Richard Jackson

A pre-eminent figure in American contemporary art since the 1970s, Richard Jackson is influenced by both Abstract Expressionism and action painting, exploring a performative painting process which seeks to extend the potential of painting by upending its technical conventions. Born in Sacramento, California in 1939, Jackson first came to international attention with a major presentation of his installation works at the Menil Collection, Houston, in 1988, followed by the 1992 exhibition, ‘Helter Skelter,’ at the Los Angeles Museum of Contemporary Art.

Jackson’s work is process-oriented, and the structural aspect of his installations involves a high level of craftsmanship and engineering. However, the final application of paint is generated through an automated process which Jackson calls ‘activation.’ He equips his ‘painting machines’ with a network of pipes and hoses which, when deployed, cause violent eruptions of paint that immerse the work and surrounding area. The finished installations remain in the aftermath of this extreme and unpredictable performative action.

Jackson responds to the high-mindedness of painterly practice by repositioning painting as an everyday experience. For Jackson, paint is not a tool used to create a representational image, but is used as a ubiquitous liquid which is spurted, splattered and sprayed over the surface of his installations.

He draws on the visual lexicon of domestic environments, universal basic human activities, and hallmarks of the quintessential American life such as hunting and sports. By harnessing this imagery and combining it with a physically laborious and conceptually rigorous artistic practice, Jackson has produced a body of work that questions and challenges the structure of the art world at large for over four decades.

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Richard Jackson

Biography

Print Biography
Born
Sacramento CA, 1939
Education

Studied Art and Engineering at Sacramento State College, Sacramento CA, 1959 – 1961
Moved to Los Angeles CA, 1968
Lived and worked in Pasadena CA, 1969 – 1993
Taught Sculpture and New Forms at UCLA, Los Angeles CA, 1989 – 1994

Resides
Lives and works in Sierra Madre CA

Selected Solo Exhibitions

2021
Hauser & Wirth, ‘Richard Jackson. Works with Books’, Los Angeles CA
2020
Schirn Kunsthalle Frankfurt, 'Richard Jackson. Unexpected Unexplained Unaccepted', Frankfurt, Germany
Galerie Parisa Kind, 'Richard Jackson. Unacceptable Behavior', Frankfurt, Germany
2019
Crocker Art Museum, 'Big Ideas. Richard Jackson's Alleged Paintings', Sacramento CA
2018
Musée de l'Orangerie, ‘Contemporary Counterpoint. Richard Jackson, Paintings', Paris, France
2017
Galerie Georges-Philippe and Nathalie Vallois, 'French Kiss', Paris, France
2014
CAB Art Center, 'Car Wash', Bruxelles, Belgium
Hauser & Wirth, 'New Paintings', London, UK
Galerie Georges-Philippe & Nathalie Vallois, 'Dark Room', Paris, France
S.M.A.K. Stedelijk Museum voor Actuele Kunst, 'Richard Jackson. Ain't Painting a Pain', Ghent, Belgium (Travelling Exhibition)
2013
Museum Villa Stuck, 'Richard Jackson. Ain't Painting a Pain', Munich, Germany (Travelling Exhibition)
Orange County Museum of Art, 'Richard Jackson. Ain't Painting a Pain', Newport Beach CA (Travelling Exhibition)
NRW-Forum Kultur und Wirtschaft, 'Lichtkunst im NRW-Forum. Richard Jackson – Big Fat Pig', Düsseldorf, Germany
2012
Galerie Parisa Kind, 'Richard Jackson. Blue Prints', Frankfurt, Germany
Armory Center for the Arts, 'Richard Jackson. Accidents in Abstract Painting, the Armory', Pasadena CA
2011
David Kordansky Gallery, 'The Little Girl's Room', Los Angeles CA
2010
Rennie Collection, 'Richard Jackson. Collected Works', Vancouver, Canada
Kunststiftung Erich Hauser, 'Richard Jackson. Big Pig', Rottweil, Germany
Armory Center for the Arts, 'Richard Jackson. Red Room/Green Room', Pasadena CA
2009
Hauser & Wirth, 'The Laundry Room', Zürich, Switzerland
2007
Galerie Georges-Philippe & Nathalie Vallois, 'Richard Jackson', Paris, France
Gallery Yvon Lambert, 'The War Room', New York NY
2006
Hamburger Bahnhof – Museum für Gegenwart, 'Richard Jackson. Werke aus der Friedrich Christian Flick Collection', Berlin, Germany
2005
Galerie Parisa Kind, 'BEER DEER BEAR', Frankfurt am Main, Germany
Hauser & Wirth London, 'The Pink Empire', London, UK
2004
Foundation 20 21, 'Richard Jackson. The Three Bears', New York NY
Haswellediger & Co. Gallery, 'Dick's Pictures', New York NY
Galerie Georges-Philippe & Nathalie Vallois, 'Unusual Behaviour', Paris, France
2003
Hauser & Wirth, 'ACCIDENTS IN ABSTRACT PAINTING', Zürich, Switzerland
2002
Gabriele Senn Galerie, 'Richard Jackson. Paint Bear', Vienna, Austria
BAWAG Foundation, 'Bank Job', Vienna, Austria
1998
Hauser & Wirth, 'Deer Beer', Zürich, Switzerland
1997
David Zwirner, ‘Paint Ball’, New York NY
1994
Galerie zur Kastanienallee, 'Wall Painting/Room Installation', Leuk-Stadt, Switzerland
1993
Galerie Gudrun Spielvogel, ‘BIGOILIDEAS’, Munich, Germany
1992
Santa Monica Museum of Art, Artist Project Series, ‘Big Confusing Ideas’, Santa Monica CA
1991
Brigitte March Galerie, ‘Confusing Ideas – Installation / Zeichnung’, Stuttgart, Germany
1990
Rosamund Felsen Gallery, ‘Richard Jackson’, Los Angeles CA
1989
Galerie Tschudi, ‘Installation und Bilder’, Glarus, Switzerland
1988
The Menil Collection, 'Richard Jackson Installation 1970-1988', Houston TX
1987
Robert Else Gallery, California State University, ‘Good Deal’, Sacramento CA
1986
Betsy Rosenfield Gallery, 'Big Ordeals', Chicago IL
1985
Artpark, 'Richard Jackson', Lewiston NY
1984
Rosamund Felsen Gallery, 'Big Ideals', Los Angeles CA
Rosamund Felsen Gallery, 'Untitled Construction', Los Angeles CA
1983
Daniel Weinberg Gallery, '1000 Pictures', San Francisco CA
1981
Betsy Rosenfield Gallery, 'Richard Jackson', Chicago IL
Galerie Maeght, 'Projekte', Zurich, Switzerland
1980
Galerie Maeght, 'Big Ideas', Paris, France
Forum Kunst, 'Richard Jackson', Rottweil, Germany
Rosamund Felsen Gallery, 'Big Ideas (1000 Pictures)', Los Angeles CA
1979
D.A.A.D. Galerie, 'Richard Jackson Installations', Berlin, Germany
Galerie Maeght, 'Richard Jackson Installations', Zurich, Switzerland
1978
Faith and Charity in Hope Gallery, 'Richard Jackson. the Faith and Charity in Hope Gallery', Hope ID
Rosamund Felsen Gallery, 'Richard Jackson', Los Angeles CA
1977
Santa Ana College Art Gallery, Santa Ana CA
Fine Arts Gallery, University of California, Irvine CA
1976
Riko Mizuno Gallery, 'Richard Jackson', Los Angeles CA
University of California, 'Richard Jackson', Davis CA
Daniel Weinberg Gallery, 'Richard Jackson', San Francisco CA
Environment created in Pasadena Studio, 'Bedroom', Pasadena CA
1975
Galleria Bocchi, ‘Richard Jackson’, Milan, Italy
1974
The California State University, 'Richard Jackson', Sacramento CA
Riko Mizuno Gallery, 'Richard Jackson', Los Angeles CA
Bykert Gallery, 'Richard Jackson', New York NY
LACMA Los Angeles County Museum of Art, 'Untitled, 1972, Installation for Permanent Collection', Los Angeles CA
1973
Galerie Onnasch, 'Richard Jackson', Cologne, Germany
1970
Eugenia Butler Gallery, 'Richard Jackson', Los Angeles CA
1969
Eugenia Butler Gallery, 'Richard Jackson', Los Angeles CA
1968
Gallery, 669, 'Richard Jackson', Los Angeles CA
1961
E.B. Crocker Art Museum, 'Richard Jackson', Sacramento CA
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Selected Group Exhibitions

