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Lee Lozano

Photo: Lee Lozano

Lee Lozano’s paintings are admired for their energy, daring physicality and tirelessness in investigating the body and issues of gender. Although lauded by Lucy Lippard in 1995 as the foremost female conceptual artist of her time, Lozano had disengaged herself from the New York art world completely by the early 1970s. She left behind a body of work of striking formal breadth and complexity.


Lozano fought to consolidate her artistic self in a realm void of systems, rules, and group consciousness. She pursued a wholly independent solo studio practice, which culminated in her rejection of the New York art world and a boycott of women. She first refused to attend public art world functions and withdrew from exhibitions, finally relocating to Dallas, Texas. ‘By refusing to speak to women,’ says Helen Molesworth, Chief Curator of LA MOCA, ‘she exposed the systematic and ruthless division of the world into categories of men and women. By refusing to speak to women as an artwork, she also refused the demand of capitalism for the constant production of private property… The strategy of rejection is a powerful one.’

Biography

Born Newark NJ, 1930

Education

Studied at University of Chicago IL, BA, 1951
Studied at Art Institute of Chicago IL, BFA, 1960

Died Dallas TX, 1999

Selected Solo Exhibitions

2018 The Fruitmarket Gallery, 'Lee Lozano: Slip Slide Splice', Edinburgh, Scotland

2017 Museo Nacional Centro de Arte Reina Sofia, 'Lee Lozano', Madrid, Spain
Hauser & Wirth, 'Lee Lozano – c. 1962', London, UK

2016 Karma, 'Lee Lozano – c. 1962', New York NY

2015 Hauser & Wirth, 'Lee Lozano. Drawings & Paintings', New York NY

2011 Hauser & Wirth, 'Lee Lozano Tools', New York NY

2010 Ratio 3, 'Lee Lozano: Notebooks 1967-70', San Francisco CA
Moderna Museet, 'Lee Lozano. Retrospective', Stockholm, Sweden

2008 Hauser & Wirth Zürich, 'Lee Lozano', Zurich, Switzerland

2007 Hauser & Wirth London, 'No Title. 1969', London, England

2006 Kunsthalle Basel, 'Win first dont last/Win last dont care', Basel, Switzerland (Travelling Exhibition)
Kunsthalle Wien, 'Dorothy Iannone und Lee Lozano', Vienna, Austria (Travelling Exhibition)

2005 Studio B, 'Lee Lozano: Work on paper from the 1960's', Los Angeles CA

2004 P.S.1 Contemporary Art Center, 'Lee Lozano: Drawn from Life 1961-1971', Long Island NY
871 Fine Arts, 'Lee Lozano: paintings and drawings', San Francisco CA

2001 Büro Friedrich, 'Language Pieces', Berlin, Germany

2000 Van Liere Fine Arts, 'A wave painting and some drawings', New York NY

1998 Wadsworth Atheneum, 'Lee Lozano/Matrix:135', Hartford CT
Mitchell Algus Gallery, 'Early 60s', New York NY
Rosen & van Liere, 'Tool Paintings', New York NY
Margarete Roeder Gallery, 'Minimalism', New York NY

1995 Rosen & van Liere, New York NY

1988 Weatherspoon Art Gallery, University of North Carolina, 'Lee Lozano: the Sixties', Greensboro NC

1971 Nova Scotia College of Art & Design, 'Lee Lozano: Infofiction', Halifax CA
Lisson Gallery, 'Infofiction II', London, England

1970 Whitney Museum of American Art, New York NY

1969 Galerie Ricke, Cologne, Germany

1966 Bianchini Gallery, New York NY
The New Gallery, Bennington College, Bennington VT

Selected Group Exhibitions

2019 Centre de la photographie Genève, 'OSMOSCOSMOS', Geneva, Switzerland (forthcoming)
Punta delle Dogana, ‘Luogo e Segni’, Venice, Italy
Mimosa House, 'Do you keep thinking there must be another way', London, United Kingdom
Museion, 'DOING Deculturalization', Bolzano, Italy (forthcoming)
Schinkel Pavillion e.V., ‘Straying from the line’, Berlin, Germany (forthcoming)
Palazzo Grassi, Punta della Dogana, ‘Luogo e Segni’, Venice, Italy

2018 Hall Art Foundation, Schloss Derneburg Museum, 'Für Barbara', (cur. Leo Koenig), Derneburg, Germany
Greene Naftali Gallery, 'Walking Point', New York NY
Misako & Rosen, 'Happy Mind - Natural High’, Tokyo, Japan

2017 Celaya Brothers Gallery, 'Postcards from America', Mexico City, Mexico
Peter Freeman, Inc, 'Deadeye Dick: Richard Bellamy and His Circle', New York NY
National Gallery of Victoria, 'Masterworks from MoMA. Melbourne Winter Masterpieces 2018', Melbourne, Australia
Pilar Corrias, ’Adult Swim’, London, UK
Galerie Thaddaeus Ropac, 'Minimal Art from the Marzona Collection', London, UK
The British Museum, The American Dream. Pop to the Present', London, UK
Mitchell Algus Gallery, 'Works on Paper: 1813-2016', New York NY
Los Angeles County Museum of Art, 'Los Angeles to New York: Dwan Gallery' , Los Angeles CA
The Met Breuer, 'Delirious: Art at the Limits of Reason, 1950-1980', New York NY

2016 National Gallery of Art, 'Los Angeles to New York: Dwan Gallery', 1959-1971', Washington DC
Transmission, 'Don't Tred on Me', Glasgow, Scotland
Galerie Patrick Segin, 'Olympia', Paris, France
Kaufmann Repetto, 'Outrageous Acts and Everyday Rebellions', Milan, Italy
Karma, 'Landscape I', Amagansett NY
Grey Art Gallery, New York University, 'Inventing Downtown', New York NY
LWL Museum für Kunst und Kultur, 'Homosexualitäten', Münster, Germany
Miguel Abreu Gallery, 'In Place Of', New York NY
Site 131, 'Dropout: Regarding Lee Lozano', Dallas TX
Centre Pompidou Metz, 'An Imagined Museum', Metz, France
Museum für Moderne Kunst, 'An Imagined Museum', Frankfurt am Main, Germany
mumok - Museum Moderner Kunst Stiftung Ludwig, 'Painting 2.0: Expression in the Information Age', Vienna, Austria
Deutsches Historisches Museum, 'HOMOSEXUALITÄT_EN / HOMOSEXUALITY_IES', Berlin, Germany

2015 Tate Liverpool, 'An Imagined Museum', Liverpool, England
Ballroom Marfa, 'Äppärät', Marfa TX
Kunsthalle Bergen, 'Gestures of Disappearance', Bergen, Norway
David Kordansky Gallery, 'The Word is Flat', Los Angeles CA
Whitney Museum of American Art, 'America Is Hard to See', New York NY
Kunsthaus Zürich, 'Sense (Un)Certainty: A Private Collection', Zurich, Switzerland
Villa Merkel, Galerien der Stadt Esslingen, 'Better than de Kooning', Esslingen, Germany
Bergen Kunsthall, 'Gestures of Disappearance', Bergen, Norway
Museum Brandhorst, 'Painting 2.0: Expression in the Information Age', Munich, Germany
Villa Merkel, 'Better Than de Kooning', Esslingen, Germany
CAM St. Louis, 'Occupational Therapy', St. Louis, MO
Palazzo Reale, 'The Great Mother', Milan, Italy
Punta della Dogana – François Pinault Foundation, 'Slip of the Tongue', Venice, Italy
White Columns, 'White Columns Annual', New York NY

