Lee Lozano

Dallas TX, 1999

Karma, 'Lee Lozano. Drawings 1958-64', New York NY

Hauser & Wirth Somerset, 'Lee Lozano', Bruton, UK

Fruitmarket Gallery, 'Lee Lozano: Slip, Slide, Splice', Edinburgh, UK

Museo Nacional Centro de Arte Reina Sofía, 'Lee Lozano', Madrid, Spain

Hauser & Wirth, 'Lee Lozano – c. 1962', London, UK

Karma Gallery, 'Lee Lozano – c. 1962', New York NY

Hauser & Wirth, 'Lee Lozano: Drawings & Paintings', New York NY

Hauser & Wirth, 'Lee Lozano: Tools', New York NY

Ratio 3, 'Lee Lozano: Notebooks 1967-1970', San Francisco CA

Moderna Museet, 'Lee Lozano: Retrospective', Stockholm, Sweden

Hauser & Wirth, 'Lee Lozano', Zurich, Switzerland

Hauser & Wirth, 'No Title: 1969', London, UK

Van Abbemuseum, 'Lee Lozano. WIN FIRST DONT LAST WIN LAST DONT CARE', Eindhoven, Netherlands (Travelling Exhibition)

Kunsthalle Basel, 'Win first dont last/Win last dont care', Basel, Switzerland (Travelling Exhibition)

Kunsthalle Wien, 'Dorothy Iannone und Lee Lozano', Vienna, Austria (Travelling Exhibition)

Studio B, 'Lee Lozano: Work on paper from the 1960's', Los Angeles CA

MoMA PS1, 'Lee Lozano: Drawn from Life 1961-1971', New York NY

871 Fine Arts, 'Lee Lozano: paintings and drawings', San Francisco CA

Büro Friedrich, 'Language Pieces', Berlin, Germany

Van Liere Fine Arts, 'A wave painting and some drawings', New York NY

Wadsworth Atheneum, 'Lee Lozano/Matrix: 135', Hartford CT

Mitchell Algus Gallery, 'Early 60s', New York NY

Rosen & van Liere, 'Tool Paintings', New York NY

Margarete Roeder Gallery, 'Minimalism', New York NY

Rosen & van Liere, New York NY

Weatherspoon Art Gallery, University of North Carolina, 'Lee Lozano: the Sixties', Greensboro NC

Nova Scotia College of Art & Design, 'Lee Lozano: Infofiction', Halifax CA

Lisson Gallery, 'Infofiction II', London, UK

Whitney Museum of American Art, New York NY

Galerie Ricke, Cologne, Germany

Bianchini Gallery, New York NY

The New Gallery, Bennington College, Bennington VT

The Wattis Institute, 'Drum Listens to Heart. Part I', San Francisco CA

Hauser & Wirth, 'Seventy Years of The Second Sex. A Conversation between Works and Words', cur. Dr Sophie Berrebi, Zurich, Switzerland

White Cube, 'Sweet Lust', Paris, France

Hauser & Wirth, 'Bodily Abstractions / Fragmented Anatomies', Monaco

New Britain Museum of American Art, 'String, Steel, Spit Bite: Selections from the LeWitt Collection', New Britain CT

Hauser & Wirth, 'Drawing On The Mind. Curated by Zhang Enli', Central, Hong Kong

KW Institute for Contemporary Art, 'Zeros and Ones' , Berlin, Germany

Fondazione Prada, 'Stop Painting', Venice, Italy

MMK Museum für Moderne Kunst, 'Sammlung', Frankfurt am Main, Germany

Kunstmuseum Wolfsburg, 'In aller Munde. Von Pieter Bruegel bis Cindy Sherman', Wolfsburg, Germany

nGbK neue Gesellschaft für bildende Kunst, 'Radikale Passivität: Politiken des Fleisches', Berlin, Germany

Van Abbemuseum, 'Yael Davids: A Daily Practice', Eidhoven, Netherlands

Blum & Poe, 'New Images of Man', cur. Alison M. Gingeras, Los Angeles CA

Punta della Dogana, François Pinault Foundation, 'Untitled, 2020', François Pinault Foundation, cur. Caroline Bourgeois, Muna El Fituri and Thomas Houseago, Venice, Italy

K21 Kunstsammlung Nordrhein-Westfalen, 'I’M NOT A NICE GIRL!', cur. Isabelle Malz, Dusseldorf, Germany

Hauser & Wirth Somerset, 'Unconscious Landscape. Works from the Ursula Hauser Collection', Bruton, UK

Hauser & Wirth, 'Material Actions', St. Moritz, Switzerland

The Museum of Contemporary Art, 'Open House. Elliott Hundley', Los Angeles CA

CPG Centre de la Photographie Genève, 'OSMOSCOSMOS', Geneva, Switzerland

Punta della Dogana, François Pinault Foundation, 'Luogo e Segni', Venice, Italy

Schinkel Pavillon e.V., 'Straying from the line', Berlin, Germany

Mimosa House, 'Do you keep thinking there must be another way', London, UK

Weatherspoon Art Museum, '1960s: A Survey of the Decade', Greensboro NC

Misako & Rosen, 'Happy Mind – Natural High', Tokyo, Japan

Schloss Derneburg Museum, Hall Art Foundation, 'Für Barbara', cur. Leo Koenig, Derneburg, Germany

Greene Naftali Gallery, 'Walking Point', New York NY

Celaya Brothers Gallery, 'Postcards from America', Mexico City, Mexico

Peter Freeman Inc., 'Deadeye Dick: Richard Bellamy and His Circle', New York NY

National Gallery of Victoria, 'Masterworks from MoMA: Melbourne Winter Masterpieces 2018', Melbourne, Australia

