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2017 WALLI St. Paul

Mark Wallinger

Photo: Mark Wallinger

Mark Wallinger, born Chigwell, UK, 1959, has created some of the most subtly intelligent and influential artworks of the last thirty years. Wallinger is known for his career-long engagement with ideas of power, authority, artifice and illusion. Using epic narratives, lyrical metaphors and ardent punning, the artist interleaves the mythological, the political and the everyday.

His work has dealt with religion, nationalism and class, explored urgent social issues, and pondered Einstein’s theory of relativity and Freud’s concepts of the nature of the human mind. A surprising, inventive and profound artist, whose astonishingly multi-faceted work encompasses painting, sculpture, printmaking, photography, film and video, performance and work for the public realm. Stylistic disparity conceals a conceptual coherence, as Wallinger poses big questions about identity, and about the social, cultural and political power structures that guide us, and because of which we are as we are.

In recent years, Wallinger has intensified this exploration of identity in more personal interrogations of the self. This is keenly apparent in the ‘id Paintings’, 2015 – 2016, a development of his extensive ‘Self Portrait’ series. They move his practice, as he says from ‘painting ‘I’s to ‘I paint’ – from image to action. Each painting pivots round the line of symmetry created by the artist’s body evoking the bilateral symmetry of Leonardo da Vinci’s ‘Vitruvian Man’ and more explicitly the Rorschach test. Created by sweeping paint-laden hands across the canvas in active freeform gestures, the id Paintings bear the evidence of their making and of the artist’s encounter with the surface.

Wallinger was first nominated for the Turner Prize in 1995, and won it in 2007 for his installation ‘State Britain’, an exact replica of peace campaigner Brian Haw’s protest camp in London’s Parliament Square. ‘Ecce Homo’ 1999, a life-sized sculpture of Jesus Christ, was the first work to occupy the empty plinth in Trafalgar Square. Wallinger represented Britain at the Venice Biennale in 2001.

Public commissions are central to Wallinger’s practice, the most recent being ‘Writ in Water,’ a monumental installation to commemorate the sealing of the Magna Carta commissioned by the National Trust for Runnymede, England, and ‘The World Turned Upside Down,’ a major sculpture for the London School of Economics. In 2013, Wallinger created ‘Labyrinth,’ a permanent commission to celebrate their 150th anniversary of the London Underground that spans all 270 stations on the network.

Biography

Born Chigwell, England, 1959

Education

MA Course, Goldsmith’s College, London, England, 1983 – 1985
Chelsea School of Art, London, England, 1978 – 1981
Loughton College, 1977 – 1978

Resides Lives and works in London, England

Selected Solo Exhibitions

2019 Savannah College of Art and Design, ‘Mark Wallinger’, Savannah GA
Galerie Krinzinger, ‘Upside Down Inside Out Back To Front’, Vienna, Austria

2018 Jerwood Gallery, 'The Human Figure In Space', Hastings, England
Commission for National Trust, Runnymede, England
mezzaterra11 – flat gallery, Belluno, Italy
Centro per l’Arte Contemporanea Luigi Pecci, 'MARK WALLINGER MARK', Prato, Italy (Travelling exhibition)
Victoria Miro, 'Italian Lessons', Venice, Italy
Hauser & Wirth, ‘Study for Self Reflection’, New York NY

2017 The Fruitmarket Gallery, ‘MARK WALLINGER MARK’, Edinburgh, Scotland (Travelling exhibition)
Dundee Contemporary Arts, ‘MARK WALLINGER MARK’, Dundee, Scotland (Travelling exhibition)
Ingleby Gallery, ‘and per se and. Part I: Mark Wallinger’, Edinburgh, Scotland

2016 Freud Museum, ‘Self Reflection’, London, England
Carlier | Gebauer, Berlin, Germany
Serlachius Museum / Art Museum Gösta, ‘MARK WALLINGER MARK’, Mänttä, Finland (Travelling exhibition)
Hauser & Wirth, ‘ID’, London, England

2014 Carlier | Gebauer, Berlin, Germany
Frieze Art Fair, London, England (curated the booth of Hauser & Wirth)

2013 Anthony Reynolds Gallery, ‘The Underground’, London, England
The Void, ‘One’, Derry, Northern Ireland
Galerie Krinzinger, ‘Sum’, Vienna, Austria

2012 Baltic Centre for Contemporary Art, ‘SITE, Gateshead, England
Turner Contemporary, ‘Sinema Amnesia: Mark Wallinger’, Margate, England

2011 Museum De Pont, Tilburg, Netherlands

2010 Anthony Reynolds Gallery, London, England
Carlier | Gebauer, Berlin, Germany
Kunstnernes Hus, Oslo, Norway
Sinema Amnesia, Çanakkale, Turkey

2009 Hayward Gallery, ‘Mark Wallinger: The Russian Linesman, Frontiers, Borders and Thresholds’, London, England [curation] (Travelling Exhibition)
Glynn Vivian, ‘Mark Wallinger: The Russian Linesman, Frontiers, Borders and Thresholds’, Swansea, Wales [curation] (Travelling Exhibition)
Leeds Art Gallery, ‘Mark Wallinger: The Russian Linesman, Frontiers, Borders and Thresholds’, Leeds, England [curation] (Travelling Exhibition)

2008 Kunstmuseum Aarau, Aarau, Switzerland
MAC/VAL, ‘State Britain’, Vitry-sur-Seine, France (Travelling Exhibition)

2007 Carlier | Gebauer, ‘The End’, Berlin, Germany
Donald Young Gallery, ‘The Human Figure in Motion’, Chicago IL
Kunstverein Braunschweig, Germany
Tate Britain, ‘State Britain’, London, England (Travelling Exhibition)

2006 Anthony Reynolds Gallery, ‘The End’, London, England
Convent of St. Agnes of Bohemia, National Gallery, ‘Threshold to the Kingdom’, Prague, Czech Republic
New Art Gallery, ‘Out of Place’, Walsall

2005 Galerie Krinzinger, Vienna, Austria
Hangar Bicocca, ‘Easter’, Milan, Italy
Museo de Arte Carillo Gil, Mexico City, Mexico

2004 Anthony Reynolds Gallery, London, England
Carlier | Gebauer, Berlin, Germany
Laing Art Gallery, ‘The Underworld’, Newcastle-upon-Tyne, England
Neue Nationalgalerie, ‘Sleeper’, Berlin, Germany
Speed Art Museum, ‘Presence 4: Mark Wallinger’, Kentucky KY

2003 Carlier | Gebauer, ‘Spacetime’, Berlin, Germany
Städtische Galerie im Lenbachhaus, ‘Via Dolorosa’, Munich, Germany
Tate Britain, ‘Christmas Tree’, London, England
The Wolfsonian, ‘The Sleep of Reason’, Florida FL

2002 Commission for Bloomberg Space, London
Glynn Vivian Art Gallery, ‘Ecce Homo’, Swansea, Wales
Millenium Forum, ‘Cave’, Derry, Northern Ireland
Minoriten-Galerien im Priesterseminar, ‘Mark Wallinger – Seeing Things’, Graz, Austria
Tensta Konsthall, ‘Promised Land’, Spanga, Sweden

2001 Anna Schwartz, Melbourne, Australia
British Pavilion, The 49th Venice Biennale, Venice, Italy
Milton Keynes Gallery / Southampton City Art Gallery. ‘Cave’, Milton Keynes / Southampton, England
University Museum of Natural History, ‘Time and Relative Dimensions in Space’, Oxford, England
Whitechapel Art Gallery, ‘No Man’s Land’, London, England

2000 The British School, ‘Threshold to the Kingdom’, Rome, Italy
Tate Liverpool, ‘Credo’, Liverpool, England
Galeria Laura Pecci, Milan, Italy
Vienna Secession, ‘Ecce Homo’, Vienna, Austria

1999 The Fourth Plinth, Trafalgar Square, ‘Ecce Homo’, London, England
Museum für Gegenwartskunst, ‘Lost Horizon’, Basel, Switzerland
Palais des Beaux Arts, ‘Mark Wallinger is Innocent’, Brussels, Belgium
Portikus, ‘Prometheus’, Frankfurt, Germany

1998 Delfina, ‘The Four Corners of the Earth’, London, England

1997 Anthony Reynolds Gallery, ‘God’, London, England
Canary Wharf Window Gallery, ‘Dead Man’s Handle’, London, England
Deweer Art Gallery, Otegem, Belgium
Dolly Fiterman Fine Arts, Minneapolis MN
Jiri Svetzka Gallery, ‘The Importance of Being Earnest in Esperanto’, Prague, Czech Republic

1995 Ikon Gallery, Birmingham, England
Serpentine Gallery, London, England

1994 Anthony Reynolds Gallery, ‘The Full English’, London, England

1993 Daniel Newburg Gallery, New York NY

1992 Anthony Reynolds Gallery, ‘Fountain’, London, England

1991 Daniel Newburg Gallery, New York NY
Grey Art Gallery, ‘Capital’, New York NY
Institute of Contemporary Art, ‘Capital’, London, England
Manchester City Art Gallery, ‘Capital’, Manchester, England

1990 Anthony Reynolds Gallery, ‘Stranger²’, London, England
Sophia Ungers, ‘School’, Cologne, Germany

1988 Anthony Reynolds Gallery, London, England
Nottingham Castle Museum, ‘Burgess Park’, Nottingham, England
Riverside Studios, ‘Passport Control’, London, England

1987 Serpentine Gallery, London, England

1986 Anthony Reynolds Gallery, ‘Hearts of Oak’, London, England

1983 The Minories, Colchester, England

Selected Group Exhibitions

2019 The Shelly and Donald Rubin Foundation, ‘Revolution From Without’, New York, NY
Large Glass, ‘In the Labyrinth’, London, England

2018 Charlie Smith, 'Transcript', London, England
Firstsite, ‘Bronze Age c. 3500 BC – AD 2018’, Colchester, England
Hong Kong Arts Centre, ‘Harbour Arts Sculpture Park’, Hong Kong, China
Bush House, ‘The Classical Now’, London, England
Museum im Kulturspeicher, ‘Labyrinth’, Würzburg, Germany
Hauser & Wirth, ‘The Land We Live In – The Land We Left Behind’, Somerset, England

2017 Workplace Gallery, ‘The Collective’, Gateshead, England
Calier Gebauer, ‘dispositiv (1) fortlaufend’, Berlin, Germany
Seoul Museum of Art, ‘The Art of Dissonance’, Seoul, Korea
Paula Modersohn-Becker Museum, ‘Sleep. A productive waste of time’, Bremen, Germany

(cont'd) Galerie Krinzinger, ‘ICON’, Vienna, Austria
De Pont Museum, ‘ReView. De Pont at 25’, Tilburg, Netherlands
City of London Corporation, ‘Sculpture in the City’, London, England
Royal Academy, ‘Summer Exhibition’, London, England
Simmons & Simmons, ‘A Sense of Place’, London, England
Sayle Gallery, ‘Turning Point’, Douglas, Isle of Man
Drawing Room, ‘Drawing Biennial 2017’, London, England
Hauser & Wirth, ‘Serialities’, New York NY
Aargauer Kunsthaus, ‘Cinéma mon amour. Film in Art’, Aarau, Switzerland
Kulturzentrum bei den Minoriten, ‘Vulgata. Künstlerische Zugriffe auf die Bibel / Artistic Approaches to the Bible’, Graz, Austria

2016 Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, ‘A Brief History of Humankind’, Bonn, Germany (Travelling Exhibition)
Foundling Museum, ‘FOUND’, London, England
Centre Pompidou, ‘Collected by Thea Westreich Wagner and Ethan Wagner’, Paris, France
Turner Contemporary, ‘Seeing Round Corners’, Margate, England
Frac Haute-Normandie, ‘Festival Normandie Impressionniste: Portrait de l’artiste en alter’, Sotteville-lès-Rouen, France
Shanghai Himalayas Museum, ‘Welcome to my life. Moving Image from the Collection of Jean-Conrad and Isabelle Lemaître’, Shanghai, China
Somerset House, ‘Out There: Our Post-War Public Art’, London, England
Dulwich Picture Gallery, ‘I am Van Dyck’, London, England
Schirn Kunsthalle, ‘ME’, Frankfurt, Germany
König Galerie, ‘The Others’, Berlin, Germany
ERES-Stiftung, ‘Art ∩ Science’, Munich, Germany

2015 Thessaloniki Center of Contemporary Art, ‘Flying over the Abyss’, Thessaloniki, Greece (Travelling Exhibition)
Koppe Astner Gallery, ‘The Ultimate Vessel’, Glasgow, Scotland
Fundació Gaspar, ‘Art Strikes Back!’, Barcelona, Spain
Kulturzentrum bei den Minoriten, ‘Relikte, Reloaded: Zum Erbe christlicher Bildwelten heute (On the Legacy of Christian Pictorial Worlds Today)’, Graz, Austria
Hestercombe Gallery at Hestercombe House, ‘Wish You Were Here?’, Taunton, England
The Holden Gallery, ‘Platform’, Manchester, England
Museum für Neue Kunst, ‘FRAMES’, Freiburg, Germany
Schaulager, ‘FUTURE PRESENT’, Basel, Switzerland
Museum of Contemporary Art of Crete, ‘Flying over the Abyss’, Rethymnon, Greece (Travelling Exhibition)
Calle del Carbon, ‘Sleepers in Venice’, Venice, Italy
‘The Triennial of Contemporary Art by the Sea: Beyond Borders’, Belgium
Drawing Room, ‘Drawing Biennial 2015’, London, England
The Israel Museum, ‘A Brief History of Humankind’, Jerusalem, Israel (Travelling Exhibition)
me Collectors Room, ‘A Man Walks into a Bar’, Berlin, Germany
Rudolf-Virchow-Center, ‘Signal Pathways. Art & Science meet at the Rudolf-Virchow-Center Würzburg’, Würzburg, Germany
Void Gallery, ‘Horse. Curated by Mark Wallinger & Maolíosa Boyle’, Derry, Ireland
MK Gallery, ‘How to Construct a Time Machine’, Milton Keynes, England
Boca Raton Museum of Art, ‘Surrealism and Magic’, Boca Raton FL
Kleine Humboldt Gallery at Humboldt University, ‘ENTER the Real World’, Berlin, Germany
Collection Lambert, ‘Patrice Chéreau. An Imaginary Museum’, Avignon, France
Chatsworth House, ‘Sotheby’s Without Limits: The Landscape of British Sculpture 1950 – 2015’, Bakewell, England
Denver Art Museum, ‘Showing Off: Recent Modern & Contemporary Acquisitions’, Denver CO
Hestercombe House, ‘Wish you were here?’, Taunton, England (Travelling Exhibition)
Dewar’s Lane Granary Gallery, ‘Wish you were here?’, Berwick-upon-Tweed, England (Travelling Exhibition)
MAC Birmingham, ‘Wish you were here?’, Birmingham, England (Travelling Exhibition)

2014 Forum, FRAC/AP2, ‘Nouvelle Génération’, Dunkerque, France
Royal Academy, ‘Summer Exhibition 2014’, London, England
Hayward Gallery, ‘The Human Factor: The Figure in Contemporary Sculpture’, London, England
Kochi Biennale Foundation, ‘Kochi-Muziris Biennale’, Kochi, India
Mendel Art Gallery, ‘Convoluted Beauty: In the Company of Emily Carr’, Saskatoon, Canada
The Atkinson, ‘Wish you were here? Artists` postcards from 1960 to today from Jeremy Cooper’s Collection’, Southport, England (Travelling Exhibition)
KW Institute for Contemporary Art, ‘Real Feelings: Thinking in Film’, Berlin, Germany
Beursschouwburg, ‘Expo politricks.’, Brussels, Belgium
Aargauer Kunsthaus, ‘Without Care I Notice Everything. Robert Walser and the Visual Arts’, Aarau, Switzerland
Kunstsammlungen der Ruhr Universität Bochum – Situation Kunst (für Max Imdahl), ‘Picture of Wound – Wound as Picture’, Bochum, Germany
Fundación Helga de Alvear, ‘The Tears of Things’, Cáceres, Spain
FRAC Nord-Pas de Calais, ‘Nouvelle Génération’, Dunkerque, France
Centre Culturel Irlandais, ‘Wilde Art’, Paris, France
ERES Stiftung, ‘Megapolis’, Munich, Germany
Nottingham Contemporary, ‘Somewhat Abstract’, Nottingham, England

2013 ZKM | Museum of Contemporary Art, ‘global aCtIVISm’, Karlsruhe, Germany
Anthony Reynolds Gallery, ‘Paintings’, London
Esbjerg Kunstmuseum, ‘Art in Context’, Copenhagen, Denmark
Kunsthalle Wien, ‘Salon der Angst’, Vienna, Austria
Musee d’Art Contemporain du Val-de-Marne, ‘Emoi et Moi’, Paris, France
Tate Britain, ‘Art under Attack: Histories of British Iconoclasm’, London, England
Galerie Carlier | Gebauer, ‘Die Wahrscheinlichkeit, dass nichts passiert’, Berlin, Germany
b-05 Kunst und Kulturzentrum, ’1. pers. sing.’, Montabaur, Germany

2012 Anthony Reynolds Gallery, ‘Summer Exhibition’, London, England
Compton Verney, ‘Flight and the Artistic Imagination’, Warwickshire, England
Dyrham Park, National Trust, ‘A World Away’, Bath, England
GAK, Gesellschaft Fur Aktuelle Kunst, ‘Beyond Words’, Berlin, Germany
Mummer + Schnelle, ‘A Bucolic Frolic: Distractions from the Modern’, London, England
Museo de Arte Contemporaneo de Monterrey, ‘Soccer’, Nuevo Leon, Mexico
National Gallery, ‘Metamorphosis: Titian 2012’, London, England
Schirn Kunsthalle, ‘Privat’, Frankfurt am Main, Germany
Centro de Artes Visuales Helga de Alvear, ‘Language Games’, Cáceres, Spain
Tate Liverpool, ‘Thresholds’, Liverpool, England
ERES Stiftung, ‘Chaos!’, Munich, Germany
Palazzo Grassi – Francois Pinault Foundation, ‘La voce delle immagini’, Venice, Italy
Hayward Gallery, ‘Wide Open School’, London, England
Fotografisk Center, ‘fotoGRAFISK’, Copenhagen, Denmark
Galerie Carlier | Gebauer, ‘The Poster Show’, Berlin, Germany