2014 Petzel Gallery, 'A Machinery for Living', New York NY
Gucci Museo, 'Feminilitá Radicale', Florence, Italy
Ancient & Modern, 'Jan Pleitner', London, England
Gebert Foundation, '69 / 96', Rapperswil, Switzerland

2013 SKUC Gallery, 'To melt, trustingly, without reproach', Ljubljana, Slovenia
Kunstverein für die Rheinlande und Westfalen, 'Das Beste vom Besten. Vom riskanten Geschäft der Kunst', Düsseldorf, Germany
Badischer Kunstverein, 'Continental Drift. Conceptual Art in Canada: The 1960s and 70s', Karlsruhe, Germany
Henry Art Gallery, University of Washington, 'Now Here is also Nowhere', Seattle WA

2012 The Box Gallery, 'Painting', Los Angeles CA
The Whitney Museum, 'Sinister Pop', New York NJ
Vancouver Gallery, 'Traffic: Conceptual Art in Canada 1965-1980', Vancouver, Australia
Seventeen Gallery, 'A Plea For Tenderness', London, England
Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, 'Materializing 'Six Years': Lucy R. Lippard and the Emergence of Conceptual Art', Brooklyn NY

2011 Parra & Romero, 'Ventajas de Viajar en Tren', Madrid, Spain
White Flag Projects, 'Day of the locust', St. Louis MO
The Museum of Contemporary Art (MOCA), 'The Personal is Political: Women Artists from the Collection', Los Angeles CA
Van Abbemuseum, 'The Collectors Show', Eindhoven, Netherlands
MMK Museum für Moderne Kunst, 'MMK 1991 – 2011. 20 Years of Presence', Frankfurt am Main, Germany
David Zwirner, 'Proofs and Refutations', New York NY
Tufts University Art Gallery, 'Seductive Subversion: Woman Pop Artists 1958 – 1968', Medford MA
Museum of Contemporary Art, 'Barely There. Part II', Detroit MI
Walker Art Center, 'Absentee Landlord', Minneapolis MN

2010 Reedstudio, 'Working drawings', New York NY
The Jewish Museum New York, 'Shifting the Gaze: Painting and Feminism', New York NY
Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, 'Seductive Subversion: Woman Pop Artists 1958-1968', Brooklyn NY
Haus der Kunst, 'less is more. Pictures, Objects, Concepts from the Collection and Archive of Herman and Nicole Daled. 1968-1978', Munich, Germany
Overduin and Kite, 'Joint Dialogue. Lozano / Graham / Kaltenbach', Los Angeles CA
The University of the Arts, 'Beyond the Surface: Women in Pop Art 1958-1968', Philadelphia PA
Institut Valencia d’Art Modern, 'Compass in hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection', Valencia, Spain

2009 Contemporary Art Gallery, 'Face Up', Vancouver, Canada
P.S.1 Contemporary Art Center – MoMA, Long Island NY
MoMA Museum of Modern Art, 'Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection', New York NY
MARRES Centre for Contemporary Art, 'Depression', Maastricht, Netherlands
Jack Shainman Gallery, 'Works on View', New York NY
Seattle Art Museum, 'Target Practice: Painting Under Attack 1949-1978', Seattle WA
Palazzo Grassi / Punta della Dogana, 'Mapping the Studio: Artists from the François Pinault Collection', Venice, Italy
Museum moderner Kunst Stiftung Ludwig, 'Mind Expanders', Vienna, Austria
Ludwig Forum, 'Pop-Up! ', Aachen, Germany
Museum für Moderne Kunst, 'Yellow and Green: Positions from the collection of the MMK', Frankfurt, Germany

2008 Michele Maccarone and Gavin Brown, 'Pretty / Ugly', New York NY
The Office for Contemporary Art Norway, 'Whatever Happened to Sex in Scandinavia', Oslo, Norway
Zacheta National Gallery, 'Revolutions 1968', Warsaw, Poland
Wexner Center for the Arts, 'Solitaire: Lee Lozano, Sylvia Plimack Mangold and Joan Semmel’, Columbus OH (Travelling Exhibition)
Wadsworth Atheneum Museum of Art, 'Solitaire: Lee Lozano, Sylvia Plimack Mangold and Joan Semmel', Hartford CT (Travelling Exhibition)
P.S.1 Contemporary Art Center, 'WACK! Art and the Feminist Revolution, 1965–1980', Long Island City NY (Travelling Exhibition)
Vancouver Art Gallery, 'WACK! Art and the Feminist Revolution, 1965–1980', Vancouver, Canada (Travelling Exhibition)
ZKM – Zentrum für Kunst und Medientechnologie, 'High Times, Hard Times. New York Painting 1967-1975', Karlsruhe, Germany (Travelling Exhibition)

2007 Galerie Thomas Flor, 'Short Distance To Now', Dusseldorf, Germany
Fellows of Contemporary Art, 'StoneFace I', Los Angeles CA
Davis Museum and Cultural Center, Wellesley College, 'Don't Look. Contemporary Drawings from an Alumna's Collection (Martina Yamin), class of 1958', Wellesley MA
David Zwirner, 'A Point in Space is a Place for an Argument’, New York NY
MoMA - The Museum of Modern Art, 'What is Painting? Contemporary Art from the Collection', New York NY
MMK - Museum für Moderne Kunst, 'Das Kapital', Frankfurt, Germany
documenta 12, Kassel, Germany
Gagosian Gallery, 'Beneath the Underdog', New York NY
Rowley Kennerk Gallery, 'Sam Durant, Robert Heinecken, Lee Lozano, Cady Noland and Richard Prince', Chicago IL
MOCA - The Museum of Contemporary Art, 'WACK! Art and the Feminist Revolution, 1965–1980', Los Angeles CA (Travelling Exhibition)
National Museum of Women in the Arts, 'WACK! Art and the Feminist Revolution, 1965–1980', Washington DC (Travelling Exhibition)
Ronald Feldman Fine Arts, 'Mixed Signals', New York NY
MACRO - Museo d'Arte Contemporanea Roma, 'Into Me / Out of Me', Rome, Italy (Travelling Exhibition)
The National Academy Museum of Rine Arts, 'High Times, Hard Times. New York Painting 1967-1975', New York NY (Travelling Exhibition)
Museo Tamayo Arte Contemporaneo, 'High Times, Hard Times. New York Painting 1967-1975', Mexico City, Mexico (Travelling Exhibition)
Neue Galerie am Landesmuseum Joanneum, 'High Times, Hard Times. New York Painting 1967-1975', Graz, Austria (Travelling Exhibition)

2006 MUMOK - Museum Moderner Kunst Stiftung Ludwig, 'Konzept. Aktion. Sprache', Vienna, Austria
KW Institute for Contemporary Art, 'Into Me / Out of Me', Berlin, Germany (Travelling Exhibition)
P.S.1 Contemporary Art Center, 'Into Me / Out of Me', Long Island NY (Travelling Exhibition)
Daniel Weinsberg Gallery, 'BLOCK PARTY: An Exhibition of Drawings', Los Angeles CA
Tang Art Museum, Skidmore College, Saratoga Springs, 'Twice Drawn’, New York NY
Solo Projects. Studio B, 'Nineteen Sixty-Eight', Los Angeles CA
Mitchell Algus Gallery, 'Exquisite Corpse – Cadavre Exquis: a game played between Mitchell Algus and Bob Nickas', New York NY
Greene Naftali Gallery, 'Motore Immobile', New York NY
Weatherspoon Art Museum, 'High Times, Hard Times. New York Painting 1967-1975', Greensboro NC (Travelling Exhibition)
American University Museum at the Katzen Arts Center, 'High Times, Hard Times. New York Painting 1967-1975', Washington DC (Travelling Exhibition)