Pilar Corrias, 'Adult Swim', London, UK

Galerie Thaddaeus Ropac, 'Minimal Art from the Marzona Collection', London, UK

The British Museum, 'The American Dream: Pop to the Present', London, UK

Mitchell Algus Gallery, 'Works on Paper: 1813-2016', New York NY

Los Angeles County Museum of Art, 'Los Angeles to New York: Dwan Gallery' , Los Angeles CA

The Met Breuer, 'Delirious: Art at the Limits of Reason, 1950-1980', New York NY

National Gallery of Art, 'Los Angeles to New York: Dwan Gallery, 1959-1971', Washington DC

Transmission, 'Don't Tread on Me', Glasgow, UK

Galerie Patrick Seguin, 'Olympia', Paris, France

Kaufmann Repetto, 'Outrageous Acts and Everyday Rebellions', Milan, Italy

Karma, 'Landscape I', Amagansett NY

Grey Art Gallery, New York University, 'Inventing Downtown', New York NY

LWL Museum für Kunst und Kultur, 'Homosexualitäten', Munster, Germany

Miguel Abreu Gallery, 'In Place Of', New York NY

Site 131, 'Dropout: Regarding Lee Lozano', Dallas TX

Centre Pompidou Metz, 'An Imagined Museum', Metz, France

MMK Museum für Moderne Kunst, 'An Imagined Museum', Frankfurt am Main, Germany

mumok Museum Moderner Kunst Stiftung Ludwig Wien, 'Painting 2.0: Expression in the Information Age', Vienna, Austria

Deutsches Historisches Museum, 'HOMOSEXUALITÄT_EN / HOMOSEXUALITY_IES', Berlin, Germany

Tate Liverpool, 'An Imagined Museum', Liverpool, UK

Ballroom Marfa, 'Äppärät', Marfa TX

Kunsthalle Bergen, 'Gestures of Disappearance', Bergen, Norway

David Kordansky Gallery, 'Flat World', Los Angeles CA

Whitney Museum of American Art, 'America Is Hard to See', New York NY

Kunsthaus Zürich, 'Sense (Un)Certainty: A Private Collection', Zurich, Switzerland

Villa Merkel, Galerien der Stadt Esslingen, 'Better than de Kooning', Esslingen, Germany

Bergen Kunsthall, 'Gestures of Disappearance', Bergen, Norway

Museum Brandhorst, 'Painting 2.0: Expression in the Information Age', Munich, Germany

Villa Merkel, 'Better Than de Kooning', Esslingen, Germany

CAM St. Louis, 'Occupational Therapy', St. Louis MO

Palazzo Reale, 'The Great Mother', Milan, Italy

Punta della Dogana, François Pinault Foundation, 'Slip of the Tongue', Venice, Italy

White Columns, 'White Columns Annual', New York NY

Petzel Gallery, 'A Machinery for Living', New York NY

Gucci Museo, 'Feminilitá Radicale', Florence, Italy

Ancient & Modern, 'Jan Pleitner', London, UK

Gebert Foundation, '69 / 96', Rapperswil, Switzerland

SKUC Gallery, 'To melt, trustingly, without reproach', Ljubljana, Slovenia

Kunstverein für die Rheinlande und Westfalen, 'Das Beste vom Besten. Vom riskanten Geschäft der Kunst', Dusseldorf, Germany

Badischer Kunstverein, 'Continental Drift. Conceptual Art in Canada: The 1960s and 70s', Karlsruhe, Germany

Henry Art Gallery, University of Washington, 'Now Here is also Nowhere', Seattle WA

The Box Gallery, 'Painting', Los Angeles CA

The Whitney Museum, 'Sinister Pop', New York NY

Vancouver Gallery, 'Traffic: Conceptual Art in Canada 1965-1980', Vancouver, Canada

Seventeen Gallery, 'A Plea For Tenderness', London, UK

Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, 'Materializing "Six Years": Lucy R. Lippard and the Emergence of Conceptual Art', New York NY

Parra & Romero, 'Ventajas de Viajar en Tren', Madrid, Spain

White Flag Projects, 'Day of the locust', St. Louis MO

MOCA Museum of Contemporary Art, 'The Personal is Political: Women Artists from the Collection', Los Angeles CA

Van Abbemuseum, 'The Collectors Show', Eindhoven, Netherlands

MMK Museum für Moderne Kunst, 'MMK 1991-2011. 20 Years of Presence', Frankfurt am Main, Germany

David Zwirner, 'Proofs and Refutations', New York NY

Tufts University Art Gallery, 'Seductive Subversion: Woman Pop Artists 1958-1968', Medford MA

Museum of Contemporary Art, 'Barely There. Part II', Detroit MI

Walker Art Center, 'Absentee Landlord', Minneapolis MN

David Reed Studio, 'Working drawings', New York NY

The Jewish Museum New York, 'Shifting the Gaze: Painting and Feminism', New York NY

Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, 'Seductive Subversion: Woman Pop Artists 1958-1968', New York NY

Haus der Kunst, 'less is more. Pictures, Objects, Concepts from the Collection and Archive of Herman and Nicole Daled. 1968-1978', Munich, Germany

Overduin and Kite, 'Joint Dialogue. Lozano / Graham / Kaltenbach', Los Angeles CA

The University of the Arts, 'Beyond the Surface: Women in Pop Art 1958-1968', Philadelphia PA

Institut Valencià d’Art Modern, 'Compass in hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection', Valencia, Spain

Contemporary Art Gallery, 'Face Up', Vancouver, Canada MoMA PS1, New York NY

MoMA Museum of Modern Art, 'Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection', New York NY

MARRES Centre for Contemporary Art, 'Depression', Maastricht, Netherlands

Jack Shainman Gallery, 'Works on View', New York NY

Seattle Art Museum, 'Target Practice: Painting Under Attack 1949-1978', Seattle WA

Palazzo Grassi / Punta della Dogana, François Pinault Foundation, 'Mapping the Studio: Artists from the François Pinault Collection', Venice, Italy

mumok Museum moderner Kunst Stiftung Ludwig Wien, 'Mind Expanders', Vienna, Austria