2011 Denver Art Museum, ‘Blink!’, Colorado CO
Galerie Valois, ‘The Big Society’, Paris, France
Kunsthalle Nürnberg, ‘Among Heroes: Pre-Images in Contemporary Art’, Nuremberg, Germany
Northern Gallery for Contemporary Art, ‘The Wonders of the Visible World’, Sunderland, England
The Physics Room, St Paul Gallery, ‘Measure the City with the Body, an itinerant Physics project’, Auckland, New Zealand
S1 Artspace, ‘A Threepenny Opera’, Sheffield, England
Southbank Centre, ‘Southbank Centre Celebrates Festival of Britain’, London, England
Utah Museum of Contemporary Art, ‘Magic and Mysticism’, Salt Lake City UT
Hong Kong Heritage Museum, ‘Made in Britain: Contemporary Art from the British Council Collection 1980–2010’, Hong Kong, China
Marres – Centre for Contemporary Culture, ‘Out of Storage: Provisoire & Définitif’, Maastricht, The Netherlands
Glynn Vivian Art Gallery, ‘Ffilm 3’, Swansea, Wales
Neues Museum Weimar, ‘Vision/Das Sehen’, Weimar, Germany

2010 Aspen Art Museum, ‘Restless Empathy’, Aspen CO
Bienniale of Sydney, ‘The Beauty of Distance: Songs of Survival in a Precarious Age’, Sydney, Australia
Castlefield Gallery, ‘A horse walks into a bar… ‘, Manchester, England
Dinard Palais des Arts et du Festival, ‘Hope! ‘ Dinard, France
MAC/VAL, ‘Let’s Dance’, Vitry-sur-Seine, France
Vancouver Art Gallery, ‘CUE: Artists’ Videos’, Vancouver, Canada
Vestfossen Kunstlaboratorium, ‘Grand National’, Buskerud, Norway
Kunstverein in Hamburg, ‘Freedom of Speech’, Hamburg, Germany
Collection Lambert, ‘I Believe in Miracles’, Avignon, France
ACCA – Australian Centre for Contemporary Art, ‘Mortality’, Melbourne, Australia
Kunstraum Potsdam, ‘Ich Wicht’, Potsdam, Germany
MARTa Herford, ‘Unsichtbare Schatten – Bilder der Verunsicherung’, Herford, Germany
Chelsea Futurespace, ‘Re: Public towards an art for the public realm’, London, England
The Israel Museum, ‘STILL/moving’, Jerusalem, Israel
Kunstfort bij Vijfhuizen, ‘Werken uit de collectie van Frans Oomen’, Vijfhuizen, The Netherlands
Museum Ludwig, ‘Bilder in Bewegung’, Cologne, Germany
Kunsthalle zu Kiel, ‘Dopplereffekt – Bilder in Kunst und Wissenschaft’, Kiel, Germany

2009 2nd Athens Biennale, ‘Heaven’, Athens
Anthony Reynolds Gallery, ’5 Sculptures’, London
Anthony Reynolds Gallery, ‘Only The Lonely’, London
Creative Time, ‘This World and Nearer Ones’, Governors Island, New York
David Winton Bell Gallery, Brown University, ‘Inappropriate Covers’, Rhode Island
Glynn Vivian, ‘Mark Wallinger Curates: The Russian Linesman’, Swansea, Wales (Travelling Exhibition)
Hayward Gallery, ‘Mark Wallinger Curates: The Russian Linesman’, London, England (Travelling Exhibition)
Leeds Art Gallery, ‘Mark Wallinger Curates: The Russian Linesman’, Leeds, England (Travelling Exhibition)
Neuberger Museum of Art, ‘British Subjects 1948-2000’, New York
Omni Color & K2 Screen, ‘Get Your Juicy Plums Here! ‘, London
Pennsylvania Academy of the Fine Arts, ‘Contemporary Video Art’, Philadelphia PA
Whitechapel Gallery, ‘The British Pavilion at the Venice Biennale’, London, England

2008 Anthony Reynolds Gallery, ‘Selected Works by Gallery Artists’, London, England
The Courtauld Institute of Art, ‘On Time: The East Wing Collection VIII’, London, England
Folkestone Triennial, ‘Tales of Time and Space’, Folkestone, England
ICA, ‘The ICA Auction’, London, England
Kunsthalle zu Kiel, ‘Collection Videos & Films; Isabelle & Jean-Conrad Lemaitre’, Kiel, Germany
Mori Art Museum, ‘History in the Making, A Retrospective of the Turner Prize’, Tokyo, Japan
Musee Cantonal des Beau-Arts, ‘Comme des Betes’, Lausanne, Switzerland
The Petach Tikva Museum of Art, ‘Insomnia’, Petah Tikva, Israel
Perth Cultural Centre, ‘Scary Movie’, Perth, Australia
Gabinete de Historia Natural, ‘Nuevos Místicos’, San Cristóbal de La Laguna, Spain
Rogaland Kunstmuseum, ‘Hovedutstillinger’, Stavanger, Norway
University Art Gallery UC San Diego, ‘Revolutions’, San Diego CA

2007 Fondazione La Triennale di Milano / Triennale-Bovisa, ‘Timer 01 intimita/ Intimacy’, Milan
MACVAL, ‘Stardust ou la dernière frontière’, Vitry sur Seine, France
Museum of Modern Art – Centre Pompidou, Paris
Nationalgalerie im Hamburger Bahnhof, ‘Schmerz’, Berlin
Netherlands Media Art Institute/ Montevideo, ‘Dark Mirror’, Amsterdam
Southampton City Gallery, ‘Darkness, Visible’,
Tate Liverpool, ‘The Turner Prize’, Liverpool
Tullie House Museum and Art Gallery, ‘You’ll Never Know: Drawing and Random Interference’, Carlisle
Whitney Museum of American Art, ‘The End’, New York
Zone, Münster Sculpture Project, Münster

2006 Estorick Collection of Modern Italian Art, ‘Responding to Rome 1995- 2005’, London, England
Farnborough Business Park, ‘Four Winds’, Farnborough, England
gana Art Center, ‘Wondering Stars’, Seoul, Korea
Glynn Vivian Art Gallery, ‘You’ll Never Know: Drawing and Random Interference’, Swansea, Wales (Travelling Enhibition)
Harris Museum and Art Gallery, ‘You’ll Never Know: Drawing and Random Interference’, Preston, England (Travelling Enhibition)
Hayward Gallery, ‘How to Improve the World’, London, England
Kunsthaus Landesmuseum, ‘Protections’, Graz, Austria
Kunstmuseum Thun, ‘Choosing my Religion’, Thun, Switzreland
The Lowry, ‘You’ll Never Know: Drawing and Random Interference’, Salford, England (Travelling Enhibition)
Museum für Gegenwartskunst, Basel, Switzreland
New Art Gallery, ‘You’ll Never Know: Drawing and Random Interference’, Walsall, England (Travelling Enhibition)
Prince Charles Cinema, ‘Artprojx’, London, England
Singapore Biennale 2006, ‘Belief’, Singapore
Tate Britain, ‘The Calouste Gulbenkian Foundation and British Art’, London, England
Tenerife, ‘New Mystics’, Tenerife, Spain
Tullie House Museum and Art Gallery, ‘You’ll Never Know: Drawing and Random Interference’, Carlisle, England (Travelling Enhibition)

2005 Castel Mareccio, Museion, ‘Il colore della vita – omaggio a Piero Siena’, Bolzano, Italy
Centro Sperimentale per le Arti Contemporanee, ‘Chronos’, Caraglio, Italy
De La Warr Pavillion, ‘Variety’, Bexhill on Sea, Engalnd
Galleri Kaare Berntsen, ‘London Calling’, Oslo, Norway
Italian Pavillion, La Biennale di Venezia, ‘The Experience of Art’, Venice, Italy
Likovni Salon, ‘The Fifth Gospel’, Celje, Slovenia FACT, ‘Critics Choice’, Liverpool, England
Martin Gropius Bau, ‘Rundlerwelten’, Berlin, Germany
MEIAC, ‘Miradas y Conceptos’, Badajoz , Spain
Migros Museum fur Gegenwartskunst, ‘When Humour Becomes Painful’, Zurich, Switzerland
Mori Art Museum, ‘The World is a Stage’, Tokyo, Japan
Stephen D Paine Gallery, Massachusetts College of Art, ‘OUTPOST’, Boston MA

2004 The Art Gallery, University of the Arts, ‘Gifted’, London, England
Bard Center for Curatorial Studies, ‘Between above and below’, New York NY
Centro de Artes Visuais, ‘On Side’, Coimbra, Portugal
The City History Museum of Barcelona, ‘The Human Condition. The Image of Man in Art’, Barcelona Des Moines Art Center, ‘Contested Fields’, Iowa IA
Lincoln Cathedral & the Usher Gallery ‘Presence – Images of Christ for the Third Millennium’, Lincoln, England
Musée des Beaux-Arts de Tourcoing, ‘De Leur Temps, Collections Privées Francaises’, Tourcoing, France
Towner Art Gallery, ‘Things Domestic (selected work from the Arts Council Collection) ‘, Eastbourne, England

2003 Berlin Academy of Arts, ‘Rituals’, Berlin, Germany
The Blue Gallery, ‘Thatcher’, London, England
Frankfurter kunstverein, ‘nation’, Frankfurt, Germany
Gallery of Modern Art, ‘Sanctuary’, Glasgow Scotland
Kunsthalle Mucsarnok, ‘Micro/Macro – British Art 1996-2002’, Budapest, Hungary
London Institute Gallery, ‘Peter Blake – Sculpture’, London, England
Martin – Gropius Bau, ‘Warum! Ebenbild – Abbild – Selbstbild’, Berlin, Germany
MOT, ‘Round Table’, London, England
The National Museum of Contemporary Art, ‘Body Matters’, Oslo, Norway
Pavilhão Lucas Nogueira Garcez, ‘A Bigger Splash: British Art from Tate 1960-2003’, Sao Paulo, Brazil
Russian Museum, ‘Contemporary Art in the Traditional Museum’, St Petersburg, Russia
Smart Project Space, ‘Someone to Watch Over Me’, Amsterdam, Netherlands
South London Gallery, ‘Independence’, London, England
The Study Gallery, ‘Horse’, Dorset, England

2002 The Aldrich Museum of Contemporary Art, ‘Family’, Connecticut CT
Art Gallery of Ontario, ‘In Light’, Toronto, Canada
Borusan Art & Culture Centre, ‘Faux/Real’, Istanbul, Turkey
The Centre of International Modern Art, Calcutta / The India Habitat Centre, ‘Sidewinder’, New Delhi, India (Travelling Exhibition)
Edifício Cultura Inglesa / Centro Brasileiro Britânico, ‘Painting as a Foreign Language’, Sao Paulo, Brazil
Gimpel Fils Gallery, ‘Location: UK’, London, England
Glynn Vivian Gallery, ‘Con Art: Magic / Object / Action’, Swansea, Wales (Travelling Exhibition)
Harewood House, ‘The Anatomy of the Horse – Mark Wallinger and George Stubbs’, Leeds England
Helga de Alvear, ‘Mensaje de Texto’, Madrid, Spain
Museum as Ostwall, ‘THE GAP SHOW – Young Critical Art from Great Britain’, Dortmund, Germany
Site Gallery, ‘Con Art: Magic / Object / Action’, Sheffield (Travelling Exhibition)The National Gallery of Modern Art, ‘Sidewinder’, Mumbai, India (Travelling Exhibition)
‘Ommegang-Circumflexion’, Bruges, Belgium
Sir John Soane’s Museum, ‘Sphere’, London, England
Tate St. Ives, ‘Real Life’, St. Ives, England
Yvon Lambert, ‘Les Enfants du Paradis’, Paris, France
York City Art Gallery, ‘Blow up your TV’, York, England

2001 Cheltenham Pump Room, ‘Project: Film and Video’, Cheltenham, England
Decatur House Museum, ‘‘Heads and Hands‘ - A WPA\C’, Washington DC
ICA, ‘City Racing 1988-1998: a partial account’, London, England
Kunsthalle Fridericianum, ‘Looking at You – Kunst Provokation Unterhaltung Video’, Kassel, Germany
The Studio Museum in Harlem, ‘Purloined’, New York NY
Tate Modern, ‘Century City: Art and Culture in the Modern Metropolis’, London, England

2000 Delta Axis, ‘Ghosts’, Memphis TN
Maidstone Library Gallery, ‘On the Frac Track (Text as Image) ‘, Kent, England (Travelling Exhibition)
Maidstone Museum & Bentlif Art Gallery, ‘On the Frac Track (Text as Image) ‘, Kent, England (Travelling Exhibition)
Musee des Beaux-Arts de Nantes, ‘Vision Machine’, Nantes, France
National Gallery, ‘Seeing Salvation’, London, England
Rochester Art Gallery, ‘On the Frac Track (Text as Image) ‘, Kent, England (Travelling Exhibition)
The Royal Museum & Art Gallery, ‘On the Frac Track (Text as Image) ‘, Canterbury, England (Travelling Exhibition)
Sassoon Gallery, ‘On the Frac Track (Text as Image) ‘, Kent, England (Travelling Exhibition)
Sevenoaks Library Gallery, ‘On the Frac Track (Text as Image) ‘, Kent, England (Travelling Exhibition)

1999 Espace Sculfort, ‘L’Art et l’Ecrit’, Maubeuge, France
Maze Art Gallery, ‘Il passato nel Presente’, Turin, Italy
Musée d’art moderne Lille Métropole, ‘Changement d’air’, Villeneuve d’Ascq, France
National Theatre, ‘Fourth Wall’, London, England
Villa delle Rose, Galleria d’Arte Moderna, ‘Officina Europa’, Bologna, Italy
San Michele and Museo Laboratorio, ‘Il luogo degli angeli’, San Angelo, Italy
‘The Sultan’s Pool’, Jerusalem, Israel

1998 1st Biennale de Montreal, Montreal, Canada
Anthony Reynolds Gallery, London, England
Benger Areal, ‘U.K Maximum Diversity’, Bregenz, Austria
Denver Art Museum, ‘Contemporary British Artists’, Denver CO
Djanogly Art Gallery, ‘Book’, Nottingham, England
Electricity Showroom, ‘Heatwave’, London, England
Feringbury Manor, ‘Feeringbury VIII – Cultivated’, Essex, England
Galerie Ursula Krinzinger, ‘Dissin’ the Real’, Vienna, Austria (Travelling Exhibition)
Lombard Fried Gallery, ‘Dissin’ the Real’, New York NY (Travelling Exhibition)
The London Institute, ‘Drawing Itself’, London, England
Moderna Museet, ‘Wounds’, Stockholm, Sweden
Museu de Electricidade, ‘Made in London’, Lisbon, Portugal
‘Shunted’, Sheffield, England
The Tannery, ‘Il passato nel Presente’, London, England
The Waiting Room, ‘Heatwave’, Wolverhampton, England

1997 2nd Johannesburg Biennale, Johannesburg, South Africa
5th Istanbul Biennale, Istanbul, Turkey
Art Gallery of South Australia, ‘Pictura Britannica’, Adelaide, Australia (Travelling Exhibition)
CCA, ‘Animal’, Glasgow, Scotland
Centro de Arte Moderna José de Azerdo Perdigâo ‘Treasure Island’,
Galerie Gebauer, ‘P..er.sonal…Absurdities’, Berlin, Germany
Hamburger Banhof, ‘Sensation’, Berlin, Germany (Travelling Exhibition)
Helsinki City Art Museum, ‘Dimensions Variable: Works from the British Council Collection’, Helsinki, Finland
London Printworks Trust, ‘Pledge Allegiance to a Flag? ‘, London, England
Museum of Contemporary Art, ‘Pictura Britannica’, Sydney, Australia (Travelling Exhibition)
Royal Academy of Arts, ‘Sensation’, London, England (Travelling Exhibition)
Te Papa, ‘Pictura Britannica’, Wellington, New Zealand (Travelling Exhibition)

1996 10th Biennale of Sydney, Sydney, Australia
Anthony Reynolds Gallery, London, England
Manchester City Art Gallery, ‘Offside!’, Manchester, England
Rhona Hoffman Gallery, Chicago IL

1995 The British Art Show, Manchester, England
Barbican Art Gallery, ‘The Art Casino’, London, England
Tate Gallery, ‘The Turner Prize’, London, England
Walker Art Gallery, ‘John Moores Exhibition 19’,Liverpool, England

1994 Arts Council Touring Show, ‘1994 Art Unlimited’, England
Deweer Art Gallery, ‘A Painting Show’, Otegem, Belgium
Galerie Martina Detterer, ‘Jet Lag’, Frankfurt Galleri Andrehn Schiptjenko, ‘Five British Artists’, Stockholm, Sweden
Nvisible Museum, Thirty Shepherdess Walk, ‘Seeing the Unseen’, London, England
Karsten Schubert Gallery, ‘Not A Self Portrait’, London, England
Laure Genillard Gallery, ‘Art Boutique’, London, England
Palazzo Publico, ‘Idea Europa’, Siena, Italy
Rear Window / Richard Salmon, ‘Every Now and Then’, London, England
Reynolds Gallery, ‘Untitled Streamer Eddy Monkey Full Stop Etcetera’, Anthony London, England
Serpentine Gallery, ‘Here and Now’, London, England

1993 Anthony Reynolds Gallery, ‘Spit in the Ocean’, London, England
Art Cologne, ‘Junge Britische Kunst’, Cologne, Germany
City Racing, ‘You’ve Tried the Rest, Now Try the Best’, London, England
MA Galerie, Paris, France
Mark Boote Gallery, ‘Mandy loves Declan 100%’, New York NY
Saatchi Collection, ‘Young British Artists II’, London, England

1992 ‘Let Me Look’, San Miniato, Italy
Clove Building, ‘Whitechapel Open’, London, England

1991 Kunstverein Karlsruhe, ‘Kunstlandschaft Europa’, Karlsruhe, Germany
Palacio de Velasquez, ‘Confrontaciones’, Madrid, Spain

1990 The Köln Show, Cologne, Germany
National Gallery of Victoria, ‘Australian Sculpture Triennial’, Melbourne, Australia

1989 Anthony Reynolds Gallery, London, England
Chisenhale Gallery, ‘Territories’, London, England
Deichtorhallen, ‘Einleuchten: Will, Vorstel und Simul in HH’, Hamburg, Germany
Galerie Sophia Ungers, ‘Über Unterwanderung’, Cologne , Germany
Grey Art Gallery, ‘Excommunication: Some Notions on Marginality’, New York NY

1988 ‘___’, ‘Cries and Whispers, paintings of the Eighties in the British Council Collection’, touring Australia
City Museum and Art Gallery, ‘Image and Object: Aspects of British Art in the 1980’s’, Stoke-on-Trent, England
The Contemporary Arts Center, ‘The New British Painting’, Cincinnati OH
Cornerhouse, ‘Something Solid’, Manchester, England
Koury Wingate, ‘Sculptures’, New York NY