2005 Andrea Rosen Gallery, 'Looking at Words. The Formal Presence of Text in Modern and Contemporary Works on Paper', New York NY
Kunstverein St. Gallen Kunstmuseum, 'Sweet Temptations. Dialoge mit der Sammlung Rolf Ricke', St. Gallen, Switzerland
MOMA - Museum of Modern Art, 'Drawing from the Modern, 1945-1975', New York NY

2004 P.S.1 Contemporary Art Center, 'Collection (or How I Spent a Year) ', Long Island NY
MUMOK - Museum Moderner Kunst Stiftung Ludwig Wien, 'Kurze Karrieren', Vienna, Austria
Dinter Fine Arts, 'Word of Mouth. A Selection: Part I', New York NY
Des Moines Art Center, 'Work Ethic’, Des Moines IA (Travelling Exhibition)
Wexner Center for the Arts, 'Work Ethic’, Columbus OH (Travelling Exhibition)

2003 Margarete Roeder Gallery, 'Drawings, drawings, drawings', New York NY
Daniel Reich Gallery, 'Karaoke Death Machine', New York NY
Kunstraum Innsbruck, 'Chocolate, what else: The Rolfe Ricke Collection', Innsbruck, Austria
Jack S. Blanton Museum of Art, The University of Texas, 'Transgressive Women: Yayoi Kusama, Lee Lozano, Ana Mendieta and Joan Semmel', Austin TX
Andrew Kreps Gallery, 'I can't be you', New York NY
Baltimore Museum of Art, 'Work Ethic', Baltimore MD (Travelling Exhibition)

2002 Galerie der Hochschule für Grafik und Design / Academy of the Visual Arts, 'Kunst verlassen', Leipzig, Germany
Neues Museum Nürnberg, 'Einfach Kunst: Sammlung Rolf Ricke', Nuremberg, Germany

2001 Carpenter Center for the Visual Art & Fogg Museum, Harvard University, 'Extreme Connoisseurship', Cambridge MA
Wadsworth Atheneum, 'Non-composition: 15 case studies', Hartford CT
Daniel Reich Gallery, 'Miss World 1972’, New York NY

2000 Contemporary Arts Museum, 'Afterimage', Houston TX
Moderna Galerija Ljubljana, 'Worthless (Invaluable)', Ljubljana, Slovenia
Margarete Roeder Gallery, 'Painting of the Sixties and Seventies', New York NY

1999 Museum of Contemporary Art, 'Afterimage: Drawing Through Process', Los Angeles CA
Queens Museum, 'Global Conceptualism: Points of Origin 1950s-1980s', Queens NY

1998 Ubu Gallery, 'The Sixties in the Seventies', New York NY

1996 Margarete Roeder Gallery, New York NY
Lawrence Markley, 'Graphite: Lee Bontecou, Helmut Federle, Lee Lozano, Robert Moskowitz, Cary Smith, Myron Stout, Robert Therrien', New York NY

1994 Grey Art Gallery, New York University, '1969: a Year Revisited', New York NY

1991 Art Basel (Margarete Roeder Gallery), Basel, Switzerland

1983 Weatherspoon Art Gallery, University of North Carolina, 'Art on Paper', Greensboro NC

1982 P.S.1 Contemporary Art Center, The Institute for Art and Urban Resources Inc., 'Abstract Art: 1960-1969', New York NY

1970 Suermondt-Ludwig-Museum, Aachen, Germany
Neue Galerie im alten Kurhaus, 'Klischee + Antiklischee: Bildformen der Gegenwart', Aachen, Germany
Reese Palley Gallery, 'Some New York Painting', San Francisco CA
Galerie Ricke, 'Bilder, Skulpturen, Objekte & Zeichnungen', Cologne, Germany
Paula Cooper Gallery, 'Drawings', New York NY
University Arts Museum, The University of Texas, 'Art and Things: Painting in the Sixties from the Michener Collection', Austin TX

1969 Dwan Gallery, 'Language III', New York NY
Paula Cooper Gallery, 'Number 7', New York NY
New York Shakespeare Festival, Public Theatre, 'Art / Peace Event', New York NY
Corcoran Gallery, '31st Biennial Exhibition', Washington DC
Galerie Ricke, Cologne, Germany
Watson Gallery, Wheaton College, '8 Painters', Norton MA
Gallery of the Art Resources Center, Whitney Museum of American Art, 'Drawings', New York NY

1968 The Contemporary Art Center, 'Gordon, Lozano, Ryman & Stanley’, Cincinnati OH

1967 Old Dominion College, 'Contemporary Paintings from the Michener Foundation Collection', Norfolk VA

1966 Noah Goldowsky & Richard Bellamy, 'From Arp to Artschwager Show, I', New York NY
Bianchini Gallery, New York NY
The Lannis Museum of Normal Art, 'Normal Art', New York NY
Allentown Art Museum, 'New Acquisitions 1963-1966: The James A. Michener Foundation Collection', Allentown PA

1965 Green Gallery, New York NY
Sheldon Art Gallery, University of Nebraska, '74th Annual Exibit', Lincoln NE

1964 Green Gallery, New York NY
Van Bovenkamp Gallery, 'Contemporary Erotica', New York NY
Davison Art Center, Wesleyan University, 'The New Art', Middletown CA

Bibliography

Bibliography

2018 Applin, Jo, 'Lee Lozano: Not Working’, London: Yale University Press, 2018
Bradley, Fiona (ed.), 'Lee Lozano: Slip Slide Splice’, Edinburgh: Fruitmarket Gallery, 2018
McLean, Elizabeth (ed.), ‘Lee Lozano. Language Pieces’, Edinborough: The Fruitmarket Gallery with Hauser & Wirth Publishers, 2018

2017 Molesworth, Helen & Nickas, Bob, ’Lozano ca. 1962’, New York NY: Karma, 2017

2014 Lehrer-Graiwer, Sarah, 'Lee Lozano. Dropout Piece', London: Afterall Books, 2014

2011 The Estate of Lee Lozano (ed.), 'Lozano Tools', New York: An Art Service, 2011

2010 Müller-Westermann, Iris (ed.), 'Lee Lozano', Ostfildern: Hatje Cantz, 2010 (exh. cat.)

2006 Szymczyk, Adam, 'Lee Lozano. Win first don’t last. Win last don’t care', Basel: Schwabe AG, 2006 (exh. cat.)
Rosen, Barry, van Liere, Jaap, Timpanelli, Gioia, 'Lee Lozano Drawings', New Haven: Yale University Press, 2006
Kunsthalle Wien, Folie, Sabine, Matt, Gerald (eds.), 'Lee Lozano. Seek the extremes...' Nuremberg: Verlag für moderne Kunst Nürnberg, 2006 (exh. cat)

1998 Rondeau, James, (ed.), 'Lee Lozano/MATRIX 135', Hartford: The Wadsworth Atheneum, 1998 (exh. cat.)
Kinmont, Ben (ed.), 'Project Series: Lee Lozano', New York: Agency, 1998

1988 Carpenter, Gilbert F., Lawing, Eric, Mullins, K.T., 'Lee Lozano: the Sixties,' Greensboro: Weatherspoon Art Gallery, 1988 (exh. brochure)

