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JACKS78268 Untitled (Wall Painting for Los Angeles)

Richard Jackson

Photo: Richard Jackson

A pre-eminent figure in American contemporary art since the 1970s, Richard Jackson is influenced by both Abstract Expressionism and action painting, exploring a performative painting process which seeks to extend the potential of painting by upending its technical conventions. Born in Sacramento, California in 1939, Jackson first came to international attention with a major presentation of his installation works at the Menil Collection, Houston, in 1988, followed by the 1992 exhibition, ‘Helter Skelter,’ at the Los Angeles Museum of Contemporary Art.


Jackson’s work is process-oriented, and the structural aspect of his installations involves a high level of craftsmanship and engineering. However, the final application of paint is generated through an automated process which Jackson calls ‘activation.’ He equips his ‘painting machines’ with a network of pipes and hoses which, when deployed, cause violent eruptions of paint that immerse the work and surrounding area. The finished installations remain in the aftermath of this extreme and unpredictable performative action.

Jackson responds to the high-mindedness of painterly practice by repositioning painting as an everyday experience. For Jackson, paint is not a tool used to create a representational image, but is used as a ubiquitous liquid which is spurted, splattered and sprayed over the surface of his installations.

He draws on the visual lexicon of domestic environments, universal basic human activities, and hallmarks of the quintessential American life such as hunting and sports. By harnessing this imagery and combining it with a physically laborious and conceptually rigorous artistic practice, Jackson has produced a body of work that questions and challenges the structure of the art world at large for over four decades.

Biography

Born Sacramento CA, 1939

Education

Studied Art and Engineering at Sacramento State College, Sacramento CA, 1959 – 1961
Moved to Los Angeles CA, 1968
Lived and worked in Pasadena CA, 1969 – 1993
Taught Sculpture and New Forms at UCLA, Los Angeles CA, 1989 – 1994

Resides Lives and works in Sierra Madre CA

Selected Solo Exhibitions

2018 Musée de l’Orangerie, ‘Wall painting’, Paris, France

2016 Ipswich Art Gallery, 'Stars & Stripes: American Art of the 21st Century from the Goldberg Collection', Ipswitch, Australia (Traveling Exhibition)
Museum Morbroich, 'More Konzeption Conception now', Leverkusen, Germany

2014 CAB Art Center, ‘Car Wash’, Bruxelles, Belgium
Hauser & Wirth, ‘New Paintings’, London, England
Galerie Georges-Philippe & Nathalie Vallois, ‘Dark Room’, Paris, France
S.M.A.K. Stedelijk Museum voor Actuele Kunst, ‘Richard Jackson. Ain’t Painting a Pain’, Ghent, Belgium (Travelling Exhibition)

2013 Rubell Family Collection, ‘Alone Together’, Miami FL
SITE Santa Fe, ‘State of Mind: New California Art Circa 1970’, Santa Fe NM (Traveling Exhibition)
The Bronx Museum of the Arts, ‘State of Mind: New California Art Circa 1970’, Bronx NY (Traveling Exhibition)
Museum Villa Stuck, ‘Richard Jackson. Ain’t Painting a Pain’, Munich, Germany (Travelling Exhibition)
Orange County Museum of Art, ‘Richard Jackson. Ain’t Painting a Pain’, Newport Beach CA (Travelling Exhibition)
NRW-Forum Kultur und Wirtschaft, ‘Lichtkunst im NRW-Forum. Richard Jackson – Big Fat Pig’, Düsseldorf, Germany

2012 Morris and Helen Belkin Art Gallery 'State of Mind: New California Art Circa 1970', Vancouver, Canada (Traveling Exhibition)
The University of California, Berkeley Art Museum and Pacific Film Archive, 'State of Mind: New California Art Circa 1970', Berkeley CA (Traveling Exhibition)
Galerie Parisa Kind, ‘Richard Jackson. Blue Prints’, Frankfurt, Germany
Armory Center for the Arts, ‘Richard Jackson. Accidents in Abstract Painting, the Armory’, Pasadena CA

2011 OCMA Orange County Museum of Art, 'State of Mind: New California Art Circa 1970', Newport CA (Traveling Exhibition)
Cherry and Martin, Photography into Sculpture,’ Los Angeles CA
David Kordansky Gallery, ‘The Little Girl’s Room’, Los Angeles CA

2010 Rennie Collection, ‘Richard Jackson. Collected Works’, Vancouver, Canada
Kunststiftung Erich Hauser, ‘Richard Jackson. Big Pig’, Rottweil, Germany
Armory Center for the Arts, ‘Richard Jackson. Red Room/Green Room’, Pasadena CA

2009 Hauser & Wirth Zürich, ‘The Laundry Room’, Zurich, Switzerland
Crocker Art Museum, Big Ideas: Richard
Jackson’s Alleged Paintings, Sacramento CA

2007 Galerie Georges-Philippe & Nathalie Vallois, ‘Richard Jackson’, Paris, France
Gallery Yvon Lambert, ‘The War Room’, New York NY
Galerie GP & N
Vallois, ' Richard Jackson: The Maid’s Rooms/ The Dining Room', Paris, France

2006 The Moore Space, 'METRO PICTURES: Part 1', Miami FL
Hamburger Bahnhof – Museum für Gegenwart, ‘Richard Jackson. Werke aus der Friedrich Christian Flick Collection’, Berlin, Germany

2005 Jeu de Paume, 'Practique de la catastrophe: Burlesques contemporains', Paris, France
Art Athina 2005, 'California Artists in Greek Collections’, Athens, Greece
Galerie Parisa Kind, ‘BEER DEER BEAR’, Frankfurt am Main, Germany
Hauser & Wirth London, ‘The Pink Empire’, London, England

2004 Foundation 20 21, ‘Richard Jackson. The Three Bears’, New York NY
Haswellediger & Co. Gallery, ‘Dicks’s Pictures’, New York NY
Galerie Georges-Philippe & Nathalie Vallois, ‘Unusual Behavior’, Paris, France

2003 Hauser & Wirth Zürich, ‘ACCIDENTS IN ABSTRACT PAINTING’, Zurich, Switzerland

2002 Gabriele Senn Galerie, ‘Richard Jackson. Paint Bear’, Vienna, Austria
BAWAG Foundation, ‘Bank Job’, Vienna, Austria

1998 Contemporary Arts Museum, 'Abstract Paintings. Once Removed', Houston TX (Traveling Exhibition)
Kemper Museum of Art, 'Abstract Paintings. Once Removed', Kansas City MO (Traveling Exhibition)
Hauser & Wirth Zürich, ‘Deer Beer’, Zurich, Switzerland

1997 David Zwirner, ‘Paint Ball’, New York NY

1994 Weintraub Hunter Gallery, 'Art as Healer', Sacramento CA
Galerie zur Kastanienallee, ‘Wall Painting/Room Installation’, Leuk-Stadt, Switzerland

1993 Galerie Gudrun Spielvogel, ‘BIGOILIDEAS’, Munich, Germany

1992 Santa Monica Museum of Art, Artist Project Series, ‘Big Confusing Ideas’, Santa Monica CA

1991 Brigitte March Galerie, ‘Confusing Ideas – Installation / Zeichnung’, Stuttgart, Germany

1990 Rosamund Felsen Gallery, ‘Richard Jackson’, Los Angeles CA

1989 Galerie Tschudi, ‘Installation und Bilder’, Glarus, Switzerland

1988 Deutscher Akademischer Austauschdienst, '25 Jahre Berliner Künstlerprogramm des DAAD. Balkon mit Fächer', Berlin, Germany (Traveling Exhibition)
DuMont Junsthalle, '25 Jahre Berliner Künstlerprogramm des DAAD. Balkon mit Fächer' Cologne, Germany
Gemeentemuseum, '25 Jahre Berliner Künstlerprogramm des DAAD. Balkon mit Fächer', The Hague, The Netherlands (Traveling Exhibition)
The Menil Collection, ‘Richard Jackson Installation 1970-1988’, Houston TX

1987 Robert Else Gallery, California State University, ‘Good Deal’, Sacramento CA

1986 Western Gallery, Western Washington State University, 'Point of View: Artworks from the Collection of Jeffrey Kerns', Bellingham Washington (Traveling Exhibition)
University Art Gallery, The California State University, 'Point of View: Artworks from the Collection of Jeffrey Kerns', San Bernardino CA (Traveling Exhibition)
University Art Gallery, California State University, 'Point of View: Artworks from the Collection of Jeffrey Kerns', Sonoma CA (Traveling Exhibition)
Betsy Rosenfield Gallery, 'Big Ordeals', Chicago IL

1985 École National Supérieure des Beaux-Arts 'Fifty Years of American Drawings, 1930 – 1980', Paris, France (Traveling Exhibition)
The Menil Collection, 'Fifty Years of American Drawings, 1930 – 1980', Houston TX (Traveling Exhibition)
Städtische Galerie im Städelschen Kunstinstitut,'Fifty Years of American Drawings, 1930 – 1980', Frankfurt am Main, Germany (Traveling Exhibition)
Buscaglia-Castellani Art Gallery, Niagara University, 'Fifty Years of American Drawings, 1930 – 1980', Niagara Falls NY(Traveling Exhibition)
Artpark, ‘Richard Jackson’, Lewiston NY