1987 Anthony Reynolds Gallery, ‘Appropriate Pictures’, London, England
City Museum and Art Gallery, ‘Palaces of Culture: The Great Museum Exhibition’, Stoke-on-Trent, England
Herbert Art Gallery, ‘State of the Nation’, Coventry, England
Serpentine Gallery, ‘Stuart Brisley, Ken Currie, Glenys Johnson, Mark Wallinger’, London, England

1986 Anthony Reynolds Gallery, ‘New Art’, London
City Museum and Art Gallery, ‘Unheard Music’, Stoke-on-Trent
Edith C Blum Art Institute, Bard College, ‘Neo Neo-Classicism’, Annandale-on-Hudson NY
The Exhibition Gallery, Milton Keynes
John Hansard Gallery, ‘Canvass: New British Painting’, Southampton

1985 Anthony Reynolds Gallery, ‘New Art 2’, London, England
Kettle’s Yard, ‘Prelude’, Cambridge, England

1984 Whitechapel Art Gallery, ‘Whitechapel Open’, London, England

1982 St Mary’s Art Centre, ‘Space Invaders’, Colchester, England

1981 ICA, ‘New Contemporaries’, London, England

Screenings and Film Festivals

2017 Die Lange Nacht der Zürcher Museen, Zurich, Switzerland
Various venues, ‘Strangelove: moving image festival’, Folkestone, England

2016 Institute of Contemporary Arts, ‘Artists’ Film Club’, London, England

2015 Central Saint Martins – University of the Arts, ‘Strangelove: moving image festival’, London, England
Gillman Barrack, ‘Open Media Art Festival’, Singapore

2014 Tulca Festival of Visual Arts, Galway, Ireland
Le cinéma des cinéastes, ‘Flottements: Film Cycle Around Dirk Braeckman. L‘énigme du quotidien’, Paris, France

2008 Glasgow Film Festival, ‘The End’, Glasgow, Scotland
Sonic Illuminations, BFI, ‘The Lark Ascending’, London, England

2007 Artprojx, Anthology Film Archives, ‘Sleeper’, New York NY
Whitney Museum of American Art, ‘`The End’, New York NY

2006 Prince Charles Cinema, ‘The End’, London, England

2005 The Film & Media Arts Festival, ‘The Lark Ascending’, Berwick upon Tweedm England
Stroom, ‘The Lark Ascending’, The Hague, Netherlands

2004 57 Festival Internazionale del film Locarno, Locarno, Switzerland
‘The Lark Ascending’, Pančevo, Serbia
Prince Charles Cinema, ‘The Lark Ascending’, London, England

Talks and Lectures

2017 The Fruitmarket Gallery, ‘Mark Wallinger in conversation with Fiona Bradley’, Edinburgh, Scotland

2016 Hauser & Wirth, ‘Mark Wallinger in conversation with Lavinia Greenlaw’, London, England
Dulwich Picture Gallery, ‘Mark Wallinger in conversation with Xavier Bray’, London, England

2015 The Duncairn Centre for Culture and Arts, ‘Festival of art & Design’, Belfast, Ireland
Tate Britain, ‘Mark Wallinger in conversation with Sally O’Reilly’, London, England

2011 The London Art Book Fair, Whitechapel Gallery, ‘In Conversation, Mark Wallinger and Martin Herbert’, London, England

2009 Hayward Gallery, ‘Mark Wallinger, Artist Talk, The Russian Linesman, Frontiers, Borders and Thresholds’, London, England

2007 Institute of Contemporary Arts, ‘Zoë Walker & Neil Bromwich in conversation with Mark Wallinger and Mark McGowan; chaired by JJ Charlesworth’,London, England
Tate Britain, ‘Artist Talk, Mark Wallinger: State Britain’,London, England
Tate Modern, ‘Contemporary Sculpture and the Social Turn, on Skulptur Projekte Muster 07, talk chaired by Dr Achim Borchardt-Hume’, London, England

Commissions and Special Projects

2019 London School of Economics, ‘The World Turned Upside Down’, London, England

2017 'Writ in Water’, in collaboration with Studio Octopi, commissioned by the National Trust in association with Situations, Runnymede, England
St Paul’s Cathedral (in partnership with Amnesty International), 'Mark Wallinger. Ecce Homo', London, England

2013 Transport for London / Art on the Underground, ‘Mark Wallinger. Labyrinth’, London, England

2012 Royal Opera House/The National Gallery, ‘Metamorphosis: Titian 2012’, London, England

2011 Sadler’s Wells, ‘Undance/Twice Through The Heart’, [choreographic work collaborating with Mark-Anthony Turnage and Wayne McGregor], London, England

Awards and Grants

2009 Honorary Fellow, Goldsmiths College, University of London, London, England
Ebbsfleet Landmark Project Commission, Kent, England
My City Commission, Canakkale, Turkey

2007 Turner Prize, London, England

2003 Honorary Doctorate, University of Central England, Birmingham, England

2002 Honorary Fellowship, the London Institute, London, England

2001-02 DAAD Artist Programme, Berlin, Germany

1998 Henry Moore Fellowship, British School at Rome, Rome, Italy

Bibliography

Publications

2019 Hutchinson, Jack, ‘Turning Theresa May on her head: Mark Wallinger’s no-Brexit poster campaign’ on: www.a-n.co.uk, London/UK, 7 March 2019
___, 'This Way Up' in: The Art Newspaper, London/UK, 3 March 2019 (cover)
Buck, Louisa, ‘Get lost in the myths and mazes of Large Glass's labyrinthine show’ on: www.theartnewspaper.com, London/UK, 11 February 2019

2018 Squire, Michael, Cahill, James, Allen, Ruth (eds.), 'The Classical Now', London/UK: Elephant Publishing with King’s College London, 2018, pp. 44-45, ill. In colour

2017 Brodesco, Alberto, Giordano, Federico (eds.), 'Body Images in the Post-Cinematic Scenario. The Digitisation of Bodies', Milan/IT: Mimesis International, 2017, p.90, ill.
Schmidt, Frank (ed.), 'Schlaf. Eine produktive Zeitverschwendung', Bremen/DE: Museen Böttcherstraße, Paula Modersohn-Becker Museum, 2017, pp. 114-115, ill. (exh. cat.)
Hanbum, Lee (ed.), 'The Art of Dissonance', Seoul: Seoul Museum of Art (SeMA), 2017, pp. 50-52, ill.
Barboza, Amalia, Hüttenhoff, Michael, Lorenze, Stefanie et al. (eds.), 'Spektakel der Transzendenz? Kunst und Religion in der Gegenwart', Würzburg/DE: Königshausen & Neumann, 2017, ill.
Gabriele, Marta, 'Drammaturgia Del Sacro. Imagini Contemporanee a Confronto', Milan/IT: Mimesis Edizioni, 2017, p. 178, ill.
Purkiss, Anne-Katrin, 'Sculptors. 1986 – 2016', London/UK: Miriquidi Books, 2017, p. 85, ill.
Schuppli, Madeleine (ed.), 'Cinéma mon amour. Film in Art', Zürich/CH: Scheidegger & Spiess, 2017, ill. (exh. cat.)
Elmgreen, Michael; Dragset, Ingar; Diers, Michael, 'The Others', London: Koenig Books, 2017, pp.136-137, ill. (exh. cat.)

2016 Bradley, Fiona (ed.), 'Mark Wallinger Mark', Mänttä/FI: Serlachius Museums; Dundee/UK: Dundee Contemporary Arts; Edinburgh/UK: The Fruitmarket Gallery, 2016
Gale, Matthew (ed.), 'Tate Modern: The Handbook', London: Tate Publishing, 2016
Weinhart, Martina, Hollein, Max (eds.), 'Ich', Cologne: Walther König, 2016, p. 35, ill. (exh. cat.)
Fullerton, Elizabeth, 'Artrage! The story of the Brit Art Revolution', London: Thames & Hudson, 2016
Roberts, Eric, 'Programming Abstractions in Java', Cambridge: Pearson, 2016, ill.

2015 Prenowitz, Eric (ed.), 'Parallax 77: philosophy withou an object', London: Routledge, 2015, Front cover ill.
Ingram, Alan, 'Transactions of the Institute of British Geographers', London: Royal Geographic Society, 2015
Groves, Thomas, Lam, Harriet, 'City and Guilds of London – Art Histories 2015' London: City & Guilds Ltd., 2015
Rosen, Aaron, 'Art and Religion in the 21st Century', London: Thames & Hudson, 2015
Karner, Esther, 'Football Art', Vienna: Verlag für Moderne Kunst, 2015
Staff, Craig, 'Monochrome: Darkness and Light in Contemporary Art', London: Vilma Gold, 2015 (exh. cat.)
Cohen-Uzzielli, Tania, A Brief Histor of Humankind in The Israel Museum, Jerusalem, A Brief History of Humankind in The Israel Museum, Jerusalem, Jerusalem: The Israel Museum, 2015, pp. 81, 82, ill. (exh. cat.)
Grovier, Kelly, 'Art Since 1989', London: Thames & Hudson, 2015
Weibel, Peter, 'Global Activism. Art and Conflict in the 21st Century', The MIT Press, Cambridge MA, 2015 (exh. cat.)
O’Reilly, Sally, 'Mark Wallinger', London: Tate Publishing, 2015
Smith, Marquard, 'How to Construct a Time Machine', Milton Keynes: MK Gallery, 2015, pp. 120-121, ill. (exh. cat.)
Eijkemans, Marie jose, Srodzinski, Roxana, van der Waals, Tessa, 'Dichter bij de Kunst', Tilburg, De Pont Museum, 2015 (exh. cat.)
Laurenz Foundation, Schaulager Basel (ed.), 'Future Present. The Collection of the Emanuel Hoffmann Foundation', Basel, 2015 (exh. cat.)
The Groucho Club. 30 Years, London, 2015
Whitney Museum of American Art / Centre Pompidou, 'Collected by Thea Westreich Wagner and Ethan Wagner', New York / Paris, 2015, p. 94, ill. (exh. cat.)
Collection Lambert, 'Patrice Chéreau. Un musée imaginaire', Avignon, France, 2015 (exh. cat.)

2014 Berger, Matthias, 'Mark Wallingers Videoarbeit „Angel“', Berlin: LIT Verlag Dr. W. Hopf, Zurich: LIT Verlag GmbH & Co. KG Wien, 2014, ill.
Coysh, Louise. 'Labyrinth. A Journey Through London's Underground by Mark Wallinger', London: Art Books Publishing, 2014
Contemporary Art Society, Whitechapel Gallery (ed.), 'The Best is Not Too Good for You', London: Contemporary Art Society; Whitechapel Gallery, 2014 (exh. cat.)
Dezeuze, Anna, 'Thomas Hirschhorn. Deleuze Monument', London: Afterall Books, 2014
Griffin, Jonathan, Harper, Paul [et al], 'The 21st Century Art Book', London: Phaidon, 2014, p. 277, ill.
O’Donoghue, Hughie (ed.), 'Summer Exhibition Illustrated 2014', London: Royal Academy of Arts, 2014 (exh. cat.)
Rugoff, Ralph (ed.), 'The Human Factor. The Figure in Contemporary Sculpture', London: Hayward Publishing, 2004 (exh. cat.)
Sperling, Franziska, Sperling, Johannes (eds.), 'A Man Walks Into A Bar… Jokes & Postcards', Ostfildern, Hatje Cantz, 2014, p. 80, ill.
Downey, Anthony, 'Art and Politics Now', London: Thames & Hudson, pp. 91 – 93, ill. In colour

2013 Grovier, Kelly, '100 works of art that will define our age', London: Thames & Hudson, 2013, pp. 290–293, ill.
Petry, Michael, 'Nature Morte: Contemporary artists reinvigorate the still-life tradition', London: Thames & Hudson, 2013, p. 40, ill.

2012 Weinhart, Martina, Hollein, Max [et al.], 'Privat', Berlin: Distanz Verlag, 2012 (exh. cat.)
National Gallery (ed.), 'Metamorphosis: Titian 2012. Chris Ofili, Conrad Shawcross, Mark Wallinger', London: National Gallery, 2012 (exh. cat.)

2011 Herbert, Martin, 'Mark Wallinger', London: Thames & Hudson, 2011, ill.
Petry, Michael, 'The Art of not making. The new artist/artisan relationship', London: Thames & Hudson, pp. 144, 145, ill.

2010 Kunstnernes Hus (ed.), 'Mark Wallinger', Oslo: Kunstnernes Hus, 2010, ill. (exh. cat.)
Gördüren, Petra; Luckow, Dirk (eds.), 'Dopplereffekt. Bilder in Kunst und Wissenschaft', Berlin: Dumont Verlag und Kunsthalle Kiel, 2010, ill. (exh. cat.)
Adicéam, Ashok, 'Hope! Une exposition d'art contemporain sur l'espoir', Paris: Skira Flammarion, 2010, ill. (exh. cat.)

2009 The Hayward/Southbank Centre (eds.), 'Mark Wallinger. The Russian Linesman. Frontiers Borders and Thresholds', London: Hayward Publishing, 2009, ill. (exh. cat.)
Bee, Andreas, 'Angel Dust. Bogomir Ecker, Mark Wallinger und ein unbekannter Meister', Frankfurt: Museum für Moderne Kunst, 2009

2008 Schuppli, Madeleine, De Vries, Janneke (eds.), 'Mark Wallinger', Zurich: JRP | Ringier, 2008, ill.
Schlieker, Andrea, 'Folkestone Triennial. Tales of Time and Space', Folkestone: Creative Foundation, 2008, ill. (exh. cat.)
Moisdon, Stéphanie, 'Qu’est-ce que l’art video aujourd’hui? ', Boulogne: Beaux Arts Editions, 2008
Mori Art Museum (Ed.), 'History In The Making: A Retrospective of The Turner Prize', Tokyo: Mori Art Museum, 2008 (exh. cat.)
Kunsthalle zu Kiel (ed.), 'Collection Video & Films, Isabelle & Jean- Conrad Lemaître: eine Auswahl', Cologne: Walther Koenig, 2008 (exh. cat.)

2007 Tate Britain (ed.), 'Mark Wallinger. State Britain', London: Tate Britain Publishing, 2007, ill. (exh. cat.)
Tyradellis, Daniel (ed.), 'Schmerz. Kunst und Wissenschaft', Cologne: DuMont Verlag, 2007, ill. (exh. cat.)
Deutsches Hygiene-Museum, Wellcome Collection (eds.), 'Schlaf & Traum, Deutsches Hygiene-Museum Dresden', Cologne: Bohlau, 2007 (exh. cat.)
The Speed Art Museum (ed.), 'Highlights From The Collection', London: Merrell, 2007 (exh. cat.)

2006 McGregor, Sheila, 'New Art on View', Southampton: Southampton City Art Gallery, 2006 (exh. cat.)
Singapore National Arts Council (ed.), 'Belief: Singapore Biennale 2006'. Singapore: SIngapore Biennale Secretariat, 2006 (exh. cat.)
Van Assche, Christine, Nash, Mark [et al.], 'Une Vision du Monde la Collection Vidéo d'Isabelle et Jean-Conrad Lemaître', Lyon/Paris: Fage éditions/La maison rouge, 2006 (exh. cat.)

2004 Robson, Julien (ed.), 'Presence', Louisville: Speed Art Museum, 2004, ill. (exh. cat.)

2003 Flügge, Matthias, Meschede, Friedrich [et al.], 'Warum! Bilder diesseits und jenseits des Menschen', Ostfildern: Hatje Cantz, 2003 (exh. cat.)
Cameron, Baillie Elizabeth, 'Sanctuary - Contemporary Art and Human Rights', Glasgow: Gallery of Modern Art, 2003
Farquharson, Alex, 'Micro/macro - British Art 1996-2001', Budapest: Mucsarnok/Kunsthalle Budapest, 2003

2002 Glynn Vivian Art Gallery, 'Mark Wallinger. Ecce Homo', Swansea: Glynn Vivian Art Gallery, 2002, ill. (exh. cat.)
Pahlke, Rosemarie E., (ed.), 'THE GAP SHOW - Young Critical Art from Great Britain', Dortmund: Museum am Ostwall, 2002 (exh. cat.)
Brugge 2002 (ed.), 'Ommegang-Circumflexion: Brugge 2002', Roeselare: Brugge 2002, 2002 (exh. cat.)
Hemsworth, Gerard, Malik, Suhail [et al.], 'Painting as a Foreign Language', Sao Paulo: Spciete Brasileira de CUltura Inglesa, 2002 (exh. cat.)
Hough, Jessica, Hall, Doug [et al.], 'Family', Ridgefield: The Aldrich Museum of Contemporary Art, 2002
Wimmer, Elga, 'Faux/Real', Istanbul: Borusan Lojistik, 2002 (exh. cat.)

2001 The British Council (ed.), 'Mark Wallinger. The British Pavilion. 49th Venice Biennale 2001, London: The British Council, 2001, ill. (exh. cat.)
Oxford University Museum of Natural History, Ruskin School of Drawing and Fine Art (eds.),
'Mark Wallinger. Time and Relative Dimensions in Space', Oxford: Oxford University Press, 2001, ill. (exh. cat.)

2000 Tate Liverpool (ed.), 'Mark Wallinger. Credo', London: Tate Publishing, 2000, ill. (exh. cat.)
MacGregor, Neil, Langmuir, Erika, 'Seeing Salvation', London: BBC Publishing, 2000
Buck, Louisa, 'Moving Targets 2: A User's Guide to British Art Now', London: Tate Publishing, 2000
Bonaventura, Paul, 'Locus Solus', Newcastle-upon-Tyne: Locus +, 2000
Bulgakov, Mikhail; Searle, Adrian, 'Mark Wallinger - Ecce Homo', Vienna: Secession, 2000
Portikus (ed.), 'Mark Wallinger: Prometheus', Frankfurt am Main: Portikus, 2000, ill.

1999 Museum für Gegenwartskunst, 'Mark Wallinger – Lost Horizon', Basel: Museum für Gegenwartskunst, 1999, ill. (exh. cat.)
San Michele and Museo Laboratorio (ed.), 'Il luogo degli angeli', San Angelo: San Michele and Museo Laboratorio, 1999
Idem + Arts (ed.), 'L'Art et L'Ecrit', Maubeuge/Dunkirk: Idem + Arts, Espace Sculfort/Frac Nord-Pas de Calais, 1999
Buck, Louisa, 'Moving Targets: A User's Guide to British Art Now', London: Tate Publishing, 1999
Barilli, Renato, Mazzotta, Edizioni Gabriele, 'Officina Europa', Milan: Mazzotta, 1999
Timms, Robert; Bradley, Alexandra; Hayward, Vicky (eds.), 'Young British Art. The Saatchi Decade', London: Booth – Clibborn Editions, 1999, pp. 64, 65, 134, 135, 532, ill.