Artist's Books & Writings

2018 'Lee Lozano. Private Book 1', New York: Karma Publishing, 2018
'Lee Lozano. Private Book 2', New York: Karma Publishing, 2018
'Lee Lozano. Private Book 3', New York: Karma Publishing, 2018
'Lee Lozano. Private Book 4', New York: Karma Publishing, 2018
'Lee Lozano. Private Book 5', New York: Karma Publishing, 2018

2016 Lozano, Lee, 'Private Book 1, 1968-69 (edited January 25, 1972)', New York: Karma, 2016

2009 Lozano, Lee, 'Lee Lozano: Notebooks 1967-70', New York: Primary Information, 2009

Publications

2018 Birnbaum, Daniel, Noring, Ann-Sofing (eds.), ‘Moderna Museet. The Collection’, London: Koenig Books, Stockholm: Moderna Museet, 2018, pp. 148-149, ill.
Cras, Sophie, ‘L'économie à l'épreuve de l'art. Art et capitalisme dans les années 1960’, Paris: Les Presses du Réel, 2018
Friedman, Samantha, Kinchin, Juliet + [et al.], 'MoMA at NGV', Melbourne: National Gallery of Australia, 2018
Schaar, Elisa, Prasad, Prerona (eds.), ‘Do I Have to Draw You a Picture?’, Cambridge: Downing College, Cambridge, 2018

2017 Bradnock, Lucy, Baum, Kelly + [et al.], ‘Delirious. Art at the Limit of Reason 1950-1980’, New York: The Metropolitan Museum of Art, 2017 (exh. cat.)
Doyle, Oona, Franklin, Paul B. (eds.), ' Minimal Art from the Marzona Collection', London: Galerie Thaddeous Ropac, 2017, n. p., ill.
Ayas, Define, Kleinman, Adam (ed.), 'WdW Review: Arts, Culture, and Journalism in Revolt, Vol. 1 (2013-2106)', Rotterdam: Witte de With Center for Contemporary Art, 2017, p. 242

2016 Carroll, Alisa, 'Art House. The Collaboration of Chara Schreyer and Gary Hutton', New York: Assouline, 2016, pp. 74-75, 94, 220, ill. in colour
Stein, Judith, 'Eye of the Sixties. Richard Bellamy and the Transformation of Modern Art', New York: fsg books, 2016, p. 203, ill.
Allen, Gwen (ed.), 'The Magazine – Documents of Contemporary Art', Cambridge: The MIT Press, London: Whitechapel Gallery, 2016, p. 28

2015 Ammer, Manuela, Hochdörfer, Achim, Joselit, David (eds.), 'Painting 2.0 Expression in the Information Age. Gesture and Spectacle. Eccentric Figuration. Social Networks.', Munich: Prestel, 2015, pp. 88-89, 132-134, ill. (exh. cat.)

2014 Nisbet, James, 'Ecologies, Environments, and Energy Systems in the Art of the 1960s and 1970s, Cambridge: The MIT Press, 2014, pp. 197-201, ill.
Stout, Katharine, 'Contemporary Drawing: from the 1960s to Now', London: Tate Publishing, 2014, p. 58, ill.

2013 Udo Kittelmann, Joachim Jäger, Dieter Scholz (eds.), 'Die Sammlung der Nationalgalerie 1945-1968. Der geteilte Himmel', Berlin: Distanz Verlag
Unterdörfer, Michaela (ed.), 'Hauser & Wirth.20 Years', Ostfildern: Hatje Cantz, 2013

2012 Stein, Loris (ed.), 'The Paris Review', New York: The Paris Review Foundation, 2012, p. 206, ill.
Morris Catherine, Bonin Vincent (ed.), 'Materializing Six Years, Lucy R. Lippard and the Emergence of Conceptual Art', Brooklyn: Brooklyn Museum, 2012, pp. 158-159, pp. 50-51, ill. (exh. cat.)

2011 Berry, Ian (ed.), Shear Jack (ed.), 'Twice Drawn. Modern and Contemporary Drawings in Context', Munich: Prestel Verlag, pp. 86 - 88, 186 - 187, ill.
Bernardi, Donatella, Etienne, Noémie, 'Standing on the Beach with a Gun in my Hand', Geneva: Labor er Fides, 2011, pp. 46-49, ill. (exh.cat.)
Allen, Gwen (ed.), 'Artists' Magazines. An alternative space for art', Cambridge: The MIT Press, pp. 13-41, ill.

2009 Pirano, Michelle, 'Target Practice: Painting Under Attack 1949-78', Seattle: Seattle Art Museum, pp. 33, 81, ill.
Gingeras, Alison M., Bonami, Francesco (eds.), 'Mapping the studio: Artists from the Francois Pinault Collection', Milan: Electa, 2009, pp. 220-221, 302-303, ill.

2008 Molesworth, Helen (ed.), 'Solitaire: Lee Lozano, Sylvia Plimack Mangold, Joan Semmel', Columbus: Wexner Center for the Arts, 2008
Meyer-Stoll, Christiane, 'Sammlung Rolf Ricke – Ein Zeitdokument', Ostfildern: Hatje Cantz, 2008, pp. 259-260; 340, ill.

2007 Mark, Lisa Gabrielle, Hamilton, Elizabeth (edx.), 'WACK! Art and the feminist Revolution', London: MIT Press, Los Angeles: MoCA, 2007, ill. (exh. cat.)
Schollhammer, Georg, Ander, Heike (eds.), 'Documenta 12 Magazine,Modernity?', no. 1, Cologne: Documenta Museum Fridericianum, Taschen GmbH, 2007, pp. 202-207, ill.
Biesenbach, Klaus (ed.), 'Into Me/Out of Me', Ostfildern: Hatje Cantz, 2007, pp. 292, 293, ill.
Heiser, Jörg, 'Plötzlich diese Uebersicht. Was gute Zeitgenössische Kunst ausmacht', Berlin: claassen/Ulstein Buchverlage, 2007, pp. 54-56

2006 Acconci, Vito, Mayer, Bernadette (eds.), '10 (A Late Introduction To 0 To 9), The complete magazine: 1967 – 1969', 2006, No. 6: pp. 10, 57

2005 Koch, Alexander, 'Kunst verlassen #2: Kunstausstieg als kritische Praxis am Kunstfeld', in: Transversale. Erkundungen in Kunst und Wissenschaft. Ein europäisches Jahrbuch, Paris/Paderborn: Wilhelm Fink Verlag, 2005
Van der Pol, Bik (ed.), 'Dialogue Piece. Nixon at the Movies. Truth of Consequences', Frankfurt: Revolver, 2005

2004 Siegel, Katy, Mattick, Paul, 'Art works. Geld', Hildesheim: Gerstenberg Verlag, 2004
Neuburger, Susanne, Saxenhuber, Hedwig (eds.), '"Kurze Karrieren". Im Museum Moderner Kunst, Wien', Cologne: Verlag der Buchhandlung Walther König, 2004 (exh. cat.)

2002 Grisebach, Lucius, Goetz, Ingvild, Hicke, Dave, + [et al.], 'Einfach Kunst: Sammlung Rolf Ricke', Nuremberg: Neues Museum Nürnberg, 2002 (exh. cat.)

2001 Alberro, Alexander, Stimson, Blake (eds.), 'Conceptual Art: A Critical Anthology', Cambridge: The MIT Press, 2001

2000 Briski, Mika (ed.), 'Worthless (Invaluable)', Ljubljana: Moderna galerija Ljubljana/Museum of Modern Art, 2000, p. 66 (exh. cat.)

1996 Lippard, Lucy, 'Escape Attempts', in: Goldstein, Ann, Rorimer, Anne (ed.), Reconsidering the Object of Art: 1965, Los Angeles: Museum of Contemporary Art, 1996 (exh. cat.)