Ludwig Forum, 'Pop-Up!', Aachen, Germany

MMK Museum für Moderne Kunst, 'Yellow and Green: Positions from the collection of the MMK', Frankfurt, Germany

Michele Maccarone and Gavin Brown, 'Pretty / Ugly', New York NY

The Office for Contemporary Art Norway, 'Whatever Happened to Sex in Scandinavia', Oslo, Norway

Zacheta National Gallery of Art, 'Revolutions 1968', Warsaw, Poland

Wexner Center for the Arts, 'Solitaire: Lee Lozano, Sylvia Plimack Mangold and Joan Semmel', Columbus OH (Travelling Exhibition)

Wadsworth Atheneum Museum of Art, 'Solitaire: Lee Lozano, Sylvia Plimack Mangold and Joan Semmel', Hartford CT (Travelling Exhibition)

MoMA PS1, 'WACK! Art and the Feminist Revolution, 1965-1980', New York NY (Travelling Exhibition)

Vancouver Art Gallery, 'WACK! Art and the Feminist Revolution, 1965-1980', Vancouver, Canada (Travelling Exhibition)

ZKM Zentrum für Kunst und Medien, 'High Times, Hard Times. New York Painting 1967-1975', Karlsruhe, Germany (Travelling Exhibition)

Galerie Thomas Flor, 'Short Distance To Now', Dusseldorf, Germany

Fellows of Contemporary Art, 'StoneFace I', Los Angeles CA

Davis Museum and Cultural Center, Wellesley College, 'Don't Look. Contemporary Drawings from an Alumna's Collection (Martina Yamin), Class of 1958', Wellesley MA

David Zwirner, 'A Point in Space is a Place for an Argument', New York NY

MoMA Museum of Modern Art, 'What is Painting? Contemporary Art from the Collection', New York NY

MMK Museum für Moderne Kunst, 'Das Kapital', Frankfurt, Germany

documenta, 'documenta 12', Kassel, Germany

Gagosian Gallery, 'Beneath the Underdog', New York NY

Rowley Kennerk Gallery, 'Sam Durant, Robert Heinecken, Lee Lozano, Cady Noland and Richard Prince', Chicago IL

MOCA Museum of Contemporary Art, 'WACK! Art and the Feminist Revolution, 1965-1980', Los Angeles CA (Travelling Exhibition)

National Museum of Women in the Arts, 'WACK! Art and the Feminist Revolution, 1965-1980', Washington DC (Travelling Exhibition)

Ronald Feldman Fine Arts, 'Mixed Signals', New York NY

MACRO Museo d'Arte Contemporanea Roma, 'Into Me / Out of Me', Rome, Italy (Travelling Exhibition)

The National Academy Museum of Fine Arts, 'High Times, Hard Times. New York Painting 1967-1975', New York NY (Travelling Exhibition)

Museo Tamayo Arte Contemporaneo, 'High Times, Hard Times. New York Painting 1967-1975', Mexico City, Mexico (Travelling Exhibition)

Neue Galerie am Landesmuseum Joanneum, 'High Times, Hard Times. New York Painting 1967-1975', Graz, Austria (Travelling Exhibition)

mumok Museum Moderner Kunst Stiftung Ludwig Wien, 'Konzept. Aktion. Sprache', Vienna, Austria

KW Institute for Contemporary Art, 'Into Me / Out of Me', Berlin, Germany (Travelling Exhibition)

MoMA PS1, 'Into Me / Out of Me', New York NY (Travelling Exhibition)

Daniel Weinberg Gallery, 'BLOCK PARTY: An Exhibition of Drawings', Los Angeles CA

Tang Art Museum, Skidmore College, 'Twice Drawn', Saratoga Springs NY

Solo Projects Studio B, 'Nineteen Sixty-Eight', Los Angeles CA

Mitchell Algus Gallery, 'Exquisite Corpse – Cadavre Exquis: a game played between Mitchell Algus and Bob Nickas', New York NY

Greene Naftali Gallery, 'Motore Immobile', New York NY

Weatherspoon Art Museum, 'High Times, Hard Times. New York Painting 1967-1975', Greensboro NC (Travelling Exhibition)

American University Museum at the Katzen Arts Center, 'High Times, Hard Times. New York Painting 1967-1975', Washington DC (Travelling Exhibition)

Andrea Rosen Gallery, 'Looking at Words. The Formal Presence of Text in Modern and Contemporary Works on Paper', New York NY

Kunstmuseum St. Gallen, 'Sweet Temptations. Dialoge mit der Sammlung Rolf Ricke', St. Gallen, Switzerland

MoMA Museum of Modern Art, 'Drawing from the Modern, 1945-1975', New York NY

MoMA PS1, 'Collection (or How I Spent a Year)', New York NY

mumok Museum Moderner Kunst Stiftung Ludwig Wien, 'Kurze Karrieren', Vienna, Austria

Dinter Fine Arts, 'Word of Mouth. A Selection: Part I', New York NY

Des Moines Art Center, 'Work Ethic', Des Moines IA (Travelling Exhibition)

Wexner Center for the Arts, 'Work Ethic', Columbus OH (Travelling Exhibition)

Margarete Roeder Gallery, 'Drawings, drawings, drawings', New York NY

Daniel Reich Gallery, 'Karaoke Death Machine', New York NY

Kunstraum Innsbruck, 'Chocolate, what else: The Rolfe Ricke Collection', Innsbruck, Austria

Jack S. Blanton Museum of Art, University of Texas, 'Transgressive Women: Yayoi Kusama, Lee Lozano, Ana Mendieta and Joan Semmel', Austin TX

Andrew Kreps Gallery, 'I can't be you', New York NY

Baltimore Museum of Art, 'Work Ethic', Baltimore MD (Travelling Exhibition)