2021
Hauser & Wirth, ‘In Focus: LA Artists’, Los Angeles CA
Centre Pompidou, ‘Presentation of the contemporary collection’, Paris, France
2019
FIAC, ‘Hors le Murs’, Paris, France
Palais des Beaux-Art de Lille, ‘Le rêve d’être artiste’, Lille, France
Fondation Villa Datris, ‘Bêtes de Scène’, L’Isle-sur-la-Sorgue, France
Musée de Grenoble, ‘Souvenirs de Voyage. La Collection de Antoine de Galbert’, Grenoble, France
2018
Nicodim Gallery, 'BioPerversity', Los Angeles CA
2017
Hauser & Wirth, ‘Salon’, Zürich, Switzerland
Riva Project, Charles Riva Collection, 'Animals', Brussels, Belgium
Stiftung für Kunst und Kultur and Reformationsjubiläum 2017, 'Luther and the Avantgarde', Wittenberg, Berlin, and Kassel, Germany
2016
Galerie Georges-Philippe & Nathalie Vallois, 'Heros', Paris, France
Ipswich Art Gallery, 'Stars & Stripes. American Art of the 21st Century from the Goldberg Collection', Ipswich QLD, Australia (Travelling Exhibition)
Latrobe Regional Gallery, 'Stars & Stripes. American Art of the 21st Century from the Goldberg Collection', Morwell, Australia (Travelling Exhibition)
Wagga Wagga Art Gallery, 'Stars & Stripes. American Art of the 21st Century from the Goldberg Collection', Wagga Wagga, Australia (Travelling Exhibition)
Western Plains Cultural Centre, 'Stars & Stripes. American Art of the 21st Century from the Goldberg Collection', Dubbo, Australia (Travelling Exhibition)
2015
Hauser & Wirth, 'Salon d'Hiver. Books - Prints - Multiples', Zürich, Switzerland
Hamburger Bahnhof – Museum für Gegenwart Berlin, 'A Few Free Years. From Absalon to Zobernig. Endowments from Friedrich Christian Flick to the Nationalgalerie', Berlin, Germany
Le Tripostal, 'Tu dois changer ta vie!', Lille, France
LACMA Los Angeles County Museum of Art, 'Drawing in L.A.. The 1960s and 70s', Los Angeles CA
Gallery Georges-Philippe & Nathalie Vallois, 'Carambolages', Paris, France
Museum Morsbroich, 'more Konzeption Conception now', Leverkusen, Germany
Cowra Regional Art Gallery, 'Stars & Stripes. American Art of the 21st Century from the Goldberg Collection', Cowra, NSW (Travelling Exhibition)
Manly Art Gallery & Museum, 'Stars & Stripes. American Art of the 21st Century from the Goldberg Collection', Taree, Australia (Travelling Exhibition)
Grafton Regional Gallery, 'Stars & Stripes. American Art of the 21st Century from the Goldberg Collection', Grafton, Australia (Travelling Exhibition)
2014
Leila Heller Gallery, 'Pop Sculptures', New York NY
Hauser & Wirth, 'The Photographic Object, 1970', New York NY
Santa Barbara Museum of Art, 'Left Coast. Recent Acquisitions of Contemporary Art', Santa Barbara CA
Bathurst Regional Art Gallery, 'Stars & Stripes. American Art of the 21st Century from the Goldberg Collection', Bathurst, Australia (Travelling Exhibition)
Migros Museum für Gegenwartskunst, 'Collection on Display', Zürich, Switzerland
2013
Museo Jumex, 'Confusion in the Vault', Mexico City, Mexico
Hamburger Bahnhof, 'Wall Works', Berlin, Germany
Manchester Art Gallery, 'Do It 2013', Manchester, United Kingdom
2012
Charles Riva Collection, 'California', Brussels, Belgium
Shanaynay, 'Y…as in Yet', Paris, France
Mitterrand + Cramer, 'Hotel California II', Geneva, Switzerland
Orange County Museum of Art, 'OC Collects', Newport Beach CA
2011
Rubell Family Collection/Contemporary Arts Foundation, 'American Exuberance', Miami FL
OCMA Orange County Museum of Art, 'State of Mind. New California Art Circa 1970', Newport CA
MOCA The Museum of Contemporary Art, 'Under the Big Black Sun. California Art 1974-1981', Los Angeles CA
Avenue of Berlage's Plan-Zuid, 'Artzuid 2011 – Internationale Sculptuurroute', Amsterdam, Netherlands
2010
MOCA Grand Avenue and The Geffen Contemporary at MOCA, 'The Artist's Museum', Los Angeles CA
Le Magasin – Centre National d'Art Contemporain de Grenoble, 'Promenades', Grenoble, France
Brigitte March, 'Der erste Impuls - Skizzen - Zeichnungen 1958 - 2010', Stuttgart, Germany
Galerie Davel 14, 'Dans, Autour et à Travers', Cully, Switzerland
2009
La Maison Rouge, 'Vraoum! Trésors de la bande dessinée et art contemporain', Paris, France
Château Guiraud, 'Quand la première ivresse des succès bruyants…', Sauternes, France
Fourteen30 Contemporary, 'Under a Vanishing Night. New York From L.A.', Portland OR
Otero Plassart, 'Franz Ackermann, Richard Jackson, Johannes Wohnseifer', Los Angeles CA
Seattle Art Museum, 'Target Practice. Painting Under Attack 1949-1978' Seattle WA
2008
CAPC Musée d'art contemporain de Bordeaux Entrepôt, 'Trahison – Collection du CAPC', Bordeaux, France
Hudson Valley Center for Contemporary Art, 'Size Matters. XXL-Recent Large-Scale Paintings', Peekskill NY
Yvon Lambert Gallery, 'The Stranger', New York NY
Villa Arson, 'Ne pas jouer avec des choses mortes', Nice, France
Galerie Georges-Philippe & Nathalie Vallois, 'Hotel California', Paris, France
Musée Cantonal des Beaux-Arts, 'Comme des bêtes. Ours, chat, cochon & Cie', Lausanne, Switzerland
Hamburger Bahnhof – Museum für Gegenwart, 'Cult of the artist. 'I can't just slice off an ear every day'. Deconstructing the Myth of the Artist', Berlin, Germany
2007
Galerie Georges-Philippe & Nathalie Vallois, 'Oeuvres encombrantes', Paris, France
10. Triennale Kleinplastik, 'Bodycheck', Fellbach, Germany
HVCCA Hudson Valley Center for Contemporary Art, 'Size Matters. XXL', Peekskill NY
2006
The Moore Space, 'METRO PICTURES', Miami FL
Staatliche Kunsthalle Baden-Baden, 'Ballerina in a Whirlpool. Works by Isa Genzken, Richard Jackson, Roman Signer and Diana Thater from the Hauser & Wirth Collection', Baden-Baden, Germany
Galerie Georges-Philippe & Nathalie Vallois, 'Accidents', Paris, France
Fondation Marguerite et Aimé Maeght, 'Le noir est une couleur', Saint-Paul de Vence, France
Centre Georges Pompidou, 'Los Angeles – Paris', Paris, France
2005
Art Athina 2005, Athens, Greece
Gabriele Senn Galerie, 'Eté urbain', Vienna, Austria
Centre Georges Pompidou, 'Dionysiac', Paris, France
Jeu de Paume, 'Burlesques contemporains', Paris, France
2004
Pommery Domain, 'Lost Property', Reims, France
Galerie George-Philippe & Nathalie Vallois, 'Y a t'il un commissaire pour sauver l'exposition?', Paris, France
2003
Ferrotel (Castello di Rivoli), 'Fuori Uso', Pescara, Italy
Galerie Georges-Philippe & Nathalie Vallois, 'Home', Paris, France
2002
Galerie Georges-Philippe & Nathalie Vallois, 'Richard Jackson Project Room (Alain Bublex Arrêts Soudains)', Paris, France
Kunstraum Innsbruck, 'Plus Ultra', Innsbruck, Austria
Brigitte March Galerie, 'What About Hegel (And You)?', Stuttgart, Germany
ZKM Zentrum für Kunst und Medientechnologie, 'Iconoclash – Beyond the Image Wars in Science, Religion and Art', Karlsruhe, Germany
Sammlung Hauser & Wirth, 'The House of Fiction', St. Gallen, Switzerland
Hauser & Wirth, 'Ten Years Galerie Hauser & Wirth', Zurich, Switzerland
2001
Apexart, 'Making the Making' (cur. Charles Goldman), New York NY
2000
Museum Villa Stuck, 'L.A.-ex', Munich, Germany
LACMA Los Angeles County Museum of Art, Los Angeles CA
1999
La Biennale di Venezia, 'dAPERTutto' (cur. Harald Szeemann), Venice, Italy
Armory Center for the Arts and Art Center College of Design, 'Radical Past. Contemporary Art & Music in Pasadena, 1960 – 1974', Pasadena CA
1998
Holderbank AG, 'Kunstausstellung Holderbank', Holderbank, Switzerland
Contemporary Arts Museum, 'Abstract Paintings. Once Removed', Houston TX
1997
4th Biennale d'Art Contemporain de Lyon, ‚'L'Autre', Lyon, France
1995
Uludag University, International Sculptors Symposium, Bursa, Turkey
1994
National Gallery of Australia, 'Virtual Reality', Canberra, Australia
1993
Schloss Presteneck, 'Bright Light', Neuenstadt-Stein am Kocher, Germany
1992
The Museum of Contemporary Art, 'Helter Skelter. L.A. Art in the 1990s', Los Angeles CA
Schloss Presteneck, 'Force Sight', Neuenstadt-Stein am Kocher, Germany
1991
Rosamund Felsen Gallery, 'Quick Coagulation Forms the August Corpse', Los Angeles CA
1990
Rosamund Felsen Gallery, 'Past & Present – Selected Works by Gallery Artists', Los Angeles CA
The Butler Institute of American Art, 'California A to Z and Return', Youngstown OH
1989
Kunstverein Ludwigsburg, Villa Franck, 'Solitude Echos. Realisierte Projekte der Ausstellung Schloss Solitude-Plane und Projekte, 1986', Ludwigsburg, Germany
1988
Rosamund Felsen Gallery, 'New Works on Paper', Los Angeles CA
Betsy Rosenfield Gallery, Chicago IL
William H. Cook Gallery, 'Forty Years of Art, California State University, Sacramento', Rancho Cordova CA
Los Angeles Municipal Art Gallery, 'One of a Kind, Contemporary Serial Imagery', Los Angeles CA
Deutscher Akademischer Austauschdienst, '25 Jahre Berliner Künstlerprogramm des DAAD. Balkon mit Fächer', Berlin, Germany
1987
Michael Kohn Gallery, 'The Great Drawing Show 1587 – 1987', Los Angeles CA
Betsy Rosenfield Gallery, Chicago IL
1986
Solitude Palace, 'Schloss Solitude-Pläne und Projekte', Stuttgart, Germany
Betsy Rosenfield Gallery, Chicago IL
University Art Gallery, The California State University, 'Point of View. Artworks from the Collection of Jeffrey Kerns', San Bernardino CA
1985
École National Supérieure des Beaux-Arts / The Menil Collection, Houston, 'Fifty Years of American Drawings, 1930 – 1980', Paris, France (Travelling Exhibition)
Städtische Galerie im Städelschen Kunstinstitut, / The Menil Collection, Houston, 'Fifty Years of American Drawings, 1930 – 1980', Frankfurt am Main, Germany (Travelling Exhibition)
Buscaglia-Castellani Art Gallery, Niagara University, Niagara Falls NY
Artpark, 'Artpark Visual Arts Program', Lewiston NY
1983
Rosamund Felsen Gallery, ‘Summer show’, Los Angeles CA
1982
ARC Musée d'Art Moderne de la Ville de Paris, 'Exchange entre Artistes 1931 – 1982 Pologne – U.S.A.', Paris, France
Long Beach Museum of Art, 'Drawings by Painters', Long Beach CA
1981
LACMA Los Angeles County Museum of Art, 'The Museum as Site. 16 Projects'. 'The Big Idea 2 (3000 Pictures)', Los Angeles CA
L.A. Louver, 'California. A Sense of Individualism', Venice CA
Fine Arts Galleries of California State Universities, 'Abstraction in Los Angeles 1950-1980, Selections from the Murray and Ruth Gribin Collection', Northridge and Irvine CA (Travelling Exhibition)
1979
Museum of Contemporary Art, 'Wall Painting', Chicago IL
Phoenix Art Museum, 'New York Now', Phoenix AZ
1978
Whitney Museum of American Art, 'Art about Art', New York NY
1977
Bell Gallery, List Art Building, Brown University, 'Jack Barth, Richard van Buren, David Deutsch, Richard Jackson, James Reineking', Providence RI
Institute for Art and Urban Resources, P.S. 1, 'Rooms', Long Island City NY
1976
California State University, Sacramento, Sacramento CA
De Anza College, San José CA
San Francisco Museum of Modern Art, 'Painting and Sculpture in California. The Modern Era', San Francisco CA
National Collection of Fine Arts, 'Painting and Sculpture in California', Washington DC
1975
Stedelijk Museum, 'Fundamental Painting', Amsterdam, Netherlands
University Art Museum, University of California, 'Both Kinds. Contemporary Art from Los Angeles', Berkeley CA
Los Angeles Institute of Contemporary Art, 'Current Concerns, Part I'. Los Angeles CA
1974
Margo Leavin Gallery, Los Angeles CA
1972
Sidney Janis Gallery, 'Los Angeles '72', New York NY
Contemporary Arts Museum, 'John Baldessari, Franceancis Barth, Richard Jackson, Barbara Munger, Gary Stephan', Houston TX
Pasadena Art Museum, '15 Los Angeles Artists', Pasadena CA
1971
LACMA Los Angeles County Museum of Art, '24 Young Los Angeles Artists', Los Angeles CA
Corcoran Gallery of Art, 'The 32nd Biennial Exhibition of Contemporary American Art', Washington DC
1970
The Museum of Modern Art, 'Photography Into Sculpture', New York NY
1969
Indiana University Art Museum, Bloomington IN
University of Nevada, 'Painting Invitational – Arts 1969 Festival', Reno NV
Städtisches Museum Schloss Morsbroich, 'Konzeption / Conception', Leverkusen, Germany
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Bibliography

