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Applebroog Hero

Ida Applebroog

Photo: Emily Poole

Photo: Emily Poole

A self-proclaimed ‘generic artist’ and an ‘image scavenger,’ painter and feminist pioneer Ida Applebroog has spent the past five decades conducting a sustained inquiry into the polemics of human relations. She explores themes of violence and power, gender politics, women’s sexuality and domestic space using images stylistically reminiscent of comics, at once beguiling and disturbing.

Applebroog first came to attention in New York in the mid-1970s, formulating her practice with a series of small self-published books, ‘Stagings’ of identical cartoon images presented in succession, evocative of flipbooks or film stills, which she mailed to other artists, writers and individuals. From this beginning, she developed an instantly recognizable style of simplified human forms with bold outlines. In an Applebroog exhibition, the visitor becomes an observer and a participant in a domestic drama where fragmented narrative scenes are neither beginnings nor ends to the story.

Biography

Born Bronx, New York NY, 1929

Education

New York Institute of Applied Arts and Sciences, New York NY, 1948 – 1950
School of the Art Institute of Chicago, Chicago, IL, 1965 – 1968
Honorary Doctorate, Parsons School of Design, New York NY, 1997

Solo Exhibitions

2019 Kunstmuseum Thun, ’Ida Applebroog’, Thun, Switzerland
Kunstmuseum Thun, 'Ida Applebroog', Thun CH

2017 Hauser & Wirth, 'Ida Applebroog. Mercy Hospital', London, England
Karma, 'Ida Applebroog. Mercy Hospital', New York NY

2016 Institute of Contemporary Art, 'Ida Applebroog', Miami FL

2015 Hauser & Wirth, 'Ida Applebroog. The Ethics of Desire', New York NY

2014 MAC/VAL - Musée d'Art Contemporain du Val-de-Marne, 'Ida Applebroog', Vitry-sur-Seine, France

2011 Hauser & Wirth London, 'Ida Applebroog', London, England

2010 Hauser & Wirth New York, 'Monalisa', New York NY

2009 Nathalie Parienté, 'Ida Applebroog: l'histoire par la fenêtre', Paris, France

2007 Rowland Contemporary, 'Photogenetics', Chicago IL

2005 Ronald Feldman Fine Arts Booth, 'The Armory Show', New York NY

2002 Ronald Feldman Fine Arts, 'Modern Olympia', New York NY

2001 Ronald Feldman Fine Arts, 'Galileo Works', New York NY

2000 Galerie Nathalie Pariente, 'Works on paper from the 1980s', Paris, France

1999 Lowe Gallery, 'Ida Applebroog', Atlanta GA

1998 Pennsylvania Academy of Fine Arts / Museum of American Art, 'Ida Applebroog: Nothing Personal, Paintings 1987-1997', Philadelphia PA
Galerie Nathalie Pariente, 'Ida Applebroog: Innocence versus Realite', Paris, France
Corcoran Gallery of Art, 'Ida Applebroog: Nothing Personal, Paintings 1987-1997', Washington DC

1997 Barry Rosen & Jaap Van Liere, 'Ida Applebroog Prints', New York NY
Baumgartner Gallery, 'Ida Applebroog', Washington DC
Modernism, 'Ida Applebroog', San Francisco CA
Barbara Gross Galerie, 'Ida Applebroog', Munich, Germany

1996 Ronald Feldman Fine Arts, 'Living', New York NY

1994 Galerie Akinci, 'Ida Applebroog', Amsterdam, Netherlands
Ronald Feldman Fine Arts, 'Tattle-tales', New York NY
Freedman Gallery, Center for the Arts, Albright College, 'Ida Applebroog – Everything is Fine', Reading PA
Moody Gallery of Art, University of Alabama, 'Ida Applebroog: Selected Paintings
1985-1991', Tuscaloosa AL
Brooklyn Museum, 'Everything Is Fine', New York NY

1993 Frith Street Gallery, 'Ida Applebroog', London, England
The Metropolitan Museum Mezzanine Gallery, 'Arion Press', New York NY
Weatherspoon Art Gallery, University of North Carolina, 'Ida Applebroog', Greensboro NC
Gallery Paule Anglim, 'Ida Applebroog' , San Francisco CA
Orchard Gallery, 'Ida Applebroog', Derry, Northern Ireland (Travelling Exhibition)
Irish Museum of Modern Art, 'Ida Applebroog', Dublin, Ireland (travelling exhibiton)
Cubitt Street Gallery, 'Ida Applebroog', London, Great Britain (Travelling Exhibition)

1992 Kunsthallen Brandts Klaedefabrik, 'Ida Applebroog', Odense, Denmark
Realismus Studio, 'Ida Applebroog – Bilder', Berlin, Germany
Galerie Akinci, 'Ida Applebroog', Amsterdam, Netherlands
Stichting de Appel, 'Ida Applebroog', Amsterdam, Netherlands

1991 Ronald Feldman Fine Arts, 'Safety Zone', New York NY
Ulmer Museum, 'Ida Applebroog', Ulm, Germany
Bonner Kunstverein, 'Ida Applebroog', Bonn, Germany
Barbara Gross Galerie, 'Ida Applebroog', Munich, Germany
Exhibition Hall, 'Avtozavodskaya', Moscow, Russia
Galerie Langer Fain, 'Ida Applebroog', Paris, France

1990 Seibu Museum of Art, Seed Hall, 'Ida Applebroog', Tokyo, Japan
Riverside Studios, 'Ida Applebroog', London, England
Barbara Gross Galerie, 'Art Fair', Frankfurt a. M., Germany
Contemporary Arts Museum, 'Happy Families', Houston TX
The Power Plant, 'Ida Applebroog',Toronto, Canada

1989 Ronald Feldman Fine Arts, 'Nostrums', New York NY
Barbara Gross Galerie, 'Ida Applebroog', Munich, Germany
High Museum of Art, 'Art at the Edge: Ida Applebroog', Atlanta GA
Carnegie Mellon Art Gallery, 'Ida Applebroog', Pittsburgh PA
Herter Art Gallery, University of Massachusetts, 'Ida Applebroog', Amherst MA

1988 The Picker Art Gallery, Colgate University, 'Paintings, Prints, and Artist's Books',
Hamilton NY
Reed College, 'Ida Applebroog', Portland OR

1987 University of Kentucky Art Museum, 'Ida Applebroog', Lexington KY
Ronald Feldman Fine Arts, 'Ida Applebroog', New York NY
Wadsworth Atheneum, Matrix Gallery, 'Ida Applebroog', Hartford CT

1986 Institute of Contemporary Art, University of Pennsylvania, 'Investigations', Philadelphia PA
Ronald Feldman Fine Arts, 'Cul de Sacs', New York NY

1985 Galleria del Cavallino, 'Ida Applebroog', Venice, Italy
Dart Gallery, 'Ida Applebroog', Chicago IL
Real Art Ways, 'Ida Applebroog', Hartford, CT

1984 Carl Solway Gallery, 'Ida Applebroog', Cincinnati OH
Anderson Gallery, Virginia Commonwealth University, 'Ida Applebroog', Richmond VA
Tommy Segal Gallery, 'Ida Applebroog', Boston MA
Castillo Gallery, 'Ida Applebroog', New York NY
The Chrysler Museum, 'Ida Applebroog', Norfolk VA
Ronald Feldman Fine Arts, 'Inmates and Others', New York NY

1983 Spectacolor Board, Times Square (Public Art Fund), 'Ida Applebroog', New York NY
Koplin Gallery, 'Common Causes', Los Angeles CA

1982 Ronald Feldman Fine Arts, 'Current Events', New York NY
Nigel Greenwood Gallery, 'Ida Applebroog', London, England
Bowdoin College Museum of Art, 'Ida Applebroog', Brunswick ME

1981 Gallerie il Diagramma, 'Ida Applebroog', Milan, Italy
Galleria del Cavallino, 'Ida Applebroog', Venice, Italy
Douglass College, 'Ida Applebroog', New Brunswick NJ
Ronald Feldman Fine Arts, 'Ida Applebroog', New York NY

1980 Rotterdam Arts Foundation, 'Ida Applebroog', Rotterdam, Netherlands
Printed Matter Windows, 'Ida Applebroog', New York NY
Apropos, 'Ida Applebroog', Lucerne, Switzerland

1979 Williams College Museum of Art, 'Works by Ida Applebroog', Williamstown MA
Franklin Furnace, 'Manuscript', New York NY

1978 Whitney Museum of American Art, 'Ida Applebroog', New York NY
Ellen Sragow Gallery, 'Paper Stagings', New York NY

1976 Women's Interart Center, 'Ida Applebroog', New York NY

1973 Newport Harbor Art Museum, 'Ida Applebroog', Newport Beach CA

1971 Boehm Gallery, Palomar College, 'Soft Forms: Ida Horowitz', San Marcos CA

Group Exhibitions

2020 Center for the Arts, Westchester Community College, ‘Artists as Innovators: Celebrating Three Decades of New York Council on the Arts / New York Foundation for the Arts Fellowships’, Valhalla NY (Travelling Exhibition)

2019 Paul W. Zuccaire Gallery, Stony Brook University, ‘Artists as Innovators: Celebrating Three Decades of New York Council on the Arts / New York Foundation for the Arts Fellowships’, Stony Brook NY (Travelling Exhibition)
Burke Gallery at Plattsburgh State Art Museum, SUNY Plattsburgh, ‘Artists as Innovators: Celebrating Three Decades of New York Council on the Arts / New York Foundation for the Arts Fellowships’, Plattsburgh NY (Travelling Exhibition)
Cathy & Jesse Marion Art Gallery, SUNY Fredonia, ‘Artists as Innovators: Celebrating Three Decades of New York Council on the Arts / New York Foundation for the Arts Fellowships’, Fredonia NY (Travelling Exhibition)

2018 The Heong Gallery, Downing College Cambridge, ‘DO I HAVE TO DRAW YOU A PICTURE?’, Cambridge, United Kingdom
Fosdick-Nelson Gallery, Alfred University, ‘Artists as Innovators: Celebrating Three Decades of New York Council on the Arts / New York Foundation for the Arts Fellowships’, Alfred NY (Travelling Exhibition)
Dowd Gallery, SUNY Cortland, ‘Artists as Innovators: Celebrating Three Decades of New York Council on the Arts / New York Foundation for the Arts Fellowships’, Cortland NY (Travelling Exhibition)

2017 Hamburger Kunsthalle, 'Artist's Books. The Collection', Hamburg, Germany
Whitney Museum of Art, 'Fast Forward. Painting from the 1980s', New York NY
New York Public Library, ‘What’s New? Recent Acquisitions, Wallach Division’, New York NY
The Samuel Dorsky Museum of Art, SUNY New Paltz, ‘Artists as Innovators: Celebrating Three Decades of New York Council on the Arts / New York Foundation for the Arts Fellowships’, New Paltz NY (Travelling Exhibition)
Pilar Corrias, ’Adult Swim’, London, UK
The British Museum, ‘The American Dream. Pop to the Present', London UK
Whitechapel Gallery, 'ISelf Collection: The End of Love', London, UK
Jane Voorhees Zimmerli Art Museum, Rutgers University, 'Guerrilla (And Other) Girls: Art/Activism/Attitude', New Brunswick NJ

2016 Museum of Modern Art, 'Back in Time-based Works: Books at Franklin Furnace, 1976-1980' , New York NY
CCS Bard Hessel Museum, 'Inventing Downtown', Annandale-on-Hudson NY
Montclair Art Museum, 'Work and Leisure in American Art', Montclair NJ
Wadsworth Atheneum, 'The End of Innocence: Childhood Torments in the Contemporary Art Collection.', Hartford CT

2015 David Roberts Art Foundation, 'Albert, the kid is ghosting', London, England
Palazzo Reale, 'The Great Mother', Milan, Italy
Aspen Art Musem, 'Second Chances', Aspen CO

2013 Purchase College Library, 'P is for Performance: Artists' Books on Shelves and in Public Spaces', Purchase NY
New Museum, 'NYC 1993: Experimental Jet Set, Trash and no Star', New York NY

2012 Sarah Moody Gallery, The University of Alabama, 'Selection from the Permanent Collection', Tuscaloosa AL
Serpentine Gallery, 'Memory Marathon', London, England
The David Roberts Art Foundation, 'A House of Leaves', London, England
The Cooper Union, 'Ruptures: Forms of Public Address', New York NY
dOCUMENTA, Fridericianum, 'dOCUMENTA (13)', Kassel, Germany
Exit Art, 'Every Exitis an Entrance: 30 Years of Exit Art', New York NY
Trienal Poli/Gráfica, 'El Panal / The Hive', San Juan, Puerto Rico
Athenaeum Music & Arts Library, ‘Recent Acquisitions’, La Jolla CA
Contemporary Art Museum, 'Figure Studies: Recent Representational Works on Paper', St. Louis MO

2011 Lille Métropole Musée d'art moderne, d'art contemporain et d'art brut, 'Singulier(s) / Pluriel. Le Cnap au LaM', Villeneuve d'Ascq, France

2010 The Jewish Museum, 'Shifting the Gaze: Painting and Feminism', New York NY
Centre Georges Pompidou, 'elles@centrepompidou', Paris, France

2009 Palazzo Manganelli, 'Spazio Libro d'Artista', Catania, Italy
Centre Georges Pompidou, 'elles@centrepompidou – artistes femmes dans les collections du Musée national d'art moderne', Paris, France

2008 Ronald Feldman Fine Arts, 'Drawing Review: 37 Years of Works on Paper', New York NY
Sidney Mishkin Gallery, Baruch College, 'Independent Visions / Feminist Perspectives', New York NY
Gavin Brown's Enterprise & Maccarone , 'Pretty Ugly', New York NY
Cornell Fine Arts Museum, 'Corps Exquis: Fragment from a History of the Human Form Winter Park', Winter Park FL

2007 Contemporary Art Center of Virginia, 'Counterparts: Contemporary Painters and their Influences Virginia Beach', Virginia VA
Solvberget, Stavanger Kulturhus, 'Girlpower and Boyhood', Stavanger, Norway (Travelling Exhibition)

2006 Firehouse Gallery, Burlington, '30 Years of New Year Graphics from The Jewish Museum', Vermont VT
Talbot Rice Gallery, 'Girlpower and Boyhood', Edinburgh, Scotland (Travelling Exhibition)
Kunsthallen Brandts, 'Girlpower and Boyhood', Brandts, Denmark (Travelling Exhibition)
The Andy Warhol Museum, 'The "F" Word', Pittsburgh PA
Apexart, 'Neo Sincerity: The Difference Between the Comic and the Cosmic is a Single Letter', New York NY
Exit Art, 'The Studio Visit', New York NY
Grey Art Gallery, 'The Downtown Show: The New York Art Scene, 1974-1984', New York NY (travelling exhibiton)
Andy Warhol Museum, 'The Downtown Show: The New York Art Scene, 1974-1984', Pittsburgh PA (Travelling Exhibition)
Austin Museum of Art, 'The Downtown Show: The New York Art Scene, 1974-1984', Austin TX (travelling exhibiton)

2005 Trierenberg Holding AG, 'New Art, New York: Reflections on Human Condition', Truan, Austria
Baumgartner Gallery, '25 Years Baumgartner, Selected One-Person Exhibitions', New York NY
Galerie St. Etienne, 'The Narrative Impuse in Modern & Contemporary Art', New York NY
Compton Verney, 'Only Make-Believe', Warwickshire, England
Mildred Lane Kemper Art Museum, Washington University, 'Inside Out Loud: Visualizing Women's Health in Contemporary Art', St. Louis MO
Indiana State University Gallery, 'Contemporary Women Artists: New York', Terre Haute IN
Mizel Center for Arts and Culture, 'Upstarts and Matriarchs: Jewish Women Artists and the Transformation of American Art', Denver CO

2004 Parsons School of Design, 'The Voting Booth Project', New York NY
National Academy of Design Museum, '179 Annual: An Invitational Exhibition of Contemporary American Art', New York NY
Galerie St. Etienne, 'Animals & Us: The Animal in Contemporary Art', New York NY
Henie Onstad Kunstsenter, 'Splat Boom Pow! The Influence of Comics in Contemporary Art', Oslo, Norway (Travelling Exhibition)
The Wexner Center for the Arts at Ohio State University, 'Splat Boom Pow! The Influence of Comics in Contemporary Art', Columbus OH (travelling exhibiton)
Lakeview Museum, 'A Painting for Over the Sofa (that's not necessarily a painting)', Peoria IL (travelling exhibiton)
University of Nebraska, 'A Painting for Over the Sofa (that's not necessarily a painting)', Lincoln NE (Travelling Exhibition)