Galerie der Hochschule für Grafik und Design, HGB Hochschule für Grafik und Design, 'Kunst verlassen', Leipzig, Germany

Neues Museum Nürnberg, 'Einfach Kunst: Sammlung Rolf Ricke', Nuremberg, Germany

Carpenter Center for the Visual Art & Fogg Museum, Harvard University, 'Extreme Connoisseurship', Cambridge MA

Wadsworth Atheneum, 'Non-composition: 15 case studies', Hartford CT

Daniel Reich Gallery, 'Miss World 1972', New York NY

Contemporary Arts Museum, 'Afterimage', Houston TX

Moderna Galerija Ljubljana, 'Worthless (Invaluable)', Ljubljana, Slovenia

Margarete Roeder Gallery, 'Painting of the Sixties and Seventies', New York NY

Museum of Contemporary Art, 'Afterimage: Drawing Through Process', Los Angeles CA

Queens Museum, 'Global Conceptualism: Points of Origin 1950s-1980s', New York NY

Ubu Gallery, 'The Sixties in the Seventies', New York NY

Margarete Roeder Gallery, New York NY

Lawrence Markley, 'Graphite: Lee Bontecou, Helmut Federle, Lee Lozano, Robert Moskowitz, Cary Smith, Myron Stout, Robert Therrien', New York NY

Grey Art Gallery, New York University, '1969: a Year Revisited', New York NY

Weatherspoon Art Gallery, University of North Carolina, 'Art on Paper', Greensboro NC

P.S. 1 Contemporary Art Center, 'Abstract Art: 1960-1969', New York NY

Suermondt-Ludwig-Museum, Aachen, Germany

Neue Galerie im alten Kurhaus, 'Klischee + Antiklischee: Bildformen der Gegenwart', Aachen, Germany

Reese Palley Gallery, 'Some New York Painting', San Francisco CA

Galerie Ricke, 'Bilder, Skulpturen, Objekte & Zeichnungen', Cologne, Germany

Paula Cooper Gallery, 'Drawings', New York NY

University Arts Museum, The University of Texas, 'Art and Things: Painting in the Sixties from the Michener Collection', Austin TX

Dwan Gallery, 'Language III', New York NY

Paula Cooper Gallery, 'Number 7', New York NY

New York Shakespeare Festival, Public Theatre, 'Art / Peace Event', New York NY

Corcoran Gallery, '31st Biennial Exhibition', Washington DC

Galerie Ricke, Cologne, Germany

Watson Gallery, Wheaton College, '8 Painters', Norton MA

Art Resources Center / Whitney Museum of American Art, 'Drawings', New York NY

The Contemporary Art Center, 'Gordon, Lozano, Ryman & Stanley', Cincinnati OH

Old Dominion College, 'Contemporary Paintings from the Michener Foundation Collection', Norfolk VA

Noah Goldowsky & Richard Bellamy, 'From Arp to Artschwager Show, I', New York NY

Bianchini Gallery, New York NY

The Lannis Museum of Normal Art, 'Normal Art', New York NY

Allentown Art Museum, 'New Acquisitions 1963-1966: The James A. Michener Foundation Collection', Allentown PA

Green Gallery, New York NY

Sheldon Art Gallery, University of Nebraska, '74th Annual Exhibit', Lincoln NE

Green Gallery, New York NY

Van Bovenkamp Gallery, 'Contemporary Erotica', New York NY

Davison Art Center, Wesleyan University, 'The New Art', Middletown CA

Applin, Jo, 'Lee Lozano: Not Working', London: Yale University Press, 2018, ill.

Bradley, Fiona (ed.), 'Lee Lozano. Slip Slide Splice', Edinburgh: Fruitmarket Gallery, 2018, ill. (exh. cat.)

McLean, Elizabeth (ed.), 'Lee Lozano. Language Pieces', Edinburgh: The Fruitmarket Gallery, Zurich: Hauser & Wirth Publishers, 2018, ill.

Molesworth, Helen, Nickas, Bob, 'Lozano c. 1962', New York: Karma, 2017, ill.

Velázquez, Teresa, Applin, Jo, 'Lee Lozano. Forzar la máquina', Madrid: Museo Nacional Centro de Arte Reina Sofia, 2017, ill. (exh. cat.)

Lehrer-Graiwer, Sarah, 'Lee Lozano. Dropout Piece', London: Afterall Books, 2014, ill.

Folie, Sabine, 'Lozano Tools', New York: An Art Service, 2011, ill.

Müller-Westermann, Iris (ed.), 'Lee Lozano', Ostfildern: Hatje Cantz, 2010, ill. (exh. cat.)

Szymczyk, Adam, 'Lee Lozano. Win first don't last. Win last don't care', Basel: Schwabe, 2006, ill. (exh. cat.)

Rosen, Barry, van Liere, Jaap, Timpanelli, Gioia, 'Lee Lozano. Drawings. Which One Are You?', New Haven: Yale University Press, 2006, ill.

Folie, Sabine, Matt, Gerald, Kunsthalle Wien (eds.), 'Lee Lozano. Seek the extremes...', Nuremberg: Verlag für moderne Kunst Nürnberg, 2006, ill. (exh. cat.)

Rondeau, James, (ed.), 'Lee Lozano / MATRIX 135', Hartford: Wadsworth Atheneum, 1998, ill. (exh. cat.)

Kinmont, Ben (ed.), 'Project Series: Lee Lozano', New York: Agency, 1998

Carpenter, Gilbert F., Lawing, Eric, Mullins, K. T., 'Lee Lozano: the Sixties', Greensboro: Weatherspoon Art Gallery, 1988 (exh. brochure)

Lozano, Lee, 'Private Book 2' [1969, ed. 1972], New York: Karma Publishing, 2017

Lozano, Lee, 'Private Book 1' [1968-1969, ed. 1972], New York: Karma Publishing, 2016

Lozano, Lee, 'Lee Lozano: Notebooks 1967-70', New York: Primary Information, 2009

Fogle, Douglas, Skerath, Hanneke (eds.), 'Making Strange. The Chara Schreyer Collection', New York: DelMonico Books, 2021, p. 170, ill.