Monographs

2020
Welchman, John C., 'Richard Jackson', Zurich: Hauser & Wirth Publishers, 2020, ill.
Ulrich, Matthias (ed.), 'Richard Jackson. Unexpected Unexplained Unaccepted', Frankfurt: Schirn Kunsthalle Frankfurt, Dortmund: Verlag Kettler, 2020, ill. (exh. cat.)
2013
Szakacs, Dennis, 'Richard Jackson – Ain't Painting a Pain' [German ed.], Munich: Museum Villa Stuck, 2013, ill. (exh. cat.)
2012
Szakacs, Dennis, 'Richard Jackson – Ain't Painting a Pain', Munich: Prestel, 2012, ill. (exh. cat.)
Tsatsos, Irene, Finnerty-Pyne, Sinéad, Welchman, John C. (et al.), 'Richard Jackson. Accidents in Abstract Painting, the Armory', Pasadena: Armory Press, 2012, ill. (exh. cat.)
2011
Merkert, Jörn, Hopps, Walter, 'Richard Jackson Room-Installations / Rolf Schroeter Fotoimpressionen', Bern: Benteli Verlag AG, 2011
2010
Berardini, Andrew, 'Richard Jackson', Vancouver: Rennie Collection, 2010, ill. (exh. cat.)
Kunststiftung Erich Hauser, 'Richard Jackson. Big Pig', Rottweil: Kunststiftung Erich Hauser, 2010, ill. (exh. cat.)
2007
Hobbs, Robert, ‘Richard Jackson. New Works 2006-2007’, New York: Yvon Lambert, 2007, ill.
2006
Knapstein, Gabriele (ed.), 'Richard Jackson. Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof', Cologne: DuMont Literatur und Kunst Verlag, Berlin: Hamburger Bahnhof - Museum für Gegenwart, Staatliche Museen zu Berlin, 2006, ill. (exh. cat.)
2005
Kotinkaduwa, Angela, Liese, Jennifer, Tsao, Samantha (eds.), 'Richard Jackson', New York: Haswellediger & Co., Zurich: Hauser & Wirth Publishers, 2005, ill.
2002
Bawag Foundation (ed.), 'Richard Jackson. Bank Job', Vienna: BAWAG Foundation, 2002, ill. (exh. cat.)
1998
Jackson, Richard, Szeemann, Harald, Hopps, Walter (et al.), 'Richard Jackson. Deer Beer', Cologne: Oktagon, Zurich: Galerie Hauser & Wirth, 1998 (exh. cat.)
1988
Schroeter, Rolf (ed.), 'Richard Jackson: Entstehung eines Wandbildes 1988 in Glarus', Zurich: Rolf Schroeter, 1988
1979
Deecke, Thomas, Kienholz, Edward, 'Richard Jackson', Zurich: Galerie Maeght, 1979
Berliner Künstlerprogramm des DAAD (ed.), 'Richard Jackson. Installations', Berlin: Berliner Künstlerprogramm des DAAD, 1979 (exh. brochure)
1978
Kienholz, Edward, 'Richard Jackson', Hope: Faith and Charity in Hope Gallery, 1978, ill. (exh. cat.)
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Artist's Books and Writings

2011
Jackson, Richard, ‘AB ISMS, EXPRESSIONISM, EXPANSIONISM, OPTIMISM’, in: Artforum, New York, Summer 2011, p. 335
2007
Jackson, Richard, 'Richard Jackson. Manual for Instructions for “The Maid's Room”', Zurich: Hauser & Wirth, Paris: Galerie Georges-Philippe & Natalie Vallois, 2007, ill.
1983
Jackson, Richard, '1/2 Full', Los Angeles: Alan Printing & Litho, 1983, ill.
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Publications