1998 Pierre Luigi Tazzi (ed.), 'Mark Wallinger Is Innocent', Brussels/London: Société des expositions du Palais des Beaux-Arts de Bruxelles/Delfina,1998, ill. (exh. cat.)
Bickerstaff, David, Bonaventura, Paul, '"Book": David Austen, Neil Miller, Mark Wallinger, Daphne Wright', Nottingham: Djanogly Art Gallery, 1998
Higgs, Matthew, Areal, Benger, 'U.K. Maximum Diversity', Vienna: Galerie Krinzinger, 1998
Shone, Richard, 'Made in London', London: Simmons & Simmons, 1998
Wilson, Gerard, Hart, Janice, 'Drawing Itself', London: The London Institute, 1998
Hepworth, Stephen, Wood, Katherine [et al.], 'Feeringbury VIII - Cultivated', London: Firstsite / Curtain Road Arts, 1998
Davey, Kevin, 'English Imaginaries', London: Lawrence & Wishart, 1998
Burrows, David (ed.), 'Who's Afraid of Red White & Blue? Attitudes to popular & mass culture, celebrity, alternative & critical practice & identity politics in recent British art', Birmingham: Article Press, 1998

1997 Dolly Fiterman Fine Arts (ed.), 'Mark Wallinger', Minneapolis: Dolly Fiterman Fine Arts, 1997, ill. (exh. cat.)
Royal Acasemy of Arts (ed.), 'Sensation: Young British Artists from the Saatchi Collection', London: Thames & Hudson, 1997, pp. 176 – 179, ill. (exh. cat.)
Molder, Jorge, Sanches, Rui [et al.], 'Treasure Island', Lisbon: Centro de Arte Moderna José de Azeredo Perdigâo/Fundacao Calouste Gulbenkian, 1997 (exh. cat.)
Button, Virginia, 'The Turner Prize', London: Tate Gallery Publishing, 1997
Russell, Steward, Papastergiadis, Nikos, 'Pledge Allegiance to a Flag?', London: Printworks Trust, 1997
Murphy, Bernice, (ed.), 'Pictura Britannica', Sydney: Museum of Contemporary Art, 1997 (exh. cat.)
Gallagher, Ann, 'Dimensions Variable: New Works for the British Council Collection', London: The British Council, 1997 (exh. cat.)
Martinez, Rosa, '5 th International Istanbul Biennial', Istanbul: Istanbul Foundation for Culture and Arts, 1997 (exh. cat.)
Kuspit, Donald, 'Mark Wallinger', Minneapolis: Dolly Fiterman Fine Arts, 1997

1996 Bonaventura, Paul, Cadwallader, Helen, 'Vade Mecum: A Compendium of New Art', Newcastle-upon-Tyne: Locus +, 1996
Cook, Lynne (ed.), 'Jurassic Technologies 10 th Biennale of Sydney', Sydney: The Biennale of Sydney, 1996 (exh. cat.)
Coburn, Jason, 'Hello, Artists in Conversation', London: The Royal College of Art, 1996

1995 Thompson, Jon (ed.), 'Mark Wallinger', Birmingham: Ikon Gallery, 1995, ill. (exh. cat.)
Cork, Richard, Finn-Kelcey, Rose [et al.], 'The British Art Show', London: The South Bank Centre, 1995 (exh. cat.)
Button, Virginia, 'The Turner Prize', London: Tate Gallery Publishing, 1995 (exh. cat.)
Treuherz, Julian, 'John Moores Exhibition 19', Merseyside: National Museums & Galleries on Merseyside, 1995 (exh. cat.)

1994 Deweer Art Gallery (ed), 'A Painting Show : Siegfried Anzinger (A) ... Mark Wallinger (GB)', Otegem: Deweer Art Gallery, 1994, ill. (exh. cat.)
Wadhwa, Mark, Meyer, Walter [et al.], 'Seeing the Unseen', London: Nvisible Museum, 1994
Salmon, Richard, 'Every Now and Then', London: Rear Window, 1994
Lane, Hilary, Patrizio, Andrew, 'Art Unlimited: Multiples from the 1960s and 1990s', London: South Bank Centre, 1994
Bruni, Valeria, Calabrese, Omar [et al.], 'Idea Europa', Siena: Contemporanea Editrice, 1994

1993 Krüger, Werner, 'Junge Britische Kunst', Cologne: Art Cologne, 1993
Kent, Sarah, 'Young British Artists II', London: The Saatchi Collection, 1993

1992 Bruni, Valeria, Santacatterina, Stella [et al.], 'Let Me Look', San Miniato: Commune di San Miniato, 1992
Whitechapel Art Gallery (ed.), 'Whitechapel Open', London: Whitechapel Art Gallery, 1992

1990 National Gallery of Victoria (ed.), 'Australian Sculpture Triennial', Melbourne: National Gallery of Victoria, 1990

1989 Koether, Jutta, 'Über Unterwanderung', Cologne: Galerie Sophia Ungers, 1989
Graw, Isabelle (ed.), 'Nachschub, The Köln Show', Cologne: SPEX, 1989

1988 Nottingham Castle Museum (ed.), 'Mark Wallinger. Burgess Park', Nottingham: Nottingham Castle Museum, 1988 ill. (exh. cat.)
Szeeman, Harald, Liesbrock, Heinz [et al.], 'Einleuchten: Will, Vorstel und Simul in HH', Hamburg: Deichtorhallen, 1988
Lucie-Smith, Edward, Cohen, Carolyn [et al.], 'The New British Painting', Oxford: Phaidon, 1988
Vines, Ian, 'Image and Object: Aspects of British Art in the 1980s', Stoke-on-Trent: Stoke-on-Trent City Council, 1988
Allthorpe-Guyton, Marjorie, 'Something Solid', Manchester: Cornerhouse, 1988
Biggs, Lewis, 'Cries and Whispers: New works for the British Council Collection', London: The British Council, 1988
Riverside Studios, Anthony Reynolds Gallery (eds.), 'Passport Control', London: Riverside Studios/Anthony Reynolds Gallery, 1988

1987 Evans, Graham, 'Palaces of Culture: The Great Museum Exhibition', Stoke on Trent: City Museum and Art Gallery, 1987
Selwood, Sara, 'State of the Nation', Coventry: Herbert Art Gallery, 1987

1986 Drier, Deborah, Edith C. Blum Art Institute, 'Neo Neo-Classicism: the uses of tradition in late 20th century art', Annandale-on-Hudson: Edith C. Blum Art Institute, Bard College Center, 1986
Dexter, Emma, 'Unheard Music', Stoke-on-Trent: City Museum and Art Gallery, 1986

Press

2019 ___, ‘A recent history of the US Pavilion at Venice’, in ‘Christie’s, New York NY, 15 May 2019
___, ‘Hyperallergic: What Revolution Might Look Like by Seph Rodney’ in ‘Shelley & Donald Rubin Foundation’, New York NY, 22 April 2019
___, ‘Art World News Today’, in ‘Artinfo’, New York NY, 8 April 2019
Bailet, Martin, ‘Wallinger’s upside-down globe outside LSE angers Chinese students for portraying Taiwan as an independent state’, in ‘The Art Newspaper’, New York NY, 5 April 2019
Buck, Louisa, ‘Mark Wallinger’s new sculpture turnst he world upside down’, in ‘The Art Newspaper’, London/UK, 27 March 2019
___,’The show must go on: How Brexit is dominating the British arts world’, in ‘The Evening Standard’, London/UK, 25 March 2019
___, ‘Attempts to Escape’, in ‘Parathiro’, Athens/GR, 18 March 2019
Rea, Naomi, ‘Anish Kapoor and Sean Scully Made Art With Crayons Salvaged From the ‘Calais Jungle’ Migrant Camp to Raise Money for Refugees’, on: www.artnet.com , New York NY, 18 March 2019
___, ‘Pick oft he Day: Wallinger Launches no-Brexit Poster Campaign’, in ‘Art from us’, London/UK, 18 March 2019
Hutchinson, Jack, ‘Turning Theresa May on her head: Mark Wallinger’s no-Brexit poster campaign’ on: www.a-n.co.uk, London/UK, 7 March 2019
___, 'This Way Up' in: The Art Newspaper, London/UK, 3 March 2019 (cover)
Buck, Louisa, ‘Get lost in the myths and mazes of Large Glass's labyrinthine show’ on: www.theartnewspaper.com, London/UK, 11 February 2019
Higgins, Charlotte, ‘We gotta get out of this place! The artists snared by the lure of the labyrinth’, in ‘The Guardian’, London/UK, 3 February 2019
Shaw, Anny, ‘A perfectly engineered catastrophe’: artists speak out after Theresa May’s Brexit deal is crushed by parliament’, in ‘The Art Newspaper’ in ‘The Art Newspaper’, New York NY, 16 January 2019
Liang, Jingxiang, ‘Mark Wallinger’, in ‘Mafazine’, London/UK, 15 January 2019

2018 Ryan, Alison, 'Inside Archway’s Bomb Factory' on: www.kentishtowner.co.uk, London/UK, 12 April 2018
__, 'Art Industry News: Cabaret Star's Heirs Reclaim Nazi-Looted Egon Schiele Works Found at Art Fair + More Must-Read Stories' on: news.artnet.com, London/UK, 6 April 2018

(cont'd) Kufer, Katrina, 'Michael Rakowitz's Daesh-Destroyed Plinth Unveiled in London' on: www.harpersbazaararabia.com, Abu Dhabi/UEA, 3 April 2018
Anderson, John and Revd Jonathan Evens, 'Jonathan Anderson: Religious Inspirations Behind Modernism – Interview Revd Jonathan Evens' on: www.artlyst.com, London/UK, 30 March 2018
Mansfield, Susan, 'Tay time: how Dundee became the perfect home for the new V&A' on: www.list.co.uk, Edinburgh/UK, 29 March 2018
Kennedy, Maev, 'Winged bull made of syrup cans unveiled on fourth plinth' on. www.theguardian.com, London/UK, 28 March 2018
__, 'At the Centro Pecci the first Italian solo show by Mark Wallinger' on: www.arte.sky.it, Prato/IT, 28 March 2018
__, 'In Pictures: Harbour Arts Sculpture Park' in: The Art Newspaper, London/UK, 28 March 2018, pp. 14-15
__, 'Firstsite opens Hauser & Wirth's satirical museological presentation 'Bronze Age c. 3500 BC - AD 2018'' on: www.artdaily.com, London/UK, March 2018
Chan, Hera, 'In Memory of a Free Public: Harbour Arts Sculpture Park' on: www.ocula.com, Hong Kong, 16 March 2018
Lucarelli, Niccolò, 'Mark Wallinger, prophet of the newspaper. In Prato' on: www.artribune.com, Prato/IT, 7 March 2018
Paskett, Zoe, 'Artists hand over control for Face Value 2 at Jealous East' on: www.islingtongazette.co.uk, London/UK, 2 March 2018
Lloyd, Joe, 'Natural Selection: Romanticised and derided in equal measure, the countryside is the subject of an ambitious exhibition in Somerset' on: www.1843magazine.com, London/UK, 23 February 2018
Tsui, Enid, 'Hong Kong outdoor sculpture show: funny, functional, minimalist, whimsical – how will art go down with the public? ' on: www.scmp.com, Hong Kong/CN, 25 February 2018
__, 'Exhibitions: Mark Wallinger at the Pecci di Prato' on: www6.ansa.it, Prato/IT, 23 February 2018
Dami, Andrea, 'The works of Mark Wallinger in the constant search for the ego. The exhibition at the Pecci Center in Prato' on: www.reportcult.it, Pistoia/IT, 23 February 2018
Judah, Hettie, 'Deep in the English Countryside, Hauser & Wirth Indulges in Fantasies of Rustic Life' on: www.artnet.com, London/UK, 19 February 2018
__, ''Mark Wallinger: Italian Lessons' at Victoria Miro, Venice' on: www.blouinartinfo.com, London/UK, 13 February 2018
Simpson, Veronica, 'The Land We Live In – The Land We Left Behind' on: www.sutdiointernational.com, London/UK, 7 February 2018
Ceccarelli, Valentina, '"Mark Wallinger Mark": the new exhibition at the Centro Pecci' on: www.pratosfera.com, Prato/IT, 5 February 2018, ill. in colour
Klingelfuss, Jessica, 'Hauser & Wirth Somerset’s latest show celebrates rural rituals' on: www.wallpaper.com, London/UK, 30 January 2018
__, 'Victoria Miro Venice opens career-long exhibition of works by Mark Wallinger' on: www.artdaily.com, London/UK, January 2018
Brady, Anna, 'Foreign galleries make move on Italy' on: www.theartnewspaper.com, London/UK, 24 January 2018
Bagging, Julian, 'Statues have had their day. Let’s make our monuments memorable' on: www.theguardian.com, London/UK, 19 January 2018
Tsui, Enid, 'Hong Kong harbour turned into a gallery for 18 international artists' on: www.scmp.com, Hong Kong/CN, 22 January 2018, ill.

2017 Demoney, Catarina, 'Award-winning artist creates new artwork in Runnymede to celebrate the 'global significance' of Magna Carta' on: www.getsurrey.co.uk, Guildford/UK, 30 November 2017, ill.
__, 'Julian Opie and Mark Wallinger contribute works for auction in memory of late artist Francesca Lowe' on: www.standard.co.uk, London/UK, 2 November 2017
Holledge, Richard, 'Folkestone Triennial: How the Kent Coast got it’s groove back' on: www.independent.co.uk, London/UK, 24 October 2017
Gleadell, Colin, 'London's art scene: The Grenfell Tower art auction and more bricks at the Tate' on: www.telegraph.co.uk, London/UK, 24 October 2017
Beech, Mark, 'Thirty Artists Donate Works to £1 Million Sotheby’s Sale for Grenfell Tower Families' on: www.blouinartinfo.com, New York NY, 10 October 2017
Quin, John, 'Folkestone Is An Art School: At The Triennial' on: www.thequietus.com, London/UK, 24 September 2017
Thorpe, Vanessa, 'Turner prizewinners lead calls to rescue fund that lit up visual arts in the north' on: www.theguardian.com, London/UK, 17 September 2017
O’Connor, Joanne, 'Postcard from… Folkstone' in: FT Weekend, London/UK, 2-3 August 2017, p. 8
Fulcher, Merlin, 'Studio Octopi picked to create Magna Carta memorial at Runnymede' on: www.architectsjournal.co.uk, London/UK, 9 August 2017, ill.
Helm, Toby, Pritchard, Stephen, Savage, Michael, 'Poll finds that 60% of Britons want to keep their EU citizenship' on: www.theguardian.com/uk, London/UK, 1 July 2017
Keamin, Siobhan, 'Alterego' in: ARTICLE, London/UK, June 2017, pp. 46-57, ill.
Been, Matt, 'Mark Wallinger at St Paul’s' on: Time Out London, London/UK, 18-24 April 2017, p. 80
Lightbody, Jen, 'Mark Wallinger Mark exhibition review' on: www.tuppencemagazine.co.uk, Cardiff/UK, 15 April 2017
Williams, Alex, ''Strikingly vulnerable' statue of Jesus reminds London of restrictions on beliefs' on: www.premier.org.uk, London/UK, 12 April 2017
__, 'Behold the man' in: The Times, London/UK, 12 April 2017, p. 4
__, 'New home for plinth statue' in: i newspaper, London/UK, 12 April 2017, p. 12
__, 'Sculpting a better world for all' in: City Matters, London/uk, 12 April 2017, cover
Dee, Robert, 'Mark Wallinger's fourth plinth statue finds a home at St Paul’s on: www.standard.co.uk, London/UK, 11 April 2017
Been, Matt, 'The first ever Fourth Plinth sculpture just went on display at St Paul’s' on: www.timeout.com, London/UK, 11 April 2011
Dee, Robert, 'First statue on fourth plinth finds home at St Paul’s' in: The Evening Standard, London/UK, 11 April 2017, p. 11
Buck, Louisa, 'Mark Wallinger’s Ecce Homo finds new home for Easter outside St Paul’s' on: theartnewspaper.com, London/UK, 11 April 2017
__, 'Fourth plinth's first statue has a new home' (video) on: www.londonlive.co.uk, London/UK, 11 April 2017
__, 'Mark Wallinger' in: Aesthetica, York/UK, 2 April 2017, p. 131
Malvern, Jack, 'Turner Prize opens to emerging artists of older vintage' on: www.thetimes.co.uk, London/UK, 30 March 2017
Rosie-Wilkinson, Immie, 'Me, Myself and I: Mark Wallinger and Identity' in Art on: www.studentnewspaper.org, Edinburgh/UK, 22 March 2017
Mansfield, Susan, 'Space Invader' in: The Scotsman, Edinburgh/UK, 18 March 2017, ill.
Hanna, Noah, 'Mark Wallinger// The Fruitmarket Gallery, Dundee Contemporary Art' on: www.theseenjournal.org, Chicago IL, 14 March 2017, ill.
Sutherland, Giles, 'Portrait of the Artist’s Inner Me' in: The Times, London/UK, 7 March 2017, p. 18, ill.
Sutherland, Giles, 'Visual art: Mark Wallinger, Fruitmarket Gallery, Edinburgh, and DCA Dundee' on: www.thetimes.co.uk, London/UK, 7 March 2017
Sneddon, Ciaran, 'Half of Turner Prize-winning artist’s new exhibition opens at DCA' on: www.thecourier.co.uk, Dundee/UK, 4 March 2017, p. 23
Sneddon, Ciaran, 'Artist making his Mark with DCA exhibition' in: The Courier, Dundee/UK, 4 March 2017
__, 'Turner Prize winner opens shows in Edinburgh and Dundee' in: The Herald, Glasgow/UK, 3 March 2017, p. 4
__, 'Mark Wallinger Mark' in: The List, Edinburgh/UK, March 2017, p. 91, 93, ill.
Mansfield, Susan, 'Interview: Mark Wallinger on his giant “id” paintings, coming soon to Edinburgh and Dundee' on: www.scotsman.com, Edinburgh/UK, 28 February 2017
__, 'Turner Prize-winning artist displays work at Sayle Gallery' on: www.iomtoday.co.im, Isle of Man/UK, 27 February 2017
Mansfield, Susan, 'A plundering of the psyche' in: The Scotsman Magazine, 25 February 2017, Edinburgh/UK, pp. 18-19
Jamieson, Teddy, 'Horses for courses' in: The Herald Arts, Glasgow/UK, 25 February 2017, pp. 4-5, ill.
Jamieson, Teddy, 'Turner Prize winner Mark Wallinger on giving up booze and betting, and his first Scottish shows' on: www.heraldscotland.com, Glasgow/UK, 25 February 2017
Cooper, Neil, 'Mark Wallinger: new exhibition presents the painter's work simultaneously across two cities' on: www.list.co.uk, Edinburgh/UK, 16 February 2017