2003 Contemporary Arts Museum, 'Splat Boom Pow! The Influence of Comics in Contemporary Art', Houston TX (travelling exhibiton)
ICA - The Institute of Contemporary Art, 'Splat Boom Pow! The Influence of Comics in Contemporary Art', Boston MA (Travelling Exhibition)
Ronald Feldman Fine Arts, 'Ameri©an Dre@m', New York NY
Lowe Gallery, 'Inaugural Group Show', Santa Monica CA
Fuller Museum, 'A Painting for Over the Sofa (that's not necessarily a painting)', Brockton MA (Travelling Exhibition)
Huntington Museum, 'A Painting for Over the Sofa (that's not necessarily a painting)', Huntington WV (Travelling Exhibition)

2002 Alysia Duckler Gallery, 'Toyland', Portland OR
Ronald Feldman Fine Arts, 'Season Review: Fall '01 – Spring '02', New York NY
Palazzo Reale, 'New York Renaissance: Masterworks from the Whitney Museum of American Art', Milan, Italy
Paule Anglim Gallery, 'Women Artists: Their Work and Influence 1950s- 1970s', San Francisco CA
Knoxville Museum of Art, 'A Painting for Over the Sofa (that's not necessarily a painting)', Knoxville TN (Travelling Exhibition)
Walton Arts Center, 'A Painting for Over the Sofa (that's not necessarily a painting)', Fayetteville AR (Travelling Exhibition)
William Patterson University, 'A Painting for Over the Sofa (that's not necessarily a painting)', Wayne NJ (Travelling Exhibition)

2001 Bernice Steinbaum Gallery, 'A Painting for Over the Sofa (that's not necessarily a painting)', Miami Fl (Travelling Exhibition)
Gallery of Contemporary Art, Lewis and Clark College, 'Strike! Printmakers as Social Critics', Portland OR
Julie Saul Gallery, 'Panic', New York NY
Zimmerli Art Museum, Rutgers University, 'Confrontations', New Brunswick NJ
Williams College Museum of Art, 'Pulling Prints: Modern and Contemporary Works from the Collection Williams College', Williamstown MA
Fundacio Caixa Catalunya, 'Humor and Rage', Barcelona, Spain

2000 Kagan Martos Gallery, 'Toys', New York NY
Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, 'The Figure: Another Side of Modernism', Staten Island NY
San Francisco Center for the Book, 'Back East: Artist's Books of the Northeast', San Francisco CA

1999 Neuberger Museum of Art, Purchase College, State University of New York, 'END PAPERS: 1890-1900 and 1990-2000', Purchase NY
Espai d'Art Contemporani de Castelló, 'A Sangre y Fuego', Girona, Spain
Thread Waxing Space, 'Foul Play', New York NY
Whitney Museum of American Art, 'The American Century: Art and Culture', New York NY
George Adams Gallery, 'Artists for Mumia 911', New York NY
450 Broadway Gallery, 'The Summer Show', New York NY
New Museum of Contemporary Art, 'The Time of Our Lives', New York NY
Bronx Museum of the Arts, 'Urban Mythologies: The Bronx Represented Since the 1960s', New York NY

1998 Joseloff Gallery, University of Hartford, 'Extensions: Aspects of the Figure', West Hartford CT
The Arkansas Arts Center, 'National Drawing Invitational', Little Rock AR
Kent Gallery, 'A Delicate Condition', New York NY
Apex Art C.P., 'Not For Sale: Feminism in the USA during the 1970's', New York NY

1997 Milwaukee Art Museum, 'MilwaEnglandee Art Museum Auction', MilwaEnglandee WI
Hebrew Union College - Jewish Institute of Religion, 'Rage / Resolution: From Family Violence to Healing in the Works of Israeli and American Women', New York NY
Bard Center for Curatorial Studies, Annandale-on-Hudson, 'Ida Applebroog and Matt Mulligan', New York NY
The Gallery at Hastings-on-Hudson, 'The Figure Revisited, Part 2', New York NY
The Nassau County Museum of Art, 'Feminine Image', Roslyn Harbor NY
Ringling School of Art and Design, 'REAL (ist)', Sarasota FL
Philbrook Academy, 'Elvis + Marilyn, 2 x Immortal, organized by Dennis Barrie & Associates', Tulsa OK (Travelling Exhibition)
Columbus Museum of Art, 'Elvis + Marilyn, 2 x Immortal, organized by Dennis Barrie & Associates', Columbus OH (Travelling Exhibition)
Tennessee State Museum, 'Elvis + Marilyn, 2 x Immortal, organized by Dennis Barrie & Associates', Nashville TN (Travelling Exhibition)
San Jose Museum of Art, 'Elvis + Marilyn, 2 x Immortal, organized by Dennis Barrie & Associates', San Jose CA (Travelling Exhibition)
Honolulu Academy of Art, 'Elvis + Marilyn, 2 x Immortal, organized by Dennis Barrie & Associates', Honolulu HI (Travelling Exhibition)

1996 Freedman Gallery, Albright College, '20/20: The Visionary Legacy of Doris Chanin Freedman', Reading PA
Kemper Museum of Contemporary Art and Design, 'Reality Bites', Kansas City MO
Koplin Gallery, 'Figure Heads & Red Herrings', Los Angeles CA
Thomas Segal Gallery, '1976-1996 Twenty Years in Boston', Boston MA
Duke University Museum of Art, 'Interstices: A(a)rt the A(a)rtist and the A(a)udience', Durham NC
University Galleries, Illinois State University, 'Frankenstein (In Normal)', Normal IL
Ronald Feldman Fine Arts, 'Withdrawing', New York NY
Emily Lowe Gallery, Hofstra Museum, Hofstra University, 'Relatively Speaking: Mothers and Daughters in Art', Hempstead NY (Travelling Exhibition)

1995 ACA Galleries, 'Voices of Conscience', New York NY
Exit Art / The First World, 'Imaginary Beings', New York NY
Ms. Foundation for Women, 'Mothers and Daughters in Art', New York NY
Rockford Museum of Art, 'Relatively Speaking: Mothers and Daughters in Art', Rockford IL (Travelling Exhibition)
The New York Studio School, 'Image and Eye: The Art of Goya & Picasso', New York NY
ARTWALK, 'Coalition for the Homeless, ARTWALK Auction', New York NY
Milwaukee Art Museum, '25 Americans: Painting in the 90's', MilwaEnglandee WI
Lehman College Art Gallery, 'The Art of Justice, Part I', Bronx NY
Randolph Street Gallery, 'Wallflower', Chicago IL
The New Museum of Contemporary Art, 'Human / Nature', New York NY
Burchfield-Penny Art Center, 'Alternatives: 20 Years of Hallwalls Contemporary Arts Center 1975-1995', Buffalo NY
Museum of Contemporary Art / Finnish National Gallery, 'ARS 95 Helsinki', Helsinki, Finland
Fine Arts Center, University of Massachusetts, 'Imperfect Exhibition', Amherst MA (Travelling Exhibition)
Tyler Galleries, Tyler School of Art, 'Imperfect Exhibition', Philadelphia PA (travelling exhibiton)
Contemporary Art Museum, 'Elvis + Marilyn, 2 x Immortal, organized by Dennis Barrie & Associates', Houston TX (Travelling Exhibition)
Mint Museum of Art, 'Elvis + Marilyn, 2 x Immortal, organized by Dennis Barrie & Associates', Charlotte NC (Travelling Exhibition)
Cleveland Museum of Art, 'Elvis + Marilyn, 2 x Immortal, organized by Dennis Barrie & Associates', Cleveland OH (Travelling Exhibition)
New York Historical Society, 'Elvis + Marilyn, 2 x Immortal, organized by Dennis Barrie & Associates', New York NY (Travelling Exhibition)

1994 Gallery 400, School of Art and Design, The University of Illinois at Chicago, 'More Than Real', Chicago IL
NGBK Galerie, Kunstamt Kreuzberg / Bethanien und Schwules Museum, 'Gewalt / Geschafte', Berlin, Germany
The Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, 'Relatively Speaking: Mothers and Daughters in Art', Staten Island NY (Travelling Exhibition)
Exit Art, ...It's How You Play the Game, New York NY
Institute of Contemporary Art, 'Elvis + Marilyn, 2 x Immortal, organized by Dennis Barrie & Associates', Boston MA (Travelling Exhibition)
Islip Art Museum, East Islip, 'Riddle of the Sphinx', New York NY
Irish Museum of Modern Art, Dublin, Ireland
The College of Wooster Art Museum, 'Prints from Solo Impression, Inc.', Wooster OH
Sarah Moody Gallery of Art, University of Alabama, 'Selections from the Permanent Collection', Tuscaloosa AL
Ueno Royal Museum, 'Against All Odds: The Healing Powers of Art', Tokyo, Japan (Travelling Exhibition)
The Hanoke Open-Air Museum, 'Against All Odds: The Healing Powers of Art', Tokyo, Japan (Travelling Exhibition)
Sonnabend Gallery, 'Three Degrees of Separation: Independent Curators Incorporated Benefit Exhibition and Sale', New York NY
Monique Knowlton Gallery, 'The Domestic Landscape', Kent CT
Galerie de L'Ecole des Beaux-Arts de Lorient, 'Le Temps d'un Dessin', New York NY
James Corcoran Gallery, 'Animal Farm', Santa Monica CA
Spiva Arts Center, 'Presswork: The Art of Women Printmakers', Joplin MO (Travelling Exhibition)
Elvejem Museum of Art, University of Wisconsin, 'Presswork: The Art of Women Printmakers', Madison WI (Travelling Exhibition)

1993 Haus der Kunst München, 'Widerstand - Denkbilder für die Zukunft', Munich, Germany
The Contemporary Arts Center, 'Figure as Fiction', Cincinnati OH
Grey Art Gallery, New York University, 'Brief Encounters: Meetings in Art', New York NY
Arthur Sackler Gallery at the Grand Opera & Orchestra, 'Bluebeard', Stamford CT
Corcoran Gallery, '43rd Biennial Exhibition of Contemporary Painting', Washington DC
Museum of Contemporary Art, '11th Annual Benefit Auction', Chicago IL
The National Museum of Women in the Arts, 'Establishing the Legacy', Washington DC
Ronald Feldman Fine Arts, 'Summer '93', New York NY
Phyllis Kind Gallery, 'M'Aidez / Mayday', New York NY
Kunstverein München, 'Die Arena des Privaten', Munich, Germany
Museum am Ostwall, 'Subversion des Lachens', Dortmund, Germany
Exit Art, '1920', New York NY
The Whitney Museum, 'The Whitney Biennial', New York NY
Tweed Gallery, City Commission on the Status of Women, 'Women's Art, Women's Lives, Women's Issues', New York NY
Castle Gallery, College of New Rochelle, 'My / Self: Your / Other', New Rochelle NY
Richard Anderson Gallery, 'Songs of Retribution', New York NY
Atlanta College of Art, 'Presswork: The Art of Women Printmakers', Youngstown OH (Travelling Exhibition)
Woodruff Arts Center, 'Presswork: The Art of Women Printmakers', Youngstown OH (Travelling Exhibition)
The Butler Institute of American Art, 'Presswork: The Art of Women Printmakers', Youngstown OH (Travelling Exhibition)
Federal Reserve Bank Fine Arts Gallery, 'Presswork: The Art of Women Printmakers', Kansas City MO (Travelling Exhibition)
Edwin A. Ulrich Museum of Art, 'Presswork: The Art of Women Printmakers', Wichita KS (Travelling Exhibition)
Wichita State University, 'Presswork: The Art of Women Printmakers', Wichita KS (Travelling Exhibition)
Portsmouth Museums, Portsmouth Community Arts Center, 'Presswork: The Art of Women Printmakers', Portsmouth VA (Travelling Exhibition)

1992 Artspace, Jersey City State College, '...by foul subtraction', Jersey City NJ
Alternative Museum, '10: Artist as Catalyst', New York NY
Frankel Nathanson Gallery, 'Prints', Maplewood NJ
Tel Aviv Museum of Art, 'Not For Sale', Tel Aviv, Israel
Los Angeles County Museum of Art, 'Parallel Visions: Modern Artists and Outsider Art', Los Angeles CA
Jersey City Museum, 'Promises: Election Dreams and Desires, Fears and Nightmares', Jersey City NJ
New Langston Arts, 'The Abortion Project', San Francisco CA
Museé d'Art Contemporain, Pour La Suite Du Monde, Montreal, Canada
P.S.1 Contemporary Art Center, 'Slow Art - Painting in New York Now', Long Island City NY
Newport Harbor Art Museum, 'Devil on the Stairs', Newport Beach CA
The William Benton Museum of Art, The University of Connecticut, 'Empowering the Viewer: Art, Politics and Community', Storrs CT (Travelling Exhibition)
Temple University, 'Empowering the Viewer: Art, Politics and Community', Philadelphia PA (Travelling Exhibition)
The National Museum of Women in the Arts, Washington D.C., 'Presswork: The Art of Women Printmakers', Minnesota MN (Travelling Exhibition)
Elvejem Museum of Art, University of Wisconsin, 'Presswork: The Art of Women Printmakers', Madison WI (Travelling Exhibition)

1991 Philippe Briet Gallery, 'Domenikos Theotokopoulos: A Dialogue', New York NY
American Academy and Institute of Arts and Letters, '43rd Annual Academy-Institute Purchase Exhibition', New York NY
Exit Art, 'The Hybrid State', New York NY
Ecole d'Architecture de Normandie, 'Denonciation', Rouen, France
ICA – The Institute of Contemporary Art, 'Devil on the Stairs: Looking Back on the Eighties', Philadelphia PA
The Victoria and Albert Museum, 'Postmodern Prints', London, England
The Aldrich Museum of Contemporary Art, 'The Art of Advocacy', Ridgefield CT
The Oakland Museum, 'De-Persona', Oakland CA
IMAGE Film and Video Center, 'Atlanta Film and Video Festival', Atlanta GA
Anne Plumb Gallery, 'Show of Strength', New York NY
The Whitney Museum, 'The Whitney Biennial', New York NY
Newport Harbor Art Museum, Newport Beach CA
Simon Watson Gallery, 'The Abortion Project', New York NY
The Cultural Space, 'World Disorder', New York NY
Museum of Modern Art, 'Video and Myth', New York NY

1990 Real Artways, 'Fifteen Years of Raw', Hartford CT
Tyler Art Gallery, State University of New York at Oswego, 'Soho in Oswego: New York Art 1990!', New York NY
Bavarian State Collection of Paintings, 'Prospects: Selected Work from the Collection and Possible Acquisitions', Munich, Germany
The Cooper Union, 'Broken Rifles', New York NY
The Forum Gallery, Jamestown Community College, 'Aging: The Process, the Perception', Jamestown NY
Art Gallery, Towson State University, Towson MD
The Continental Art Gallery, 'Continental Insurance Co.', New York NY
Tyler Art Gallery, 'SUNY Oswego', Oswego NY
University Art Gallery, University at Albany, 'Selected 1990 NYFA Fellowship Award Recipients in Painting', New York NY
Milwaukee Art Museum, 'Word as Image: American Art 1960-1990', Milwaukee WI
Oklahoma City Art Museum, Oklahoma City OK
Contemporary Arts Museum, Houston TX
Barbara Fendrick Gallery, 'Flaneur, Flaneuse: Out for a Stroll', New York NY
Museum of Contemporary Hispanic Art collaborating with The New Museum and the Studio Museum of Harlem, 'The Decade Show', New York NY
Haggerty Museum of Art, Marquette University, 'Images of Death in Contemporary Art', Milwaukee WI
American Academy & Institute of Arts and Letters, 'Invitational Exhibition of Painting & Sculpture', New York NY
Walter Phillips Gallery, 'Heroics: A Critical View', Alberta CA

1989 Artworks Gallery, 'Mythic Moderns', Hartford CT
Pratt Manhattan Gallery, Pratt Institute, 'Fantasists' REALITIES', New York NY (Travelling Exhibition)
Schafler Gallery, 'Fantasists' REALITIES', Brooklyn NY (Travelling Exhibition)
Rhode Island School of Design, Museum of Art, 'New Visions of the Apocalypse', Providence RI
The New Museum of Contemporary Art, 'Benefit Auction Exhibition', New York NY
Lehman College Art Gallery, 'The Bronx Celebrates: Word / Image', Bronx NY
Cincinnati Art Museum, 'Making Their Mark: Women Artists Today, A Documentary Survey, 1970-1985', Cincinnati OH (Travelling Exhibition)
NOMA – New Orleans Museum of Art, 'Making Their Mark: Women Artists Today, A Documentary Survey1970-1985', New Orleans LA (Travelling Exhibition)
Denver Art Museum, 'Making Their Mark: Women Artists Today, A Documentary Survey, 1970-1985', Denver CO (Travelling Exhibition)
Pennsylvania Academy of Fine Arts, 'Making Their Mark: Women Artists Today, A Documentary Survey, 1970-1985', Pennsylvania PA (Travelling Exhibition)

