Germany
    Perry Rubenstein Gallery, 'Omission', New York NY
    European Media Art Festival, 'Final Cut – Medienkunst und Kino', Osnabrück, Germany
    MACRO – Museo d'Arte Contemporanea Roma, 'Into Me / Out of Me', Rome, Italy (Travelling Exhibition)
  • 2006
    Kunstverein Braunschweig, 'Kunst aus Los Angeles der 60er bis 90er Jahre', Braunschweig, Germany
    Scope 2006, New York NY
    Kunsthalle Mannheim, 'Full House', Mannheim, Germany
    MUMOK – Museum Moderner Kunst Stiftung Ludwig Wien, 'Wiener Aktionismus', Vienna, Austria
    MoMA - Museum of Modern Art, 'Transforming Chronologies 2', New York NY
    San Francisco Art Institute, 'Work Zones', San Francisco CA
    Museum Folkwang, 'Speaking with Hands', Essen, Germany
    Guggenheim Museum, 'Speaking with Hands', New York NY
    INHOTIM centro de Arte Contemporanea, 'Open House', Minas Gerais, Brazil
    Leopold Hoesch Museum, 'Sammlung Dahlmann', Dueren, Germany
    ZKM - Zentrum für Kunst und Medientechnologie, 'FASTER! BIGGER! BETTER!', Karlsruhe, Germany
    RS&A Ltd, 'With the Artists: New Paintings by Jake, Paul, George and Dinos', London, England
    Galerie Patrick Seguin, 'Galerie Patrick Seguin invites Hauser & Wirth', Paris, France
    Palazzo Grassi, 'Where are we going? – The Francois Pinault collection. A post pop selection', Venice, Italy
    Hessel Museum of Art, 'Wrestle', Bard College, New York NY
    Exit Art, 'Renegades: 25 Years of Performance Art at Exit Art', New York NY
    Collection Lambert en Avignon, 'Figures de l'acteur – Le paradoxe du comédien', Avignon, France
    Zwirner & Wirth New York, 'Yes Bruce Nauman', New York NY
    Museo d'Arte Contemporanea Donnaregina Napoli, 'People: from the Collection of Ernesto Esposito', Naples, Italy
    Samuel P. Harn Museum of Art, 'Highlights from the Photography Collection –
    Contemporary Complexities', Gainesville FL
    Ruskin School at Oxford, 'Another Fine Mess: Video Works from 1967-2005' (cur. Terry Smith), Oxford, England
    Sammlung Falckenberg / Phoenix Kulturstiftung: 'Idylle. Traum und Trugschluss ', Hamburg, Germany
    Perry Rubenstein Gallery, 'On second thought', New York NY
    Whitney Museum of American Art, 'Full House: Views of the Whitney's Collection at 75', New York NY
    Anton Kern Gallery, 'Implosion: 10 Year Anniversary', New York NY
    Naturalis, 'Conversations', Leiden, Netherlands
    Rubell Family Collection, 'Red Eye: Los Angeles Artists from the Rubell Family Collection', Miami FL
    PS1, 'Into Me / Out of Me' (cur. Klaus Biesenbach), New York NY (Travelling Exhibition)
    Cheekwood Museum of Art, '100 Artists See God', Nashville TN
    KW Institute for Contemporary Art, 'Into Me / Out of Me', Berlin, Germany (Travelling Exhibition)
    ICA - Institute of Contemporary Arts, 'Surprise Surprise' (cur. Jens Hoffman, Rob Bowman), London, England
    Dublin City Gallery The Hugh Lane, 'Studio' (cur. Jens Hoffman, Christina Kennedy), Dublin, Ireland
    Fonds Regional, 'Action', Marseille, France
    Fruitmarket Gallery, 'Dada's Boys', Edinburgh, Scotland
    Louisiana Museum of Modern Art, 'Sip My Ocean', Humlebæk, Denmark
    Villa Manin Centre for Contemporary Art, 'Infinite Painting' (cur. Francesco Bonami), Codroipo, Italy
    4th Berlin Biennial, 'Of Mice and Men' (cur. Ali Subotnick, Massimiliano Gioni, Maurizio Cattelan), Berlin, Germany
    Centre Pompidou, 'Los Angeles - Paris' (cur. Catherine Grenier), Paris, France
    UCLArts, 'Sixteen Tons' (cur. Michael Darling), Los Angeles CA
    Museum für Gegenwartkunst, 'Faites vos jeux: Art and game since Dada / Kunst und Spiel seit Dada', Siegen, Germany (Travelling Exhibition)
  • 2005
    Albright College Freedman Art Gallery, '100 Artists See God', Reading PA (Travelling Exhibition)
    Reina Sofia, 'Domestic Violence', Madrid, Spain
    'Art Athina 2005', Athens, Greece
    MuHKA - Museum van Hedendaagse Kunst, 'de Zomer van Middelburg', Antwerp, Belgium
    Contemporary Art Center of Virginia, '100 Artists See God', Virginia Beach VA (Travelling Exhibition)
    Quarter, 'The Gesture', Florence, Italy
    CAPC musée d'art contemporain de Bordeaux, 'Collection Automne/Hiver', Bordeaux, France
    Musée Cantonal des Beaux-Arts, 'Private View 1980-2000', Lausanne, Switzerland
    Centre Pompidou, 'Big Bang', Paris, France
    Kunstsammlung im Ständehaus, 'Sammlung 2005 – Neupräsentation', Dusseldorf, Germany
    Macedonian Museum of Contemporary Art, 'The Gesture', Thessaloniki, Greece
    Kölnischer Kunstverein, 'KunstFilm Biennale', Cologne, Germany
    ACC Weimar, 'Polymorph Pervers', Weimar, Germany
    NRW-Forum, 'Video II: Allegorie', Dusseldorf, Germany
    Castello di Rivoli, 'From the Electronic Eye', Turin, Italy
    Casino Luxembourg, 'L'humanité mise à nu… ', Luxembourg, Luxembourg
    N.O. Gallery, 'Multiplo 2', Milan, Italy
    Kunsthalle Baden-Baden, 'MULTIPLE RÄUME (3): FILM', Baden-Baden, Germany
    Helsinki City Art Museum, 'Falckenberg Collection', Helsinki, Finland
    Luhring Augustine, 'The Art of Chess', New York NY
    MoCA - Museum of Contemporary Art, 'The Blake Byrne Collection', Los Angeles CA
    Andrea Rosen Gallery, 'Looking at Words', New York NY
    BA-CA Kunstforum, 'Superstars', Vienna, Austria
    MUMOK – Museum Moderner Kunst Stiftung Ludwig Wien, 'After the Act', Vienna, Austria
    Essl Museum Kunst der Gegenwart, 'Figur / Skulptur', Klosterneuburg, Austria
    ZKM - Zentrum für Kunst und Medientechnologie, 'Lichtkunst aus Kunstlicht', Karlsruhe, Germany
    Coleccion Gary Nader, 'Important Modern and Contemporary Art', Miami FL
    Akademie der Künste, 'Faites vos jeux! Art and game since Dada / Kunst und Spiel seit Dada', Berlin, Germany (Travelling Exhibition)
    Kunstmuseum Liechtenstein, 'Faites vos jeux: Art and game since Dada / Kunst und Spiel seit Dada', Vaduz, Liechtenstein (Travelling Exhibition)
    Contemporary Arts Center, 'Multiple Strategies', Cincinnati OH
    Guggenheim Bilbao, 'Speaking with Hands', Bilbao, Spain
    Walker Art Center, 'Mythologies', Minneapolis MN
    MoMA - Museum of Modern Art, 'Drawings from the Modern, 1975-2005', New York NY
    Natural History Museum of LA County, 'Conversations', Los Angeles CA
    LACE - Los Angeles Contemporary Exhibitions, 'A Walk to Remember', Los Angeles CA
    Whitechapel Art Gallery, 'Faces in the Crowd', London, England (Travelling Exhibition)
    Castello di Rivoli, 'Faces in the Crowd', Turin, Italy (Travelling Exhibition)
    Fondazione Sandretto Re Rebaudengo, 'Bidibidobidiboo: La Collezione Sandretto Re Rebaudengo per i dieci anni della Fondazione', Turin, Italy
    Museum der Moderne, 'Les grands spectacles: 120 Jahre Kunst und Massenkultur' (cur. Margrith Brehm & Roberto Ohrt), Salzburg, Austria
    Kunsthalle Emden, 'Die obere Hälfte: die Büste von August Rodin bis heute', Emden, Germany (Travelling Exhibition)
    Städtische Museen Heilbronn, 'Die obere Hälfte: die Büste von August Rodin bis heute', Heilbronn, Germany (Travelling Exhibition)
    Museum Liner, 'Die obere Hälfte: die Büste von August Rodin bis heute', Linder, Switzerland (Travelling Exhibition)
    HVCCA - The Hudson Valley Center for Contemporary Art, 'Figure It Out: New Directions in Figurative Sculpture', Peekskill NY
    Tajan, 'New York – Paris 1945–2005', Paris, France
    Kunsthalle Wien, 'Superstars: The Principle of Renown', Vienna, Austria
    Thyssen-Bornemisza Art Contemporary, 'Puppets & Heavenly Creatures', Vienna, Austria
    Stiftung Wilhelm Lehmbruck Museum, 'Spielräume', Duisburg, Germany
    MEIAC - Museo Extremeño e Iberoamericano de Arte Contemporáneo, 'Miradas y Conceptos en la Colección Helga de Alvear', Badajoz, Spain
    Centre Pompidou, 'Dionysiac', Paris, France
    Zwirner & Wirth, 'Girls on film', New York NY
    Galerie Mezzanin, 'Homage to the Square', Vienna, Austria
  • 2004
    Kunsthalle Bielefeld, 'Das Grosse Fressen. Von Pop bis heute', Bielefeld, Germany
    Centre Pompidou, 'Video and After', Paris, France
    Van Abbemuseum, 'One on One', Eindhoven, Netherlands
    MALBA – Fundacion Constantini, 'Uses of the image: Film, Photography and Video in the Jumex Collection', Buenos Aires, Argentina
    'Reykjavik Arts Festival 2004', Reykjavik, Iceland
    MUMOK - Museum Moderner Kunst Stiftung Ludwig Wien, 'Mike Kelley – Das Unheimliche', Vienna, Austria
    Malba, '___', Buenos Aires, Argentina
    MOT London, 'I am the Wrath of God', London, England
    Kunsthaus Graz, 'Bewegliche Teile / Steirischer Herbst 2004', Graz, Austria
    Essl Museum Kunst der Gegenwart, 'Visions of America', Klosterneuburg, Austria
    Museum der Moderne, 'Vision einer Sammlung', Salzburg, Austria
    Museum der Moderne, 'Einleuchten', Salzburg, Austria
    Tang Teaching Museum and Art Gallery, 'About Painting', Saratoga Springs NY
    SASSAS Benefit, 'Blast', Beverly Hills CA
    Deichtorhallen, '15 Jahre Deichtorhallen', Hamburg, Germany
    Apexart, 'DRAFTING DECEIT / Marta Kuzma', New York NY
    International Center of Photography, 'White', New York NY
    Whitechapel Gallery, 'Faces in the Crowd', London, England
    ICA – Institute of Contemporary Arts, '100 Artists See God', London, England
    Galeries Nationales du Grand Palais, 'The Great Parade', Paris, France (Travelling Exhibition)
    National Gallery of Canada, 'The Great Parade', Ottawa, Canada (Travelling Exhibition)
    Kling & Bang Gallery, 'Sheep Plug', Reykjavik, Iceland
    ICA – Institute for Contemporary Art University of Philadelphia, ' Philadelphia PA
    Jönköpings Läns Museum, 'Spiritus', Jönköping, Sweden (Travelling Exhibition)
    Bomuldsfabriken Kunsthall, 'Spiritus', Arendal, Norway (Travelling Exhibition)
    Gallery Georges-Phillipe & Nathalie Vallois, 'Is there a cur. to save the show?' Paris, France
    Sundsvalls Museum, 'Spiritus', Sundsvall Sweden (Travelling Exhibition)
    Länsmuseet Gävleborg, 'Spiritus', Gävle, Sweden (Travelling Exhibition)
    Göteborgs Konstmuseum, 'Spiritus', Göteborg, Sweden (Travelling Exhibition)
    Haus der Kunst, 'Schatzhäuser Deuschlands', Munich, Germany
    Nationalgalerie im Hamburger Bahnhof, 'Friedrich Christian Flick Collection im Hamburger Bahnhof', Berlin, Germany
    ICA – Institute of Contemporary Art, 'Klütterkammer: An Exhibition by John Bock', London, England
    SITE Santa Fe, 'The Fifth International Biennial 2004: Disparities and Deformations: Our Grotesque', Santa Fe NM
    Hallormsstadur forest, 'Fantasy Island', Hallormsstadur, Iceland
    DESTE Foundation, 'Monument to Now', Athens, Greece
    Cheim & Read, 'I am The Walrus', New York NY
    Whitney Museum of American Art, 'Evidence of Impact: Art and Photography 1963–1978', New York NY
    Kunsthalle Mannheim, 'Die Neue Kunsthalle III', Mannheim, Germany
    Maison Rouge, Fondation Antoine de Galbert, 'L'Intime', Paris, France
    ICA – Institute of Contemporary Art, 'Artist's Favourite', London, England
    Museum of Contemporary Art, 'Point of View: An Anthology of the Moving Image', New York NY (Travelling Exhibition)
    Le Musée d'Art Moderne de la Ville de Paris, ''Point of View: An Anthology of the Moving Image', Paris, France (Travelling Exhibition)
    UCLA at the Hammer Museum, 'Point of View: An Anthology of the Moving Image', Los Angeles CA (Travelling Exhibition)
    MACBA - Museo d'Art Contemporani de Barcelona, 'L'action restreinte', Barcelona, Spain
    Hauser & Wirth, 'In Search of the Perfect Lover', London, England
    Palais de Tokyo, 'Playlist', Paris, France
    Galerie Loyal, 'MegaAmerica', Kassel, Germany
    Whitney Museum of American Art, 'Whitney Biennial 2004', New York NY
    Naples Museum of Art, '100 Artists See God', Naples FL (Travelling Exhibition)
    The Jewish Museum San Francisco, '100 Artists See God', San Francisco CA (Travelling Exhibition)
    Laguna Art Museum, '100 Artists See God', Laguna Beach CA (Travelling Exhibition)
    Magazin 4, 'Planet B – The Aeethetic of B Movies in Art', Bregenz, Austria
    Memorial Art Gallery, University of Rochester, '100 Artists See God', Rochester NY (Travelling Exhibition)
    Louisiana Museum of Modern Art, 'I Hate You – The Falckenberg Collection', Humlebaek, Denmark
  • 2003
    Douglas Hyde Gallery, 'Spiritus' Dublin, Ireland (Travelling Exhibition)
    Palau de la Virreina, 'bankett / banquete', Barcelona, Spain (Travelling Exhibition)
    MediaLab, 'bankett / banquete', Madrid, Spain (Travelling Exhibition)
    Helsinki City Art Museum, 'Stunt – Videos', Helsinki, Finland
    Tate Modern, 'Live Culture', London, England
    MIT List Visual Arts Center, 'Influence, Anxiety and Gratitude', Cambridge MA
    ORANGE - Contemporary Art Event of Saint-Hyacinthe, Quebec, Canada
    MMK – Museum Moderner Kunst, 'Das lebendige Museum', Frankfurt, Germany
    FRAC – Fonds Régional d'Art Contemporain, 'Les 20 ans des FRAC', Paris, France
    ICA – Institute of Contemporary Art, 'Video Acts – Kramlich Collections', London, England
    Gesellschaft der Freunde der Neuen Galerie, 'MARS-Art and War', Graz, Austria
    Magasin 3 Stockholm Konsthall, 'Spiritus', Stockholm, Sweden (Travelling Exhibition)
    Espai d'Art Contemporani, 'Micropolitics. Art and Everyday Life', Valenica, Spain
    Gilbert Collection, Somerset House, 'The Art of Chess', London, England
    Haus der Kunst, 'Partners', Munich, Germany
    Ferrotel, 'Fuori Uso: Contemporary Art Exhibition', Pescara, Italy
    MOCA – The Museum of Contemporary Art, The Geffen Contemporary, 'Sitings: Installation Art 1969-2002', Los Angeles CA
    Essl Museum Kunst der Gegenwart, 'Neuankäufe 2003', Klosterneuburg, Austria
    MUHKA - Museum van Hedendaagse Kunst, 'De Collectie', Antwerp, Belgium
    Museum Dhondt-Dhaenens, '(In Search of) The Perfect Lover: Werke auf Papier aus der
    Sammlung Hauser und Wirth', Deurle, Belgium (Travelling Exhibition)
    Kunsthalle Baden-Baden, '(In Search of) The Perfect Lover: Werke auf Papier aus der Sammlung Hauser und Wirth', Baden-Baden, Germany (Travelling Exhibition)
    7ème Biennale de Lyon, 'C'est arrivé demain', Lyon, France
    ZKM - Zentrum für Kunst und Medientechnologie, 'Banquet: Metabolism and Communication', Karlsruhe, Germany
    Whitney Museum of American Art, 'A Whitney for the Whitney at Philip Morris', New York NY
    LACE - Los Angeles Contemporary Exhibitions, 'High Performance: The First Five Years', Los Angeles CA
    ICA – Institute of Contemporary Art, 'Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust', London, England (Travelling Exhibition)
    Frahm Ltd., 'Into Your Face', London, England
    Neue Galerie Graz, 'Phantom der Lust. Visionen des Masochismus in der Kunst', Graz, Austria
  • 2002
    Centre d'Art Passerelle, 'Trans_positions', Brest, France
    Neues Museum Weserburg, 'Kunst nach Kunst', Bremen, Germany
    Virginia Museum of Fine Arts, 'Outer and Inner Space', Richmond VA
    Galerie Georges-Philippe & Nathalie Vallois, 'Cadavre exquis', Paris, France
    Arnolfini Gallery, 'Apparition – The Action of Appearing', Bristol, England
    P.S. 1, 'Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust', New York NY (Travelling Exhibition)
    CAPC - Musée d'art contemporain de Bordeaux Entrepôt, 'Les Années 70: L'art en cause', Bordeaux, France
    The Project, 'A Shot That Will Show That A Show Is Not Only A Show', Los Angeles CA
    Whitney Museum of American Art, 'Assortments – Part of De Kooning to Today: Highlights from the Permanent Collection', New York NY
    Luhring Augustine, 'Continuos Play', New York NY
    Schirn-Kunsthalle Frankfurt‚ 'Shopping: 100 Jahre Kunst und Konsum', Frankfurt, Germany (Travelling Exhibition)
    Fürstenberg Sammlungen, 'Ahead of the 21st century – The Pisces Collection', Donaueschingen, Germany
    The Brooklyn Museum of Art, 'My Reality: Contemporary Art and the Culture of Japanese Animation', New York NY (Travelling Exhibition)
    Contemporary Arts Center, 'My Reality: Contemporary Art and the Culture of Japanese Animation', Cincinnati OH (Travelling Exhibition)
    Tampa Museum of Art, 'My Reality: Contemporary Art and the Culture of Japanese Animation',Tampa FL (Travelling Exhibition)
    Chicago Cultural Center, 'My Reality: Contemporary Art and the Culture of Japanese Animation', Chicago IL (Travelling Exhibition)
    Norton Museum of Art, 'My Reality: Contemporary Art and the Culture of Japanese Animation', Palm Beach FL (Travelling Exhibition)
    Museum of Glass, 'My Reality: Contemporary Art and the Culture of Japanese Animation', Tacoma WA (Travelling Exhibition)
    Direzione regionale per i beni culturali e paesaggistici del Friuli Venezia Giulia, 'Pulchierrimae Strade', Trieste, Italy
    Huntsville Museum of Art, 'My Reality: Contemporary Art and the Culture of Japanese Animation', Huntsville AL (Travelling Exhibition)
    Tate Liverpool, 'Shopping: 100 Jahre Kunst und Konsum', Liverpool, England (Travelling Exhibition)
    Centro de Arte de Salamanca, 'Comer o no Comer: To Eat or Not to Eat, Or, the Relations Between Art and Questions of Eating', Salamanca, Spain
    Kunstraum Innsbruck, 'Plus Ultra', Innsbruck, Austria
    Essor Gallery Limited, 'Mapping the Process', London, England
    Sammlung Hauser & Wirth, 'House of Fiction: Sammlung (3) ', St.Gallen, Switzerland
    Sammlung Falckenberg, 'PROPPOSITION, together with Jason Rhoades', Hamburg, Germany
    EACC - Espai d'Art Contemporani de Castello, 'Heroes Caidos – Masculinidad y representacion', Madrid, Spain
    Walker Art Center, 'Walk Around Time: Selection from the Permanent Collection', Minneapolis MN
    MoMA Museum of Modern Art, 'The First Decade: video from the EAI Archives', New York NY
    Staatliche Kunsthalle Baden-Baden, 'Das Tier in mir – Die Mensch-Tier-Verwandtschaft in der zeitgenössischen Kunst: Teil III in der Trilogie', Baden-Baden, Germany
    Hauser & Wirth, 'Ten Years Galerie Hauser & Wirth', Zurich, Switzerland
    CAN Centre d'Art Neuchâtel, 'Sans consentement', Neuchâtel, Switzerland
    Astrup Fearnly Museum of Modern Art, 'Passenger: The Viewer as Participant', Oslo, Norway
  • 2001
    Steiermärkisches Landesmuseum Joanneum, 'Abbild – Recent Portraiture and Depiction', Vienna, Austria
    Cal State Fullerton Grand Central Art Center, 'Drawing Towards an End', Fullerton CA
    Spala Gallery, 'Exhibition for the Prague Steam Roller 2000 Festival', Czech Republic
    Galerie Krinzinger, 'Ausgesucht von Eva Schlegel und Erwin Wurm', Vienna, Austria
    Praz Delavallade, 'Heads or Tails', Paris, France
    Nicolaj, Copenhagen Contemporary Art Center, 'Masculinities', Copenhagen, Denmark
    ___, 'Le Printemps de Septembre', Toulouse, France
    Logan Galleries of the CCAC San Francisco Campus, 'The Artist's World', San Francisco CA
    Virginia Museum of Fine Arts, 'Outer and Inner Space' – Part 1 of 3, Richmond VA
    Castello di Rivoli, 'Chairs in Contemporary Art', Udine, Italy
    Harvard University Art Museum, 'Extreme Connoisseurship', Cambridge MA
    Galeria OMR, 'Turas Amuebladas', Mexico City, Mexico
    Chac Mool Gallery, 'Group Show', West Hollywood CA
    CUNY - City University of New York's Graduate Center Art Gallery, 'Play's The Thing: Critical and Transgressive Practices in Contemporary Art', New York NY
    La Biennale di Venezia, 'En el cielo, Sky writing' (organized by TRANS), Venice, Italy
    Stazione Leopolda, 'Uniform & Disorder, Florence, Italy
    Des Moines Art Center, 'My Reality, Contemporary Art and the Culture of Japanese Animation', Des Moines IA
    Jumex Centro de Distribucion, 'La Coleccion Jumex', Mexico City, Mexico
    Cotthem Gallery, 'Talking Heads', Barcelona, Spain
    Walker Art Center, 'Painting at the Edge of the World', Minneapolis MN
    Galería Estrany – De La Mota, 'Begijnhof III', Barcelona, Spain
    Kestner Gesellschaft, 'Ziviler Ungehorsam: Die Sammlung Falckenberg', Hanover, Germany
    Museo Rufino Tamayo, 'Let's Entertain: Life's Guilty Pleasures', Oaxaca, Mexico (Travelling Exhibition)
    Kunstmuseum Wolfsburg, 'Let's Entertain: Lofe's Guilty Pleasures', Wolfsburg, Germany (Travelling Exhibition)
    Miami Art Museum, 'Let's Entertain: Life's Guilty Pleasures', Miami FL (Travelling Exhibition)
  • 2000
    Barbara Gladstone Gallery, 'Drawings ', New York NY
    Portland Art Museum, 'Life's Guilty Pleasures', Portland OH (Travelling Exhibition)
    Musée National d'Art Moderne, 'Life's Guilty Pleasures', Paris, France (Travelling Exhibition)
    MoMA - Museum of Modern Art, 'Open Ends', New York NY
    Musée d'art contemporain (in collaboration with FRAC Nord-Pas de Calais, Dunkerque, France), 'Le jeu des 7 families', Geneva, Switzerland
    Galeria Soledad Lorenzo, 'Dialoges con la fotografia', Madrid, Spain
    Lisson Gallery in Covent Garden, 'Video Work', London, England
    Expo 2000, 'In-Between', Hanover, Germany
    CAPC - Musée d'art contemporain de Bordeaux Entrepôt, 'Presumed Innocence', Bordeaux, France
    Side Street Project, 'Downtown Opening', Los Angeles CA
    Secession, 'Projekt Fassade', Vienna, Austria
    Miller Durazo Contemporary Artists Projects, 'Funsize', Los Angeles CA
    Umetnostna Galerua Maribor, 'American Dreams', Maribor, Slowenia
    Contemporary Art and Childhood', Bordeaux, France
    Hayward Gallery (in collaboration with Brighton Museum and Art Gallery), 'Carnivalesque', London, England (Travelling Exhibition)
    Monika Sprüth, 'LA', Cologne, Germany
    Castle Museum and Art Gallery, 'Carnivalesque', Nottingham, England (Travelling Exhibition)
    Bluecoat Chambers, 'The other side of zero: Video Positive2000', Liverpool, England
    City Art Center, 'Carnivalesque', Edinburgh, Scotland (Travelling Exhibition)
    P.S.1, 'Around 1984: A Look at Art in the Eighties', New York NY
    Sammlung Hauser & Wirth in der Lokremise St.Gallen, 'Sammlung (1) – The Oldest Possible Memory', (cur. Eva Meyer-Hermann), St. Gall, Switzerland
    'The 12th Sydney Biennial', Sydney, Australia
    Ikon Gallery, 'Lost', Birmingham, England
    Walker Art Center, Portland Art Museum, 'Let's Entertain: Life's Guilty Pleasures', Portland OR (Travelling Exhibition)
    Anthony Wilkinson Gallery, 'I Am Making Art', London, England
    Centre Pompidou, 'Let's Entertain: Life's Guilty Pleasures', Paris, France (Travelling Exhibition)
    Tate Gallery, 'Performing Bodies', London, England
    Grimaldi Forum, 'Air Air', Monaco, Monaco
    Kunstmuseum Liechtenstein, 'Positionen der 80er Jahre', Vaduz, Liechtenstein
    George's, 'The Fashion Show', Los Angeles CA
  • 1999
    Galerie im Taxispalais, 'Applebroog / Brunner / McCarthy', Innsbruck, Austria
    Kunsthalle Nürnberg, 'Vergiss den Ball und spiel' weiter: Das Kind in der zeitgenössischen Kunst', Nuremberg, Germany
    FRAC – Fonds Régional d'Art Contemporain Nord-Pas de Calais, Collection de Michel Poitevin, 'Une histoire parmi d'autres', Dunkerque, France
    Los Angeles County Museum of Art, 'Recent Acquisitions', Los Angeles CA
    Galerie für zeitgenössische Kunst Leipzig, 'Moving Images: Film – Reflexion in der Kunst' (collaboration with Siemens Kulturprogramm), Leipzig, Germany
    Kunstsammlung Nordrhein-Westfahlen, 'Puppen Körper Automaten-Phantasmen der Moderne', Dusseldorf, Germany
    Castello di Rivoli, 'Subjectivity and Narration', Turin, Italy
    Porin Taidemuseo, 'Ruralia: Art of the Countryside', Pori, Finland
    Spazio Erasmus Brera, 'Atto I opere scelte', Milan, Italy
    Kunstamt Kreuzberg Bethanien, 'Pink for Boys, Light Blue for Girls', Berlin, Germany
    Art & Public, 'Sweet & Sour', Geneva, Switzerland
    Contemporary Arts Council, 'Stuff', Chicago IL
    Galerie Kampl im Kunstforum, 'Trailer', Munich, Germany
    Massimo Lauro Gallery, 'Life is Elsewhere', Milan, Italy
    Karen McCready Fine Art, 'Parallel Lines: Mix and Match', New York NY
    The Armory Center for the Arts, 'Radical Past: Contemporary Art & Music in Pasadena 1960-74', Pasadena CA
    MUMOK - Museum Moderner Kunst Stiftung Ludwig Wien, 'Richtung Museumsquartier – Die neue Sammlung (2)', Vienna, Austria