1984 Rosamund Felsen Gallery, ‘Big Ideals’, Los Angeles CA
Rosamund Felsen Gallery, ‘Untitled Construction’, Los Angeles CA

1983 Rosamund Felsen Gallery, 'Summer Show', Los Angeles CA
Daniel Weinberg Gallery, ’1000 Pictures’, San Francisco CA

1981 San Antonio County Museum of Art, 'Art in Los Angeles-Seventeen Artists in the Sixties’, San Antonio TX
Betsy Rosenfield Gallery, ‘Richard Jackson’, Chicago MI
Galerie Maeght, ‘Projekte’, Zurich, Switzerland

1980 Galerie Maeght, ‘Big Ideas’, Paris, France
Forum Kunst, ‘Richard Jackson’, Rottweil, Germany
Rosamund Felsen Gallery, ‘Big Ideas (1000 Pictures)’, Los Angeles CA

1979 D.A.A.D. Galerie, ‘Richard Jackson Installations’, Berlin, Germany
Galerie Maeght, ‘Richard Jackson Installations’, Zurich, Switzerland

1978 Portland Art Museum, 'Art about Art', Portland OR (Traveling Exhibition)
North Carolina Museum of Art, 'Art about Art', Raleigh NC (Traveling Exhibition)
Frederick S Wight Art Gallery, University of California Los Angeles, 'Art about Art' Los Angeles CA (Traveling Exhibition)
The Faith and Charity in Hope Gallery, Hope ID
Rosamund Felsen Gallery, ‘Richard Jackson’, Los Angeles CA

1977 Santa Ana College Art Gallery, Santa Ana CA
Fine Arts Gallery, University of California, Irvine CA

1976 Riko Mizuno Gallery, ‘Richard Jackson’, Los Angeles CA
University of California, ‘Richard Jackson’, Davis CA
Daniel Weinberg Gallery, ‘Richard Jackson’, San Francisco CA

1976 - 82 Environment created in Pasadena Studio, ‘Bedroom’, Pasadena CA

1975 Galleria Bocchi, ‘Richard Jackson’, Milan, Italy

1974 The California State University, ‘Richard Jackson’, Sacramento CA
Riko Mizuno Gallery, ‘Richard Jackson’, Los Angeles CA
Bykert Gallery, ‘Richard Jackson’, New York NY
Los Angeles County Museum of Art, ‘Untitled, 1972, Installation for Permanent Collection’, Los Angeles CA

1973 Galerie Onnasch, ‘Richard Jackson’, Cologne, Germany

1972 Contemporary Arts Museum, 'John Baldessari, Francis Barth, Richard Jackson, Barbara Munger, Gary Stephan', Houston TX

1970 Eugenia Butler Gallery, ‘Richard Jackson’, Los Angeles CA

1969 Eugenia Butler Gallery, ‘Richard Jackson’, Los Angeles CA

1968 Gallery, 669, ‘Richard Jackson’, Los Angeles CA

1961 The Crocker Museum, Sacramento CA

Selected Group Exhibitions

2018 Nicodim Gallery, ‘BioPerversity’, Los Angeles CA

2017 Riva Project, Charles Riva Collection, ‘Animals’, Brussels, Belgium
Stiftung für Kunst und Kultur and Reformationsjubiläum 2017, ‘Luther and the Avantgarde’, Wittenberg, Berlin, and Kassel, Germany

2016 Galerie Georges-Philippe & Nathalie Vallois, ‘Heros’, Paris, France
Ipswich Art Gallery, ‘Stars & Stripes: American Art of the 21st Century from the Goldberg Collection’, Ipswitch QLD
Latrobe Regional Gallery, ‘Stars & Stripes: American Art of the 21st Century from the Goldberg Collection’, Morwell, Australia (Travelling Exhibition)
Wagga Wagga Art Gallery, ‘Stars & Stripes: American Art of the 21st Century from the Goldberg Collection’, Wagga Wagga, Australia (Travelling Exhibition)
Western Plains Cultural Centre, ‘Stars & Stripes: American Art of the 21st Century from the Goldberg Collection’, Dubbo, Australia (Travelling Exhibition)

2015 Hauser & Wirth, ‘Salon d’Hiver’, Zurich, Switzerland
Hamburger Bahnhof – Museum für Gegenwart Berlin, ‘A Few Free Years: From Absalon to Zobernig. Endowments from Friedrich Christian Flick to the Nationalgalerie’, Berlin, Germany
Le Tripostal, ‘Tu dois changer ta vie!’, Lille, France
LACMA Los Angeles County Museum of Art, ‘Drawing in L.A.: The 1960s and 70s’, Los Angeles CA
Galerie Georges-Philippe et Natalie Vallois, ‘Carambolages’, Paris, France
Museum Morbroich, ‘more Konzeption Conception now’, Leverkusen, Germany
Cowra Regional Art Gallery, ‘Stars & Stripes: American Art of the 21st Century from the Goldberg Collection’, Cowra, NSW (Travelling Exhibition)
Manly Art Gallery & Museum, ‘Stars & Stripes: American Art of the 21st Century from the Goldberg Collection’, Taree, Australia (Travelling Exhibition)
Grafton Regional Gallery, ‘Stars & Stripes: American Art of the 21st Century from the Goldberg Collection’, Grafton, Australia (Travelling Exhibition)

2014 Leila Heller Gallery, ‘Pop Sculptures’, New York NY
Hauser & Wirth, ‘The Photographic Object, 1970’, New York NY
Santa Barbara Museum of Art, ‘Left Coast: Recent Acquisitions of Contemporary Art’, Santa Barbara CA
Bathurst Regional Art Gallery, ‘Stars & Stripes: American Art of the 21st Century from the Goldberg Collection’, Bathurst, Australia (Travelling Exhibition)
Migros Museum für Gegenwartskunst, ‘Collection on Display’, Zürich, Switzerland

2013 Museo Jumex, ‘Confusion in the Vault’, Mexico City, Mexico
Hamburger Bahnhof, ‘Wall Works’, Berlin, Germany
Manchester Art Gallery, ‘Do It 2013’, Manchester, United Kingdom

2012 Charles Riva Collection, ‘California’, Brussels, Belgium
Shanaynay, ‘Y ..as in Yet’, Paris, France
Mitterrand + Cramer, ‘Hotel California II’, Geneva, Switzerland
Orange County Museum of Art, ‘OC Collects’, Newport Beach CA

2011 Rubell Family Collection/Contemporary Arts Foundation, ‘American Exuberance’, Miami FL
OCMA Orange County Museum of Art, ‘State of Mind: New California Art Circa 1970’, Newport CA
MOCA The Museum of Contemporary Art, ‘Under the Big Black Sun: California Art 1974-1981’, Los Angeles CA
Avenues of Berlage’s Plan-Zuid, ‘Artzuid 2011 – Internationale Sculptuurroute’, Amsterdam, Netherlands

2010 MoCA Grand Avenue and The Geffen Contemporary at MoCA, ‘The Artist’s Museum’, Los Angeles CA
Magasin – Centre National d’Art Contemporain de Grenoble, ‘Promenades’, Grenoble, France
Brigitte March, ‘Der erste Impuls – Skizzen – Zeichnungen 1958 – 2010’, Stuttgart, Germany
Galerie Davel 14, ‘Dans, Autour et à Travers’, Cully, Switzerland

2009 La Maison Rouge, ‘Vraoum! Trésors de la bande dessinée et art contemporain’, Paris, France
Château Guiraud, ‘Quand la première ivresse des succès bruyants…’, Sautrenes, France
Fourteen30 Contemporary, ‘Under a Vanishing Night: New York From L.A.’, Portland OR
Otero Plassart, ‘Franz Ackermann, Richard Jackson, Johannes Wohnseifer’, Los Angeles CA
Seattle Art Museum, ‘Target Practice: Painting Under Attack 1949-1978’ Seattle WA

2008 CAPC – Musée d’art contemporain de Bordeaux Entrepôt, ‘Trahison – Collection du CAPC’, Bordeaux, France
Hudson Valley Center for Contemporary Art, ‘Size Matters: XXL-Recent Large-Scale Paintings’, Peekskill NY
Yvon Lambert Gallery, ‘The Stranger’, New York NY
Villa Arson, ‘Ne pas jouer avec des choses mortes’, Nice, France
Galerie Georges-Philippe & Nathalie Vallois, ‘Hotel California’, Paris, France
Musée Cantonal des Beaux-Arts, ‘Comme des bêtes. Ours, chat, cochon & Cie’, Lausanne, Switzerland
Hamburger Bahnhof – Museum für Gegenwart, ‘Cult of the artist: “I can’t just slice off an ear every day”. Deconstructing the Myth of the Artist’, Berlin, Germany

2007 Galerie Georges-Philippe & Nathalie Vallois, ‘Oeuvres encombrantes’, Paris, France
10. Triennale Kleinplastik, ‘Bodycheck’, Fellbach, Germany
HVCCA – Hudson Valley Center for Contemporary Art, ‘Size Matters: XXL’, Peekskill NY

2006 The Moore Space, ‘METRO PICTURES’, Miami FL
Staatliche Kunsthalle Baden-Baden, ‘Ballerina in a Whirlpool. Works by Isa Genzken, Richard Jackson, Roman Signer and Diana Thater from the Hauser & Wirth Collection’, Baden-Baden, Germany
Galerie Georges-Philippe & Nathalie Vallois, ‘Accidents’, Paris, France
Fondation Marguerite et Aimé Maeght, ‘Le noir est une couleur’, Saint-Paul de Vence, France
Galerie Georges-Philippe & Nathalie Vallois, ‘Accidents’, Paris, France
Centre Georges Pompidou, ‘Los Angeles – Paris’, Paris, France