1988 Steven Scott Gallery, 'Not So Naive: Six Women Artists', Baltimore MD
General Electric Corp., 'Figuration', Fairfield CT
Marlborough Gallery, 'Visions / Revisions: Contemporary Representation', New York NY
Adelphia Foundation, 'Benefit Auction for South Africa', San Francisco CA
Greenville County Museum of Art, 'Just Like a Woman', Greenville SC
The QCC Gallery, City University of New York, 'The Politics of Gender', New York NY
Walter Phillips Gallery, Banff Centre, 'Heroics: a Critical View', Alberta CA
MOMA - Museum of Modern Art, 'Committed to Print', New York NY
Exit Art, 'The Social Club', New York NY
Minnesota Museum of Art, 'Art & The Law', St. Paul MN (Travelling Exhibition)

1987 The Weatherspoon Gallery, University of North Carolina at Greensboro, 'Art on Paper', Greensboro NC
All Art Forum Thomas, 'Documenta - Auslese '87', Munich, Germany
Plaza Gallery, Bank of America, 'Art & The Law', San Francisco CA (Travelling Exhibition)
Albrecht Art Museum, 'Art & The Law', St. Joseph MO (Travelling Exhibition)
Muscarelle Art Museum, College of William & Mary, 'Art & The Law', Williamsburg VA (Travelling Exhibition)
Documenta 8, 'Morality Tales: History Painting in the 1980s', Kassel, Germany
___, 'Art Against AIDS', New York NY
Emily Sorkin Gallery, 'Appearances 10th Anniversary and Benefit Show', New York NY
Whitney Museum of American Art at Philip Morris, 'The Viewer as Voyeur', New York NY
Whitney Museum of American Art, 'Contemporary Diptychs: The New Shape of Content', Fairfield County NY
Washington Project for the Arts, 'Some Like It Hot', Washington DC
Hallwalls, 'Floating Values', Buffalo NY
The Chrysler Museum, 'Contemporary Drawing: Motions and Arrested Motion', Norfolk VA
Museum of Contemporary Hispanic Art, 'Connections-Connexus', New York NY
General Electric Corp., 'Contemporary Environment', Fairfield CT

1986 Museum of Art, Rhode Island School of Design, 'Art For Your Collection', Providence RI
Ohio State University Gallery of Fine Arts, 'RAPE', Columbus OH
Cleveland State University Art Gallery, 'Social Structures', Cleveland OH
Museum of Contemporary Art, 'Artists Books and Recordings', Chicago IL
Leo Castelli, Barbara Gladstone, John Weber, Paula Cooper, 'Law and Order Show', New York NY
Barney's, in cooperation with the Cooper Hewitt Museum, 'The Embellishment of the Statue of Liberty', New York NY
Museum of Contemporary Art, 'T-Shirts by Artists', Chicago IL
CDS Gallery, 'Artists Choose Artists IV', New York NY
Linda Farris Gallery, 'Current, Seattle', Seattle WA
Hillwood Art Gallery, C.W. Post, 'Drawing in Situ', Long Island University NY
Museum of Modern Art, 'Recent Acquisitions', New York NY
University Art Gallery, San Diego State, 'Verbally Charged Images', San Diego CA
Museum of Art, 'An American Renaissance: Painting and Sculpture Since 1940', Fort Lauderdale FL (Travelling Exhibition)
Princeton University, 'An American Renaissance: Painting and Sculpture Since 1940', Princeton NJ (Travelling Exhibition)
City Gallery, City Department of Cultural Affairs, '1986: Celebration of Arts Apprenticeship Program', New York NY
Rhode Island School of Design, Museum of Art, 'Life in the Big City: Contemporary Artistic Responses to the Urban Environment', Providence RI

1985 Nexus Contemporary Art Center, 'Public Art: A Blunt Instrument', Atlanta GA
Ronald Feldman Fine Arts, 'Fashion Moda Benefit', New York NY
Edith C. Blum Art Institute, Bard College, 'Out of the Ooo Cloud: Artists Salute the Return of Halley's Comet', Annandale-on-Hudson NY
The Guerrilla Girls at the Palladium, New York NY
Johnson & Johnson Corporate Headquarters, 'Aspects of American Painting: Recent Contemporary Art', New Brunswick NJ
Queensborough College, 'The Parodic Power of Popular Imagery', New NY
Albright College, Reading PA
Herron Gallery, Indianapolis Center for Contemporary Art, Indiana University, 'The Big Car Show: Contemporary Visions of the Automobile', Indianapolis IN
Galerie Glendon, 'Ida Applebroog and Jana Sterbak', Toronto, Canada
Art City, 'Male Sexuality: Expressions and Perceptions', New York NY

1984 The Ackland Art Museum, 'Prints: The State of the Art', Chapel Hill NC
The Freedman Gallery, 'The First Decade', Reading PA
Weatherspoon Art Gallery, 'Art on Paper', Greensboro NC
University Gallery, University of Massachusetts 'Domestic Tales', Amherst MA
Museo Tamayo, 'La Narrative Internacional de Hoy Mexico City', Mexico City, Mexico (Travelling Exhibition)
P.S. 1 Institute for Art & Urban Resources, 'La Narrative Internacional de Hoy Mexico City', Long Island City NY (Travelling Exhibition)
Baltimore Museum of Art, 'Twentieth Century American Artists', Baltimore MD
General Electric, 'Artwork of the Last Ten Years', Fairfield CT
Palm Springs Desert Museum, 'Narrative Sculpture', Palm Springs CA
Museum of Modern Art Advisory Service at the Freeport-McMoran Corp., 'Selections: Art Since 1945', New York NY
MOMA - The Museum of Modern Art, 'An International Survey of Recent Painting and Sculpture', New York NY
Queens Museum, 'Verbally Charged Images', Flushing NY (Travelling Exhibition)
USF Galleries, University of South Florida, 'Verbally Charged Images', Tampa FL (Travelling Exhibition)
University Art Gallery, San Diego State University, 'Verbally Charged Images', San Diego CA (Travelling Exhibition)
Art Gallery, California State College, 'Verbally Charged Images', San Bernadino CA (Travelling Exhibition)
Bruce Velick Gallery, 'Religion: 1984', San Francisco CA
Mount Holyoke College Art Museum and the University Gallery at the University of Massachusetts, 'Apocalyptic Visions: The Shadow of the Bomb', Amherst MA
Sidney Janis Gallery, 'A Celebration of American Women Artists, Part I : The Recent Generation', New York NY
Institute for Art & Urban Resources at P.S.1, 'Artist's Call Against U.S. Intervention in Central America', Queens NY
Bronx Museum of the Arts, 'Words (= /=) Pictures', New York NY

1983 Gallery of Contemporary Art, 'Art at Progressive: Prints from a Corporate Collection', Cleveland OH
The Brooklyn Museum, 'The American Artist as Printmaker', New York NY
Group Material, 'Subculture', New York NY
11 galleries on 57th Street, Applebroog at Midtown Gallery, 'Bodies and Souls', New York NY
Municipal Art Society, 'Keeping Culture Alive in New York - The Need for Artists' Housing', New York NY
Tweed Arts Group , 'The Punch Line', Plainfield NJ
Barbara Gladstone Gallery, 'State of the Art: New Social Commentary', New York NY
Ohio State University, 'All's Fair: Love and War in New Feminist Art', Columbus OH
An Art Exhibition in the Windows of 440 N. Wells St., 416-418 N. State St., and 5 W. Hubbard St., 'Window Shopping', Chicago IL
Nexus Gallery, 'What Artists Have to Say About Nuclear War', Atlanta GA
Hirshhorn Museum and Sculpture Garden, 'Directions 83', Washington DC
Freedman Gallery, Albright College, 'Day In / Day Out: Ordinary Life as a Source for Art', Reading PA
Ronald Feldman Fine Arts, '1984 - A Preview', New York NY

1982 Ben Shahn Galleries, William Paterson College of New Jersey, 'Anti-Apocalypse: Artists Respond to the Nuclear Peril', Wayne NJ
Ronald Feldman Fine Arts, 'The Atomic Salon', New York NY
Bonner Kunstverein, 'Erotik in der Kunst', Bonn, Germany
Creative Time, 'Projects at the Chamber', New York NY
The Museum Gallery, White Plains Public Library, 'Stories Your Mother Never Told You', New York NY

1981 Kathryn Markel Gallery, 'Narratives', New York NY
Grace Borgenicht Gallery, 'Episodes', New York NY
Tyler University, 'New Sculpture', Philadelphia PA
National Women's Hall of Fame, 'Home Work: The Domestic Environment Reflected in Work by Contemporary Women Artists', Seneca Falls NY (Travelling Exhibition)
Joe and Emily Lowe Art Gallery, Syracuse University, 'Home Work: The Domestic Environment Reflected in Work by Contemporary Women Artists', New York NY (Travelling Exhibition)
Amelie A. Wallace Gallery, 'Home Work: The Domestic Environment Reflected in Work by Contemporary Women Artists', New York NY (Travelling Exhibition)

1980 Indianapolis Museum of Art, 'Painting and Sculpture Today, 1980 Biennale.', Indianapolis IN

1979 Hudson River Museum, 'Supershow!', Yonkers NY (Travelling Exhibition)
Landmark Center, 'Supershow!', St. Paul MN (Travelling Exhibition)
The Center for Fine Arts, 'Supershow!', Mesa AZ (Travelling Exhibition)
The New Gallery, 'Supershow!', Cleveland OH (Travelling Exhibition)
INK - Halle fur International Neue Kunst, 'With a Certain Smile', Zurich, Switzerland
Sesta Biennalle Internazionale della Grafica d'Arte, Florence, Italy

1977 Institute for Art and Urban Resources at P.S. 1, 'The Proscenium: The Staged Words of Ida Applebroog, Manny Farber and Patricia Patterson.' Long Island City NY
Contemporary Arts Museum, 'American Narrative / Story Art: 1967-1977', Houston TX

1975 State University College, 'Abstraction: Alive and Well', Potsdam NY

1973 Sarah Lawrence College, 'In Spaces', Bronxville NY
Max Hutchinson Gallery, 'From the Ceiling - Three American Sculptors', New York NY

1972 Long Beach Art Museum, 'Invisible / Visible', Long Beach CA

1971 Pasadena Art Museum, 'Design XI', Pasadena CA

Fine Arts Museum, 'South 8', San Diego CA

Awards & Grants

2009 Anonymous Was a Woman Award

2008 Lifetime Achievement Award, Women's Caucus for Art, Los Angeles CA

1998 MacArthur Foundation Fellowship, Chicago IL

1997 Honorary Doctorate, New School University / Parson School of Design, New York NY

1995 Lifetime Achievement Award, College Art Association, New York NY

1992 Milton Avery Distinguished Chair, Bard College

1990 John Simon Guggenheim Memorial Fellowship

1985 Artist's Fellowship, National Endowment for the Arts

1983 Creative Artists in Public Service Program, New York Council on the Arts, New York NY

1980 Artist's Fellowship, National Endowment for the Arts

Bibliography

Monographs

2016 ‘Ida Applebroog. Mercy Hospital’, New York: Karma, 2016 (exh. cat.)

2009 Bryan-Wilson, Julia, ‘Ida Applebroog: Monalisa’, London: Hauser & Wirth, 2009 (exh. cat.)

2002 Lignel, Benjamin (ed.), ‘Ida Applebroog: Are You Bleeding Yet?’, Brooklyn: La Maison Red, 2002 (exh. cat.)


1998 Sultan, Terrie (ed.), ‘Ida Applebroog: Innocence versus Realite’, Paris: Galerie Nathalie Pariente, 1998 (exh. cat.)

Sultan, Terrie, Danto, Arthur, Allison, Dorothy (eds.), ‘Ida Applebroog: Nothing Personal, Paintings 1987-1997’, Washington: The Corcoran Gallery of Art, 1998 (exh. cat.)


1991 Reinhardt, Brigitte, Pohlen, Annelie, Storr, Robert, Schulz-Hoffmann, Carla (eds.), ‘Ida Applebroog’, Berlin: Realismus Studio der Neuen Gesellschaft für Bildende Kunst, Bonn: Bonner Kunstverein, Ulm: Ulmer Museum, 1991 (exh. cat.)


1990 
___, ‘Ida Applebroog’, Tokyo: Seibu, Seed Hall, 1990 (exh. cat.)

Zeitlin, Marilyn, Sokolowski, Thomas, Houston, Lowery Sims (eds.), ‘Ida Applebroog: Happy Families, A Fifteen-Year Survey’, Texas: Contemporary Arts Museum, 1990 (exh. cat.)


1989 Krane, Susan (ed.), ‘Art at the Edge: Ida Applebroog’, Atlanta: High Museum of Art, 1989

McCormick, Carlo (ed), ‘Ida Applebroog, Nostrums, Belladona’, New York: Ronald Feldman Fine Arts, 1989 (exh. cat.)


1987 Feldman, Ronald, Rickey, Carrie, et al. (eds.), ‘Ida Applebroog’, New York: Ronald Feldman Fine Arts, 1987 (exh. cat.)

Miller-Keller, Andrea (ed.), ‘Ida Applebroog/Matrix 96’, Hartford: Wadsworth Atheneum, 1987 (exh. cat.)


1986 Tannenbaum, Judith (ed.), ‘Investigations 16: Ida Applebroog’, Philadelphia: Philadelphia Institute of Contemporary Art/University of Pennsylvania, 1986 (exh. cat.)


1981 Sokolowski, Thomas W. (ed.), ‘Ida Applebroog’, Venice: Galleria del Cavallino, 1981 (exh. cat.)

Apgar, Evelyn (ed.), ‘Ida Applebroog’, New Brunswick: Douglass College, 1981 (exh. cat.)


Artist's Books & Writings

2015 Applebroog, Ida, 'Ida Applebroog. The Ethics of Desire', New York: An Art Service, 2015

2011 Applebroog, Ida, 'Ida Applebroog. Scripts', 100 Notes – 100 Thoughts No 042, documenta (13), Ostfildern: Hatje Cantz, 2011
Applebroog, Ida, 'Ida Applebroog', New York: An Art Service, 2011

1981 Applebroog, Ida, ‘Blue Books’, Self Published, 1981

1979 Applebroog, Ida, ‘Dyspepsia Works’, Self Published, 1979

1977 Applebroog, Ida, 
‘Galileo Works’, Self Published, 1977

Publications

2018 Schaar, Elisa, Prasad, Prerona (eds.), ‘Do I Have to Draw You a Picture?’, Cambridge: Downing College, Cambridge, 2018

2016 Davis, Jake (ed.), 'Invisible Adversaries', New York: CCS BRAD HESSEL MUSEUM, 2016, p. 271 ill. (exh. cat.)
Leszek Brogowski, Joseph Delaplace, Joel Laurent (eds.), ' Défier la Décence. Crise du sens et nouveau visages du scandale dans l'art', Arras: Artois Presse Université, 2016, p. 88, ill.

2015 Sephenson, Sarah (ed.), 'Second Chances', Aspen: Aspen Art Museum, 2015, fig. 24, ill. (exh. cat.)
Bury, Stephen, 'Artists' Books. The Book as a Work of Art. 1963-2000', London: Bernard Quaritch Ltd, 2015, p. 86, ill.

2014 Museu de Arte da Pampulha, 'Ainda. O livro como performance', Belo Horizonte, 2014, p.37, ill. in colour, p.70, ill. (exh. cat.)

2013 Michaela Unterdörfer, 'Hauser & Wirth.20 Years', Ostfildern: Hatje Cantz, 2013

2012 Funcke, Bettina, 'documenta (13). Das Begleitbuch', Ostfildern: Hatje Cantz, 2012, pp. 36-37, ill.
Funcke, Bettina, 'documenta (13). Das Logbuch', Ostfildern: Hatje Cantz, 2012

2008 ___, ‘Corps Exquis’, Winter Park: Cornell Fine Arts Museum, 2008

2006 Kent, Jane (ed.), ‘30 Years of New Year Graphics from The Jewish Museum’, Burlington: Burlington City Arts, 2006, pp. 34-35, ill. (exh. cat.)

Patterson, Vivian (ed.), ‘Encounter’, Williamstown: Williams College Museum of Art, 2006, pp. 160-161, ill.

Pinakothek der Moderne (ed.), ‘Malerei, Skulptur, Fotografie, Neue Medien’, Munich: Pinakothek-Dumont, 2006

Marvin, J.Taylor (ed.), ‘The Downtown Book. The New York Art Scene 1974-1984’, Princeton: Princeton University Press, 2006

2005 Glassmeier, Michael, Stengel, Karin (eds.), ’50 Jahre/Years Documenta 1955-2005, Archive in Motion’, Goettingen: Steidl, 2005 (exh. cat.)