    Museum der Bildenden Künste Leipzig, 'My Name – Sammlung Falckenberg', Leipzig, Germany
  • 1998
    Juice, 'Let's Play Risk', London, England
    Virginia Commonwealth University, Anderson Gallery, 'Presumed Innocence', Virginia VA
    Grazer Kunstverein, 'Mise en Scène', Graz, Austria
    The Power Plant, 'American Playhouse', Toronto, Canada
    Baylor Art Museum, University of Virginia, 'Making it Real', Charlottesville VA
    Portikus, 'Damenwahl', Frankfurt, Germany
    Patrick Painter, Inc., 'New Works: Roy Arden, Glenn Brown, Roni Horn, Mike Kelley, Mark Lewis, Paul McCarthy, Jorge Pardo, Diana Thater', Santa Monica CA
    Museum of Contemporary Art, 'Double Trouble', San Diego CA
    MAK, 'Out of Actions: Between Performance and the Object, 1949-1979', Vienna, Austria
    The Aldrich Museum of Contemporary Art, 'Pop Surrealism', Ridgefield CT
    Kunsthalle Wien am Karlsplatz, 'Crossings', Vienna, Austria
    Luhring Augustine Gallery, 'Antoni, Forg, McCarthy, Miyajima, Morimura, Oehlen, Rae, Rist, Tunga, Whiteread, Wolfe, Wool', New York NY
    Fondazione Sandretto Re Rebaudengo, 'LA Times', Turin, Italy
    FRAC – Fonds Régional d'Art Contemporain Nord-Pas de Calais, 'Acquisitions Récentes', Dunkerque, France
    L'École d'Art de Grenoble, 'REMAKE – art / cinema / appropriation, Austriatitudes', Grenoble, France
    'Kunstausstellung Holderbank', Holderbank, Switzerland
    Portland Museum of Art, 'Making It Real', Portland OR
    Museum of Contemporary Art, 'Out of Actions: Between Performance and the Object, 1949-1979', Los Angeles CA
    SITE, 'Performance Anxiety', Santa Fe NM
    Patrick Painter Inc., 'Figurative Sculpture', Santa Monica CA
    The Cortical Foundation, 'Beyond the Pink Performance Festival' Los Angeles CA
    Galerie Krinzinger, 'L.A. on Paper 1 Re-lax', Vienna, Austria
    Castello di Rivoli, Museo d'Arte Contemporanea, 'Sunshine & Noir', Turin, Italy (Travelling Exhibition)
    Entwistle, 'Works on Paper by American Artists', London, England
    Thomas Healy Gallery, 'Bathroom', New York NY
    UCLA at the Armand Hammer Museum, 'Sunshine & Noir', Los Angeles CA (Travelling Exhibition)
  • 1997
    Kunstraum Innsbruck, 'Von Kopf bis Fuss. Fragmente des Körpers', Innsbruck, Austria
    Kunsthalle Wien, 'Alpenblick', Vienna, Austria
    Galleri Nicolai Wallner, 'Art Calls' (cur.: Jacob Faricius), Copenhagen, Denmark
    Centre National d'Art Contemporain de Grenoble, 'Dramatically Different', Grenoble, France
    Reykjavik Municipal Art Museum, 'Making it Real', Reykjavik, Iceland
    Contemporary Arts Museum, 'Tableaux', Houston TX
    'Performatrix – Performance Konferenz', Hamburg, Germany
    Kunsthaus Bregenz, 'KünstlerInnen: 50 Positionen', Bregenz, Austria
    Museum of Contemporary Art, 'Performance Anxiety', San Diego CA
    The New Art Gallery of New South Wales, 'Body', Sydney, Australia
    Kunstmuseum, 'Sunshine & Noir', Wolfsburg, Germany (Travelling Exhibition)
    Louisiana Museum of Modern Art, 'Sunshine & Noir', Humlebaek, Denmark (Travelling Exhibition)
    Christopher Grimes Gallery, 'Paul McCarthy & Benjamin Weissman', Santa Monica CA
    Kwangju Biennale, Korea
    Armand Hammer Museum of Art and Cultural Center, 'Scene of the Crime', Los Angeles CA
    'Biennale d'art contemporain 1997', Lyon, France
    'Per Forma 97', Berlin, Germany
    Henry Art Gallery, 'Deep Storage', Seattle WA (Travelling Exhibition)
    P.S.1 Contemporary Art Center, 'Deep Storage', New York NY (Travelling Exhibition)
    Kunstmuseum, 'Deep Storage', Dusseldorf, Germany (Travelling Exhibition)
    Haus der Kunst, 'Deep Storage', Munich, Germany (Travelling Exhibition)
    Nationalgalerie SMKP, 'Deep Storage', Berlin, Germany (Travelling Exhibition)
    Galerie Tanya Rumpff, 'Meg Cranston, Paul McCarthy, Barry McGee, Raymond Pettibon, Jason Rhoades', Haarlem, Netherlands
    Ydessa Hendeles Art Foundation, 'Observations & Observances', Toronto, Canada
    Museum of Contemporary Art, 'Tableaux', Miami FL (Travelling Exhibition)
    Museum of Contemporary Art, 'Performance Anxiety', Chicago IL
    Guggenheim Museum SoHo, 'Rooms with a View: Environments for Video', New York NY
    Soledad Lorenzo Gallery, 'Cruising LA', Madrid, Spain
    Whitney Museum of American Art, '1997 Biennial Exhibition', New York NY
    Transmission Gallery, 'Joy Joy', Glasgow, Scotland
    The Tannery, 'Natural Habitat', London, England
    The Aldrich Museum of Contemporary Art, 'Making It Real', Ridgefield CT
    Southampton City Art Gallery, 'Popoccultural', Southhampton, England
    Ecole nationale superieure des Beaux Arts, 'Connexions Implicites', Paris, France
    Art & Idea, 'Video (desnudo)', Mexico City, Mexico
  • 1996
    Jay Gorney Modern Art, 'Paul McCarthy, Paul Noble, Allen Ruppersberg', New York NY
    Museum of Contemporary Art, 'Helter Skelter', Los Angeles, CA
    Romper Room, 'Thread Waxing Space', New York NY
    Center for Cur.ial Studies Museum, Bard College, 'a / drift', Annandale-on-Hudson NY
    Landesgalerie Linz, 'Objekt: Video Oö', Linz Austria
    Rooseum Center for Contemporary Art, 'Painting: The Extended Field', Malmo, Sweden
    Statens Museum for Kunst, 'American Film & Video: Whitney Biennial / Electronic Undercurrents', Copenhagen, Denmark
    Baron/Boisanté Gallery, 'Shit', New York NY
    MAC - Galeries contemporaines des Musées de Marseille, 'The Art Embodied – l' art au corps', Marseille, France
    Galerie Arndt & Partner, 'The Aggression of Beauty', Berlin, Germany
    Robert Prime Gallery, 'How will we behave', London England
    Le Conseil Municipal de la ville de Nice, 'Chimeriques Polymeres', Nice, France
    Luhring Augustine Gallery, 'Exposure', New York NY
    Ydessa Hendeles Art Foundation, 'Portraits', Toronto, Canada
    Shoshona Wayne Gallery, 'Paranoid Machine', Santa Monica CA
    Auckland Art Gallery, 'Transformers', Auckland, New Zealand
    MAK - Center for Art and Architecture, 'The Garage Project', Los Angeles CA
    CAN - Centre d'Art Neuchâtel, 'Non! Pas comme ça! ', Neuchatel, Switzerland
    Museum of Contemporary Art, 'Reel Work, Artists' Film and Video of the 1970', Miami FL
    Studio Guenzani, 'Controfigura', Milan, Italy
    Sprengel Museum Hannover, 'Sex & Crime', Hanover, Germany
    San Francisco Art Institute, 'Low Cool', San Francisco CA
    FRAC Poitou-Charentes, 'Variations, op. 96'
    Trans Hudson Gallery, '(nude)', San Fransisco CA
    La Fondation pour l'Architecture, 'Les Plaisirs Et Les Ombres', Brussels, Belgium
    Bloom Gallery, 'Felix Gonzalez-Torres, Douglas Gordon, Dan Graham, Michael Joo, Mike Kelley, Paul McCarthy, Juan Munoz, Daniel Oates – Presented by Patrick Painter Editions', Amsterdam, Netherlands
    Atheneum Campus Universitaire, 'Vito Acconci Video Performances', Dijon, France
    Porin Taidemuseo, 'Image of Self as Another', Pori, Finnland
    Galerie Andreas Binder, 'Comic and Sex in American Art', Munich, Germany
    Dakis Joannou Collection, 'Everything That's Interesting Is New', Athens, Greece
    David Zwirner Gallery, 'Sampler 2: More Videos from Southern California', New York NY
  • 1995
    Cinematheque, 'Video Screening Painter and Heidi', San Francisco CA
    David Zwirner Gallery, 'Marcel Broodthaers-Correspondence', New York NY
    Postmasters Gallery, 'Raw', New York NY
    Soros Center for Contemporary Arts, 'Stereo-Tip', Ljubljana, Slovenia
    Centre Pompidou, 'Fémininmasculin: Le sexe de l'art', Paris, France
    Arteleku, 'Collisions', San Sebastian, Spain
    Institute of Contemporary Art, 'Familiar Places', Boston MA
    FRAC – Fonds Régional d'Art Contemporain Auvergne, Château de la Louvière, 'Autres victoires', Montluçon, France
    Weingart Galleries Occidental College, 'New Visions for Historic Neighborhoods', Los Angeles CA
    The American Center, 'Video News', Paris, France
    Track 16 Gallery, 'LA International', Santa Monica CA
    Associazione Culturale Arte Nova, 'Fuori USO '95', Pescera, Italy
    FRAC – Fonds Régional d'Art Contemporain Auvergne, 'Histoire de l'infamie', Montluçon, France
    Hauser & Wirth, 'Marcel Broodthaers-Correspondence', Zurich, Switzerland
    Galleria d'Arte Moderna e Contemporanea, 'Le Mille e una Volta', San Marino, Italy
    La Biennale di Venezia, 'Identita e Alterita', Venice, Italy
    FRAC – Fonds Régional d'Art Contemporain, Collection, fin XXe, 'Five separate locations', Poitou-Charentes, France
    Museo d'Arte Contemporanea, 'The Reflected Image', Prato, Italy
    Whitney Museum of American Art, 'Whitney Biennial Exhibition', New York NY
    David Zwirner Gallery, 'Bruce Nauman, Mike Kelley, Franz West and Paul McCarthy', New York NY
    Bergamot Station Arts Center, 'Murder', Santa Monica CA
    Exit Art, 'Endurance', New York NY
  • 1994
    Museo Nacional Centro de Arte Reina Sofia, 'Cocido y Crudo', Madrid, Spain
    Associazione Culturale Arte Nova, 'Opera Prima, Fuori USO '94', Pescera, Italy
    Centre Pompidou, 'Hors limites: L'art et la vie 1952–1994', Paris, France
    Center for Cur.ial Studies, 'Bard College Transformers: The Art of Multiphrenia' (Travelling exhibition organised and circulated by ICI, New York NY, guest cur. Ralph Rugoff), Annandale-on Hudson NY
    Gallery 2, The School of the Art Institute Chicago, 'Investigations into the Physical and Metaphorical Hole', Chicago IL
    Kunstraum Wien, 'Oh Boy, It's a Girl', Vienna, Austria (Travelling Exhibition)
    Kunstverein München, 'Oh Boy, It's a Girl', Munich, Germany (Travelling Exhibition)
    Santa Monica Museum of Art, 'Altered Egos' (cur. Karen Moss), Santa Monica CA
    The Hague, 'World Wide Video Festival', Netherlands
    Gimpel Fils Ltd., 'Dan Graham, Rodney Graham, Mike Kelley, Paul McCarthy, Daniel Oates, Richard Prince, Meyer Vaisman, Jeff Wall', London, England
    De Vishal, 'Kus Me Kus Me Zeeman', Haarlem, Netherlands
    Galerie Asbaek, 'Daniel Oates, Lincoln Tobier, Larry Johnson, Jeff Wall, Dan Graham, Richard Prince, Meyer Vaisman, Rodney Graham, Paul McCarthy', Copenhagen, Denmark
    Kunstforeningen, '(cut) – Los Angeles – 90'ernes kunstscene', Copenhagen, Denmark
    Inter Art Center, 'Gifts', New York NY
    John Good Gallery, 'Dirty, Sadie Benning, Keith Boadwee, Cary S. Leibowitz/Candy Ass, Jeanne Dunning, John LeKay, Rachel Harrison, Paul McCarthy, Tyler Stallings' New York NY
    Film Forum, 'Scratching the Belly', Los Angeles CA
    Santa Barbara Contemporary Arts Forum, 'pen & ink', Santa Barbara CA
    Galleri K, 'Ross Bleckner, Günther Förg, Georg Herold, Martin Kippenberger, Jeff Koons, Paul McCarthy, Ta Miyajima, Albert Oehlen, Philip Taaffe, Christopher Wool', Oslo, Norway
    Torch Gallery, 'Paul McCarthy – Mike Kelley – Charlemagne Palestine – Dirk Larsen', Amsterdam, Netherlands
    Arti et Amicitae, 'Babies and Bambis', Amsterdam, Netherlands
    Cleveland Center for Contemporary Art, 'Outside the Frame of the Object', Cleveland OH
    Austrian Cultural Institute, 'Altered, Two-person show, Rudolf Schwarzkogler and Paul McCarthy', New York NY
    Independent Cur.s, Inc., 'Transformers', (Travelling Exhibition)
  • 1993
    Sphere Max, 'Self Winding' (cur.Jeffrey Deitch), Tokyo, Japan (Travelling Exhibition)
    Nanba City Hall, 'Self Winding' (cur.: Jeffrey Deitch), Osaka, Japan (Travelling Exhibition)
    Kim Light Gallery, 'Everyday Life', Los Angeles CA
    Cincinnati Contemporary Art Center, 'Figure as Fiction', Cincinnati OH
    Museum of Modern Art, 'Identity and Home', New York NY
    David Zwirner Gallery, 'Sampler – Southern California Video Tape Collection, 1970-1993', New York NY (Travelling Exhibition)
    Rosamund Felsen Gallery, 'Down the stairs diagonally', Los Angeles CA
    Studio Guenzani, 'Sampler – Southern California Video Tape Collection, 1970-1993', Milan, Italy (Travelling Exhibition)
    Guggenheim Museum, SoHo, 'Drawing the Line Against AIDS', New York NY
    Kunsthalle Wien, 'The Language of Art', Vienna, Austria
    Mondrian Hotel, 'Trancesex, A State of Mystical Absorption', Los Angeles CA
    Verein Kunst-Werk, 'Utopian Art – Artificial Utopia', Zurndorf, Austria
    Johnen & Schöttle, 'Patrick Painter Editions', Cologne, Germany
    La Biennale di Venezia, 'Aperto', Venice, Italy
    Gemeentemuseum, Sonsbeek '93: 'The Uncanny' (cur. Mike Kelley), Arnhem, Netherlands
    Luhring Augustine, New York NY
    Christopher Grimes Gallery, 'Mr. Sterling's Neighborhood', Los Angeles CA
    Kramer Art Museum, 'The Eidetic Image: Contemporary Works on Paper', Champaign IL
    The Everson Museum of Art, 'The Eidetic Image: Contemporary Works on Paper', Syracuse NY
    The Newport Harbor Art Museum, 'The Eidetic Image: Contemporary Works on Paper', Newport CA
    Turner/Krull Galleries, 'Action Performace and the Photograph', Los Angeles CA
    Art Gallery, Visual Art Center, California State University, 'The Elegant, the Irreverent and the Obsessive: Drawings in Southern California', Fullerton CA
    Karsten Schubert, 'Into the Lapse', London, England (Travelling Exhibition)
    Friesenwall 120, 'Into the Lapse', Cologne, Germany (Travelling Exhibition)
    Dogenhaus, 'Into the Lapse', Leipzig, Germany (Travelling Exhibition)
    Bruno Brunnet Fine Arts, 'Into the Lapse', Berlin, Germany (Travelling Exhibition)
    Cur. Jason Simon, 'The United Film Project', Firminy, France
    The Royal Danish Academy of Art, 'Into the Lapse', Copenhagen, Denmark (Travelling Exhibition)
    Thread Waxing Space, 'I am the Enunciator', New York NY
    Centrovideoarte-Palazzo Diamanti, 'Poliset', Ferrara, Italy
    Spazio Opos, 'Privacy', Milan, Italy
    Deichtorhallen, 'Post Human', Hamburg, Germany (Travelling Exhibition)
    Israel Museum, 'Post Human', Jerusalem, Israel (Travelling Exhibition)
  • 1992
    Société des Expositions, Palais des Beaux-Arts, 'Into the Lapse', Brussels, Belgium (Travelling Exhibition)
    1301, 'Into the Lapse', Santa Monica CA (Travelling Exhibition)
    FAR Bazaar – Federal Reserve Building, 'Into the Lapse', Los Angeles CA (Travelling Exhibition)
    Capricorna Gallery, 'CHARTAE', Venice, Italy
    Akademie der Kunst, 'Spielhölle', Frankfurt, Germany
    Galerie Krinzinger, 'LAX', Vienna, Austria
    Castello di Rivara, 'Viaggio a Los Angeles', Turin, Italy
    Galerie Max Hetzler, Cologne, Germany
    Daniel Buchholz, 'Greatest Hits', Cologne, Germany
    Musée d'art contemporain, Fondation Asher Edelman, 'Post Human', Lausanne, Switzerland (Travelling Exhibition)
    Castello di Rivoli, 'Post Human', Turin, Italy (Travelling Exhibition)
    Deste Foundation, 'Post Human', Athens, Greece (Travelling Exhibition)
    Anthony d'Offay Gallery, 'Strange Developments' (cur. Jeffrey Deitch), London, England
    Rosamund Felsen Gallery, 'Rosamund Felsen Clinic and Recovery Center' (cur. Ralph Rugoff), Los Angeles CA
    Esther Schipper Gallery, Cologne, Germany
    Studio Guenzani, 'Paul McCarthy, Lari Pittman, Jeffrey Vallance at Studio Guenzani', Milan, Italy
    Muu Media Festival, 'Excess: Power, Pain and Pleasure', Helsinki, Finland
    Jack Hanley Gallery, San Francisco CA
    Rosamund Felsen Gallery, 'Roy Dowell, Paul McCarthy, Renee Petropoulos', Los Angeles CA
    Museum of Contemporary Art, 'Helter Skelter', Los Angeles CA
  • 1991
    Rosamund Felsen Gallery, 'Quick Coagulation Forms the August Corpse', Los Angeles CA
    Ars Electronica, 'Out of Control, Video Violence', Linz, Austria
    'The Family Romance – A Videotape Program' (cur. Simon Watson), New York NY (Travelling Exhibition)
    'The Body – A Videotape Program' (cur. Simon Watson), New York NY
    The Renaissance Society at the University of Chicago, 'The Body – A Videotape
    Roy Boyd Gallery, 'Ha-Ha', Santa Monica CA
    'Program', Chicago IL (Travelling Exhibition)
    Parker Zanic Gallery, 'Ovarian Warriors vs. Knights of Crissum', Los Angeles CA
    Peter Pakesch Gallery, 'The Body – A Videotape Program', Vienna, Austria (Travelling Exhibition)
    Rosamund Felsen Gallery, 'Presenting Rearwards', Los Angeles CA
    Grazer Kunstverein, 'Body and Body', Graz, Austria
  • 1990
    Rosamund Felsen Gallery, 'Past and Present- Selected Works by Gallery Artists', Los Angeles CA
    Long Beach Museum of Art, 'New California Video – A Survey of Open Channels 1985-1990', Long Beach CA
  • 1989
    American Film Institute, 'Video Festival and area-wide screenings', Los Angeles CA
  • 1988
    Rosamund Felsen Gallery, 'New Works on Paper', Los Angeles CA
    Los Angeles Contemporary Exhibitions, 'Tactical Positions – Video Tapes', Los Angeles CA
    Long Beach Museum of Art, 'Open Channels Video', Long Beach CA
  • 1985
    Los Angeles Institute of Contemporary Art, 'B & W Drawings', Los Angeles CA
  • 1984
    Anti Club, 'Assault Video', Los Angeles CA
    Orwell Memorial Gallery, 'Crap', Los Angeles CA
    Edge Gallery, 'Contemporary Eccentrics', Fullerton CA
    Long Beach Museum of Art, '1974 – 1984 Video: A Retrospective', Long Beach CA
  • 1983
    Hallwalls, 'Video by Performance Artists – Terry Allen, Tony Labat, Paul McCarthy', Buffalo NY
    Gallery 8336, '14 Artists Out of Line', Los Angeles CA
  • 1982
    American Center, 'Video Tapes America', Paris, France
  • 1981
    Museum of Contemporary Art, 'California Performance Now and Then', Chicago IL
    Washington Project for the Arts, 'Lately in LA', Washington DC
    Künstlerhaus Bethanien, 'Video, Aufzeichnungen von Performances', Berlin, Germany
  • 1980
    Theatre Affrate Ilamento, 'Per/for/mance – American Art Performance Festival', Florence, Italy (Travelling Exhibition)
    Theatre Circo Spazio Zero, 'Per/for/mance – American Art Performance Festival', Rome, Italy (Travelling Exhibition)
    Sixto Notes, 'Audio Works', Milan, Italy
    The Public Eye, 'Video 80', San Francisco CA
  • 1978
    Nan Hoover Atelier (sponsored by DeApple Gallery), 'Video Tapes From Los Angeles', Amsterdam, Netherlands
    Art Fair, Bologna, Italy
  • 1977
    Art Fair, Bologna, Italy
  • 1976
    University Art Museum, 'Commissioned Video', Berkeley CA
    Long Beach Museum of Art, 'Second Southern California Video, Part II', Long Beach CA
    M. L. d'Arc Gallery, 'Outside Video Tapes', New York NY
    Long Beach Museum, 'Southern California Video Anthology', Long Beach CA
  • 1974
    Newspace Gallery, Los Angeles CA
  • 1973
    Libra Gallery, 'Conceptual Art', Pomona CA
    University of Southern California, 'Festival of the Arts', Los Angeles CA
  • View more +

Bibliography

Monographs, artist’s books & writings

  • 2017
    McCarthy, Paul, Grau, Donatien, Lago, Eduardo, 'WS CSSC - White Snow Coach Stage Stage Coach. Drawing Painting Performance', Barcelona: Fundacio Gaspar, Ediciones Poligrafa, 2017
  • 2016
    Rugoff, Ralph, Stiles, Kristine, Gioni, Massimiliano, Storr, Robert, 'Paul McCarthy', London: Phaidon, 2016
    Grau, Donatien (ed.), 'Pierre Guyotat. La matière de nos oeuvres', Arles: Actes Sud/Association Azzedine Alaia, 2016
    Baker, Simon, Moran, Fiontán (eds.), 'Performing for the Camera', London: Tate Publishing, 2016
  • 2015
    Schimmel, Paul, Schultz-Hoffmann, Carla, 'Inbetween. Baselitz – McCarthy', Athens: George Economou Collection/Canal Station Inc., 2015 (exh. cat.)
    McCarthy, Paul, 'Chocolate Factory Paris', Ostfildern: Hatje Cantz, 2015 (exh. cat.)
  • 2014
    Jaeger, Joachim, 'The Box. Paul McCarthy', Ostfildern: Hatje Cantz, 2014 (exh. cat.)
    von Olfers, Sophie, Pirotte, Philippe, Schöneich, Fabian, 'Mike Bouchet & Paul McCarthy. Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model', Mousse Publishing, 2014 (exh. cat.)
    McCarthy, Paul, 'Chocolate Factory Paris. Pretext', Ostfildern: Hatje Cantz, 2014 (exh. cat.)
    Grau, Donatien, McCarthy, Paul, McCarthy, Damon, 'Rebel Dabble Babble', Zurich: JRP Ringier, 2014 (exh. cat.)
    Beur, Andreas, 'Better Than de Kooning', Cologne: Snoeck, 2015 (exh. cat.)
  • 2012
    Gioni, Massimiliano, Af Petersen, Magnus, Weissman, Benjamin, 'Paul McCarthy. Nine dwarves', Seoul: Kukje Gallery, 2012 (exh. cat.)
    Klocker, Hubert (ed.), 'Paul McCarthy & Damon McCarthy. Caribbean Pirates. 13 video projections', Cologne: Verlag der Buchhandlung Walther König, 2012
  • 2010
    McCarthy, Paul, Watson, Sarah (eds.), 'Hummel', New York/Los Angeles: L&M Arts/Hauser & Wirth, 2010
    McCarthy, Paul, Watson, Sarah (eds.), 'Three Sculptures', New York/Los Angeles: L&M Arts, 2010
    Hoffmann, Jens, McCarthy, Paul, Berg, Stacen, 'Tide Box Tide Book', Osterfildern: Hatje Cantz, San Francisco: CCA Wattis Institute for Contemporary Arts, 2010
  • 2009
    van Adrichem, Jan, 'Air Pressure – Paul McCarthy', Utrecht: Municipality of Utrecht, Department of Cultural Affairs, 2009, ill. (exh. cat.)
    McCarthy, Paul (ed.), 'The Figure Figuration Statue Figurine Mass Production Totemism', Berlin: Pictoplasma Publishing, 2009, pp. 192-195
  • 2008
    McCarthy, Paul, Weissman, Benjamin, 'Paul McCarthy & Benjamin Weissman Quilting Sessions 1997-2008', Milan: Silvana Editoriale, 2008 (exh. cat.)
    Iles, Chrissie, McCarthy, Paul, 'Central symmetrical rotation movement', New York: Whitney Museum of American Art, 2008 (exh. cat.)
  • 2006
    Lipsyte, Sam, 'Paul McCarthy - Between Beauty and the Beast: Sculptures, Drawings and Photographs', New York: Foundation 20 21, 2006 (exh cat.)
    Af Petersens, Magnus, McCarthy, Paul (eds.), 'HEAD SHOP/SHOP HEAD', Göttingen: Steidl, Stockholm: Moderna Museet, 2006, ill. (exh. cat)
  • 2005
    Rosenthal, Stephanie (ed.), 'LaLa Land Parody Paradise', Munich: Haus der Kunst, Ostfildern: Hatje Cantz, 2005, ill. (exh. cat.)
  • 2004
    Meyer-Hermann, Eva, Centro de Arte Contemporáneo de Málaga (eds.), 'Paul McCarthy: Brain Box Dream Box', Málaga: Ayuntamiento, 2004 (exh. cat.)
    Meyer-Hermann, Eva, Van Abbemuseum Eindhoven (eds.), 'Paul McCarthy: Brain Box Dream Box', Dusseldorf: Richter, 2004 (exh. cat.)
    McCarthy, Paul, 'Piccadilly Circus: Bunker Basement' [artist’s book], Zurich: Scalo, 2004
    McCarthy, Paul, 'Tokyo Santa' [artist’s book], Cologne: Verlag der Buchhandlung Walther König, 2004
  • 2003
    Dziewior, Yilmaz (ed.), 'McCARTHY, PAUL. Videos 1970-1997', Cologne: Verlag der Buchhandlung Walther König, 2003 (exh. cat.)
    Tate Modern (ed.), 'Paul McCarthy at Tate Modern', London: Tate Publishing, 2003 (exh. cat.)
    Engelbach, Barbara, Museum für Gegenwartskunst Siegen (eds.), 'McCarthy, Paul, Hammer, Oranges, Apple' [artist’s book], Frankfurt a. M.: Revolver Verlag, 2003
  • 2002
    Butler Gallery (ed.), 'Paul McCarthy: Video tapes', Kilkenny: Butler Gallery, 2002, (exh. cat.)
    Villa Arson (ed.), 'Paul McCarthy', Nice: Pinocchio, 2002, ill. (exh. cat.)
  • 2000
    Meyer-Hermann, Eva (ed.), 'Paul McCarthy. Dimensions of the Mind. The Denial and the Desire in the Spectacle', Cologne: Oktagon, /St. Gall: Sammlung Hauser und Wirth, 2000, ill. (exh. cat.)
    New Museum of Contemporary Art (ed.), 'Paul McCarthy', New York: New Museum of Contemporary Art, Ostfildern: Hatje Cantz, 2000, ill. (exh. cat.)
    The Power Plant Contemporary Art Gallery (ed.), 'Mike Kelley and Paul McCarthy Collaborative Works', Toronto: The Power Plant Contemporary Art Gallery, 2000, (exh. cat.)
  • 1999
    Wiener Secession, 'Sod and Sodie Sock Comp: Mike Kelley und Paul McCarthy', Vienna: Secession, 1999
    Edizioni Charta, 'PROPO: Paul McCarthy', Milan: Edizioni Charta, 1999
  • 1998
    Prinzhorn, Martin, Liska, Silvie , 'Mike Kelly & Paul McCarthy', Vienna: Wiener Secession, March,1998, (exh. cat.)
    McCarthy, Paul, 'Yaa-Hoo', Cologne: Verlag der Buchhandlung Walther König, 1998
  • 1996
    Rugoff, Ralph, Stiles, Kristine, Di Pietrantonio, Giacinto (ed.), 'Paul McCarthy', London: Phaidon, 1996
  • 1994
    Studio Guenzani, 'PROPO: Paul McCarthy', Milan: Studio Guenzani, 1994
  • 1992
    Tran, Dylan, 'Interview with Paul McCarthy', Primer, 1992
  • View more +

Publications

  • 2017
    Meredith, Eric (Ed.), 'Hyper Real', Canberra: NGA Publishing, 2017
    Letze, Otto, 'GYS! Er den levende?', Ishøj: ARKEN Museum for Moderne Kunst, 2017, pp. 76 – 79, ill.