2005 Art Athina 2005, Athens, Greece
Gabriele Senn Galerie, ‘Eté urbain’, Vienna, Austria
Centre Georges Pompidou, ‘Dionysac’, Paris, France
Jeu de Paume, ‘Burlesques contemporains’, Paris, France

2004 Pommery Domain, ‘Lost Property’, Reims, France
Galerie George-Philippe & Nathalie Vallois, ‘Y a t’il un commissaire pour sauver l’exposition?’, Paris, France

2003 Ferrotel (Castello di Rivoli), ‘Fuori Uso’, Pescara, Italy
Galerie Georges-Philippe & Nathalie Vallois, ‘Home’, Paris, France

2002 Galerie Georges-Philippe & Nathalie Vallois, Paris, France
Kunstraum Innsbruck, ‘Plus Ultra’, Innsbruck, Austria
Brigitte March Galerie, ‘What About Hegel (And You)?’, Stuttgart, Germany
ZKM – Zentrum für Kunst und Medientechnologie, ‘Iconoclash – Beyond the Image Wars in Science, Religion and Art’, Karlsruhe, Germany
Sammlung Hauser & Wirth, ‘House of Fiction. Sammlung (3)’, St. Gallen, Switzerland
Hauser & Wirth, ‘Ten Years Galerie Hauser & Wirth’, Zurich, Switzerland

2001 Apexart, ‘Making the Making’ (cur. Charles Goldman), New York NY

2000 Museum Villa Stuck, ‘L.A.-ex’, Munich, Germany
Los Angeles County Museum of Art, Los Angeles CA

1999 La Biennale di Venezia, ‘dAPERTutto’ (cur. Harald Szeemann), Venice, Italy
Armory Center for the Arts and Art Center College of Design, ‘Radical Past: Contemporary Art & Music in Pasadena, 1960 – 1974’, Pasadena CA

1998 Holderbank AG, ‘Kunstausstellung Holderbank’, Holderbank, Switzerland
Contemporary Arts Museum, ‘Abstract Paintings. Once Removed’, Houston TX

1997 4th Biennale d’Art Contemporain de Lyon, ‚‘L’Autre’, Lyon, France

1995 Uludag University, International Sculptors Symposium, Bursa, Turkey

1994 National Gallery of Australia, ‘Virtual Reality’, Canberra, Australia

1993 Schloss Presteneck, ‘Bright Light’, Neuenstadt-Stein am Kocher, Germany

1992 The Museum of Contemporary Art, ‘Helter Skelter: L.A. Art in the 1990s’, Los Angeles CA
Schloss Presteneck, ‘Force Sight’, Neuenstadt-Stein am Kocher, Germany

1991 Rosamund Felsen Gallery, ‘Quick Coagulation Forms the August Corpse’, Los Angeles CA

1990 Rosamund Felsen Gallery, ‘Past & Present – Selected Works by Gallery Artists’, Los Angeles CA
The Butler Institute of American Art, ‘California A to Z and Return’, Youngstown OH

1989 Kunstverein Ludwigsburg, Villa Franck, ‘Solitude Echos: Realisierte Projekte der Ausstellung Schloss Solitude-Plane und Projekte, 1986’, Ludwigsburg, Germany

1988 Rosamund Felsen Gallery, ‘New Works on Paper’, Los Angeles CA
Betsy Rosenfield Gallery, Chicago IL
William H. Cook Gallery, ‘Forty Years of Art, California State University, Sacramento’, Rancho Cordova CA
Los Angeles Municipal Art Gallery, ‘One of a Kind, Contemporary Serial Imagery’, Los Angeles CA
Deutscher Akademischer Austauschdienst, ’25 Jahre Berliner Künstlerprogramm des DAAD. Balkon mit Fächer’, Berlin, Germany

1987 Michael Kohn Gallery, ‘The Great Drawing Show 1587 – 1987’, Los Angeles CA
Betsy Rosenfield Gallery, Chicago IL

1986 Solitude Palace, ‘Schloss Solitude-Pläne und Projekte’, Stuttgart, Germany
Betsy Rosenfield Gallery, Chicago IL
University Art Gallery, The California State University, ‘Point of View: Artworks from the Collection of Jeffrey Kerns’, San Bernardino CA

1985 École National Supérieure des Beaux-Arts / The Menil Collection, Houston, ‘Fifty Years of American Drawings, 1930 – 1980’, Paris, France (Travelling Exhibition)
Städtische Galerie im Städelschen Kunstinstitut, / The Menil Collection, Houston, ‘Fifty Years of American Drawings, 1930 – 1980’, Frankfurt am Main, Germany (Travelling Exhibition)
Buscaglia-Castellani Art Gallery, Niagara University, Niagara Falls NY
Artpark, ‘Artpark Visual Arts Program’, Lewiston NY

1983 Rosamund Felsen Gallery, ‘Summer show’, Los Angeles CA

1982 ARC – Musee d’Art Moderne de la Ville de Paris, ‘Exchange entre Artistes 1931 – 1982 Pologne – U.S.A.’, Paris, France
Long Beach Museum of Art, ‘Drawings by Painters’, Long Beach CA

1981 Los Angeles County Museum of Art, ‘The Museum as Site: 16 Projects’. ‘The Big Idea 2 (3000 Pictures)’, Los Angeles CA
L.A. Louver, ‘California: A Sense of Individualism’, Venice CA
Fine Arts Galleries of California State Universities, ‘Abstraction in Los Angeles 1950-1980, Selections from the Murray and Ruth Gribin Collection’, Northridge and Irvine CA (Travelling Exhibition)

1979 Museum of Contemporary Art, ‘Wall Painting’, Chicago IL
Phoenix Art Museum, ‘New York Now’, Phoenix AZ

1978 Whitney Museum of American Art, ‘Art about Art’, New York NY

1977 Bell Gallery, List Art Building, Brown University, ‘Jack Barth, Richard van Buren, David Deutsch, Richard Jackson, James Reineking’, Providence RI
Institute for Art and Urban Resources, P.S. 1, ‘Rooms’, Long Island City NY

1976 The California State University, Sacramento CA
De Anza College, San José CA
San Francisco Museum of Modern Art, ‘Painting and Sculpture in California: The Modern Era’, San Francisco CA
National Collection of Fine Arts, ‘Painting and Sculpture in California’, Washington DC

1975 Stedelijk Museum, ‘Fundamental Painting’, Amsterdam, Netherlands
University Art Museum, University of California, ‘Both Kinds: Contemporary Art from Los Angeles’, Berkeley CA
Los Angeles Institute of Contemporary Art, ‘Current Concerns, Part I’. Los Angeles CA

1974 Margo Leavin Gallery, Los Angeles CA

1972 Sidney Janis Gallery, ‘Los Angeles ‘72’, New York NY
Contemporary Arts Museum, ‘John Baldessari, Franceancis Barth, Richard Jackson, Barbara Munger, Gary Stephan’, Houston TX
Pasadena Art Museum, ’15 Los Angeles Artists’, Pasadena CA

1971 Los Angeles County Museum of Art, ’24 Young Los Angeles Artists’, Los Angeles CA
Corcoran Gallery of Art, ‘The 32nd Biennial Exhibition of Contemporary American Art’, Washington DC

1970 The Museum of Modern Art, ‘Photography Into Sculpture’, New York NY

1969 Indiana University Art Museum, Bloomington IN
University of Nevada, ‘Painting Invitational – Arts 1969 Festival’, Reno NV
Städtisches Museum Schloss Morsbroich, ‘Konzeption / Conception’, Leverkusen, Germany

Bibliography

Publications

2007 'Manual for Instructions for 'The Maid's Room'' - Co-published with Galerie Georges-Philippe & Nathalie Vallois

Monographs

2012 Sakacs, Dennis, ‘Richard Jackson – Ain’t Painting a Pain’, Munich: Prestl Verlag, 2012

2011 Jörn Merkert, Walter Hopps, ‘Richard Jackson Room-Installations / Rolf Schroeter Fotoimpressionen’, Berne: Benteli Verlags AG, 2011

2010 Berardini, Andrew, ‘Richard Jackson’, Vancouver: Rennie Collection at Wing Sang, 2010
Hauser, Erich, ‘Richard Jackson. Big Pig’, Rottweil: Kunststiftung Erich Hauser, 2010

2006 Kotinkaduwa, Angela, Liese, Jennifer, Tsao, Samantha (eds.), ‘Richard Jackson’, New York: Haswellediger & Co., 2006
Hamburger Bahnhof-Museum für Gegenwart, Nationalgalerie, Staatliche Museen zu Berlin (eds.), ‘Richard Jackson Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof’, Berlin: Staatliche Museen zu Berlin, Nationalgalerie/Hamburger Bahnhof, 2006