Levin, Gail, Authur, Elissa (eds.), ‘Upstarts and Matriarchs: Jewish Women Artists and the Transformation of American Art’, Denver: Mizel Center for Arts and Culture, 2005 (exh. cat.)

Marybeth, Sollins (ed.), ‘Art 21: Art in the Twenty-First Century. Interviews by Susan Sollins’, New York: Harry Abrams, 2005

Bright, Betty (ed.), ‘No Longer Innocent Book Art in America: 1960-1980’, New York: Granary Books, 2005

McDaniel, Craig, Robertson, Jean (eds.), ‘Themes of Contemporary Art: Visual Art After 1980’, New York: Oxford University Press, 2005

McHenry, Kathryn, Childress, Heather (eds.), ‘Wake Forest University Student Union Collection of Contemporary Art’, Winston-Salem: Wake Forest University, 2005

The Museum of Modern Art (ed.), ‘Women Artists, Fifty Postcards’, New York: The Museum of Modern Art, 2005

2004 Washington University in St. Louis (ed.), ‘Inside Out Loud: Visualizing Women’s Health in Contemporary Art’, St. Louis: Mildred Lane Kemper Art Museum/Washington University in St. Louis, 2004 (exh. cat.)

2003 Ronald Feldman Fine Arts (ed.), ‘Ameri©an Dre@m’, New York: Ronald Feldman Fine Arts, 2003 (exh. cat.)

Contemporary Arts Museum Houston (ed.), ‘Splat Boom Pow!’, Houston: Contemporary Arts Museum Houston, 2003 (exh. cat.)

2002 Harkavy, Donna, et al. (eds.), ‘The Culture of Violence’, Massachusetts: University Gallery/University of Massachusetts, 2002, p. 53, ill. (exh. cat.)

Albertini, Gabriele, et al. (eds.), ‘New York Renaissance: Masterworks from the Whitney Museum of American Art’, Milan: Palazzo Reale, 2002, pp. 126-127, p. 186, ill. (exh. cat.)

Burgess Fuller, Diana, Salvioni, Daniela (eds.), ‘Art/Women/California 1950-2000’, Los Angeles: University of California Press, 2002

Kreuz Verlag GmbH & Co (ed.), ‘Die Kunst Des Friedens: Gewalt-Kritik und Friedens-Zeichen in der Bildenden Kunst’, Stuttgart: Kreuz Verlag GmbH & Co., 2002, pp. 48-49, ill.

Jones, Amelia (ed.), ‘The Eternal Return: Self-Portrait Photography as a Technology of Embodiment’, Signs vol. 27, no. 4, Summer 2002, pp. 947-978, ill.

2001 Humor, Rage (ed.), '___', Barcelona: Fundacio Caxia Catalunya, 2001 (exh. cat.)

Helena, Reckitt (ed.), ‘Art and Feminism’, New York: Phaidon Press, 2001

Westbrook, Adele (ed.), ‘A Creative Legacy: A History of The National Endowment for the Arts Visual Artists’ Fellowship Program 1966-1995, New York: Harry N. Abrams, Inc., 2001, p. 33, ill.

2000 Wie, Lily, Yau, John (eds.), ‘The Figure: Another Side of Modernism’, Staten Island: Snug Harbor Cultural Center, 2000 (exh. cat.)

1999 Phillips, Lisa (ed.), ‘The American Century: Art & Culture 1950-2000’, New York: Whitney Museum of American Art/W.W. Norton, 1999, pp. 301, ill. (exh. cat.)

Yee, Lydia, Hertz, Betti-Sue (eds.), ‘Urban Mythologies: The Bronx Represented Since the 1960s’, Bronx: Bronx Museum of the Arts, 1999 (exh. cat.)

1998 Townsend, Wolfe (ed.), ‘National Drawing Invitational’, Little Rock: The Arkansas Art Center, 1998 (exh. cat.)

Gould, Claudia, Smith, Valerie (eds.), ’5000 Artists Return to Artists Space: 25 Years’, New York: Artists Space, 1998, p. 84, p. 157, p. 240, p. 276, ill.

Hyman, Paula E., Dash Moore, Deborah (eds.), ‘Jewish Women in America: An Historical Encyclopedia Volume I and II’, New York: Routledge, 1998

1997 Chadwick, Whitney (ed.), ‘Women, Art and Society’, London: Thames & Hudson, 1997
Delia, Gaze (ed.), ‘Dictionary of Women Artists Volume 1 and 2’, Chicago: Fitzroy Dearborn Publishers, 1997, pp. 195-197, ill.

1996 Cahan, Susan, Kocur, Zoya (eds.), ‘Contemporary Art and Multicultural Education’, New York: The New Museum of Contemporary Art and Routledge, 1996 (exh. cat.)

The Kemper Museum of Contemporary Art & Design (ed.), ‘Reality Bites: Realism in Contemporary Art’, Kansas City: The Kemper Museum of Contemporary Art & Design (ed.), 1996 (exh. cat.)

Albright College, Freedman Gallery (eds.), ’20/20: The Visionary Legacy of Doris Chanin Freedman’, Reading: Albright College/Freedman Gallery, 1996 (exh. cat.)

___, ‘A Boat of Diversity: The Tokyo International Forum Art Collection’, Tokyo: The Tokyo Metropolitan Government Bureau of Citizens and Cultural Affairs (ed.), 1996

Schor, Mira (ed.), ‘Wet: On Painting, Feminism, and Art Culture’, Durham: Duke University Press, 1996

1995 ___, ‘Imperfect’, Amherst: NYPOP, 1995 (exh. cat.)

New Museum of Contemporary Art (ed.), ‘Temporarily Possessed: The Semi-Permanent Collection’, New York: New Museum of Contemporary Art, 1995 (exh. cat.)

Milwaukee Art Museum (ed.), ’25 Americans: Painting in the 90’s’, Milwaukee: Milwaukee Art Museum, 1995 (exh. cat.)

Fichner-Rathus, Lois (ed.), ‘Understanding Art’, Englewood Cliffs: Prentice Hall, 1995

Lippard, Lucy (ed.), ‘The Pink Glass Swan: Selected Feminist Essays on Art’, New York: The New Press, 1995


1994 The Ueno Royal Museum (ed.), ‘Against All Odds: The Powers of the Healing’, Hakone: The Ueno Royal Museum, 1994 (exh. cat.)

Broude, Norma, Garrard, Mary D. (eds.), ‘Power of Feminist Art’, New York: Harry N. Abrams, Inc., 1994 (exh. cat.)

The College of Wooster Art Museum (ed.), ‘Prints from SOLO Impression’, Wooster: The College of Wooster Art Museum, 1994

The Newhouse Center for Contemporary Art (ed.), ‘Relatively Speaking: Mothers and Daughters in Art’, Staten Island: The Newhouse Center for Contemporary Art, 1994 (exh. cat.)

Meyer, Werner, Damsch-Wiehager, Renate (eds.), ‘Zuge Zuge’, Esslingen: Galerie der Stadt/Städtische Galerie, Goppingen: Marklin Museum, 1994, p. 34, p. 35, p. 37, ill. (exh. cat.)

Felshin, Nina (ed.), ‘But is it Art? The Spirit of Art as Activism’, Seattle: Bay Press, Inc., 1994

1993 Sussman, Elisabeth, Golden, Thelma, et al. (eds.), ‘Biennial Exhibition Whitney Museum of American Art’, New York: Whitney Museum of American Art in association with Harry N. Abrams, Inc., 1993 (exh. cat.)

Small, Janus (ed.), ‘Art at Progressive: Prints from a Corporate Collection’, Cleveland: The New Gallery of Contemporary Art, 1983 (exh. cat.)

Phyllis, D. Rosenzweig, ‘Directions ‘83’, Washington: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Press, 1983 (exh. cat.)

Covatta, Anthony G., King, Elaine A., ‘Figure as Fiction’, Cincinnati: The Contemporary Arts Center, 1993 (exh. cat.)

MCA (ed.), ‘Museum of Contemporary Art 11th Annual Benefit Auction’, Chicago: MCA, 1993 (exh. cat.)

Museum am Ostwall, ‘Subversion des Lachens’, Dortmund: Museum am Ostwall, 1993 (exh. cat.)

Schulz-Hoffman, Carla, Belting, Hans, Oliva, Achille Bonito, Kronthaler, Helmut (eds.), ‘Widerstand’, Munich, 1993 (exh. cat.)

Gardner, James (ed.), ‘Culture or Trash?’, New York: Carol Publishing Group, 1993

1992 Tel Aviv Museum of Art (ed.), ‘Not For Sale’, Tel Aviv: Tel Aviv Museum of Art, 1992, p. 36, ill. (exh. cat.)

Musee d’art contemporain de Montreal (ed.), ‘Pour La Suite du Monde’, Montreal: Musee d’art contemporain de Montreal, 1992 (exh. cat.)

Spector, Nancy (ed.),‘Guggenheim Museum: A to Z’, New York: Guggenheim Museum, 1992

Astrom, Gertrud, Hirdman, Yvonne (eds.), ‘Kontraks Ikris’, Stockholm: Carlssons, 1992,
p. 201, 213, ill.

1991 Phillips, Lisa, Armstrong, Richard (eds.), ‘Biennial Exhibition Whitney Museum of American Art’, New York: Whitney Museum of American Art, 1991 (exh. cat.)

The Oakland Museum (ed.), ‘De-Persona’, Oakland: The Oakland Museum, 1991 (exh. cat.)

Institute of Contemporary Art (ed.), ‘Devil on the Stairs: Looking Back on the Eighties’, Philadelphia: Institute of Contemporary Art, 1991 (exh. cat.)

The National Museum of Woman in the Arts (ed.), ‘Presswork: The Art of Women Printmakers’, Washington: The National Museum of Woman in the Arts, 1991(exh. cat.)

Schulz-Hoffman, Carla (ed.), ‘Prospects: Selected Works from the Collection and Possible Acquisitions’, New York: The Whitney Museum of American Art, 1991 (exh. cat.)

Bellamy, Peter (ed.), ‘The Artist Project: Portraits of the Real Art World/New York Artists 1981-1990’, New York: IN Publishing Company, 1991

1990 Sobel, Dean (ed.), ‘Word As Image: American Art 1960-1990’, Milwaukee: Milwaukee Art Museum, 1990 (exh. cat.)

Talley, Dan R. (ed.), ‘Aging: The Process, the Perception’, Jamestown: The Forum Gallery, Jamestown Community College, 1990 (exh. cat.)

Marquette University (ed.), ‘Images of Death in Contemporary Art’, Milwaukee: Marquette University, 1990 (exh. cat.)

Atkins, Robert (ed.), ‘Artspeak: A Guide to Contemporary Ideas, Movements and Buzzwords’ New York: Abbeville Publishers, 1990

Wayne, Enstice, Melody, Peters (eds.), ‘Drawing: Space, Form and Expression’, New York: Prentice Hall, Inc., 1990

1989 Brawer, Catherine C., Landau, Ellen G., et al. (eds.), ‘Making Their Mark: Women Artists Move into the Mainstream, 1970-1985’, Cincinnati: The Cincinnati Art Museum, 1989 (exh. cat.)

Brown, Betty Ann, Raven, Arlene, Lane, Kenna (eds.), ‘Exposures, Women and Their Art’ Pasadena: New Sage Press, 1989

Sayre, Henry M. (ed.), ‘The Object of Performance, The American Avant Garde Since 1970’, Chicago: The University of Chicago Press, 1989

1988 Dot, Tuer (ed.), ‘Heroics: A Critical View’, Banff: Walter Phillips Gallery, Banff Centre, 1988 (exh. cat.)

___, ‘Just Like a Woman’, Greenville: The Emrys Foundation and The Greenville County Museum of Art, 1988 (exh. cat.)

University of New York (ed.), ‘The Politics of Gender’, New York: City University of New York, 1988 (exh. cat.)

The Marlborough Gallery (ed.), ‘Visions/ Revisions: Contemporary Representation’, New York: The Marlborough Gallery, 1988 (exh. cat.)

Wye, Deborah (ed.), ‘Committed to Print: Social and Political Themes in Recent American Art’, New York: Museum of Modern Art, 1988 (exh. cat.)

Raven, Arlene (ed.), ‘Crossing Over: Feminism and Art of Social Concern’, Ann Arbor: U.M.I. Research Press, 1988

1987 ___, ‘Real(ist) Women’, Sarasota: Selby Gallery/Ringling School of Art and Design, 1997 (exh. cat.)

Hunter, Sam (ed.), ‘An American Renaissance: Painting and Sculpture Since 1940’, Fort Lauderdale: Museum of Art, 1987 (exh. cat.)

___, ‘Art and the Law’, St. Paul: The West Publishing Co., 1987 (exh. cat.)

Feinstein, Roni (ed.), ‘Contemporary Diptychs: The New Shape of Content’, Fairfield County: Whitney Museum of American Art, 1987 (exh. cat.)

Carter, Ratcliff (ed.), Documenta 8’, Kassel: Documenta, 1987 (exh. cat.)

Sokolowski, Thomas W. (ed.), ‘Morality Tales: History Painting in the 1980s’, New York: Grey Art Gallery, New York University, 1987 (exh. cat.)

___, ‘The Viewer as Voyeur’, New York: The Whitney Museum of American Art, 1987 (exh. cat.)

1986 Collischan, Judy, Wagner, Van (eds.), ‘Drawing in Situ’, Greenvale: Hillwood Art Gallery/Long Island University, 1986 (exh. cat.)

Rosenfeld, Daniel (ed.), ‘Life in the Big City: Contemporary Artistic Responses to the Urban Environment’ Providence: Museum of Contemporary Art, 1986 (exh. cat.)

Olander, William, Group Material (eds.), ‘MASS’, New York: The New Museum of Contemporary Art, 1986 (exh. cat.)

Broude, Norma, Garrard, Mardy D. (eds.), ‘Power of Feminist Art: The American Movement of the 1970s. History & Impact’, New York: Harry Abrams, Inc., 1996

1985 Littman, Robert (ed.), ‘New Narrative Painting’, Long Island City: P.S. 1/Institute for Art and Urban Resources, 1985 (exh. cat.)

Raven, Arlene (ed.), ‘RAPE’, Columbus: University Gallery of Fine Arts/Ohio State University, 1985 (exh. cat.)

___, ‘The Big Car Show: Contemporary Visions of the Automobile’, Indianapolis: The Herron Gallery, 1985 (exh. cat.)

Malen, Lenore (ed.), ‘The Parodic Power of Popular Imagery’, New York: Queensborough College, 1985 (exh. cat.)

___, ‘Verbally Charged Images’, New York: Independent Curators, Inc., 1985 (exh. cat.)

1984 Elwood, Sean (ed.), ‘The Show’, New York: Ronald Feldman Fine Arts, 1984 (exh. cat.)

McShine, Kynaston (ed.), ‘An International Survey of Recent Painting and Sculpture’, New York: The Museum of Modern Art, 1984 (exh. cat.)

Yard, Sally (ed.), ‘Apocalyptic Visions: The Shadow of the Bomb’, South Hadley: Mount Holyoke College Art Museum, 1984 (exh. cat.)

Posner, Helaine (ed.), ‘Domestic Tales’, Amherst: University Gallery/University of Massachusetts, 1984 (exh. cat.)

___, ‘La Narrative Internacional de Hoy’, Mexico City: Tamayo Museum, 1984
Richman, Gary (ed.), ‘Offset: A Survey of Artists’ Books’, Cambridge: New England Foundation for the Arts, 1984 (exh. cat.)

1983 Walker, Barry (ed.), ‘The American Artist as Printmaker’, Brooklyn: The Brooklyn Museum, 1983 (exh. cat.)

1982 Princenthal, Nancy (ed.), ‘Projects at The Chamber: Past Events’, New York: Chamber of Commerce, 1982 (exh. cat.)

Wooster, Ann-Sargent (ed.), ‘Views by Women Artists: Women’s Work. A National Collection of Video by Women’, New York: The Kitchen, 1982 (exh. cat.)

1981 Ratcliff, Carter (ed.), ‘Episodes.’, New York: Grace Borgenicht Gallery, 1981 (exh. cat.)

___, ‘Homework: The Domestic Environment Reflected in Work by Contemporary Women Artists’, Seneca Falls: National Womens’ Hall of Fame, 1981 (exh. cat.)

Apgar, Evelyn (ed.), ‘Women Artists Series 1981-82’, New Brunswick: Douglass College, Rutgers University, 1981 (exh. cat.)