1991 Hughes, Robert (ed.), 'The Shock of the New', New York: Alfred A. Knopf Inc., 1991

1983 Weatherspoon Art Gallery (ed.), 'Art on paper 1983', Greensboro: Weatherspoon Art Gallery, 1983 (exh. brochure)

1977 Pincoffs, Ruth Posey, 'Lee Lozano', in: University Art Museum, University of Texas (ed.), 'The James A. Michener Collection: Twentieth Century American Painting', [preface by Earl A. Powell III], Austin: University Art Museum, University of Texas, 1977

1973 Lippard, Lucy (ed.), 'Six Years: the Dematerialization of the Art Object from 1966 to 1972', New York: Praeger Publishers Inc., 1973

1970 Stadt Aachen, Neue Galerie im alten Kurhaus (ed.), 'Klischee + Antiklischee. Bildformen der Gegenwart', Aachen: Neue Galerie im Alten Kurhaus, 1970 (exh. cat.)

1969 The Corcoran Gallery of Art (ed.), 'Thirty-First Biennial Exhibition of Contemporary American Painting', Washington: The Corcoran Gallery of Art, 1969 (exh. cat.)
The Museum of Modern Art (ed.), 'Open Hearing', New York: The Museum of Modern Art, 1969, p. 38 (exh. cat.)

1968 Leonard, William, Christgau, Robert, 'Gordon, Lozano, Ryman, Stanley', Cincinnati: The Contemporary Arts Center, 1968 (exh. brochure)
Weatherspoon Gallery Association (ed.), 'The Weatherspoon Gallery Association Bulletin 1967-68', Greensboro: Weatherspoon Gallrey Association, 1968, p. 28 (exh. brochure)

Press

2019 Colaizzi, Vittorio, 'On Formal Noodling: Invention and Determination in Recent Abstract Painting’, in: ASAP Journal, Baltimore, January 2018, pp. 67-96, ill.

2018 ___, 'Preview’, in: Art Review, London, March 2018
Finlay, Carlos, 'Lee Lozano: Slip, Slide, Splice’, on: The Student Newspaper,Edinburgh, March 31 2018
Macmilla, Duncan, 'Art review: Lee Lozano: Slip, Slide, Splice, Fruitmarket Gallery, Edinburgh’, on: The Scotsman, Edinburgh, 28 March 2018

(cont'd) Colaizzi, Vittorio, 'On Formal Noodling: Invention and Determination in Recent Abstract Painting’, in: ASAP Journal, Baltimore, January 2018, pp. 67-96
Barnard, Imelda, ’It’s a record of my life, translated into art’, on: Apollo, London, 17 March 2018
Weisburg, Madeline, ’Private Book 1-3 (Karma, 2017)’, in: The Brooklyn Rain, p. 80, New York, February 2018
Petrossiants, Andreas, 'Inside and Outside: Cady Noland and the Violence of the Everyday', on: brooklynrail.org, New York, 7 February 2018
Weisburg, Madeleine, 'Lee Lozano Private Books 1-3', on: brooklynrail.org, New York, 7 February 2018
Mansfield, Susan, 'Arts preview of 2018: Susan Mansfield and Duncan Macmillan on the year ahead in visual art', on: www.scotsman.com, Edinburgh, 1 January 2018

2017 Vilalta, Helena, 'Getting Real: Helena Vilalta on Lee Lozano at Museo Reina Sofia, Madrid', in: Texte zur Kunst, Berlin, December 2017, pp. 249-253
Dressen, Anne, 'Anne Dressen', in: Artforum, New York, December 2017, p. 148
Manatakis, Alexandra, 'Why we need absurdist art in uncertain times', on: www.dazeddigital.com, London, 10 November 2017
Kopel, Dana, 'Combining Histories: Alvaro Barrington', on: moussemagazine.it, Milan, November 2017
Rhodes, David, 'Deadeye Dick: Richard Bellamy and His Circle', on: brooklynrail.org, New York, 2 November 2017
Fontaine, Claire, 'Artist's Favourites', in: Spike Art Quarterly, Vienna, Autumn 2017, pp. 42-45
Aron, Nina Renata, ‘This radical artist ignored women for a project, but then kept up the boycott her whole life’, on: timeline.com, San Francisco, 29 September 2017
'Deadeye Dick: Richard Bellamy and His Circle at Peter Freeman Inc, New York', on: www.blouinartinfo.com, New York, 19 September 2017
___, 'Lee Lozano at Museo Nacional Centro de Arte Reina Sofía’, on: www.contemporaryartdaily.com, Los Angeles, 15 September 2017
Smith, Roberta, 'A Nervy Makeover for Post-War Art', in: The New York Times, New York, 15 September 2017, pp. C18-19
De Zanche, Victoria, 'Lee Lozano – Extraordinarily Intense At Reina Sofia, Madrid', on: candidmagazine.com, London, 29 August 2017
Swirsky, Rebecca, 'Lee Lozano', in: Frieze, London, September 2017, p. 177
Applin, Jo, 'Cut Out, Drop Out', in: American Art, Chicago, Vol. 31, Spring 2017, ill.
___, 'The provocative and radical work of Lee Lozano at the Reina Sofía Museum’, on: graffica.info, Valencia, 17 June 2017
Rubira, Sergio, 'Lee Lozano, from the cry to silence’, on: www.elcultural.com, Madrid, 9 June 2017
Cornwell, Jane, 'How Swiss design has moved on from cuckoo clocks, on: www.afr.com, Melbourne, 7 June 2017
Sadler, Victoria, 'Review: Ida Appleborg and Lee Lozano, Hauser & Wirth Female Artists Reexamined', on: www.victoriasadler.com, London, 31 May 2017, ill.
Moràn, Carmen, ’Las obsesiones fálicas de Lee Lozano llegan al Reina Sofía’, on: elpais.com, Madrid, 30 May 2017
___, ’Lee Lozano: Pulling out the Stops’, on: www.artnet.com, New York, 31 May 2017
Flores, Ana Belén García, 'The provocative energy of Lee Lozano’, on: www.rtve.es, Madrid, 30 May 2017
Riaño, Peio H., ‘Lee Lozano, the artist who got fed up with art in 12 years’, on: www.elespanol.com, Madrid, 30 May 2017
___, ‘Lee Lozano's defiant and lascivious legacy takes over Reina Sofía’, on: www.eldiario.es, Madrid, 30 May 2017
Moran, Carmen, ‘The phallic obsessions of Lee Lozano arrive at Reina Sofía’, on: elpais.com, Madrid, 30 May 2017
Frankel, Eddy, ‘Lee Lozano’, in: Time Out London, London, 30 May 2017
Lloyd, Joe, 'Lee Lozano: c 1962', on: www.studiointernational.com, New York NY, 5 May 2017
Sutphin, Eric, 'Lee Lozano', on: www.artinamericamagazine.com, New York, 3 February 2017, ill.
Di Franco, Karen, 'Dropout Artist. Lee Lozano turned 'not doing' into her final art project, one that endured until her death alomost 30 years later. Two decades after that, her (in)action still speaks to the anxieties of the present', in: ArtReview, London, March 2017

2016 Gotthardt, Alexxa, 'Escape Artists: Why These 7 Creatives Disappeared from the Art World', on: www.artsy.net, New york, 5 July 2016, ill.
___, 'Gemeentemuseum Den Haag acquires large painting by American artist Lee Lozano', on: www.artdaily.org, Zurich, 2 May 2016, ill.