2005 Brazda, Bozidar, Bismuth, Julia, McCarthy, Paul + [et al.], ‘Richard Jackson’, Zurich: Hauser&Wirth, 2005

2002 Bawag Foundation (ed.), ‘Richard Jackson. Bank Job’, Vienna: Bawag Foundation, 2002

1998 Galerie Hauser & Wirth (ed.), ‘Richard Jackson. Deer Beer’, Cologne: Oktagon, 1998 (exh. cat.)

1988 Schroeter, Rolf (ed.), ‘Richard Jackson Entstehung eines Wandbildes’, Zurich: Rolf Schroeter, 1988

1979 Galerie Maeght (ed.), ‘Richard Jackson’ [text by Deecke, Thomas, Kienholz, Edward], Zurich: Galerie Maeght, 1979
Berliner Künstlerprogramm des DAAD (ed.), ‘Richard Jackson. Installations’, Berlin: Berliner Künstlerprogramm des DAAD, 1979 (exh. brochure)

1978 Kienholz, Edward, ‘Richard Jackson’, Hope: The Faith and Charity in Hope Gallery, 1978, (exh. cat.)

Artist's Books and Writings

2009 Jackson, Richard, ‘The Maid’s Room’, Zurich/London: Galerie Georges-Philippe & Natalie Vallois/Hauser & Wirth, 2007

Publications

2015 Kreuzer, Stefanie, ‘more Konzeption Conception now’, Dortmund: Verlag Kettler, 2015

2013 Unterdörfer, Michaela (ed.), ‘Hauser & Wirth.20 Years’, Ostfildern: Hatje Cantz, 2013

2012 Tsatsos, Irene, Finnerty-Pyne, Sinéad + [et al.], ‘Accidents in abstract painting, the armory’, Pasadena: Armory Press, 2012

2011 Hamilton, Elisabeth (ed.), ‘ Under the big black sun: California Art 1974-1981’, Munich: Prestel Verlag, 2011, p. 188
Klanten, Robert, Schulze, Floyd, ‘ Erratic – Visual Impact in Current Design’, Berlin: Gestalten Verlag, 2011, p. 161
van Heeswijck-Veeger, Cintha, van der Laan, E. E., Jansen, Bert + [et al.], ‘Artzuid. International Sculpture Route Amsterdam 2011’, Amsterdam: Foundation Artzuid, 2011, pp. 132 – 133

2009 Pirano, Michelle, ‘Target Practice: Painting Under Attack 1949-78’, Seattle: Seattle Art Museum, 2009, pp. 38-39

2008 Staatliche Museen zu Berlin (ed.), ‘Ich kann mir nicht jeden Tag ein Ohr abschneiden. Dekonstruktionen des Künstlermythos’, Berlin: Dumont, 2008, pp. 50-51

2007 Linsenmaier-Wolf, Christa (ed.), ‘Bodycheck’, Cologne: Snoeck, 2007 pp. 134-139
Hobbs, Robert, ‘New Works 2006-2007’, New York: Yvon Lambert New York, 2007

2006 Knubben, Jürgen, ‘Sammelsurium Eins. Forum Kunst Rottweil 1970-1981’, Freiburg: Modo Verlag GmbH, 2006, p. 139

2005 Macel, Christine (ed.), ‘Dionysiac’, Paris: Editions du centre Pompidou, 2005
Bidner, Stefan, Feuerstein, Thomas (eds.), ‘Plus ultra. Jenseits der Moderne? / Beyond Modernity?’, Frankfurt: Revolver, 2005, pp. 37-45

2002 Latour, Bruno, Weibel, Peter (eds.), ‘Iconoclash. Beyond the image wars in science, religion, and art’, Cambridge/London: The MIT Press, 2002, pp. 597, 603
Unterdörfer, Michaela (ed), ‘The House of Fiction. Sammlung Hauser und Wirth / 3’, Nuremberg: Verlag für moderne Kunst, 2002, pp. 66-67, 75

2001 Häusler, Christa, Schweeger, Elisabeth (eds.), ‘L.A.-ex Performances. Salons Kunst. Wissenschaft/Salons Art. Science’, Ostfildern-Ruit: Hatje Cantz, 2001, pp. 81-91

1999 Jacobson, Karen (ed.), ‘Radical Past: Contemporary Art & Music in Pasadena, 1960 – 1974’, 1999

1998 Contemporary Arts Museum (ed.), ‘Abstract Paintings. Once Removed’, Houston: Contemporary Arts Museum, 1998 (exh. cat.)

1997 The Louis Comfort Tiffany Foundation (ed.), ’1997 Awards in Painting, Sculpture, Printmaking, Photography and Craft Media’, New York: The Louis Comfort Tiffany Foundation, 1997, pp. 46-47
Szeemann, Harald, ’4e biennale d’art contemporain de Lyon: L’autre’, Lyon: Réunion des Musées Nationaux, 1997 (exh. cat.)

1994 National Gallery of Australia (ed.), ‘Virtual Reality’, Canberra: National Gallery of Australia, 1994, (exh. cat.)

1993 Schneckenburger, Manfred, ‘Bright Light’, Stuttgart: Brigitte March, 1993 (exh. cat.)

1992 Gudis, Catherine (ed.), ‘Helter Skelter. L.A. Art in the 1990’s’, [texts by Klein, Norman M., Releya, Lane], Los Angeles: The Museum of Contemporary Art, 1992, pp. 39, 89-92, ill. (exh.cat)
March, Brigitte (ed.), ‘Force Sight’, Neuenstadt-Stein am Kocher: Internationale Kunst der Gegenwart Schloss Presteneck, 1992 (exh. cat.)

1990 The Butler Institute of American Art (ed.), ‘California A-Z and Return’, Youngstown: The Butler Institute of American Art, 1990 (exh. cat.)

1989 Los Angeles Municipal Art Gallery (ed.), ‘One of a Kind: Contemporary Serial Imagery’, Los Angeles: Los Angeles Municipal Art Gallery, 1989 (exh. cat.)

1988 Berliner Künstlerprogramm des DAAD, Sartorius, Joachim, Block, René (eds.), ’25 Jahre Berliner Künstlerprogram des DAAD, Balkon mit Fächer’, Berlin: Berliner Künstlerprogram des DAAD, 1988 (exh. cat.)
Coplans, John, ‘One of a Kind: Contemporary Serial Imagery’, Los Angeles: Los Angeles Municipal Art Gallery, 1988 (exh. cat.)

1986 March, Brigitte (ed.), ‘Schloss Solitude – Pläne und Projekte’, Stuttgart: Brigitte March, 1986 (exh. cat.)
University Art Gallery California State University San Bernardino + [et al.] (eds.), ‘Point of View. Artworks from the Collection of Jeffrey Kerns’, San Bernardino CA: University Art Gallery California State University, 1986 (exh. cat.)

1985 The Menil Collection, Houston, Städtische Galerie im Städelschen Kunstinstitut, Frankfurt (eds.), ‘Amerikanische Zeichnungen 1930 – 1980’, Frankfurt: Städtische Galerie im Städelschen Kunstinstitut, 1985 (exh. cat.)

1982 Armstrong, Richard, ‘Drawings by Painters’, Long Beach: Long Beach Museum of Art, 1982 (exh. cat.)
Hulten, Pontus, ‘Echange Entre Artistes 1931-1982. Pologne-USA’, Paris: Musée d’Art Moderne de la Ville de Paris, 1982 (exh. cat.)

1981 Los Angeles County Museum of Art (ed.), ‘The Museum as Site: Sixteen Projects’, Los Angeles: Los Angeles County Museum of Art, 1981 (exh. cat.)
Los Angeles County Museum of Art (ed.), ‘Art in Los Angeles – Seventeen Artists in the Sixties’, Los Angeles: Los Angeles County Museum of Art, 1981 (exh. cat.)

1979 Museum of Contemporary Art (ed.), ‘Wall Painting’, Chicago: Museum of Contemporary Art, 1979 (exh. cat.)
Frankel, Robert H., ‘New York Now’, Phoenix: Phoenix Art Museum, 1979

1977 San Francisco Museum of Modern Art (ed.), ‘Painting and Sculpture in California: The Modern Era’, San Francisco: San Francisco Museum of Modern Art, 1977 (exh. cat.)
Sultan, Donald, Davidson, Nancy (eds.), ‘Statements on Art’, Chicago: N.A.M.E. Gallery, 1977
Bell Gallery, List Art Building, Brown University (eds.), ‘Jack Barth, Richard van Buren, David Deutsch, Richard Jackson, James Reineking’, Providence, 1977 (exh. booklet)

1975 Dippel, Rini, van Beijeren, Geert, van der Have, Piet, Mignot, Dorine, de Wilde, E. (eds.), ‘Fundamental Painting’, Amsterdam: Stedelijk Museum, 1975 (exh. brochure)

1972 Tuchman, Maurice, Livingston, Jane, ‘Los Angeles ‘72’, New York: Sidney Janis Gallery, 1972 (exh. brochure)
Contemporary Arts Museum Houston (ed.), ‘John Baldessari/Francis Barth/Richard Jackson/Barbara Munger/Gary Stephan’, Houston: Contemporary Arts Museum, 1972 (exh. cat.)

Press

2016 Vernissage TV, Interview with Artist Richard Jackson at Art Cologne 2016, 16 April 2016, (Interview)

2015 Jux, Virgine, ‘La peinture dans tous ses états’, in: TenTen. The Fresh Arty Project, Bruxelles, Issue 1, June 2015, pp. 11-18, ill.
Perreau, Yann, ‘Richard Jackson. Un laboratoire d’idées’, in: Art Press, Paris, February 2015, pp. 47-53, ill.