1980 Bassett, Hilary, McKenzie, Judith, Yassin, Robert (eds.), ‘Painting and Sculpture Today: 1980 Biennial’, Indianapolis: Indianapolis Museum of Art, 1980 (exh. cat.)

Moira, Roth (ed.), ‘The Amazing Decade: Women and Performance Art in America 1970-1980’, Los Angeles: Astro Artz, 1980-81

1979 
___, ‘Supershow!!!’, New York: Independent Curators Incorporated, 1979 (exh. cat.)

1977 Schimmel, Paul (ed.), ‘American Narrative/Story Art: 1967-1977’, Houston: Contemporary Arts Museum, 1977 (exh. cat.)

1973 Delahoyd, Mary (ed.), ‘In Spaces’, Bronxville: Sarah Lawrence College, 1973 (exh. cat.)

1972 Chicago, Judy, Frankel, Dextra (ed.), ’21 Artists: Invisible/Visible’, Long Beach: Long Beach Museum of Art, 1972 (exh. cat.)

Press

2019 Zürcher, Isabel, 'Ida Applebroog – Zur Anatomie der Ohnmacht', in: Kunstbulletin, Zurich, April 2019, ill.

2017 Sadler, Victoria, 'Review: Ida Appleborg and Lee Lozano, Hauser & Wirth Female Artists Reexamined', on: www.victoriasadler.com, London, UK, 31 May 2017, ill.
Chiaverina, John, '‘Work Happens for a Reason’: Ida Applebroog Talks ‘Mercy Hospital,’ Her Current Exhibition at Karma in New York', on: www.artnews.com, New York NY, 13 April 2017, ill.
BWW News Desk, 'Photo Flash: Lynn Nottage and More Inducted Into NYFA Hall of Fame’, on: www.broadwayworld.com, New York NY, 5 April 2017, ill.

2016 Kelting, Lily, ‘Life In Berlin: Call Her Applebroog’, on: www.nprberlin.de, Berlin, Germany, 14 October 2016
McDermott, Emily, 'Ida Applebroog, from Then to Now', on: www.interviewmagazine.com, New York NY, 5 July 2016, ill.
Peet, Lisa, 'OTHER BLOOMERS AND SHAKERS: Calling Ida Applebroog', on: www.bloom-site.com, New York NY, 20 June 2016, ill.
___,'Editors' Picks: 10 Art Events to See in New York This Week', on: www.artnet.com, New York NY, 6 June 2016, ill.
Nakhnikian, Elise, 'Call Her Applebroog', on: www.slantmagazine.com, Brooklyn NY, 7 June 2016, ill.
Atkinson, Michael, 'Beth B Dares the Conventional to Honor the Artist Who Made Her', on: www.villagevoice.com, New York NY, 8 June 2016, ill.
Scheck, Frank, ''Call Her Applebroog': Film Review', on: www.hollywoodreporter.com, Los Angeles CA, 1 March 2016, ill.
Tcholakian, Danielle, 'Longtime SoHo Artist Is Focus of Daughter's Documentary Premiering at MoMA', on: www.dnainfo.com, New York NY, 23 February 2016, ill.

2015 Schwabsky, Barry, 'Ida Applebroog', on: www.artforum.com, New York NY, 1 October 2015, ill.
__, 'Ida Applebroog', in: Art in America, New York NY, September 2015, p. 151, ill.
Istomina, Tatiana, 'Ida Applebroog', in: Art in America, New York NY, September 2015, p. 151, ill.
Simmons, William J., 'Ida Applebroog', in: Modern Painters, New York NY, September 2015, p. 106, ill.
Simmons, William J., '"The Ethics of Desire" Ida Applebroog at Hauser&Wirth', on: www.blouinartinfo.com, New York NY, 26 July 2015, ill.
Cooper, Ashton, 'Ida Applebroog. The Ethics of Desire', on: www.brooklynrail.org, Brooklyn NY, 4 June 2014, ill.

2014 ___, 'Franklin Furnace Integrates with Pratt Institute', on: www.artforum.com, New York NY, 7 November 2014

2013 Milliard, Coline, 'A Q&A with Tracey Emin', in: Modern Painters, New York NY, May 2013, pp. 80- 87, ill.
Hodara, Susan, 'Books as Artists’ Concepts: Time, Space, Performance', on: www.nytimes.com, New York NY, 22 February 2013, ill.

2012 Meier, Ines, 'Intimität im Zeitalter ihrer technischen Reproduzierbarkeit: Ida Applebroog auf der documenta 13', on: www.de.artinfo.com, Berlin, Germany, 7 September 2012, ill.
Jocks, Heinz-Norbert, 'Ida Applebroog. Anschluss an die Sprache', in: Kunstforum, Cologne, Germany, August/September 2012, pp. 326-331, ill.
___, 'Ida Applebroog', in: Kunstforum, Cologne, Germany, August/September 2012, p. 101, ill.
___, 'Ida Applebroog', on: www.artinamericamagazine.com, New York NY, 1 June 2012, ill.
Hirsch, Faye, 'Dangerous Prints by Ida Applebroog', in: Art in America, New York NY, 10 February 2012, ill.

2011 Deepwell, Katy, ‘From Marginalia to Monalisa. An interview with Ida Applebroog’, in: N.Paradoxa, London, UK, Volume 28, 2011, p. 49
Feaver, William, ‘Ida Applebroog’, in: ARTnews, New York NY, 15 June 2011, p. 117
Bushell, Laura, ‘Ida Applebroog’, on: www.artslant.com, Los Angeles CA, 5 April 2011
Wullschlager, Jackie, ‘Ida Applebroog’, in: The Financial Times Weekend, London, UK, 12-13 March 2011, p. 17

2010 Steinhauser, Jillian, ‘The Visible Vagina / Ida Applebroog’, in: Modern Painters, New York NY, Summer 2010, p. 72, ill.

Burton, Johanna, ‘Ida Applebroog’, in: Artforum, New York NY, April 2010, p. 192

___, ‘Ida Applebroog, in: Art in America, New York NY, April 2010, p. 122

___, ‘Ida Applebroog: Monalisa at Hauser & Wirth New York’, on: vernissage.tv, Berlin, Germany, 31 March 2010

Lebovici, Elisabeth, ‘Ida Applebroog, Latest News’, in: Catalogue Art Magazine, London, UK, Issue 3, March 2010

Zeitz, Lisa, ‘Frauenbeine aus Schweden und ein Zwerg’, in: Frankfurter Allgemeine Zeitung, Frankfurt, Germany, 9 February 2010

___, ‘Keepsakes Domestic and Dark’, in: The New York Times, New York NY, 17 January 2010, p. 24

Kennedy, Randy, ‘Keepsakes, Domestic and Dark’, in: The New York Times, New York NY, 17 January 2010, p. 27, ill. 

___, ‘Private Menace’, in: The New York Times, New York NY, 17 January 2010, p. 27, ill.

Kron, Catherine, ‘Fact Sheet: Ida Applebroog’, on: www.artinamericamagazine.com, New York NY, 16 February 2010

Pollack, Barbara, ‘Ida Applebroog’, in: Artnews, New York NY, April 2010, p. 112, ill.

2006 Cotter, Holland, ‘Neo Sincerity’, in: The New York Times, New York NY, 31 March 2006, p. 33, ill.

Glueck, Grace, ‘The Downtown Scene, When it was Still Dirty’, in: The New York Times, New York NY, 13 January 2006, p. 38, ill.

Slack, Janna, ‘Let Them Eat Bad Art’, in: Art Fairs International 2, New York NY, no. ¾, March-April 2006, p. 37, ill.

Smith, Roberta, ‘The Studio Visit’, in: The New York Times, New York NY, 3 March 2006, p. 26, ill.

2005 ___, “Artnet News”, on: www.artnet.com, New York NY, 28 December 2005

___, ’106 artists studios at exit art’, on: www.artnet.com, New York NY, 28 December 2005, ill.

Cahan, Susan, ‘Inside Out Loud’, in: artUS, New York NY, no. 9, July-September 2005, p. 23, ill.

Cotter, Holland, ‘Dealers Gather at the River, Convenient to Lofts with Bare Walls’, in: The New York Times, New York NY, 11 March 2005, p. 36, ill.

Kinsella, Eileen, ‘Armory Show: Bigger, Better, More Buyers than Ever’, in: ARTnewsletter XXX, no. 16, New York NY, 29 March 2005, pp. 1-2, ill.

___, ‘Mind Into Matter’, in: The New York Times, New York NY, 11-17 September 2005, p. 44, ill.

Wilson, Martha, ‘What Franklin Furnace Learned from Presenting and Producing Live Art on the Internet, from 1996 to Now’, in: Leonardo 38, San Francisco CA, no. 3, 2005, pp. 193-200, ill.

Wyndham, Constance, ‘Artists in Your Living Room’, in: Art in America 93, New York NY, no. 8, September 2005, ill.

2004 Berwick, Carly, ‘The Most Erotic Artworks’, in: ARTnews 103, New York NY, no. 1, January 2004, pp. 112-117, ill.

___, ‘Calendar’, in: The New York Sun, New York NY, 25 May 2004, p. 17, ill. 

Goodbody, Bridget, ‘Affairs of the heart’, in: ArtReview, London UK, September 2004, pp. 90-93, ill.

Gordon, Alastair, ‘Art Forum’, in: Town & Country, New York NY, October 2004, pp. 212-219, ill.

Johnson, Ken, ‘The 179th Annual’, in: The New York Times, New York NY, 14 May 2004, p. 30, ill.

2003 ___, ‘Artists for Animals’, in: Art on Paper 7, New York NY, no. 7, May-June 2003, p. 17, ill.

Colpitt, Frances, ‘Learning from Comics’ in: Art in America, New York NY, no. 10, October 2003, pp. 64-67, ill.

Maass, Val, ‘Splat Boom Pow! The Influence of Cartoons in Contemporary Art Animates the ICA’, on: digboston.com, Boston MA, 30 September 2003, ill.

___, ‘U.S. Summer Group Shows Preview’, in: Flash Art XXXVI, Milan, Italy, no. 230, May-June 2003, p. 78, ill.

Waxman, Lori, ‘Ameri©an Dre@m: A Survey’, in: Parachute 111, Brussels, Belgium, July/August/September 2003, p. 6-7, ill.

2002 Bakke, Erik, ‘Ida Applebroog’, in: NY Arts 7, New York NY, no. 6, February 2002, p. 26, ill.

Belasco, Daniel, ‘A Dealer on the Edge’, in: The Jewish Week, New York NY, 15 June 2001, pp. 11-12, ill.

Glueck, Grace, ‘Ida Applebroog’, in: The New York Times, New York NY, 1 February 2002, p. 37, ill.

Husband, Bertha, ‘A Painting for Over the Sofa (That’s Not Necessarily a Painting)’, in: Art Papers Magazine 26, Atlanta GA, no. 6, November/December 2002, pp. 44-45, ill.

___, ‘Ida Applebroog’, in: The New Yorker, New York NY, 11 February 2002, p. 13, ill. 

___, ‘Ida Applebroog’, in: Time Out, New York NY, no. 329, 17-24 January 2002, p. 61, ill.

Landi, Ann, ‘Ida Applebroog’, in: Artnews 101, New York NY, no. 4, April 2002, p. 135

Lovelace, Carey, ‘Ida Applebroog at Ronald Feldman’, in: Art in America, New York NY, no. 10, October 2002, pp. 160-161

Levin, Kimm, ‘Ida Applebroog’, in: The Village Voice, New York NY, 5 February 2002, p. 85, ill.

Robinson, Walter, ‘Weekend Update’, on: artnet.com, New York NY, 16 January 2002, ill. 

Schmidt, Barbara U, ‘Ida Applebroog’, in: Kritisches Lexikon der Gegenwartskunst Quartal 2002, Hamburg, Germany, no. 60, ill.

Szanto, Andras, ‘A Business Built on the Hard-to-Sell’, in: The New York Times, New York NY, 6 October 2002, p. 35-37, ill.

Winter, Max, ‘Unburnishing: A Consideration of the Work of Ida Applebroog’, on: artkrush.com, New York NY, ill.

2001 ___, ‘Ida Applebroog’, in: American Letters and Commentary, New York NY, no.13, pp. 42-43, ill.

Attias, Laurie, ‘Ida Applebroog’, in: ARTnews 100, New York NY, no. 3, March 2001, pp. 165-166, ill.

Borras, Maria Lluïsa, ‘Pintura del ‘melting pot’, in: La Vanguardia, Barcelona, Spain, 16 February 2001, ill.

___, ‘Cinco Artistas Norteamericanos Políticamente Incorrectos’, in: El Periódico, Barcelona, Spain, 18 February 2001, ill.

Fernandez, V., ‘El humor y la rabia, una visión inédita del arte norteamericano en Barcelona’, in: La Razón, Madrid, Spain, 30 January 2001, ill.

Fontova, Rosario, ‘La Pedrera concentra el arte contestatario norteamericano’, in: El Periódico, Barcelona, Spain, 30 January 2001, ill.

Frisach, Montse, ‘Pintura dels EUA, des de la desigualtat i la diferència’, in: Avui, Barcelona, Spain, 30 January 2001, ill.

García Gutiérrez, Enrique, ‘El humor y la rabia’, in: Revista Domingo, Santiago, Chile, 20 May 2001, pp. 6-7, ill.

___, ‘Ida Applebroog’, in: The New Yorker, New York NY, 21 May 2001, p. 19, ill.
___, ‘Ida Applebroog’, in: Time Out New York, New York NY, no. 295, 17-24 May 2001, p. 80, ill.

Johnson, Ken, ‘Ida Applebroog’, in: The New York Times, New York NY, 25 May 2001, p. 29, ill.

Levin, Kim, ‘Ida Applebroog’, in: The Village Voice, New York NY, 29 May 2001, p. 80, ill.

___, ‘Panic’, in: The Village Voice, New York NY, 7 August 2001, p. 103, ill.

Molina, Ángela, ‘La Pedrera muestra el «humor y la rabia» de 5 pintores norteamericanos’, in: ABC CATALUÑA, Cataluna, Spain, 30 January 2001, p. 11, ill.

Newhall, Edith, ‘Pass the Paxil’, in: New York 34, New York NY, no. 31, 13 August 2001, p. 76, ill.

___, ‘Saul’, in: New York Magazine 34, New York NY, no. 29, 30 July 2001, p. 70

Oliver, Conxita, ‘Entre la comicitat i la tragèdia’, in: Avui, Barcelona, Spain, 1 March 2001, ill.

___, ‘Panic’, in: The New Yorker, New York NY, 6 August 2001, p. 15, ill.

Pollack, Barbara, ‘How Can You Think About Making Art at a Time Like This?’, in: ARTnews 100, New York NY, no. 10, November 2001, pp. 148-149, ill.

Porras, Irene, ‘Humor y Rabia’, on: artnewsdigital.com, 19 January 2001, ill.

___, ‘Resistance’, in: Tema Celeste XVIII, Milan, Italy, no. 86, summer 2001, p. 118, ill.

Rothkopf, Scott, ‘Hit or Myth’, in: Artforum XL, New York NY, no. 2, October 2001, pp. 133-134, ill.

Saladrigas, Jordi, ‘El humor de Roche en Barcelona’, in: El Nuevo Día, Barcelona, Spain, 4 February 2001, ill.

Skarf, Shayna, ‘Panic’, in: Time Out New York, New York NY, no. 307, 9-16 August 2001, p. 48, ill.

Solomon-Godeau, Abigail, ‘Ida Applebroog at Nathalie Pariente’, in: Art in America 89, New York NY, no. 3, March 2001, pp. 142-143, ill.

Spiegel, Olga, ‘Cinco pintores cuestionan en la Pedrera con rabia y humor la sociedad de EE.UU’, in: LA VANGUARDIA, Barcelona, Spain, 30 January 2001, p. 34, ill.

Uberquoi, Marie Claire, ‘El arte, entre el humor y la rabia’, in: El Mundo, Madrid, Spain, 30 January 2001, ill.

Vidal, Jaume, ‘La Pedrera exhibe el compromiso social de cinco artistas americanos’, in: El País, Madrid, Spain, 30 January 2001, p. 34, ill.

2000 Breerette, Genevieve, ‘Une Américaine, une Anglaise et une Israélienne pour dire le corps et les aliénations’ in: Le Monde, Paris, France, 10 December 2000, ill.

1999 Bernstein, Susan, ‘This is Personal’, in: Atlanta Jewish Times, Atlanta GA, 12 February 1999, p. 46, ill.

Cullum, Jerry, ‘Ida Applebroog’, in: ARTnews 98, New York NY, no. 5, May 1999, p. 172, ill.

Danto, Arthur, ‘Correspondance School Art’, in: The Nation, New York NY, 29 March 1999, 30-34. ill.