2015 ___, 'Jo Applin Wins $50,000 Mellor Prize for Research on Women Artists', on: www.artforum.com, New York, 8 October 2015, ill.
Cascone, Sarah, 'Jo Applin's Monograph on Art World Drop Out Lee Lozano Wins $ 50,000 Mellor Prize', on: news.artnet.com, New York, 8 October 2015, ill.
Weiss, Judith Elisabeth, 'Dropout als totale Revolution', in: Kunstforum, Cologne, pp. 68-71, ill.
Herbert, Martin, 'Maximum Withdrawl', in: Mousse, Milan, February 2015, pp.141-151, ill.
Wang, Michael, 'Systems Prosthetics', in: Mousse, Milan, February 2015, pp.126-131, ill.

2014 Spada, Sabina, 'Feminilità. Tra eros e sofferenza', in: Arte, Milan, April 2014, pp. 96-100, ill.

2013 Myers-Szupinska, Julian, 'Artists and Workers', in: Mousse, Milan, October-November 2013, pp. 252-263, ill.
Place, Vanessa, 'The Frictionless Witness or Us, Keeping Us Real', in: Mousse, Milan, October-November 2013, pp. 246-249, ill.
Cras, Sophie, 'Art as Investment and Artistic Shareholding Experiments in the 1960s', in: American Art. Smithsonian American Art Museum, Washington, Spring 2013, pp. 3-23, ill.
Winant, Carmen, 'Materializing “Six Years”', in: Frieze, London, March 2013, p. 150, ill.
___,'Materializing “Six Years”', in: Art News, New York, February 2013, p. 92. ill.

2012 ___, 'Odd Couple: Mitchell Algus and Amy Greenspon Are Showing–and, Yes, Selling–the Unknown, the Emergin, the Dead', on Gallerist, New York, 29 May 2012.

2011 Frenzel, Sebastian, 'Wir sind dann mal weg', in: Monopol, Berlin, November 2011, pp. 56-60, ill.
Pollack, Barbara, 'Lee Lozano', in: ARTnews, New York, March 2011, p. 180
Princenthal, Nancy, 'Lee Lozano', in: Art in America, New York, March 2011
Cotter, Holland, 'Lee Lozano', in: New York Times, New York, 11 February 2011, p. C30
_, 'Lee Lozano', in: The New Yorker, New York, 31 January 2011, p. 12
Walleston, Almee, 'Hammering Down Lozano's Legacy', in: Art in America, New York, 18 January 2011, ill.
Lindblad, J., 'Go See – New York: Lee Lozano ‚Tools’ at Hauser & Wirth', on: www.artobserved.com, 15 January 2011
Spears, Dorothy, 'Artist dropped out, now galleries tune in', in: International Herald Tribune, New York, 8-9 January 2011, p.16, ill.
Spears, Dorothy, 'Lee Lozano, Surely Defiant, Drops In', in: The New York Times, New York, 9 January 2011, p. 23, ill.

2010 O’Neill-Butler, Lauren, 'Lee Lozano: Notebooks 1967-70', in: Art Journal, Vol. 69, No. 4, 2010, p. 124
Budick, Ariella, ’Shifting the Gaze: Painting and Feminism, Jewish Museum, New York’, in: Financial Times, London, 27 October 2010, ill.
Hafner, Hans-Jürgen, 'Rasende Lernerfolge gegen die Nostalgie', in: Artnet, New York, 13 August 2010, ill.
Holte, Michael Ned, 'Joint Dialogue', in: Artforum, New York, May 2010, p. 258, ill.
Burton, Johanna, 'Lee Lozano', in: Artforum, New York, January 2010, p. 100
Rubin, Birgitta, 'Kultursöndag. Rasande radikal', in: Dagens Nyheter, Stockholm, 14 February 2010, pp. 6-9, ill.
___, 'Lee Lozano', in: Monopol, Berlin, March 2010, p. 116, ill.
E.S., 'Lee Lozano. Moderna Museet, Stockholm', in: The Art Newspaper, London, February 2010, ill.
___, 'Lee Lozano', in: Art Review, London, March 2010, p. 42

2009 Tatley, Roger, 'Nachlässe', in: Monopol, Berlin, December 2009, p. 55.
Schreiber, Daniel, 'Der Mann im Hintergrund', in: Monopol, Berlin, March 2009, pp. 22-25, ill.
Herbert, Martin, 'Whatever Happened to Sex in Scandinavia?', in: Frieze, London, pp. 153-54, ill.
Blom, Ina, 'Carnal Knowledge', in: ArtForum, New York, March 2009, pp. 111-112, ill.
Kalm, James, 'Brooklyn Dispatches', in: Brooklyn Rail, New York, March 2009, ill.
Hochdörfer, Achim, 'A Hidden Reserve: Painting from 1958 to 1965', in: ArtForum, New York, February 2009, pp. 153-159, ill.

2008 ___, 'Lee Lozano', Kunst Bulletin, Zurich, December 2008, ill.
Binswanger, Michèle, 'Die Frau, die nicht mehr mit Frauen sprach', in: Berner Zeitung, Berne, 6 November 2008, ill.
Kalm, James, 'Brooklyn Dispatches: Resurrection of a Bad-Ass Girl, Part I', in: The Brooklyn Rail, New York, November 2008, ill.
Sharp, Chris, 'The title of this show', in: Art Review, London, issue 26, October 2009, p. 166, ill.
Heiss, Alanna, 'The Principal of P.S. 1', in: The Culture Pages, New York, May 2008, pp. 60-62, ill.
Schor, Gabriele, 'Eine Reise durch den Kosmos der Emanzipation', in: Neue Zürcher Zeitung, Zurich, 30 April 2008, p. 12
Siegel, Katy, 'Lee Lozano', in: Artforum, New York, April 2008, pp. 330, 390, ill.
Spiegler, Almuth, '"Mädchen-Kunst"?', in: Morgen, Vienna, April 2008, pp. 26-30, ill.
Siegel, Katy, 'Solitaire: Lee Lozano, Sylvia Plimack Mangold, Joan Semmel', in: Artforum, New York, no. 5, January 2008, p. 135

2007 Schmerler, Sarah, 'What Is Painting? Contemporary Art from the Collection', in: Time Out New York, New York, issue 619, 9-15 August 2007, p. 65, ill.
Boecker, Susanne, 'Documenta 12 – Ein Rundgang', in: Kunstforum International, Ruppichteroth, vol. 187, August-September 2007, pp. 212-213, 361-363, ill.
Orden, Abraham, 'The Minute', in: Artnet Magazine, New York, 16 August 2007, ill.
Cohen, David, 'Ample Room for Argument', in: The New York Sun, New York, 2 August 2007, p. 17, ill.
___, 'A Point in Space is a Place for an Argument', in: The New York Times, New York, 6 August 2007, p. 13
___, 'Gesucht: Weiblich, wenig beachtet, tot', in: Monopol, Berlin, No. 8, August 1, 2007, p. 15, ill.
Smith, Roberta, 'A Point in Space is a Place for an Argument', in: The New York Times, New York, 20 July 2007, p. 29, ill.
Smith, Roberta, 'A Point in Space is a Place for an Argument', in: The New York Times, New York, 27 July 2007, p. 23, ill.
___, 'Listings: Best by Day', in: Time Out New York, New York, 5-11 July 2007, p. 84
Baker, R.C., 'Best in Show', in. The Village Voice, New York, 25-31 July 2007, p. 48
Mueller, Stephen, 'Quotidian and Engaging. David Zwirner group show of living and dead is July’s best', in: Gay City News, New York, 12-18 July 2007, p. 17
Van der Heide, Door Bart, 'Tussenstops', in: Metropolis M, Utrecht, no. 3, June-July 2007, pp. 24-26, ill.
___, 'Lee Lozano', in: Time Out, London, 18 April 2007, p. 38, ill.
Lippard, Lucy, 'No Regrets', in: Art in America, New York, no. 6, June/July 2007, p. 75, ill.
Smith, Cherry, 'Lee Lozano: No Title, 1969', in: Art Review, New York, issue 12, June 2007, p. 148, ill.
Mummenhoff, Julia, 'White Angel, Double Killer', on: www.artnet.com, 29 June 2007, ill.
Schwarze, Dirk, 'Radikale Positionen der Malerei. Wie die documenta 12 die Kunst präsentiert – Konfrontationen IV: Gerhard Richter und Lee Lozano', in: HNA, Kassel, 9 May 2007, ill.
Ward, Ossian, 'Lee Lozano. Hauser & Wirth West End', in: Time Out, London, 18-24 April 2007, p. 38, ill
Sachs Samet, Jennifer, 'Rewriting Recent Art History', in: The Sun, New York, 6 February 2007
Bui, Pong, 'Katy Siegel and David Reed', in: The Brooklyn Rail, New York, February 2007