2019
Van Cauteren, Philippe (ed.), 'S.M.A.K. Highlights for a Future', Bruxelles/BE: S.M.A.K., Mercatorfonds, 2019, p. 146, ill. in colour
2015
Kreuzer, Stefanie, 'more Konzeption Conception now', Dortmund: Verlag Kettler, 2015
2013
Unterdörfer, Michaela (ed.), ‘Hauser & Wirth.20 Years’, Ostfildern: Hatje Cantz, 2013
2012
Tsatsos, Irene, Finnerty-Pyne, Sinéad + [et al.], ‘Accidents in abstract painting, the armory’, Pasadena: Armory Press, 2012
2011
Roselione-Valadez, Juan (ed.), ‘American Exuberance’, Miami: Rubell Family Collection, 2011, pp. 74-75, ill. (exh. cat.)
Schimmel, Paul, Mark, Lisa Gabrielle (eds.), ‘Under the Big Black Sun. California Art 1974-1981’, Los Angeles: The Museum of Contemporary Art, Munich/London/New York: DelMonico/Prestel, 2011, pp. 68, 188, ill. (exh. cat.)
Klanten, Robert, Schulze, Floyd (eds.), ‘Erratic - Visual Impact in Current Design', Berlin: Gestalten Verlag, 2011, p. 161, ill.
van Heeswijck-Veeger, Cintha, van der Laan, E. E., Jansen, Bert (et al.), 'Artzuid. International Sculpture Route Amsterdam 2011', Amsterdam: Foundation Artzuid, 2011, pp. 132-133, ill.
2009
Pirano, Michelle, ‘Target Practice: Painting Under Attack 1949-78’, Seattle: Seattle Art Museum, 2009, pp. 38-39
2008
Fibicher, Bernhard (ed.), ‘Comme des bêtes. ours, chat, cochon & cie’, Lausanne: Musée cantonal des Beaux-Arts, Milan: 5 continents, 2008, p. 22, ill. (exh. cat.)
Krohn, Silke, ‘Der Hirsch. Popularisierung und Individualisierung eines Motives’, Cologne: VDG, 2008, pp. 120-121, ill.
Staatliche Museen zu Berlin (ed.), ‘Ich kann mir nicht jeden Tag ein Ohr abschneiden. Dekonstruktionen des Künstlermythos’, Berlin: Dumont, 2008, pp. 50-51
2007
Linsenmaier-Wolf, Christa (ed.), 'Bodycheck', Cologne: Snoeck, 2007 pp. 134-139
2006
Knubben, Jürgen, 'Sammelsurium Eins. Forum Kunst Rottweil 1970-1981', Freiburg: Modo Verlag GmbH, 2006, p. 139
2005
Macel, Christine (ed.), 'Dionysiac', Paris: Editions du centre Pompidou, 2005 (exh. cat.)
Bidner, Stefan, Feuerstein, Thomas (eds.), 'Plus ultra. Jenseits der Moderne? / Beyond Modernity?', Frankfurt: Revolver, 2005, pp. 37-45
2002
Latour, Bruno, Weibel, Peter (eds.), 'Iconoclash. Beyond the image wars in science, religion, and art', Cambridge/London: The MIT Press, 2002, pp. 597, 603
Unterdörfer, Michaela (ed), 'The House of Fiction. Sammlung Hauser und Wirth / 3', Nuremberg: Verlag für moderne Kunst, 2002, pp. 66-67, 75 (exh. cat.)
2001
Häusler, Christa, Schweeger, Elisabeth (eds.), 'L.A.-ex Performances. Salons Kunst. Wissenschaft/Salons Art. Science', Ostfildern-Ruit: Hatje Cantz, 2001, pp. 81-91 (exh. cat.)
1999
Belolli, Jay, Jacobson, Karen (eds.), ‘Radical Past: Contemporary Art & Music in Pasadena, 1960-1974’, Pasadena: Typecraft Inc., 1999, p. 70, ill. (exh. cat.)
1998
Friis-Hansen, Dana, 'Abstract Painting, Once Removed', Houston: Contemporary Arts Museum, 1998 (exh. cat.)
1997
The Louis Comfort Tiffany Foundation (ed.), '1997 Awards in Painting, Sculpture, Printmaking, Photography and Craft Media', New York: The Louis Comfort Tiffany Foundation, 1997, pp. 46-47
Szeemann, Harald, '4e Biennale d'art contemporain de Lyon: L'autre', Lyon: Réunion des Musées Nationaux, 1997, pp. 74-75, ill. (exh. cat.)
1994
National Gallery of Australia (ed.), 'Virtual Reality', Canberra: National Gallery of Australia, 1994, pp. 44-45, ill. (exh. cat.)
1993
Schneckenburger, Manfred, ‘Bright Light’, Stuttgart: Brigitte March, 1993 (exh. cat.)
1992
Gudis, Catherine (ed.), ‘Helter Skelter. L.A. Art in the 1990’s’, [texts by Klein, Norman M., Releya, Lane], Los Angeles: The Museum of Contemporary Art, 1992, pp. 39, 89-92, ill. (exh.cat)
March, Brigitte (ed.), ‘Force Sight’, Neuenstadt-Stein am Kocher: Internationale Kunst der Gegenwart Schloss Presteneck, 1992, pp. 86-87, ill. (exh. cat.)
1990
The Butler Institute of American Art (ed.), ‘California A-Z and Return’, Youngstown: The Butler Institute of American Art, 1990 (exh. cat.)
1989
Los Angeles Municipal Art Gallery (ed.), ‘One of a Kind: Contemporary Serial Imagery’, Los Angeles: Los Angeles Municipal Art Gallery, 1989 (exh. cat.)
1988
Sartorius, Joachim, Block, René (eds.), 'Balkon mit Fächer: 25 Jahre Berliner Künstlerprogramm des DAAD', Berlin: Berliner Künstlerprogramm des DAAD, 1988 (exh. cat.)
Coplans, John, 'One of a Kind: Contemporary Serial Imagery', Los Angeles: Los Angeles Municipal Art Gallery, 1988 (exh. cat.)
1986
March, Brigitte (ed.), 'Schloss Solitude – Pläne und Projekte', Stuttgart: Brigitte March, 1986 (exh. cat.)
University Art Gallery California State University San Bernardino (ed.), 'Point of View. Artworks from the Collection of Jeffrey Kerns', San Bernardino: University Art Gallery California State University, 1986 (exh. cat.)
1985
Hopps, Walter, Gallwitz, Klaus Gallwitz (eds.), 'Amerikanische Zeichnungen 1930 – 1980', Frankfurt: Städtische Galerie im Städelschen Kunstinstitut, Stuttgart: Dr. Cantzsche Druckerei, 1985, ill. (exh. cat.)
1982
Armstrong, Richard, ‘Drawings by Painters’, Long Beach: Long Beach Museum of Art, 1982 (exh. cat.)
Hulten, Pontus, ‘Echange Entre Artistes 1931-1982. Pologne-USA’, Paris: Musée d’Art Moderne de la Ville de Paris, 1982 (exh. cat.)
1981
D'Andrea, Jeanne, Rodriguez, Aleida, 'The Museum as Site: Sixteen Projects', Los Angeles: Los Angeles County Museum of Art, 1981 (exh. cat.)
Tuchman, Maurice, 'Art in Los Angeles – Seventeen Artists in the Sixties', Los Angeles: Los Angeles County Museum of Art, 1981, ill. (exh. cat.)
1979
Museum of Contemporary Art (ed.), 'Wall Painting', Chicago: Museum of Contemporary Art, 1979, ill. (exh. cat.)
Frankel, Robert H., 'New York Now', Phoenix: Phoenix Art Museum, 1979
1977
San Francisco Museum of Modern Art (ed.), ‘Painting and Sculpture in California: The Modern Era’, San Francisco: San Francisco Museum of Modern Art, 1977, p. 176, ill. (exh. cat.)
Sultan, Donald, Davidson, Nancy (eds.), ‘Statements on Art’, Chicago: N.A.M.E. Gallery, 1977
Bell Gallery, List Art Building, Brown University (eds.), ‘Jack Barth, Richard van Buren, David Deutsch, Richard Jackson, James Reineking’, Providence, 1977 (exh. booklet)
1975
Dippel, Rini, van Beijeren, Geert, van der Have, Piet, Mignot, Dorine, de Wilde, E. (eds.), ‘Fundamental Painting’, Amsterdam: Stedelijk Museum, 1975 (exh. brochure)
1972
Tuchman, Maurice, Livingston, Jane, ‘Los Angeles ‘72’, New York: Sidney Janis Gallery, 1972 (exh. brochure)
Contemporary Arts Museum Houston (ed.), ‘John Baldessari/Francis Barth/Richard Jackson/Barbara Munger/Gary Stephan’, Houston: Contemporary Arts Museum, 1972 (exh. cat.)
View more +