    Foerschner, Anja, ‘Food Decay and Disgust. Paul McCarthy’s Bossy Burger as Contemporary Still Life’, in: Silvia Bottinelli, Margherita d’Ayala Valva (eds.), The Taste of Art. Food, Cooking, and Counterculture in Contemporary Practices, Fayetteville: The University of Arkansas Press 2017, pp. 93-105.
    Siegel, Katy, Wool, Christopher (eds.), 'Painting Paintings (David Reed) 1975', New York: Gagosian/Rizzoli, 2017, p. 72, ill.
  • 2016
    Letze, Otto (ed.), 'Escultura hiperrealista 1973–2016', Bilbao: Museo de Bellas Artes de Bilbao, 2016, pp. 44-47, ill.
    Lorente, Raquel, Sanahuja, Cristina, 'Art Strikes Back', Barcelona: Ediciones Polígrafa, 2016, pp. 60-61, ill.
  • 2015
    Lorente, Raquel (ed.), 'Art Strikes Back', Barcelona: Ediciones Polígrafa, 2015, pp. 60-61, ill.
    Malbert, Robert, 'Drawing People. The Human Figure in Contemporary Art', London: Thames & Hudson, 2015, pp. 2-3, 58-61, ill. (exh. cat.)
    Peter Fischer, Maria Bremer, Simone Büschi-Küng [et al.], 'About Trees', Cologne: Snoeck Verlaggesellschaft, 2015, pp. 106-109, ill.
    Fortenbury, Diane, Morrill, Rebecca (eds.), 'Body of Art', London: Phaidon Press Limited, 2015, p. 370, ill.
    Guegan, Stephane, Ottinger, Didier + [et al.], 'Picasso. Mania', Paris: ADAGP, 2015, p. 29
  • 2014
    Nakas, Kassandra, Ullrich, Jessica (eds.), 'Scenes of the Obscene. The Non-Representable in Art and Visual Culture, Middle Ages to Today', Weimar: Verlag und Datenbank für Geisteswissenschaften. 2014, p. 149, ill.
    Ogien, Ruwen, 'Philosopher ou faire l'amour', Paris: Bernard Grasset, 2014, book cover, ill.
    Bethenod, Martin (ed.), 'Art Lovers – Histoires d'art dans la collection Pinault/Stories of Art in the Pinault Collection', Paris: Lienart, 2014, pp. 53, 120-121, ill. (exh. cat.)
    Feldman, Anita, 'Body & Void', Perry Green: The Henry Moore Foundation, 2014, pp. 34-35, ill. (exh. cat.)
    Burton, Johanna, Ellegood, Anne, 'Take Ito r Leave It: Institution, Image, Ideology', Los Angeles: Hammer Museum/DelMonico Books, 2014, pp. 27, 36, 205-206, 234, ill.
  • 2013
    Levine, Cary, 'Pay for your Pleasures. Mike Kelley, Paul McCarthy, Raymond Pettibon', Chicago: University of Chicago Press, 2013
    Curiger, Bice, 'L' arte come manifesto del precariamente vitale', in: Riedweg, Christoph (ed.), 'Discorsi d' attualità. Dal "postmoderno" ai nuovi orizzonti della cultura', Rome, 2013 pp. 37, 40, ill.
    Grovier, Kelly, '100 Works of Art That Will Define Our Age', London: Thames & Hudson, 2013, p. 179
    Francés, Fernando, 'Las huellas del camino. CAC Málaga, una década', Málaga: CAC Málaga, 2013 (exh.cat.)
    Nachtigäller, Roland, Leismann, Burkhard (eds.), 'Ruhestörung. Streifzüge durch die Welten der Collage', Bönen: Verlag Kettler, 2013, p. 60
    Aillagon, Jean-Jaques, 'L'art à l'épreuve du monde', Tourcoing: Éditions Invenit, 2013, p. 123, ill.
    Unterdörfer, Michaela (ed.), 'Hauser & Wirth. 20 Years', Ostfildern: Hatje Cantz, 2013
    Moszynska, Anna, 'Sculpture Now', London: Thames & Hudson, 2013, p.36, ill.
  • 2012
    Finger, Brad, 'Modern Art. The groundbreaking moments', Munich: Prestel Verlag, 2012, p. 141, ill.
    Blühm, Andreas, Krischel, Roland (eds.), 'Der Mensch in Malerei und Fotografie. C'EST LA VIE – DAS GANZE LEBEN', Munich: Hirmer Verlag, 2012, pp. 111,151, ill. (exh. cat.)
    Gielen, Denis, 'S.F. Art Science & Fiction', Hornu: MAC's, 2012, p. 230, ill. (exh. cat.)
    András, Edit, von Braun, Christina, Diehl, Paula + [et al.], 'Der Nackte Mann – the naked man', Nuremberg: Verlag für Moderne Kunst Nürnberg, p. 40, ill. (exh. cat.)
    Cozen, Ina, Schmengler, Dagmar Schmengler, 'Mythos Atelier - Von Spitzweg bis Picasso, von Giacometti bis Nauman', Munich: Hirmer Verlag, 2012, pp. 245/249, ill. (exh. cat.)
    Hodge, Susie, 'Why your five year old could not have done that', London: Thames & Hudson, 2012, pp. 122-123, ill.
    Bleyen, Mieke (ed.), 'Minor Photography - Connecting Deleuze and Guattari to Photography Theory', Leuven: Leuven University Press, 2012, pp. 68, 81, cover, ill.
    Curiger, Bice, Graedel Matthäi, Carlotta Lentzsch, Franziska, 'Rituous Baroque', Zurich: Kunsthaus Zürich, 2012, pp. 36, 116-121, ill.
    Museum Ritter, 'Kunst mit Schokolade', Heidelberg: Verlag Das Wunderhorn, 2012, p. 75, ill.
    Frohnhoff, Julia, Thill, Angelika, Abbey, Chris (ed.), ' Atelier + Küche = Labore der Sinne', Ostildern: Hatje Cantz, 2012, pp. 116-117, ill.
    Molesworth, Helen, 'This Will Have Been: Art, Love & Politics in the 1980s', Chicago: Museum of Contemporary Art Chicago, 2012, pp. 249, 283 – 286, ill. (exh. cat.)
    Elgiz, Sevda, Elgiz, Can, 'Elgiz 10: Elgiz Collection, Istanbul', Istanbul: Roje4L/Elgiz Museum of Contemporary Art Publication, 2011, pp. 97, 163, ill (exh. cat.)
    Hoffmann, Jens (ed.), 'The Studio', Cambridge/London: The MIT Press/Whitechapel Gallery, 2012, pp. 56-58
  • 2011

    Werner, Anna-Lena, 'Architecture as Frame for Trauma Video installations by Paul McCarthy, on: Performance Research', No.16, London: Routledge, pp. 153-163
    Robertson, Jean, McDaniel, Craig, ’Themes of Contemporary Art: Visual Art after 1980’, China: Phoenix Fine Arts Publishing Ltd., 2011, pp. 54, 73, 76, 256, ill.
    Hamilton, Elisabeth (ed.), 'Under the big black sun: California Art 1974-1981', 2011, Munich: Prestel Verlag, p. 208, ill.
    Porter, Gwynneth (ed.), ' PX: Thoughts on Painting', Aotearoa: Clouds, 2011, pp. 24-25, ill. (exh. cat.)
    Cluitmans, Laurie, Zeqo, Arnisa, 'He Disappeared into Complete Silence: Rereading a Single Artwork by Louise Bourgeois', Haarleem: De Hallen, 2011, pp. 56-58, ill. (exh. cat.)
    Klanten, Robert, Schulze, Floyd, 'Erratic - Visual Impact in Current Design', Berlin: Gestalten Verlag, 2011, pp. 40-41, ill.
    Holzwarth, Hans Werner, 'Moderne Kunst 1870-2000 – Vom Impressionismus bis heute', Cologne: Taschen, 2011, pp. 620-621, ill. in colour
    Williams, Michael + [et al.], 'Contemporary Art in North America', London: Black Dog Publishing Limited, 2011, pp. 44-47, ill.
    Spector, Nancy (ed.) + [et al.], 'The Luminous Interval', New York: Guggenheim Museum Publications, 2011, pp. 140 – 143, ill.
    Essl, Agnes und Karlheinz, 'Festival der Tiere', Klosterneuburg: Essl Museum, 2011, pp. 50-51 & 193, ill.
    Luckov, Dirk (ed.), 'Zwei Sammler - Thomas Olbricht und Harald Falckenberg', Hamburg: Snoek Verlagsgesellschaft, 2011, p.26, ill.
    Henkel, Katharina, Jaspers, Kristina, Mämu, Peter (eds.), 'Zwischen Film und Kunst. Storyboards von Hitchcook bis Spielberg', Emden: Kunsthalle Emden, 2011, pp. 56-60, ill.
    Demand, Thomas + [et al.], 'Nationalgalerie. How German is it?', Berlin: Suhrkamp Verlag, 2011, p. 367, ill.
    Finger, Brad + [et al.], '50 Contemporary Artists You Should Know', Munich: Prestel, 2011, pp. 28-29, ill.
    Alonzo, Pedro + [et al.], 'Art & Agenda', Berlin: Gestalten, 2011, pp. 244-247
    Finger, Brad, Weidemann, Christiane, '50 zeitgenössiche Künstler die man kennen sollte', Munich: Prestel, 2011, pp. 28-29, ill.
  • 2010
    Bradley, Fiona, 'Childish Things', Edinburgh: The Fruitmarket Gallery, 2010, p. 55, p. 57, p. 79, ill.
    Canning, Susan, 'Hareng Saur: Ensor and Contemporary Art', Ghent: S.M.A.K, 2010, pp. 81, 178, 148, ill.
    Costantini, Marco (ed.), 'Face au mur. Papiers peints contemporains', Lausanne: Mudac - Musée de design et d'arts appliqués contemporains, 2010, no. 40-42, ill. (exh. cat.)
    Rosenthal, Stephanie (ed.), 'Move: Choreographing You', London: Southbank Centre, 2010, pp. 137, 141, ill.
    ___, 'Les Cacahiers de l’Articho', Saint-Denis: En Marge, 2010, p. 8, 10, ill.
    Katzman, Avi (ed.), 'The Right to Protest', Jerusalem: Museum on the Seam, 2010, n.p., ill. (exh. cat.)
    Cavallucci, Fabio (ed.), 'POSTMONUEMNT. XIV Biennale Internazionale di Scultura di Carrara', Milano: Silvana Editoriale, 2010, pp. 120-121, ill. (exh. cat.)
    Rouart, Julie (ed.), 'Human', Nice: Mamac, 2010, pp. 89-91, ill.
  • 2009
    Davidts, Wouter, Paice, Kim (eds.), 'The Fall of the Studio. Artists at Work', Amsterdam: Valiz, pp. 141-162
    Goldberg, RoseLee (ed.), 'Everywhere and All at Once: An Anthology of Writings on Performa 07', Zurich: JRP Ringier, 2009, pp. 238-261, ill.
    Ardenne, Paul, 'Art, Le Present: La création plasticienne au tournant du XXI. siècle', Paris: Edition du Regard, 2009, p. 205, ill.
    Sollins, Marybeth (ed.), 'art:21, art in the twenty-first century', New York: Art21, 2009, pp. 176-189, ill.
    O’Reilly, Sally, 'The Body in Contemporary Art', London: Thames & Hudson, 2009, p. 86, ill.
    Marcadé, Bernard, '53 œuvres qui M'Ébranlèrent le monde', Paris: Beaux Arts Èditions, 2009, p. 116, ill.
    Evers, Elodie, Helzhey, Magdalena (eds.), 'Eating the Universe – Vom Essen in der Kunst', Cologne: DuMont, 2009, pp. 172-177, ill.
    Bronfen, Elisabeth, 'Crossmappings, Essays zur visuellen Kultur', Zurich: Scheidegger&Spiess, 2009, pp. 191-208, ill.
    Bonham-Carter, Charlotte, Hodge, David, 'The Contemporary Art Book', London: Goodman, 2009, p. 149, ill.
    Holzwarth, Hans Werner, '100 Contemporary Artists / Volume 2 (L-Z) ', Cologne: Taschen, 2009, p. 366, ill.
    Welzel, Mark (ed.), '200 Artworks 25 Years Artists’ Editions for Parkett', Zurich: Parkett Publishers, 2009
    Abenstein, Edelgard, 'Berlin: Kunst und Architektur', Berlin: h.f.ullmann, 2009, p. 266, ill.
    Welchman, John C. (ed.), 'The Aesthetics of Risk', Zurich: JRP Ringier, 2009, pp. 314-346, ill.
    Roberts, John (ed.), 'Art, Praxis, and the community to come', London, 2009, p. 444, ill.
    Pirano, Michelle, 'Target Practice: Painting Under Attack 1949-78', Seattle: Seattle Art Museum, 2009, pp. 50-51, ill.
    Smith, Josh (ed.), 'A Guest + A Host = A Ghost', Athens: Deste Foundation, 2009, n. p., ill.
    Robertson, Jean, McDaniel, Craig, 'Themes of Contemporary Art: Visual Art after 1980', New York: Oxford University Press, 2009, pp. 54, 73-74, 76, 256, ill.
    Besson, Christan, Fabvre, Bernard + [et al.], 'La dégelée Rabelais', Montpellier: Méditerrane Éditions, 2009, p. 129, ill. (exh. cat.)
    Baragiola, Francesco (ed.), 'Un Certain Etat du Monde? ', Milan: Skira, 2009, p. 36, ill.
    Eccher, Danilo (ed.), 'The Theatre of Performance', Turin: Umberto Allemandi & C., 2009, p. 160, ill.
    Gingeras, Alison M., Bonami, Francesco (eds.), 'Mapping the studio: Artists from the Francois Pinault Collection', Milan: Electa, 2009, pp. 198-203, ill.
    Guzman, Daniel, 'My Generation, un proyecto de Daniel Guzman', Mexico City: Kurimanzutto, 2009, ill.
    __, 'N'importe Quoi', Lyon: Musée d'art contemporain de Lyon, 2009 (exh. cat.)
    Rugoff, Ralph, Rosenthal, Stephanie, Kataoka, Mami + [et al.], 'Walking in my mind', London: Hayward Publishing, 2009, p. 12, ill.
    Smith, Josh (ed.), 'A Guest + A Host = A Ghost', Athens: Deste Foundation, 2009
    Denicke, Lars, Thaler, Peter, Scherer, Bernd M., 'Prepare for Pictopia', Berlin: Pictoplasma Publishing, 2009
    Von Habsburg, Francesca, 'The collection book', Cologne: Verlag Walter König, 2009
    Lange-Berndt, Petra, 'Animal Art, Präparierte Tiere in der Kunst 1850 - 2000', Munich: Verlag Silke Schreiber, 2009, p. 52, ill.
  • 2008
    Careri, Giovanni, Vert, Xavier, 'Louis Marin: Le pouvoir dans ses représentations', Paris: Institut national d'histoire de l'art, 2008, p. 62, ill, (exh. cat).
    Welchman, John C., 'The Aesthetics of Risk', Zurich: JRP Ringier, 2008
    Linders, Dee + [et al.] (ed.) 'Free Santa', Rotterdam: De Internationale Beelden Collectie (IBC), 2008, ill.
    Holzwarth, Hans Werner (ed.), 'Art Now Vol 3', Cologne: Taschen, 2008, pp. 305-307, ill.
    Beaux Arts éditions (ed.), 'Qu'est-ce que la sculpture aujourd'hui?', Boulogne: Beaux Arts éditions, 2008, pp. 130-131, ill.
    Driessen, Chris, Van Mierlo, Heidi (ed.), 'Wanderlust. Excursions in contemporary sculpture', Tilburg: Fundament Foundation, 2008, pp. 178-179, ill. (exh. cat.)
    Pommereau, Claude (ed.), 'Qu'est-ce que l'art vidéo aujourd'hui?', Boulogne: Beaux Arts éditions / TTM, 2008, pp. 144-145, ill.
    Zentrum Paul Klee (ed.), 'Lost Paradise – der Blick des Engels', Berne: Zentrum Paul Klee, 2008, pp. 102-103, ill. (exh. cat.)
    Af Petersens, Magnus (ed.), 'Eclipse. Art in a Dark Age', Goettingen: Steidl, Stockholm: Moderna Museet, 2008, pp. 115-128, ill. (exh. cat.)
    Pillips, Glenn (ed.), 'California Video: Artists and Histories', Los Angeles: The J. Paul Getty Museum, 2008, pp. 170-173, ill. (exh. cat.)
    Lurie, Aya, Goren, Nili (ed.), 'Depletion. Works from the Doron Sebbag Art Collection', Tel Aviv: Tel Aviv Museum of Art, 2008, p. 92, ill.
    Museum of Contemporary Art Sydney (ed.), 'Southern Exposure. Works from the Collection of the Museum of Contemporary Art San Diego', Sydney: Museum of Contemporary Art, 2008, ill.
    von Heydebreck, Amélie, 'Stations. 100 Meisterwerke zeitgenössischer Kunst', Cologne: DuMont, 2008, pp. 172-173, ill.
    Barbican Art Gallery (ed.), 'Martian Encyclopaedia of Terrestrial Life. Volume VIII', London: Barbican Center/Merrell, 2009, p. 103, ill.
    Gnemmi, Edoardo, Ratti, Iolanda, 'Electronic Lounge. La donazione Halevim al museo del Novecento', Milan: Carlo Cambi, 2008 (exh. cat.)
    Bernardelli Francesco, 'Arte Contemporanea. Cinque. Anni Novanta', Milan: Mondadori Electa, 2008, pp. 108-109, ill.
  • 2007
    Barret, Terry, 'Why is that Art? Aesthetics and criticism of Contemporary Art', Oxford: University Press, 2007, pp. 186-197, ill.
    Linsenmaier-Wolf, Christa (ed.), 'Bodycheck', Cologne: Snoeck, 2007, pp. 184-189, ill.
    Sanders, Mark (ed.), 'Meet the Artists! ', London: RS&A, New York: Deitch Projects, 2007
    Biesenbach, Klaus (ed.), 'Into Me/Out of Me', Ostfildern: Hatje Cantz, 2007, pp. 316-323, ill.
    Schütz, Heinz (ed.), '1a Orte – Kunstprojekt Theresienhöhe', Munich: Landeshauptstadt Munich, 2007, pp. 126-129, ill.
    Coetzee, Mark (ed.), 'Red Eye. L.A. Artists from the Rubell Family Collection', New York: Rubell Family Collection, 2007, pp. 36-46, 62-65, 69, 71, 176, 177, ill.
    Essl, Karlheinz, 'Foto.Kunst', Vienna: Sammlung Essl, 2007, pp. 206, 207, ill.
    Sterckx, Pierre, '50 géants de l’art américain', Paris: Beaux Arts, 2007, pp. 126-129, ill.
    Denaro, Dolores (ed.), 'Aspekte des Surrealen in der zeitgenössischen Kunst', Biel: Verlag für Moderne Kunst Nuremberg, 2007, pp. 126-127, ill.
    Franke Melanie, Knapstein, Gabriele, 'there is never a stop and never a finsh. In memoriam Jason Rhoades', Cologne: DuMont, 2007, ill. (exh. cat.)
    Heiser, Jörg, 'Plötzlich diese Uebersicht. Was gute Zeitgenössische Kunst ausmacht', Berlin: claassen/Ullstein, 2007, pp. 74-82.
    Nittve, Lars, 'Art Guide. Moderna Museet', Stockholm: The Moderna Museet, 2007, pp. 76, 77, ill.
    Bloomberg SPACE, 'No, Future', London: Bloomberg SPACE, 2007, p. 10, ill. (exh. cat.)
  • 2006
    Lewis, Angharad, '2006 – A Year in Exhibitions', Grafik, London, 1 December 2006, pp. 80-83, ill.
    Hultkrans, Andrew, Schambelan, Elizabeth (eds.), 'Where are we going?' Palazzo Grassi, Milan: Skira, 2006, pp. 238-239, ill. (exh. cat)
    Mezil, Eric (ed.), 'Figures de l’acteur. Le Paradoxe du Comedian', Collection Lambert en Avignon, Paris: Gallimard, 2006, p. 218, ill. (exh. cat.)
    Hopkins, David, 'Dada’s Boy’s', Edinburgh: Fruitmarket Gallery, 2006, pp. 77-84, ill. (exh. cat)
    Nemitz, Barbara, 'Pink: The Exposed Color in Contemporary Art and Culture', Ostfildern: Hatje Cantz, 2006, pp. 216-219, ill.
    ___, 'Telle est la Télé'. L’ art contemporain et la télévision', Paris: Cercle d’ Art, 2006
    Cattelan, Maurizio, Subotnick, Ali, Gioni, Massimiliano (eds.), 'Of Mice and Men. 4th Berlin Biennial', Berlin/Ostfildern: KW Berlin/Hatje Cantz, 2006, pp. 174-175 ill. (exh. cat.)
    Bonami, Francesco, Canarutto, Sarah, 'Infinite Painting', Villa Manin Centro d’ Arte Contemporanea, Codroipo, 2006, pp.114-177, ill. (exh. cat.)
    Hol, Michael Juul, Kold, Anders (eds.), 'Sip My Ocean', Humlebæk: Louisiana Museum of Art, 2006, pp. 94-99, ill. (exh. cat.)
    Grenier, Catherine (ed.), 'Los Angeles – 1955-1985', Paris: Editions du Centre Pompidou, 2006, pp. 217, 239, 262, 279, 278, 331 ill. (exh. cat)
  • 2005
    ___, 'Figur Skulptur', [texts by Essl, Karlheinz, Fleck, Robert, Hoffer, Andreas, Binder, Lucia], Klosterneuburg: Sammlung Essl, 2005, ill. (exh. cat.)
    Bätzer, Nike, Kunstmuseum Lichtenstein (ed.), 'Faites vos jeux: Kunst und Spiel seit Dada', Ostfildern: Hatje Cantz, pp. 126–127, ill. (exh. cat.)
    Macel, Christine (ed.), 'Dionysiac', Paris: Centre Pompidou, 2005, ill. (exh. cat.)
    Blazwick, Iwona, Christov-Bakargiev, Carolyn, Coen, Ester, et al., 'Faces in the Crowd: Picturing Modern Life from Manet to Today', Milan: Skira, 2005, p. 237, ill. (exh. cat.)
    Grosenick Uta, Riemschneider Burkhard (ed.), 'ART NOW, Vol. 2', Cologne: Taschen, 2005, pp. 276–279, ill.
    Husslein-Arco Agnes (ed.), 'Les Grands Spectacles', Ostfildern: Hatje Cantz, 2005, p. 66, p. 244, p. 253, ill.
    Kraus, Chris, Tumlir, Jan, McFadden, Jane (eds.), 'LA Artland', London: Black Dog, 2005, pp. 204–205, ill.
    Nobus, Dany, Quinn Malcolm, Knowing Nothing, 'Staying Stupid', London/New York: Routledge, 2005, ill. (cover)
    Stiles, Kristine, 'Paul McCarthy: Kristine Stiles in Conversation' (interview), in: 'Press PLAY: Contemporary Artists in Conversation', London: Phaidon, 2005, pp. 449–461, ill.
    Bidner, Stefan, Feuerstein, Thomas (eds.), 'Plus ultra: Jenseits der Moderne?/Beyond Modernity?', Frankfurt am Main: Revolver, 2005, pp. 83–87, ill.
    Blume, Eugen (ed.), 'Friedrich Christian Flick Collection im Hamburger Bahnhof', Berlin: Staatliche Museen zu Berlin, 2005, pp. 242-263, ill.
  • 2004
    La maison rouge – Fondation Antoine de Galbert (ed.), 'Central Station: La collection Harald Falckenberg', Paris: La maison rouge, 2004, pp. 62–63, ill.
    Karabelnik, Marianne (ed.), 'Stripped Bare: The Body Revealed in Contemporary Art', New York: Merrell, 2004, pp. 244–249, ill.
    Kellein, Thomas, Lampe, Angela (eds.), 'Das grosse Fressen: Von Pop bis heute', Bielefeld: Kunsthalle Bielefeld, 2004, pp. 82–87, ill. (exh. cat.)
    Waters, John, Hainley, Bruce (eds.), 'A Sex Book', London: Thames & Hudson, 2004
    Clair, Jean (ed.), 'The Great Parade', London/New Haven: Yale University Press, Ottawa: National Gallery of Canada, 2004, pp. 40, 164–165, ill. (exh. cat.)
    Vissault, Maïté/Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster (eds.), 'cremers.haufen', Bielefeld: Kerber, 2004, pp. 208, 233, ill. (exh. cat.)
  • 2003
    Biesenbach, Klaus, London, Barbara (eds.), 'Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust', Long Island City: P.S.1 Contemporary Art Center, 2003, pp. 199–205, ill. (exh. cat.)
    Espai d’art Contemporanei de Castello, 'Micropolitics: Art and Everyday Life', Valencia: Espai d’art Contemporanei de Castello, 2003, (exh. cat.)
    Neuman, David, Widbom, Mats (eds.), 'Spiritus', Stockholm: Magasin 3 Stockholm Konsthall, 2003, (exh. cat.)
    Raspail, Thierry (ed.), 'Avant', Dijon: Les Presses du Réel/Fage, 2003, pp. 100–105, pp. 188–199, ill. (exh. cat.)
    Unterdörfer, Michaela, Winzen, Matthias (eds.), '(In the Search of) The Perfect Love', Ostfildern: Hatje Cantz, 2003, pp. 96–125, ill. (exh. cat.)
    Dercon, Chris, Weski, Thomas (eds.),'Partners', Cologne: Walther König, 2003
    Jouannais, Jean-Yves, 'L’Idiotie: Art, vie, politique – méthode', Paris: Beaux Arts Magazine/Livres, 2003, pp. 33, 67, 212, 221, 256, 270
    Rush, Michael (ed.), 'Video Art', London: Thames & Hudson, 2003
  • 2002
    CAN (ed.), 'Sans consentement', Paris: Crash, 2002, pp. 84–85, ill. (exh. cat.)
    De Pury & Luxembourg (ed.), 'Ahead of the 21st Century: The Pisces Collection', Ostfildern: Hatje Cantz, 2002, pp. 8–9, 110–119, ill. (exh. cat.)
    Neues Museum Weserburg (ed.), 'Kunst nach Kunst', Bremen: Neues Museum Weserburg, 2002, p. 148–152, ill. (exh. cat.)
    Schirn-Kunsthalle Frankfurt, Hollein, Max, Grunenberg, Christoph (eds.), 'Shopping: 100 Jahre Kunst und Konsum', Ostfildern: Hatje Cantz, 2002, p. 244, ill. (exh. cat.)
    Unterdörfer, Michaela (ed.), 'The House of Fiction: Sammlung Hauser und Wirth/3', Nuremberg: Verlag für moderne Kunst, 2002, pp. 42, 105, ill. (exh. cat.)
    Archer Michael, 'Art Since 1960: New Edition', London: Thames & Hudson, 2002
    Beil, Ralf, 'Künstlerküche, Lebensmittel als Kunstmaterial – von Schiele bis Jason Rhoades', Cologne: DuMont, 2002
    Fundacion la Caixa, 'Catalogue Raisonné – Collection of Fundacion la Caixa', Barcelona: Grafiques Iberia, 2002, 2 vols.
    Luc, Virginie, 'ART à MORT', Paris: Leo Scheer, October 2002
    Morris, Simon, 'Sinning: De-centering the Self' [no publisher-art piece, book dedicated to Paul McCarthy], November 2002
  • 2001
    Association le printemps de septembre (ed.), 'Printemps de septembre: Théâtres du Fantastique', Arles/Paris: Actes Sud, 2001, pp. 44–45, 72, ill. (exh. cat.)
    Des Moines Art Center (ed.), 'My Reality: Contemporary Art and the Culture of Japanese Animation', Des Moines: Des Moines Art Center, 2001, ill. (exh. cat.)
    Haenlein, Carl, Ahrens, Carsten (eds.), 'Ziviler Ungehorsam: Sammlung Falckenberg', Hannover: Kestner Gesellschaft, 2001, pp. 78, ill. (exh. cat.)
    Secession (ed.), 'Projekt Fassade: 28.2.–16.10.2000/Wiener Secession, Isolde Charim: Eleonora Louis', Vienna: Wiener Secession, 2001, pp. 30–31, ill. (exh. cat.)
    Parfait, Françoise, 'Vidéo: Un art contemporain', Paris: Édition du Regard, 2001
    Pellegrin, Julie, 'L’Objet humain: Simulation et manipulation dans l'oeuvre de Paul McCarthy', in: Centre Choréographique National de Grenoble (ed.), 'Corps/objet: Sur le rapport du corps artificiel', Grenoble: Centre Choréographique National de Grenoble, October 2001, pp. 10–13, ill.
    Wege, Astrid, 'Art Now', Cologne: Taschen, 2001, pp. 106–107, ill.