2016 Gilpin, Jemimah, 'Subways as art: tunnels to a stronger community? ' on: theboar.org, Coventry/UK, 8 December 2016
Chine, Nate, 'Jason Moran, From the Venice Biennale to the Village Vanguard'
on: www.nytimes.com, New York NY, 21 November 2016
__, 'Somme Centenary - Battle's End poppy tribute in Folkestone’, on: www.centenarynews.com, London/UK, 19 November 2016
Lee, Donald, 'Three to see: London', on: theartnewspaper.com, London/UK, 23 September 2016
__, 'Mark Wallinger's recreation of Parliament Square anti-war camp to reside at Tate', on: www.centrallifetimes.com, High Wycombe/UK, 21 September 2016
__, 'Mark Wallinger's recreation of Parliament Square anti-war camp to reside at Tate', on: www.aol.co.uk, London/UK, 21 September 2016
__, 'Recreation of anti-war protest camp enters the Tate's collection', on: www.itv.com, London/UK, 21 September 2016
Dex, Robert, 'Parliament Square peace camp comes to the Tate', in: www.standard.co.uk, London/UK, 21 September 2016
Issaurat, Laurent, 'Mark Wallinger dédouble la maison londonienne de Sigmund Freud', on: www.connaissancedesarts.com, Paris/FR, 15 September 2016
Reid, Melanie, 'Supersize horses with the power to move us', on: www.thetimes.co.uk, London/UK, 12 September 2016
__, 'Into the mind of Sigmund Freud for his 160th birthday', on: www.artscouncil.org.uk, London/UK, 1 September 2016
Hubbard, Sue, 'Mark Wallinger Self Reflection. Freud Museum, London', on: www.3quarksdaily.com, London/UK, 29 August 2016
__, 'Mark Wallinger: Self-Reflection', on: londonartportfolioblog.com, London/UK, 27 August 2016
Gat, Orit, 'Looking up from the couch: on Mark Wallinger's show at the Freud Museum in London', on: theartnewspaper.com, London/UK, 18 August 2016
__, 'Mark Wallinger: Self-Reflection, Freud Museum', on: www.culturewhisper.com, London/UK, 15 August 2016
Spencer, Samuel, 'Mark Wallinger Installs Giant Mirror, New Sculpture in Freud Museum London', on: blouinartinfo.com, New York NY, 11 August 2016
Jones, Jonathan, 'Mark Wallinger at the Freud Museum review – mirror mirror on the ceiling', on: www.theguardian.com, London/UK, 8 August 2016
Waywell, Chris, 'Mark Wallinger: Self Reflection', on: www.timeout.com, London/UK, 8 August 2016
Jones, Jonathan, 'Freud's study, Rio favelas and Hillary Clinton's niqab – the week in art', on: www.theguardian.com, London/UK, 5 August 2016
__, 'Mark Wallinger gets reflective at the Freud Museum’, on: phaidon.com, London/UK, 2 August 2016
Shaw, Anny, 'Three to see: London,' on: theartnewspaper.com, London/UK, 29 July 2016
Robinson, Paul Carter, 'Mark Wallinger: Recumbent Analysand Reflected In Mirrors Freud Museum London', on: www.artlyst.com, London/UK, 29 July 2016
Clark, Robert, 'Opening this week', in: The Guardian Guide, London/UK, 16-22 July 2016, p. 33
Schwartzkoff, Louis, 'Things to Do: We love Art on the Underground', in: Time Out, London/UK, 19-25 July 2016, p. 38
Finlay, Lesley, '10 lovely things to look out for along The Leas', on: www.folkestoneherald.co.uk, Folkestone/UK, 13 July 2016
Coxhead, Gabriel, 'Mark Wallinger,' in: Art in America, New York NY, June/July 2016, p. 152
Cook, Dave, Guest, Richard, 'Mark Wallinger’s ID – A Conversarion', on: londoneyeball.wordpress.com, London/UK, 11 June 2016
Wilson, Carl, 'The Turner Prize. A Brief Introduction to Film and Video (and Disappointment in 2016) ', on: popmatters.com, 10 June 2016
Cole, Angela, 'Folkestone: The town’s artworks featuring famous names, will be joined by Banksy’s Art Buff', on: kentonline.co.uk, Kent/UK, 6 June 2016
__, 'Mark Wallinger Exhibition Opens in Serlachius Museums, Finland', on: businesswire.com
Jeffrey, Tom, 'Factories, fine art and starry skies in rural Finland', on: apollo-magazine.com, 23 May 2016
Sipilä, Annamarie, 'Melkein oikeissa töissä', in: Helsingin Sanomat, Helsinki/FI, 22 May 2016, p. C 15
Roth, Raili; Vuokola,Tomi, 'Taiteilijatähti yllättää, vaikka karhupuvussa', in:
Luke, Ben, 'Sigmund Freud: snubbed by science, embraced by art', in: The Art Newspaper, London/UK, May 2016
___, 'Around Town: Photography in Focus', in: Artinfo, London/UK, April 2016, p18
Russell, Anna, 'A Young British Artist Grows Up', in: The Wall Street Journal, New York NY, 15 April 2016
Russell, Anna, 'Mark Wallinger: A British Master of Reinvention', on: www.wsj.com, New York NY, 13 April 2016
Cattaneo, Ada, 'Mark Wallinger Passport Control', in: 'Parterre de Rois', Milan/IT, Spring/Summer 2016
Talbot, Lynton, 'Mark Wallinger: ID', in: Art Monthly, London/UK, April 2016
Barry, Robert, 'Analyse That: Mark Wallinger's Monsters From The ID', www.thequietus.com, London/UK, 3 April 2016
Forrest, Tim, 'Mark Wallinger ID', on: www.tfeanda.com, London/UK, 30 March 2016
___, 'Arts agenda: The cultural highlights you have to see', in: i, London/UK, 30 March 2016, p. 31
Warde-Aldam, Digby, 'Innocence and Experience: Mark Wallinger stood out from the other YBAs for his wit and subtelty', on: www.1843magazine.com, London/UK, 22 March 2016
McNay, Anna, 'Mark Wallinger: 'Even the ugliest mark, with symmetry, gains some kind of élan', on: www.studiointernational.com, New York NY, 19 March 2016
Black, Paul, 'Mark Wallinger's ID at Hauser & Wirth', on: www.artlyst.com, London/UK, 17 March 2016
Berman, Arthur, 'The mataphorical bunch of Daffs', on: www.unvarnished.co.uk, London/UK, 17 March 2016
Martin, Richard, 'Mark Wallinger's uncanny identity parade', on: www.apollo–magazine.com, London/UK, 16 March 2016
___'Don't Miss – Still on and still great', in: Time Out London, London/UK, 15 March 2016
Luke, Ben, 'Identity crisis is impossible to resist', in: London Evening Standard, London/UK, 14 March 2016
Van Biema, David, 'Can religious art be taken seriously again? A Q&A with Aaron Rosen', on: www.religiousnews.com, Washington DC, 10 March 2016
___, 'Arts Agenda: The cultural highlights you have to see', in: i, London/UK, 8 March 2016
Klingelfuss, Jessica, 'Grand gestures: Mark Wallinger gets his hands dirty at Hauser & Wirth', on: www.wallpaper.com, London/UK, 4 March 2016
Buck, Louisa, 'Who does Mark Wallinger think he is?', on: www.telegraph.co.uk, London/UK, 4 March 2016
___, 'Mark Wallinger: ID', on: www.rag-bone.com, New York NY, 3 March 2016
___, 'Mark Wallinger "ID" Exhibition Opening at Hauser & Wirth London', on: www.purple.fr, 2 March 2016
Petty, Felix, 'mark wallinger: portrait of an artist with an iphone', on: www.i-d.vice.com, London/UK, 1 March 2016
___, 'Arte! International', in: 'Arte Brasileiros', March 2016, Brasilia/BR
Coomer, Martin, 'Mark Wallinger: ID', in: Time Out London, London/UK, 1 March 2016
___, 'The Europe Edition – March 2016', on: Artinfo, London/UK, March 2016, p.28
Tonkin, Boyd, 'A Mark of Distinction', in: 'The Independent, London/UK, 29 February 2016
___, 'Another Major Departure from Sotheby's', on: www.apollo-magazine.com, London/UK, 29 February 2016
___, 'Art Review', on: www.artlyst.com, London/UK, 29 February 2016
Bromwich, Kathryn, 'Mark Wallinger', in: 'The Observer, The New Review, London/UK, 28 February 2016, p.3
Cumming, Laura, 'Who does he think he is?', in: The Observer, The New Review, London/UK, 28 February 2016, p.30
Basciano, Oliver, 'London: Mark Wallinger', in: The Guardian Guide, London/UK, 27 February 2016
Muraben, Billie, 'Continuous revolutions abound in Mark Wallinger's new show', on: www.itsnicethat.com, London/UK, 25 February 2016
Upton, George, 'The Art of The Mind: Mark Wallinger', www.port-magazine.com, London/UK, 25 February 2016
Judah, Hettie, 'How One Contemporary Artist got Addicted to Finger Painting', on: www.nytimes.com, New York NY, 25 February 2016
Milner, Catherine, 'Mark Wallinger, ID at Hauser & Wirth', on: www.howtospendit.ft.com, London/UK, 26 February 2016
___, 'Mark Wallinger: ID', on: www.galleriesnow.net, London/UK, 26 February 2016
Buck, Louisa, 'Mark Wallinger: 'Facing Up To Myself'', on: www.thartsnewspaper, London/UK, February 2016
Coomer, Martin, 'Mark Wallinger: ID', on: www.timeout.com, London/UK, 25 February 2016
Searle, Adrian, 'Full Marks', in: 'The Guardian, G2', London/UK, 25 February 2016, p.16
Cambell-Johnston, Rachel, 'Mark Wallinger is watching you (if you go to his show)', in: The Times, London/UK, 24 February 2016
___, 'Mark Wallinger: ID', in: Timeout London, London/UK, 23 February 2016
___, 'Mark Wallinger at Hauser & Wirth London', on: www.amuse-i-d.vice.com, London/UK, 21 February 2016
Jones, Jonathan, 'The Week in Art', on: www.theguardian.com, London/UK, 19 February 2016
Westfall, Mark, 'NEW Mark Wallinger exhibition ID', on: www.fadmagazine.com, London/UK, 18 February 2016
Kordic, Angie, 'Mark Wallinger Explores Self Through Artistic Means in a Debut at Hauser & Wirth', on: www.widewalls.ch, Ermatingen/CH, 16 February 2016
___'Don't Miss', in: Modern Painters, New York NY, February 2016, p.38
___, 'On Show', in: Christie's Magazine, London/UK, February 2016
___, 'Mark Wallinger', in: GarageWings, Moscow/RU, Spring 2016
Hastings, Sophie, 'The Artist in Six Easy Pieces', in: GQ, London/UK, March 2016
Barry, Robert, 'Round ’Em Up Let’s Go: February Exhibition Previews', on: www.thequietus.com, London/UK, 31 January 2016
Cook, Greg, ' Build A Giant Horse — And Other Ways Art And Business Can Partner To Enliven Cities', on: www.artery.org, Boston MA, 19 January 2016
Lee, Donald, 'Face-off: Van Dyck and Mark Wallinger', on: www.theartsnewspaper.com, London/UK, 13 January 2016
Jones, Jonathan, 'I am Van Dyck – the Andy Warhol of 17th-century portraiture', on: www.theguardian.com, London/UK, 12 January 2016
Arsen, Jan, 'Anthony Van Dyck and Mark Wallinger Meet in an Extraordinary Combination of Baroque and Contemporary Art', on: www.widewalls.ch, Bern/CH, 11 January 2016
Herbert, Martin, 'Previews', in: ArtReview, London/UK, January – February 2016
___, 'The most unmissable culture of 2016', in: The Guardian, G2, London/UK, 4 January 2016
Pilcher, Jeremy, 'State Britain and the Art of (Im)proper Democratic Protest', in: Law, Culture and the Humanities, London/UK, January 2016

2015 Atwood, Margaret, 'Secret Lives', in Lapham’s Quarterly, New York NY, p. 134 (ill.)
___, 'Mark Wallinger Pairs With Van Dyck In Dulwich Picture Gallery Display', on: www.artlyst.com, London/UK, 18 December 2015
___, '2015's Turner Prize winner is not the weirdest thing that ever claimed the prize', on: www.stuff.co.nz, Christchurch/NZ, 9 December 2015
___, 'Ten most notable and notorious Turner Prize winners', on: www.itv.com, London/UK, 7 December 2015
Bancroft, Holly, 'An Unconventional Christmas', on: www.palatinate.org.uk, Durham/UK, 4 December 2015
Grenier, Elizabeth, 'Turner Prize Logic', on: www.dw.com, Berlin/DE, 7 December 2015
Klingelfuss, Jessica, 'Art strikes back at Fundacio Gaspar, Barcelona's newest art gallery', in: www.wallpaper.com, London/UK, 27 November 2015
Bhowmick, Aruna, 'Vibrant Movement', on: www.thestatesman.com, New Delhi/IN, 26 November 2015
Schmidt, Veroncia, 'Talk to the Animals', on: www.listener.co.nz, Wellington/NZ, 19 November 2015
___, 'British artist Wallinger's 'White Horse' unveiled in Delhi', on: www.business-standard.com, New Delhi/IN, 19 November 2015
___, 'The White Horse by Mark Wallinger at British Council, Delhi', on: www.britishcouncil.in, New Delhi/IN, 18 November 2015
Muir, Gregor, 'The closing scene was a mob', in: Vogue, London/UK, November 2015, pp. 242 – 243
Reißmann, Erwin, 'Labyrinth: Art on London's Underground', on: www.blogmymaze.com, Berlin/DE, 11 October 2015
Passariello, Christina, 'What Venture Capital and Art Have in Common', on: blogs.wsj.com, New York NY, 9 October 2015
Cumberbatch, Amiée Grant, 'Beyond Limits: The Landscape of British Sculpture 1950-2015' on: www.telegraph.co.uk, London/UK, 11 September 2015
O'Hagan, Sean, 'Artist Patrick Brill, aka Bob and Roberta Smith, on the 'sickening' YBAs, Tory 'philistines', and losing to Michael Gove in the last election', on: www.theguardian.co.uk, London/UK, 23 August 2015
Starrs, Siobhan, 'Along London's 'other river,' am art walk brightens the scenery', on: www.washingtonpost.com, Washington DC, 30 July 2015
___, 'Shortlisted: Four Museums Compete for £40,000 Contemporary Art Society Award', on: www.artlyst.com, London/UK, 12 July 2015
___, 'The walls talk in the Groucho Club', on: www.christies.com, London/UK, 9 July 2015
___, 'Art brightens up London's Victoria Tube line', on: www.themalaymailonline.com, Kuala Lumpur/MY, 2 July 2015
Barnicoat, Becky, 'I failed – and it became news', in: 'The Guardian', London/UK, 24 June 2015
Wallinger, Mark, 'Untitled', in: The Guardian, G2, London/UK, 24 June 2015, p. 19
Dorment, Richard, 'After 30 years, I look back with amazement', on: www.telegraph.co.uk, London/UK, 23 June 2015
Steinberg, Jessica, 'Israel Museum tells story of 'Sapiens' via archaelogy and art', on: www.timesofisrael.com, Jerusalem/IL, 19 June 2015
___, 'Dreamers Wanted: Rose Design's Garry Blackburn dreams up Labyrinth in the London Underground' on: www.thedrum.com, London/UK, 17 June 2015
___, 'Thousands sign petition as trade union rep sacked by National Gallery remains defiant', on: www.westendextra.com, London/UK, 5 June 2015
___, 'A new sculpture walk brings contemporary art to Stratford', on: www.citymetric.com, London/UK, 3 June 2015
Mackin, Annette, 'Two thousand-strong rally sends defiant message to National Gallery bosses', on: socialistworker.co.uk, London/UK, 31 May 2015
___, 'Rally backs National Gallery strike', on: www.belfasttelegraph.co.uk, Belfast/UK, 30 May 2015
___, 'VAN May/June 2015: Watching Liquid Run', Maolíosa Boyle and Mark Wallinger in Discussion', on: visualartists.ie, Dublin/IE, 29 May 2015
Ward, Julie, 'Standing Together With National Gallery Staff', on: www.huffingtonpost.co.uk, London/UK, 25 May 2015
___, 'Leading Artists Transform Rolls-Royce Ghost Cars For Breast Cancer Charity', on: www.artlyst.com, London/UK, 21 May 2015
McGivern, Hannah, 'Artists unite for Delfina Foundation: Mark Wallinger and Tacita Dean among alumni donating works to raise funds for residency centre in London', on: www.theartsnewspaper.com, London/UK, 19 May 2015
Kielbasiewicz, Stefan, 'Does art really hate Religion?', on: www.nouse.co.uk, Bristol/UK, 5 May 2015
Jury, Louise, 'Artists Grayson Perry and Mark Wallinger back protest letter over privatisation at National Gallery', on: www.standard.co.uk, London/UK, 20 April 2015
Grow, Kory, 'Electronica Titans Leftfield Return With Frist Music in 16 Years', on: www.rollingstones.com, New York NY, 26 March 2015
¬___, 'Christina Mackie Unveils The Latest Tate Britain Commission Supported by Sotheby's', on: www.artlyst.com, London/UK, 23 March 2015
Masters, Tim, 'Gift Horse sculpture trots onto Fourth plinth', on: www.bbc.co.uk, London/UK, 5 March 2015
___, 'From cocks to horses: Introducing the tenth artwork on Trafalgar Square's Fourth Plinth – Hans Haacke's Gift Horse', on: www.cityam.com, London/UK, 3 March 2015
Muñoz-Alonso, Lorena, 'Damien Hirst, Martin Creed, and Gary Hume Star in The Line, London's New Art Walk', on: www.artnet.com, London/UK, 26 February 2015
___, 'Turner Prize winner hosts Derry show', on: www.derryjournal.co.uk, Derry/UK, 22 February 2015
___, 'Turner Prize winner Mark Wallinger returns to Derry', on: www.northernireland.org, Belfast/UK, 21 February 2015
Davies, Catrin, '5 of the best stylish spring break getaways', on: www.mydaily.com, London/UK, 10 February 2015
Martin, Fiona, 'Book Reviews', in: 'Aesthetica Magazine', York/UK, February 2015, p.147
____, 'Christie’s Joins ArtStack For The First Crowd Sourced Auction Initiative', on: www.artlyst.com, London/UK, 31 January 2015
____, 'Alex Sainsbury Appointed As New Chair of the Whitechapel Gallery', on: www.artlyst.com, London/UK, 8 January 2015