Press

2021
Becker, Noah, 'Contemporary Artist Richard Jackson: GUNRUN: Creating a Collector Edition Jigsaw Puzzle with ArtXPuzzles: Puzzles with Purpose' [Interview], on: whitehotmagazine.com, May 2021, ill.
Slenske, Michael, 'Dagny Corcoran, Fixture of the L.A. Art Scene, Expands to Paris', on: wsj.com, 16 April 2021, ill.
___, 'Buy the Book Painted or Unpainted', on: graphicarts.princeton.edu, 16 April 2021, ill.
___, 'Exhibition at Hauser & Wirth’s Book & Printed Matter Lab spotlights works by Richard Jackson', on: artdaily.com, 14 April 2021
2020
Draganova, Viktoria, '"Macht Kunst Die Euch Gefällt"', on: schirn.de, 20 February 2020, ill.
Briegleb,Till, 'Unsere irre Farm', on:
sueddeutsche.de, 16 February 2020
___, 'Galeria Parisa Kind opens an exhibition of works by Richard Jackson', on: artdaily.com, 11 February 2020, ill.
___, 'Richard Jackson', on: wsimag.com, 11 February 2020, ill.
___, 'Richard Jackson in der Frankfurter Schirn', on: kunstmarkt.com, 10 February 2020
Stier, Karl-Heinz, 'Kunst aus der Maschine: Jacksons radikale Malerei', on: frankfurt live.com, 7 February 2020, ill.
___, 'Wohin am Wochenende', on: monopol magazine.de, 7 February 2020, ill.
Hierholzer, Michael, 'Farbenzufälle: Richard Jackson in der Schirn', on: faz.net, 6 February 2020
___, 'Schirn Kunsthalle Frankfurt presents Richard Jackson's "Rooms"', on: artdaily.com, 6 February 2020, ill.
Danicke, Sandra, ‘Richard Jackson in der Schirn: Von Busen-Augen und von Penis-Nasen', on: fr.de, 6 February 2020, ill.
Schmidt, Elena, 'The Golden Hour Dreamland', on: schirn.de, 6 February 2020, ill.
Schirn Magazine, 'Richard Jackson. Unexpected Unexplained Unaccepted', on: schirn.de, 17 January 2020, ill.
2019
St. Olfe, Richard, ‘Seriously Playful’ [Interview], in: Submerge, Sacramento, no. 291, 8-22 May 2019, ill.
Zarate, Mozes, ‘Poking fun at “fascist” modern art’, on: newsreview.com, 2 May 2019
Darden, Hannah, ‘Richard Jackson’s “alleged paintings” come to the Crocker, bringing humor and challenge to traditional art’, on: sacbee.com, 1 May 2019
___, ‘Big Ideas: Richard Jackson's Alleged Paintings’, on: sfchronicle.com, 28 April 2019
2018
Artinfo, Blouin, ‘Contemporary counterpoint: Richard Jackson, Paintings’ at Musée de l’Orangerie, Paris’, on: www.blouinartinfo.com, 23 November 2018
Jeong, Song, ‘Lump of Unfriendly Thoughts’, in: Public Art, Seoul, March 2018, pp. 58-65, ill.
2017
Chauvel-Lévy, Léa, ‘La peinture sera hors toile, ou ne sera pas’, in: Le Parisien, Paris, 16 November 2017, cover, ill.
2015
Jux, Virgine, 'La peinture dans tous ses états', in: TenTen. The Fresh Arty Project, Bruxelles, Issue 1, June 2015, pp. 11-18, ill.
Perreau, Yann, 'Richard Jackson. Un laboratoire d'idées', in: Art Press, Paris, February 2015, pp. 47-53, ill.
2014
Rxana Azimi, 'Il est impossible que je me compromette', in: Le Quotidien De L'art, Paris, 18 November 2014, co. pp. 5-6, ill.
___, 'Richard Jackson: New Paintings', on: www.studiointernational.com, London, 25 June 2014, ill.
Snow, Philippa, 'Made in the USA', on: www.artslant.com, London, 17 June 2014, ill.
Barnes, Freire, 'Meet the Artist: Richard Jackson', in: Time Out London, London, 27 May 2014, p. 105, ill.
Helfer, Anna, 'Wie weiter mit der Malerei?', on: www.monopol-magazin.de, Berlin, 17 April 2014, ill.
___, 'Performative paint sculptures by Richard Jackson', on: www.designboom.com, Milan, 7 March 2014, ill.
2013
___, ‘Orange County Museum of Art’, on: ocweekly.com, Costa Mesa, October 2013
Gockel, Cornelia, ‘Farbkugeln aus dem Luftgewehr’, in: art, Hamburg, August 2013, p. 110, ill.
Buhr, Elke, ‘Crashkurs in Kunstgeschichte: Richard Jacksons knallige Werke in München’, Monopol, Berlin, August 2013, p. 115, ill.
Vogel, Evelyn, ‘Die Malmaschine’, in: Süddeutsche Zeitung’, Munich, 30 July 2013, ill.
De Righi, Roberta, ‘Und Action, bitte!’, in: Abendzeitung, Munich, 27/28 July 2013, p. 22, ill.
Oliv, Freia, ‘Farb-Schlacht im Museum. Richard Jackson hat die Villa Stuck mit seinen Malmaschinen und Installationen besetzt’, in: Münchner Merkur, Munich, 26 July 2013, ill.
Schwartz, J., ‘Newport Beach – Richard Jackson: Ain’t Painting a Pain’, on: www.artobserved.com, New York, 4 May 2013
Fox, Emily Ellis, ‘Richard Jackson’, in: Modern Painters, Newport Beach, May 2013, ill.
___, ‘ Richard Jackson’ , in: Malibu Magazine, Malibu, April 2013, ill.
Finkel, Jori, ‘Richard Jackson wants to make you feel uncomfortable’, on: www.latimes.com, Los Angeles, 15 February 2013, ill.
Poundstone, William, Richard Jackson’s Funny “Bad Dog”’, on: www.artinfo.com, Los Angeles, 17 February 2013, ill.
Shaw, Michael, ‘ Richard Jackson on a unique career’, on:www.notesonlooking.com, Los Angeles, 12 April 2013, ill.
___, ‘ Artist Richard Jackson explores humor and oddity in a collection of objects’, on:www.thedailynewslosangeles.com, 13 April 2013, ill.
___, ‘ Richard Jackson’, on:www.theconversationpodcast.com, 12 April 2013, ill.
___, ‘ Richard Jackson at Orange County Museum of Art’, on: www.thebuddhadiaries.blogspot.ch, 8 April 2013, ill.
Spero, Josh, ‘ The New Cultural Revolution’, in: Christie’s International Real Estate Magazine, London, March 2013, p. 21, 1/3, ill.
Eischen, James, ‘ Richard Jackson’, on: www.artforum.com, New York, 4 February 2013, ill.
Berardini, Andrew, ‘ Richard Jackson: Ain’t Painting a Pain’ , in: Art Review, London, April 2013, p. 145
Butler, Sharon, ‘ Richard Jackson: A painter who has been asking “What if …?” since the 1970s’, on: www.twocoatsofpaint.com, New York, 12 March 2013, ill.
Goldman, Edward, ‘ South of LA: Crazy, Messy and Endlessly Delightful’, on: www.kcrw.com, California, 19 March 2013, ill.
Gray Painter, Alysia, ‘ The Whimsical Painting Machine of Richard Jackson’, on: www.nbclosangeles.com, California, 13 March 2013, ill.
Barton, Dave, ‘Orange County Museum of Art Nails Its Retrospective of Famed L.A. Artist Richard Jackson’, on: www.laweekly.com, Los Angeles, 28 February 2013, ill.
Miller, Michael, ‘ An unorthodox view of art Creating and destroying constantly intertwine in the works displayed in ‘Ain’t Painting a Pain’ by Richard Jackson at the Orange County Museum of Art’, on: www.dailypilot.com, California, 28 February 2013, ill.
Gray Painter, Alicia, ‘Bad Dog, Good Art’, on: www.nbclosangeles.com, Los Angeles, 25 February 2013, ill.
Chang, Richard, ‘Richard Jackson takes painting to the next level’, on: www.ocregister.com, Orange County, 22 February 2013, ill.
A. Miranda, Carolina, ‘Best Kept Secret: Richard Jackson Survey at OCMA’, on: www.kcet.org, California, 21 February 2013, ill.
Knight, Christopher, ‘Art review:‘Richard Jackson: Ain’t Painting a Pain’ shows life, on: www.latimes.com, Los Angeles, 20 February 2013, ill.
Vitello, Wynned, ‘Richard Jackson Interview by Wynned Vitello’, in: Juxtapoz, San Francisco, February 2013, pp. 84 – 93, ill.
___,‘Orange County Museum of Art organaizes first retrospective of radical Los Angeles artist Richard Jackson’, on: www.artdaily.org, Zurich, 21 February 2013, ill.
2012
Lehrer-Graiwer, Sarah, ‘Richard Jackson: Ain’t Painting a Paint’, in: Artforum, New York, December 2012, p. 90, ill.
___, ‘The Artists’ Artists’, in: Artforum, New York, December 2012, VOL. 51, No. 4, p. 105, ill.
Cochard, Catherine, ‘Richard Jackson fait tout, tout seul’, on: Le Temps, Geneva, 14 November 2012, pp. 14-15, ill.
Ayres, Anne, ‘The importance of the Work: An interview with Rosamund Felsen’, on: www.eastofborneo.org, 11 January 2012, ill.
Kern, Julia, ‘Landschulheim für Bücherwürmer’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 1 June 2012, p. 46
Lee, Dean, ‘Sierra Madre Artist Creates Accidential Art’, in: Mountain Views News, Pasadena, 28 January 2012, ill.
Knight, Christopher, ’PST: Richard Jackson makes a painting with a drone airplane crash’, on: www.latimes.com, 23 January 2012, ill.
2011
Griffin, Jonathan, ‘Richard Jackson. David Kordansky Gallery’, in: Frieze, London, November/December 2011, p. 133, ill.