DeSouza, Cedric, ‘Ida Applebroog’, in: NewArt Examiner 26, Chicago IL, no. 7, April 1999, pp. 55-56, ill.

___, ‘People: 1998 in Review’, in: Art in America, New York NY, August 1999, p. 47, ill.

Nathan, Jean, ‘For 82 Artists, Immortality Is Worth Rising Early’, in: The New York Times, New York NY, 26 September 1999, p. 2, ill.

Sapolsky, Robert, ‘Nursery Crimes’, in: The Sciences 39, New York NY, no. 3, May/June 1999, pp. 20-25, ill.

Spears Jones, Patricia, ‘Ida Applebroog’, in: Bomb 68, New York NY, Summer 1999, pp. 32-39, ill.

1998 ___, ’29 Are Chosen for Fellowships From the MacArthur Foundation’, in: The New York Times, New York NY, 2 June 1998, p. 16, ill.

Allen, Scott, ’4 in Mass. Rewarded for genius’, in: The Boston Globe, Boston MA, 2 June 1998, ill.

Angel, Cecil, ‘U-M scientist to receive coveted grant’, in: Detroit Free Press, Detroit MI, 2 June 1998, ill.

___, ‘Genius grant’ winners include rancher, artists’, in: Baltimore Sun, Baltimore MD, 2 June 1998, ill.

___, ‘Genius grants reward dreamers and doers’, in: Miami Herald, Miami FL, 2 June 1998, ill.

Boxall, Bettina, ‘Eclectic Fellowships Awarded to 29’, in: Los Angeles Times, Los Angeles CA, 2 June 1998, ill.

Claret, Mathilde, ‘A double tranchant’, in: Demeures & Chateaux de France, Paris, France, August/September 1998, ill.

Crstetz, Natalie, ‘Nathalie Pariente marchande de tableaux’, in: Xveines, Paris, France, September 1998, ill.

D’Alessio, F. N., ‘Genius grants’ include novelist, Web pioneer’, in: Philadelphia Inquirer, Philadelphia PA, 2 June 1998, ill.

de Calan, Laurence, ‘Nathalie Pariente. Naissance d’une Galerie’, in: Figaro Madame, Paris, France, 18 July 1998

DF, ‘Preview: Ida Applebroog. Paintings, 1987-1997’, in: Artforum XXXVI, New York NY, no. 5, January 1998, p. 35, ill.

Gay, Verne, ‘In Other News’, in: New York Newsday, New York NY, 2 June 1998, ill.

Greco, JoAnn, ‘Artist’s Books, Uncovered’, in: Art & Antiques, New York NY, December 1998, pp. 46-48, p. 50, ill.

Grenier, Alexandre, ‘Ida Applebroog Artiste d’Envergure’, in: Pariscope, Paris, France, 10-16 June, 1998, ill.

___, ‘Ida Applebroog’, in: Arts Actualites, Paris, France, July/August 1998, ill.

___, ‘Ida Applebroog at the Corcoran’, in: San Francisco Chronicle, San Francisco CA, 30 March 1998, ill.

___, ‘Ida Applebroog at Corcoran’, in: Flash Art XXXI, Milan, Italy, no. 200, May-June 1998, p. 45 ill.

Johnson, Ken, ‘Not So Innocent After All: Works With a Sweetly Nasty Streak’, in: The New York Times, New York NY, 8 May 1998, p. 31, ill.

Jones, Joyce, ‘Applebroog: Unmasking Untidy Truths’, in: The Washington Post Weekend, Washington DC, 1 May 1998, pp. 72-73, ill.

Lebovici, Elisabeth, ‘Les contes pervers d’Ida Applebroog’, in: Liberation, Paris, France, 22 July 1998, ill.

Lewis, Jo Ann, ‘Applebroog’s Obscure Irreverence’, in: The Washington Post, Washington DC, 5 April 1998, p. 12, ill.

Merida, Kevin, ‘Watchdog Group Founder Rewarded for His Bark: Charles Lewis Among 29 MacArthur Fellows’, in: The Washington Post, Washington DC, 2 June 1998, p. 1, ill.

‘Museum Roundup’, in: ARTnews 97, New York NY, no. 3, March 1998, p. 52, ill.

Muzeau, F., ‘Ida Applebroog’, in: Arts Actualites Magazine, Paris, France, July/August 1998, ill.

‘National News…In Brief: Kudos’, in: ARTnews 97, New York NY, no. 7, Summer 1998, p. 53, ill.

Olszewski, Lori, Perlman, David, ‘High Honor for Oakland Author Reed, four other from region win MacArthur genius grants’, in: San Francisco Chronicle, San Francisco CA, 2 June 1998, ill.

Plagens, Peter, ‘Frail Fellows’, in: Artforum XXXVII, New York NY, no.1, September 1998, p. 43, ill.

Pollack, Barbara, ‘getting a BANG for your BUCK’, in: ARTnews 97, New York NY, no. 7, Summer 1998, pp. 144-149, ill.

Risatti, Howard, ‘Ida Applebroog’, in: Artforum XXXVII, New York NY, no. 1, September 1998, pp. 159-160, ill. 

Steinberg, Neil, Weiss, Hedy, ‘Honor is astronomical shock for U. of C. MacArthur fellow’, in: Chicago Sun-Times, Chicago IL, 2 June 1998, ill.

Sultan, Terrie, ‘Ida Applebroog: Exposing the Personal’, in: Ms. VIII, Elizabeht City, no. 5, March/April 1998, pp. 71-73, ill.

Weil, Rex, ‘Ida Applebroog: Corcoran Gallery of Art’, in: ARTnews 97, New York, no. 6, June 1998, p. 129, ill.

1997 Melrod, George, ‘Ah Wilderness’, in: Art & Antiques XX, New York NY, April 1997, p. 27-28, ill.

‘Museum Preview 1997-98’, in: Art in America, New York NY, no. 6, June 1997, p. 126, ill.

Rowlands, Penelope, ‘San Francisco: Renovation and Innovation’, in: ARTnews 96, New York NY, no. 2, February 1997, p. 55, ill.

Wallach, Amei, ‘The Contemporary Collector’s Art’, in: The New York Times Magazine, New York NY, 26 October 1997, pp. 42-46, ill.

1996

Brooks, Susan, ‘Ida Applebroog’, in: NY Soho 5, New York NY, December 1996, p. 34, ill.

Cotter, Holland, ‘Ida Applebroog’, in: The New York Times, New York NY, 13 December
1996, p. 30, ill.

Diehl, Carol, ‘Birds, Beads & Banner Stones’, in: ARTnews 95, New York NY, no. 7, Summer 1996, pp. 76-84, ill.

___, ‘The Nineties, Finally’, in: ArtReview, London, UK, 15 November 1996, pp. 22-24, ill.

Pedrosa, Adriano, ‘Whitney’, in: Poliester 5, Vienna, Austria, no. 16, Autumn 1996, p. 34-37, ill.

Zurko, Kathleen McManus, ‘Works from Solo Impression’, in: Women in the Arts XIV, New York NY, no. 4, Holiday 1996, pp. 10-13, p. 5, ill.

1995 ___, ‘Amherst, Massachusetts: Imperfection’, in: Flash Art XXVIII, Milan, Italy, no. 182, May-June 1995, p. 59, ill.

Auer, James, ‘Art museum exhibit embraces pluralism’, in: Milwaukee Journal, Milwaukee WI, 10 September 1995, p. 1, p. 12, ill.

‘Autumn books’, in: British Medical Journal 311, London, UK, no. 7012, October 1995, ill.

Fennell, John, ‘Is Painting Dead?’, in: Milwaukee Magazine, Milwaukee WI, November 1995, ill. Guequierre, Nathan, ‘Slavishly Hip, Strangely Satisfying’, in: Shepherd Express, Milwaukee WI, 12 October 1995, ill.

Kozloff, Max, ‘The Cruelties of Affection’, in: Art in America 83, New York NY, no. 9, September 1995, pp. 82-87, ill.

McClelland, Suzanne, ‘Lauren Szold, Jill Baroff, Ida Applebroog’, in: Bomb, New York NY, no. 51, Spring 1995, pp. 52-57, ill.

McQuaid, Cate, ‘For women only’, in: The Boston Phoenix, Boston MA, 8 April 1994, p. 9, ill.

Moriguchi, Madoka, ‘Ida Applebroog’, in: Bijutsu Techo 47, Tokyo, Japan, no. 700, January 1995, pp. 64-65, pp. 106-07, ill.

Slonim, Jeffrey, ‘In with the Out Crowd’, in: Artforum XXXIII, New York NY, no. 7, March 1995, pp. 12-14, ill.

Smith, Roberta, ‘The New, Irreverent Approach to Mounting Exhibitions’, in: The New York Times, New York NY, 6 January 1995, p. 25, ill.

Werner, Gabriele, ‘Asthetisierungen von Gewalt’, in: Frauen Kunst Wissenschaft 19, Bremen, Germany, May 1995, pp. 78-80, ill.

1994 Angeline, John, ‘Ida Applebroog’, in: Arte International 20, Bogota, Columbia, July-September 1994, pp. 146-47, ill.

Archer, Michael, ‘What’s in a Prefix?’, in: Art Monthly, London, UK, no. 173, February 1994, pp. 3-5, ill.

___, ‘Ida Applebroog’, Bijutsu Techo 46, Tokyo, Japan, no. 685, p.19, ill.

Cottingham, Laura, ‘Post -‘68’, in: Flash Art XXVII, Milan, Italy, no. 174, January/February 1994, p. 31, pp. 33-34, ill.

Danto, Arthur C, ‘Our Holiday Lists’, in: The Nation, New York NY, 26 December 1994, ill.

Deepwell, Katy, ‘The Menace of the Spoken Word’, in: Women’s Art Magazine, London, UK, no. 56, January/February, pp. 22-23, ill.

Edelman, Robert G, ‘Report from Washington, DC: The Figure Returns’, in: Art in America 82, New York NY, no. 3, March, pp. 38-43, ill.

Fox, Marilynn, ‘Monkey Business’, in: Reading Eagle, Reading PA, 17 April 1994, p. 2, ill.

Hall, Charles, ‘Best of the Bad Girls’, in: Art Review, London, UK, December 1993/January 1994, pp. 54-56, ill.

Harrison, Helen A, ‘Life’s Riddles and the Clarity of Cameras’, in: The New York Times, New York NY, 13 November 1994, p. 24, ill.

___, ‘It’s Health Care, Stupid!’, in: The Sciences 34, New York NY, no. 1, January/February 1994, pp. 16-21, ill.

Kastner, Jeffrey, ‘Ida Applebroog: Cubitt Street Gallery, London’ in: frieze, London, UK, no. 15, March-April 1994, pp. 50-52, ill.

Kreis, Elfi, ‘Wenn Kunst zum Zundstoff wird’, in: Der Tagesspiegel, Berlin, Germany, 19 December 1994, ill.

Lovelace, Carey, ‘Yagona’ in Fiji and Breakfast in Derry’, in: ARTnews 93, New York NY, no. 9, November 1994, p. 147, ill.

Mansfield, Elizabeth, ‘Power, Pleasure, Pain and the Public’, in: Harvard University Art Museums Review, Cambridge MA, Spring 1994, p. 2, p. 3, p. 9, ill.

Risatti, Howard, ‘43rd Biennial, Corcoran Gallery of Art’, in: Artforum 32, New York NY, no. 7, March, p. 92, ill.

___, ‘The Subject Matters: Politics, Empathy, and the Visual Experience’, in: New Art Examiner 21, Chicago IL, no. 8, April 1994, pp. 30-35, ill.

Saltz, Jerry, ‘Critic’s Diary: A Year in the Life: Tropic of Painting’, in: Art in America 82, New York NY, no. 10, October 1994, pp. 90-101, ill.

Schjeldahl, Peter, ‘Form and Discontent’, in: The Village Voice, New York NY, 17 May 1994, p. 90
Schor, Mira, ‘Mira Image’, Letter in: The Village Voice, New York NY, 31 May 1994 Vol. XXXIX, no. 22, p. 5, ill.

Szanto, Andras, ‘Interview with Ida Applebroog’, in: Art Today 94/11, Budapest, Hungary, November 1994, pp. 46-50, ill.

Wallach, Amei, ‘Deck the Windows with Art’, in: Newsday, New York NY, 25 November 1994, ill. 
___, ‘Dialogue Among Curators Is a Mind Game with Art’, in: Newsday, New York NY, 30 December 1994, ill.

Wilding, Faith, ‘Who’s Afraid of Peter Schjeldahl?’, in: The Village Voice, New York NY, 31 May 1994, p. 5, ill.

1993 ___, ‘The 43rd Corcoran Biennial – The body in question at America’s other biennial’, in: The Art Newspaper, New York NY, no. 32, November 1994, ill.

___, ‘America’s Top 100 Collectors’, in: Art & Antiques 15, New York NY, no. 2, March, pp. 43-46, 49, 51-53, 55-58, 60-63, 65-66, 68-70, 72, 74, 76, 78, ill.

___, ‘Ida Applebroog’, ARTnews 92, New York NY, no. 1, January 1993, ill. 

Atkins, Robert, ‘Scene and Heard’, in: The Village Voice, New York NY, 6 July 1993, p. 60, ill.

Baker, Kenneth, ‘Contemporary Painting Celebrated in DC’, in: San Francisco Chronicle, San Francisco CA, 7 November 1993, pp. 46-47, ill.

Biancolli, Amy, ‘Artists turn young-old eyes to aging’, in: Albany Times Union, New York NY, 17 January 1993, pp. 1-14, ill.

Bonetti, David, ‘Gallery Watch – Women front and center in local shows’, in: San Francisco Examiner, San Francisco CA, 23 April 1993, p. 17, ill.

___, ‘Brooklyn Museum Installation A Vehicle of Social Protest’, in: Antiques and The Arts Weekly, New York NY, 29 January 1993, ill.

___, Burchard, Hank, ‘Out of the Fire, Into the Melting Pot’, in: The Washington Post, Washington DC, 29 October 1993, ill.

___, ‘Calendar’, in: New York Newsday, New York NY, 9 February 1993, ill.

Cameron, Dan, ‘Ida Applebroog-Ronald Feldman’, in: Flash Art XXV, Milan, Italy, no. 163, March-April 1992, pp. 113-14, ill.

Cembalest, Robin, ‘International – Seoul, Have Biennial, Will Travel’, in: ARTnews 92, New York NY, no. 8, October 1993, p. 68, ill.

Danto, Arthur, ‘Art: The 1993 Whitney Biennial’, in: The Nation, New York NY, 19 April 1993, pp. 533-536, ill.

Findsen, Owen, ‘Humanity in age of technology’, in: The Cincinnati Enquirer, Cincinnati OH,
5 December 1993, p. 6, ill.

Gibson, Eric, ‘Who are the new stars of painting?’, in: The Washington Times, Washington DC, 2 November 1993, p. 17, ill.

Gimelson, Deborah, ‘The Show the Art World Loves to Hate’, in: Mirabella, New York NY, no. 46, March 1993, pp. 82-85, ill.

Hall, James, ‘Exhibitions’, in: The Guardian, London, UK, 12 March 1993, ill.

Heartney, Eleanor, ‘Report from New York – Identity Politics at the Whitney’, in: Art in America 81, New York NY, no. 5, May 1993, pp. 42-47, ill.

Hess, Elizabeth, ‘Art + Politics = Biennial – Up Against the Wall’, in: The Village Voice 38, New York NY, no. 11, 16 March 1993, p. 34, p. 38, ill.

Houppert, Karen, ‘Baseball Bats and Broomsticks’, in: The Village Voice, New York NY, 16 March 1993, pp. 29-33, ill.

Kimmelman, Michael, ‘At the Whitney, Sound, Fury and Not Much Else’, in: The New York Times, New York NY, 25 April 1993, p. 1, p. 37, ill.
Larson, Kay, ‘What a Long Strange Trip’, in: The New York Times, New York NY, 22 March 1993, pp. 71-72, ill.

Levin, Kim, ‘Art in Brief’, in: The Village Voice, New York NY, 30 March 1993, p. 74, ill.

___, ‘Listings’, in: The Village Voice 38, New York NY, no. 12, 23 March 1993, p. 67, ill.

Lippard, Lucy, ‘In the Flesh: Looking Back and Talking Back’, in: Women’s Art, New York NY, no. 54, September/October 1993, pp. 4-9, ill.

___, ‘M’aidez/Mayday’, in: The New Yorker, New York NY, 14 June 1993, ill.

MacAdam, Barbara, ‘Scrooge Goes Minimal’, in: ARTnews 92, New York NY, no. 10, December 1993, p. 26, ill.

McWilliams, Martha, ‘Go Figure’, in: Washington City Paper, Washington DC, 12 November 1993, p. 43, ill.