2014 Pobric, Pac, 'Artists call the shots', on: www.theartnewspaper.com, London/UK, 4 December 2014
Dunne, Aidan, 'No need for anxiety as Tulca engages in Galway', on: www.irishtimes.com, Dublin/IE, 18 November 2016
Appleyard, Bryan, 'He is Risen', in: The Sunday Times, Culture, London/UK, 2 November 2014
___, 'Lost in London', in: Time Out London, London/UK, November 2014
Brooke, Mike, 'Turner prize-winner Mark Wallinger selects artists for last Bow Arts show in old pickle factory', on: www.eastlondonadvertiser.co.uk, 2 September 2014
Howard, Kate, 'We are lucky Galway has a wealth of artists and an arts audience', on: www.advertiser.ie, Galway/IE, 30 October 2014
Carey-Kent, Paul, 'Frieze a Fading Memory’, on: www.artlyst.com, London/UK, 25 October 2014
Baal, Iphgenia, 'Women’s Work Sells and Freud’s Study is Reimagined at Frieze London’, on: www.artinamericamagazine.com, New York NY, 16 October 2014, ill.
Miller, Ben, 'Frieze London 2014: Ten to see during Frieze week', on: www.culture24.com, London/UK, 16 October 2014
Pietsch, Hans, 'Kindergarten und Live-Events’, on: www.art-magazin.de, 16 October 2014, ill.
Siegel, Nina, 'The id and the ego, depicted in colour', in: Internation New York Times, New York NY, 16 October 2014
___, 'Frieze Sales Report’, on: www.artmarketmonitor.com, New York NY, 15 October 2014, ill.
___, 'Mark Wallinger curates Hauser & Wirth at Frieze', on: www.id.com, London/UK, 15 October 2014
___, 'Seen at Frieze’, on: www.artmarketmonitor.com, New York NY, 15 October 2014, ill.
Gat, Orit, 'Frieze Art Fair’, on: www.art-agenda.com, New York NY, 15 October 2014, ill.
Charlesworth, JJ, 'Top 10 Best Booths at Frieze London,’ on www.artnet.com, London/UK, 15 October 2014, ill.
Charlesworth, JJ, ’Frieze London, Behave!’, on: www.artnet.com, London/UK, 15 October 2014
Milliard, Coline, ’What Sold at Frieze London 2014?’, on: www.artnet.com, London/UK, 15 October 2014
Indrisek, Scott, 'Frieze London: Miley Cyrus, Sleeping Guards, and Race-Car Hunting Trophies’, on: www.blouinartinfo.com, New York NY, 15 October 2014
Indrisek, Scott, 'Dispatches from Frieze: Here’s One Man Already Suffering From Fatigue’, on: www.blouinartinfo.com, New York NY, 15 October 2014, ill.
___, 'Video: 60 Works in 60 Seconds at Frieze London 2014’, on: www.blouinartinfo.com, New York NY, 15 October 2014, ill.
___, 'Frieze Week, Digby’s Diary (Wednesday)’, on: www.apollomagazine.com, London/UK, 15 October 2014, ill.
___, 'Artlyst Power 100: 2014 Alternative Art Power List revealed’, on: www.artlyst.com, London/UK, 15 October 2014
___, 'Diary', in: 'The Arts Newspaper Frieze Daily Edition', London/UK, 14 October 2016
Higgins, Charlotte, 'Frieze: even sleeping security guards are art in a world of elaborate disguises', on: www.theguardian.com, 14 October 2014, ill.
Yablonsky, Linda, 'First Wave’, on: artforum.com, New York NY, 13 October 2014
Swengley, Nicola, 'Frieze: on the psychologist's couch', on: www.ft.com, 12 October 2014
Warner, Maria, 'Blackfriars station', on: www.ft.com, London/UK, 10 October 2014
___, 'Frieze Week And Alternative Satellite Art Fair Guide 2014’, on: www.artlyst.com, London/UK, 9 October 2014
___, 'Go on a Journey Through London's Underground with Mark Wallinger', on: www.culture24.org.uk, London/UK, 2 October 2014
Cahill, James, 'Deep Frieze', in: 'Apollo', London/UK, October 2014, pp. 49-50
___, 'Frieze Sculpture Park Announced for Frieze Art Fair’, on: www.artlyst.com, London/UK, 29 September 2014
Clark, Nick, 'What's your poison? Soup from Fukushima at art fair', in: The Independent, 26 September 2014, p. 9
___, 'Preview Frieze London 2014', on: www.artnews.com, London/UK, 10 September 2014
Brown, Mark, 'From Fukushima to Frieze - vegetable soup to test resolve of London's hungry art lovers', in: The Guardian, London/UK, 26 September 2014, p. 17
Moore, Susan, 'The Art Market', in: Apollo, London/UK, October 2014, pp. 92-93
Stückelberger, Johannes, 'Die Stadt als religiöser Raum. Mark Wallingers Analysen', in: Kunst und Kirche, Frankfurt am Main/DE, 03/2014, pp. 42-45, ill.
Buck, Louisa, 'Folkestone Triennial: after the gold rush', on: www.telegraph.co.uk, London/UK, 6 September 2014, ill.
Emms, Stephen, 'Folkestone's third Triennial: must-sees and more', on: www.theguardian.com, London/UK, 30 August, 2014
___, 'Mark Wallinger And Zandra Rhodes Present Made in Bermondsey Exhibition', on: www.artlyst.com, London/UK, 20 August 2014
___, 'The Whispers Keeps Alive Voices From The Great War', on: www.kentnews.co.uk, Ashford UK, 17 August 2014
Michael Glover, 'Figures of Fun', in: The Independent, London/UK, 11 August 2014, pp. 40-41
Jury, Louise, 'New Goldsmiths gallery in a former bathhouse', in: Evening Standard, London/UK, 20 July 2014, p. 26
___, 'The Line Announces Sculptors Participating in 2014 Inaugural Exhibition', on: www.artlyst.com, London/UK, 13 July 2014
___, 'Hirst sculpture to line art walk', on: www.dailymail.co.uk, London/UK, 11 July 2014
Shaw, Anny, 'Former YBAs and conceptual artists take part in London sculpture trail', on: www.theartnewspaper.com, London/UK, 11 July 2014
Jury, Louise, 'Landscape art; walk The Line to see world-class sculptures', in: Evening Standard, London/UK, 11 July 2014, p. 3
Nayeri, Farah, 'F is for fair, for Frieze and for Fiac. But which comes out on top in the battle for autumn's crop of deep-pocketed collectors?', in: Baku, Baku/AZ, Summer 2014, pp. 72-75
Watt, Nicholas, 'Labour party auctions football match in wake of Tories' tennis game', on: www.theguardian.com, London/UK, 8 July 2014
Henderson, Violet, 'The Green Party', in: Vogue, London/UK, August 2014, pp. 175-179, 195
Schröder, Nicola, 'Memorial for the Unknown Artist', in: Atrensuite, Bern/CH, June/July 2014, pp.7 - 9, ill.
Güner, Fisun, 'The Human Factor, Hayward Gallery', on: www.theartsdesk.com, London/UK, 18 June 2014
Searle, Adrian, 'An infuriating, clashing drama that fizzles out', in: The Guardian, London/UK, 17 June 2014, p. 11, ill.
Luke, Ben, 'Go figure!', in: London Evening Standard, London/UK, 17 June 2014, pp. 36-37
Sooke, Alastair, 'How the human body regained its place in art', in: The Daily Telegraph, London/UK, 17 June 2014, p. 25
___, 'JFK and Oswald share gallery space', on: www.belfasttelegraph.co.uk, Belfast UK, 16 June 2014
Cripps, Charlotte, 'Food For Thought. Mark Wallinger', in: The Independent, London/UK, 15 June 2014
___, ' Tracey Emin among big-name artists in Hestercombe House's debut art show', on: www.thisisthewestcountry.co.uk, Weybridge/UK, 28 May 2014
___, 'Wayfinding and Environmental Graphics shortlist 2014', on: www.designweek.co.uk, London/UK, 16 May 2014
___, 'Home', in: Time Out London, London/UK, 13-19 May 2014, p. 73, ill.
Brown, Mark, 'Homeless charity Crisis shows art commissioned from its clients', on: www.theguardian.com, London/UK, 8 May 2014, ill.
Jones, Jonathan, 'Past perfect: Why the best modern art shows its primitive roots', on: www.theguardian.com, London/UK, 6 May 2014
Beanland, Christopher, 'Supersize Art: The Kelpies in Falkirk', on: www.independent.co.uk, 16 April 2014
Buck, Louisa, 'Drawing the line with Megan Piper', in: The Telegraph Luxury, London/UK, Spring 2014, p. 60
Sherwin, Skye, 'Country special: Outsider Art', in: The London Magazine, London/UK, April 2014, pp. 32-33, ill.
___, 'Sarah is kind of a big deal in the UK', on: www.sootoday.com, Ontario CA, 15 March 2014
Christiansen, Rupert, 'Urban art: soon we'll all want to walk the Line', on: www.telegraph.co.uk, London/UK, 17 March 2014
___, 'Ebbsfleet: Britain's first new garden city', on: www.telegraph.co.uk, London/UK, 16 March 2014
Clark, Nick, 'Mark Wallinger hopes life-size white horse unveiled on The Mall will 're-kick-start' momentum for its 50m sister', on: www.independent.co.uk, London/UK, 5 March 2014, ill.
___, 'Mark Wallinger joins Hauser & Wirth', on: www.artmediaagency.com, Paris/FR, 24 February 2014
___, 'Turner Prize exhibitor hopes as Hestercombe plans art gallery opening', on: www.thisisthewestcountry.co.uk, Weybridge/UK, 23 February 2014
Jacques, Adam, 'Delfina Entrecanales & Mark Wallinger', in: The Independent, London/UK, 23 February 2014, pp. 42-43
Adam, Georgina, 'Vitory for expertise', in: FT Weekend Life & Arts, London/UK, 22 & 23 February 2014, p. 19
Willis, Lenise, 'Winston-Salem Flooded With Fluid Movement', on: yesweekly.com, Greensboro NC, 19 February 2014
Harris, Gareth, 'London artists start New York-style gallery hopping', on: www.theartnewspaper.com, London/UK, 19 February 2014, ill.
Thorpe, Vanessa, 'New Battle of Hastings as plan for helter skelter sculpture splits town', on: www.theguardian.com, London/UK, 15 February 2014
Duggins, Alexi, 'Fun, fun, funds', in: Time Out London, London/UK, February 2014, p. 7
Brown, Mark, 'Trafalgar Square's fourth plinth to show giant thumbs up and horse skeleton', on: www.theguardian.com, London/UK, 7 February
Curtis, Nick, 'The line of beauty: Mark Wallinger’s vision for an outdoor sculpture trail in East London', in: London Evening Standard, London/UK, 7 February 2014

2013 Landy, Michael, 'Art attack at Tate Britain: artists explain why they sabotage', on: www.theguardian.com, 28 September 2013
Brown, Mark, '"Angel of the south", with wings clipped, lands in London amid financial storm', on: theguardian.com, London/UK, 5 March 2013
Clark, Nick, 'Mark Wallinger hopes life-size white horse unveiled on The Mall will “re-kick-start” momentum for its 50m sister', on: independent.co.uk, London/UK, 5 March 2013
Brown, Mark, 'Tube celebrates 150th birthday with labyrinth art project', on: theguardian.com, London/UK, 7 February 2013
___, 'Art on the Underground: Mark Wallinger’s designes – in pictures', on: theguardian.com, London/UK, 7 February 2013
Sinclair, Mark, 'Mark Wallinger’s Underground Labyrinth', on: creativereview.co.uk, London/UK, 7 February 2013

2012 Hubbard, Sue, 'An Inquiring Mind', in: Artillery, London/UK, November – December 2012
Lovatt, Estelle, 'Meatmorphosis: Titan Transformed', in: Art of England, London/UK, October 2012
Wallinger, Mark, 'my space', in: The Times, London/UK, 11 August 2012
Barnett, Laura, 'A stonemason's view on Mark Wallinger's site', in: The Guardian, London/UK, 1 July 2012

2011 Crisp, Clement, 'Undance: Sadler's Wells', in: The Financial Times, London/UK, 5 Decmber 2011
Jennings, Luke, 'A great threesome unbound', in: The Observer, London/UK, 4 December
Crompton, Sarah, 'Undance, Sadler’s Wells Review', in: The Daily Telegraph, London/UK, 2 December 2011
Anderson, Zoe, 'Undance, Sadler's Wells, London (2/5) ', on: independent.co.uk, London/UK, 2 December 2011
Bishop, Clifford, 'Undance review', in: London Evening Standard, London/UK, 2 December 2011
Winship, Lyndsey, 'That's the way to undo it', in: Time Out, London/UK, 1 December 2011
___, 'Turner Prize and Olivier Award Winner Team up for Super Ballet', in: The Huffington Post, New York NY, December 2011
Crompton, Sarah, 'The supergroup of modern dance', in: The Daily Telegraph, London/UK, New York NY 30 November 2011
Craine, Debra, 'Painting feels like it’s an endgame', in: The Times, London/UK, 14 November 2011
Van Der Lint, Roos, 'Mark Wallinger (is onschuldig)', on: kunstbeeld.nl, Amsterdam NL, November 2011
Wroe, Nick, 'A Life in Art, Mark Wallinger', in: The Guardian, London/UK, 1 October 2011
Sharp, Rob, 'The Wallingers that were just too wacky – even for him', in: The Independent, London/UK, 1 October 2011
Barnett, Laura, 'It took a while to earn his trust', in: The Guardian G2, London/UK, 21 June 2011
Searle, Adrian, 'Yes, but is it drawing?', on: guardian.co.uk, London/UK, April 2011
Luke, Ben, 'Surreal World Captured in Perpetual Motion', in: Evening Standard, London/UK, April 2011
Ward, Ossian, 'Turkey: art, war, memory', in: Time Out, London/UK, February 2011
Mount, Harry, 'Turkish Time Travel', in: The Spectator, London/UK, 1 January 2011

2010 Herbert, Martin, 'Now See This', in: Art Review, London/UK, December 2010
Bunbury, Stephanie, 'Happily Making His Mark', in: The Age A2, Melbourne/AU, 9 October 2010
Wallinger, Mark, 'Collages That Cut To The Quick', in: The Independent, London/UK, 3 December 2010
Spence, Rachel, 'Straits Ahead', in: The Financial Times Life & Arts, London/UK, 20-21 November 2010
Adams, Tim, 'Frieze Art Fair', in: The Observer, New Review, London/UK, 17 October 2010
Schama, Simon, 'The Beastliness of Modern Art', in: Financial Times Life & Arts, London/UK, 16 & 17 October 2010
Itzkoff, Dave, 'British Artists Protest a Possible Cut in Government Funds', in: The New York Times, New York NY, 10 September 2010
Akbar, Arifa, 'Cockerels, cashpoints and cake nest for fourth plinth', in: The Independent, London/UK, 20 August 2010
___, 'Exporama', in: ArtPress, Paris/FR, July-August 2010
Kennedy, Maev, 'Mark Wallinger Gets The Tory Vote', in: The Guardian, London/UK, 20 July 2010
___, 'Wallinger Will Grace Jeremy's Joint', in: TheArtNewspaper.com, London/UK, 20 July 2010
___, 'Diary', in: The Independent, London/UK, 20 July 2010
___, 'Jeremy Hunt picks Wallinger for his walls', Diary', in: The Evening Standard, London/UK, 19 July 2010
___, 'What’s going on Jeremy Hunt’s wall? ', on: guardian.co.uk, London/UK, 19 July 2010
Kennedy, Maev, 'Cinema with a view: Mark Wallinger makes history in Turkey', on: guardian.co.uk, London/UK, 9 July 2010
Coxhead, Gabriel, 'Mark Wallinger', in: Time Out London, London/UK, 24 June 2010
Dorment, Richard, 'Mark Wallinger at the Anthony Reynolds Gallery', in: The Daily Telegraph, London/UK, 15 June 2010
___, 'Five Best London Shows', in: The Independent, London/UK, 19 June 2010
Kellaway, Kate, 'Portrait Of The Artist As A Revolving Pope', in: The Observer, New Review, London/UK, 6 June 2010
Campbell-Johnston, Rachel, 'Mark Wallinger and the big white horse', in: The Times, London/UK, 5 June 2010
Byrt, Anthony, 'Mark Wallinger', on: artforum.com, New York NY, 1 June 2010
Ulrichs, David, 'Berlin Gallery Weekend', in: Art Monthly, London/UK, June 2010
Peers, Alexandra, 'Mountaintop Art', in: The New York Observer, New York NY, 19 May 2010
Altman, Anna, 'Mark Wallinger', on: frieze.com, London/UK, May 2010
Heiser, Jorg, 'Berlin Highlights', on: frieze.com, London/UK, May 2010
Birch, Amanda, 'Giddy Heights', in: Building Design, London/UK, 30 April 2010