2014 Rxana Azimi, ‘Il est impossible que je me compromette’, in: Le Quotidien De L’art, Paris, 18 November 2014, co. pp. 5-6, ill.
___, ‘Richard Jackson: New Paintings’, on: www.studiointernational.com, London, 25 June 2014, ill.
Snow, Philippa, ‘Made in the USA’, on: www.artslant.com, London, 17 June 2014, ill.
Barnes, Freire, ‘Meet the Artist: Richard Jackson’, in: Time Out London, London, 27 May 2014, p. 105, ill.
___, ‘De Canvasconnectie – Richard Jackson’, on: www.vimeo.com/93156645 (password: dcc), 27 April 2014, (Video)
Helfer, Anna, ‘Wie weiter mit der Malerei?’, on: www.monopol-magazin.de, Berlin, 17 April 2014, ill.
___, ‘Performative paint sculptures by Richard Jackson’, on: www.designboom.com, Milan, 7 March 2014, ill.

2013 ___, ‘Orange County Museum of Art’, on: ocweekly.com, Costa Mesa, October 2013
Gockel, Cornelia, ‘Farbkugeln aus dem Luftgewehr’, in: art, Hamburg, August 2013, p. 110, ill.
Buhr, Elke, ‘Crashkurs in Kunstgeschichte: Richard Jacksons knallige Werke in München’, Monopol, Berlin, August 2013, p. 115, ill.
Vogel, Evelyn, ‘Die Malmaschine’, in: Süddeutsche Zeitung’, Munich, 30 July 2013, ill.
De Righi, Roberta, ‘Und Action, bitte!’, in: Abendzeitung, Munich, 27/28 July 2013, p. 22, ill.
Oliv, Freia, ‘Farb-Schlacht im Museum. Richard Jackson hat die Villa Stuck mit seinen Malmaschinen und Installationen besetzt’, in: Münchner Merkur, Munich, 26 July 2013, ill.
Schwartz, J., ‘Newport Beach – Richard Jackson: Ain’t Painting a Pain’, on: www.artobserved.com, New York, 4 May 2013
Fox, Emily Ellis, ‘Richard Jackson’, in: Modern Painters, Newport Beach, May 2013, ill.
___, ‘ Richard Jackson’ , in: Malibu Magazine, Malibu, April 2013, ill.
Finkel, Jori, ‘Richard Jackson wants to make you feel uncomfortable’, on: www.latimes.com, Los Angeles, 15 February 2013, ill.
Poundstone, William, Richard Jackson’s Funny “Bad Dog”’, on: www.artinfo.com, Los Angeles, 17 February 2013, ill.
Shaw, Michael, ‘ Richard Jackson on a unique career’, on:www.notesonlooking.com, Los Angeles, 12 April 2013, ill.
___, ‘ Artist Richard Jackson explores humor and oddity in a collection of objects’, on:www.thedailynewslosangeles.com, 13 April 2013, ill.
___, ‘ Richard Jackson’, on:www.theconversationpodcast.com, 12 April 2013, ill.
___, ‘ Richard Jackson at Orange County Museum of Art’, on: www.thebuddhadiaries.blogspot.ch, 8 April 2013, ill.
Spero, Josh, ‘ The New Cultural Revolution’, in: Christie’s International Real Estate Magazine, London, March 2013, p. 21, 1/3, ill.
Eischen, James, ‘ Richard Jackson’, on: www.artforum.com, New York, 4 February 2013, ill.
Berardini, Andrew, ‘ Richard Jackson: Ain’t Painting a Pain’ , in: Art Review, London, April 2013, p. 145
Butler, Sharon, ‘ Richard Jackson: A painter who has been asking “What if …?” since the 1970s’, on: www.twocoatsofpaint.com, New York, 12 March 2013, ill.
Goldman, Edward, ‘ South of LA: Crazy, Messy and Endlessly Delightful’, on: www.kcrw.com, California, 19 March 2013, ill.
Gray Painter, Alysia, ‘ The Whimsical Painting Machine of Richard Jackson’, on: www.nbclosangeles.com, California, 13 March 2013, ill.
Barton, Dave, ‘Orange County Museum of Art Nails Its Retrospective of Famed L.A. Artist Richard Jackson’, on: www.laweekly.com, Los Angeles, 28 February 2013, ill.
Miller, Michael, ‘ An unorthodox view of art Creating and destroying constantly intertwine in the works displayed in ‘Ain’t Painting a Pain’ by Richard Jackson at the Orange County Museum of Art’, on: www.dailypilot.com, California, 28 February 2013, ill.
Gray Painter, Alicia, ‘Bad Dog, Good Art’, on: www.nbclosangeles.com, Los Angeles, 25 February 2013, ill.
Chang, Richard, ‘Richard Jackson takes painting to the next level’, on: www.ocregister.com, Orange County, 22 February 2013, ill.
A. Miranda, Carolina, ‘Best Kept Secret: Richard Jackson Survey at OCMA’, on: www.kcet.org, California, 21 February 2013, ill.
Knight, Christopher, ‘Art review:‘Richard Jackson: Ain’t Painting a Pain’ shows life, on: www.latimes.com, Los Angeles, 20 February 2013, ill.
Vitello, Wynned, ‘Richard Jackson Interview by Wynned Vitello’, in: Juxtapoz, San Francisco, February 2013, pp. 84 – 93, ill.
___,‘Orange County Museum of Art organaizes first retrospective of radical Los Angeles artist Richard Jackson’, on: www.artdaily.org, Zurich, 21 February 2013, ill.

2012 Lehrer-Graiwer, Sarah, ‘Richard Jackson: Ain’t Painting a Paint’, in: Artforum, New York, December 2012, p. 90, ill.
___, ‘The Artists’ Artists’, in: Artforum, New York, December 2012, VOL. 51, No. 4, p. 105, ill.
Cochard, Catherine, ‘Richard Jackson fait tout, tout seul’, on: Le Temps, Geneva, 14 November 2012, pp. 14-15, ill.
Ayres, Anne, ‘The importance of the Work: An interview with Rosamund Felsen’, on: www.eastofborneo.org, 11 January 2012, ill.
Kern, Julia, ‘Landschulheim für Bücherwürmer’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 1 June 2012, p. 46
Lee, Dean, ‘Sierra Madre Artist Creates Accidential Art’, in: Mountain Views News, Pasadena, 28 January 2012, ill.
Knight, Christopher, ’PST: Richard Jackson makes a painting with a drone airplane crash’, on: www.latimes.com, 23 January 2012, ill.

2011 Griffin, Jonathan, ‘Richard Jackson. David Kordansky Gallery’, in: Frieze, London, November/December 2011, p. 133, ill.
Culturemonster, ‘A unicorn that sprays paint – and other Pacific Standard Tima gallery shows’, in: Los Angeles Times Online, 07 September 2011, Los Angeles
Jackson, Richard, ‘AB ISMS, EXPRESSIONISM, EXPANSIONISM, OPTIMISM’, in: Artforum Summer 2011, New York, p. 335

2010 Szakacs, Dennis, ‘The Circus is in Town’, on: http://www.moussemagazine.it/, Milano, September 2010, ill.
Burnham, Clint, ‘Richard Jackson’, in: Artforum, New York, September 2010, pp. 137, ill.
Linsenmann, Andreas, ‘Kantige Konfrontation’, in: Neue Rottweiler Zeitung, Rottweil, 24 July 2010, ill.
Moss, Jennifer, ‘The “cowboy” of modern art’, on: vancouversun.com, Vancouver, 10 May 2010, ill.
Laurence, Robin, ‘Playful painting machines meet peeing bears in Richard Jackson’s Collected Works’, on: straigth.com, Vancouver, 6 May 2010
Cernetig, Miro, ‘Painting goes OFF THE WALL’, on: vancouversun.com, Vancouver, 26 April 2010, ill.

2009 ___, ‘Franz Ackermann and Richard Jackson at Otero-Plassart’, in: Mario`s Wide World of Art’, February 2009, ill.

2008 ___, ‘Richard Jackson’, in: Beaux Arts Magazine, Paris, November 2008, pp. 108-111 ill.
Johnson, Ken, ‘Some Shows for Escape, some for Introspection’, on: nytimes.com, 4 July 2008
Lavrador, Judicaël, ‘Quelle place pour la peinture aujourd’hui? Famille 5. Sur le mur (du fond)’, in: Beaux Arts, Paris, no. 285, March 2008, pp. 52-63, ill.
Mangion, Eric, ‘La “finition fétichisante” de la performance’, in: Art Press, no. 7, November-January 2008, pp. 61-68, ill.