Garcia, Dora (ed.), 'If I Could Wish for Something. A Book of Visual and Text Essays', Oslo: Fotogalleriet, Aalst: Netwerk Aalst, 2021, p. 205, ill.

Beitin, Andreas, Böhme, Hartmut, Bredekamp, Horst (et al.), 'In Aller Munde. Das Orale in Kunst und Kultur', Berlin: Hatje Cantz, 2020, ill.

Gaensheimer, Susanne, Malz, Isabelle (eds.), 'I’m not a Nice Girl! Eleanor Antin, Lee Lozano, Adrian Piper, Mierle Laderman Ukeles', Dusseldorf: Kunstsammlung Nordrhein-Westfalen, 2020, ill. (exh. cat.)

Bethenod, Martin (ed.), 'Luogo e segni', Venice: Marsilio Editori, 2019, ill. (exh. cat.)

Bader, Joerg (ed.), '50JPG OSMOCOSMOS', Geneva: Centre de la photographie Genève, 2019, ill. (exh. cat.)

Cras, Sophie, 'The Artist as Economist. Art and Capitalism in the 1960s', New Haven: Yale University Press, 2019, ill.

Deitch, Jeffrey, Gingeras, Alison, Dean, Aria (et al.), 'Unrealism. New Figurative Painting', New York: Rizzoli Electa, 2019, ill.

Birnbaum, Daniel, Noring, Ann-Sofing (eds.), 'Moderna Museet. The Collection', London: König Books, Stockholm: Moderna Museet, 2018, pp. 148-149, ill.

Cras, Sophie, 'L'économie à l'épreuve de l'art. Art et capitalisme dans les années 1960', Paris: Les Presses du Réel, 2018, ill.

Friedman, Samantha, Kinchin, Juliet (et al.), 'MoMA at NGV', Melbourne: National Gallery of Australia, 2018, ill.

(exh. cat.) Schaar, Elisa, Prasad, Prerona (eds.), 'Do I Have to Draw You a Picture?', Cambridge: Downing College, 2018, ill. (exh. cat.)

Bradnock, Lucy, Baum, Kelly (et al.), 'Delirious. Art at the Limit of Reason 1950-1980', New York: The Metropolitan Museum of Art, 2017, ill. (exh. cat.)

Doyle, Oona, Franklin, Paul B. (eds.), 'Minimal Art from the Marzona Collection', London: Galerie Thaddeous Ropac, 2017, ill. (exh. cat.)

Ayas, Define, Kleinman, Adam (ed.), 'WdW Review: Arts, Culture, and Journalism in Revolt, Vol. 1 (2013-2016)', Rotterdam: Witte de With Center for Contemporary Art, 2017, p. 242, ill.

Carroll, Alisa, 'Art House. The Collaboration of Chara Schreyer and Gary Hutton', New York: Assouline, 2016, pp. 74-75, 94, 220, ill.

Stein, Judith, 'Eye of the Sixties. Richard Bellamy and the Transformation of Modern Art', New York: fsg books, 2016, p. 203, ill.

Allen, Gwen (ed.), 'The Magazine' [Whitechapel: Documents of Contemporary Art Series], Cambridge: The MIT Press, London: Whitechapel Gallery, 2016, p. 28, ill.

Ammer, Manuela, Hochdörfer, Achim, Joselit, David (eds.), 'Painting 2.0. Expression in the Information Age. Gesture and Spectacle. Eccentric Figuration. Social Networks', Munich: Prestel, 2015, pp. 88-89, 132-134, ill. (exh. cat.)

Nisbet, James, 'Ecologies, Environments, and Energy Systems in the Art of the 1960s and 1970s', Cambridge: The MIT Press, 2014, pp. 197-201, ill.

Stout, Katharine, 'Contemporary Drawing. From the 1960s to Now', London: Tate Publishing, 2014, p. 58, ill.

Kittelmann, Udo, Jäger, Joachim, Scholz, Dieter (eds.), 'Die Sammlung der Nationalgalerie 1945-1968. Der geteilte Himmel', Berlin: Distanz Verlag, 2013, ill. (exh. cat.)

Unterdörfer, Michaela (ed.), 'Hauser & Wirth. 20 Years', Ostfildern: Hatje Cantz, 2013, ill.

Stein, Loris (ed.), 'The Paris Review', New York: The Paris Review Foundation, 2012, p. 206, ill.

Catherine, Morris, Vincent, Bonin (ed.), 'Materializing Six Years. Lucy R. Lippard and the Emergence of Conceptual Art', New York: Brooklyn Museum, 2012, pp. 158-159, pp. 50-51, ill. (exh. cat.)

Berry, Ian, Shear, Jack (eds.), 'Twice Drawn. Modern and Contemporary Drawings in Context', Munich: Prestel, pp. 86-88, 186-187, ill.

Bernardi, Donatella, Etienne, Noémie (eds.), 'Standing on the Beach with a Gun in my Hand', Geneva: Labor et Fides, 2011, pp. 46-49, ill. (exh. cat.)

Allen, Gwen (ed.), 'Artists’ Magazines. An Alternative Space for Art', Cambridge: The MIT Press, pp. 13-41, ill.

Pirano, Michelle, 'Target Practice: Painting Under Attack 1949-78', Seattle: Seattle Art Museum, pp. 33, 81, ill.

Gingeras, Alison M., Bonami, Francesco (eds.), 'Mapping the studio. Artists from the François Pinault Collection', Milan: Electa, 2009, pp. 220-221, 302-303, ill.

Molesworth, Helen (ed.), 'Solitaire: Lee Lozano, Sylvia Plimack Mangold, Joan Semmel', Columbus: Wexner Center for the Arts, 2008, ill.