    ___, 'A Creative Legacy: A History of the National Endowment for the Arts, Visual Artists Fellowship Program 1966–1995', New York: Harry N. Abrams, 2001
  • 2000
    Capc – Musée d’art contemporain de Bordeaux (ed.), 'Présumés innocents: L'art contemporain et l'enfance', Bordeaux, 2000, pp. 24, 31, 58, ill. (exh. cat.)
    Dickhoff, Wilfried, König, Kasper (eds.), 'In Between: Das Kunstprojekt der EXPO 2000', Cologne: DuMont Verlag, 2000, pp. 68–81, ill. (exh. cat.)
    IKON Gallery (ed.), 'Lost', Birmingham: IKON Gallery, 2000, p. 69, ill. (exh. cat.)
    Kunstmuseum Liechtenstein (ed.), 'Kunstmuseum Liechtenstein', Zurich: ProLitteris, 2000, pp. 43–44, ill. (exh. cat.)
    Walker Art Center (ed.), 'Let's Entertain: Life's Guilty Pleasures', Minneapolis: Walker Art Center, 2000, ill. (exh. cat.)
    Barth, Miles, Merritt, Raymond (ed.), 'A Thousand Houndes', Cologne: Taschen, 2000
    Bauman, Gillick, Grosz, Groys, Kay, Rushkoff, et al., 'Fresh Cream: Contemporary Art in Culture', London: Phaidon, 2000, p. 394
    Bonami, Francesco, Frisa, Maria Luisa, Tonchi, Stefano (eds.), 'Uniform Order and Disorder', Milan: Charta/Pitti Immagine, 2000, pp. 244–245, ill.
    Buck, Louisa, 'Moving Targets 2: A User’s Guide to British Art Now', London: Tate Publishing, 2000
    Fineberg, Jonathan, 'Art Since 1940: Strategies of Being', New York: Harry N. Abrams, Inc., 2000
    Franzen, Brigitte, 'Die Vierte Natur: Garten in der zeitgenössischen Kunst', Cologne: Walther König, 2000
    Guasch, Anna Maria, 'El arte último del siglo XX: Del posminimalismo al lo multicultural', Madrid: Alianza Forma, 2000, cover, ill.
    Montano, Linda M., 'Performance Artists Talking in the Eighties', Barkeley: University of California Press, 2000
    Sanders, Mark, 'Star Culture', London: Phaidon Press Limited, 2000
    Warr, Tracey, Jones, Amelia (eds.), 'The Artist’s Body', London: Phaidon Press Limited, ill.
    ___, 'Dazed/Confused', London: Booth-Clibborn, 2000
  • 1999
    Galerie für zeitgenössische Kunst Leipzig (ed.), 'Moving Images: Film – Reflexion in der Kunst', Munich: Siemens Kulturprogramm, 1999, pp. 68–71, ill. (exh. cat.)
    La Biennale di Venezia, '48 Esposizione Internazionale d’Arte, dapertutto', Venice, 1999, pp. 54–61, (exh. cat.)
    Liebau, Eckart, Unterdörfer, Michaela, Winzen, Matthias, 'Vergiss den Ball und spiel weiter: Das Bild des Kindes in zeitgenössischer Kunst und Wissenschaft', Cologne: Oktagon, 1999, pp. 24–27, ill. (exh. cat.)
    Sammlung Hauser & Wirth (ed.), 'Dimensions Of The Mind: The Denial and the Desire in the Spectacle', St. Gallen: Sammlung Hauser und Wirth, 1999 (folder)
    Baum, Judith, 'This Other Being: Worüber Männer untereinander nicht reden', Vienna: Triton, 1999, pp. 50, 66, ill.
    Riemschneider, Burkhard, Grosenick, Uta, 'Art at the Turn of the Millennium', Cologne: Taschen, 1999, pp. 334–337, ill.
    Rush, Michael, 'New Media in Late 20th-Century Art', London: Thames & Hudson, 1999, p. 56
    ___, 'The 20th Century Artbook', London: Phaidon, 1999
    Tober, Jay, 'The American Art Book', London: Phaidon, 1999
  • 1998
    Perez, Pilar (ed.), 'Double Trouble: The Patchett Collection', San Diego: The Museum of Contemporary Art, 1998, (exh. cat.)
    Museum of Contemporary Art (ed.), 'Out of Actions: Performance and the Object', Los Angeles: Museum of Contemporary Art, 1998, (exh. cat.)
    Collings, Matthew, 'It Hurts: New York Art from Warhol to Now', New York: 21 Publishing, 1998
    Goldberg, Rosalee, 'Performance: Live Art Since 1960', New York: Harry N. Abrams, 1998
    Janus, Elizabeth, Lambert, Marion (ed.), 'Veronica's Revenge: Contemporary Perspectives on Photography; LAC Switzerland', Zurich/Berlin/New York: Scalo, 1998
    Steihaug, Jon-Ove, 'Abject/Informe/Trauma: Discourses on the Body in American Art of the Nineties', Oslo: FOR ART, 1998
  • 1997
    Armand Hammer Museum of Art and Cultural Center (ed.), 'Scene of the Crime', Los Angeles: Armand Hammer Museum of Art and Cultural Center, 1997, (exh. cat)
    Louisiana Museum of Modern Art, 'Sunshine & Noir: Art in LA 1960–1997', Louisiana: Louisiana Museum of Modern Art, 1997, (exh. cat.)
    Kunsthaus Bregenz, Köb, Edelbert (eds.), 'KünstlerInnen: 50 Gespräche', Cologne: Verlag der Buchhandlung Walther König, 1997, pp. 162–164, ill. (exh. cat.)
    __, '4e Biennale d‘art contemporain de Lyon', Lyon, 1997, (exh. cat.)
  • 1996
    Clearwater, Bonni, 'Defining the nineties: concensus making in New York, Miami & Los Angeles', Miami: Museum of Contemporary Art, 1996, (exh. cat.)
  • 1994
    Romano, Gianni, 'Postmedia', Milan, 1994
  • 1993
    Stooss, Toni (ed.), 'Das Künstler-Ich als Comic-Held', Vienna: Kunsthalle, 1993
  • 1992
    Morgan, Robert, 'Performance and Spectacle in the Post-Industrial Age', Toronto: Rampike, vol. 6, no. 2, 1992
  • 1991
    Gerbel, Karl, 'Out of Control: Ars Electronica 91', Linz: Veritas, 1991, (exh. cat.)
  • 1989
    Beyond Baroque Festival (ed.), 'Four Artists: Roland Brener, Paul McCarthy, Tim Quinn, Nancy Rubins', Venice Beach, 1989
  • 1987
    Fitzgerald, 'f-stop, Doc-u-men-tia', San Francisco: Last Gasp, 1987
  • 1984
    Plunkett, Daniel, 'Five Years of Performance in Lyon 1979–84', Paris: N.D. 3, 1984
    Hertz, Richard (ed.), 'Theories of Contemporary Art', New York: Prentice Hall, 1984, ill.
  • 1980
    Los Angeles Performance Festival (ed.), 'High Performance Catalog: Work for Public Spirit Live Art', Los Angeles: Performance Festival, 1980
    ___, 'Performance Anthology: Source Book for a Decade of California Performance', San Francisco: Contemporary Artist Press, 1980
  • 1978
    Batcock, Gregory, 'New Artists Video', 1978
  • View more +

Press

  • 2018
    Wastall, Mark, 'American artist Paul McCarthy creates TRUMP skate decks via The Skateroom available @HauserWirth', on: https://fadmagazine.com, London/UK, 16 January 2018, ill.
  • 2017
    Waldrip, Klon, 'The Hills Are Alive: Paul McCarthy and Mike Kelley's Horrifying and Scatological Heidi', on: diaboliquemagazine.com, Brighton/MA, 13 December 2017, ill.
    Kupper, Oliver Maxwell, ' Durslade Farm ', in: Autre, Los Angeles/CA, Winter 2017, pp. 132-151, ill.
  • (cont'd)
    Shaw, Anny, 'The future may be virtual, but who is running the show?', in: The Art Newspaper, London/UK, December 2017, ill.
    Grishin, Sasha, 'Hyper Real at the National Gallery of Australia: the review is in', on: canberratimes.com.au, Canberra/AU, 23 October 2017, ill.
    Moon, So-Young, 'Paul McCarthy explores the core of art: The influential artist's latest solo show finds beauty in the process of creating sculptures', on: http://mengnews.joins.com/, Seoul/KR, 20 October 2017, ill.
    Hardy, Karen, 'Hyper Real at the National Gallery: be prepared to be confronted and amazed', on: brisbanetimes.com.au, Brisbane/AU, 19 October 2017, ill.
    Chrisafis, Angelique, 'Too lewd for Louvre but just perfect for Pompidou', in: The Guardian, London/UK, 19 Oktober 2017, ill.
    Chrisafis, Angelique, 'Too rude for Paris? 'Copulating' sculpture causes stir in French capital', on: theguardian.com, London/UK, 18 Oktober 2017, ill.
    ___, 'Video – Paul McCarthy', on: http://digitalmajority.com, 1st October 2017, ill.
    Jansen, Charlotte, 'Paul McCarthy puts Snow White (and himself) under the knife in Seoul', on: https://www.wallpaper.com, 2nd October 2017, ill.
    ___, 'Paul McCarthy Exhibition at Hauser & Wirth, Los Angeles', on: http://enjp.blouinartinfo.com, 13 September 2017, ill.
    Black, Ezrha Jean, 'Paul McCarthy. Hauser & Wirth LA', on: http://artillerymag.com/paul-mccarthy/, 5 September 2017, ill.
    Meghiddo, Rick, 'Tangoing with Paul & Amigos', on: https://www.culturalweekly.com/tangoing-with-paul-amigos/, 30 August 2017, ill.
    Davis, Genie, 'Paul McCarthy's', in: Art Scene, September 2017, ill.
    Pagel, David, 'Paul McCarthy at Hauser & Wirth: A horrow show on a grand, exquisite scale', in: Los Angeles Times, p. 7-8, or on: http://www.latimes.com/entertainment/arts/la-et-cm-paul-mccarthy-review-20170807-htmlstory.html, Los Angeles, August 14, 2017, ill.
    Slayton, Nicholas, 'Snow White and the Nine Giant Sculptures. Paul McCarthy Puts a Dark Spin on the Fairy Tale For New Arts District Exhibition', on: http://www.ladowntownnews.com/arts_and_entertainment/snow-white-and-the-nine-giant-sculptures/article_5b991016-659b-11e7-a0ca-fb57aca1c5a6.html, Los Angeles, 11 July 2017, ill.
    Gleason, Mat, ' Hauser, Wirth & Inventory - The Unbearable Lightness of Schimmel’s Absence', on: HYPERLINK "http://www.huffingtonpost.com" www.huffingtonpost.com, Los Angeles, 30 June 2017, ill.
    Hess, Ewa, 'Zwei Amis in Venedig', on: HYPERLINK "http://www.blog.tagesanzeiger.ch" www.blog.tagesanzeiger.ch, 24 May 2017, ill.
    Gerlis, Melanie, 'Virtual reality looms in Venice', on: www.ft.com, London, 21 April 2017
    Schneider, Tim, ' The Gray Market: Why You Can’t Trade Art Like Stocks (and Other Insights), on: www.artnet.com, New York, 15 May 2017, ill.
  • 2016
    Creahan, D., 'New York. Paul McCarthy 'Raw Spinoffs Continuations' at Hauser & Wirth through February 4th, 2016', on: www.artobserved.com, New York, 28 December 2016, ill.
    Foerschner, Anja, 'Ent-Grenzung und Groteske: Ekel in den performativen Installationen Paul McCarthys', in: kunsttexte.de, no. 4/2016.
    Pobric, Pac, 'Paul McCarthy: Raw Spinoffs Continuations', on: www.villagevoice.com, New York, 14 December 2016, ill.
    Mac Adam, Alfred, 'Absent Snow White: Paul McCarthy's brilliant show in New York mixes politics with the detritus of childhood memories', on: www.artnews.com, New York, 29 November 2016, ill.
    Corboy, Peter, 'hauser & wirth presents a carnivalesque cast of characters by paul mccarthy', on: www.designboom.com, Milan, 27 November 2016, ill.
    ___, 'Take a look at Paul McCarthy's tortured dwarves', on: www.phaidon.com, London, 22 November 2016, ill.
    Mason, Isabella, 'Paul McCarthy's Raw Spinoffs Continuations' at Hauser & Wirth, New York', on: www.blouinartinfo.com, New York, 16 November 2016, ill.
    Gaitér, Derrick, 'Paul McCarthy and the Art of Vulgarity', on: www.documentjournal.com, New York, 14. November 2016, ill.
    Lempesis, Dimitris, 'Art-Preview: Paul McCarthy-Raw Spinoffs Continuations', on: www.dreamideamachine.com, November 2016, ill.
    Schwager-Jebbink, Juliana, 'Der visionäre Provokateur', in: Handelzeitung, Zürich, 20. October 2016, p. 15, ill.
    Jasper, Adam, 'Views. Paul McCarthy', in: Spike Art Quarterly, Berlin, Autumn 2016, p. 202
    ___, 'Massacre de Blanche-Neige à la tronconneuse. McCarthy vs Hollywood', in: Bruzz, Brussel, 09. September 2016, p. 19, ill.
    Theys, Hans, 'Paul McCarthy bij Xavier Hufkens Brussels. Alles over Sneeuwwitje', in: Hart, Brussel, 06. October 2016, p. 19, ill.
    ___, 'Help, Sneewwitje is onthoofd!', in: De Morgen, Brussel, 17 September 2016, p. 83, ill.
    Sterverlynck, Sam, 'Sneeuwwitje onthoofd', in: De Standaard, Brussel, 09 September 2016, p. 6, ill.
    ___, 'Paul McCarthy in de galerie Xavier Hufkens in Brussels', in: Knack, Brussel, 28. September 2016, p. 99, ill.
    Spencer, Samuel, 'Paul McCarthy's Macabre Modern Myths Make Their Way to Brussels', on: www.blouinartinfo.com, New York, 15 September 2016, ill.
    Szczesniak, Paulina, 'Disneys Niedlichkeiten im Mixer der Kunst – eine witzige Sauerei', in Tages Anzeiger, Zürich, 24 September 2016, p.
    Hess, Ewa, 'Das entzauberte Schneewittchen', in: Sonntagszeitung, Basel, 4 September 2016, p. 65, ill.
    Nagel, Andrea, 'Skate for good: Afghan tricks come to Joburg', on: www.timeslive.co.za, Johannesburg, 6 July 2016, ill.
    Russell, Anna, 'Crowds, Caution at Art Basel', on: www.wsj.com, New York, 16 June 2016
    Grainger-Shuba, Samantha, 'Acclaimed Artist Paul McCarthy enthralls crowd at Whitman College', on: www.whitman.edu, Walla Walla, 3 March 2016, ill.
    ___, 'Paul McCarthy Drawings', in: Art Review, London, January 2016, pp. 156, ill.
  • 2015
    ___, 'Full Exposure: Paul and Damon McCarthy's Pirate Party on view at the Nasher Museum', on: www.artdaily.com, Mexico City, 22 Decmber 2015, ill.
    Elderton, Louisa, 'Paul McCarthy Schinkel Pavillon / Berlin', on: www.flashartonline.com, London, 24 November 2015, ill.
    Serratore, Nicole, 'Looking for Paul', on: www.exeuntmagazine.com, New York, 17 November 2015, ill.
    Sokolowski, Andre, 'Rebel Dabble Babble Berlin in der Volksbuehne', on: www.freitag.de, Berlin, 25 September 2015, ill.
    van Kampen, Bamboo & Groeneveld, Arthur, 'Paul McCarthy at the Schinkel Pavillion on the occassion of Berlin Art Week, Berlin', on: www.purple.fr, Paris, 20 September 2015, ill.
    Pofalla, Boris, 'Wilder alter Mann', in: Frankfurter Allgemeine Sonntagszeitung, 15 September 2015, p. 41, ill.
    Di Blasi, Luca, 'Sprachlos: Paul McCarthy und die Zukunft des Theaters', in: InformationsdienstKunst, Berlin, 14 September 2015, pp. 5-7
Rebhandl, Bert, 'Rebel with a cause', in: Tip Berlin, Berlin, 10 September, ill.
    Rappolt, Mark, 'Paul McCarthy', in: Art Review, London, September 2015, p. 124-131, ill.
    Slaski, Jacek, 'Exzess! Blut! Nackte!', Tip Berlin, Berlin, August 2015, ill.
    ___, 'Zwischen Wien und Westcoast', in: Spielplan, Braunschweig, September 2015, ill.
    Liebs, Holger, 'Rebell mit Grund', in: Monopol, September 2015, pp. 10, 68-75, ill.
    Sumpter, Helen, 'Geta Bràtescu', in: Art Review, London, Summer 2015, pp. 84-97, ill.
  • 2014
    Coomer, Martin, 'The Human Factor at the Hayward Gallery', on: www.timeout.com, London, 12 June 2014, ill.
    Pilger, Zoe, 'The Body Politic', in: The Independent, London, 16 June 2014, p. 40, ill.
    Amy, Michaël, 'Rotten to the Core. Paul McCarthy', in: Sculpture, Washington, May 2014, pp. 46-51, ill.
    Genocchio, Benjamin, 'Guggenheim Bilbao Censors "Offensive" Paul McCarthy and Mike Bouchet Public Artwork', on: www.news.artnet.com, 10. April 2014, ill.
    Hohmann, Silke, 'Kicks durch Kulturkritik: Bocuhet und McCarthy möbeln Frankfurt auf', in: Monopol, Berlin, April 2014, p. 117, ill.
    Gritz, Anna, 'Paul McCarthy: Black and White Tapes. Everyone Agrees: Meetings and Failures in Meetings', in: Art Monthly, London, March 2014, pp. 32-33
    ___, The Museum as Marketing Temple. Mike Bouchet & Paul McCarthy at the Portikus, Frankfurt, on: www.db-artmag.de, February 2014
    Delaney, Joseph, 'Paul McCarthy's Black and White Tapes at SPACE', on: www.sangbleu.com, 26 January 2014
    Federman, Rachel, 'An Idealistic Utopian Thought: Paul McCarthy and the Spaces of
    Transmission', in: 'Oxford Art Journal', Oxford: Oxford University Press, Vol. 37, no. 1, 2014, pp. 1-26, ill.
    Van Veelen, Ijsbrand, 'Opgestoken Vinger Tegen de Burgerlijkheid', in: Kunstbleed, Rotterdam, 2013/2014, pp. 56-61, ill.
  • 2013
    ___, 'Paul McCarthy's New "Snow White" Installation to Take Over Park Avenue Armory, 6/19-8/4', on: www.broadwayworld.com, New York, 22 May 2013
    ___, 'Artist of the Year Nominees. Paul McCarthy', in: Art in America, New York, December 2013, p. 104
    Thon, Ute, 'Durchgeknalltes Hollywood', in Art. Das Kunstmagazin, Hamburg, December 2013, p. 141
    Joseph-Lowery, Frédérique, Stuckey, Charles, 'The Naked Truth', in: Art in America, New York, November 2013, pp. 112-121, ill.
    ___, 'Paul McCarthy & Damon McCarthy', in: JR, Winter 2013, Issue 5, pp. 1–3, ill.
    Creahan, D., 'London: Frieze Art Fair in Regent's Park, October 17th-20th, 2013', in: Art Observed, New York, 15 October 2013, online, ill.
    ___, 'Top Threes at Frieze', in: Art.sy, New York, 15 October, online, ill.
    Heartney, Eleanor, 'Paul McCarthy et Damon McCarthy', in: Art Press, Paris, October 2013, pp. 12-13, ill.
    Earnest, Jarrett, 'Crushes on Art', on: www.brooklynrail.org, New York, 3 October 2013, ill.
    Smith, William S., 'Paul McCarthy', on: www.artinamericamagazine.com, New York, 2 October 2013, ill.
    Foerschner, Anja, ‘The Fairest in the Land: the Deconstruction of Beauty in Paul McCarthy’s WS’, in: Afterimage – The Journal for Media Arts and Cultural Criticism, vol. 41.3, November/December 2013, pp. 14-18.
    Fox, Dan, 'Paul McCarthy. Park Venue Armory / Hauser & Wirth, New York', in: Frieze, London, October 2013, pp. 261-262, ill.
    Berman, Aniko, 'Paul McCarthy', in: Art Review, Milan, October 2013, p. 109
    ___, 'Kate By Paul. White Snow Kids Party.' in: Document, September 2013, New York, pp. 194-201, ill.
    Wei, Lilly, 'Paul McCarthy', in: Art News, New York, October 2013, p. 102, ill.
    C., Melanie, 'The Weight of Waste', in: Vulture, New York, September 2013, pp. 118-123, ill.
    Reichert, Kolja, 'Was treiben drei Schneewittchen mit neun Zwergen?' on: www.welt.de, Berlin, 28 August 2013, ill.
    Grau, Donatien, Liebs, Holger, 'Disneys Albtraum', in: Monopol, Berlin, August 2013, pp. 36-47, ill.
    Piepenburg, Erik, 'Art That Turns Both Heads and Stomachs' on: www.nytimes.com, New York, 13 July 2013, ill.
    Davis, Ben, 'Paul McCarthy's Freaky Deaky '50s Nostalgia Trip' on: www.blouinartinfo.com, New York, 8 July 2013, ill.
    Trainor, Natalie, 'Paul McCarthy's WS: A Day of Disgust and Intrigue', on: www.art-nerd.com, New York, 1 July 2013, ill.
    Cotter, Holland, 'The American Fairy Tale, Fun House Style', on: www.nytimes.com, New York, 27 June 2013, ill.
    ___, 'Grumpy about dopey', on: www.nydailynews.com, New York, 24 June 2013, ill.
    ___, 'Hello, Babylon! The Art World is cheating on New York with Los Angeles', in: Gallerist NY, New York, 18 June 2013, ill.
    Drohojowska-Philp, Hunter, 'An exclusive preview of 'White Snow' by Paul McCarthy', on: www.wallpaper.com, London, 13 June 2013, ill.
    ___, 'Art Basel opens for 2013', on: www.euronews.com, London, 13 June 2013, ill.
    Del Signore, John, 'Photos: Snow White Gets Dirty Inside Paul McCarthys Massive Park Avenue Armory', on: ww.gothamist.com, New York, 18 June 2013, ill.
    Hoffman, Barbara, 'Snow fright!X-rated sex and booze-fueled version of Disney classic hits NY in artist's latest shock exhibit', on: www.nypost.com, New York, 19 June 2013, ill.
    Lipsky, Seth, 'Debauchery' you pay for', on: www.nypost.com, New York, 19 June 2013, ill.
    ___, 'Paul McCarthy's New 'Snow White' Installation Takes Over Park Avenue Armory, Now thru 8/4', on: www.broadwayworld.com, New York, 19 June 2013, ill.
    ___, 'Paul McCarthy's WS: On Set', on: www.wmagazine.com, 18 June 2013, ill.
    Singer, Reid, 'A Beginner's Guide to Paul McCarthy, 2013's most talked- bout artist', on: www.flavorwire.com, New York, 21 June 2013, ill.
    Nicolini, Kim, 'The Art of the Soulless Ripoff', on: www.counterpunch.org, New York, 21- 23 June 2013
    ___, 'Paul McCarthy overtakes Park Avenue Armory's immense Drill Hall with his largest installation to date', on: www.artdaily.org, Switzerland, 25 June 2013, ill.
    ___, 'Must see art: Paul McCarthy and Damon McCarthy: "Rebel Abble Babble"', on: www.according2g.com, New York, 21 June 2013, ill.
    Feitelberg, Rosemary, 'Paul McCarthy's WS Installation Bows', on: www.wwd.com, New York, 21 June 2013, ill.
    Schickner, Lindsey, 'Reqiured Viewing- Paul And Damon McCarthy's Rebel Dabble Babble', on: www.documentjournal.com, New York, June 2013, ill.
    Massara, Kathleen, 'Paul an Damon McCarthy: 'Rebel Dabble Babble' Leaves Me Cold', on: www.huffingtonpost.com, New York, 21 June 2013, ill.
    Russell, Anna, 'The Other 'Disney Store'', on: www.online.wsj.com, New York, 20 June 2013, ill.
    ___, 'New York- Paul McCarthy: "WS" at the Park Avenue Armory Through August 4th, 2013', on: www.artobserved.com, New York, 22 June 2013, ill.
    Budick, Arielle, 'Paul McCarthy: WS, Park Avenue Armory, New York- review', on: www.ft.com, New York, 23 June 2013, ill.
    ___, 'Selections from the Filmographies of the Stars of Paul McCarthy's New Installation (NSFW)', on: www.blogs.artinfo.com, New York, 19 June 2013, ill.
    Guiducci, Mark, 'Paul McCarthy's Princess: Elyse Poppers Stars in the Artist's New Show at the Park Avenue', on: www.vogue.com, New York, 19 June 2013, ill.
    Saltz, Jerry, 'Jerry Saltz on the Armory's (Very, Very Dirty) Paul McCarthy Show', on: www.vulture.com, New York, 19 June 2013, ill.
    ___, 'Paul McCarthy's adults- only fairytale opens today', on: www.uk.phaidon.com, London, June 2013, ill.
    Shiffman, Allyson, 'When Paul McCarthy met Snow White', on: www.interviewmagazine.com, New York, June 2013, ill.
    Massara, Kathleen, 'Paul McCarthy 'WS' at the armory is a disturbing take on 'snow white (photos)', on: www.huffingtonpost.com, New York, 19 June 2013, ill.
    Russeth, Andrew, 'Morning Links: Obsession Edition', on: www.galleristny, New York, 19 June 2013, ill.
    Lescaze, Zoe, 'Naked Ambition: Paul McCarthy takes the park Avenue Armory', on: www.galleristny.com, New York, 19 June 2013, ill.
    ___, 'Armory Gives Conflicting Information on Funding of Snow White Show', on: www.futureofcapitalism.com, New York, 20 June 2013, ill.
    Prince, Richard, 'Richard Prince Blog Watch: Reviews of David Zwirner and Hauser&Wirth's New Chelsea Digs', on: www.blogs.artinfo.com, New York, 20 June 2013, ill.
    Kennedy, Randy, 'Here's Snow White. Don't Bring the the Kids.' On: www.nytimes.com, New York, 19 June 2013, ill.
    ___, 'Paul McCarthy's X-rated Exhibition', on: www.online.wsj.com, New York, 20 June 2013, ill.
    Murg, Stephanie, 'Paul McCarthy's Grim Fairy Tale Debuts at Park Avenue Armory', on: www.mediabistro.com, New York, 20 June 2013, ill.
    Ray, Justin, 'Everything You need to know about Paul McCarthy's new exhibition at Park Avenue Armory', on: www.complex.com, New York, 20 June 2013, ill.
    Esplund, Lance, 'McCarthy's X-Rated Snow White, Lewd Dwarfs; Ken Price', on: www.businessweek.com, New York, 20 June 2013, ill.
    ___, 'Paul and Damon McCarthy at Hauser&Wirth New York', on: www.artmediaagency.com, New York, 20 June 2013, ill.
    Shen Goodman, Matthew, 'McCarthyLand: Soiled Snow and Silly String at the Armory', on: www.artinamericamagazine.com, New York, 20 June 2013, ill.
    Drohojowska-Philip, Hunter, 'Twist in the Tale', in: Wallpaper, London, June 2013, ill.
    Earnest, Jarrett, 'The Liquid ist the Flux', in: The Brooklyn Rail, New York, June 2013, pp. 13-15, ill.
    Griffin, Jonathan, 'Rebel. Dabble. Babble. A project by Paul McCarthy and Damon McCarthy', in: Modern Painters, New York, June 2013, pp. 70-83, ill.
    Lescaze, Zoe, 'Paul's Uncanny Valley', on: www.galleristny.com, New York, 14 May 2013
    ___, 'Frieze New York' , on: www.Facebook/friezenewyork.com, New York, 10 May 2013, ill.
    Kennedy, Randy, 'The Demented Imageneer', on: www.nytimes.com, New York, 10 May 2013, ill.
    Wilkinson, Isabel, 'The Best Things to see at Frieze Art Fair NY 2013', on: www.thedailybeast.com, New York, 9 May 2013, ill.
    ___, 'Five Objects to Warm Up a Trip to Frieze', on: www.online.wsj.com, New York, 9 May 2013, ill.
    Kazakina, Katya, 'Frieze Fair Has John Thain, Speyer Pondering $ 35,000 Pea', on: www.bloomberg.com, New York, 10 May 2013, ill.
    ___, 'Paul McCarthy honoured at Hauser&Wirth', on: www.artmediagency.com, New York, 2 May 2013
    ___, 'Paul McCarthy: Life Cast', on: www.timeout.com, New York, 3 May 2013
    ___, 'McCarthyism', in: Art+Auction, New York, May 2013, p. 70, ill.
    ___, 'Time Out says', on: www.timeout.com, New York, 29 April 2013
    ___, 'Paul McCarthy's Pile of Poo and Other Unique Inflatable Sculptures', on: www.fadwebsite.com, London, 28 Apri 2013, ill.