2007 Kern, Ingolf, ‘Zbigniew Libera’, in: Monopol, Berlin, no. 11, 2007, p. 31
Semers Cocks, Anna, ‘Frieze, slalom tra le tasse’, in: Il sole 24, Milan, 6 October 2007, p. 29, ill.
Rehberg, Vivian, ‘Paris. Richard Jackson’, in: Modern Painters, New York, October 2007, p. 99, ill.
___, ’10. Triennale Kleinplastik 2007’, on: www.3sat.de/kulturzeit, Mainz, 20 September 2007
Christofori, Ralf, ‘Immer auf die Grossen’, on: www.tagesspiegel.de, Berlin, 5 August 2007
Bellet, Harry, ‘Richard Jackson’, in: Le Monde, Paris, 15 September 2007, p. 29
Wagner, Thomas, ‘Achtung, Provinz!’, in: FAZ, Frankfurt am Main, 4 August 2007
Hoffmann, Annette, ‘Die Kleinplastik ist tot, es lebe die Skulptur’, on: www.regioartline.org, Freiburg/Basel/Strassburg, 27 July 2007
Lavrador, Judicaël, ‘Richard Jackson. Mr. Dynamite’, in: Beaux Arts Magazine, Paris, July 2007, pp. 86-89, ill.
Colard, Jean-Max, ‘Sexorama’ in: Les inrockuptibles, Paris, no. 609/611, 31 July – 20 August 2007, pp. 96-97, ill.
Breidenbach, Tom, ‘Richard Jackson’, in: Artforum, New York, no. 10, Summer 2007, pp. 498-499, ill.
Fronz, Hans-Dieter, ‘Einlass für Dinos und Mäuse’, in: Badische Zeitung, Freiburg i. Br., 13 July 2007, p. 11
Kreis, Elfi, ‘Den Kinderschuhen entwachsen’, in: Kunstzeitung, Regensburg, no. 130, June, 2007, p. 27
Bismuth, Léa, ‘Expos-Critiques. Richard Jackson’, on: www.paris-art.com, June 2007, ill.
___, ‘Kleinvieh macht auch Mist’, in: Monopol, Berlin, no. 7, 2007, p. 16
, ‘‘, in: Süddeutsche Zeitung, Munich, no. 173, 2007
Dörfert, Petra, ‘Befremdliche Objektewelt’, in: Kunstzeitung, Regensburg, no. 133, 2007, p. 19
Baun, Adrienne/Bosetti, Petra, ‘Entdeckungsreise statt Blockbuster’, in: Art, Hamburg, no. 7, 2007, p. 100
Feeser, Sigrid, ‘Bodycheck. 10. Triennale Kleinplastik Fellbach. Alte Kelter Fellbach, 23.6. – 23.9.2007’, in: Kunstforum, Ruppichteroth, no. 188, 2007, pp. 432-434
Wendorf, Alexandra, ‘Bodycheck – Ein neuer Blick auf die Skulptur abseits der Grand Tour überzeugt die 10. Triennale Kleinplastik in Fellbach’, in: Junge_Kunst, Frechen, no. 72, pp. 9-14
___, ‘Bodycheck – Triennale der Kleinplastik’, in: Stern, Hamburg, no. 22, 2007, p. 174
Chateigné, Yann, ‘Cra Z Boy. Richard Jackson’, in: Cahiers du Fonds national d’art contemporain, Rochechouart, no. 8, 2007, p.12, ill.
de Maulmin, Valérie, ‘Décapant Richard Jackson’, in: Connaissance des Arts, Paris, no. 650, June 2007, p. 154, ill.
Raap, Jürgen, ‘My home is my castle. Künstlerische Wohnwelten’, in: Kunstforum, Ruppichteroth, vol. 184, March-April 2007, pp. 71-85, ill.
Allsop, Laura, ‘On with the new: Yvon Lambert’, in: Art Review, London, issue 09, March 2007, p. 34, ill.

2006 Hans-Dieter Fronz, ‘Ballerina in a Whirlpool’, in: Kunstforum, December 2006 – January 2007, vol. 183, p. 357, ill.
lsh, ‘Kreisen und Umkreisen’, in: NZZ, Zurich, 4 November 2006, p. 50
Linda Norden, Richard Jackson, Paul McCarthy, Daniel Birnbaum, ‘Constructed Reality’, in: Artforum, New York NY, vol. XLV, no. 2, October 2006, pp. 61, 62, 65, 66, 286, 288, ill.
Fronz, Hans-Dieter, ‘Alles dreht sich um den Kreis’, in: Badische Zeitung, Freiburg / Breisgau, 4 October 2006, p.11, ill.
dü, ‘Ausstellung setzt Werke und Betrachter in Bewegung’, in: Badisches Tagblatt, Baden-Baden, 2 October 2006, p. 1
Lenhardt, Christiane, ‘Spielerisch die Welt umkreisen und erklären’, in: Badisches Tagblatt, 30 September 2006, p. 1, ill.
Thiele, Carmela, ‘Wanderung in die Tiefe’, in: Badische Neueste Nachrichten, Baden-Baden, 30 September 2006, p. 1, ill.
___, ‘Die Zeit wird bei 1000 Uhren zur physischen Erfahrung’, in: Badisches Tagblatt, Baden-Baden, 28 September 2006, p. 1, ill.
___, ‘Richard Jackson. Works from the Friedrich Christian Flick Collection at the Hamburger Bahnhof’, on: www.artnews.info, 7 August 2006, ill.
___, ‘Von Carlo Andre bis Bruce Nauman’, on: http://berlin.art49.com, 4 August 2006, ill.
Grace Gardner, Belinda, ‘Leinwand von innen’, on: www.artnet.de, 31 July 2006, ill.
Walde, Gabriela, ‘Chance verpasst: Richard Jackson in Berlin’, on: www.diewelt.de, Die Welt, Berlin, 14 July 2006
Kreis, Elfi, ‘Berlin: Richard Jackson im Hamburger Bahnhof’, in: Kunstzeitung, Regensburg, no. 119, July 2006, p. 9.
Werneburg, Brigitte, ‘Rad schlagende Farbräusche’, on: www.taz.de, Die Tageszeitung, Berlin, 7 July 2006
___, ‘Richard Jackson im Hamburger Bahnhof’, on: http://radio.weblogs.com, 25 May 2006, ill.
___, ‘Ausstellung: Wenn die Pinsel ruhen und die Farbe lauern’, on: www.berlinonline.de, 24 May 2006
Wirthmann, Markus, ‘Ötzi im Flick-Gletscher entdeckt’, on: www.Kunst-Blog.com, 24 May 2006
___, ‘Richard Jackson’, on: www.artfacts.net, 24 May 2006
Reber, Simone, ‘Hamburger Bahnhof: Richard Jackson’, on: www.daskulturradio.de, 23 May 2006, ill.
Walde, Gabriela, ‘Wenn Wände fröhlich Farbe spucken’, on: www.morgenpost.de, Die Morgenpost, Berlin, 19 May 2006
___, ‘Richard Jackson im Hamburger Bahnhof’, on: www.kunstmarkt.com, 19 May 2006
Kuhn, Nicola, ‘Malen, jagen und ein Bier dazu’, in: Der Tagesspiegel, Berlin, 19 May 2006, ill.
___, ‘Richard Jackson’, on: www.artkrush.com, date unknown

2005 Kihm, Christophe, ‘Richard Jackson: Thought and Accident/la pensée et l’accident’, in: art press, no. 318, December 2005, pp. 36-41, ill.
Danicke, Sandra, ‘Die Farben der Hirsche’, in: Frankfurter Rundschau, Frankfurt, 22 November 2005, p. 17
Busse, Gundel-Maria, ‘Etwas sehr Einfaches’, in: Main-Echo, Aschaffenburg, 16 November 2005
Schütte, Christoph, ‘Pollock mit Jagdschein’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 9 November 2005, p. 52, ill.
Rubinstein, Raphael, ‘In a Liquid Medium’, in: Art in America, New York, September 2005, pp. 132-137, ill.
Azimi, Roxana, ‘Californie: des affreux jojos aux radicaux’, in: L’oeil, Paris, no. 571, July/August 2005, pp. 108-111, ill.
Coomer, Martin, ‘Richard Jackson’, in: Time Out, London, no. 1821, 13-20 July 2005, p. 65, ill.
___, ‘American Art Maverick unveils latest work’, in: Durrants, London, 3 June 2005, p. 5, ill.
Blouin, Patrice, ‘Burlesque et idiotie, frères amis’, in: Beaux Arts Magazine, Paris, June 2005, pp. 71-90, ill.
LD, ‘Dionysiac’, in: Modern Painters, London, June 2005, pp. 112-113
Gauthier, Michel, ‘Dionysiac’, in: Art Press, May 2005, pp. 78-79, ill.
Catherine, ‘Les expositions de la semaine’, in: Charlie Hebdo, 9 March 2005, p. 12, ill.
Lavrador, Judicael, ‘Californicréation’ [interview], in: Les Inrockuptibles, Paris, no. 482, 23 February– 1 March 2005, pp. 82-83, ill.
Bellet, Harry, Roure, Benjamin, ‘Les vedettes de l’art trash au Centre Pompidou’, in: Le Monde, Paris, 20-21 February 2005, p. 18, ill.
Breerette, Geneviève, ‘Des figures de l’excès, plus désagréables que dérangeantes’, in: Le Monde, Paris, 20-21 February 2005, p. 18
Bellet, Harry, Roure, Benjamin, ‘Les vedettes de l’art trash au Centre Pompidou’, on: www.lemonde.fr, 19 February 2005
___, ‘Quatorze artistes “dionysiaques” et Gina Pane au Centre Pompidou’, on: http://actu.voila.fr, 17 February 2005
Johnson, Ken, ‘“The Three Bears”’, in: The New York Times, New York, 7 January 2005

2004 Bergez, Wladimir, ‘Richard Jackson’, in: Art Presence, no. 52, October-December 2004, pp. 3-11, ill.
Kihm Christophe, ‘Richard Jackson. Galerie G-P et N. Vallois’, in: Art Press, Paris, no. 302, June 2004, pp. 79-80, ill.
Pilven, Marguerite, ‘Richard Jackson, Unusual Behavior’, on: www.paris-art.com, May 2004, ill.
Laubard, Charlotte, ‘Qui a peur de Richard Jackson? ‘, in: 02, Paris, no. 29, Spring 2004, ill.
Lavrador, Judicael, ‘Paintball’, in: Les Inrockuptibles, Paris, no. 433, 17-23 March 2004, p. 105, ill.
Rehberg, Vivian, ‘Richard Jackson’, in: Artforum online, New York, March 2004, ill.