Meyer-Stoll, Christiane, 'Sammlung Rolf Ricke. Ein Zeitdokument', Ostfildern: Hatje Cantz, 2008, pp. 259-260, 340, ill.

Mark, Lisa Gabrielle, Hamilton, Elizabeth (eds.), 'WACK! Art and the feminist Revolution', London: MIT Press, Los Angeles: MoCA Museum of Contemporary Art, 2007, ill. (exh. cat.)

Schollhammer, Georg, Ander, Heike (eds.), 'Documenta Magazine No. 1, 2007. Modernity?', Cologne: Documenta/Museum Fridericianum/Taschen, 2007, pp. 202-207, ill.

Biesenbach, Klaus (ed.), 'Into Me/Out of Me', Ostfildern: Hatje Cantz, 2007, pp. 292-293, ill.

Heiser, Jörg, 'Plötzlich diese Übersicht. Was gute Zeitgenössische Kunst ausmacht', Berlin: Claassen/Ulstein, 2007, pp. 54-56, ill.

Acconci, Vito, Mayer, Bernadette (eds.), '0 to 9. The complete magazine: 1967-1969', New York: Ugly Duckling Presse, 2006, ill.

Koch, Alexander, 'Kunst verlassen #2: Kunstausstieg als kritische Praxis am Kunstfeld', in: Sennewald, Jens Emil, Hofmann, Franck, Hausbei, Kerstin (eds.), 'Transversale. Erkundungen in Kunst und Wissenschaft. Ein europäisches Jahrbuch', Paris/Paderborn: Wilhelm Fink, 2005, ill.

Van der Pol, Bik (ed.), 'Dialogue Piece. Nixon at the Movies. Truth of Consequences', Frankfurt: Revolver, 2005, ill.

Siegel, Katy, Mattick, Paul, 'Geld' [Art works – zeitgenössische Kunst Series], Hildesheim: Gerstenberg, 2004, ill.

Neuburger, Susanne, Saxenhuber, Hedwig (eds.), '"Kurze Karrieren". Im Museum Moderner Kunst, Wien', Cologne: Walther König, 2004, ill. (exh. cat.)

Grisebach, Lucius, Goetz, Ingvild, Hicke, Dave (et al.), 'Einfach Kunst. Sammlung Rolf Ricke', Nuremberg: Neues Museum Nürnberg, 2002, ill. (exh. cat.)

Alberro, Alexander, Stimson, Blake (eds.), 'Conceptual Art: A Critical Anthology', Cambridge: The MIT Press, 2001, ill.

Briski, Mika (ed.), 'Worthless (Invaluable)', Ljubljana: Moderna Galerija Ljubljana, 2000, p. 66, ill. (exh. cat.)

Lippard, Lucy, 'Escape Attempts', in: Goldstein, Ann, Rorimer, Anne (eds.), 'Reconsidering the Object of Art: 1965', Los Angeles: MoCA Museum of Contemporary Art, 1996, ill. (exh. cat.)

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Weatherspoon Art Gallery (ed.), 'Art on paper 1983', Greensboro: Weatherspoon Art Gallery, 1983, ill. (exh. brochure)

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Reinhardt, Von Anja, 'Grosse Künstlerin statt nettes Mädchen', on: deutschlandfunk.de, 20 January 2020

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___, 'Lee Lozano's defiant and lascivious legacy takes over Reina Sofía', on: eldiario.es, 30 May 2017

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Di Franco, Karen, 'Dropout Artist. Lee Lozano turned "not doing" into her final art project, one that endured until her death almost 30 years later. Two decades after that, her (in)action still speaks to the anxieties of the present', in: ArtReview, London, March 2017

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___, 'Gemeentemuseum Den Haag acquires large painting by American artist Lee Lozano', on: artdaily.org, 2 May 2016, ill.

___, 'Jo Applin Wins $50,000 Mellor Prize for Research on Women Artists', on: artforum.com, 8 October 2015, ill.

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Place, Vanessa, 'The Frictionless Witness or Us, Keeping Us Real', in: Mousse, Milan, October-November 2013, pp. 246-249, ill.

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___, 'Materializing "Six Years"', in: Art News, New York, February 2013, p. 92. ill.

Russeth, Andrew, 'Odd Couple: Mitchell Algus and Amy Greenspon Are Showing – and, Yes, Selling – the Unknown, the Emergin, the Dead', on: observer.com, 29 May 2012

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Spears, Dorothy, 'Lee Lozano, Surely Defiant, Drops In', in: The New York Times, New York, 9 January 2011, p. 23, ill.

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Tatley, Roger, 'Nachlässe', in: Monopol, Berlin, December 2009, p. 55

Schreiber, Daniel, 'Der Mann im Hintergrund', in: Monopol, Berlin, March 2009, pp. 22-25, ill.

Herbert, Martin, 'Whatever Happened to Sex in Scandinavia?', in: Frieze, London, pp. 153-54, ill.

Blom, Ina, 'Carnal Knowledge', in: ArtForum, New York, March 2009, pp. 111-112, ill.

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___, 'Lee Lozano', in: Kunst Bulletin, Zurich, December 2008, ill.

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Sharp, Chris, 'The title of this show', in: Art Review, London, no. 26, October 2009, p. 166, ill.

Heiss, Alanna, 'The Principal of P.S.1', in: The Culture Pages, New York, May 2008, pp. 60-62, ill.

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Spiegler, Almuth, '"Mädchen-Kunst"?', in: Morgen, Vienna, April 2008, pp. 26-30, ill.

Siegel, Katy, 'Solitaire: Lee Lozano, Sylvia Plimack Mangold, Joan Semmel', in: Artforum, New York, no. 5, January 2008, p. 135

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Cohen, David, 'Ample Room for Argument', in: The New York Sun, New York, 2 August 2007, p. 17, ill.