2006 Sachs, Hinrich, 'Lee Lozano', in: De Witte Raaf, Brussel, no. 124, November-December 2006, p. 45
Lambrecht, Luk, 'Lee Lozano – Van Abbemuseum in Eindhoven', on: www.knack.be/blog, ill.
___, 'Lee Lozano in Van Abbemuseum', in: Weekblad voor Deurne, Deurne, 9 November 2006, p. 27, ill.
Schoonen, Rob, 'De wondere wereld van Lee Lozano', in: Eindhovens Dagblad, Eindhoven, 21 October 2006, p. 21, ill.
___, 'Lee Lozano gebruikt machokunst als pamflet', in: de Ingenieur, Amsterdam, October 6, 2006, p. 63, ill.
Kattenberg, Peter, 'Wat zij wil', in: Persoonlijk, Amsterdam, 14 October 2006, pp. 22, ill.
Smallenburg, Sandra, 'Lily van der Stokker', in: NRC – M, Amsterdam, 31 August 2006, pp. 66-67, ill.
Schambelan, Elizabeth, 'Best of 2006-Lee Lozano', in: Artforum, New York, vol. XLV, no. 4, December 2006, pp. 284-285, ill.
Sansom, Anna, 'Basel: Kunsthalle', in: Contemporary, London, issue 86, 2006, pp. 70-71, ill.
Donegan, Cheryl, 'All Weapons are Boomerangs', in: Modern Painters, London, October 2006, pp. 76-79, ill.
Vogel, Sabine B., 'Re View', in: Monopol, Berlin, no. 5/2006, October/November 2006, pp. 132-133, ill.
Hafner, Hans-Jürgen, 'Lee Lozano', in: Kunstforum International, Ruppichteroth, vol. 182, October/November 2006, pp. 372-374, ill.
Hainley, Bruce, 'On E', in: Frieze, London, issue 102, October 2006, pp. 12-12, 242–247, ill.
Wahler, Olivier, 'Portfolio: Lee Lozano, in: Palais, Paris, Fall- Winter 2006, pp. 54-55, only ill.
Saxenhuber, Hedwig, 'Suche die Extreme, dort spielt sich alles ab!', in: Springerin, Vienna, Band XII, Heft 4, Autumn 2006, pp. 36-39, ill.
Gebetsroither, Ines, 'Dorothy Iannone, Lee Lozano: Seek the Extremes…!', in: Spike, Vienna, Autumn 2006, p. 76, ill.
Buss, Esther, 'Art Dreamer', in: Texte zur Kunst, Berlin, no. 63, September 2006, pp. 217-220, ill.
Molesworth, Helen, (Review) 'Lee Lozano – Kunsthalle Basel', in: Artforum, New York, September 2006, pp. 362-364, ill.
Rugo Jacqueline, 'Finger im weichen Fleisch', in: Die Tageszeitung, Berlin, 29 August 2006, p. unknown, ill.
Ackermann, Tim, Borcherdt, Gesine, Hohmann, Silke, 'Die Guten, die Bösen und der etwas Banale', in: Monopol kompakt, Berlin, no. 1, Summer 2007, p. 16, ill.
Merkel, Klaus, 'Kaputt in Hollywood/Modernes Antiquariat', on: www.regioartline.org, 17 August 2006, ill.
GM, 'Harte Bilder, radikale Künstlerin', in: NZZ am Sonntag, Zurich, 6 August 2006, p. 51, ill.
Vogel, Sabine B., 'Dorothy Iannone und Lee Lozano in der Kunsthalle Wien', in: Kunst-Bulletin, Zurich, no. 9, 2006, p. 73
Buss, Esther, 'In Wellen an den Rändern', in: Die Tageszeitung, Berlin, 22 July 2006, ill.
I.,T., 'Basel Retrospektive für eine Rebellin', in: Schweizer Illustrierte, Zurich, p. 74, ill.
Benzer, Christa, 'Sex im Summer of Love', in: Der Standard, Vienna, 8-9 July 2006, p. 38, ill.
Borchardt-Binrbaumer, Brigitte, 'Reise in weibliche Extreme', in: Wiener Zeitung, Vienna, 7 July 2006, p. unknown
Heiser, Jörg, 'Gewinne zuletzt und dir ist’s auch egal', in: Süddeutsche Zeitung, Munich, no. 154, 7 July 2006, p. 11, ill.
Smith, Roberta, 'In Basel, Contemporary Art Enjoys a Bounty of Friends' in: The New York Times, New York, 7 July 2006,
___, 'Neues aus Museen und Kunsthallen', in: Informationsdienst Kunst, Regensburg, no. 355, 6 Juli 2006, p. 6
Scharrer, Eva, 'Rigoros in Kunst und Leben: Zur Werkschau von Lee Lozanoin der Kunsthalle Basel', on: www.regioartline.org, 5 July 2006, ill.
Scharrer, Eva, 'Ohne Rücksicht auf Verluste', on: bazkulturmagazin, 3 July 2006, p. 8, ill.
Basting, Babara, 'Eine originelle Rebellin der Kunst wird wieder entdeckt', in: Tages-Anzeiger, Zurich, 29 June 2006, p. 47, ill.
Basting, Barbara, 'Eine originelle Rebellin der Kunst wird wieder entdeckt', in: Tages-Anzeiger, Zurich, 26 June 2006, p. 47, ill.
Binswanger, Michèle, 'Extrem, obskur, verrückt', in: Facts, Zurich, 15 June 2006, p. 66, ill.
Etienne, Noémie, 'ma vie, mon art', in: profil/Femme, 3 June 2006, p. 20, ill.
'Twice Drawn', in: Art on Paper, New York, vol. 10, no. 5, May/June 2006, p. 72, ill.
___, (Review) 'Twice Drawn', in: Art on Paper, New York, vol. 10, no. 5, May/June 2006, p. 72, ill.
Nickas, Bob, (Review)'Lee Lozano. Kunsthalle Basel', in: Artforum, New York, no. 9, May 2006, p. 161
Graw, Isabelle, 'Schon gehört? Schon gesehen? Überlegungen zu Gossip, Kunst und Celebrity Culture', in: Texte zur Kunst, Cologne, no. 61, March 2006, pp. 41-53, ill.