2003 Buchhart, Dieter, ‘Richard Jackson. Ich bin ein Kunstterrorist’, in: Kunstforum International, Ruppichteroth, no. 165, June-July, 2003, pp. 216-229, ill.
Schindler, Anna, ‘Fliegende Malmaschine’, in: Kunstzeitung, Regensburg, no. 81, May 2003, p. 20, ill.
Schwerzmann, Jörg, ‘Farbige Bruchlandung’, in: Bolero, Zurich, May 2003, p. 48, ill.
Hughes, Jeffrey, ‘Vienna. Richard Jackson. Bawag Foundation’, in: Sculpture, Washington, vol. 22, no. 4, May 2003, pp. 83–84, ill.
Arlitt, Sabine, ‘Malerei unter Schock’, in: Züritipp, Zurich, 17 April 2003, p. 48, ill.
Karlheinz Schmied (ed.), ‘Neues aus den Galerien’, in: Informationsdienst Kunst, Regensburg, no. 273, 20 March 2003, p. 20

2002 Sl, ‘Non Plus Ultra’ im Kunstraum’, in: Tiroler Tageszeitung, Innsbruck, 20 November 2002, ill.
Zwerger, Isolde, ‘Aufbrechen in ein neues Universum’, in: Kurier, Vienna, 11 October 2002, ill.
Schlocker, E., ‘Ironische Grenzüberschreitungen’, in: Tiroler Tageszeitung, Innsbruck, vol. 58, no. 237-IA, 11 October 2002, p. 15, ill.
Brüggeler, Moni, ‘Die Zeichen der Zeit’, in: Kronenzeitung, Salzburg, 11 October 2002, p. 32, ill.
Brüggeler, Moni, ‘Motorisierte Kunst’, in: Kronenzeitung, Salzburg, 8 October 2002, p. 24, ill.
___, ‘Plastikbären tanzen kaum’, in: Die Presse, Vienna, 6 August 2002, ill.
___, ‘Bärenjagd’, in: Die Presse, Vienna, 17 June /1 July /30 August, 2002, ill.
Borchhardt-Birbaumer, Brigitte, ‘Der anarchistische Bildjäger’, in: Wiener Zeitung, Vienna, 12 June 2002, ill.
___, ‘Die Bier-Bären’, in: Wiener Bezirksblatt, Vienna, 10 June 2002, ill.
___, ‘Kein Zweifel an der Arbeit – Richard Jackson’, in: Göd, Vienna, June 2002, ill.
Chlan, Ilse, Richard Jackson: ‘ „Kunst ist etwas sehr Einfaches“’, in: Pharma-Time, Vienna, June 2002, ill.
it, ‘Bank Job – Die BAWAG Foundation, 1010 Wien, präsentiert vom 8. Mai bis 30. Juni zum ersten Mal in Österreich mit einer Einzelausstellung Arbeiten des kalifornischen Künstlers Richard Jackson’, in: Vernissage, Vienna, June 2002, pp. 16–19, ill.
___, ‘Richard Jackson in der BAWAG Foundation’, in: Diskurs, Vienna, May/June 2002, pp. 39 – 41, ill.
___, ‘Malende Maschinen’, in: FSG – Direkt, Vienna, 28 May 2002, ill.
Marboe, Isabella, ‘Bärig, witzig – Richard Jackson “Bank Job” in der BAWAG-Foundation’, in: Die Furche, Vienna, 16 May 2002, ill.
Metzger, Rainer, ‘Plumeau bis Plafond’, in: Art Magazine, Vienna, 15 May 2002, ill.
Melchart, Erwin, ‘Der Bär ist los! ‘, in: Neue Kronen Zeitung, Vienna, 11 May 2002, ill.
Hofleitner, Johanna, ‘Summer in the cities’, in: Die Presse / Schaufenster, Vienna, 10 May 2002, pp. 32–37, ill.
Spiegler, Almuth, ‘Bären spritzen Farbe und wollen ins Bett gejagt werden’, in: Die Presse, Vienna, 8 May 2002, ill.
Horny, Henriette, ‘Kunst ist nie wirklich fertig’, in: Kurier, Vienna, 8 May 2002, ill.
Mittringer, Markus, ‘Lernen, allein zu leben’, in: Der Standard, Vienna, 8 May 2002, ill.
___, ‘Abstrakter Expressionismus – Werke des amerikanischen Konzeptkünstlers Richard Jackson in der BAWAG Foundation’, in: Der Standard, Vienna, 7 May 2002
___, ‘Richard Jackson – Bank Job’, in: Die Universität, Vienna, 7 May 2002
___, ‘Kunst/Werk des Monats Mai. Richard Jackson und seine Skulptur “Two Heads”’, in: www.magazine.orf.at/treff.kultur, 4 May 2002, ill.
___, ‘Der Prozess vor dem Objekt’, in: Wiener Zeitung, Vienna, 2 May 2002, ill.
Dusini, Matthias, ‘Bär im Öl’, in: Falter, Vienna, no. 21, May 2002, p. 60, ill.
Mayo, Alberty, ‘Richard Jackson. The bear went over the mountain to see what he could see’, 2002 (unpublished)

2001 Longhauser, Elsa, ‘Unusual Behavior: The Art of Richard Jackson’, 2001 (unpublished)

2000 Schmid, Karlheinz, ‘Rhein- und Rausland. Einkaufsparadies Art Cologne’, in: Kunstzeitung, no. 52, December 2000, p. 6, ill.
Tholl, Egbert, ‘Der Mensch und seine Maschine – Richard Jacksons Malperformance “De Nada/Circle Jerk”’, in: Süddeutsche Zeitung, Munich, 30 May 2000
Steinberger, Petra, ‘Krieg den Palästen, Friede den Surfern. Visionen einer stadt, die keine ist: Die Ausstellung “L.A.-ex” in der Villa Stuck in München’, in: Süddeutsche Zeitung, Munich, no. 87, 13 April 2000, p. 17

1999 Haase, Amine, ’48. Biennale von Venedig. Versöhnung der Gegensätze’, in: Kunstforum International, vol. 147, September – November, 1999, pp. 150-160, ill.
Träger, Wolfgang, ‘Biennale Venedig: dAPERTutto. Ein Foto-Rundgang von Wolfgang Träger’, in: Kunstforum International, vol. 147, September – November, 1999, pp. 174-266, ill.
Schwerfel, Heinz Peter, ‘Biennale 99. Grosse Oper’, in: Art. Das Kunstmagazin, Hamburg, no. 8, August 1999, pp. 12-23, ill.

1998 k.k., ‘Eruption und Planung’, in: NZZ, Zurich, 12 December 1998
Mack, Gerhard, ‘Richard Jackson in der Galerie Hauser & Wirth 1’, in: Kunst-Bulletin, Zurich, no. 12, December, 1998, p. 43, ill.
Bader, Jörg, ‘Zürcher Geschnetzeltes. Rockenschaub und Jackson bei Hauser & Wirth im ‚Löwenbräu‘’, in: Frankfurter Allgemeine, Frankfurt, 28 November 1998, p. 42
___, ‘Galerie Hauser & Wirth, Zurich’, in: Handelszeitung, Zurich, 11 November 1998
Mack, Gerhard, ‘Vorsicht! Künstler schiesst mit Farbe’, in: Cash, Zurich, no. 44, 30 October 1998, ill.
Maurer, Simon, ‘Künstler und Jäger’, in: Züritip, Zurich, 30 October 1998, p. 67, ill.