Culturemonster, ‘A unicorn that sprays paint – and other Pacific Standard Tima gallery shows’, in: Los Angeles Times Online, 07 September 2011, Los Angeles
Jackson, Richard, ‘AB ISMS, EXPRESSIONISM, EXPANSIONISM, OPTIMISM’, in: Artforum Summer 2011, New York, p. 335
2010
Szakacs, Dennis, ‘The Circus is in Town’, on: https://www.moussemagazine.it/, Milano, September 2010, ill.
Burnham, Clint, ‘Richard Jackson’, in: Artforum, New York, September 2010, pp. 137, ill.
Linsenmann, Andreas, ‘Kantige Konfrontation’, in: Neue Rottweiler Zeitung, Rottweil, 24 July 2010, ill.
Moss, Jennifer, ‘The “cowboy” of modern art’, on: vancouversun.com, Vancouver, 10 May 2010, ill.
Laurence, Robin, ‘Playful painting machines meet peeing bears in Richard Jackson’s Collected Works’, on: straigth.com, Vancouver, 6 May 2010
Cernetig, Miro, ‘Painting goes OFF THE WALL’, on: vancouversun.com, Vancouver, 26 April 2010, ill.
2009
___, ‘Franz Ackermann and Richard Jackson at Otero-Plassart’, in: Mario`s Wide World of Art’, February 2009, ill.
2008
___, ‘Richard Jackson’, in: Beaux Arts Magazine, Paris, November 2008, pp. 108-111 ill.
Johnson, Ken, ‘Some Shows for Escape, some for Introspection’, on: nytimes.com, 4 July 2008
Lavrador, Judicaël, ‘Quelle place pour la peinture aujourd’hui? Famille 5. Sur le mur (du fond)’, in: Beaux Arts, Paris, no. 285, March 2008, pp. 52-63, ill.
Mangion, Eric, ‘La “finition fétichisante” de la performance’, in: Art Press, no. 7, November-January 2008, pp. 61-68, ill.
2007
Kern, Ingolf, ‘Zbigniew Libera’, in: Monopol, Berlin, no. 11, 2007, p. 31
Semers Cocks, Anna, ‘Frieze, slalom tra le tasse’, in: Il sole 24, Milan, 6 October 2007, p. 29, ill.
Rehberg, Vivian, ‘Paris. Richard Jackson’, in: Modern Painters, New York, October 2007, p. 99, ill.
___, ’10. Triennale Kleinplastik 2007’, on: www.3sat.de/kulturzeit, Mainz, 20 September 2007
Christofori, Ralf, ‘Immer auf die Grossen’, on: www.tagesspiegel.de, Berlin, 5 August 2007
Bellet, Harry, ‘Richard Jackson’, in: Le Monde, Paris, 15 September 2007, p. 29
Wagner, Thomas, ‘Achtung, Provinz!’, in: FAZ, Frankfurt am Main, 4 August 2007
Hoffmann, Annette, ‘Die Kleinplastik ist tot, es lebe die Skulptur’, on: www.regioartline.org, Freiburg/Basel/Strassburg, 27 July 2007
Lavrador, Judicaël, ‘Richard Jackson. Mr. Dynamite’, in: Beaux Arts Magazine, Paris, July 2007, pp. 86-89, ill.
Colard, Jean-Max, ‘Sexorama’ in: Les inrockuptibles, Paris, no. 609/611, 31 July – 20 August 2007, pp. 96-97, ill.
Breidenbach, Tom, ‘Richard Jackson’, in: Artforum, New York, no. 10, Summer 2007, pp. 498-499, ill.
Fronz, Hans-Dieter, ‘Einlass für Dinos und Mäuse’, in: Badische Zeitung, Freiburg i. Br., 13 July 2007, p. 11
Kreis, Elfi, ‘Den Kinderschuhen entwachsen’, in: Kunstzeitung, Regensburg, no. 130, June, 2007, p. 27
Bismuth, Léa, ‘Expos-Critiques. Richard Jackson’, on: www.paris-art.com, June 2007, ill.
___, ‘Kleinvieh macht auch Mist’, in: Monopol, Berlin, no. 7, 2007, p. 16
, ‘‘, in: Süddeutsche Zeitung, Munich, no. 173, 2007
Dörfert, Petra, ‘Befremdliche Objektewelt’, in: Kunstzeitung, Regensburg, no. 133, 2007, p. 19
Baun, Adrienne/Bosetti, Petra, ‘Entdeckungsreise statt Blockbuster’, in: Art, Hamburg, no. 7, 2007, p. 100
Feeser, Sigrid, ‘Bodycheck. 10. Triennale Kleinplastik Fellbach. Alte Kelter Fellbach, 23.6. – 23.9.2007’, in: Kunstforum, Ruppichteroth, no. 188, 2007, pp. 432-434
Wendorf, Alexandra, ‘Bodycheck – Ein neuer Blick auf die Skulptur abseits der Grand Tour überzeugt die 10. Triennale Kleinplastik in Fellbach’, in: Junge_Kunst, Frechen, no. 72, pp. 9-14
___, ‘Bodycheck – Triennale der Kleinplastik’, in: Stern, Hamburg, no. 22, 2007, p. 174
Chateigné, Yann, ‘Cra Z Boy. Richard Jackson’, in: Cahiers du Fonds national d’art contemporain, Rochechouart, no. 8, 2007, p.12, ill.
de Maulmin, Valérie, ‘Décapant Richard Jackson’, in: Connaissance des Arts, Paris, no. 650, June 2007, p. 154, ill.
Raap, Jürgen, ‘My home is my castle. Künstlerische Wohnwelten’, in: Kunstforum, Ruppichteroth, vol. 184, March-April 2007, pp. 71-85, ill.
Allsop, Laura, ‘On with the new: Yvon Lambert’, in: Art Review, London, issue 09, March 2007, p. 34, ill.
2006
Hans-Dieter Fronz, ‘Ballerina in a Whirlpool’, in: Kunstforum, December 2006 – January 2007, vol. 183, p. 357, ill.
lsh, ‘Kreisen und Umkreisen’, in: NZZ, Zurich, 4 November 2006, p. 50
Linda Norden, Richard Jackson, Paul McCarthy, Daniel Birnbaum, ‘Constructed Reality’, in: Artforum, New York NY, vol. XLV, no. 2, October 2006, pp. 61, 62, 65, 66, 286, 288, ill.
Fronz, Hans-Dieter, ‘Alles dreht sich um den Kreis’, in: Badische Zeitung, Freiburg / Breisgau, 4 October 2006, p.11, ill.
dü, ‘Ausstellung setzt Werke und Betrachter in Bewegung’, in: Badisches Tagblatt, Baden-Baden, 2 October 2006, p. 1
Lenhardt, Christiane, ‘Spielerisch die Welt umkreisen und erklären’, in: Badisches Tagblatt, 30 September 2006, p. 1, ill.
Thiele, Carmela, ‘Wanderung in die Tiefe’, in: Badische Neueste Nachrichten, Baden-Baden, 30 September 2006, p. 1, ill.
___, ‘Die Zeit wird bei 1000 Uhren zur physischen Erfahrung’, in: Badisches Tagblatt, Baden-Baden, 28 September 2006, p. 1, ill.
___, ‘Richard Jackson. Works from the Friedrich Christian Flick Collection at the Hamburger Bahnhof’, on: www.artnews.info, 7 August 2006, ill.
___, ‘Von Carlo Andre bis Bruce Nauman’, on: https://berlin.art49.com, 4 August 2006, ill.
Grace Gardner, Belinda, ‘Leinwand von innen’, on: www.artnet.de, 31 July 2006, ill.
Walde, Gabriela, ‘Chance verpasst: Richard Jackson in Berlin’, on: www.diewelt.de, Die Welt, Berlin, 14 July 2006
Kreis, Elfi, ‘Berlin: Richard Jackson im Hamburger Bahnhof’, in: Kunstzeitung, Regensburg, no. 119, July 2006, p. 9.
Werneburg, Brigitte, ‘Rad schlagende Farbräusche’, on: www.taz.de, Die Tageszeitung, Berlin, 7 July 2006
___, ‘Richard Jackson im Hamburger Bahnhof’, on: https://radio.weblogs.com, 25 May 2006, ill.
___, ‘Ausstellung: Wenn die Pinsel ruhen und die Farbe lauern’, on: www.berlinonline.de, 24 May 2006
Wirthmann, Markus, ‘Ötzi im Flick-Gletscher entdeckt’, on: www.Kunst-Blog.com, 24 May 2006
___, ‘Richard Jackson’, on: www.artfacts.net, 24 May 2006
Reber, Simone, ‘Hamburger Bahnhof: Richard Jackson’, on: www.daskulturradio.de, 23 May 2006, ill.
Walde, Gabriela, ‘Wenn Wände fröhlich Farbe spucken’, on: www.morgenpost.de, Die Morgenpost, Berlin, 19 May 2006
___, ‘Richard Jackson im Hamburger Bahnhof’, on: www.kunstmarkt.com, 19 May 2006
Kuhn, Nicola, ‘Malen, jagen und ein Bier dazu’, in: Der Tagesspiegel, Berlin, 19 May 2006, ill.
___, ‘Richard Jackson’, on: www.artkrush.com, date unknown
2005
Kihm, Christophe, ‘Richard Jackson: Thought and Accident/la pensée et l’accident’, in: art press, no. 318, December 2005, pp. 36-41, ill.
Danicke, Sandra, ‘Die Farben der Hirsche’, in: Frankfurter Rundschau, Frankfurt, 22 November 2005, p. 17
Busse, Gundel-Maria, ‘Etwas sehr Einfaches’, in: Main-Echo, Aschaffenburg, 16 November 2005
Schütte, Christoph, ‘Pollock mit Jagdschein’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 9 November 2005, p. 52, ill.
Rubinstein, Raphael, ‘In a Liquid Medium’, in: Art in America, New York, September 2005, pp. 132-137, ill.
Azimi, Roxana, ‘Californie: des affreux jojos aux radicaux’, in: L’oeil, Paris, no. 571, July/August 2005, pp. 108-111, ill.
Coomer, Martin, ‘Richard Jackson’, in: Time Out, London, no. 1821, 13-20 July 2005, p. 65, ill.
___, ‘American Art Maverick unveils latest work’, in: Durrants, London, 3 June 2005, p. 5, ill.
Blouin, Patrice, ‘Burlesque et idiotie, frères amis’, in: Beaux Arts Magazine, Paris, June 2005, pp. 71-90, ill.
LD, ‘Dionysiac’, in: Modern Painters, London, June 2005, pp. 112-113
Gauthier, Michel, ‘Dionysiac’, in: Art Press, May 2005, pp. 78-79, ill.
Catherine, ‘Les expositions de la semaine’, in: Charlie Hebdo, 9 March 2005, p. 12, ill.
Lavrador, Judicael, ‘Californicréation’ [interview], in: Les Inrockuptibles, Paris, no. 482, 23 February– 1 March 2005, pp. 82-83, ill.