2009 Steeds, Lucy, 'Mark Wallinger curates: The Russian Linesman', in: Art Monthly, London/UK, April 2009
Slater, Lydia, 'Horsing About', in: Evening Standard Magazine, London/UK, 17 April 2009
Byrt, Anthony, 'The Russian Linesman', on: www.artforum.com, London/UK, 7 April 2009
___, 'Gigantic Animal News', in: Art Monthly, London/UK, March 2009
Tellwright, Turia, 'Horse for a Kingdom', in: Racing Post, London/UK, 30 March 2009
Orr, Deborah, 'Mark Wallinger', in: The Independent Magazine, London/UK, 14 March 2009
Cumming, Laura, 'Roll up, roll up, the circus is in town', in: The Observer, London/UK, 8 March 2009
Darwent, Charles, 'The Russian Linesman, Hayward Gallery, London', in: The Independent, London/UK, 22 February 2009
Jarvis, Alice-Azania, 'Party of the week: making his Mark as curator', in: The Independent, London/UK, 20 February 2009
Pitman, Joanna, 'The Russian Linesman at Hayward Gallery, London SE1', in: The Times, London/UK, 21 February 2009
McLean-Ferris, Laura, 'Exhibitionist: The best art shows to see this week',in: The Guardian, London/UK, 20 February 2009
Lewis, Ben, 'Now you see it, now you don’t', in: The Evening Standard, London/UK, 18 February 2009
Lubbock, Tom, 'Spot the links', in: The Independent, London/UK, 17 February 2009
Reilly, Hugh, 'Illusions that can cross the line', in: The London Paper, London/UK, 17 February
Addley, Esther, 'Diary', in: The Guardian, London/UK, 17 February 2009
Sooke, Alastair, 'The jumble of an ordered mind', in: The Daily Telegraph, London/UK, 16 February 2009
Searle, Adrian, 'Let’s do the time warp again', in: The Guardian, London/UK, 16 February 2009
___, 'Winning again by a brass neck', in: The Sunday Times, London/UK, 15 February 2009
Adams, Tim, 'Mark Wallinger', in: The Observer, London/UK, 15 February 2009
Vallely, Paul, 'Mane attraction', in: The Independent, London/UK, 14 February 2009
Morrison, Richard, 'Do we need serious art for serious times or serious fun? ', in: The Times, London/UK, 14 February 2009
Jack, Ian, 'This horse isn’t so huge in Ebbsfleet', in: The Guardian, London/UK, 14 February 2009
___, 'One hourse race: Wallinger wins Ebbsfleet sculpture commission', on: www.flashartonline.com, Milan IT, 13 February 2009
Akbar, Arifa, 'The Diary: Kate Winslet; Mark Wallinger; Sir Ian McKellen; Charlotte Roche', in: The Guardian, London/UK, 13 February 2009
___, 'One horse race: Wallinger wins Ebbsfleet sculpture commission', on: www. flashartonline.com, Milan IT, 13 February 2009
Hudson, Mark, 'Mark Wallinger’s white horse is a winner', in: The Telegraph, London/UK, 12 February 2009
Cooper, Jilly, 'Did it have to be a horse? ', in: The Guardian, London/UK, 12 February 2009
Walker, Peter, 'The man is a genius – there’s no question about it', in: The Guardian, London/UK, 12 February 2009
Reid, Melanie, 'It's a racing cert this horse will be a winner', in: The Times, London/UK, 12 February 2009
Strong, Roy, 'Roy Strong, scourge of so much modern art, champions the wonder horse', in: Daily Mail, London/UK, 12 February 2009
Campbell-Johnston, Rachel, 'Bold, simple design will make an instant impact', in: The Times, London/UK, 11 February 2009
___, 'Mark Wallinger installs mirrored 'Tardis' at The Hayward', on: www.london-se1.co.uk, London/UK, 11 February 2009
___, 'Giant horse to tower over UK countryside', on: www.cnn.com/europe, Atlanta GA, 10 February 2009
Norman, Pete, 'Huge horse to be 'Angel of the South'', on: www.sky.news.com, London/UK, 10 February 2009
___, 'Wallinger's horse chosen to be Ebbsfleet's Angel of the South', in: The Guardian, London/UK, 10 February 2009
Macdonald, Fiona, 'Art that crosses the line', in: The Metro, London/UK, February 2009
Scarrer, Eva, 'Mark Wallinger, Aargauer Kunsthaus', in: Artforum, New York NY, January 2009

2008 Higgins, Charlotte, 'Crossing the line: how disputed World Cup goal inspired show about illusions', in: The Guardian, London/UK, 16 December 2008
Herbert, Martin, 'I Wallinger', in: Modern Painters, New York NY, September2008
___, 'Mark Wallinger', on: www.likeyou.com, Zurich CH, 1 September 2008
___, 'Mark Wallinger in Aargauer Kunsthaus',on: www.news.ch, Zurich CH, 1 September 2008
___, 'Aargauer Kunsthaus Presents Today Mark Wallinger Exhibition', on: www.artdaily.com, London/UK, 30 August 2008
Altorfer, Sabine, 'Zwischen Himmel und Hölle', in: MZ, 30 August 2008
Diers, Michael, 'Art Protest and Politics, Notes on 'State Britain' by Mark Wallinger', on: www.kunstmagazinberlin.de, Berlin DE, 30 August 2008
___, 'Turner Prize-winner Mark Wallinger in Aaragauer Kunsthaus', on: www.bluewin.ch, Zurich CH, 28 August 2008
___, 'Aargauer art with international art house', on: www.zisch.ch, Zurich CH, 28 August 2008
___, 'Ingleby Gallery, Edinburgh', on: www.wallpaper.com, London/UK, August 2008
Wright, Karen, 'Resurrection of Folkestone', on: www.phillipsartexpert.com, New York NY, 17 June 2008
Herbert, Martin, 'Shabby Chic', on: www.artforum.com, New York NY, 16 June 2008
___, 'What is the Folkestone Triennial? ', on: www.bbc.co.uk, London/UK, 13 June 2008
Sooke, Alistair, 'Folkestone: a place where nothing ever happens? ', on: www.telegraph.co.uk, London/UK, 16 June 2008
___, 'Meet the Artists' and 'Creating a Centre for Art' in: Folkestone Triennial Guide, Folkestone UK, June 2008
Marre, Oliver, 'Mark Wallinger, The artist gets back in the saddle', in: The Observer, London/UK, 11 May 2008
Jones, Jonathan, 'My kingdom for a horse', on: www.theguardian.com, London/UK, 10 May 2008, ill.
Campbell-Johnston, Rachel, 'The big bold horse wins it hands down',in: The Times, London/UK, 8 May 2008
Alberge, Dalya, 'Artist seeks to rival famous angel with a giant Stallion of the South', in: The Times, London/UK, 8 May 2008
Lubbock, Tom, 'Colossal ideas… or the makings of a white elephant? ',in: The Independent, London/UK, 8 May 2008
Dorment, Richard, 'Towering ambitions', in: The Daily Telegraph, London/UK, 8 May 2008
Simpson, Aislinn, 'Giant horse leads race to be 'angel of the South'', in: The Daily Telegraph, London/UK, 8 May 2008
Higgins, Charlotte, 'High horse. Plan for Britain’s biggest sculpture', in: The Guardian, London/UK, 8 May 2008
___, 'Mark Wallinger's Steel Racehorse Proposal', on: artforum.com/news, New York NY, 8 May 2008
Nayeri, Farah, 'Turner Winner Wallinger Dreams of Giant Horse, Dresses as Bear', on: bloomberg.com, New York NY, 8 May 2008
Curtis, Nick, 'Giant horse among runners to be 'Angel of the South'', in: Evening Standard, London/UK, 7 May 2008
Vallee, Pascaline, 'Revolutions Artistiques', in: Mouvement, London/UK, April-June 2008
___, 'Exclusive interview with Jean-Conrad and Isabelle Lemaitre', on: www.artcouncil.org.uk, London/UK, 25 April 2008
___, 'World War II RAF link inspires Tube artwork', in: Metro, London/UK, 17th March 2008
___, 'Tube's Mod remake’, in: The London Newspaper, London/UK, 14 March 2008
Artnotes, 'Ebbsfleet', in: Art Monthly Issue 3, 13, London/UK, February 2008
Feldmann, 'Schonheit und Brutalitat des Lebens', in: Dithmarscher Landeszeitung, Heide DE, 2 February 2008
Busing, Nicole, Klaas, Heiko, 'Poesie und Irritationen im Alltag', in: Nordsee Zeitung, Bremerhaven DE, 30 January 2008
Campbell Johnson, Rachel, 'It's got to be striking and must stand up for a nation', in: The Times, London/UK, 29 January 2008
Alberge, Dalya, 'Artists think big for £2m gateway to England', in: The Times, London/UK, 29 January 2008
Gardner, Belinda Grace, 'Die bewegende Kunst der bewegten Bilder', in: Die Welt, Berlin DE, 22 January 2008
Wallis, Clarrie, 'State Wallinger', in: Pluck, Issue #35, Spring 2008

2007 Rappolt, Mark, 'Tales from the city: Liverpool', in: Art Review, Issue 17, London/UK, December 2007
Cooke, Lynne, 'Mark Wallinger', in: Artforum, New York NY, December 2007
___, 'You ask the questions…', in: The Independent, London/UK, 10 December 2007
Gentle, Lynne, 'Sleeper Hit', on: artforum.com/diary, London/UK, 6 December 2007
Higgins, Charlotte, 'It's a good day for bears', in: The Guardian, London/UK, 5 December 2007
Akbar, Arifa, 'Praise for Turner jury as prize goes to war protest', in: The Independent, London/UK, 4 December 2007
Searle, Adrian, 'Critic's view: Accessible, funny, and serious', in: The Guardian, London/UK, 4 December 2007
Higgins, Charlotte, 'Wallinger takes Turner prize with re-creation of parliament protest', in: The Guardian, London/UK, 4 December 2007
Aspden, Peter, 'Political art captivates Turner Prize panel', in: Financial Times, London/UK, 4 December 2007
Reynolds, Nigel, 'War protest work wins Turner Prize', in: The Daily Telegraph, London/UK, 4 December 2007
Lubbock, Tom, 'Wallinger is deserving winner', in: The Independent, London/UK, 4 December 2007
Kelner, Simon, 'Bear with us', in: The Independent, London/UK, 4 December 2007
Alberge, Dalya, 'Bearly believable? The Turner prizewinner', in: The Times, London/UK, 4 December 2007
___, 'Anti-war camp copycat wins Turner Prize', in: The Daily Express, London/UK, 4 December 2007
Baracaia, Alexa, 'Wallinger's grizzly win', in: The London Paper, London/UK, 4 December 2007
Harris, Paul, 'The bear that's just walked off with the Turner Prize', in: The Daily Mail, London/UK, 4 December 2007
Reilly, Tom, 'Bungle wins the £25,000 Turner', in: The Sun, London/UK, 4 December 2007
___, 'Arti-war prize', in: Daily Mirror, London/UK, 4 December 2007
___, 'Tate Liverpool', on: e-flux.com, New York NY, 4 December 2007
Jury, Louise, 'Wallinger: Why I had to win the Turner', in: thisislondon.co.uk, London/UK, 4 December 2007
Maddocks, Fiona, 'The Bear Man', in: Evening Standard, London/UK, 23 October 2007
Lubbock, Tom, 'Why an artist dressed in a bear suit deserves', in: The Independent, London/UK, 19 October 2007
Campbell-Johnston, Rachel, 'It’s a poor show – Turner disciples are about to have their faith tested', in: The Times, London/UK, 19 October 2007
Jury, Louise, 'Grin and bear it…the Turner Prize show set to raise a smile', in: Evening Standard, London/UK, 18 October 2007
Higgs, Matthew, 'Mark Wallinger', in: Artforum, New York NY, September 2007
Lewis, Ben, 'It's Turner Prize Time Again', in: Financial Times, London/UK, 29-30 September 2007
___, 'Sculpture Projects in Münster', in: Art Monthly, issue 309, London/UK, September 2007
Diederichsen, Dietrich, 'Muenster', in: Frieze, London/UK, September 2007
Coonan, Clifford, 'BritArt goes east: Tracey's bed is re-made in China', in: The Independent, London/UK, 6 July 2007
Searle, Adrian, 'Peek-a-boo! ', in: The Guardian, London/UK, 26 June 2007
Kenning, Dean, 'You cannot be serious: Art Politics Idiocy', in: Art Monthly, issue 307, London/UK, June 2007
Bonaventura, Paul, 'Mark Wallinger: State Britain', in: Parkett, issue 79, Zurich CH, 2007
Morton, Tom, 'Back – Mark Wallinger', in: Frieze, London/UK, May 2007
___, 'Aftershock', in: CGM, CN, May 2007
Perry, Grayson, 'Welcome to the feeding frenzy', in: The Times, London/UK, 9 May 2007
Rose, Rebecca, 'War protest artist tipped do take Turner', in: ___, London/UK, 9 May 2007
Higgins, Charlotte, 'Political works to the fore in incredibly strong year', in: The Guardian, London/UK, 9 May 2007
Alberge, Dalya, 'Placards and protest put up for the Turner', in: The Times, London/UK, 9 May 2007
Reynolds, Nigel, 'Turner arts prize turns political', in: Daily Telegraph, London/UK, 9 May 2007
Dorment, Richard, 'A grown-up and interesting shortlist of contenders', in: Daily Telegraph, London/UK, 9 May 2007
Akbar, Arifa, 'Art takes back seat as politics and religion dominate Turner shortlist', in: The Independent, London/UK, 9 May 2007
___, 'Peace protest replica in running for Turner Prize', in: Morning Star, London/UK, 9 May 2007
Hanna, Laurie, 'Anti-war Parliament demo is up for Turner Prize', in: Daily Mirror, London/UK, 9 May 2007
Jury, Louise, 'Anti-war protest is nominated for Turner Prize', in: The Evening Standard, London/UK, 8 May 2007
___, 'Artwork based on atin-war campaigner', on: news.bbc.co.uk, London/UK, 8 May 2007
Herbert, Martin, 'Mark Wallinger', in: Modern Painters, New York NY, April 2007
Bois, Yves-Alain, 'Piece Movement', in: Artforum, New York NY, April 2007
Art Obsevation, CN, April 2007
Grayson, Richard, 'Mark Wallinger', in: Art Monthly, London/UK, Issue 304, March 2007
Lange, Christy, 'Captive Audience', in: Tate Etc., Issue 9, London/UK, Spring 2007
Gilligan, Andrew, 'The art of propaganda', in: The Evening Standard, London/UK, 22 February 2007
Cripps, Charlotte, 'Cultural Life, Mark Wallinger, Artist', in: The Independent, London/UK, 16 February 2007
Power, Carla, 'Beyond the Barricade', in: Newsweek, New York NY, 12 February 2007
Campbell, Peter, 'Peter Campbell at Tate Britain', in: London Review of Books, London/UK, 8 February 2007
Politi, Afroditi, 'From the protest to the gallery', in: Eleftherotipia, Athens GR, 25 January 2007
___, 'The art of propaganda', in: The Evening Standard, London/UK, 22 January 2007
Cumming, Laura, 'Anti-war demo? Let’s put the show on right here', in: The Observer, London/UK, 21 January 2007
Darwent, Charles, 'When art takes to the barricades', in: The Independent on Sunday, London/UK, 21 January 2007
Hensher, Philip, 'Is it art just because it’s in the Tate?', in: The Mail on Sunday, London/UK, 21 January 2007
Januszczak, Waldemar, 'What do we want?', in: The Sunday Times, London/UK, 21 January 2007
Iggulden, Amy, 'The modern art of protesting', in: The Daily Telegraph, London/UK, 16 January 2007
Davies, Serena, 'The fine art of free speech', in: The Daily Telegraph, London/UK, 16 January 2007
Lubbock, Tom, 'Voice from the gallery', in: The Independent, London/UK, 16 January 2007
Searle, Adrian, 'Bears against bombs', in: The Guardian, London/UK, 16 January 2007
Teeman, Tim, 'Protest loses its potency off the street', in: The Times, London/UK, 16 January 2007
Teodorczuk, Tom, 'Torn down by police, now Haw's protest camp lives again at the Tate', in: The Evening Standard, London/UK, 15th January 2007
Guner, Fisun, 'Exploring our freedom', in: The Metro, London/UK, 15 January 2007
___, 'Makeshift protest camp 'a work of art'', in: The London Lite, London/UK, 15 January 2007
Cole, Olivia, 'Tate puts artistic bomb under Blair', in: The Sunday Times, London/UK, 14 January 2007
Sooke, Alastair, 'In the studio', in: The Daily Telegraph, London/UK, 9 January 2007

2006 Bonham-Carter, Charlotte, 'Mark Wallinger', in: Flash Art, Milan IT, November – December 2006
Henkes, Alice, 'Choosing my Religion im Kunstmuseum', in: Kunst Bulletin, Zurich CH, 6 November 2006
Kent, Sarah, Reviews 'Mark Wallinger', in: Time Out, London/UK, 4-11 October 2006
Field, Marcus, 'Films for People Who Don't Like Video Art', in: The Independent on Sunday, London/UK, 1 October 2006
Davies, Lillian, Critic’s choice 'Mark Wallinger', in: Artforum, New York NY, October 2006
Critics Choice, 'Mark Wallinger', in: Time Out, London/UK, 20-27 September 2006
Webb, Simon, 'Crivelli’s Nail', in: AN Magazine, London/UK, April 2006
Wullschlager, Jackie, 'Off the Wall', in: Financial Times, London/UK, April 2006
Ulrich, Maurice, 'Culture Visions du monde', in: L'Humanité, Paris/FR, 14 March 2006

2005 Saunders, Matt, 'Berlin', in: Artforum, New York NY, December 2005
Spiegler, Von Almuth, 'Orgasmus unter Palmen', in: Die Presse, Vienna AT, 5 December 2005
Mittringer, Markus, 'Im Niemandsland', in: Der Standard, Vienna AT, 25 November 2005
Metzger, Rainer, 'Das Prinzip Intelligenz', in: Art Magazine, Hamburg DE, 25 November 2005
___, 'Artist Short', in: Berwick upon Tweed, Film and Media Arts Festival, Berwick upon Tweed UK, 16-25 September 2005
___, 'Via Dolorosa, ha una capella Intermente dedicate all'arte contemporanea. Per sempre', in: ___, Milan IT, 22 September 2005
___, 'Arte Sacra del Terzo Millennio', in: Chiesa di Milano, Milan IT, 21 September 2005
___, 'Mark Wallinger- Via Dolorosa', in: Exibart, Milan IT, 21 September 2005
___, 'Mark Wallinger- Easter', on: undo.net, Milan IT, 23 September 2005
Ghezzi, Rosella, 'Un inglese a Milano', in: Vivi Milano, Milan IT, 21 September 2005
Mammi, Alessadra, 'Christo si e fermato a Lodra', in: L'espresso, Milan IT, 22 September 2005
Vettese, Angela, 'Wallinger tra la cripta e l'hangar', in: Corriere Della Serra, Milan IT, 22 September 2005
Domenica, Francesca Bonazzoli, 'Credenti oppure no la mia arte e per tutti', in: Corriere Della Serra, Milan IT, 22 September 2005
Garbini, Don Luigi, 'L'Angelus Novus dell'arte sacra: il Duomo home theatre', in: Il Riformista, Rome IT, 16 September 2005
___, 'Don Garbin, 'Aiutera la preghiera', in: Corriere Della Serra, Milan IT, 22 September 2005
Gleadell, Colin, 'Art hunters head for their prey', in: Telegraph, London/UK, 20 June 2005
Spiegler, Marc, 'The Venice effect', in: The Art Newspaper- Art Basel daily newspaper, Basel CH, 15 June 2005
Searle, Adrian, 'Filth, blasphemy and big stars', in: Guardian, London/UK, June 2005
Barber, Lynn, 'Anyone for Venice? ', in: The Observer, London/UK, 18 June 2005
Lubbock, Tom, 'Eye Contact', in: ArtReview, London/UK, April 2005
O'Reilly, Sally, 'Things that go bump in the night: Mark Wallinger bears all', in: Modern Painters, New York NY, June 2005