    Dawidowicz, Julia, 'Paul McCarthy drops a giant inflatable poop on Hong Kong', on: www.animalnewyork, New York, 29 April 2013, ill.
    ___, 'Inflatable Poop Installation By Artist Paul McCarthy Makes A Mess In Hong Kong', on: www.huffingtonpost.com, 29 April 2013, ill.
    Gerlis, Melanie, 'Hauser & Wirth makes a big birthday look', in: The Art Newspaper, TAN 2, London, May 2013, p. 4, 1/1, ill.
    ___, 'Sudden downpour takes the wind out of poop art', on: www.scmp.com, Hong Kong, 27 April 2013, ill.
    ___, 'Inflation' Hits Hong Kong', on: www.online.wsj.com, New York, April 2013, ill.
    ___, 'Paul McCarthy Balloon Pops in China', on: www.galleristny.com, New York, 26 April 2013, ill.
    ___, 'Bouncy- castle style Stonehenge on display in inernational inlfatable exhibition', on: www.theindependent.com.uk, London, 26 April 2013, ill.
    ___, 'Paul McCarthy's Poop Balloon Popped, Maya Lin Makes Sandy Memorial, and More', on: www.blouinartinfo.com, New York, 29 April 2013, ill.
    ___, 'Check out Paul McCarthy's Pile of Feces and Other Unique Inflatable Sculptures. Video', on: www.m.hypebeast.com, 25 April 2013, ill.
    Hromas, Jessica, 'Inflatable Sculpture Exhibition 'Inflation!' Arrives In West Kowloon', on: www.google.com, Hong Kong, 24 April 2013, ill.
    Duray, Dan, ' Here Are the Frieze New York Sculpture Park Artists',on: www.galleristny.com, 12 April 2013, New York, ill.
    ___, 'Art meets Disco', in: Blueprint, London, May 2013, p. 68, 6/6, ill.
    Lopez, Xavier jr., ' Dreamspace Disneyland – Paul McCarthy, Robert Rauschenberg, Mikhail Bakhtin, Me and Mr. Toad's wild Ride!', on: www.blog.seattlepi.com, 3 April 2013, Seattle, ill.
  • 2012
    Reichert, Kolja, 'Der total verrückte Arbeitsplatz', in: www.tagesspiegel.de, 10 July 2012, ill.
    Zobel, Stefanie, 'Backstage: Kunst. 'The Box': Paul McCarthys Atelier und der Blick in die Seele des Künstlers', in: nicolai, n°3 October-December 2012, p. 31, ill.
    Gavin, Francesca, 'King of Carnival', in: Twin, London, 7 November 2012, pp. 136-145, ill.
    Glauner, Max, 'PAUL McCARTHY', in: Frieze, London, Winter 2012, pp. 115-116, ill.
    ___, 'Paul McCarthy's The Box in The Neue Nationalgalerie', on: HYPERLINK "http://www.theremainsoftheweb.com" www.theremainsoftheweb.com, New York, 20 October 2012, ill.
    Griffin, Jonathan, 'Paul McCarthy and Damon mccarthy's "Rebel Dabble Babble"', in: Jonathan Griffin Art Agenda, 31 May 2012, ill.
    Wrinkle, Aaron, 'Portrait of an American Family, or This American life: Aaron Wrinkle on Paul and Damon McCarthy's Rebel Dabble Babble', in: Notes on Looking, 18 May 2012, ill.
    Tylevich, Katya, 'Rebel Without a cause', on: www.domusweb.it, 15 June 2012, ill.
    Pagel, David, 'Review: Mccarthy family's "Rebel Dabble Babble" blurs fact, fiction', on: www.latimes.com, 17 May 2012, ill.
    ___, 'Paul McCarthy: "The Box"', in: Monopol, Berlin, p. 118, ill.
    McGarry, Kevin, 'Out There. Art in Plein Air', on: http://tmagazine.blogs.nytimes.com, New York, 24 July 2012, ill.
    Min-young, Park, 'Paul McCarthy', in: ARTnews, New York, Summer 2012, p. 135, ill
    Elsing, Sarah, 'Wo die wilden Keime wohnen: In Berlin baut Paul McCarthy sein Studio nach', in: Monopol, Berlin, July 2012, pp. 117, 119, ill.
    Tully, Judd, 'Despite Gripes About Thwarted VIPs, Art Bassel's Languorous Two-Day Preview Nets Serious Sales', on: www.Artinfo.com, New York, 13 June 2012.
    Spagnesi, Licia, 'La Basilea d'Oriente'. in: Arte Magazine, Milan, May 2012, p. 102 – 106, ill.
    Pagel, David, 'Review: McCarthy family's 'Rebel Dabble Babble' blurs fact, fiction', on: www.latimes.com, Los Angeles, 17 May 2012, ill.
    Schneier, Matthew, 'James Franco: Rebel's Rebel', on: www.style.com, New York, 8 May 2012, ill.
    Mason, Shanon Beth, 'Art Hong Kong 11', in: Sculpture Magazine, Hamilton, April 2012, p. 79, ill.
    ___, 'Schock Horror!', on: HYPERLINK "http://www.blance-magazine.com" www.blance-magazine.com, Paris, May 2012.
    Callender, Neil, 'Shock Horror!', on: www.blanche-magazine.com, Paris, May 2012
    ___, 'Image of the People, Mike Kelley (1954-2012)', in: Artforum, New York, May 2012, pp.241, 250, ill.
    McCarthy, Paul, 'BLAH, BLAH, BLACK', in: Artforum, New York, May 2012, pp. 241, 250, ill.
    Robecchi, Michele, "Paul McCarthy" 'Hauser & Wirth. London', in: Flash Art, London, April 2012, p. 93, ill.
    Woodward, B. Richard, 'When Bas Is Good', in: Art News, New York, April 2012, pp. 68 - 75, ill.
    Hogan, Ruth, ’Paul McCarthy: The King, The Island, The Train, The House, The Ship; Hauser Wirth London, Savile row, Piccadilly and St. James's Square, 16 November, 2011 – 14 January, 2012’, on: papervisualart.com, London, 1 March 2012, ill.
    Kaiser, Philipp, 'Ein Loch in den Kopf bohren', in: Du, Nr. 825, Zurich, April 2012, pp. 54-62, ill.
  • 2011
    Gosling, Emily, 'Pig Island', in: Design Week, London, 11 November 2011, ill.
    Knowles, Beverley, 'In Your Face Grotesquerie: Paul McCarthy in New York & London, ill.
    Rubenstein, Bradley, 'Paul McCarthy: The Dwarves, The Forests, Hauser and Wirth', on: Culture Catch, 8 December 2011, ill.
    ___, 'AO on Site- New York: Paul McCarthy 'The Dwarves, the Forests' at Hauser & Wirth through December 17, 2011, in: Artobserved, New York, 7 December 2011, ill.
    Johnson, Ken, 'Paul McCarthy: 'The Dwarves, the Forests'', in: The New York Times, New York, 8 December 2011, p. 32
    Ward, Ossian, 'Porky's revenge', in: Time Out, London, 8 December 2011, p. 48, ill.
    Halperin, Julia, Goldstein, Andrew M., 'Diddy and Eli Broad Buy Sophisticated Fare at a Workmanlike Art Basel Miami Beach VIP Vernissage', in: Artinfo, New York, 20 November 2011, ill.
    Cashdan, Marina, 'Paul McCarthy's Quasi-Religious, Action-Packed Gallery Takeover', in: Huffington Post, New York, 25 November 2011, ill.
    Bodin, Claudia, 'Geköpft im Märchenwald', in: Art, Hamburg, 28 November 2011,ill.
    Kent, Sarah, 'Paul McCarthy: The King, The Island, The Train, The House, The Ship, Hauser & Wirth', in: The Art Desk, London, 18 November 2011, ill.
    Mellors, Coco, 'Paul McCarthy at Hauser & Wirth NYC', in: Art Wednesday, London, 19 November 2011, ill.
    ___, 'Paul McCarthy presents george Bush and the Seven Dwarves', in: Phaidon, London, 15 November 2011, ill.
    Keane, Thomas, 'Hail King Paul McCarthy', in: Art Lyst, London, 16 November 2011, ill.
    Martin, Alison, 'paul McCarthy's take on Snow White tale at NYC gallery', in: examiner, Denver CO, 14 November 2011, ill.
    Nelkin, Chloe, 'Tuesday ist he new thursday – Paul McCarthy at hauser & Wirth and more...', in: Chloe nelkin Blog, London, 15 november 2011, ill.
    ___, 'Art – Paul McCarthy. Hauser & Wirth', in: Trebuchet Magazine, London, 16 November 2011, ill.
    ___, 'Paul McCarthy Hits London', in: Wonderland, london, 16 November 2011, ill.
    Kymball, Whitney, 'November Gallery Preview', in: Artfagcity, New York, 4 November 2011, ill.
    Ryan, Amanda, 'Five Artists from Another Planet', in: Art Log, New York, 3 November 2011, ill.
    Tariq, Syma, 'American Nightmares', on: www.glassmagazine.co.uk, London, 4 November 2011, ill.
    Seno, Alexandra A., 'Hong Kong Art Fair', in: Departures, New York, Autumn/Winter 2011, ill.
    ___, 'Paul McCarthy', in: Artforum, October 2011, New York, pp. 244 - 245
    Berardini, Andrew, 'Way out west', in: The Art Newspaper', october 2011, London, England, pp. 43 – 45, ill.
    Griffin, Jonathan, 'Paul McCarthy Loses His Shit', in: Wonderland, London, September October 2011, pp. 184-187, ill.
    ___, '___', in: Kilimanjaro, London, Issue 12, April 2011, pp. 14 – 16, ill.
    Allen, Jennifer, 'air force’, in: sleek, Berlin, Winter 2010/11, pp. 192-193, ill.
    McCarthy, Paul, 'Recreated Reaction Recreate', in: Parkett, Zurich, no. 88, 2011, pp. 141, ill.
  • 2010
    Cary Levine, in: ‘You Are What (and How) You Eat: Paul McCarthy’s Food-Flinging Frenzies’, in: Invisible Culture, Issue 14, Rochester, Spring 2010
    Taft, Catherine, 'Paul McCarthy', in: Artforum, New York, December 2010, p.265, ill.
    Kaufman, Jason Edward, 'Paul McCarthy', in: Modern Painters, New York, December 2010 / January 2011, p. 71, ill.
    Campagnola, Sonia, 'Paul McCarthy', in: FlashArt, Milan November – December 2010, p. 100, ill.
    Drohojowska-Philp, Hunter, 'Paul McCarthy', in: ARTnews, New York, December 2010, p. 115, ill.
    Fumai, Rosanna, 'Paul McCarthy', in: Juliet, Trieste, October - November 2010, P. 56-57, ill.
    Tufnell, Rob, 'Brilliance in a box', in: Apollo, London, October 2010, p. 96, ill.
    Fessler, Anne Katrin, 'Piratenpfeffer für die Wiener Aktionisten', in: Der Standard, Vienna, 28 October 2010, ill.
    Kaufman, Jason Edward, 'Paul McCarthy: Three Sculptures', in: Artinfo, New York, 7 October 2010, ill.
    Mizota, Sharon, 'Art review: Paul McCarthy at L&M Arts', in: Los Angeles Times, Los Angeles, 7 October 2010, ill.
    Corti, David Streiff, 'Wo die schweren Skulpturen wohnen', in: NZZ – Die schönen Seiten, Zurich, 2 October 2010, ill.
    Schoch, Ursula Badrutt, 'Das Boot ist voll', in: Wiler Zeitung, Wil, 13 August 2010, p.9, ill.
    Parmesani, Loredana, 'Pig Island and the Shock of the West', in: Domus, Milan July – August 2010, pp. 87 – 95, ill.
    ___ 'Rum, Sodomy and the Lush', in: Flash Art International, July – September 2010, pp. 84 – 87, ill.
    Bodin, Claudia, 'Paul McCarthy. Porträt. Schneewittchen Alptraum endet nie', in: art. Das Kunstmagazin. Online, Hamburg, 13 July, ill.
    Ellegood, Anne, 'The Isle of Porcine Romance', in: Mousse, Milan Summer Issue 2010, no. 24, pp. 42-53, ill.
    Hinrichsen, Jens, cMcCarthy wirbelt im Schleudergang durch seine eigene Kunstgeschichte', in: Monopol, Berlin, June 2010, ill.
    ___, 'News Brief. Italy. Behaving Like Pigs', in: World Sculpture News, Hong Kong, June 2010, pp.16-18, ill.
    Casadio, Mariuccia, 'Into Paul McCarthy's Land', in: Vogue Italia, Milan, June 2010, pp. 92-97, ill.
    Diez, Renato, 'Paul McCarthy', in: Arte, June 2010, pp. 80-84, ill.
    Bruno, Franco, 'Caos Calmo. Il Mondo va in Frantumi', in: Circle, June 2010, pp. 1, 10, 25-29, ill.
    ___, 'Pretty much everything', in: Muse, June 2010, p.39, ill.
    ___, 'Paul McCarthy', on: stylemag.net, Berlin, 28 May 2010, ill.
    Moliterni, Rocco, 'Paul McCarthy. Scorre ketchup nelle vene d'America', in: La Stampa, Milan, 24 May 2010, pp. 32-33, ill.
    Vettese, Angela, 'L'isola die famosi porci', in: Il Sole 24 Ore, Milan, 24 June 2010, p. 37, ill.
    Taft, Catherine, 'Paul McCarthy: Pig Island', in: Artforum, New York, May 2010, p. 144
    Perra, Daniele, 'Il luna park senza tabù in anteprima a Milano', in: GQ, Milan, May 2010, p. 211, ill.
    Masoero, Ada, 'Think pig', in: Il giornale dell’arte, Torino, May 2010, no. 298, p. 34, ill.
    Bonami, Francesco, 'Natura Maiala', in: Rolling Stone, Milan, May 2010, no. 79, pp. 64-67, ill.
    Bonami, Francesco, 'Porci con le ali dell’arte', in: Panorama, Milan, 20 May 2010, pp. 237-39, ill.
    Bonazzoli, Francesca, 'Scandalo a palazzo', in: Corriere della sera, Milan, 18 May 2010, pp. 15-17, ill.
    Di Marzio, Mimmo, 'Trussardi "invade" palazzo Citterio', in: il Giornale Milano, Milan, 18 May 2010, pp. 54-55, ill.
    Cirillo, Anna, 'Brera cose mai viste', in: la Repubblica, Milan, 18 May 2010, pp. 16-17, ill.
    Casavecchia, Barbara, 'Da Bush a Angelina tutti sull’Isola dei Porci', in: la Repubblica, Milan, 18 May 2010, p. 17, ill.
    Bonami, Francesco, 'Porci con le ali dell' arte', in: Panorama, Milan 20 May 2010, pp. 237-239, ill.
    Amadasi, Giovanna, 'Paul McCarthy e la Sua Versione del Sogno Americano', in: La Republica, Milan 8 May 2010, pp. 76-83, ill.
    Rian, Jeff, 'Paul McCarthy', in: Fashion Purple Magazine, Paris, Spring Summer 2010, issue 13, pp. 366-373, ill.
    ___, 'Paul McCarthy', in: Contemporary Artist Files, Tokyo, vol. 62, no. 933, February 2010, p. 150, ill.
    Double, Steve, 'The fine art of philantrophy', in: Financial Times Smart Arts, London, 20 February 2010, pp. 10-12, ill.
    Levin, Kim, 'Paul McCarthy', in: ARTnews, New York, February 2010, pp. 104-105ill.
    Rappolt, Mark, 'Feature: Paul McCarthy', in: Art Review, London, Jan – Feb 2010, pp. 60 – 64, ill.
    Washida, Kiyokazu, Hosono, Haruomi, Fujihata, Masaki, et al., 'Paul McCarthy and Mike Kelley', in: 'Yebisu International Festival for Art & Alternative Visions 2010 – Searching Songs', Tokyo: Tokyo Metropolitan Museum of Photography, 2010, p. 56, ill.
  • 2009
    H.S., 'Collection: MoCA’s First Thirty Years', in: The Art Network, London, November 2009, p. 84, ill.
    Verna, Sascha, 'New York steht auf Schweizer Kunst', in: Tagesanzeiger, 24 November 2009, p. 33.
    Lowenstein, Kate, 'Paul McCarthy „White Snow“', in: Time Out New York, New York, 26 November-2 December 2009, p. 47, ill.
    Kino, Carol, 'Fairy Tales, But Strictly, Adults-Only', in: The New York Times, New York, 22 November 2009, p. 24, ill.
    Bodin, Claudia, 'Paul McCarthy/Mike Kelley: Die Bösen Märchenonkel', in: ART das Kunstmagazin, Hamburg, 16 November 2009, ill.
    212DressingRoom/Blog, 'Art in View: Paul McCarthy', on: 212dressingroom.com, 6 November 2009
    Ramchandani, Ariel, 'Paul McCarthy`s Cartoon Pornography' in: The Economist, New York, 8 November 2009, ill.
    ___, 'Paul McCarthy White Snow', on: artslant.com, New York, 5 November 2009, ill.
    Squibb, Stephen, 'Paul McCarthy at Hauser & Wirth', on: Idiom online, New York, 5 November 2009, ill.
    ___, 'Go see this now: Paul McCarthy`s Shit Pie (White Snow)', on: askyfilledwithshootingstars.com, New York, 4 November 2009, ill.
    Werner, Florian, 'Die schnöde Masse hat Substanz', in: Monopol, Hamburg, November 2009, pp. 74-76, ill.
    ___, 'McCarthyism', in: Modern Painters, New York, November 2009, pp. 59-67, ill.
    ___, 'Paul McCarthy: Snow White', in: Bon, Stockholm, Autumn / Winter 2009-2010, pp. 128-135, ill.
    Rosenmeyer, Aoife, 'Paul McCarthy: Hauser & Wirth', in: Modern Painters, New York, September 2009, ill.
Muchnic, Suzanne, 'Culture Monster', in: Los Angeles Times, Los Angeles, 5 September 2009, ill.
    Gohlke, Gerrit, 'Der diskrete Scharm der Schweinehaltung', on: HYPERLINK "http://www.artnet.de" artnet.de, 23 July 2009, ill.
    Schweighöfer, Kerstin, 'Utrecht, Quietschbunt und irritierend', in: Art, Hamburg, 8 July 2009, ill.
    Renner, Sascha, 'Sex mit Sauce', in: Kunst 31, Zurich, 11-17 June 2009, ill.
    SUG, 'Paul McCarthy', in: art on parade, Indianapolis Museum of Art, 2009, pp. 64-71, ill.
    Allsop, Laura, 'Inspired: Paul McCarthy', in: Art Review, February 2009, p. 22, ill.
    von Faber-Castell, Christian, 'Blühende Landschaft', in: Weltkunst, Zurich, Dezember 2009, pp. 12-19, ill.
  • 2008
    Robecchi, Michele, 'Paul McCarthy, Bossy Paul', in: Mousse, Milan, 2012, ill.
    Vert, Xavier, 'Donner à voir, Prêter à rire: Momus er priape', in: Tourcoing: Parade 8, 2008, pp. 59, ill.
    ___, 'Porno Mountains', in: Work. Art in progress, Trento, no. 24,Winter 2008, pp. 12-14, ill.
    Piersanti, Francesca, 'Interview with Pierangelo Schiera by Francesca Piersanti', in: Work. Art in progress, Trento, no. 24, Winter 2008, pp. 38-45, ill.
    Meyer, Richard, 'Artists sometimes have feelings', in art journal, New York, vol. 67, no. 4, Winter 2008, pp. 41-47, ill.
    Erdmann Ziegler, Ulf, 'Jenseits der Tabus', in: Monopol, Berlin, December 2008, pp.62-64, ill.
    'Santa`s little helper', 'Dough Harvey unwraps Paul McCarthy's latest yuletide-themed work' in: Modern Painters, December 2008/January 2009, London, ill.
    'The Power 100', 62: Paul McCarthy, in: Art Review, London, November 2008, p.140 ill.
    Christina Natalicchio (ed.), 'Porno Mountains', in: Work, Art in Progress, Trento, Winter 2008, p.12 ill.
    Carlson, Ben, 'Paul McCarthy', in: Modern Painters, New York, November 2008, p. 95, ill.
    ___, 'Paul McCarthy and Benjamin Weissman', in: The Art Newspaper, no. 195, October 2008, p.79, ill.
    bgga, 'Künstler Paul McCarthy: Wahrnehmung durch Disneyland konditioniert', on: FAZ.NET, 9 September 2008, ill.
    Everitt Howe, David, 'Paul McCarthy: Central symmetrical Rotation movement: Three installations, two films', in: Art Rewiev, issue 26, October 2008
    Levin, Kim, 'Paul McCarthy', in: ARTnews, New York, September 2008, ill.
    ___, ' Annual Guide to Museums: Paul McCarthy', in: Art in America, New York, August 2008, ill.
    Weissman, Benjamin, 'The Rocky Mountain People Show. Mountain', in: Work. Art in progress, Trento, Summer 2008, pp. 26-28, ill.
    Robecchi, Michele, 'The Rocky Mountain People Show. Paul McCarthy & Benjamin Weissman. Come and get it', in: Work. Art in progress, Trento, Summer 2008, pp. 52-55, ill.
    O’Brien, Glenn, 'Paul McCarthy. The Peter Paul Chocolate Company', in: Purple Fashion Magazine, Paris, Spring-Summer 2008, pp. 60-61, ill.
    Parker-Starbuck, J., 'Intervention 5: Pig #4, Paul McCarthy, "Mechanical pig"', Whitechapel Gallery, ill.
    London, in: Woman &Performance: a journal of feminist theory, Oxfordshire, July 2008, pp. 146-151, ill.
    Stern, Steven, 'Back to the future', in: Time Out New York, New York, June-July 2008, ill.
    ___, 'The Rocky Mountain People Show', in: Work. Art in Progress, Trento, Summer 2008, pp. 20-21, ill.
    Mack, Gerhard, 'Vor den Pforten des Paradieses', in: NZZ am Sonntag, Zurich, 29 June 2008, p. 59, ill.
    Johnson, Ken, 'A Trip Through the Revolving Doors of Perception', on: nytimes.com, New York, 27 June 2008, ill.
    ___, 'Paul McCarthy. Bunkhouse', in: Art + Auction, New York, June 2008, p.170, ill.
    Hromack, Sarah, 'Paul McCarthy’s Low Life Slow Life: Part 1', in: Flash Art, Milan, May-June 2008, p. 88, ill.
    Kushner, Rachel, 'Paul McCarthy. Whitney Museum of American Art', in: Artforum, New York, vol. XLVI, no. 9, May 2008, p. 158, ill.
    Herbert, Martin, 'Paul McCarhy', Artforum, New York, vol. XLVI, no. 9. May 2008, pp. 372-373; 406, ill.
    Schröer, Carl Friedrich, 'Von Eisbergen und Tropenhäusern', in: Kunstzeitung, Regensburg, no. 141, May 2008, p. 29, ill.
    de Brujin, Nieck, 'Bossy Burger. Paul McCarthy', in: Metropolis M, Amsterdam, vol. 29, no. 2, April-May 2008, pp. 16-17, ill.
    McCormick, Carlo, 'Paul McCarthy’s abject object of desire', in: Whitewall, New York, Spring 2008, pp. 126-132, ill.
    Gritz, Anna, 'Paul McCarthy’s Low Life Slow Life: Part 1', in: Frieze, London, 8 April 2008, ill.
    Tovborg, Alexander, 'Interview: Paul McCarthy', on: kopenhagen.dk, Kopenhagen, April 2008, ill.
    McCarthy, 'Larry Clark. The Tulsa Kid', in: Flash Art, Milan, March-April 2008, pp. 106-110, ill.
    Demir, Anaïd, 'trash fictions', in: bc, Paris, Winter 2008, pp. 52-53, 122, ill.
    Larkin, Graham, 'Things Fall Apart', in: Artforum, New York, April 2008, pp. 153-154, ill.
    Thornton, Sarah, 'Paul Mc Cathy', in: Artforum, New York, April 2008, pp. 320-321, ill.
    Zeitz, Lisa, 'Armory Show. Alle Nervosität ist verflogen', on: faz.net, 29 March 2008, ill.
    ___, 'A meeting on a Swiss mountain top', in: Le Journal, Paris, February 2008, p. 15, ill.
    Grant, Simon, 'Art Now: London. You’ve got to laugh', in: Apollo Magazine, London, 1 February 2008, p.80-83
    Alisop, Laura, 'Inspired: Paul McCarthy', in: Art Review, London, 1 February 2008, p. 24, ill.
    ___, 'Fruit and Nutcase', in: Jackdaw, London, 1 February 2008, p. 22, ill.
    Sterckx, Pierre, 'Paul McCarthy hisse le pavillon noir', in: Beaux Arts, Paris, January 2008, pp. 53-59, ill.
    Beshty, Walead, 'On American Ingenuity (And the Failure of the Readymade) ', in: Afterall, London, no. 17, Spring 2008, pp. 20-34, ill.
    Connor, Steven, 'Steven Connor on air', in: Tate etc., London, issue 12, Spring 2008, pp. 82-91, ill.
    Connor, Steven, 'Next-to-Nothing', in: Tate etc., London, 1 January 2008, pp. 84-88, ill.
    Cunnigham, Simon, 'Next Generation 2008', in: Wallpaper, London, 1 January 2008, pp. 86, 87, 94, ill.
    De Wavrin, Isabelle, 'Le cadeau hot. McCarthy et la chocolaterie', in: Beaux Arts, Paris, January 2008, p. 113, ill.
    Welchman, John C., 'San Francisco. Paul McCarthy’s Low Life Slow Life', in: Artforum, New York, no. 5, January 2008, p. 139
    Kantor, Jordan, 'Los Angeles. California Video', in: Artforum, New York, no. 5, January 2008, p. 135
    Natalicchio, Cristina, 'The Entertainment was here! Rewind: The Rocky Mountain People Show', in: Work: Art in Progress, Winter 2008
  • 2007
    Mangion, Eric, 'La "finition fétichisante" de la performance', in: Art Press, no. 7, November-January 2008, pp. 61-68, ill.
    ___, 'Schweinekram', in: Monopol, Berlin, no. 12, 2007, ill.
    Robinson, Walter, 'Art capital', on: artnet.com, 2007, ill.
    Cotter, Holland, 'Paul McCarthy’s Chocolate Factory', on: newsgrist.com, 13 December 2007, ill.
    Halperin, Julia, 'When Is a Chocolate Factory Art? ', on: columbiaspectator.com, 5 December 2007
    Yablonsky, Linda 'McCarthy’s Lewd Little Santas, Gromley’s Fog, Baselitz’s Angst', on: Bloomberg.com, 4 December 2007, ill.
    Smith, Roberta, 'Paul McCarthy's Chocolate Factory', on: nytimes.com, New York, 7 December 2007
    Cotter, Holland, 'Paul McCarthy's Chocolate Factory', in: The New York Times, New York, 7 December 2007, ill.
    Hasewend, Reinhard (ed.), 'Hide and Seek', in: Sleek, Berlin, 1 December 2007, ill.
    Dickson, Isobel, in: 'Santa, you’re in deep sh*t! ', in. Daily Sport, London, 29 November 2007, p. 35, ill.
    Falconer, Morgan, 'Santa as a sex toy? I should cacao', in: The Times, London, 28 November 2007, pp. 12-13, ill.
    French, Georgina, 'A bad childhood that fuelled 70 years of art', in: Catholic Herald, London, 23 November 2007, p. 12.
    Kennedy, Maev, 'People', The Guardian, London, 9 November 2007, p. 8, ill.
    Hayon, Jaime, 'From classical to whimsical', in: Wall Street Journal, London, 9 November 2007, p. 6, ill.
    ___, 'Sculptural Installation to Mass Produce Chocolate Figurines. Paul McCarthy’s Chocolate Factory', on: prleap.com, November 2007
    Mostoufi, Fareed, 'Out There', in: Time Out New York, New York, 8-14 November 2007, p. 6, ill.
    Wullschläger, Jackie, 'The last picture show', in: Financial Times, London, 3 November 2007, pp. 32-33, ill.
    Pollack, Barbara, 'New York Reviews: Paul McCarthy', in: Art News, New York, 1 November 2007, p. 196
    ___, 'It began innocently enough', in: Wmagazine, London, 1 November 2007, pp. 252-255, ill.
    Christov-Bakargiev, Carolyn, '___', in: Art News, New York, 1 November 2007, p. 204, ill.
    Nishizawa, Ryue, 'Bearable lightness', in: Men's Vogue, New York, 1 November 2007, pp.114-116
    ___, 'State of the Art', in: Wmagazine, London, 1 November 2007, p. 92
    ___, 'Paul McCarthy', in: Art News, New York, 1 November 2007, p. 197, ill.
    Eccles, Tom, 'Paul McCarthy', in: Art News, New York, 1 November 2007, p. 205
    Landau, Suzanne, '___', in: Art News, New York, 1 November 2007, p. 208
    Hennessy, Daniel, 'Paul and the Chocolate Factory', on: HYPERLINK "http://www.wmagazine.com" wmagazine.com, New York, November 2007, p.202, ill.
