Hauser & Wirth Publishers was delighted to welcome leading poets and novelists Lavinia Greenlaw and Katharine Kilalea for a discussion on 28 May 2019, taking as its cue the exhibition László Moholy-Nagy, on writing across formal disciplines, the relationship between poetry and architecture, and responding to art through writing. The discussion was moderated by Ben Eastham, associate editor at ArtReview and founding editor of The White Review.

Hauser & Wirth was pleased to co-host a virtual panel discussion with Printed Matter: ‘The Theater of Refusal in the Age of Liberalism,’ featuring artist Charles Gaines, along with Rhea Anastas, Naima Keith, David Platzker and Cauleen Smith, and introduced by David Senior. The program was originally planned to take place at the 2020 LA Art Book Fair to discuss the launch of Gaines’s recent monograph ‘Charles Gaines: Palm Trees and Other Works.’

Paul McCarthy, Julien Bismuth, and Christian Scheidemann revisit Jason Rhoades’ 1999 monolithic installation, ‘Perfect World,’ originally created for the cavernous Hamburg Deichtorhallen.

On the occasion of the exhibition ‘Rita Ackermann. Mama ‘20’ currently on view at Hauser & Wirth Zürich, and in anticipation of the release of Hauser & Wirth Publishers new monograph for the exhibition, we joined artist Rita Ackermann along with Curator Gianni Jetzer for a live virtual walkthrough and conversation.

‘Curating Private Art Collections’ was a one-day symposium that invited five curators overseeing international private collections to Hauser & Wirth Somerset on occasion of the exhibition ‘Unconscious Landscape. Works from the Ursula Hauser Collection’.

‘The Adventures of the Wilderness People,’ Bristol Old Vic Youth Theatre Summer School, Hauser & Wirth Somerset, 2022

Hauser & Wirth Los Angeles collaborated with Southern California Institute of Architecture for a discussion between architects Marcelyn Gow and Florencia Pita on the work of Monika Sosnowska.

Catalog essayist and art historian Anne M. Wagner leads the gallery’s inaugural walkthrough of the exhibition ‘Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016’ at Hauser & Wirth Los Angeles.

On the occasion of the exhibition ‘Lee Lozano’, we invited Jo Applin to walk through the galleries and talk about the artist and her work. Selecting key works from the 41 drawings and paintings on show, Applin gives an insight into both Lozano's life and her work; contextualizing her practice and highlighting her response to the constraints of constitutional systems, disrupting dynamics of gender, power, money and politics.