‘James Jarvaise & Henry Taylor. Sometimes a straight line has to be crooked’
12 June – 5 September
Zurich, Limmatstrasse

Guided Tour with Ingrid Schaffner
Saturday 13 June
3.30 – 4 pm

This is the first European exhibition bringing together the work of Henry Taylor, one of today’s most celebrated artists, in dialogue with that of his teacher, California modernist James Jarvaise.

Kindly RSVP by 1 June to
paulavanderlinden@hauserwirth.com

About James Jarvaise
A California regionalist who taught generations of students at schools in and around Los Angeles, James Jarvaise gained national acclaim when his work was included in the historic 1959 exhibition ‘Sixteen Americans’ at The Museum of Modern Art, New York. Writing for The New Yorker, critic Robert Coates commended ‘the coolly green, strongly linear group of abstract oils called ‘Hudson River Series,’ all with landscape motifs, by James Jarvaise.’ Over subsequent years, Jarvaise exhibited regularly at the Felix Landau gallery in Los Angeles and elsewhere before turning his focus to home: after moving his family to Santa Barbara in 1970, Jarvaise dedicated his time to crafting an artist’s paradise where he continued to work in peaceful privacy. In 2012, a survey of his work at Louis Stern gallery in Los Angeles was accompanied by a monograph. Over the course of his teaching career, Jarvaise was affiliated with USC, California Institute of the Arts (formerly Chouinard Arts Institute), Occidental College, Santa Barbara Art Institute and Oxnard College, where he retired in 2004. Prominent among generations of his students are Charles Arnoldi, David Novros, Peter Plagens, Henry Taylor and Robert Therrien. His work was collected by museums including the Albright Knox Gallery, Buffalo; Carnegie Museum of Art, Pittsburgh; Los Angeles County Museum of Art; The Museum of Modern Art, New York and the Smithsonian’s Hirshhorn Museum and Sculpture Garden.

About Henry Taylor
Henry Taylor lives and works in Los Angeles CA. His work is the subject of a major solo exhibition, ‘Henry Taylor. Where thoughts provoke,’ at Musée national Picasso-Paris on view through 6 September. In 2022, his largest survey exhibition to date, ‘Henry Taylor: B Side,’ was exhibited at The Museum of Contemporary Art, Los Angeles CA and was then on view at the Whitney Museum of American Art, New York NY until January 2024. Taylor’s work was recently featured in the following group exhibitions: ‘Flight into Egypt: Black Artists and Ancient Egypt, 1976–Now’ at The Metropolitan Museum of Art, New York NY; ‘The Time is Always Now: Artists Reframe the Black Figure’ at the Philadelphia Museum of Art, Philadelphia PA and ‘World Without End: The George Washington Carver Project’ at the California African American Museum, Los Angeles CA. Taylor’s work is in prominent public collections including the Bourse de Commerce – Pinault Collection, Paris, France, Broad Museum, Los Angeles CA, Carnegie Museum of Art, Pittsburgh PA, The Fondation Louis Vuitton, Paris, France, Hammer Museum, Los Angeles CA, Hirshhorn Museum and Sculpture Garden, Washington DC, Institute of Contemporary Art, Boston MA, Los Angeles County Museum of Art, Los Angeles CA, The Metropolitan Museum of Art, New York NY, Museum of Contemporary Art, Los Angeles CA, Museum of Fine Art, Houston TX, Museum of Modern Art, New York NY, San Francisco Museum of Modern Art, San Francisco CA, The Studio Museum in Harlem, New York NY, and Whitney Museum of American Art, New York NY. In 2018, Taylor was the recipient of The Robert De Niro, Sr. Prize in 2018 for his outstanding achievements in painting. Taylor’s work was presented at the Whitney Biennial at the Whitney Museum of American Art, New York NY in 2017 and the 58th Venice Biennale, Venice, Italy in 2019.

About Ingrid Schaffner
Internationally admired as a curator, art critic, writer, and educator with nearly four decades of experience in the field of contemporary art, Schaffner is known for her generative and original scholarship focused on themes of archiving and collecting, photography, feminism, and alternate modernisms. Her 2013 exhibition ‘Jason Rhoades, Four Roads’ was the first American museum presentation of the sculptor’s work and was accompanied by a catalogue publication (Prestel); following its presentation at the Institute of Contemporary Art at the University of Pennsylvania, the exhibition traveled to Kunsthalle Bremen and the Baltic Centre for Contemporary Art. Schaffner was the curator of the 57th Carnegie International at the Carnegie Museum of Art in 2018. where she presented major installations by El Anatsui, Alex Da Corte, Zoe Leonard, Postcommodity and Lynette Yiadom-Boakye, among others. From 2020 to 2023, she was the curator at the Chinati Foundation in Marfa, Texas.