    Kern, Ingolf, 'Zbigniew Libera', in: Monopol, Berlin, no. 11, 2007, p. 31
    Hasewend, Reinhard/Heimburger, Kathrin/von Taube, Annika, 'Paul McCarthy', in: Sleek, Berlin/New York, no. 17, Winter 2007/2008, p. 70, ill.
    Taylor, Kate, 'Paul and the Chocolate Factory', in: W Magazine, New York, November 2007, p. 202, ill.
    ___, '88 Paul McCarthy', in: Art Review, Zurich, 1 November 2007, p. 166, ill.
    Lorent, Claude, 'Pirates à l’assaut du Smak', in: La Libre Belgique, Brussels, 8 November 2007, p. 20, ill.
    Probst, Ursula Maria, 'Traum & Trauma', in: Kunstforum, Ruppichteroth, vol. 188, October – November 2007, pp. 449-451
    Hoffmann, Jens, 'McCarthy turns curator', in: Art World, London, issue 1, October/November 2007, p. 18, ill.
    ___, 'Crilli Jams with Oxfam', in: County Down Spectator, Bangor, 25 October 2007, p. 8
    De Brugerolle, Marie, 'Play on', in: Tate etc. (Main), London, 1 October 2007, pp. 68-71
    Marinos, Christopher, 'Dakis Joannou', in: Flash Art, Milan, no. 256, October 2007, pp. 100-101, ill.
    Hel, 'Traum, Begierde, Spiel', in: Berner Kulturagenda, Bern, September 2007, p. 18
    ___, '10. Triennale Kleinplastik 2007', on: 3sat.de/kulturzeit, Mainz, 20 September 2007
    Apollonio, Livia, 'Sculture gonfiate', in: ArteiN, 1 September 2007, pp. 115-116, ill.
    Suetens, K., 'Trash Sex', in: Gus, 1 September 2007, pp. 80-83, ill.
    ___, 'Paul McCarthy Air Born', in: Le Petit Journal, Paris, July-August 2007, p. 3
    ___, '___', in: Süddeutsche Zeitung, Munich, no. 173, 2007.
    Dörfert, Petra, 'Befremdliche Objektwelt', in: Kunstzeitung, Regensburg, no. 133, 2007, p. 19, ill.
    ___, 'Bodycheck – Triennale der Kleinplastik', in: Stern, Hamburg, no. 22, 2007, p. 174.
    Bologna, Vivian, 'Quand la réalité devient insaisissable', in: Le Journal, Biel, August 2007, p. 12
    Zwez, Annelise, 'Eintauchen in surreale Bildwelten', in: Bieler Tagblatt, Biel, August 2007, pp. 7, 8
    Von Arx, Katia, 'Dunkle Träume, vage Bezüge', in: Der Bund, Berne, August 2007, p. 41, ill.
    Kobel, Stefan, 'Fellbach macht eine gute Figur', in: Handelsblatt, Düsseldorf, 24 August 2008, p. 2, ill.
    ___, 'Dunkle Träume, vage Bezüge', on: espace.ch, August 2007
    Wagner, Thomas, 'Achtung, Provinz!', in: FAZ, Frankfurt am Main, 4 August 2007
    Christofori, Ralf, 'Immer auf die Grossen', on: HYPERLINK "http://www.tagesspiegel.de" tagesspiegel.de, Berlin, 5 August 2007
    ___, 'Suche nach der Ästehtik des Surrealen', on: espace.ch, August 2007, ill.
    Wendorf, Alexandra, 'Bodycheck – Ein neuer Blick auf die Skulptur abseits der Grand Tour überzeugt die 10. Triennale Kleinplastik in Fellbach', in: Junge_Kunst, Frechen, no. 72, 2007, pp. 9-14, ill.
    Feeser, Sigrid, 'Bodycheck. 10. Triennale Kleinplastik Fellbach. Alte Kelter Fellbach, 23.6. – 23.9.2007', in: Kunstforum, Ruppichteroth, no. 188, 2007, pp. 432-434.
    ___, 'Paul und Damon McCarthy – Wenn der Vater mit dem Sohne', in: Schweizer Illustrierte, Zurich, July 2007, p. 85, ill.
    Hoffmann, Annette, 'Die Kleinplastik ist tot, es lebe die Skulptur', on: HYPERLINK "http://www.regioartline.org" regioartline.org, Basel/Freiburg/Strassburg, 27 July 2007
    ___, 'Kleinvieh macht auch Mist', in: Monopol, Berlin, no. 7, 2007, p. 16.
    G.G., 'L’envers de Disneyland', in: Le Vif/L’Expres, Brussels, 20 July 2007, pp. 45-46, ill.
    Fronz, Hans-Dieter, 'Einlass für Dinos und Mäuse', in: Badische Zeitung, Freiburg, 13 July 2007, p. 11
    ___, 'Gigantesque!', in: Plus Magazine, Brussels, 1 July 2007, p. 115, ill.
    Cd, 'Choquant Paul McCarthy?', in: Arts Antiques Auctions, Brussels, 1 July 2007, p. 8, ill.
    Hagelsteen, Charles, 'Freak out', in: Mixte, Paris, no. 47, June 2007, pp. 60, 61, ill.
    Kreis, Elfi, 'Den Kinderschuhen entwachsen', in: Kunstzeitung, Regensburg, no. 130, June, 2007, p. 27
    Karcher, Eva, 'Wer hat die schönsten Schäfchen', in: Süddeutsche Zeitung, Munich, 15 June 2007, p.14, ill.
    Harris, Gareth, 'The circus moves on', on: timesonline.co.uk, 13 June 2007, ill.
    Lorent, Claude, 'Gonflé ce Paul McCarthy! ', in: La Libre Belgique, Brussels, 8 June 2007, p. 25, ill.
    A.DM, 'Paul McCarthy au musée du Middelheim', in: Les Cahiers de la Semain, Brussels, 10 May 2007, p. 15, ill.
    Lavrador, Judicael, 'Rencontres du troisième type', in: Beaux Arts, Paris, no. 275, May 2007, pp. 86-95, ill.
    Bodin, Claudia, 'Satter Gewinn', in: Art, Hamburg, no. 5, May 2007, p. 119, ill.
    Lagger, Helen, 'Wenn Piraten eine Party feiern', in: Berner Zeitung, Berne, 2007 p. 11, ill.
    ___, 'Paul und Damon McCarthy bei Hauser & Wirth', on: HYPERLINK "http://www.nzz.ch" nzz.ch, Zurich, 2007
    ___, 'Kunst als Luxuskläranlage', on: HYPERLINK "http://www.zueritipp.ch" zueritipp.ch, Zurich, 2007
    dpa, 'Kunstmesse für Skulptur', in: Stader Tageblatt, Staden, 14 April 2007
    Hinrichsen, Jens, 'Sanft gelandet', in: Der Tagesspiegel, Berlin, 14 April 2007
    Dpa, 'Frankfurt eröffnet Messe-Zeit', in: Cologneische Rundschau, Cologne, 13 April 2007
    Ackermann, Klaus, 'Kein Zurckerschlecken im Gemischtwarenladen', in: Offenbach-Post, Offenbach, 13 April 2007
    dpa, 'Silberner Kinderwagen voller Federn', in: Giessener Anzeiger, Giessen, 13 April 2007
    Davidts, Wouter, 'The Studio', in: Artforum, New York, vol. XLV, no. 10, April 2007, p. 291.
    Helen Lagger, 'Wenn Piraten eine Party feiern', in: Berner Zeitung. Berne, 14 April 2007, p.11, ill.
    Bö, 'Schwebende Skulptur eröffnet Messe', in: Frankfurter Neue Presse, Frankfurt, 5 April 2007
    Adam, Georgina, 'The changing landscape of the art market', in: The Art Newspaper, London, no. 179, April 2007, p. 40, ill.
    ___, 'Paul McCarthy/Damon McCarthy', in: Bilanz, Zurich, no. 8, 27 April-10 May 2007, p. 102, ill.
    Herbstreit, Mareike, Funken, Peter, 'Kunst aus Los Angeles der 60er bis 90er Jahre', in: Kunstforum, Ruppichteroth, vol. 184, March-April 2007, pp. 312-314, ill.
    Kröner, Magdalena, 'Blood, Sweat and Tears', in: Sleek, Berlin, Spring 2007, pp. 74-85, ill.
    Hirsch, Annabelle, Link Alexandra, Work, Jeffrey, 'States of Matter: Sculptural sublimations in a state of flux', in: Sleek, Berlin, Spring 2007, pp. 86, 97-98, ill.
    Rosenau, Mirja, 'Wir haben alles, was man braucht im Leben', in: Frankfurter Rundschau, Frankfurt, 20 March 2007
    Studer, Margaret, 'A busy calendar for new art in '07', Wall Street Journal, New York, 16 February 2007, p. 3, ill.
    ___, 'Paul McCarthy', in: Tema Celeste, Milan, no. 119, January-February 2007, p. 22-23, ill.
    Comer, Stuart, '___', in: Frieze, January-February 2007, p. 127
    Arrhenius, Sara, '___', in: Frieze, January-February 2007, p. 127
  • 2006
    Schwendener, Martha, 'Paul McCarthy', in: The New York Times, New York, 24 November 2006
    Karimzadeh, Marc, 'Hey, Big Splendor', in: W Magazine, Warwick, 1 December 2006, p. 212, ill.
    ___, 'Dead Funny', in: Art Monthly, London, 1 December 2006, pp. 9-11, ill.
    Bock, John, 'Galleries-Chelsea', in: New Yorker, New York, 27 November 2006, p. 49
    Arndtzén, Mårten, 'McCarthy på Moderna', in: Kulturnytt, Stockholm, 22 Juni 2006, ill.
    Zetterström, Jelena, 'Jelena Zetterström ser Paul McCarthy', in: Sydsvenskan, Stockholm, 30 Juni 2006
    Hebert, Niles, 'McCarthy utforskar Amerikas mardrömmar', in: Arbetarbladet, Stockholm, 8 September 2006, ill.
    Svenle, Elna, 'Vä lfunna vidrigheter på Moderna', in: Kristianstadsbladet, Stockholm, 15 Juli 2006, ill.
    Paulrud, Anders, 'Hemskt mycket hemskt?', in: Affonbladet, Stockholm, 17 Juni 2006, ill.
    Poellinger, Clemens, 'Paul McCarthy skapade konstens ketchupeffekt', in: SvD, Stockholm, 13 Juni 2006, ill.
    Forsberg, Nils, 'Ketchup-effekten', in: Expressen Kultur, Stockholm, 26 Juni 2006, ill.
    Karlstam, Cristina, 'Humanisten McCarthy överraskar', in: UNT, Stockholm, 18 Juni 2006, ill.
    ___, 'Moderna Museet, Stockholm: Paul McCarthy', in: Konsten, Stockholm, 07 March 2006, ill.
    Nilsson, Håkan, 'Äckligt bra på Moderna', in: Dagens Nyheter, Stockholm , 17 Juni 2006, ill.
    Adams, Brooks, 'The School of L.A. ', in: Art in America, New York, no. 10, November 2006, pp.160 –167, 225, ill.
    Charlesworth, J.J., 'The Game of Power, ArtReview`s guide to the Power 100`s various players, Paul McCarthy', in: ArtRewiew, London, issue 05, 1 November 2006, p.121, ill.
    Hubbard, Sue, 'Visual arts: Frieze Art Fair', in: The Independent, London, 17 October 2006, p. 20
    Campbell, Philip, 'Conceits and provocations', in: Nature, London, 16 November 2006, pp. 31-32, ill.
    Schmitz, Edgar, 'Surprise Surprise', in: Kunstforum International, Ruppichteroth, vol. 182, October-November 2006, pp.392-393
    Azimi, Roxana, 'A la FIAC, des cotes discrètes', in: Le Monde, Paris, 23 October 2006, p. 21
    Haden-Guest, Anthony, 'When the circus comes to town', in: The Financial Times, London, 21 October 2006, p. 14
    Clewing, Ulrich, 'Schmeichler und Skandale', in: Der Tagesspiegel, Berlin, 14 October 2006, p. 24
    Linda Norden, Richard Jackson, Paul McCarthy, Daniel Birnbaum, 'Constructed Reality', in: Artforum, New York, vol. XLV, no.2, October 2006, pp. 61, 62, 65, 66, 286, 288, ill.
    Stasinski, Robert, 'Paul McCarthy', in: Flash Art, Milan vol. XXXIX, no. 250, October 2006, p.111, ill.
    Kalina, Richard, 'Report from Berlin, Street Life', in: Art in America, New York, no. 9, October 2006, pp. 58-63, 96, ill.
    Coomer, Martin, ' Uncertain States of America', in: Big Issue, London, 2 October 2006, pp. 30-31
    Ohrt, Robert/Würthle, Michel, 'Die Leute wollen es zwar nicht hören, aber Kunst ist masslos', in: Spike, Vienna, Autumn 2006, pp. 24-28
    Göricke, Jutta, 'Wie sie sehen, sehen sie schwarz', in: Süddeutsche Zeitung, Munich, 16 September 2006, p. 17
    Buck, Louisa, 'The not so fab four', in: Art Newspaper, London, 1 September 2006, p. 28, ill.
    Steeds, Lucy, 'Surprise, Surprise', in: Art Monthly, London, 1 September 2006, pp. 31-32, ill.
    Manchester, Elizabeth, ‘Paul McCarthy: LaLa Land Parody Paradise’, Contemporary, London, issue 82, 2006, pp. 67-68, ill.
    McCarthy, Paul, 'Final Scores', in: Artforum, New York, vol. XLIV, no. 10, Summer 2006, p. 325
    ___, 'Neuerscheinung 3: Paul McCarthy', in: Informationsdienst Kunst, Regensburg, no. 356, 20 July 2006, p. 11
    Spiegler, Marc, 'American Renaissance', in: The Art Newspaper, London, 1 July 2006, p. 28, ill.
    Fanelli, Franco; Harris, Gareth, 'Pinault, Saatchi... Viglietta? ', in: The Art Newspaper, London, 1 July 2006, p. 17
    Plagens, Peter, 'East of the Louvre', in: Newsweek, New York, 19 June 2006, pp. 62-66, ill.
    ___, 'LA confidental', in: New Statesman, London, 13 June 2006, pp. 48-49
    Poellinger, Clemens, 'Paul McCarthy skapade konstens ketchupeffekt', in: Svenska Dagbladet, 13 June 2006, pp. 4-5, ill (cover)
    Thomas, Kelly Devine, 'Phillips`s Head Sale Driver', in: Art News, New York, 1 June 2006, pp. 121-122
    Paynter, November, ‘Reykjavik‘, in: Art Review, London, 1 June 2006, pp. 54-58, ill.
    ___, 'Dada’s Boys', in: The Guide, London, 27 May-2 June, 2006, p. 37
    McCormack, Christopher, ‘Venice: Palacio Grassi’, Contemporary, London, issue 81, 2006, pp. 26-27, ill.
    ___, 'Ketchup in the cold', on: art-of-the-day.com, 15 June, 2006
    ___, 'Paul McCarthy at Moderna Musset', on: flashartonline.com, 19 June 2006, ill.
    Siebers, Tobin, 'Disabilitiy Aesthetics', in: Journal for Cultural and Religious, Denver, vol. 7 no. 2, Spring/Summer 2006, pp. 63-73, ill.
    Smith, Roberta, 'Dark, unpretty mood pervades Berlin show', in: International Herald Tribune, London, 10 May 2006, p. 24
    Fineman, Mia, ‘Looks Brilliant on Paper. But Who, Exactly, Is Going to Make It?’, , on: nytimes.com, New York, 7 May 2006, ill.
    Riding, Alan, ‘The Debut of Pinault's Coveted Art Collection, Originally Bound for Paris’, The New York Times, on: nytimes.com, New York, 1 May 2006,
    Kushner, Rachel, ’Paul McCarthy. Moderna Museet’, in: Artforum International, New York, May 2006, p. 162, ill.
    Farquharson, Alex, 'Los Angeles 1955-1985', in: Art Monthly, London, no. 296, May 2006, pp. 31-33
    Heiser, Jorg, ‘4th Berlin Biennial’, Frieze, London, May 2006, pp.165-166, ill.
    Conrad, Peter, 'It’s that sinking feeling…', in: The Observer, London, 30 April 2006, pp. 16-17
    Falconer, Morgan, 'Eyes peeled for the Surreal deal', in: The Times, London, 29 April 2006, p. 32 - 35
    ___, 'California Dreaming', in: The Guardian, London, 18 April 2006, p. 16 -18
    Hammonds, Kit, ‘Paul McCarthy – Whitechapel’, Tema Celeste, Milan, March-April 2006, p.84, ill.
    Robecchi, Michele (ed.), ‘Special Issue on Collections’, Contemporary 21, London, issue 80, 2006 pp. 36-39, 52-55, 65-67, 68- 70, 73-75, 84-86, 112-115, ill.
    Larson, Kay, 'Beautiful Mutants', in: ARTnews, New York, February 2006, pp. 106-109, ill.
    Rajesh Punj, 'Paul McCarthy: Whitechapel Gallery', Flashart, Milan, January/February 2006, p. 105
    ___, 'Pirate ship anchored', in: East London Advertiser, London, 12 January 2006, p. 23
    Lewis, Ben, 'Private View', in: Prospect, London, January 2006, p. 61
  • 2005
    ___, 'Der umstrittene „Santaclaus“', in: Art, Hamburg, December 2005, p. 123, ill.
    ___, 'Paul McCarthy wilde te kaap`ren varen... ', in: Gonzo, Belgium, December- January 05-06, pp. 50-51, ill.
    Dezeuse, Anna, ' Paul McCarthy, Whitechapel Art Gallery', in: Art Monthly, London, December 2005, p. 36, ill.
    Seidl, Walter, 'Puppets and Heavenly Creatures', in: Contemporary, London, no. 75, 2005, pp. 30-33, ill.
    Dattenberger, Simone, ‘Gipfel-Glück. Münchner Kunst-ABC für 2005’, in: Münchner Merkur, Munich, 31 December 2005, p. 34, ill.
    ___, ‘Five Best Exhibitions’, in: The Independent, London, 26 December 2005, p. 39
    Turner, Christopher, ‘The greatest little gallery on earth‘, in: The Guardian, London, 21 December 2005, pp. 22-23
    Gingeras, Alison M., ‘Paul McCarthy (Best of 2005: 11 Critics and Curators Look at the Year in Art)’, Artforum, New York, December 2005, pp. 240–241, 244–245, ill.
    Bankowsky, Jack, ‘Paul McCarthy (Best of 2005: 11 Critics and Curators Look at the Year in Art)’, Artforum, New York, December 2005, pp. 240–241, 262–263, ill.
    MacGilp, Ali, 'Paul McCarthy', in: Exit Express, Madrid, December 2005, pp. 25-26, ill.
    ___, ‘Paul McCarthy: LaLa Land and Parody Paradise’, in: The Guardian, London, 28 November 2005, pp. 14
    J. B. – H., ‘Les choix personnels d’un marchand astucieux’, in: Les Echos, Paris, 25 November 2005, p. 5
    Pomba, Susanna, 'O Artista Pirata', in: Publico, Lissabon, 19 November 2005, p. 20, ill.
    Wullschlager, Jackie, 'A monstruous lightness of being', in: Financial Times, London, 9 November 2005, p. unknown, ill.
    Güner, Fisun, 'Art Review, Paul McCarthy: LaLa Land Parody Paradise', in Metro, London, 7 November 2005, p. unknown, ill.
    Glover Michael, 'Original pirate materials', in: The Independent, London, 4 November 2005, p. 56, ill.
    Smith, Charlotte, 'Hitting the pig time...', in: Hackney Gazette, London, 4 November 2006, p. 26
    Coomer, Martin, ‘Pirate Adventure’, Time Out, London, 2 November 2005, p. 39, ill.
    Lack, Jessica, ‘Inside’, i-D, London, vol. II/X, no. 260, November 2005, p. 42, ill.
    Cattelan, Robert, ‘Paul McCarthy ‚LaLa Land Parody Paradise’’, in: Flux Magazine, London, 1 November 2005, p. 109
    ___, ‘’Take two. World and Views: Contemporary Art from the Collection’’, in: Art News, New York, 1 November 2005, pp. 178-179
    McManus, Maureen, 'Pirates, Pigs and Penises', in: Cen Magazine, London, November 2005, pp. 37-38, ill.
    ___, 'McCarthy suffers for his art', in: The Art Newspaper, London, November 2005, p. 43, ill.
    Hackworth, Nick, ' Ferociously filthy', in: London Evening Standard, London, 31 October 2005, p. unknown, ill.
    ___, ‘Paul McCarthy’, Sunday Telegraph, London, 30 October 2005, p. 18
    Wullschlager, Jackie, ‘Meet Art’s Most Powerful Man’, Financial Times, London, 29 October 2005, pp. 1–2, ill.
    Amg, 'Ekelpaket', in: Süddeutsche Zeitung, Munich, 27 October 2006, p. 1
    Searle, Adrian, ‘Shiver Me Timbers’, The Guardian, London, 25 October 2005, pp. 18–20, ill.
    Eady, Piers, 'Artist with Attitude', in: East End Life, London, 23 October 2005, p.17, ill.
    Wullschlager, Jackie, ‘Art’, Financial Times, London, 22 October 2005, p. 39
    Lack, Jessica, ‘Paul McCarthy’, in: The Guide, London, 22-28 October 2005, p. 36, ill.
    ___, Gossip: Pirates Captured in Whitechapel’, in: The Art Newspaper, London, 21 October 2005, p. 2, ill.
    Duncan, Alistair, ‘LaLa Land Parody Paradise’, in: ES Magazine, London, 21 October 2005, p. 7, ill.
    Searle, Adrian, ‘Holidays in hell’, The Guardian, London, 11 October 2005, pp. 18–20, ill.
    von Hase, Bettina, ‘beyond the fringe’, Art + Auction, New York, October 2005, pp. 102–106, ill.
    ___, ‘A Pirate for a Prince’, Flash Art, Milan vol. XXXVIII, no. 244, October 2005, p. 50, ill.
    Lack, Jessica, ‘Combining dumb humour and human savagery, Paul McCarthy’s world is a riotous mix of political satire and sticky human goo’, in: i-D, London, vol. II/IX, no. 259, October 2005, pp. 196-199, ill.
    Sibson, Gareth, 'The Whitechapel Gallery', in: Urban Life, London, October 2005, p. unknown, ill.
    Schütz, Heinz, 'Paul McCarthy ‚LaLa Land Parodie Paradies’’, in: Kunstforum International, Ruppichteroth, vol. 177, September-October 2005, pp. 416-418, ill.
    Arendt, Paui, 'Orgies and battles` promised at Paul McCarthy`s pirate theme park', in: The Guardian, London, 27 September 2005, p. unknown, ill.
    Harrison, Rachel, ‘California über Alles’, Artforum, vol. XLIV, no. 1, September 2005, pp. 69–70, ill.
    Falconer, Morgan, 'Paul McCarthy, Munich and London', in: The Burlington Magazine, London, September 2005, p. 635, ill.
    ___, 'The Filth and the Gory', in i-D, London, September 2005, pp. Unknown, ill.
    Filipovic, Elena, ‘Dionysac: Art in Flux’, Frieze, London, no. 93, September 2005, p. 140, ill.
    Hafner, Hans-Jürgen, ‘Paul McCarthy, ‘LaLa Land: Paraody Paradise’’, Spike, Vienna, Autumn 2005, no. 5, p. 121, ill.
    Sachs, Brita, ‘Mit Meerblick: Kunst am Bau’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 28 August 2005, p. 55, ill.
    Bartels, Daghild, 'Spürnase für die kommenden Trends in der Kunst', in: Handelsblatt, Düsseldorf, 12 August 2005, p. 35
    Bronfen, Elisabeth, ‘LaLa Land – Parodie Paradies’, Kunst 21, Bischofszell, 11 August 2005, p. 38, ill.
    Hauschild, Joachim, ‘Neues vom Hexer’, in: Art, Hamburg, August, p. 92.
    Azimi, Roxana, 'Californie: des affreuy jojos aux radicaux', in: L’oeil, no. 571, Paris, July-August 2005, pp. 108-111, ill.
    Weissmann, Benjamin, ‘The Autobiography of Paul McCarthy’, Modern Painters, London, July-August 2005, pp. 58–63, ill. (cover)
    Heise, Rüdiger, 'Flower Power', Applaus, Munich, July-August 2005, p. 55, ill.
    Pa, 'Obzöne Fratzen aus Gips und Stein', in. Frankfurter Neue Presse, Frankfurt, 27 July 2005, p. 1, ill.
    Restorff, Jörg, 'Kakophonie der Bilder', in: Kunstzeitung, Regensburg, 21 July 2005, ill.
    Erfle, Anne, 'Disneyland, abgebrannt', NZZ am Sonntag, Zurich, 17 July 2005, p. 50, ill.
    Czöppan, Gabi, 'Disneyland pervers', in: Focus, Munich, 21 July 2005, ill.
    Seeberger, Christoph, 'Aufblasbare Provokation: Werkschau Paul McCarthy im 'Haus der Kunst'', in: Nordbayerischer Kurier, Coburg, 11 July 2005, p.12, ill.
    Falconer, Morgan, 'Feeding frenzy', ArtReview, vol. LVI, July 2005, p. 39, ill.
    Gingeras, Alison, 'Mad Cowboy', on: artforum.com, 28 May 2005, ill.
    Walde, Gabriela, 'LaLa Land ist abgebrannt', in: Welt kompakt, Berlin, 24 June 2005, pp. 26, ill.
    Weber, Mirko, 'Treck ins LaLaLand', in: Die Zeit, Hamburg, 23 June 2005, p. 47
    ___, 'Spotlight', in: Sonntagszeitung, Zurich, 19 June 2005, p. 51
    Mack, Gerhard, 'Art Basel: Die Malerei liegt gross im Trend', in: NZZ am Sonntag, Zurich, 19 June 2005, p. 69
    Liebs, Holger, 'Nie mächtiger, nie besser', in: Süddeutsche Zeitung, Munich, 17 June 2005, p. 13
    ___, 'Spucke auf der Linse', in: Süddeutsche Zeitung Extra, Munich, 16 June 2005, p. 5
    Weber, Mirko, 'Die Hölle in der Hülle', in: Der Tagesspiegel, Berlin, 15 June 2005, p. 23, ill.
    Krieger, Hnas, 'Wollüstig räkelt sich das Plastik-Schwein', in: Nuremberger Nachrichten, Nuremberg, 14 June 2005, p. 26, ill.
    ___, 'Parade der Prärie', in: Süddeutsche Zeitung, Munich, 13 June 2005, p. 41
    Fehr, Katrin, 'Ein perverser Höllentrip durch das Paradies', in: Donaukurier, Ingolstadt, 13 June 2005, p. 10, ill.
    ___, 'Erwischt! Ein US-Boy beim Schuhplatteln', in: Abendzeitung, Munich, 13 June 2005, p. 8, ill.
    ___, 'Paul McCarthy im Haus der Kunst', in: Straubiger Tagblatt, Straubingen, 13 June 2005, ill.
    Tröstler Christian, 'Blut- und Blumenträume', in: Welt am Sonntag, Berlin, 5 June 2005, p. 68, ill.
    Pko, 'Das Haus der Kunst als Blumentopf für deutsche Geranien', In: Südwest Presse, Ulm, 4 June 2005, p. 20, ill.
    ___, 'In weiter Ferne so nah', in: In Munich, Munich, 2 June 2005, p. 38, ill.
    ___, 'Paul McCarthy', in: Art Investor, Munich, no. 2, June 2005, pp. 46-58, ill.
    ___, 'Violent Gems', in: Wallpaper, London, June 2005, p. 174, ill.
    Jensen, Lars, 'Freibeuter der Phantasie', in: Architectural Digest, Munich, June 2005, pp. 56-60, ill.
    Relya, Lane, 'A Few Words for DEAD H: Ein paar Worte für das tote H', in: Parkett, Zurich, no. 73, 2005, pp. 102–111, ill.
    Sigler, Jeremy; McCarthy, Paul, 'A Dialogue with Language Itself', in: Parkett, Zurich, no. 73, 2005, pp. 112–146, ill.
    Burton, Johanna, 'Paul McCarthy: Haus der Kunst', Artforum, New York, vol. XLIII, no. 9, May 2005, p. 143, ill.
    Bishop, Claire, 'But Is It Installation Art? ', Tate etc., London, issue 3, Spring 2005, pp. 26–35, ill.
    Funge, Benjamin, 'Off the Map', ArtReview, London, March 2005
  • 2004
    Lindinger, Gabriele, Schmid, Karlheinz , Wirth, Iwan (ed.), 'Kunstjahr 2004: Die Zeitschrift, die Bilanz zieht', Regensburg: Lindinger + Schmid, 2004, pp. 122–123, p. 259, ill.
    Herbert, Martin, 'On the Ground', Artforum, New York, vol. XLIII, no. 4, December 2004, pp. 73–76
    Martin, Partricia, 'Coleccion Jumex: A learning experience', Arco Contemporary Art, Madrid, no. 34, Winter 2004, pp. 44–49
    Siviero, Viviana, 'Tokyo Santa', Espoarte, Albissola Marina, no. 32, December 2004–January 2005, p. 16, ill.