___, ‘Museum Preview 1993-94’, in: Art in America Annual Guide, New York NY, 1993, ill.

___, ‘Ida Applebroog’, in: The New Yorker, New York NY, 8 February 1993, ill.

Pedersen, Victoria, ‘Gallery Go ‘Round’, in: Paper Magazine, New York NY, March 1993, p. 27, ill.

Phillips, Patricia C, ‘Ida Applebroog: Brooklyn Museum’, in: Artforum XXXII, New York NY, no. 2, October 1993, p. 96, ill.

Raynor, Vivien, ‘ Grappling With Feminism and Femininity’, in: The New York Times, New York NY, 21 March 1993, p. 22, ill.

Rein, Ingrid, ‘Lieb Vaterland magst ruhig sein’, in: Feuilleton – Süddeutsche Zeitung, Munich, Germany, no. 288, 14 December 1993, p. 13, ill.

Rian, Jeff, ‘Spotlight – The 1993 Whitney Biennial’, in: Flash Art 26, Milan, Italy, no. 170, May/June 1993, pp. 78-79, ill.

Richard, Paul, ‘What’s Wrong With This Picture’, in: The Washington Post, Washington DC, 31 October 1993, p. 2, p. 4, ill.

Robinson, Hilary, ‘Ida Applebroog’, in: Circa, Dublin, Ireland, 1993, ill.

Russell, John, ‘The Corcoran Gives New Meaning to ‘Biennial’, in: The New York Times, New York NY, 21 November 1993, p. 39, ill.

Saltz, Jerry, ‘Let Us Now Praise Artist’s Artists’, in: Art & Auction XV, New York NY, no. 9, April 1993, pp. 74-79, p. 115, ill.

Schjeldahl, Peter, ‘Art + Politics = Biennial – Missing: The Pleasure Principle’, in: The Village Voice 38, New York NY, no. 11, 16 March 1993, p. 35, p. 38, ill.

Taubin, Amy, ‘Bodies in Motion’, in: The Village Voice 38, New York NY, no. 11, 16 March 1993, pp. 36-37, ill.

Taylor, John, ‘Mope Art’, in: The New Yorker, New York NY, 22 March 1993, pp. 16-17, ill.

___, ‘This Week in Brooklyn’, in: Spring Creek Sun, New York NY, 5 February 1993, ill.

Thomas, Michael M, ‘Oinking Biennial Art Must Not Be Forgiven’, The New York Observer, New York NY, 26 April 1993, p. 1, p. 17, ill.

Wallach, Amei, ‘Art with an Attitude’, in: New York Newsday, New York NY, 5 March 1993, Part II, pp. 52-53, ill.

1992 Aquin, Stephane, ‘Pour la suite du monde: histoire a suivre’, in: Voir, Paris, France, 4/10 June 1992, p. 20, ill.

Bellavance, Guy,‘Openings: Pour la suite du Monde. Musee d’art contemporain de Montreal’, in: C Magazine, Toronto, Canada, no. 35, pp. 36-47, ill.

Bode, Ursula, ‘Gewald und Kirschkuchen’, in: Die Zeit, Hamburg, Germany, no. 6, 31 January 1992, p. 60, ill.

Bogardi, Georges, ‘Pour la suite du monde: Musee d’art contemporaine de Montreal’, in: Canadian Art, Toronto, Canada, pp. 94-96, ill.

Cameron, Dan, ‘Ida Applebroog-Ronald Feldman’, in: Flash Art XXV, Milan, Italy, no. 163, March/April 1992, pp. 113-14, ill.

Cron, Marie-Michele, ‘Miroir de la societé du spectacle’, in: Le Devoir, Montreal, Canada, 18 July 1992, p. 12, ill.

___, ‘Depicting of America’s Inner Shadow’, in: Hi Fashion in Japan, Tokyo, February 1992, p. 170, ill.

Donovan, Patricia, ‘Art on the Front Lines’, in: The Buffalo News, New York, 6 March 1992, ill.

Dotan, Esther, ‘Studio-Israeli’, in: Art Magazine, New York, no. 31, March 1992, pp. 50-51, ill.

___, ‘Downtown Jersey City Artists. Studio Tour’, in: The Jersey Journal, Jersey, 20 September 1993, ill.

Finley, Kathleen, ‘Ida Applebroog’, in: Arts Magazine 66, New York NY, no. 5, January 1992, p. 62, ill.

Hess, Elizabeth, ‘Heart Like a Wheel’, in: The Village Voice, New York NY, 25 February 1993, p. 96, ill.

Jouannais, Jean Yves, ‘Pour la suite du monde: Musee d’art contemporain’, in: Art Press, New York NY, no. 171, July/August 1992, p. 75, ill.

Hjort, Oystein, ‘Malerierne fra voldens domaene’, in: Politiken-Kunstrunden, Copenhagen, Denmark, 27 June 1992, ill.

Kissinger, Beth, ‘The Politics of Art’, in: Tempo, Hamburg, Germany, 30 October-5 November 1992, pp. 6-7, ill.

Larson, Kay, ‘The Painting Pyramid’, in: New York Magazine, New York, 25 May 1992, pp. 85-86, ill.

Lehmann, Genry, ‘Ida Applebroog’, in: Canadian Art, Toronto, Spring 1992, p. 22, ill.

Licata, Elizabeth, ‘Hallwalls’ Abortion Project serves as a meeting place’ in: The Buffalo News, New York, 9 April 1992, ill.

Marimo, Meiri, ‘Ida Applebroog’, in: Nikkei Image Climate Forecast, Tokyo, March 1992, ill.

Mays, John Bentley, ‘Practicing the art of being seen’, in: The Globe and Mail Montreal, Montreal, 30 May 1992, p. 4, ill.

McCormick, Carlo, ‘Interview with Buffy Sainte-Marie’, in: Day of Hope, Chapel Hill, 1992, p. 28, ill.

Princenthal, Nancy, ‘Artist’s Book Beat’, in: The Print Collector’s Newsletter 23, New York, no. 5, November-December 1992, pp. 180-81, ill.

Restak, Richard M, ‘See No Evil’, in: The Sciences 32, New York, no. 4, July/August 1992, pp.16-21, ill.

Sachs, Brita, ‘Im Angesicht globaler und privater Katastrophen’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 23 January 1992, p. 29, ill.

Scott, Whitney, ‘Fast Track – SoHo’s Spin Doctors’, in: The New Yorker, New York, no. 43, 2 November 1992, p. 23, ill.

Shakked, Shlomit, ‘Ida Applebroog’, in: Maariv, Tel Aviv, 21 February 1992, ill.

Smith, Roberta, ‘From New York Painters, Work That Takes Time’, in: The New York Times, New York, 1 May 1992, p. 31, ill.

Steenbergen, Renee, ‘Ida Applebroog’, in: Archis, 5 March 1992, ill.

___, ‘Tv-beelden zijn voedsel voor mijn kunst’, in: NRC Handelsbrad, Amsterdam, 2 February 1992, ill.

Tilroe, Anna, ‘Het hardstenen conflict tussen kunst en geweld’, in: Volusrrant, Amsterdam, 3 February 1992, ill.

Van Sinderen, Wim, ‘Verontrustend realismez’, in: Het Parool, Amsterdam, 21 February 1992, ill.

Watkins, Eileen, ‘Twin Jersey City exhibits take jabs at political process’, The Sunday Star-Ledger, 27 September 1992, ill.

Wulffen, Thomas, ‘Reviews’, in: Forum International no. 14, New York, September/October 1992, p. 100, ill.

Zimmer, William, ‘Election Dreams and Fears Dramatized’, in: The New York Times, New York, 13 September 1992, p. 14, ill.

1991 ___, ‘Amerikanerin Im Aufwind’, in: Brigitte, Hamburg, 18 September 1991, ill.

Atkins, Robert, ‘Scene and Heard’, in: The Village Voice, New York, 23 April 1991, vol. XXXVI, no. 17, p. 90, ill.

___, ‘Ausstellung Ida Applebroog’, Südwest Presse, Ulm, 9 September 1991, ill.

___, ‘Biography and Sexuality at MOCHA’ in: Art in America 79, New York, no. 1, January 1991, pp. 60-61, ill.

Bouzerand, Jacques, ‘Selection- Arts’, Le Point, Paris, 957, 21 January 1991, p. 24, ill.

Burkhart, Dorothy, ‘Emptiness, Loss of Identity Fill De-Persona Exhibit’, in: San Jose Mercury News, San Jose, 5 May 1991, ill.

___, ‘Choices: An Evening with Beth B and Lydia Lunch’, in: The Village Voice, New York, 29 January 1991, p. 90, ill.

___, ‘Ida Applebroog’, in: C Magazine, Santa Barbara, no. 29, Spring 1991, pp. 19-22, ill.

___, ‘Ida Applebroog’, in: Cover 5, Copenhagen, no. 6, Summer 1991, ill.

___, ‘Drastische Szenen von Ida Applebroog’, Südwest Presse, Ulm, 29 October 1991, ill.

___, ‘Galleries- Soho’, in: The New Yorker, New York, 11 November 1991, ill.

___, ‘Goings on about Town’, in: The New Yorker, New York, 27 May 1991, ill.

Hess, Elizabeth, ‘Collateral Damage’, in: Village Voice, New York, 12 March 1991, p. 81, ill.

___, ‘Death to the Masters’, The Village Voice, New York, no. 43, 22 October 1991, p. 91, ill.

___, ‘In the Rose Garden’, The Village Voice, no. 47, 19 November 1991, p. 100, ill.

___, Hintermeier, Hannes, ‘Jammern hat keinen Sinn, man muss die leute Provozieren!’, in: AZ feuilleton, 13 September 1991, p. 12, ill.

Hurley, Anne, ‘de-Persona: The Figure Detached’, in: The Museum of California, The Oakland Museum, Oakland, no. 2, Spring 1991, 9-13, ill.

___, ‘Ida Applebroog. Promise’, in: Schwäbliche Zeitung, Oberschwaben, 16 October 1991, ill.

___, ‘In Brief’, in: The Village Voice, New York, 5 November 1991, ill.

___, ‘In Short’, in: Entertainment Weekly, New York, no. 58, 22 March 1991, p. 66, ill.

Karcher, Eva, ‘Aktuelle Kritik’, in: Suddeutsche Zeitung, Munich, 17 October 1991, ill.

___, ‘Kultur aktuell’, in: Sonntag Aktuell, Stuttgart, 10 November 1991, ill.

___, ‘Ida Applebroog’, in: Kunstforum, Ruppichteroth, September/October 1991, p. 451, ill.

Larson, Kay, in: New York Magazine 24, New York, no. 47, 2 December 1991, p. 150, ill.

Lingemann, Suzanne, ‘Was stimmt nicht an diesen Bild?’, in: ART, Berlin, no. 10, October 1991, p. 114, ill.

Maier, Anne, ‘Ida Applebroog: Ikone des Trivialen’, in: Kunst-Bulletin, Zurich, October, ill.

Moorman, Margaret, ‘Original Sin. Exhibit Settles an Old Score’, in: Newsday, New York, 25 January 1991, p. 91, ill.

___, ‘News’, in: Flash Art XXIV, Milan, no. 158, May/June 1991, p. 160, ill.

___, ‘Paris Now/Jetzt’, in: Paris Art Letter, Paris, no. 2, February 1991, ill.

Piguet, Phillippe, ‘Ida Applebroog: Galerie Langer Fain’, in: Art Press, Paris, no. 156, March 1991, p. 102, ill.

Reinhardt, Brigitte, ‘Diese Idylle ist trugerisch’, in: Südwest Presse, Ulm, 14 October 1991, ill.

Smith, Roberta, ‘Americana with Benign and Sinister Side by Side’, in: The New York Times, New York, 1 November 1991, ill.

Steigel, Ruth, ‘Menschliche Beziehungen Geraten ins Zweilicht’, in: Südwest Presse, Ulm, 2 October 1991, ill.

Taubin, Amy, ‘Body Electric’, in: The Village Voice, New York, 30 April 1991, vol. XXXVI, no. 18, pp. 45-46, ill.

___, ‘Traces of Femininity, in: Bijutsu Techo 43, Tokyo, no. 636, April 1991, pp. 56-65, ill.

___, ‘Trügerische Geborgenheit in der Collage’, in: Neu-Ulmer Zeitung, Ulm, 5 October 1991, ill.

Vogel, Thomas, ‘Kaputte Fenster ins Private’, in: Neu-Ulmer Zeitung, Ulm, 1991, ill.

Volk, Carol, ‘Anatomy of Culture’, in: Art & Antiques VII, New York, no. 9, November 1991, p. 31, ill.

Warning, William, ‘Von Sehen Uberwaltigit, Ein Puzzle aus Lebensfetzen: Bilder von Ida Applebroog’ Bayerische Staatszeitung, Munich, 4 October 1991, p. 9, ill.

Weskott, Hanne, ‘Life Is Good, Isn’t It Mamma?’, in: Artis, Munich, October 1991, no. 10, pp. 16-19, ill.

1990 ___, Art in America 78, New York, no. 12, December 1990, p. 9, ill.

___, Art in America 78, no. 5, New York, May 1990, p. 270, ill.

Chadwick, Susan, ‘Ida Applebroog’, in: The Houston Post, Houston, 21 February 1990, p. 2, ill.

___, ‘Ida Applebroog’, in: The Houston Post, Houston, 28 February 1990, Style Section, ill.

Harris, Melissa, ‘Tell Me, Does Your Condition Have a Name?’, in: Interview, New York, February 1990, p. 36, ill.

Heartney, Eleanor, ‘Ida Applebroog and Beth B at Feldman’, in: Art in America 78, New York, no. 1, January 1990, pp. 61, 160, ill.

H. E., ‘Ida Applebroog’, in: Artnews 89, New York, no. 1, 1990, p. 168, ill.

Johnson, Patricia, ‘Ida Applebroog’, in: The Houston Chronicle, Houston, 5 March 1990, pp. 9-10, ill.

___, ‘Ida Applebroog’, in: Michigan Quarterly Review XXX, Michigan, no. 1, Winter 1990, p. 92, ill

Nesbitt, Lois E., ‘Ida Applgeboog’, in: Artforum XVIII, New York, no. 5, January 1990, p. 36, ill.

Roberts, Anne, ‘Ida Applgeboog’, Public News, Hamburg, 7 March 1990, p. 10, ill.

Schor, Mira, ‘Medusa Redux, Ida Applebroog and the Spaces of Post-Modernity’, in: Artforum XXVIII, New York, no. 7, March 1990, pp. 116-22

Taubin, Amy, ‘Relatively True Stories’, in: The Village Voice, New York, no. 1, 9 January 1990, p. 54, ill.

Zed, Xenia, ‘Ida Applebroog’, in: Art Papers 15, New York, no. 5, September/October 1990, pp. 30-33, ill.

1989 Ball, Edward, ‘Ida Applebroog’, in: 7 Days, New York, 1 November 1989, p. 68, ill.

Fox, Catherine, ‘Evil’s Witness: Artist Ida Applebroog Depicts a Grim World’, The Atlanta Constitution, Atlanta, 25 September 1989, p. 1-2, ill.

Handy, Ellen, ‘Readings’, in: Arts Magazine, New York, May 1989, p. 27, ill.

Hess, Elizabeth, ‘Shock Gallery’, The Village Voice XXXIV, New York, no. 45, 7 November 1989, p. 103, ill.

Kozik, KK, ‘Ida Applebroog’, in: Cover, Copenhagen, November 1989, p. 15, ill.

Levin, Kim, ‘Mastery Exposed’, in: The Village Voice XXXIII, New York, no. 23, 6 June 1989, p. 88, ill.

Sachs, Brita, ‘Der schone Schein und das miese Sein’, Frankfurter Allgemeine Zeitung, Frankfurt, 7 October 1989, ill.
Thorsen, Alice, ‘Not So Naive’, in: New Art Examiner, Chicago, no. 7, March 1989, p. 48, ill.

Topp, Michael, ‘Ida Applebroog’, in: New Observations 66, New York, April 1989, ill.

1988 Bass, Ruth, ‘Ordinary People’, in: Artnews 87, New York, no. 5, May 1988, p. 151, p. 54, ill.

Brenson, Michael, ‘The Social Club’, in: The New York Times, New York, 22 January 1988, p. 24, ill.

Heartney, Eleanor, ‘Ida Applebroog’, in: Artnews 87, New York, no. 1, January 1988, p. 151, p.52, ill.

Hess, Elizabeth, ‘Art of the State’, in: The Village Voice, New York, 16 February 1988, pp. 39-41, ill.

Linker, Kate, ‘Reviews: Ida Applebroog/Ronald Feldman Fine Arts’, in: Artforum 26, New York, no. 5, January 1988, p.109, ill.