2005 Binswanger, Michèle, 'Extrem, obskur, verrückt', in: Facts, Zurich, no. 24, 15 June 2006, pp. 66-67, ill.
Lange, Christy, 'Bound to Fail. Open Systems-I', in: Tate etc., London, issue 4, Summer 2005, pp. 28-35, ill.
Douglas, Sarah, 'If you can’t beat ArtBasel/Miami Beach-copy it', in: The Art Newspaper, New York, no. 157, April 2005, p. 58, ill.
___, 'All the fun of the art fair', in: The Irish Times, Dublin, 12 March 2005
Cotter, Holland, 'Dealers Gather at the River, Convenient to Lofts With Bare Walls', in: The New York Times, New York, 11 March 2005, p. E36
Perret, Mai-Thu, 'Lee Lozano', in: Metropolis M, Utrecht, no. 1, February-March 2005, pp. 98-100, ill.

2004 Hafner, Hans-Jürgen, '...formely known as Lee Lozano?', in: Spike, Vienna, December 2004, pp. 42-49, ill.
Higgs, Matthew, 'Lee Lozano, Drawn from Life: 1961-1971', in: Artforum, New York, vol. XLIII, no. 4, December 2004, pp. 156-157, ill.
Kelsey, John, 'On the ground', in: Artforum, New York, vol. XLIII, no. 4, December 2004, pp. 54-56, 65, ill. (cover)
Koch, Alexander, 'Kunst verlassen #4: Waarover we (kunnen) spreken als we over het "uit de kunst stappen" spreken (Wovon wir sprechen (können), wenn wir vom Ausstieg aus der Kunst sprechen)', in: De Witte Raaf, Brussel, no. 112, September/October 2004, pp. 6-7, ill. (cover)
Koch, Alexander, 'Kunst verlassen #3: Macht der Kunst? "Kurze Karrieren" im Wiener Museum Moderner Kunst', in: Texte zur Kunst, Cologne, no. 55, September 2004, pp. 194-197
Kenneth, Baker, 'Lee Lozano re-emerges', in: San Francisco Chronical, San Francisco, 5 June 2004
Avgikos, Jan, 'Lee Lozano', in: Artforum, New York, vol. XLII, no. 9, May 2004, p. 214, ill.
Schwendener, Martha, 'Identity as Vector', in: NYFA Current (a publication of the New York Foundation for the Arts), New York, 22 April 2004
Perreault, John, 'Lee Lozano at PS1: A Method to Her Madness', on: www.artsjournal.com 21 March 2004
Stillman, Nick, 'Lee Lozano – Drawn from Life: 1961-1971', in: The Brooklyn Rail, Brooklyn, May 2004
Morris, Catherine, 'No woman, no why', in: Time Out, New York, 26 February 2004, ill.
Kunitz, Daniel, 'A Determined Anti-Decorousness', in: The New York Sun, New York, 5 February 2004, ill.
Goddard, Donald, 'Lee Lozano: Drawn from Life, 1961-1971', in: New York Art World, New York NY, 2004

2003 Reed, David, 'The Morning After: a Roundtable', in: Artforum, New York, vol. XLI, no. 7, March 2003, pp. 206-211, 267-270, ill.

2002 Molesworth, Helen, 'Tune in, Torn on, drop out: the rejection of Lee Lozano', in: Art Journal, College Art Association of America, New York NY, Winter 2002, pp. 64-70

2001 Lamm, April, 'Lee Lozano and Bik van der Pol', in: Frieze, London, no. 61, September 2001
Heidenreich, Stefan, 'Nichts gegessen', in: Frankfurter Allgemeine Zeitung, Frankfurt, 28 April 2001
Siegel, Katie, Reed, David, 'Making Waves', in: Artforum, New York NY, vol. XL, no. 2, October 2001, pp. 120-128, ill.

2000 Kinmont, Ben, 'The Third Sculpture', in: Documents sur l’art, Dijon, no. 12, 2000

1999 Ferrell, John, 'Process art expressed via drawing', in: San Gabriel Valley Tribune, Covina, 9 August 1999
Johnson, Reed, 'Under the hood of modern art', in: Daily News, Los Angeles, 6 August 1999
Pagel, David, 'Afterimage Reviews Artists Making Rational Art on Paper', in: Los Angeles Times, Los Angeles, 21 April 1999
Frank, Peter, 'Afterimage, defining eye', in: LA Weekly, Los Angeles, 13 August 1999
Vetrocq, Marcia, 'Conceptualism: an Expanded View', in: Art in America, New York, July 1999
Heartney, Eleanor, 'Lee Lozano: return of a Rebel', in: Art in America, New York, no. 5, May 1999, pp. 146-149, ill.
Wilonsky, Robert, 'The Dropout Piece', in: Dallas Observer, Dallas TX, 9-15 December 1999, pp. 35-50, ill.

1998 Beck, Martin, 'Geschichtskorrektur', in: Die Springerin, Vienna, no. 4, June-August 1998
Blackburn, Meg, 'Lee Lozano', in: NY Arts Magazine, New York, no. 20, April 1998, p. 10
Arning, Bill, 'Lost and found: the long, strange trip of Lee Lozano', in: Time Out, New York, no. 131, 26 March – 2 April 1998, p. 44
Johnson, Ken, 'Lee Lozano', in: Weekend (insert in The New York Times), 6 March 1998
Rexer, Lyle, 'Long Live Loz', in: Review. The Critical State of Visual Art in New York, New York, 15 February 1998, pp. 5-6 (cover)
Johnson, Ken, 'Lee Lozano', in: Art in Review (insert in The New York Times), New York, 6 March 1998, p. E42
McNally, Owen, 'The Revival of a Recluse: Lee Lozano', in: The Hartford Courant, Hartford CT, 25 January 1998, ill.
___, 'Lee Lozano at Wadsworth', in: Flash Art, Milan, vol. XXXI, no. 198, January-February 1998, p. 44, ill.
Zimmer, William, 'Women Show the Courage of Their Convictions', in: The New York Times, New York, 1 March 1998, p. 16, ill.

1994 Cotter, Holland, '1969: A Year Revisited', in: Art in Review (insert in The New York Times), New York, 15 July 1994

1983 Necol, Jane, Poirier, Maurice, 'The 60s in Abstract: 13 Statements and an Essay' (interview), in: Art in America, New York, vol. LXXI, no. 9, October 1983, pp. 122-137, ill.

1971 Linville, Kasha, 'Lee Lozano, Whitney Museum', in: Artforum, New York, vol. IX, no. 6, February 1971

1970 Perreault, John, 'Art & ... ', in: The Village Voice, New York, vol. XV, no. 51, 17 December 1970, pp. 25-27
___, 'Scenes', in: The Village Voice, New York, 15 October 1970, pp. 10-11
1969
___, 'Time' [review of Corocan Gallery exhibition], 7 February 1969

1968 Castle, Frederic, 'Threat Art', in: ARTNews, New York, vol. 67, no. 6, October 1968, pp. 54-55, 65-66
Robins, Corinne, 'The Circle in Orbit', in: Art in America, New York, vol. LVI, no. 6, November/December 1968, pp. 62-69, ill.

1967 Adrian, Dennis, 'Lee Lozano', in: Artforum, New York, vol. V, no. 5, January 1967

1966 Waldman, Diane, 'Lee Lozano', in: ARTNews, New York, vol. LXV, no. 8, December 1966, p. 13, ill.
Benedikt, Michael, 'Lee Lozano', in: ARTNews, New York, vol. LXV, no. 7, November 1966, pp. 14-15

Selected Images

Installation view, ‘Lee Lozano. Pulling out the Stops’, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, 2017

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