    Rimanelli, David, 'Disparities and Deformations: Our Grotesque', Artforum, New York, vol. XLIII, no. 3, November 2004, pp. 215–216, ill.
    Schmid, Karlheinz, 'Auf Nummer Sicher', Kunstzeitung, Ruppichteroth, no. 99, November 2004, p. 13, ill.
    Singerman, Howard, 'Helter Skelter', Artforum, New York, vol. XVIII, no. 10, October 2004, pp. 125–126, p. 284, p. 286, ill.
    Poschardt, Ulf, 'Die Ideal-Lösung', Die Welt am Sonntag, Berlin, 26 September 2004, p. 67
    Cuenca, Havier, 'La provocacion de McCarthy llega al CAC', in: Diario Malaga, Malaga, 25 September 2004, p. 30, ill.
    Baier, Uta, Walde, Gabriela, 'Aggressiv, zerrissen, betäubend', Die Welt, Berlin, 22 September 2004, p. 27
    DW, 'Schröder eröffnet die Flick Collection: Wir wollen die Kunst feiern', Die Welt, Berlin, 22 September 2004, p. 22 (cover)
    Edp, 'Umstrittene Ausstellung eröffnet', Cologneer Stadt-Anzeiger, Cologne, 22 September 2004, (cover)
    Fronz, Hans-Dieter, 'Die 35. Art Basel', in: Kunstforum International, Ruppichterroth, No. 171, July-August 2004, pp. 405-409, ill.
    Heartney, Eleanor, 'The Well-Tempered Biennial', Art in America, New York, no. 6, June–July 2004, pp. 71–77, ill.
    Bonvincini, Gyonata, Manacorda, Francesco, 'London Calling', Flash Art, Milan, vol. 17, no. 246, June–July 2004, pp. 116–120, ill.
    Ward, Ossian, 'Artists have their say', in: Evening Standard, Lonson, 1 June 2004, p. 47, ill.
    Kastner, Jeffrey. 'Deviation Standard', Artforum, New York, vol. XLII, no. 9, May 2004, pp. 73–75
    Tuymans, Luc, 'Replay', Flash Art, Milan, vol. XXXVII, no. 235, March–April 2004, p. 120, ill.
    Smith, Roberta, 'Emerging Talent, and Plenty of It', on: www.thenewyorktimes.com, New York, 12 March 2004
    Kimmelman, Michael, 'Art Review: Touching All Bases at the Biennial', on: www.thenewyorktimes.com, New York, 12 March 2004
    Saltz, Jerry, 'OK Corral', artnet.com (Magazine Features), March 2004, ill.
    Feaver, William, 'Paul McCarthy: Hauser & Wirth, London', ARTnews, New York, vol. 103, no. 2, February 2004, p. 123, ill.
    Kushner, Rachel, '1000 Words: Paul McCarthy Talks About Piccadilly Circus', Artforum, New York, vol. XLIII, no. 5, January 2004, p. 122, ill.
    Karcher, Eva, 'Paul McCarthy Invites You to an Infernal Tea Party', Sleek, Hamburg, issue 4, 2004 pp. 134–139, ill.
  • 2003
    Searle, Adrian, ‘Paul McCarthy en remet une couche’, Courrier International, Paris Cedex, Paris, no. 686–687, vol. XXI, 24 December 2003–7January 2004, ill.
    Burnichon, Marie-Cécile, ‘Special Ketchup Forces’, O2, Winter 2003–2004, p. 32, ill.
    Lack, Jessica, ‘Alive and Kicking’, RA Magazine, London, Winter 2003
    Bokern, Anneke, ‘Vertreibung aus dem Subventionsparadies: Dankt der holländische Liberalismus ab?’, Kunstjahr 2003, Regensburg, no. 3, Winter 2003, pp. 143–144, ill.
    Herbert, Martin, ‘Biennale d’art contemporain de Lyon’, Artforum, New York, vol. XLII, no. 4, December 2003, p. 139, ill.
    Allen, Jenifer, ‘Paul McCarthy’, Artforum, New York, December 2003
    Troncy, Eric, ‘Eine Zukunft, die man gerne noch etwas hinauszögern möchte’, Parkett, Zurich, no. 69, December 2003, pp. 189–193, ill.
    Dalwood, Dexter, ‘How to Sound Clever About Paul McCarthy’, Arena, London, December 2003, p. 39
    Darrieussecq, Marie, ‘Mon nez et moi’, Beaux Arts Magazine, Paris, no. 235, December 2003, p. 90, ill.
    Rosenblum, Robert, ‘Paul McCarthy’, Artforum, New York, vol. XLII, no. 4, December 2003, p. 120–121, ill.
    Buck, Louisa, ‘George Bush Bares All in Piccadilly’, The Art Newspaper, New York, no. 142, December 2003, p. 31, ill.
    ___, ‘Tea forTwo mit Bush’, in: Art, Hamburg, December, p. 10, ill.
    Brugerolle de, Marie, ‘It Happened Tomorrow: Lyon Biennale’, Flash Art, Milan, vol. XXXVI, no. 233, November–December 2003, pp. 41, 50, ill.
    Stech, Fabian, ‘Lyon reloaded’, Kunstforum International, Ruppichteroth, no. 167, November/December 2003, pp. 358–363, ill.
    Poli, Francesco, ‘Biennale di lione’, Tema Celeste, Milan, no. 100, November-December 2003, p. 115, ill.
    Ackermans, Heinz, Basualdo, Carlos, et al., ‘Which Artist(s?) from the Past Decades Still Assert a Great Influence on the Art of today’, Tema Celeste, Milan, no. 100, November/December 2003, pp. 58–69
    Byren, Soldo, ‘Pandora’, The Independant, London, 18 November 2003, p. 16
    Searle, Adrian, ‘Not Suitable for Children: Or Adults’, The Guardian (G2), London, no. 48879, 4 November 2003, pp. 12–13, ill.
    V.D., ‘Paul McCarthy, scandale à Picadilly’, Le Figaro, Paris, 24 October 2003, p. 25, ill.
    Hackworth, Nick, ‘Grotesque Piccadilly Circus Heralds London’s Art Boom’, Evening Standard, London, 16 October 2003, ill.
    P.T., ‘La vie militaire passeé à la tronçonneuse’, Lyoncapital, Lyon, no. 445, 1-7 October 2003, ill.
    Darling, Michael, ‘SITINGS: Installation Art 1969–2002’, MOCA The Contemporary, Los Angeles, September-November 2003, pp. 8–9, ill.
    Moss, Stephen, ‘That’s Not a Pawn, Is It?’, The Guardian, London, 26 September 2003, p. 4.
    Dagen, Philippe, ‘La Violence à l’œuvre’, Le Monde, Paris, 21 September 2003
    Ardenne, Paul, ‘C’est arrivé Demain: Interview’, Art Press-Special Edition, Paris, September 2003.
    Buck, Louisa, ‘London Diary: Hauser & Wirth Open New Gallery in Piccadilly’, The Art Newspaper, New York, no. 139, September 2003
    ___, Modern Painters, London, vol. 6, no. 2, Summer 2003, p. 129, ill.
    Hartson, William, ‘Movers and Shapers’, Sunday Express, London, 29 June 2003.
    Cripps, Charlotte, ‘From Chess Piece to Masterpiece’, The Independent, London, 26 June 2003, p. 14.
    Farndale, Nigel, ‘Grand Master Pieces’, The Sunday Telegraph Magazine, London, 8 June pp. 32–33.
    Hübel, Michael, ‘(In Search of) The Perfect Lover’, Kunstforum International, Ruppichteroth, no. 165, June-July 2003, pp. 329–331, ill.
    Weissman, Benjamin, ‘Paul McCarthy’, in: Bomb, New York, Summer 2003, p. 32–37, ill.
    ___, 'May. Critic’s choice', in: Time Out London, London, 30 April–7 May, 2003, p. 8
    Januszczak, Waldemar, ‘Art: Giant, Inflatable… and Temporary…’, The Sunday Times, London, 25 May 2003
    Gayford, Martin, ‘What’s Black and Pink and Blows Up’, The Sunday Telegraph, London, 25 May 2003
    Dowling, Tim, ‘Pop Art’, The Guardian, London, 21 May 2003
    Hackworth, Nick, ‘Over-Inflated but Endearingly Daft’, Evening Standard, The Arts, London, 21 May 2003
    Jones, Jonathan, ‘A Big Let-Down: The Experts View’, The Guardian, London, 21 May 2003
    Güner, Fisun, 'Daddy nose best', in: Metrolife, London, 21 May 2003, ill.
    Aspden, Peter, ‘Paul McCarthy’, The Financial Times, London, 20 May 2003.
    Freeman, Alison, ‘Inflatable Art Raises Smiles’, BBC News Online, London, 19 May 2003
    ___, 'Pinocchio looms large by Tate Modern', in: Yorkshire Post, London, 19 May 2003, ill.
    Van Gelder, Lawrence, ‘Arts Briefing; London: Solid and Airy Sculpture’, The New York Times, New York, 19 May 2003
    ___, 'Chip off the old block. Pinocchio grows up', in: The Guardian, London, 19 May 2003, 1, ill.
    ___, 'Sculpture. Paul McCarthy discusses his inflatable monoliths', in: Tate, arts and culture, London, 2003, pp. 3, 11-13, ill.
    Dipesh, Gadher, ‘Blockhead Leads March of the Artistic Giants’, The Sunday Times, London, 18 May 2003, p. 9, ill.
    ___, '___', in: The Independent on Sunday, 18 May 2003, p. 41, ill.
    Hemmings, Sarah, ‘Art: Paul McCarthy, Tate Modern, London SE1’, Express, 16 May 2003
    Barber, Lynn, ‘Power and the Glory’, The Observer Magazine, London, 11 May 2003, pp. 37–41, ill.
    ___, 'Paul McCarthy. London', in: Guardian Guide, London, 17-23 May 2003, ill.
    Allen, Jennifer, ‘In Rotterdam McCarthy’s Santa Claus May Lose Ist Prime Location’, Artforum, New York, vol. XLI, no. 7, April 2003, p. 27
    Frank, Peter, ‘Art Pick of the Week-High Performance: The First Five Years’, LA Weekly, Los Angeles, 20-27 March 2003, p. 132.
    Restorff, Jörg, ‘Ausstellungen im März’, Kunstzeitung, Regensburg, no. 79, March 2003, ill.
    Welchman, John C. ‘Haus, Hinterhof, Atelier, Kulisse: Paul McCarthys Arbeitsräume’, Texte zur Kunst, Berlin, vol. 13, no. 49, March 2003, pp. 105–111, ill.
    Kontova, Helena, ‘The Wrong Gallery’, Flash Art, Milan, January/February 2003, p. 45
    Berwick, Carly, ‘A Right Kind of Wrong’, ARTnews, New York, vol. 102, no. 1, January 2003, p. 25
    Avgikos, Jan, ‘Paul McCarthy: Luhring Augustine Gallery’, Artforum, New York, vol. XLI, no. 5, January 2003, pp. 137–138, ill.
  • 2002
    Schmid, Karlheinz, ‘Alle guten Dinge sind drei: Die Kolumne von Karlheinz Schmid’, in: Informationsdienst Kunst, Regensburg, 5 December 2002, pp. 12-13.
    Schindler, Anna, ‘Shit Plug’, artforum.com/CRITICS’ PICKS, New York, Winter 2002
    Nolan, Isabel, ‘Kilkenny: Paul McCarthy at Butler’, Circa, Dublin, no. 102, Winter 2002, ill.
    Sanders, Mark, ‘Paul McCarthy’, Another Magazine, London, no. 3, Autumn/Winter 2002, pp. 402–415, ill.
    Smith, Roberta, ‘Paul McCarthy: Clean Thoughts’, The New York Times, New York, 25 October 2002
    Dunne, Aidan, ‘Shocking Art’, CIRCA 101, Dublin, Autumn 2002, p. 5
    ___, 'Paul Mc Carthy ‘Santa Chocolate Shop’ ', on: muenster.org, 18 August 2002.
    Dunne, Aidan, ‘Heavy on the Nihilism’, Weekend, The Irish Times, Dublin, 17 August 2002, ill.
    Ossian, Ward, ‘Think About It’, Art Review, London, vol. LIII, July-August 2002
    Mcgee, Mike, ‘Paul McCarthy’, Tema Celeste, Milan, vol. XIV, no. 90 March-April 2002
    Danto, Arthur C., Rinder, Lawrence, et al., ‘New York, November 8, 2001: a conversation’, Tema Celeste, Milan, vol. XIX, no. 89, January–February 2002, pp. 37, 39, ill.
  • 2001
    Kyander, Pontus, ‘Flytande manlighet’, Sydsvenska Dagbladet, Malmö, 21 December 2001
    McEwen, John, ‘Art of an Artful Dodger’, The Sunday Telegraph, London, 2 December 2001
    Clark, Robert, ‘In Your Face’, Art Review, London, December–January 2001/2002, ill.
    Meyer, James, ‘Best of 2001’, Artforum, New York, vol. XL, no. 4, December 2001, pp. 106–107, ill.
    Lubbock, Tom, ‘The Medium Is the Mess’, The Independent, London, 27 November 2001, ill.
    Searle, Adrian, ‘Mucky Devil’, The Guardian, Saturday Review, London, 10 November 2001, ill.
    Vahland, Kia, ‘Kunst mit Ketchup und Mayonnaise’, in: Art, Hamburg, November 2001, p. 112, ill.
    Grant, Simon, ‘Action Man’, Tate: The Tate Magazine, London/Liverpool, Winter 2001, pp. 6–7, ill.
    Cumming, Laura, ‘An Unnatural Relish for Ketchup’, The Observer, London, 21 October 2001, ill.
    Rc., ‘Paul McCarthy Liverpool’, The Guardian: The Guide, London, 20-26 October 2001, ill.
    Chapman, Peter, ‘Paul McCarthy’, The Independent, London, 13-19 October 2001, ill.
    Cowan, Amber, ‘Nationwide Choice: Paul McCarthy’, The Times, London, 13-19 October 2001, ill.
    Ow., ‘Buttocks, Breasts and Beckham’, Art Review, London, October 2001.
    Jp, ‘Paul McCarthy, Tate Liverpool’, Pure, vol. 1, 2001, p. 134, ill.
    Lutyens, Dominic, ‘Tableaux of Disharmony’, Blueprint, October 2001, ill.
    Weissman, Benjamin, ‘Notes Toward an Autobiography of Paul McCarthy’, X-Tra, Los Angeles CA, vol. 4, no. 2, 2001
    Lebovici, Elisabeth, ‘Le Crado est son credo’, Libération, Paris, 18-19 September 2001, pp. 22–23, ill.
    M. N., ‘Paul McCarthy: Peindre au Ketchup’, Le Figaro, Paris, 3 August 2001
    Ha. B., ‘Paul McCarthy, l’affreux jojo de la création’, Le Monde, Paris, 7 July 2001, ill.
    Tosi, Marco Ligas, ‘Don DeLillo’, Tema Celeste, Milan, vol. XVIII, no. 86, Summer 2001, pp. 104–105, ill.
    Briggs, Patricia, ‘Painting at the Edge of the World’, Artforum, New York, vol. XXXIX, no. 10, Summer 2001, pp. 187–188
    Kolczynska, Paulina, ‘The First Quarter: ‘The Armory’ Perspective’, Tema Celeste, Milan, vol. XVIII, no. 85, May–June 2001, pp. 26–17, ill.
    Gang, Jane, ‘Paul McCarthy’, Everything Magazine, London, no. 3–4, 2001, pp. 11–15, ill.
    Heartney, Eleanor, ‘Chronology Dethroned’, Art in America, New York, ,vol. 89, no. 5, May 2001 pp. 55–63.
    Gm, 'Lockere Dialoge', in: Cash, Zurich, 19 May 2001, p. 93
    Pollack, Barbara, ‘Paul McCarthy’, ARTnews, New York, vol. 100, no. 5, May 2001, p. 189, ill.
    Klein, Jenny, ‘Paul McCarthy Rites of Masculinity’, PAJ (A Journal of Performance & Art) 1976–2001 – Celebrating 25 Years, New York, no. 68, May 2001, p. 10–17
    Brenken, Anna, 'Das Ekelpaket', in: in: Art, Hamburg, May, p.136, ill.
    Hainley, Bruce, ‘Paul McCarthy’, Frieze, London, no. 58, April 2001, pp. 90–91, ill.
    Troncy, Éric, ‘Paul McCarthy: Disney à la sauce piquante’, Beaux Arts, Paris, no. 203, April 2001, pp. 50–55, ill.
    D'Arcy, David, ‘Nothing New Under the Bum’, The Art Newspaper, London, April 2001, p. 20
    Meyers, Todd, ‘Paul McCarthy: Dimensions of the Mind’, Parachute, Montréal, no. 103, 2001
    Hainley, Bruce, ‘Paul McCarthy: MoCA Los Angeles’, Frieze, London, no. 58, April 2001, pp. 90–91, ill.
    Poli, Francesco, ‘Let’s Entertain – From Warhol to Kelley: Art Between the Exaltation of Consumerism and the Star System’, Tema Celeste, Milan, no. 84, March–April 2001, pp. 54–59, ill.
    Williams, Alena, ‘Paul McCarthy: MoCA at the Geffen Contemporary’, Tema Celeste, Milan, no. 84, March–April 2001, p. 98.
    Turner, Grady T., ‘Paul McCarthy: Inside and Outside’ (interview), Flash Art, Milan, vol. XXXIV, no. 217, March–April 2001, pp. 86–91, ill.
    Saltz, Jerry, ‘Back Door Man: Surviving the McCarthy Invasion’s Rabelaisian Excess’, The Village Voice, New York, 20 March 2001.
    Naves, Mario, ‘Shit Hits the Fan at the McCarthy Show’, The New York Observer, 19 March 2001.
    Stevens, Mark, ‘Glop Art’, New York Magazine, New York, 12 March 2001.
    Yablonsky, Linda, ‘Gross Point-Blank’, Time Out New York, New York, 8-15 March 2001.
    Plagens, Peter, ‘Another Kind of McCarthy Era’, Newsweek, New York, 5 March 2001, p. 60, ill.
    Newhall, Edith, ‘Drilling for Crude’, New York Magazine, New York, 26 February 2001
    Kimmelman, Michael, ‘Thwack! It Sticks in the Brain’, The New York Times, New York, 23 February 2001, pp. E31, E34, ill.
    Haydt, Elizabeth, ‘If You Wow Them, They Will Come’, The New York Times, New York, 18 February 2001
    Rush, Michael, ‘Paul McCarthy an Artist with a Cattle-Prod Style’, The New York Times, New York, 18 February 2001
    Bourriaud, Nicolas, ‘Au pilori’, in: Beaux Arts, Paris, no. 201, February 2001, p. 43, ill.
    Hecht, Axel, ‘Das Museum als Luna-Park’, in: Art, Hamburg, no, 2, February 2001, p. 90
    Muchnic, Suzanne, 'Paul McCarthy. Museum of Contemporary Art. Los Angeles', in: ARTnews, New York, February 2001, p. 160, ill.
    Siemens, Christine, 'Paul McCarthy at Museum of Contemporary Art', in: Art Issues, New York, January – February 2001, p. 46, ill.
    ___, ‘Ketchup, Sex and Disneyworld’, in: Frame, Vienna, no. 5, January-February 2001, p. 121, ill.
    Vogel, Carol, ‘A Studio in an Atrium’, in: The New York Times, New York, 19 January 2001.
    Kramer, Christine, ‘Der Pavillon im Kloster und andere Recycling-Ideen’, in: Art, Hamburg, no. 1, January 2001, p. 104, ill.
    Hettig, Frank-Alexander, ‘Paul McCarthy’, in: Kunstforum, Ruppichteroth, no. 153, January-March 2001, pp. 423-425, ill.
    Sausset, Damien, ‘Paul McCarthy, l'enfant terrible’, L'Œil, Paris, no. 522, December–January 2001, p. 100, ill.
    Vogel, Carol, ‘Inside Art: A Windfall For the Modern: A Studio in an Atrium’, The New York Times, New York, 19 January 2001
  • 2000
    Young, Paul, 'Man in the box', in: Angeleno, Los Angeles, November – December 2000, pp. 288, 289, ill.
    McCarthy, Paul, ‘Tokyo Santa, 1996’, Trans>arts.cultures.media, New York/São Paulo, no. 8, 2000, ill.
    Harvey, Doug, ‘Ten Shows That Rocked My World: Paul McCarthy at MOCA’, LA Weekly, Los Angeles, 29 December 2000–4 January 2001
    Rugoff, Ralph, ‘Bad Boy Rides the Theme Park’, The Financial Times, London, December 16, 2000
    Rugoff, Ralph, ‘Best of 2000: Paul McCarthy (Hannover Expo 2000)’, Artforum, New York, vol. XXXIX, no. 4, December 2000, pp. 122–123, ill.
    Feinstein, Roni, ‘Report from Sydney, the Biennale of Reconcilition’, Art in America, New York, no. 12, December 2000, pp. 38–45.
    Volk, Gregory, ‘Exposition Art’, in: Art in America, New York, vol. 88, no. 12, December 2000, pp. 46-49, ill.
    Mendelssohn, Joanna, ‘The 12th Sidney Biennial’, Tema celeste, Milan, vol. XVII, no. 82, October–December 2000, p. 104, ill.
    Rosenberg, Jeremy, 'Los Angeles – Paul McCarthy', in: Art & Auction, New York, 1 November 2000, ill.
    Drohojowska-Philip, Hunter, 'It’s not shocking to him', in: Los Angeles Times, Los Angeles, 5 November 2000, pp. 10, 86, ill.
    Knight, Christopher, ‘Compellingly Sold by the Gross’, Los Angeles Times, Los Angeles, 14 November 2000, pp. F5–F7
    Harvey, Dlug, ‘The McCarthy Era’, LA Weekly, Los Angeles, 24-30 November 2000 (online)
    Holert, Tom, ‘Schooled for Scandal’, Artforum, New York, vol. XXIX, no. 3, November 2000, pp. 134–141, ill.
    Hill, Peter, ‘Biennale of Sydney 2000’, ARTnews, New York, vol. 99, no. 10, November 2000, p. 216
    Verwoert, Jan, ‘In Between: World Fair Expo, Hannover’, Frieze, London, no. 55, November–December 2000, pp. 122–123, ill.
    ___, '6th International Triennal the Ecology and the Art: ‘American Dreams’', in: Kunstforum International, Ruppichteroth, no. 152, October-December 2000, p. 477, ill.
    Lacagnina, Salvatore, 'In Between at the Expo of Hanover. Interview with Wilfried Dickhof', in: Tema Celeste, Milan, vol. XVII, no. 82, October-December 2000, p. 112, ill.
    ___, ‘Paul McCarthy’, Frame (‘Sex & Porno’), Vienna, no. 4, September–October 2000, p. 64, ill.
    Hoffmann, Jens, ‘In Between (The Hannover Expo)’, Flash Art, Milan, vol. XXXIII, no. 214, October 2000, p. 39, ill.
    Hoffmann, Jens, ‘Aperto Performance’, Flash Art, Milan, vol. XXXIII, no. 214, October 2000, pp. 49–51
    Ritter, Peter, ‘Let’s Entertain: Sex, Celebrity and Television’, Flash Art, Milan, vol. XXXIII, no. 214, October 2000, pp. 98–99, ill.
    Turner, Grady T., ‘The Biennale of Sydney 2000’, Flash Art, Milan, vol. XXXIII, no. 214, October 2000, p. 39, p. 45
    Cameron, Dan, ‘Paul McCarthy’, The Contemporary, The Museum of Contemporary Art, Los Angeles, September-November 2000, pp. 8–9, ill.
    Birnbaum, Daniel, ‘Paul McCarthy, Museum of Contemporary Art’, Artforum, New York, vol. XXXIX, no. 1, September 2000, p. 51, ill.
    Mendelsohn, Joanna, ‘12th Biennale of Sydney 2000’, Artlink, vol. 20, 3 September 2000
    Wulffen, Thomas, ‘Expo 2000, Le Monde de Demain?’, Beaux Arts Magazine, Paris, no. 195, August 2000, p. 22
    Bouruet-Aubertot, Véronique, ‘Exposition’, in: Beaux Arts, Paris, no. 195, August 2000, pp. 90-97, ill.
    Wulffen, Thomas, ‘In Between: Kunst auf der Expo 2000’, Kunstforum International, Ruppichteroth, no. 151, July-August, 2000, pp. 470-471
    Gingeras, Allison M., ‘Paul McCarthy’, Beaux Arts Magazine (Special Edition: Art 31 Basel, Art Unlimited 2000), Paris, 2000, ill.
    James, Bruce, ‘Review: Paul McCarthy’, Radio National, Australia, 9 June 2000
    ___, ‘Gemüsefasching mit Substanz’, in: NZZ, Zurich, no. 124, 29 May 2000, p. 29, ill.
    Kdo, 'Momente der Erinnerung', in: Neue Zürcher Zeitung, Zurich, 26 May 2000, p. 66
    McEwen, John, ‘Mooning Bottoms Answer a Profound Human Need’, Sunday Telegraph, London, 21 May 2000
    Darwent, Charles, ‘A World Turned Upside Down’, The Independent on Sunday, London, 21 May 2000
    Jones, Johnathan, ‘Scary Masks and Sausages’, The Guardian, London, 13 May 2000
    Tumlir, Jan, ‘The Fashion Show’, Artext, Los Angeles, no. 69, May–July 2000
    Farquharson, Alex, ‘Lost: Ikon Gallery Birmingham, February 16 to April 2’, Art Monthly, London, no. 235, April 2000
    Milroy, Sarah, ‘That’s Not Funny, That’s Sick – or Is It?’, National Post, Toronto, 8 April 2000
    Gopnik, Blake, ‘One Bright Idea Amid the Dross’, The Globe and Mail, Toronto, 5 April 2000
    Hume, Christopher, ‘Testing the Limits of Taste’, The Toronto Star, Toronto, 23 March 2000
    Hainley, Bruce, ‘Paul McCarthy, Blum & Poe’, Artforum, New York, vol. XXXVII, no. 6, March 2000
    Jordan, Patricia, ‘The Art of Teaching Art at UCLA’, Graduate Quarterly, Los Angeles, 28 January 2000
    KS, ‘Mike Kelley and Paul McCarthy: Collaborative Works. Power Plant’, in: Artforum, New York, vol. XXXVIII, no. 5, January 2000, p. 36, ill.
  • 1999
    Cameron, Dan, ‘Best of ‘90s’, Artforum, New York, vol. XXXVIII, no. 4, December 1999,pp. 132–133, ill.
    Cooper, Dennis, ‘Sensitized’, Spin, New York, vol. 15, no. 12, December 1999
    McCormick, Carlo, ‘Visionary Violence: The Indelible Legacy of Paul McCarthy’, Juxtapoz, San Francisco, no. 23, November-December 1999
    Baker, Daan, Visser, Catherine, ‘Dreaming of a Catalogue House’, Archis, Amsterdam, October 1999, p. 25
    Politi, Giancarlo, 'The Venice Biennale', in: Flash Art, Milan, vol. XXXII, no. 208, October 1999, pp. 76–80, ill.
    Knuspit, Donald, ‘In the Anal Universe: The Para-Art of Mike Kelly and Paul McCarthy, New Art Examiner, Chicago, October 1999
    Puvogel, Renate, ‘Paul McCarthy – Dimensions of the Minds: The Denial and the Desire in the Spectacle’, Kunstforum International, Ruppiteroth, no. 147, September–November 1999, pp. 443–445, ill.
    Gellatly, Andrew, Heiser, Jörg, ‘Just Add Water’, Frieze, London, no. 48, September–October 1999, pp. 66–71
    McCarthy, Paul, ‘Texte zur Kunst – Edition Heft Nr. 35’, Texte zur Kunst, Berlin, no. 35, September 1999, pp. 236–237, ill.
    ___, 'Dimensionen der Zeit', in: St. Galler Tagblatt, St. Gall, 1 September 1999, p. 49
    Wagner, Anselm, 'Venezianischer Kunstsupermarkt', in: Noema Art Journal, Berheim, no. 52, August-October 1999, pp. 89-99
    Tietenberg, Annette, 'Von Liebe, Kunst und anderen Geschäften', in: Frankfurter Allgemeine, Frankfurt, 21 August 1999, p. 45, ill.
    Mebold, Adrien, 'Orgien der Trostlosigkeit', in: 'Orgien der Trostlosigkeit', in: Der Landote, Winterthur, 14 August 1999, p. 30
    Bartels, Daghild, 'Kunst im alten Lokschuppen', in: Handelsblatt, Dusseldorf, 13 August 1999, p. 2
    ___, 'Das Schoggi-Tabu', in: St. Galler Tagblatt, St. Ga ll, 10 August 1999, p. 41
    Blase, Christoph, 'Neue Frsiche', in: kunst-Bulletin, Zurich, no. 7/8, July-August 1999, pp. 8-15
    Mack, Gerhard, 'Schmutzfink und Star', in: Cash, Zurich, no. 26, 2 July 1999, p. 57, ill.
