News

On the occasion of the exhibition ‘Paul McCarthy: A&E Sessions – Drawing and Painting with Lilith Stangenberg’ at Hauser & Wirth New York, 22nd...

The making of books is most often a collaborative effort: someone to write, to edit, to design, to print, to publish—each of these facets often...

‘London has become a stage,’ Phyllida Barlow wrote in 2020, ‘buildings are watchful, the street lighting dramatic, their gleam spilling onto the...

For the cover story of the inaugural issue of ‘Ursula’ magazine in 2018, Linda Goode Bryant—gallery founder, curator, filmmaker and activist—sat...

A conversation between novelist Ottessa Moshfegh and painter Avery Singer about the puzzle of consciousness, the limits of form, the clarity of...

A pioneer of the New Perennial Movement in gardening and landscape design, which emphasizes naturalistic plantings that work symbiotically with...

In ‘Art Strike of 1977–80,’ Gustav Metzger's radical appeal to fellow artists issued in 1974, Metzger wrote: ‘The refusal to labor is the chief...

In a new recurring feature for Ursula magazine, Charlotte Burns talks with curators about how they are adapting to the current climate.

Since their first meeting in 1985, Maria Lassnig and Hans Ulrich Obrist went on to develop a unique relationship over the course of three decades,...

For our 2020 Isa Genzken exhibition ‘Window’ at Hauser & Wirth London, Sabine Breitwieser sheds light on the German sculptor’s ever-evolving...

Matthew Barney talks with Roni Horn in upstate New York from the Sawtooth Valley in Idaho, where the surrounding nature seeps to the surface of...

Zoe Leonard’s oft-cited work, ‘I want a president’ was written by the artist in 1992 in response to poet Eileen Myles’s presidential bid alongside...

I discovered the Serbian-born composer Marko Nikodijević more than a year ago at Teatro alla Scala in Milan. After an extraordinary interpretation...

On Sunday 3 November 2019, we hosted an afternoon panel in our Los Angeles gallery public garden featuring noted American artist, educator, and...

In a career that lasted more than half a century, Fabio Mauri, one of the most prominent members of the postwar Italian avant-garde, used his...

Coinciding with her New York exhibition, Hauser & Wirth Publishers presents 'Rita Ackermann: Mama'. The publication features contributions by the...

In Eugene O’Neill’s unfinished play ‘The Calms of Capricorn,’ the protagonist Ethan Harford, second mate aboard a clipper bound for California, is...

On the occasion of the first major survey dedicated to the artist's works on paper, Phong Bui, Kelly Baum, and Julie Mehretu discussed Whitten's...

Poet, essayist and gallerist Mario Diacono, on the cusp of his 90th year, has led one of the most unusual lives in postwar contemporary art,...

Founded in 1975 as the Performance Group, an avant-garde downtown Manhattan theater company, the Wooster Group has become one of the most...

Paul McCarthy is one of the most revered and fearless artists of his generation. For almost half a century, he has made work that, as he has said,...

Two years ago, during the Venice Biennale, Pinault Collection curator Caroline Bourgeois and I were invited to an unusual event, a symphonic...

The last joys of summer are ceding to cooler and darker days, making way for the autumn season at Hauser & Wirth Somerset. Every year, the local...

The artist Stefan Brüggemann, who lives in Mexico City and London, labors in the mines of language. For more than 20 years, his painting,...

Philip Guston went from a successful, even iconic, Abstract Expressionist of the 1950s to a man without a movement in the decades that followed. A...

Agnes Gund, the pioneering collector and former president of the Museum of Modern Art, has devoted her life to a form of activist arts...

Over the course of a decade, Marc Payot, Partner and Vice President has spearheaded the gallery’s major expansion in the US, which has included...

Make Hauser & Wirth Somerset is a destination for contemporary making and the crafted object. The latest exhibition, ‘Re.Use, Re.Think, Re...