Bellet, Harry, Roure, Benjamin, ‘Les vedettes de l’art trash au Centre Pompidou’, in: Le Monde, Paris, 20-21 February 2005, p. 18, ill.
Breerette, Geneviève, ‘Des figures de l’excès, plus désagréables que dérangeantes’, in: Le Monde, Paris, 20-21 February 2005, p. 18
Bellet, Harry, Roure, Benjamin, ‘Les vedettes de l’art trash au Centre Pompidou’, on: www.lemonde.fr, 19 February 2005
___, ‘Quatorze artistes “dionysiaques” et Gina Pane au Centre Pompidou’, on: https://actu.voila.fr, 17 February 2005
Johnson, Ken, ‘“The Three Bears”’, in: The New York Times, New York, 7 January 2005
2004
Bergez, Wladimir, ‘Richard Jackson’, in: Art Presence, no. 52, October-December 2004, pp. 3-11, ill.
Kihm Christophe, ‘Richard Jackson. Galerie G-P et N. Vallois’, in: Art Press, Paris, no. 302, June 2004, pp. 79-80, ill.
Pilven, Marguerite, ‘Richard Jackson, Unusual Behavior’, on: www.paris-art.com, May 2004, ill.
Laubard, Charlotte, ‘Qui a peur de Richard Jackson? ‘, in: 02, Paris, no. 29, Spring 2004, ill.
Lavrador, Judicael, ‘Paintball’, in: Les Inrockuptibles, Paris, no. 433, 17-23 March 2004, p. 105, ill.
Rehberg, Vivian, ‘Richard Jackson’, in: Artforum online, New York, March 2004, ill.
2003
Buchhart, Dieter, ‘Richard Jackson. Ich bin ein Kunstterrorist’, in: Kunstforum International, Ruppichteroth, no. 165, June-July, 2003, pp. 216-229, ill.
Schindler, Anna, ‘Fliegende Malmaschine’, in: Kunstzeitung, Regensburg, no. 81, May 2003, p. 20, ill.
Schwerzmann, Jörg, ‘Farbige Bruchlandung’, in: Bolero, Zurich, May 2003, p. 48, ill.
Hughes, Jeffrey, ‘Vienna. Richard Jackson. Bawag Foundation’, in: Sculpture, Washington, vol. 22, no. 4, May 2003, pp. 83–84, ill.
Arlitt, Sabine, ‘Malerei unter Schock’, in: Züritipp, Zurich, 17 April 2003, p. 48, ill.
Karlheinz Schmied (ed.), ‘Neues aus den Galerien’, in: Informationsdienst Kunst, Regensburg, no. 273, 20 March 2003, p. 20
2002
Sl, ‘Non Plus Ultra’ im Kunstraum’, in: Tiroler Tageszeitung, Innsbruck, 20 November 2002, ill.
Zwerger, Isolde, ‘Aufbrechen in ein neues Universum’, in: Kurier, Vienna, 11 October 2002, ill.
Schlocker, E., ‘Ironische Grenzüberschreitungen’, in: Tiroler Tageszeitung, Innsbruck, vol. 58, no. 237-IA, 11 October 2002, p. 15, ill.
Brüggeler, Moni, ‘Die Zeichen der Zeit’, in: Kronenzeitung, Salzburg, 11 October 2002, p. 32, ill.
Brüggeler, Moni, ‘Motorisierte Kunst’, in: Kronenzeitung, Salzburg, 8 October 2002, p. 24, ill.
___, ‘Plastikbären tanzen kaum’, in: Die Presse, Vienna, 6 August 2002, ill.
___, ‘Bärenjagd’, in: Die Presse, Vienna, 17 June /1 July /30 August, 2002, ill.
Borchhardt-Birbaumer, Brigitte, ‘Der anarchistische Bildjäger’, in: Wiener Zeitung, Vienna, 12 June 2002, ill.
___, ‘Die Bier-Bären’, in: Wiener Bezirksblatt, Vienna, 10 June 2002, ill.
___, ‘Kein Zweifel an der Arbeit – Richard Jackson’, in: Göd, Vienna, June 2002, ill.
Chlan, Ilse, Richard Jackson: ‘ „Kunst ist etwas sehr Einfaches“’, in: Pharma-Time, Vienna, June 2002, ill.
it, ‘Bank Job – Die BAWAG Foundation, 1010 Wien, präsentiert vom 8. Mai bis 30. Juni zum ersten Mal in Österreich mit einer Einzelausstellung Arbeiten des kalifornischen Künstlers Richard Jackson’, in: Vernissage, Vienna, June 2002, pp. 16–19, ill.
___, ‘Richard Jackson in der BAWAG Foundation’, in: Diskurs, Vienna, May/June 2002, pp. 39 – 41, ill.
___, ‘Malende Maschinen’, in: FSG – Direkt, Vienna, 28 May 2002, ill.
Marboe, Isabella, ‘Bärig, witzig – Richard Jackson “Bank Job” in der BAWAG-Foundation’, in: Die Furche, Vienna, 16 May 2002, ill.
Metzger, Rainer, ‘Plumeau bis Plafond’, in: Art Magazine, Vienna, 15 May 2002, ill.
Melchart, Erwin, ‘Der Bär ist los! ‘, in: Neue Kronen Zeitung, Vienna, 11 May 2002, ill.
Hofleitner, Johanna, ‘Summer in the cities’, in: Die Presse / Schaufenster, Vienna, 10 May 2002, pp. 32–37, ill.
Spiegler, Almuth, ‘Bären spritzen Farbe und wollen ins Bett gejagt werden’, in: Die Presse, Vienna, 8 May 2002, ill.
Horny, Henriette, ‘Kunst ist nie wirklich fertig’, in: Kurier, Vienna, 8 May 2002, ill.
Mittringer, Markus, ‘Lernen, allein zu leben’, in: Der Standard, Vienna, 8 May 2002, ill.
___, ‘Abstrakter Expressionismus – Werke des amerikanischen Konzeptkünstlers Richard Jackson in der BAWAG Foundation’, in: Der Standard, Vienna, 7 May 2002
___, ‘Richard Jackson – Bank Job’, in: Die Universität, Vienna, 7 May 2002
___, ‘Kunst/Werk des Monats Mai. Richard Jackson und seine Skulptur “Two Heads”’, in: www.magazine.orf.at/treff.kultur, 4 May 2002, ill.
___, ‘Der Prozess vor dem Objekt’, in: Wiener Zeitung, Vienna, 2 May 2002, ill.
Dusini, Matthias, ‘Bär im Öl’, in: Falter, Vienna, no. 21, May 2002, p. 60, ill.
Mayo, Alberty, ‘Richard Jackson. The bear went over the mountain to see what he could see’, 2002 (unpublished)
2001
Longhauser, Elsa, ‘Unusual Behavior: The Art of Richard Jackson’, 2001 (unpublished)
2000
Schmid, Karlheinz, ‘Rhein- und Rausland. Einkaufsparadies Art Cologne’, in: Kunstzeitung, no. 52, December 2000, p. 6, ill.
Tholl, Egbert, ‘Der Mensch und seine Maschine – Richard Jacksons Malperformance “De Nada/Circle Jerk”’, in: Süddeutsche Zeitung, Munich, 30 May 2000
Steinberger, Petra, ‘Krieg den Palästen, Friede den Surfern. Visionen einer stadt, die keine ist: Die Ausstellung “L.A.-ex” in der Villa Stuck in München’, in: Süddeutsche Zeitung, Munich, no. 87, 13 April 2000, p. 17
1999
Haase, Amine, ’48. Biennale von Venedig. Versöhnung der Gegensätze’, in: Kunstforum International, vol. 147, September – November, 1999, pp. 150-160, ill.
Träger, Wolfgang, ‘Biennale Venedig: dAPERTutto. Ein Foto-Rundgang von Wolfgang Träger’, in: Kunstforum International, vol. 147, September – November, 1999, pp. 174-266, ill.
Schwerfel, Heinz Peter, ‘Biennale 99. Grosse Oper’, in: Art. Das Kunstmagazin, Hamburg, no. 8, August 1999, pp. 12-23, ill.
1998
k.k., ‘Eruption und Planung’, in: NZZ, Zurich, 12 December 1998
Mack, Gerhard, ‘Richard Jackson in der Galerie Hauser & Wirth 1’, in: Kunst-Bulletin, Zurich, no. 12, December, 1998, p. 43, ill.
Bader, Jörg, ‘Zürcher Geschnetzeltes. Rockenschaub und Jackson bei Hauser & Wirth im ‚Löwenbräu‘’, in: Frankfurter Allgemeine, Frankfurt, 28 November 1998, p. 42
___, ‘Galerie Hauser & Wirth, Zurich’, in: Handelszeitung, Zurich, 11 November 1998
Mack, Gerhard, ‘Vorsicht! Künstler schiesst mit Farbe’, in: Cash, Zurich, no. 44, 30 October 1998, ill.
Maurer, Simon, ‘Künstler und Jäger’, in: Züritip, Zurich, 30 October 1998, p. 67, ill.
1997
McDonough, Tom, ‘Richard Jackson at David Zwirner’, in: Art in America, New York, no. 12, December 1997, pp. 89-90, ill.
Cash, Stephanie, ‘Richard Jackson at David Zwirner’, in: Art in America, New York, vol. 85, December 1997, pp. 89-90
Turner, Grady T., ‘Richard Jackson – David Zwirner’, in: Flash Art, Milan, vol. 30, no. 197, November – December 1997, p. 112, ill.
Lavelli, Cecilia Liveriero, Lirmans, Franklin, ‘Harald Szeemann’, in: Flash Art, Milan, vol. 30, no. 195, Summer 1997, p. 89
1996
Spielvogel, Gudrun, ’1991-1996 Galerie & Edition’, Munich: Gudrun Spielvogel, 1996
1992
Kandel, Susan, ‘L.A. in Review’, in: Arts Magazine, New York, no. 66, April 1992, pp. 98-99
Perkowitz, Sidney, ‘Heat Wave’, in: The Sciences, New York, no. 32, March/April 1992, pp. 34-35
Knight, Christopher, ‘An Art of Darkness at MOCA’, in: Los Angeles Times, Los Angeles, 28 January 1992, pp. F1, 4-5
Muchnic, Suzanne, ‘Art in the City of Angels and Demons’, in: Los Angeles Times Calender, Los Angeles, 26 January 1992, pp. 4-5, 76, 78
1991
Gardner, Colin, ‘Richard Jackson’, Artforum, New York, vol. 29, no. 6, February 1991, pp. 134-135
1990
Picot Pierre, ‘Art in Los Angeles, Blindfaith 1990-1991’, Los Angeles, 1990, p. 6, ill.
McKenna, Christine, ‘Richard Jackson: Conceptual and Uncollectible’, in: Los Angeles Times, Los Angeles, 27 November 1990, p. F8
1989
Marti, Petsch, ‘Das Bild als Bild in Frage gestellt’, in: Glarner Nachrichten, Glarus, 25 April 1989, ill.
Pagel, David, ‘The Present as Future History’, in: Artweek, San José, 7 January 1989
Chadwick, Susan, ‘Critics Choice’, in: The Houston Post, Houston, 6 January 1989, p. E2