    Oberholzer, Niklaus, '‘Maschinerue eines Vergnügungsparks’?', in: Neue Schwyzer Zeitung, Schwyz, 28 June 1999, p. 9
    Key, 'Hauser und Wirth expandieren', in: Der Zürcher Oberländer, Wetzikon, 18 June 1999, p. 23, ill.
    Lichtensteiger, Olivia, 'Lebendige Sammlung', in: St. Galler Nachrichten, St. Gall, 17 June 1999, p. 11, ill.
    Gerster, Ulrich, 'Schönes neues Museum', in: Neue Zürcher Zeitung, Zurich, 16 June 1999, p. 65, ill.
    Maurer, Simon, 'Ein Fondue azs Schokolade und Ketchup', in: Tages Anzeiger, Zurich, 15 June 1999, p. 67, ill.
    Mack, Gerhard, 'Das grosse Verlangen', in: Ostschweizer Tagblatt, Rorschach, 15 June 1999, p. 18, ill.
    Hug, Ralph, 'Man wähnt sich in New York', in: Werdenberger und Obertoggenburger, Buchs, 14 June 1999, p. 8, ill.
    Rietmann, Melanie, '‘Ein grosses Geschenk’ ', in: Appenzelelr Zeitung, Herisau, 14 June 1999, p. 51
    Hug, Ralph, 'Grosse Kunst in St. Galler Lokremise', in: Der Gasterländer Seepresse, Uznach, 14 June 1999, p. 8
    Wagner, Thomas, 'Die Zukunft im Schlaf gewinnen', in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 133, 12 June 1999, p. 41
    Zimmermann, Christine, 'Kippen, Drehen, Aufklappen', in: Ostschweizer Tagbaltt, Rorschach, 9 June 1999, p. 20, ill.
    Storr, Robert, ‘Prince of Tides: Robert Storr Talks with Harald Szeemann’, Artforum, New York, vol. XXXVII, no. 9, May 1999, pp. 160–165, p. 194, ill.
    Hainley, Bruce, ‘Review: Paul McCarthy, Blum & Poe’, Artforum, New York, vol. XXXVII, no. 6, March 1999, pp. 135–136
    McCarthy, Paul, ‘Erotic Mammett’ (Focus on Gus van Sant), Afterall, Central Saint Martins College of Art & Design, London, no. 1, 1999, pp. 69–75, ill.
    Subotnick, Ali, ‘Bucking for Trouble’, ARTnews, New York, vol. 98, no. 3, March 1999, p. 31
    Cotter, Holland, ‘Propposition’, The New York Times, New York, 12 February 1999, p. E40
    ___, ‘Paul McCarthy – Mike Kelley Videos 1970-1998’, on: kunstbunker-tumulka.de, February 1999, ill.
    Nesweda, Peter, 'Paul McCarthy – ‘Painter’ ', in: Kunstforum International, Ruppichteroth, no. 143, January-February 1999, p. 409, ill.
  • 1998
    Huck, Brigitte, 'Wien: Herbstlicher Ausstellungsrundgang', in: Eikon, Vienna, no. 26/27, 1998/1999, pp. 111-114
    Hayt, Elizabeth, ‘In an Era of Humanoid Art: A Forerunner Finds a Place’, The New York Times, New York, 13 December 1998, pp. AR35, 39
    Kuni, Verena, ‘Lady’s Choice: Monika Baer and Paul McCarthy’, Frieze, London, no. 43, November–December 1998, pp. 85–86
    Joselit, David, ‘Between Objects and Actions’, Art in America, New York, no. 11, November 1998
    McCarthy, Paul, ‘Turning Points’, Artforum, New York, vol. XXXVII, no. 2, October 1998, p. 94, ill.
    ___, 'Damenwahl im Portikus', in: Kunst-Bulletin, Zurich, no. 10, October 1998, pp. 38-39
    Ise, Claudine, ‘UCLA/ART: A Portfolio of Unusually Fine Artists’, UCLA Magazine, Los Angeles, Fall 1998
    Hainley, Bruce, ‘Out of Actions: Between Performance and the Object, 1949–1979’, Artforum, New York, vol. XXXVII, no. 1, September 1998, pp. 145–146
    Cohen, Michael, ‘Chameleon-Like Ability’, Flash Art, Milan, vol. XXXI, no. 200, Summer 1998, p. 94
    Kimmelman, Michael, ‘In Connecticut, Where Caravaggio First Landed’, The New York Times, New York, 17 June 1998, p. E35
    Mistrangelo, Angelo, ‘Sunshine & Noir: Il giorno e la notte di Los Angeles’, La Stampa, Rome/Milan/Torino, 19 May 1998
    Smith, Roberta, ‘Work on the Wild Side, Raw, Rank and Morbid’, The New York Times, New York, 15 May 1998, p. 34
    Bonetti, David, ‘Acting Out’, San Francisco Examiner, San Francisco, 3 May 1998
    Smith, Roberta, ‘When Art Became a Stage and Artists Actors’, The New York Times, New York, 5 April 1998, pp. 40-41
    Birnbaum, Daniel, ‘The Good, the Bad and the Ugly’, Frieze, London, March–April 1998, 74-75
    Harvey, Doug, ‘Reconstructing the Ephemeral’, LA Weekly, Los Angeles, 20-26 February 1998
    Knight, Christopher, ‘Actions’ Speaks Loudly’, Los Angeles Times, Los Angeles,10 February 1998
    Isé, Claudine, ‘Tough to Swallow: Paul McCarthy’, Los Angeles Times, Los Angeles, 6 February 1998
    Fouser, Robert, ‘Paul McCarthy’, Art/Text Magazine, February–April 1998, pp. 89–90
    Perreau, David, 'Dramatically Different. Une exposition moins ordinaire', in: Omnibus, Paris, no. 23, January 1998, p. 18
    Ziegler, Erdmann, ‘Wuchernde Mimikry’, Die Zeit, Hamburg, 15 January 1998
    Knight, Christopher, ‘Art Window to the World’, Los Angeles Times, Los Angeles, 6 January 1998
  • 1997
    Schwerfel, Heinz-Peter, 'Der Clown spiegelt meine Verfassung wider', in: Art, Hamburg, no. 12, December 1997, pp. 54-57, ill.
    Cotter, Holland, ‘Ideas from the Air, Wrapped in Paper’, The New York Times, New York, 19 December 1997, p. 39
    Schröder, Johannes Lothar, ‘Sunshine & Noir: Art in LA’, Kunstforum International, Ruppichteroth, no. 139, December 1997–March 1997, pp. 409–411
    Morgan, Margaret, ‘Drives, Paul McCarthy & Sam Durant’, Like Art Magazine, Melbourne, no. 3, Winter 1997
    Nilsson, Håkan, ‘Sunshine & Noir ‘, Flash Art, Milan, vol. XXX, November–December 1997, no. 197, p. 74
    Kozloff, Max, ‘Sunshine & Noir: Art in L.A. 1960–1997’, Artforum, New York, vol. XXXVI, no. 3, November 1997, pp. 110–111
    Meer, Malik, ‘Family Values’, The Face, London, October 1997
    Kristine McKenna, ‘Creation of ‘Snowmen’ – A Meeting of Two Minds’, The Los Angeles Times, Los Angeles,18 September 1997
    MVDW, 'Alpenblick: Contemporary Art and the Alpine', in: Artforum, New York, vol. XXXVI, no. 1, September 1997, p. 68, ill.
    Huici, Fernando, ‘Delicias de Microondas’, El Pais, Madrid, 12 July 1997
    Parreno, José María, ‘Los Angeles CA, Punto de Encuentro’, ABC, Madrid, 4 July 1997
    Mora, M., ‘El arte crudo de seis ‘chicos malosa’ de Los Angrles se muestra en Madrid’, El Pais, Madrid, July 1997
    Walsh, Maria, ‘Natural Habitat’, Art Monthly, London, June 1997
    Knight, Christopher, ‘Sunshine & Noir, The Case for L. Art’, Los Angeles Times, Calendar, Los Angeles,18 May 1997
    Larsen, Lars Bang, ‘Mister Burger King’, Politiken, Kultur, Copenhagen, 15 May 1997
    Rimanelli, David, ‘Levi’s, Lipstick, and Elves, Oh My!’, Elle, April 1997
    Knight, Christopher, ‘Show Time at Biennial: Send in the Big Crowds’, Los Angeles Times, Los Angeles, 21 March 1997
    Schorr, Collier, ‘Paul McCarthy’, Frieze, London, March–April 1997, pp. 78–79
    Kaufman, Jason Edward, ‘Made by Hand, Telling Stories and Talking to the Public’, Art Newspaper, New York, March 1997
    Cameron, Dan, ‘Two Years Before the Mast’, Whitney, New York, Spring 1997
    Birnbaum, Daniel, ‘Painting – The Extended Field’, Artforum, New York, vol. XXXV, no. February 1997, 6, p. 84
    Wright, Anthony, ‘Independent Video Show Goes Out on a Limb’, Mexico City Times, Mexico City, 31 January 1997
    Vogel, Carol, ‘Inside Art’, The New York Times, New York, 3 January 1997
    Lind, Maria, ‘Hysterical Men’, Index, New York, January 1997
  • 1996
    Plagens, Peter, ‘McCarthy’s Last Stand’, Artforum, New York, vol. XXXV, no. 4, December 1996, p. 85, ill.
    Frankel, David, ‘Western Affront’ (part of Best & Worst/96), Artforum, New York, vol. XXXV, no. 4, December 1996, p. 97, ill.
    Burrows, David, ‘Popoccultural’, Art Monthly, London, 30 October–27 November 1996
    Jansson, Peder, ‘The Lowest Form’, Siksi Index: The Nordic Art Review X1, Stockholm, no. 4, Winter 1996
    Hollander, Kurt, ‘Paul McCarthy’, Poliester, Mexico City, Winter 1996
    Wachholz, Helga, ‘Belebung und Erneuerung der Malerei?’, Handelsblatt, Düsseldorf, 23 November 1996
    Corlin, Elisabet, ‘The Extended Field’, När & Var, 15 November 1996–1 February 1997
    Levin, Kim, ‘SHIT’, The Village Voice, New York, 1 October 1996
    Schjeldahl, Peter, ‘McCarthyland’, The Village Voice, New York, 24 September 1996
    Smith, Roberta, ‘A Much Wilder West Than It Ever Was’, The New York Times, New York, 20 September 1996
    Schwabsky, Barry, ‘The Past Faces Off Against the Present’, The New York Times, New York, 30 June 1996
    Robinson, Simon, ‘Art That’s Quicker Than the Eye’, Time Magazine, New York, 6 June 1996
    Petersen, Anne Ring, ‘Incest, Violence and Video’, Berlingske Tidende, Copenhagen, 6 March 1996
    Pagel, David, ‘McCarthy’s Influential, Early Photos’, Los Angeles Times, Los Angeles, 4 January 1996
  • 1995
    Greene, David A., ‘Critic’s Choice’, Los Angeles Reader, Los Angeles, 22 December 1995
    Karmel, Pepe, ‘Anything Goes – As Long As It’s Not Boring’, ARTnews, New York, September 1995
    McQuaid, Cate, ‘Home Alone – Currents Should Remember There’s No Place Like It’, The Boston Phoenix, Boston, 11 August 1995
    Temin, Christine, ‘Familiar Places at ICA: All Over the Map’, The Boston Globe, Living Arts, Boston, 28 July 1995
    ___, ‘‘Painter’, Museum of Modern Art’, The Village Voice, New York, 15 July 1995
    Smith, Roberta, ‘Sex, Condiments and Esthetics’, The New York Times, New York, 7 July 1995
    Delwyn, Marc, 'Report from Los Angeles. New Age Subversives? ', in: Flash Art, Milan, June 1995, p. 96-99
    Jouannais, Jean-Yves, ‘History of Infamy’, Art Press, Paris, June 1995
    Brea, José Luis, 'Cocido y crudo', in: Flash Art, Milan, vol XVIII, no. 182, May-June 1995, p. 107
    ___, ‘Paul McCarthy’, The New Yorker, New York, 27 March 1995
    ___, ‘Pinocchio Pipenose Householddilemma', The New Yorker, New York, 25 March 1995
    Conrads, Martin, ‘Paul McCarthy/Olav Westphalen: Künstlerhaus Bethanien’, Metropol-Gesellschaft, Berlin, February 1995
    Werneburg, Brigitte, ‘Paul McCarthy, Künstlerhaus Bethanien’, Die Tageszeitung, Berlin, 18-19 February 1995
    Schroder, Johannes Lothar, ‘Paul McCarthy: Alpträume – Alpräume’, Kunstforum International, Ruppichteroth, no. 129, January–April 1995, pp. 190-203, ill.
    Koniger, Märibel, ‘Hors limites’, Kunstforum International, Ruppichteroth, no. 129 January–April 1995
    Troncy, Eric, ‘Paul McCarthy, Air de Paris’, Flash Art, Milan, vol. XXVIII, no. 180, January–February 1995
  • 1994
    Hoggman, Justin, ___, Kunstforum International, Ruppichteroth, December 1994
    Cornand, Brigitte, ‘Expos (Arts) Centre Pompidou, Hors Limites L’Art Et La Vie 1952–1994’, Nova Magazine, Paris, no. 1, December 1994,
    Borka, Max, ‘Uit de Kunst, Tegen de Stroom, On Line: Internationale galeries presenteren jonge kunstenaars’, Knack, Brussels, 7 December 1994
    ___, ‘News, Angouleme & Chauvigny (France) Carsten Höller & Paul McCarthy’, Flash Art, Milan, vol. XXVII, no. 179 November-December 1994
    ___, ‘Rumeurs… La censure artistique en France?’, Beaux Arts Magazine, Paris, no. 129, December 1994
    Troncy, Eric, ‘Het Pinokkio Effect, Recent werk van Paul McCarthy’, Metropolis M, Utrecht, no. 6, December 1994
    ___, ‘RUSH RUSH, Artists’, Art Press, Paris, no. 197, December 1994
    P. L., ‘Angouleme les secousses de McCarthy: Le Frac Poitou-Charentes frappe par la censure’, Journal Des Arts, Paris, November 1994
    Rugoff, Ralph, ‘Deviations on a Theme: Paul McCarthy’, Artforum, New York, vol. XXXII, no. 12, October 1994
    ___, ‘15 Meter langer Penis’, Die Tageszeitung, Berlin, 7 October 1994
    Lebovici, Elisabeth, ‘Jugée obscene, l’expo McCarthy d'angouleme ferme’, Libération, Paris, 7 October 1994
    Dandurand, Denis, ‘Construction Déconstruction du Mythe Americain’, Technikart, Levallois Perret Cedex, no. 15, October-November 1994
    ___, ‘L’expo censurée’, Sud-Ouest, Paris, 9 October 1994
    Attail, Danielle, ‘La Biac falt du camping’, Le Journal de Dimanche, 9 October 1994
    Chaloin, Francoise, ‘Paul McCarthy, Colonial Tea Cup’, Documents, Paris, no. 6, October 1994,
    Bonnefous, Florence, Merino, Edouard, ‘Paul McCarthy, Pinocchio Pipenose Householddilemma’, Documents, Paris, no. 6, October 1994
    Troncy, Eric, ‘Interactivité’, Documents, Paris, no. 6, October 1994
    Rénalde, Patricia, ‘Le scandale de l'art’, Exit le Journal, 15 October 1994
    Interview, Viau, René, ‘Innocence, suite et fin’, Blocnotes, no. 7, October 1994
    Zellen, Jody, ___, Art/Text, October, 1994
    Decter, Joshua, ‘Stupidity as Destiny: American Idiot Culture’, Flash Art, Milan, October 1994, vol. XXVII, no. 178, pp. 72–76, ill.
    ___, ‘Paul McCarthy, Figure Sculptures (Portfolio)’, Grand Street, New York, no. 50, Fall 1994,
    ___, ‘Buffalo Bill’, Amok koma, vol. 1, no., 5September 1994
    ___, ‘L’électrochoc McCarthy au FRAC’, Sud-Ouest, Saint Germain de Paris, 28 September 1994
    Cenni, Rene, ‘Paul McCarthy à Air de Paris’, Nice Matin, Nice, 25 September 1994
    ___, ‘Altered’, Artforum, New York, vol. XXXII, no. 1, September 1994
    ___, ‘Männerphantasien und Frauenrealität’, Mittelbayerische Zeitung, Regensburg, 5 August 1994
    ___, ‘Art’, The Village Voice, New York, 18 July 1994
    ___, ‘The Short List, Art. Paul McCarthy’, The Village Voice, New York, 18 July 1994
    Huser, France, ‘La Semaine Expositions – Les artistes de l’extreme’, Le Nouvel Observateur, Paris, no. 1569, 12 July 1994
    ___, ‘Foreign Artist: Paul McCarthy’, BT Magazine, Japan, July 1994
    Slonim, Jeffrey, ‘Six Takes: Jeffrey Slonim on the Most Moving Pictures’, Artforum, New York, vol. XXXII, no. 10, Summer 1994, pp. 9–10
    Rugoff, Ralph, ‘The Garden of Uncanny Delight’, LA Weekly, Los Angeles, 13-19 May 1994
    Kandel, Susan, ‘Paul McCarthy’s Precious Bodily Fluids’, Los Angeles Times, Los Angeles, 12 May 1994
    Saltz, Jerry, ‘L.A. Rising’, Art & Auction, New York, April 1994
    Greenstein, M. A., ‘Valorous Video: Film Forum’s Scratching the Belly of the Beast’, Artweek, San José, April 1994
    Melrod, George, ‘Boys Will Be Boys’, Mirabella, April 1994
    ___, ‘Speelgoed’, NRC/Handelsblad, Rotterdam, 11 February 1994
    Troncy, Eric, ‘Paul McCarthy, The Los Angeles Cannibal’, Art Press, Paris, January 1994
    Tager, Alisa, ‘Action/Performance and the Photograph’, and ‘Go Down Stairs Diagonally’, Art Issues, Los Angeles, January–February 1994
  • 1993
    Pagel, David, ‘Every Day Art’(review Kim Light Gallery), Los Angeles Times, Los Angeles, 30 December 1993
    Jones, Amelia, '‘Action/Performance and the Photograph’ Jan Turner and Turner/Krull Galleries', in: Artforum, New York, vol. XXXII, no. 3, November 1993, p. 113
    Christoph, Horst, ‘Ketchup statt Blut, Performancekünstler Paul McCarthy provoziert mit Hollywood-Horror und Disney-Design’, Profil, Vienna, 18 October 1993, p. 105, ill.
    Avgikos, Jan, ‘Paul McCarthy/Mike Kelly/Heidi’, Artforum, New York, vol. XXXII, no. 1, September 1993,
    Vetrocq, Marcia E., ‘Identity Crisis’, Art in America, New York, September 1993
    Lingner, Michael, 'Post Human', in: Kunstforum International, Ruppichteroth, no. 123, Summer 1993, pp. 328-330, ill.
    ___, '‘Action/Performance and the Photograph’ ', in: L.A. Weekly, Los Angeles, 12 August 1993
    Hope Urban, ‘Mythical Images: What is the Role of the Photograph in an Artist's Work?’, Los Angeles Reader, Los Angeles, 6 August 1993
    Pagel, David, ‘Go Down Stairs Diagonally Offers an Off-Balance View’, Los Angeles Times, Art Review, Los Angeles, 18 August 1993, pp. F2–F3
    Pagel, David, ‘Turning an Eye Toward Photographic Transformations’, Los Angeles Times, Art Review, Los Angeles, 22 July 1993
    Zellen, Jody, ‘Action/Performance and the Photograph’, Art Scene, July/August 1993
    Kazajian, Dodie, Storr, Robert, ‘What's Up With Art?’, 1993
    Schjeldahl, Peter, ‘Awash in the Venice Biennale’, Los Angeles Times, Los Angeles CA, 20 June 1993
    Selwyn, Marc, ‘There’s a Big Difference Between Ketchup and Blood’, Flash Art, Milan, vol. XXVI, no. 170, May-June 1993, pp. 63–64, ill. and cover
    Cohen, Michael, ‘Leap into the Void’, Flash Art, Milan, vol. XXVI, no. 170, May-June 1993, pp. 60–61, ill.
    Duncan, Michael, ‘Daddy’s Little Helper’, Frieze, London, no. 10, May 1993, pp. 22–26, ill.
    Johnson, Ken, ___ (review), Art in America, New York, no. 5, May 1993
    Duncan, Michael, ‘L.A.: The Dark Side’, Art in America, New York, no. 3, March 1993,
    Smith, Roberta, ‘Paul McCarthy’, The New York Times, New York, 12 February 1993
    Levin, Kim, ‘Sewing & Cooking’, The Village Voice, New York, 9 February 1993
    Levin, Kim, ‘Paul McCarthy’, The Village Voice, New York, 27 January 1993
  • 1992
    ___, ___ (review), Der Standard, Vienna, 5 November 1992, p. 9
    Krumpl, Doris, ‘Bildsymbole einer kalifornischen Apokalypse’, Der Standard, Vienna, 5 November 1992
    Trenkler, Thomas, ‘Ganz schön lax’, Die Wirtschafts Woche, Düsseldorf, 5 November 1992, pp. 78–79
    Martin, Timothy, ‘Gespräch mit Paul McCarthy’, on: mip.at, Museum in Progress, Vienna, November 1992
    Bonami, Francesco, ___, Flash Art, Milan, vol. XXV, October 1992, p. 126
    Rigby, David, ‘We Can See Your Botty-Celli’, News of the World, London, 20 September 1992
    ___, ___, The New Yorker, New York, 6 July 1992
    Pagel, David, ‘Helter Skelter at Museum of Contemporary Art’, Art Issues, Los Angeles, June 1992
    Coltter, Holland, ___, The New York Times, New York, 1992, p. O22
    Rugoff, Ralph, ‘Helter Skelter: L.A. Art in the 90's’, Balcon, 1992
    ___, "Helter Skelter" (review), The New Yorker, New York, 27 April 1992
    Drohojowska, Hunter, ‘L. A. Raw’, in ARTnews, New York, April 1992
    Gardner, Colin, ‘Helter Skelter: MOCA Temporary Contemporary’, Artforum, New York, vol. XXX, no. 8, April 1992
    Relyea, Lane, ‘Paul McCarthy at Rosamund Felsen Gallery’, Artforum, New York, vol. XXX, April 1992
    Hawkins, Richard, ‘Paul McCarthy at Rosamund Felsen’, Art Issues, Los Angeles, no. 22, March/April 1992
    Fehlan, Fred, ‘Paul McCarthy at Rosamund Felsen’, Flash Art, Milan, 1993, vol. XXV, no. 163, March-April, pp. 116–117, ill.
    Weintraub, Bernard, ‘Art and the Underside of Los Angeles’, The New York Times, New York, March 1992
    Plagens, Peter, ‘Welcome to Manson High’, Newsweek, New York, 2 March 1992
    Rugoff, Ralph, ‘MOCA Gets Nasty, Helter Skelter and the Art of Our Times’, LA Weekly, Los Angeles, 31 January–6 February 1992
    Knight, Christopher, ‘An Art of Darkness at MOCA’, Los Angeles Times, Los Angeles, January 1992
    Muchnic, Suzanne, ‘Helter Skelter Art in the City of Angels and Demons’, Los Angeles Times, Calendar, Los Angeles, 26 January 1992
  • 1991
    Rugoff, Ralph, ‘Paul McCarthy Cuisine Art Taboos of the Kitchen and Elsewhere’, LA Weekly, Los Angeles, 13-19 December 1991
    Curtis, Cathy, ‘Ovarian Warriors vs. Knights of Crissum’, Los Angeles Times, Los Angeles, 11 January 1991
  • 1988
    Raczka, Robert, ‘Where the Dogs Are?’, Afterimage, Rochester, October 1988, p. 17
    Gold, Jonathan, ‘Pick of the Week’, LA Weekly, Los Angeles, 17 July 1998
    Lischka, Gerhard Johann, ‘Performance and Performance Art’, Kunstforum International, Ruppichteroth, no. 96, August–October 1988, pp. 64–176
  • 1987
    Muchnic, Suzanne, ___, Los Angeles Times, Los Angeles, 26 June 1987
  • 1986
    ___, ‘NEA 1985 Visual Arts Fellowships’, Afterimage, Rochester, January 1986
    ___, ‘Performance of War’, Punk on Wave, 1986
  • 1985
    Knight, Christopher, ‘‘B/W’ Is A Superb Exhibition of Drawings’ (review LAICA), The Los Angeles Times, Los Angeles, 7 July 1985
    ___, ___, Collage, Summer 1985
    ___, (review of High Performance, The Record), Domus, May 1985
    Klionskunst, A., ‘The Wild Bunch’, Express, Vienna, no. 80, April 1985
    Burnham, Linda, ‘Paul McCarthy: The Evolution of a Performance Artist’, High Performance, Los Angeles, 1985, no. 29
    Relyea, Lane, ‘Pick of the Week’, LA Weekly, Los Angeles, 4 April 1985
  • 1984
    ___, ‘Paul McCarthy in Nottingham, England’, High Performance Magazine, Saxapahaw NC, no. 27 December-January 1984
    Suzuki, Dean, ___ High Performance Magazine, Los Angeles, no. 23, March-April 1984
  • 1983
    Griffith, Steve, ‘Performance: Art Which Talks Back and Changes Itself’, Prodigal Sun, December 1983
    Schroder, Hannes, ‘Piece for Under Marionette O. O. Inside’, High Performance Magazine, Los Angeles, November 1983
    McEvilley, Thomas, ‘Art in the Dark’, Artforum, New York, vol. XXI, no. 10, Summer 1983
    ___, ‘Paul McCarthy: Gold Coast Performance Series, San Francisco Art Institute, ‘Death Ship’’, Art Com, Lockburn OH, no. 21, 1983,
    Potts, Joe, ‘‘P)M) – M)P)’, Paul McCarthy, Mark Pauline’, E.O.S. Yaso Art Front, Japan, 1983
  • 1982
    Burnham Linda, ‘Live Sex Act: A Human Sexual Response to the Performances of Barbara Smith and Paul McCarthy’, The Flue, vol. 2, no. 3, 1982
    Fritz, Steve, ‘Cal Acts L.A’, LIVE Magazine, 6/7 published by Performing Arts Journal, Inc., 1982
  • 1981
    ___, ‘Point Out, Paul McCarthy Points out Seven Artists’, High Performance, Los Angeles, vol. 4, no. 13, no. 1, Spring 1981
  • 1980
    Buchanan, Nancy, ‘Paul McCarthy, Monkey Man, Los Angeles Performance Festival’, Live, 1980
    ___, ‘Settimana della Performance; American Artists in Italy’, High Performance Magazine, Los Angeles, no. 10, 1980
    ___, ___, Video 80: Public Eye Publication, McLean County IL, Fall 1980, vol. 1, no. 1
    Kontova, Helena, ___ (review American Performance Art Week, Florence, Italy), Flash Art, Milan, vol. XIII, no. 10, Summer 1980
    Lewis, Louise, ‘Video in Southern California’, Journal, Southern California Art Magazine (LAICA), Los Angeles, March 1980
    Garrone, Nicola, ‘Performances: Chris Burden e McCarthy’, La Repubblica, Rome, March 1980
  • 1979
    Burnham, Linda, ‘Performance Art in Southern California; An Overview’, High Performance Magazine, Los Angeles, September 1979
    Smith, Barbara, ‘Performance Paul McCarthy’, Journal, Southern California Art Magazine, Los Angeles Institute of Contemporary Art (LAICA), Los Angeles, January-February 1979
  • 1978
    ___, ‘Artists’ Chronicle’, High Performance Magazine, Los Angeles CA, Winter 1978
    Roth, Moira, ‘Toward a History of California Performance: Part Two’, Arts Magazine, New York, June 1978
    Newton, Richard, ‘Performance Interruptus: Interview with Paul McCarthy’, High Performance Magazine, Los Angeles, June 1978
    Cavaliere, Barbara, ‘Paul McCarthy Doctor Performance at Anna Canepa’, Arts Magazine, New York, 1978
  • 1976
    Ross, David, ‘A Provisional Overview of Artists’ Television’, Studio International, New York, May/June 1976
    Kent, Tom, ‘Commissioned Video Works’, Artweek, San José, 20 March 1976
  • 1975
    Grobel, Larry, ‘California Performance: Chris Burden, Barbara Smith, Paul McCarthy, and Suzanne Lacy’, California Magazine, Los Angeles, November 1975
  • 1974
    Polanco, Cherie, ‘Wigged Artist ‘Hot Dogs’ It with Mustard’, University Times, Los Angeles, 7 November 1974
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Audiovisuals

  • 1992
    Museum in Progress: Künstlerporträt, Paul McCarthy (interview with Timothy Martin), November 1992 (VHS, 10 min.)

Selected Images

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565610.tif

Installation view, 'Paul McCarthy - Chocolate Factory', La Monnaie de Paris, Paris, France

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