McGreevy, Linda, ‘What is Jewish Art?’, in: Renewal 4, New York, no. 4, April, pp. 32-36, p. 64, ill.

Middendorf, Frances, ‘After the Fall: Apocalyptic Visions at RISD’, in: The Newspaper, Rhode Island, 17 November 1988, p. 1, p. 3, p. 24, ill.

Nevins, Grace, ‘Applebroog Critiques Through Art’, in: The Colgate Maroon, New York, 1 November 1998

___, in: New Observations 58, New York, June 1988, ill.

___, ‘People & Places’, in: The Print Collector’s Newsletter XVII, New York, no. 6, January-February 1988, p. 20, ill.

Princenthal, Nancy, ‘Ida Applebroog at Ronald Feldman’, in: Art in America 76, New York, no. 2, February 1988, p. 137

___, ‘Political Prints: An Opinion Poll’, in: The Print Collector’s Newsletter 19, New York, no. 2, May/June 1988, pp. 44-47, ill.

Robbins, Corinne, ‘Changing Stories’, in: Arts Magazine 63, New York 1988, no. 3, November, pp. 80-85, ill.

Schwendenwien, Jude, ‘Wadsworth Atheneum Ida Applebroog: Matrix 96’, in: Art New England, London, February 1988, ill.

Tousley, Nancy, ‘Heroics: Six artists shatter stereotypes’, in: Calgary Herald, Calgery, 11 February 1988, ill. 

Weskott, Hannem, ‘Ausstellungsfieber’, in: Süddeutsche Zeitung, Munich, 16-17 June 1988, no. 137, ill. 

Wooster, Ann Sargent, ‘Attention, Art Shoppers: A Collector’s Primer’, in: 7 Days 1, New York, no. 11, 8 June 1988, p. 47, ill.

1987 Cohen, Jon, ‘The District Line’, in: City Paper, New York, 27 March 1987, ill.

Cyphers, Peggy, ‘Culture and Nature’, in: Cover, Copenhagen, November 1987, ill.

Damsker, Matt, ‘Ida Applebroog/Enigmatic and alive: A ‘generic artist’ prods conscience of modern society’, in: The Hartford Courant, Hartford, 18 September 1987, p. 1, p. 4, ill.

___, ‘Das ist die Sprache der Gewalt’, in: Art, Hamburg, June 1987, ill.

___, ‘Diptych Art at the Whitney sees both sides of the question’, in: The Advocate and Greenwich Time, Greenwich, 13 March 1987, ill.

Glueck, Grace, ‘A New Showcase for Art by Women’, in: The New York Times, New York, 1 April 1987, ill.

___, ‘The Guide – Art’, in: The New York Times, New York, 26 April 1987, ill.

Hess, Elizabeth, ‘Success! A Boone for Feminists?’, in: The Village Voice Supplement, New York, 6 October 1987, pp. 4-5, ill.
___, ‘Beyond Domestic Agony’, in: The Village Voice, New York, 10 November 1987, p. 101, ill.
___, Larson, Kay, ‘Shrinking History’, New York Magazine, New York, 5 October 1987, 101, ill.

___, New York Magazine 20, no. 4, 9 November 1987, p.123, ill.

Levin, Kim, ‘Americans Abroad’, in: The Village Voice, New York, 4 August 1987, ill.

Lottman, Joachim, ‘Documenta – Eindrucke vor der Eroffnung’, in: Wolenkratzer Art Journal, Frankfurt, Summer 1987, ill.

Loughery, John, in: Arts Magazine 62, New York NY, no. 4, December 1987, p. 106, ill.

Power, Mark, ‘‘Some Like It Hot?’ at the WPA’, in: The Washington Post, Washington, 18 April 1987, p. 2, ill.

Risatti, Howard, ‘The National Museum of Women in the Arts’, in: New Art Examiner, New York, Summer 1987, ill.

Schwendenwien, Jude, ‘Social Surrender: An Interview with Ida Applebroog’, in: Real Life 40, no. 17/18, Winter 1987, pp. 40-44, ill.

___, ‘Ida Applebroog’, in: Stern, Hamburg, June 1987, ill.
Thorson, Alice, ‘Four versions of feminist nose-thumbing’, in: The Washington Times, Washington DC, 2 April 1987, ill.

Zimmer, William, ‘Artists are creating a Wonderland of Video in Museums and Galleries’, in: The New York Times, New York, 6 March 1987, p. 1, ill.

___, ‘Retrospective of Ida Applebroog at the Wadsworth Atheneum’, in: The New York Times, New York, 1 November 1987, p. 36, ill.

1986 Bohn, Donald, ‘Investigations 1986’, in: The New Art Examiner 14, New York, no. 2, October 1986, p. 53, ill.

Cameron, Dan, ‘Report from the Front’, in: Arts Magazine, New York, Summer 1986, p. 86, ill.

Cotter, Holland, in: Arts Magazine 60, New York, no. 8, April 1986, p. 143, ill.

Fox, Marilyn, ‘Freedman’s First 10 Years’, in: Reading Eagle, Eagle, 23 November 1986, ill.

Galbraith, Pamela J., ‘The Naked City Bares its Soul’, East Side Monthly, Rhode Island, February 1986, ill.

Gill, Susan, ‘Ida Applebroog’, in: Artnews 85, New York, no. 4, April 1986, p. 154, ill.

Keyes, Norman Jr., ‘New York through artists’ eyes’, in: Boston Globe, Boston, 7 February 1986, ill.

Levin, Kim, ‘Voice Choice’, in: The Village Voice, New York, 28 January 1986, ill.

McGreevy, Linda F, ‘Ida Applebroog’s Latest Paradox: Dead-ends = New Beginnings’, in: Arts Magazine 60, New York, no. 8, April 1986, pp. 29-31, ill.

Morgan, Susan, ‘And That’s the Way It Is…’, in: Artscribe International no. 58, New York, June/July 1986, pp. 48-49, ill.

Raven, Arlene, ‘Not a Pretty Picture’, in: The Village Voice, New York, 17 June 1986, p. 98, ill.

Raven, Arlene, ‘Ida Applebroog’, in: The New Art Examiner 14, New York, no. 1, September 1986, p. 57, ill.

Van Sicien, Bill, ‘Art that Beats like the Big City that Inspired it’, in: The Providence Sunday Journal, Providence, 19 January 1986, p. 4, ill.

___, ‘The Women’s Movement in Art’, in: Arts Magazine 61, New York, no. 1, September 1986, pp. 54-57, ill.

1985 ___, ‘American Medical Association’, pictorial by Ida Applebroog, in: Artforum, New York, April 1985, ill.

Cameron, Dan, ‘Illustration is Back in the Picture’, in: Artnews 84, New York, no. 9, November 1985, p. 114, ill.

Gambrell, Jamey, ‘Ida Applebroog at Feldman’, in: Art in America 73, New York, no. 1, January 1985, p. 141, ill.

___, ‘Ida Applebroog’, in: Art in America, New York, January 1985, ill.

___, ‘The IFAR Report’, in: Art & Auction, New York, January 1985, ill.

McGreevy, Linda, ‘Chilastic Reflections on the old adage. Three’s the Charm’, in: Arts Magazine 59, New York, no. 5, January 1985, pp. 93-102, ill.

Phillips, Deborah, ‘Ida Applebroog/Ronald Feldman Fine Arts’, in: Artnews 85, New York, no. 2, February 1983, p.141, ill.

___, ‘Ida Applebroog’, in: The Print Collector’s Newsletter, New York, March-April 1985

___, ‘Public Address: Sign on a Truck’, in: Art in America 73, New York, January 1985, pp. 88-90, ill.

1984 Cameron, Dan, ‘Against Collaboration’, in: Arts Magazine, New York, March 1984, ill.

Cohen, Ronny, ‘Ida Applebroog: Her Books’, in: The Print Collector’s Newsletter 15, New York, no. 2, May/June 1984, pp. 49-51, ill. 

Glueck, Grace, in: The New York Times, New York, October 1984, p. 26, p. 29, ill. 

___, ‘In New York notiert,’ in: Aufbau, Zurich, 9 November 1984, ill.

Larson, Kay, ‘Tips of the Icebergs’, in: New York Magazine, New York, 28 May 1984, ill.

Levin, Kim, ‘Voice Choice’, in: The Village Voice, New York, 13 November 1984, ill.

McGreevy, Linda, ‘Sugar and Spice’, in: Portfolio Magazine, New York, 31 July 1984, ill.
___, ‘Under Current Events: Ida Applebroog’s Inmates and Others’, in: Arts Magazine 59, New York, no. 2, October 1984, pp. 128-31, ill. 

Merritt, Robert, ‘Silences’: a compilation’, in: Richmond Times-Dispatch, Richmond, 28 November 1984, p. 10, ill.

Princenthal, Nancy, ‘Recent Artists’ Books, Or How to Invest $100 in Artists’ Books Published Since 1980’, in: Print Collector’s Newsletter, New York, May-June 1984, ill.

Proctor, Roy, ‘Seven shows open at the Anderson Gallery’, in: The Richmond News Leader, Richmond, 1 December 1984, ill. 

Smith, Roberta, ‘Exercises for the Figure’, in: The Village Voice, New York, 20 November 1984, p. 120, ill.

Sokolowski, Tom, ‘Silences: Recent Work of Ida Applebroog’, in: The Chrysler Museum Bulletin 14, Virginia, no. 8, August 1984, ill.

Weinstein, Jeff, ‘Eating Around – Artburn?’, in: The Village Voice, New York, 11 September 1984, ill.

Yard, Sally, ‘The Shadow of the Bomb’, in: Arts Magazine 58, New York, no. 8, April 1984, pp. 73-82, ill.

Zeitlin, Marilyn, ‘Ida Applebroog ‘Silences’, in: VCU Today, Virginia, 27 November – 14 December 1984, ill.

1983 ___, ‘An exhibit of humor in art is set to open in Plainfield’, in: The Daily Journal, San Francisco, 24 June 1983, ill.

Ashbery, John, ‘Biennials Blooming in the Spring’, in: Newsweek, New York, 18 April 1983, p. 93, ill.

Brach, Paul, ‘Ida Applebroog at Ronald Feldman’, in: Art in America 71, New York, no. 2, February 1983, pp. 139-40, ill.

Contini, Anita Letter, ‘Chamber Plot’, in: The Village Voice, New York, 11 January 1983, p. 29, ill.

Dietz, Paula, ‘Trends in Recent American Art’, in: Harper’s Bazaar, New York, April 1983, ill.

Eisenman, Stephen F., ‘Ida Applebroog’, in: Arts Magazine 57, New York, no. 5, January 1983, p. 40, ill.

English, Christopher, ‘De-merchandising art: Shopping for an alternative’, in: The New Art Examiner 10, New York, no. 10, Summer 1983, 13, ill.

___, ‘Forum’, in: Domus, Milan, 1983 ill.
Gardner, Colin, ‘Ida Applebroog at Koplin’, in: Images and Issues, September/October 1983, ill.
Hicks, Emily, ‘The Edge of Banality’, in: Artweek 14, New York, no. 9, 5 March 1983, p.16, ill.

Linker, Kate, ‘Ida Applebroog’, in: Artforum 21, New York, no. 6, February, p. 80, ill.

Madoff, Steven H., ‘Riding the Rebounding Art Market’, in: Money, Berlin, Februar 1983, ill.

Mason, Jean, ‘The Freeze: Deterrence and Disarmament’, in: Artery, New York, 1983 ill.

Muchnic, Suzanne, ‘Review: La Cienega Area’, in: The Los Angeles Times, Los Angeles, 18 February 1983, p.18 (part IV), ill.

Norklun, Kathi, ‘Pick of the Week’, in: Los Angeles Weekly, Los Angeles, 25 February -3 March 1983, ill.

Silverthorne, Jeanne, ‘Review Directions 1983’, in: Artforum, New York, 1983, ill.

___, ‘Summer Shows’, in: Dialogue, New York, May/June 1983, ill.

1982 ___, ‘Art with a Conceptual Bent’, in: The New York Times, New York, November 1982, ill.

Brenson, Michael, ‘Art People: Sculpture ‘Speaks Out’ at Downtown Landmark’, in: The New York Times, New York, 12 November 1982, p. 25, ill.

Cembalest, Robin, ‘Melodrama!’, in: The Yale Quarterly Summer, Yale, 1982, ill.

Gever, Martha, ‘Ida Applebroog’, in: Afterimage 10, New York, no. 1/2, Summer 1982, p. 36, ill.

Levin, Kim, ‘Voice Choice’, in: The Village Voice, New York, 23 November 1982, ill.

Lippard, Lucy, ‘Taking Liberties’, in: The Village Voice, New York, 14 December 1982, p. 121, p.136, ill.

Parmesani, Loredana, ‘Ida Applebroog’, in: Flash Art, Milan, January 1982, ill.

Zimmer, William, ‘Applebroog at Ronald Feldman’, in: Art Gallery Scene, New York, 14 December 1982, ill.

1981 Casademont, Joan, ‘Ida Applebroog – Ronald Feldman Fine Arts’, in: Artforum 19, New York, no. 9, May 1981, pp. 72-73, ill.

Cavaliere, Barbara, in: Arts Magazine 55, New York, no. 10, June 1981, p. 35, ill.

Frank, Elizabeth, in: Art in America 69, New York, no. 5, May 1981, p. 137, ill.

Goldstein, Richard, ‘Artists: An Endangered Species’, in: The Village Voice, New York, 3-13 May 1981, ill.

Hess, Elizabeth, ‘Rear Windows’, in: The Village Voice XXVI, New York, 4-10 March 1981, p. 70, ill.

Levin, Kim, ‘Voice Choice’, in: The Village Voice XXVI, New York, 18-24 February 1981, p. 24, ill.

Matta, Marianne, ‘I.A.: Ida Applebroog’, in: DU, Rapperswil, no. 1, January 1981, p. 56, ill.

Nadelman, Cynthia, in: Artnews 80, New York, no. 6, June 1981, p. 246, ill.

Phillips, Deborah C, ‘Definitely not suitable for framing’, in: Artnews 80, New York, no. 10, December 1981, pp. 62-67, ill.

Raynor, Vivien, ‘Art: Group Show by Seven at Borgenicht Gallery’, in: The New York Times, New York, 26 June 1981, p. 26, ill.

Tallmer, Jerry, ‘Frozen Theater on a Wall’, in: The New York Post, New York, 14 February 1981, ill.

Zimmer, William, ‘Ida Applebroog’, in: Soho Weekly News, New York, 25 February 1981, ill.

1980 ___, ‘Secret Storm’, in: The Village Voice, New York, 29 January 1980, p. 72, ill.

1979 Crary, Jonathan, ‘Ida Applebroog’, in: D’Ars, Milan, December 1979, ill.

Kingsley, April, ‘Ida Applebroog’, in: The Village Voice, New York, 3 March 1979, ill.

Rickey, Carrie, ‘Ida Applebroog at Franklin Furnace’, in: Flash Art 63, Milan, no. 90-91, June-July 1979, p. 46, ill.

___, ‘The More the Merrier’, in: The Village Voice, New York, 29 October 1979

Saunders, Wade, ‘Ida Applebroog at Ellen Sragow’, in: Art in America 67, New York, no. 3, May/June 1979, p. 144, ill.

1978 Larson, Kay, ‘New York Reviews: Ida Applebroog’, in: Artnews 77, New York, no. 10, December 1978, pp. 144-145, ill.

Crimp, Douglas, ‘Ida Applebroog’, in: Artnews 72, New York, no. 2, February 1973, pp. 80-81, ill.
___, ‘Return to Sender’, ‘Ida Applebroog’, in: The Village Voice XXIII, New York, 14 August 1978, p. 65, ill.

1977 Frank, Peter, ‘Ida Applebroog’, in: Womanart, New York, Winter 1977, ill.

Russell, John, ‘Art: An Invitation from Robert Elkon’, in: The New York Times, New York, 14 January 1977, ill.

1976 Woodard, Stephanie, ‘Ida Applebroog’, in: Soho News, New York, 28 October 1976, 1976, ill.

1973 
___, ‘Ida Applebroog’, in: Arts International, New York, March 1973, ill.

Lubell, Ellen, ‘Ida Applebroog’, in: Arts Magazine, New York, March 1973, ill.

Mellow, James, ‘Ida Applebroog’, in: The New York Times, New York, 17 September 1973, ill.

Winer, Helene, ‘Ida Applebroog’, in: Los Angeles Times, Los Angeles, 5 February 1973, ill.

1972 Wilson, William, ‘Ida Applebroog’, in: Los Angeles Times, Los Angeles, 26 May 1972, ill.

Selected Images

Installation view, ‘Ida Applebroog. Mercy Hospital’, ICA Miami, Miami FL, 2016

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