1997 McDonough, Tom, ‘Richard Jackson at David Zwirner’, in: Art in America, New York, no. 12, December 1997, pp. 89-90, ill.
Cash, Stephanie, ‘Richard Jackson at David Zwirner’, in: Art in America, New York, vol. 85, December 1997, pp. 89-90
Turner, Grady T., ‘Richard Jackson – David Zwirner’, in: Flash Art, Milan, vol. 30, no. 197, November – December 1997, p. 112, ill.
Lavelli, Cecilia Liveriero, Lirmans, Franklin, ‘Harald Szeemann’, in: Flash Art, Milan, vol. 30, no. 195, Summer 1997, p. 89

1996 Spielvogel, Gudrun, ’1991-1996 Galerie & Edition’, Munich: Gudrun Spielvogel, 1996

1992 Kandel, Susan, ‘L.A. in Review’, in: Arts Magazine, New York, no. 66, April 1992, pp. 98-99
Perkowitz, Sidney, ‘Heat Wave’, in: The Sciences, New York, no. 32, March/April 1992, pp. 34-35
Knight, Christopher, ‘An Art of Darkness at MOCA’, in: Los Angeles Times, Los Angeles, 28 January 1992, pp. F1, 4-5
Muchnic, Suzanne, ‘Art in the City of Angels and Demons’, in: Los Angeles Times Calender, Los Angeles, 26 January 1992, pp. 4-5, 76, 78

1991 Gardner, Colin, ‘Richard Jackson’, Artforum, New York, vol. 29, no. 6, February 1991, pp. 134-135

1990 Picot Pierre, ‘Art in Los Angeles, Blindfaith 1990-1991’, Los Angeles, 1990, p. 6, ill.
McKenna, Christine, ‘Richard Jackson: Conceptual and Uncollectible’, in: Los Angeles Times, Los Angeles, 27 November 1990, p. F8

1989 Marti, Petsch, ‘Das Bild als Bild in Frage gestellt’, in: Glarner Nachrichten, Glarus, 25 April 1989, ill.
Pagel, David, ‘The Present as Future History’, in: Artweek, San José, 7 January 1989
Chadwick, Susan, ‘Critics Choice’, in: The Houston Post, Houston, 6 January 1989, p. E2

1988 Curtis, Cathy, ‘Assessing the Current Vitality of Repetition’, in: Los Angeles Times, Los Angeles, 30 December 1988, pp. 22, 26
Johnson, Patricia C., ‘Jackson’s Menil exhibit: Art to be experienced’, in: Houston Chronicle, Houston, 24 July 1988, pp. 1, 16-17
Salazar, Gregorio, ‘Richard Jackson’s Museum of the Mind’, in: Public News, 20 July 1988, p. 12, ill.
Chadwick, Susan, ‘For Richard Jackson, the Point is Painting’, in: The Houston Post, Houston, 17 July 1988, p. 4F

1987 Dalkey, Victoria, ‘Major and minor scales – sizing up two exhibits that push at the boundaries of modern art’, in: The Sacramento Bee, Sacramento, 15 November 1987, pp. 8-9

1985 Knight, Christopher, ’1985 Artpark Visual Arts Program’, in: Artpark, New York, 1985, ill.
Browning, Jeffrey, ‘An Architecture of Paint’, in: Arts + Architecture, Los Angeles, vol. 3, no. 4, 1985, pp. 44-49, ill.
Bannon, Anthony, ‘Artpark’s assertive new installations’, in: The Buffalo News, Buffalo, 19 July 1985
Mays, John Bentley, ‘Worthwhile Artpark exhibit shows sculpture’s in a rut’, in: Toronto Globe and Mail, Toronto, 17 July 1985
Sax, George, ‘In Addition’ Is an Amusing Tie-In to Artpark but Leaves Loose Ends’, in: The Buffalo News, Buffalo, 9 July 1985

1984 ___, ‘Art as Healer’, in: Weintraub Hunter Gallery, Sacramento, 1994
Muchnic, Suzanne, ‘The Galleries, La Cienega Area’, in: Los Angeles Times, Los Angeles, 9 November 1984, p. 10
Muchnic, Suzanne, ‘Jackson Sculpture: Insights from Inside’, Los Angeles Times, Los Angeles, 3 November 1984, pp. 1, 6
Drohojowska, Hunter, ‘He’s the master of the ‘painting-event’, in: Los Angeles Herald-Examiner, Los Angeles, 17 August 1984, p. 34, ill.
Drohojowska, Hunter, ‘Richard Jackson at the Rosamund Felsen Gallery’, in: L.A. Weekly, Los Angeles, 2-9 August 1984, p. 51
Pincus, Robert L., (review), in: Los Angeles Times, Los Angeles, 27 July 1984, p. 10

1983 Van Proyen, Mark, ‘Grand Gesture’, in: Artweek, San José, 2 July 1983, p. 4
Albright, Thomas, ‘How an Artist Stacks Up These Days’, in: San Francisco Chronicle, San Francisco, 14 June 1983, p. 42

1982 Muchnic, Suzanne, ‘Drawings by California Painters’, in: Los Angeles Times, Los Angeles, 16 February 1982, pp. 1-2
Plagens, Peter, ‘Site Wars’, in: Art in America, New York, vol. 70, no. 1, January 1982, pp. 91-98, ill.

1981 Wortz, Melinda, ‘Art in Los Angeles: 17 Projects – 16 Projects’, in: ARTnews, New York, no. 80, November 1981, pp. 161-165
Fine Arts Gallery, California State University (eds.), ‘Abstraction in Los Angeles 1950-1980, Selections from the Murray and Ruth Gribin Collection’, (exh. cat.), in: Journal. Contemporary Art Magazine, no. 30, Los Angeles: Los Angeles Institute of Contemporary Art, September-October 1981, p. 25, ill.
Schjeldahl, Peter, ‘Spanning Time Zones’, in: Voice, Los Angeles, 2-8 September 1981, p. 70, ill.
Davidow, Joie, ‘Pick of the Week’, in: L.A. Weekly, Los Angeles, 24-30 July 1981, ill.
Schjeldahl, Peter, ‘L.A. Demystified! ‘, in: The Village Voice, New York, 3-9 June 1981, p. 70.
Still, Gertrude Grace, ‘The Reversed Canvas’, in: Portfolio, no. 3, January/February 1981, pp. 48-51, ill.

1980 Hammond, Pamela, ’1’000 Pictures Richard Jackson at Rosamund Felsen’, in: Images and Issues, Winter 1980-1981, p. 45, ill.
Barron, Stephanie, ‘The Museum as Site: Sixteen Projects’, Los Angeles: Los Angeles County Museum of Art, 1980, ill.
Blaine, Michael, ‘Painting by Construction’, in: Artweek, San José, 27 September 1980, pp. 1-2
Knight, Christopher, ‘The Great Wall of La Cienega’, in: Los Angeles Herald-Examiner, Los Angeles, 18 September 1980, ill.
Salazar, Gregorio, ‘Richard Jackson’s Museum of the Mind’, in: Public News, Houston, no. 327, 20 July 1980, p. 12, ill.

1979 Burnham, Jack, ‘Painting Up Against the Wall’, in: The New Art Examiner, Chicago, May 1979, p. 4
Kramer, Hilton, ‘Art View: Temporary Art in the Museum’, in: The New York Times, New York, 8 April 1979

1978 Buffalo Fine Arts Academy, Albright-Knox Art Gallery (eds.), ‘Annual Report 1977-1978’, Buffalo/New York, 1978
Noah, Barbara, ‘Richard Jackson at Rosamund Felsen’, in: Art in America, New York, November – December 1978
Schjedahl, Peter, (review), in: Artforum, New York, November 1978
(cover illustration), in: Journal, Los Angeles: Los Angeles Institute of Contemporary Art, October-November 1978
Muchnic, Suzanne, ‘Painting with Painting’, in: Artweek, San José, 9 September 1978, pp. 1, 20

1977 Lewis, Louise, ‘Richard Jackson’s Painting – Unexpected Echoes of Art History’, in: Artweek, San José, 22 October 1977, p. 7

1976 Dunham, Judith L., ‘Evidence of Process – Richard Jackson – Chris Darton’, in: Artweek, San José, 27 November 1976, pp. 1, 16

1975 Desmond, Michael, ‘Richard Jackson’, in: Virtual Reality, Canberra: National Gallery of Australia, 1994, pp. 44-45
Plagens, Peter, ‘Both Kinds: Contemporary Art from Los Angeles’, Berkeley: University Art Museum, University of California, Berkeley, 1975
Dunham, Judith L., ‘Both Kinds’: Contemporary L.A. Art’, in: Artweek, San José, 3 May 1975, pp. 1, 20

1974 Wortz, Melinda, ‘Richard Jackson Installation’, in: Artweek, San José, 1 June 1974, pp. 15-16

1973 Mayer, R., ‘New York, Bykert Gallery’, in: Arts Magazine, New York, March 1973, pp. 72-73

1972 Haskell, Barbara, ’15 Los Angeles Artists’, Pasadena: Pasadena Art Museum, 1972
Matthias, R., Galleries, Los Angeles ’72, ‘Sidney Janis Gallery, N.Y.’, in: Arts Magazine, New York, September – October 1972, p. 58

1971 Bunnell, Peter C., ‘Photography into Sculpture’. In: Arts in Virginia, Richmond, vol. 11, no. 3, spring 1971, pp 18-25
Krauss, Rosalind E., ‘Washington’, in: Artforum, New York, May 1971, pp. 83-84
Drath, V.H., ‘The 32nd Corcoran Biennial, Art as a Visual Event’, in: Art International, Milan, May 1971, p. 43
Miller, Dorothy, ‘Washington’, in: Arts Magazine, New York, April 1971, p. 77
Eagle, Joanna, ‘The Corcoran Biennial: Hopps Skips and Jumps’, in: The Art Gallery Magazine, vol. XIV, no. 6, March 1971, pp. 36-40, ill. (cover)
Plagens, Peter, ‘Los Angeles: Richard Jackson, Charles Garabedian, Eugenia Butler Gallery’, in: Artforum, New York, January 1971, pp. 90-91

1970 Terbell, Melinda, ‘Eugenia Butler Gallery, Los Angeles’, in: Arts Magazine, New York, December 1970 – January 1971, p. 49
Sharp, Willoughby, ‘Outsiders: Baldessari, Jackson, O’Shea, Ruppersberg: Outdoor Sculpture Projects’, in: Arts Magazine, New York, Summer 1970, p. 45

1969 Howard, William V., ‘Painting 1969’, Reno: University of Nevada, 1969

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