___, 'A Point in Space is a Place for an Argument', in: The New York Times, New York, 6 August 2007, p. 13

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___, 'Listings: Best by Day', in: Time Out New York, New York, 5-11 July 2007, p. 84

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Mueller, Stephen, 'Quotidian and Engaging. David Zwirner group show of living and dead is July's best', in: Gay City News, New York, 12-18 July 2007, p. 17

Van der Heide, Door Bart, 'Tussenstops', in: Metropolis M, Utrecht, no. 3, June-July 2007, pp. 24-26, ill.

___, 'Lee Lozano', in: Time Out, London, 18 April 2007, p. 38, ill.

Lippard, Lucy, 'No Regrets', in: Art in America, New York, no. 6, June/July 2007, p. 75, ill.

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Mummenhoff, Julia, 'White Angel, Double Killer', on: artnet.com, 29 June 2007, ill.

Schwarze, Dirk, 'Radikale Positionen der Malerei. Wie die documenta 12 die Kunst präsentiert – Konfrontationen IV: Gerhard Richter und Lee Lozano', in: HNA, Kassel, 9 May 2007, ill.

Ward, Ossian, 'Lee Lozano. Hauser & Wirth West End', in: Time Out, London, 18-24 April 2007, p. 38, ill.

Sachs Samet, Jennifer, 'Rewriting Recent Art History', in: The Sun, New York, 6 February 2007

Bui, Pong, 'Katy Siegel and David Reed', in: The Brooklyn Rail, New York, February 2007

Sachs, Hinrich, 'Lee Lozano', in: De Witte Raaf, Brussel, no. 124, November-December 2006, p. 45

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___, 'Lee Lozano in Van Abbemuseum', in: Weekblad voor Deurne, Deurne, 9 November 2006, p. 27, ill.

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___, 'Lee Lozano gebruikt machokunst als pamflet', in: de Ingenieur, Amsterdam, 6 October 2006, p. 63, ill.

Kattenberg, Peter, 'Wat zij wil', in: Persoonlijk, Amsterdam, 14 October 2006, p. 22, ill.

Smallenburg, Sandra, 'Lily van der Stokker', in: NRC – M, Amsterdam, 31 August 2006, pp. 66-67, ill.

Schambelan, Elizabeth, 'Best of 2006 – Lee Lozano', in: Artforum, New York, vol. XLV, no. 4, December 2006, pp. 284-285, ill.

Sansom, Anna, 'Basel: Kunsthalle', in: Contemporary, London, no. 86, 2006, pp. 70-71, ill.

Donegan, Cheryl, 'All Weapons are Boomerangs', in: Modern Painters, London, October 2006, pp. 76-79, ill.

Vogel, Sabine B., 'Re View', in: Monopol, Berlin, no. 5, October/November 2006, pp. 132-133, ill.

Hafner, Hans-Jürgen, 'Lee Lozano', in: Kunstforum International, Ruppichteroth, vol. 182, October/November 2006, pp. 372-374, ill.

Hainley, Bruce, 'On E', in: Frieze, London, no. 102, October 2006, pp. 12, 242-247, ill.

Wahler, Olivier, 'Portfolio: Lee Lozano', in: Palais, Paris, Fall-Winter 2006, pp. 54-55, ill.

Saxenhuber, Hedwig, 'Suche die Extreme, dort spielt sich alles ab!', in: Springerin, Vienna, vol. XII, no. 4, Autumn 2006, pp. 36-39, ill.

Gebetsroither, Ines, 'Dorothy Iannone, Lee Lozano: Seek the Extremes…!', in: Spike, Vienna, Autumn 2006, p. 76, ill.

Buss, Esther, 'Art Dreamer', in: Texte zur Kunst, Berlin, no. 63, September 2006, pp. 217-220, ill.

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Rugo, Jacqueline, 'Finger im weichen Fleisch', in: Die Tageszeitung, Berlin, 29 August 2006, ill.

Ackermann, Tim, Borcherdt, Gesine, Hohmann, Silke, 'Die Guten, die Bösen und der etwas Banale', in: Monopol kompakt, Berlin, no. 1, Summer 2007, p. 16, ill.

Merkel, Klaus, 'Kaputt in Hollywood/Modernes Antiquariat', on: regioartline.org, 17 August 2006, ill.

G. M., 'Harte Bilder, radikale Künstlerin', in: NZZ am Sonntag, Zurich, 6 August 2006, p. 51, ill.

Vogel, Sabine B., 'Dorothy Iannone und Lee Lozano in der Kunsthalle Wien', in: Kunst-Bulletin, Zurich, no. 9, 2006, p. 73

Buss, Esther, 'In Wellen an den Rändern', in: Die Tageszeitung, Berlin, 22 July 2006, ill.

I. T., 'Basel Retrospektive für eine Rebellin', in: Schweizer Illustrierte, Zurich, p. 74, ill.

Benzer, Christa, 'Sex im Summer of Love', in: Der Standard, Vienna, 8-9 July 2006, p. 38, ill.

Borchardt-Binrbaumer, Brigitte, 'Reise in weibliche Extreme', in: Wiener Zeitung, Vienna, 7 July 2006

Heiser, Jörg, 'Gewinne zuletzt und dir ist's auch egal', in: Süddeutsche Zeitung, Munich, no. 154, 7 July 2006, p. 11, ill.

Smith, Roberta, 'In Basel. Contemporary Art Enjoys a Bounty of Friends', in: The New York Times, New York, 7 July 2006

___, 'Neues aus Museen und Kunsthallen', in: Informationsdienst Kunst, Regensburg, no. 355, 6 July 2006, p. 6

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___, 'Twice Drawn' [review], in: Art on Paper, New York, vol. 10, no. 5, May/June 2006, p. 72, ill.

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Graw, Isabelle, 'Schon gehört? Schon gesehen? Überlegungen zu Gossip, Kunst und Celebrity Culture', in: Texte zur Kunst, Cologne, no. 61, March 2006, pp. 41-53, ill.

