Exhibitions in Switzerland
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Exhibitions in Switzerland

Gallery Exhibitions in Basel and Zurich

Image for exhibition titled Max Beckmann

Mädchen mit gelber Katze (auf Grau) (Girl with Yellow Cat (on Gray)) (detail), 1937. Photo: Sarah Muehlbauer

Max Beckmann

Basel, Luftgässlein
4 June – 11 July 2026

Ahead of Art Basel 2026, a dedicated exhibition on the artist—curated in close collaboration with his granddaughter—will open at the Basel gallery this June. The exhibition spans the entirety of the artist’s career and brings together his brooding social allegories with luminous landscapes and portraits, revealing a tension between intimacy and the brutality of the 20th Century.

Image for exhibition titled Alina Szapocznikow<br>Autobiography in Fragments

Alina Szapocznikow, Lampe-bouche (Illuminated Lips) (detail), 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris and Hauser & Wirth. Photo: Fabrice Gousset

Alina Szapocznikow
Autobiography in Fragments

Zurich, Bahnhofstrasse
11 June – 5 September 2026

Celebrating the centenary of the artist’s birth, ‘Alina Szapocznikow. Autobiography in Fragments’ is an autobiographical exhibition, foregrounding the artist’s explosively inventive but brief career, which spanned from the mid 1940s until the early 1970s.

Image for exhibition titled James Jarvaise & Henry Taylor<br>Sometimes a straight line has to be crooked 

Henry Taylor, Untitled (detail), 2022 © Henry Taylor. Photo: Fredrik Nilsen

James Jarvaise & Henry Taylor
Sometimes a straight line has to be crooked 

Zurich, Limmatstrasse
12 June – 5 September 2026

This is the first European exhibition bringing together the work of Henry Taylor, one of today’s most celebrated artists, in dialogue with that of his teacher, California modernist James Jarvaise.

Image for exhibition titled Avery Singer<br>War_overlays

Avery Singer, Solver (detail), 2026 © Avery Singer. Photo: Lance Brewer

Avery Singer
War_overlays

Zurich, Limmatstrasse
12 June – 5 September 2026

Avery Singer presents new paintings which incorporate AI-based tools into her practice for the first time, and a site-specific architectural intervention, transforming the upstairs Zurich gallery into a space reminiscent of a casino.

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