1988
Curtis, Cathy, ‘Assessing the Current Vitality of Repetition’, in: Los Angeles Times, Los Angeles, 30 December 1988, pp. 22, 26
Johnson, Patricia C., ‘Jackson’s Menil exhibit: Art to be experienced’, in: Houston Chronicle, Houston, 24 July 1988, pp. 1, 16-17
Salazar, Gregorio, ‘Richard Jackson’s Museum of the Mind’, in: Public News, 20 July 1988, p. 12, ill.
Chadwick, Susan, ‘For Richard Jackson, the Point is Painting’, in: The Houston Post, Houston, 17 July 1988, p. 4F
1987
Dalkey, Victoria, ‘Major and minor scales – sizing up two exhibits that push at the boundaries of modern art’, in: The Sacramento Bee, Sacramento, 15 November 1987, pp. 8-9
1985
Knight, Christopher, ’1985 Artpark Visual Arts Program’, in: Artpark, New York, 1985, ill.
Browning, Jeffrey, ‘An Architecture of Paint’, in: Arts + Architecture, Los Angeles, vol. 3, no. 4, 1985, pp. 44-49, ill.
Bannon, Anthony, ‘Artpark’s assertive new installations’, in: The Buffalo News, Buffalo, 19 July 1985
Mays, John Bentley, ‘Worthwhile Artpark exhibit shows sculpture’s in a rut’, in: Toronto Globe and Mail, Toronto, 17 July 1985
Sax, George, ‘In Addition’ Is an Amusing Tie-In to Artpark but Leaves Loose Ends’, in: The Buffalo News, Buffalo, 9 July 1985
1984
___, ‘Art as Healer’, in: Weintraub Hunter Gallery, Sacramento, 1994
Muchnic, Suzanne, ‘The Galleries, La Cienega Area’, in: Los Angeles Times, Los Angeles, 9 November 1984, p. 10
Muchnic, Suzanne, ‘Jackson Sculpture: Insights from Inside’, Los Angeles Times, Los Angeles, 3 November 1984, pp. 1, 6
Drohojowska, Hunter, ‘He’s the master of the ‘painting-event’, in: Los Angeles Herald-Examiner, Los Angeles, 17 August 1984, p. 34, ill.
Drohojowska, Hunter, ‘Richard Jackson at the Rosamund Felsen Gallery’, in: L.A. Weekly, Los Angeles, 2-9 August 1984, p. 51
Pincus, Robert L., (review), in: Los Angeles Times, Los Angeles, 27 July 1984, p. 10
1983
Van Proyen, Mark, ‘Grand Gesture’, in: Artweek, San José, 2 July 1983, p. 4
Albright, Thomas, ‘How an Artist Stacks Up These Days’, in: San Francisco Chronicle, San Francisco, 14 June 1983, p. 42
1982
Muchnic, Suzanne, ‘Drawings by California Painters’, in: Los Angeles Times, Los Angeles, 16 February 1982, pp. 1-2
Plagens, Peter, ‘Site Wars’, in: Art in America, New York, vol. 70, no. 1, January 1982, pp. 91-98, ill.
1981
Wortz, Melinda, ‘Art in Los Angeles: 17 Projects – 16 Projects’, in: ARTnews, New York, no. 80, November 1981, pp. 161-165
Fine Arts Gallery, California State University (eds.), ‘Abstraction in Los Angeles 1950-1980, Selections from the Murray and Ruth Gribin Collection’, (exh. cat.), in: Journal. Contemporary Art Magazine, no. 30, Los Angeles: Los Angeles Institute of Contemporary Art, September-October 1981, p. 25, ill.
Schjeldahl, Peter, ‘Spanning Time Zones’, in: Voice, Los Angeles, 2-8 September 1981, p. 70, ill.
Davidow, Joie, ‘Pick of the Week’, in: L.A. Weekly, Los Angeles, 24-30 July 1981, ill.
Schjeldahl, Peter, ‘L.A. Demystified! ‘, in: The Village Voice, New York, 3-9 June 1981, p. 70.
Still, Gertrude Grace, ‘The Reversed Canvas’, in: Portfolio, no. 3, January/February 1981, pp. 48-51, ill.
1980
Hammond, Pamela, ’1’000 Pictures Richard Jackson at Rosamund Felsen’, in: Images and Issues, Winter 1980-1981, p. 45, ill.
Barron, Stephanie, ‘The Museum as Site: Sixteen Projects’, Los Angeles: Los Angeles County Museum of Art, 1980, ill.
Blaine, Michael, ‘Painting by Construction’, in: Artweek, San José, 27 September 1980, pp. 1-2
Knight, Christopher, ‘The Great Wall of La Cienega’, in: Los Angeles Herald-Examiner, Los Angeles, 18 September 1980, ill.
Salazar, Gregorio, ‘Richard Jackson’s Museum of the Mind’, in: Public News, Houston, no. 327, 20 July 1980, p. 12, ill.
1979
Burnham, Jack, ‘Painting Up Against the Wall’, in: The New Art Examiner, Chicago, May 1979, p. 4
Kramer, Hilton, ‘Art View: Temporary Art in the Museum’, in: The New York Times, New York, 8 April 1979
1978
Buffalo Fine Arts Academy, Albright-Knox Art Gallery (eds.), ‘Annual Report 1977-1978’, Buffalo/New York, 1978
Noah, Barbara, ‘Richard Jackson at Rosamund Felsen’, in: Art in America, New York, November – December 1978
Schjedahl, Peter, (review), in: Artforum, New York, November 1978
(cover illustration), in: Journal, Los Angeles: Los Angeles Institute of Contemporary Art, October-November 1978
Muchnic, Suzanne, ‘Painting with Painting’, in: Artweek, San José, 9 September 1978, pp. 1, 20
1977
Lewis, Louise, ‘Richard Jackson’s Painting – Unexpected Echoes of Art History’, in: Artweek, San José, 22 October 1977, p. 7
1976
Dunham, Judith L., ‘Evidence of Process – Richard Jackson – Chris Darton’, in: Artweek, San José, 27 November 1976, pp. 1, 16
1975
Desmond, Michael, ‘Richard Jackson’, in: Virtual Reality, Canberra: National Gallery of Australia, 1994, pp. 44-45
Plagens, Peter, ‘Both Kinds: Contemporary Art from Los Angeles’, Berkeley: University Art Museum, University of California, Berkeley, 1975
Dunham, Judith L., ‘Both Kinds’: Contemporary L.A. Art’, in: Artweek, San José, 3 May 1975, pp. 1, 20
1974
Wortz, Melinda, ‘Richard Jackson Installation’, in: Artweek, San José, 1 June 1974, pp. 15-16
1973
Mayer, R., ‘New York, Bykert Gallery’, in: Arts Magazine, New York, March 1973, pp. 72-73
1972
Haskell, Barbara, ’15 Los Angeles Artists’, Pasadena: Pasadena Art Museum, 1972
Matthias, R., Galleries, Los Angeles ’72, ‘Sidney Janis Gallery, N.Y.’, in: Arts Magazine, New York, September – October 1972, p. 58
1971
Bunnell, Peter C., ‘Photography into Sculpture’. In: Arts in Virginia, Richmond, vol. 11, no. 3, spring 1971, pp 18-25
Krauss, Rosalind E., ‘Washington’, in: Artforum, New York, May 1971, pp. 83-84
Drath, V.H., ‘The 32nd Corcoran Biennial, Art as a Visual Event’, in: Art International, Milan, May 1971, p. 43
Miller, Dorothy, ‘Washington’, in: Arts Magazine, New York, April 1971, p. 77
Eagle, Joanna, ‘The Corcoran Biennial: Hopps Skips and Jumps’, in: The Art Gallery Magazine, vol. XIV, no. 6, March 1971, pp. 36-40, ill. (cover)
Plagens, Peter, ‘Los Angeles: Richard Jackson, Charles Garabedian, Eugenia Butler Gallery’, in: Artforum, New York, January 1971, pp. 90-91
1970
Terbell, Melinda, ‘Eugenia Butler Gallery, Los Angeles’, in: Arts Magazine, New York, December 1970 – January 1971, p. 49
Sharp, Willoughby, ‘Outsiders: Baldessari, Jackson, O’Shea, Ruppersberg: Outdoor Sculpture Projects’, in: Arts Magazine, New York, Summer 1970, p. 45
1969
Howard, William V., ‘Painting 1969’, Reno: University of Nevada, 1969
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Audiovisuals

2016
Vernissage TV, ‘Interview with Artist Richard Jackson at Art Cologne 2016’ [Interview], Basel: Vernissage TV, 16 April 2016
2014
De Canvasconnectie, 'De Canvasconnectie - Richard Jackson', on: www.vimeo.com/93156645 (password: dcc), 27 April 2014
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Selected images

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Events

Sat 11 Feb 2017, 11:00
Los Angeles

Join us for a discussion with LA artist Richard Jackson, whose work seeks to extend the potential of paint through performative processes. Jackson will be in conversation with Italian conceptual artist Piero Golia, whose interest in the possibilities of theater will lend to the discourse of…
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Sun 9 Oct 2016, 2:00
Los Angeles

Civilized Disobedience ‘The Artist as Exhibitionist: A Conversation’ Fine Mess Just War Adult Children Arrogant Humility Balanced Insanity Civilized Warfare Wise Fool Crash Landing Delicious Torment Entertaining Sermon Fuzzy Logic Gentle Turbulence Gregarious Recluse Internal Exile Joyful Trouble Noble Savage The Only Choice An Open Secret…
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Book Lab

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20 Mar—6 Jun 2021
Los Angeles

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Ursula magazine

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