Binswanger, Michèle, 'Extrem, obskur, verrückt', in: Facts, Zurich, no. 24, 15 June 2006, pp. 66-67, ill.

Lange, Christy, 'Bound to Fail. Open Systems-I', in: Tate etc., London, no. 4, Summer 2005, pp. 28-35, ill.

Douglas, Sarah, 'If you can't beat ArtBasel/Miami Beach – copy it', in: The Art Newspaper, New York, no. 157, April 2005, p. 58, ill.

___, 'All the fun of the art fair', in: The Irish Times, Dublin, 12 March 2005

Cotter, Holland, 'Dealers Gather at the River, Convenient to Lofts with Bare Walls', in: The New York Times, New York, 11 March 2005, p. E36

Perret, Mai-Thu, 'Lee Lozano', in: Metropolis M, Utrecht, no. 1, February-March 2005, pp. 98-100, ill.

Hafner, Hans-Jürgen, '...formely known as Lee Lozano?', in: Spike, Vienna, December 2004, pp. 42-49, ill.

Higgs, Matthew, 'Lee Lozano, Drawn from Life: 1961-1971', in: Artforum, New York, vol. XLIII, no. 4, December 2004, pp. 156-157, ill.

Kelsey, John, 'On the ground', in: Artforum, New York, vol. XLIII, no. 4, December 2004, pp. 54-56, 65, cover, ill.

Koch, Alexander, 'Kunst verlassen #4: Waarover we (kunnen) spreken als we over het "uit de kunst stappen" spreken / Wovon wir sprechen (können), wenn wir vom Ausstieg aus der Kunst sprechen', in: De Witte Raaf, Brussel, no. 112, September/October 2004, pp. 6-7, cover, ill.

Koch, Alexander, 'Kunst verlassen #3: Macht der Kunst? "Kurze Karrieren" im Wiener Museum Moderner Kunst', in: Texte zur Kunst, Cologne, no. 55, September 2004, pp. 194-197

Kenneth, Baker, 'Lee Lozano re-emerges', in: San Francisco Chronical, San Francisco, 5 June 2004

Avgikos, Jan, 'Lee Lozano', in: Artforum, New York, vol. XLII, no. 9, May 2004, p. 214, ill.

Schwendener, Martha, 'Identity as Vector', in: NYFA Current. A publication of the New York Foundation for the Arts, New York, 22 April 2004

Perreault, John, 'Lee Lozano at PS1: A Method to Her Madness', on: artsjournal.com, 21 March 2004

Stillman, Nick, 'Lee Lozano – Drawn from Life: 1961-1971', in: The Brooklyn Rail, New York, May 2004

Morris, Catherine, 'No woman, no why', in: Time Out, New York, 26 February 2004, ill.

Kunitz, Daniel, 'A Determined Anti-Decorousness', in: The New York Sun, New York, 5 February 2004, ill.

Goddard, Donald, 'Lee Lozano: Drawn from Life, 1961-1971', in: New York Art World, New York NY, 2004

Reed, David, 'The Morning After: A Roundtable', in: Artforum, New York, vol. XLI, no. 7, March 2003, pp. 206-211, 267-270, ill.

Molesworth, Helen, 'Tune in, torn on, drop out: The Rejection of Lee Lozano', in: Art Journal, New York, Winter 2002, pp. 64-70

Lamm, April, 'Lee Lozano and Bik van der Pol', in: Frieze, London, no. 61, September 2001

Heidenreich, Stefan, 'Nichts gegessen', in: Frankfurter Allgemeine Zeitung, Frankfurt, 28 April 2001

Siegel, Katie, Reed, David, 'Making Waves', in: Artforum, New York, vol. XL, no. 2, October 2001, pp. 120-128, ill.

Kinmont, Ben, 'The Third Sculpture', in: Documents sur l’art, Dijon, no. 12, 2000

Ferrell, John, 'Process art expressed via drawing', in: San Gabriel Valley Tribune, Covina, 9 August 1999

Johnson, Reed, 'Under the hood of modern art', in: Daily News, Los Angeles, 6 August 1999

Pagel, David, 'Afterimage Reviews Artists Making Rational Art on Paper', in: Los Angeles Times, Los Angeles, 21 April 1999

Frank, Peter, 'Afterimage, defining eye', in: LA Weekly, Los Angeles, 13 August 1999

Vetrocq, Marcia, 'Conceptualism: An Expanded View', in: Art in America, New York, July 1999

Heartney, Eleanor, 'Lee Lozano: return of a Rebel', in: Art in America, New York, no. 5, May 1999, pp. 146-149, ill.

Wilonsky, Robert, 'The Dropout Piece', in: Dallas Observer, Dallas, 9-15 December 1999, pp. 35-50, ill.

Beck, Martin, 'Geschichtskorrektur', in: Die Springerin, Vienna, no. 4, June-August 1998

Blackburn, Meg, 'Lee Lozano', in: NY Arts Magazine, New York, no. 20, April 1998, p. 10

Arning, Bill, 'Lost and found: The long, strange trip of Lee Lozano', in: Time Out, New York, no. 131, 26 March-2 April 1998, p. 44

Johnson, Ken, 'Lee Lozano', in: Weekend. Insert in The New York Times, 6 March 1998

Rexer, Lyle, 'Long Live Loz', in: Review. The Critical State of Visual Art in New York, New York, 15 February 1998, pp. 5-6, cover

Johnson, Ken, 'Lee Lozano', in: Art in Review. Insert in The New York Times, New York, 6 March 1998, p. E42

McNally, Owen, 'The Revival of a Recluse: Lee Lozano', in: The Hartford Courant, Hartford, 25 January 1998, ill.

___, 'Lee Lozano at Wadsworth', in: Flash Art, Milan, vol. XXXI, no. 198, January-February 1998, p. 44, ill.

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