2004 Craddock, Sacha, 'Embedded', in: Contemporary Magazine, London/UK, Issue 69, 2004
Glinkowski, Paul, 'Losing it in translation', in: AN Magazine, London/UK, December 2004
Bennett, Oliver, 'Hellish Vision', in: The Observer, London/UK, 9 May 2004
Withers, Rachel, 'Mark Wallinger', in: Artforum, New York NY, May 2004
Parker, Catherine, 'Mark Wallinger', in: Art Press, London/UK, April 2004
O'Reilly, Sally, 'Mark Wallinger', in: Frieze, London/UK, April 2004
Zybok, Oliver, 'Kunst und Sport – Die inszenierung von körperlichkeit und bewegung',
in: Kunstforum International, Bd. 169, Cologne DE, Marz-April 2004
Bolz, Norbert, 'Kunst und Sport – Sport als ästhetik der zukunft', in: Kunstforum International, Bd. 169, Cologne DE, Marz-April 2004
Watts, Jane, 'In Memorium', in: a--n Magazine, London/UK, March 2004
Buck, Louisa, 'Three degrees of separation', in: The Art Newspaper, London/UK, February 2004
Williams, Rowan, 'Imitations of Christ', in: The Guardian, London/UK, 31 January 2004
Kent, Sarah, 'Mark Wallinger', in: Time Out, London/UK, 28 January – 4 February 2004
Searle, Adrian, 'Mark Wallinger', in: The Guardian, London/UK, 21 January 2004
Darwent, Charles, 'Mark Wallinger', in: Metro, London/UK, 20 January 2004
Lubbock, Tom, 'Pitch-black perfect', in: The Independent, London/UK, 20 January 2004
Darwent, Charles, 'At home in the kingdom of the strangely familiar', in: The Independent on Sunday, London/UK, 18 January 2004
Cumming, Laura, 'Family favourites', in: The Observer Review, London/UK, 18 January 2004
Güner, Fisun, 'Bring me light', in: What’s On in London, London/UK, 14 January 2004
Güner, Fisun, 'Mark Wallinger: The artist ascending', in: The Independent Review, London/UK, 14 January 2004
Lack, Jessica, 'Mark Wallinger', in: The Guardian Guide, London/UK, 10-16 January 2004

2003 Reynolds, Nigel, 'Christ's birth inspired me, says creator of Tate's tree', in: The Daily Telegraph, London/UK, 13 December 2003
Kennedy, Maev, 'Traditional trappings, Artist trims Tate Tree', in: The Guardian, London/UK, 13 December 2003
Alberge, Dalya, 'Tate tree gives rosary reminder', in: The Times, London/UK, 13 December 2003
Leitch, Luke, 'Has the Tate finally lost its baubles?', in: Evening Standard, London/UK, 12 December 2003
Gale, Iain, 'Art that will set you free', in: The Scotsman, Edinburgh UK, 12 May 2003
Huther, Christian, 'Welt im Wandel', in: Main Echo, Aschaffenburg DE, 14 June 2003
Vogt, Tobias, 'Warum! Martin-Gropius-Bau', in: Zitty, Berlin DE, 13 June 2003
Williams, Eliza, 'Thatcher', in: Contemporary, Issue 53/53, London/UK, 2003
Binyon, Michael, 'Deface of the Nation', in: The Times, London/UK, 18 April 2003
___, 'I wanted to invade her privacy (Thatcher)', in: The Guardian, London/UK, 16 April 2003
___, 'Hungary for British art', in: Art Review, London/UK, April 2003
Young, Gary, 'Much Ado About Nothing', in: Art Papers, Atlanta GA, January/February 2003

2002 Allgårdh, Sophie, 'Wallinger ger oss en glimt av det förlovade landet', in: Konst, Stockholm SE, 24 November 2002
Johansson, Andreas, 'Tre Frågor/Har du alltid velat bli Konstnär? ', in: Observer, Stockholm SE, 22 November 2002
Högkvist, Stina, 'Borde jag ha läst Bibeln först?', in: Observer, Stockholm SE, 11 November 2002
Runefelt, Eva, 'Välkommen til världen', in: Observer, Stockholm SE, 8 November 2002
Forsberg, Nils, 'Såvitt vi ser', in: Observer, Stockholm SE, 31 October 2002
Karlstam, Cristina, 'På tröskeln till riket', in: KULTUR, Stockholm SE,26 October 2002
Av Katarina, Lööv, 'Söker andlighet I konsten', in: Broderskap, Stockholm SE, 25 October 2002
Nordqvist, Jens, 'Han gestaltar kampen mellan tro och tvivel', in: NYA DAGEN, Stockholm SE, 22 October 2002
Kino, Carol, 'Seeing and Believing', in: Art in America, New York NY, October 2002
Mikhail, Kate, 'What's The Big Idea', in: The Observer Magazine, London/UK, 22 September 2002
Hague, Helen, 'A classy, sexy two-horse race', in: The Independent, London/UK, 30 August 2002
Gayford, Martin, 'George Stubbs and Mark Wallinger', in: The Sunday Telegraph, London/UK, 11 August 2002
Searle, Adrian, 'Sculpture gives life to Christian symbolism', in: The Western Mail, Cardiff UK, 4 May 2002
Kent, Sarah, 'On the Mark - the poetic logic of Wallinger's new show', in: Time Out, London/UK, 2-9 January 2002
Leoni, Chiara, 'Ready to Rumble', in: Flash Art, Milan IT, December–January 2002

2001 Lapp, Axel, 'It Ain't! Is It Not? Mark Wallinger and Robert Gober at the 49th Venice Biennale', in: ___, 2001
The Sculpture Journal VI, Liverpool UK, 2001
___, Cover story, in: pLUK, London/UK, November - December 2001
Wilsher, Mark, 'What's On in London', in: ___, 28 November - 5 December 2001
Gayford, Martin, 'Ordinary and Sublime', in: The Daily Telegraph, London/UK, 28 November 2001
Cumming, Laura, 'A Matter of Life and Death', in: The Observer Review, London/UK, 25 November 2001
Cork, Richard, 'Readings from Mark', in: The Times, London/UK, 21 November 2001
Guner, Fisun, 'Let's get metaphysical', in: What's On in London, London/UK, 21 November 2001
Jones, Jonathan, 'God's-eye views', in: The Guardian, London/UK, 20 November 2001
Lubbock,Tom, 'It's a hit and myth affair', in: The Independent, London/UK, 20 November 2001
Dorment, Richard, 'Pick of the week - Mark Wallinger', in: The Daily Telegraph, London/UK, 10 November 2001
Collings, Matthew, 'Art Crazy Nation: The Post Blimey Art World', in: 21 Publishing Ltd. London/UK, 2001
Darwent, Charles, 'A poetic moment in an electric chair', in: The Independent, London/UK, 2001
Farndale, Nigel, 'Seeing the Light', in: The Sunday Telegraph Magazine, London/UK, 4 November 2001
Lubbock, Tom, 'Wallinger and Religion', in: Modern Painters, New York NY, Autumn 2001
___, 'Mark Wallinger on Whistlejacket', in: Private Passions - The Times, London/UK, 3 October 2001
Archer, Michael, 'Preview - Mark Wallinger', in: Artforum, New York NY, September 2001
___, 'Biennale Venedig', in: Frame, Amsterdam NL, August - September 2001
Metzger, Rainer, 'The Englishness of English Art', in: Frame, Amsterdam NL, August - September 2001
Vetrocq, Marcia E., 'Biennale Babylon', in: Art in America, New York NY, September 2001
Jocks, Heinz-Norbert, 'Die Austellung im Innern des Kopfes', in: Kunstforum International,
Cologne DE, August - October 2001
Wilson, Andrew, 'The Zones of Venice', in: Art Monthly, London/UK, July - August 2001
Kent, Sarah, 'Venice Biennale', in: Time Out, London/UK, 27 June - 4 July 2001
___, 'Exhibition of the week: Venice Biennale', in: The Week, London/UK, 23 June 2001
Gayford, Martin, 'States of bemusement', in: The Spectator, London/UK, 23 June 2001
Durand, Régis, 'La tradition non conformiste', in: Art Press, London/UK, June 2001
Pietsch, Hans, 'Der blinde Narr', in: Art das Kunstmagazin, Hamburg DE, June 2001
Kimmelman, Michael, 'Arty, Artful, Artless', in: The New York Times, New York NY, 20 June 2001
Januszczak, Waldemar, 'A curious beast', in: The Sunday Times, London/UK, 17 June 2001
McEwen, John, 'Pushy culture vultures', in: The Sunday Telegraph, London/UK, 17 June 2001
Burnet,t Craig, 'Fools Walk In ...', in: Modern Painters, New York NY, Summer 2001
Irving, Mark, 'Cultural Geography: art versus power', in: Financial Times, London/UK, 16 June 2001
Packer, William, 'Wallinger marks the spot', in: Financial Times, London/UK, 16 June 2001
Searle, Adrian, 'Lagoon Show', in: The Guardian, London/UK, 16 June 2001
Smith, Arthur, 'Watery Rave', in: The Guardian, London/UK, 14 June 2001
Cork, Richard, 'Too many tours spoil the broth', in: The Times, London/UK, 13 June 2001
Dorment, Richard, 'Wallinger's act of faith pays off', in: The Daily Telegraph, London/UK, 13 June 2001
Darwent, Charles, 'Flying the flag at the Eurovision art contest', in: The Independent on Sunday, London/UK, 10 June 2001
Irving, Mark, 'Briton is the big draw as Venice Biennale opens', in: The Independent, London/UK, 7 June 2001
Reynolds, Nigel, 'British artist flies the flag of controversy at Biennale', in: The Daily Telegraph, London/UK, 7 June 2001
Alberge, Dalya, 'Best of British misses the art of diplomacy', in: The Times, London/UK, 7 June 2001
Campbell-Johnston, Rachel, 'The art before the horse', in: The Times, London/UK, 4 June 2001
Bennett, Oliver, 'Taking a Tardis to the Venice Biennale', in: The Independent on Sunday, London/UK, 3 June 2001
Aidin, Rose, 'Profile: Mark Wallinger- Race, class and sex', in: The Independent, London/UK, 2 June 2001
Withers, Rachel, 'Customs Man: Mark Wallinger', in: Artforum, New York NY, Summer 2001
___, 'Mark Wallinger unveils new work at Museum', in: Oxford Blueprint, Oxford UK, 31 May 2001
Buck, Louisa, 'Chigwell Conceptualist', in: Evening Standard, London/UK, 31 May 2001
Hague, Helen, 'Conceptual without cliché', in: The Times Higher, London/UK, 25 May 2001
Santacatterina, Stella, '___', in: Flash Art, Milan IT, March-April 2001
Gayford, Martin, 'artists on art - Mark Wallinger', in: The Daily Telegraph, London/UK, 3 March 2001
Bonaventura, Paul, 'The Culture of Command', in: Modern Painters, New York NY, Spring 2001
Godfrey, Tony, '___', in: The Burlington Magazine, London/UK, January 2001

2000 Moszynska, Anna, 'Breeding and Healing', Art Review, London/UK, December/January 2000
Dodson, Sean, 'Artists who paint by digits', The Guardian, London/UK, 30 November 2000
Ingleby, Richard, '___', The Independent, London/UK, 11 - 17 November 2000
MacRitchie, Lynn, 'Portraits of the artist', Financial Times, London/UK, 10 November 2000
Bonaventura, Paul, 'Playful Art', New Statesman, London/UK, 6 November 2000
Sumpter, Helen, 'Seeing is Believing', I-D Magazine, London/UK, November 2000
Crowe, Nick, 'Football, The Lords Prayer and Heavy Metal - a peculiar kind of nationhood'
Flux Magazine, London/UK, October - November 2000
Jones, Jonathan, 'The Magical Mystery Tour', The Guardian, London/UK, 28 October 2000
Lubbock, Tom, 'In the sweet hereafter', The Independent, London/UK, 24 October 2000
Riley, Joe, 'Art can be fun', Liverpool Echo, Liverpool UK, 24 October 2000
Gayford, Martin, 'An Angel Underground', Sunday Telegraph, London/UK, 22 October 2000
RC, '___', Guardian Guide, London/UK, 21-27 October 2000
Gleadall, Colin, 'Contemporary Market', Daily Telegraph, London/UK, 16 October 2000
Grant, Simon, 'From Jesus on a plinth to an angel on Merseyside', Independent on Sunday, London/UK, 15 October 2000
___, 'Mostre', Vogue-Italia, Milan IT, September 2000
Perra, Daniele, Tema Celeste Contemporary Art, Milan IT, July - September 2000
Grant, Simon, 'Soul Searching', Tate Magazine, London/UK, Summer 2000
Gleadall, Colin, 'Edge of meaning and nonsense', The Daily Telegraph, London/UK, 22 July 2000
Mittringer, Marcus, 'Sehet, welch ein Mensch!', Der Standard, Vienna AT, 3 August 2000
Hall, James, 'Another Time, Another Place', Art Review, London/UK, July-August 2000
Ad.M., 'Wallinger per miracol mostrare', Il Giornale dell'Arte, Turin IT, Naples IT, July 2000
Ca.C., 'Wallinger. Un Young British artist da scoprire', Arte, Naples IT, July 2000
___, 'Ecce Homo', Vivi Milano, Milan IT, 17 May 2000
The Rt Revd. Chartres, Richard, 'Ecce Homo', Oremus, London/UK, March 2000
Ede, Sian, 'Bizarre Consequences' in Strange and Charmed, Calouste Gulbenkian Foundation United Kingdom Branch, London/UK, 2000
Treneman, Ann, 'Art, farce, politics and pigeons', The Times, London/UK, 11 February 2000
Barber, Lynn, 'For Christ's sake', The Observer, London/UK, 9 January 2000

1999 Searle, Adrian, 'Brush Hour', in: The Guardian, London/UK, 28 December 1999
Watson-Smyth, Kate, Abrams, Fran, 'Captain Cook and Batman fight for a place at the heart of nation', in: The Independent, London/UK, 27 December 1999
Jones, Jonathan, 'Mark Wallinger's Christ', in: The Guardian, London/UK, 27 December 1999
Hall, James, 'Short of statue', in: Artforum, New York NY, November 1999
Hoge, Warren, 'A finishing touch', in: Vocable, Paris/FR, 21 October-3 November 1999
Lethbridge, Lucy, 'The Plinth's Progress', in: ArtNews, New York NY, October 1999
Dorment, Richard, 'Small figure makes a big impact', in: The Daily Telegraph, London/UK, 25 August 1999
Hoge, Warren, 'A Finishing Touch for Trafalgar Square', in: International Herald Tribune, New York NY, 21-22 August 1999
Hoge, Warren, 'Plinth Seeks Occupant. Nelson will be Neighbour', in: New York Times, New York NY, 19 August 1999
Miller, Phil, 'New Statue of Jesus dwarfed by giants of Empire', in: The Scotsman, Edinburgh UK, 1999
Sir Strong, Roy, 'Is this a fitting site for a statue of Jesus Christ?', in: Daily Mail, London/UK, 22 July 1999
___, 'Centre of attention, public statues', in: The Times, London/UK, 22 July 1999
Alberge, Dalya, 'Christ stirs passion in Trafalgar Square', in: The Times, London/UK, 22 July 1999
Lister, David, 'Humble Christ beats war-like Thatcher', in: The Independent, London/UK, 22 July 1999
Bennett, Will, 'Christ fills a gap in heart of London', in: The Daily Telegraph, London/UK, 22 July 1999
Hendry, Alex, 'Jesus starts a new battle of Trafalgar', in: The Express, London/UK, 22 July1999
___, 'The plinth and the people', in: The Guardian, London/UK, 22 July 1999
Searle, Adrain, 'The day I met the son of God', in: The Guardian, London/UK, 22 July 1999
Gibbons, Fiachra, 'Behold Jesus, just another ordinary bloke', in: The Guardian, London/UK, 22 July 1999
Santacatterina, Stella, 'Mark Wallinger', in: Flash Art, Milan IT, March-April 1999
Heartney, Eleanor, 'Report from Montreal', in: Art in America, New York NY, February 1999
Brown, Neal, '___', in: Frieze, London/UK, January-February 1999

1998 ___, 'Who's Afraid of Red White & Blue? Attitudes to popular & mass culture, celebrity, alternative & critical practice & identity politics in recent British art', in: Article Press, Birmingham UK, 1998
Tozer, John, 'From today painting is dead', in: Contemporary Visual Arts, no. 21, London/UK, 1998
Glaister, Dan, 'Modern art to the rescue of Trafalgar Square's empty plinth', in: The Guardian, London/UK, 8 December 1998
Collings, Matthew, 'Battle of Trafalgar Square', in: The Observer, London/UK, 6 December 1998
Currah, Mark, in: Time Out, London/UK, 28 October- 4 November 1998
Sumpter, Helen, 'Mark Wallinger: The Four Corners of the Earth', in: The Big Issue, London/UK, 12-18 October 1998
___, 'Mark Wallinger', in: The Guide, London/UK, 3-9 October 1998
___, 'Mark Wallinger: The Four Corners of the Earth', in: The Guardian Space, London/UK, 9 October 1998
___, 'Mark Wallinger: The Four Corners of the Earth', in: 1998 Exhibit:A, September-October 1998
ArtClub, Autumn 1998
Contemporary Visual Arts, no. 20, London/UK, 1998
The Artnewspaper, Vol.X, London/UK, October 1998
Sumpter, Helen, 'Mark Wallinger: The Four Corners of the Earth', in: Evening Standard, London/UK, 1 October 1998
Harlow, John, 'Christ to get place in Trafalgar Square', in: The Sunday Times, London/UK, 20 September 1998
Geraghty, Ian, 'Mark Wallinger', in: Untitled, New York NY, Autumn 1998
McLaren, Duncan, 'The Four Corners', in: The Independent on Sunday, London/UK, 8 November 1998
Wallinger, Mark, 'The Pygmalion Paradox', in: Art Monthly, London/UK, July-August 1998
___, 'Minimalsport mit Erwin Wurm und vieles mehr', in: Kurier, Vienna AT, 6 June 1998
___, 'Von Endorphinen, Salzgurken und Stromstößen', in: Der Standart, Vienna AT, 5 June 1998
Kino, Carol, 'Dissin'the Real', in: Time Out New York, New York NY, 10 March 1998

1997 ___, 'Mark Wallinger at Jiri Svestka', in: Flash Art, Milan IT, November-December 1997
___, 'The Art Pack', in: Elle, London/UK, October 1997
The Guardian, London/UK, 19 September 1997
Johnstone, Isobel, 'Who's buying who?', in: The Guardian, London/UK, 3 June 1997
Tozer, John, 'Mark Wallinger, God', in: Art Monthly, London/UK, May 1997
Colard, Jean-Marc, 'Union Mark', in: Les Inrockuptibles, Paris/FR, 23-29 April 1997
Coomer, Martin, 'Mark Wallinger', in: Time Out, London/UK, 2-9 April 1997
Hoare, Lottie, 'Mark Wallinger', in: Untitled, New York NY, Spring 1997
Burrows, David, 'Ada Adekola, Yinka Shonibare, Mark Wallinger', in: Art Monthly, London/UK, February 1997
___, 'Ada Adekola, Yinka Shonibare, Mark Wallinger', in: Time Out, London/UK, 22-29 January 1997

1996 Virden, Bridget, 'Stud-U-Like', in: Homepage 1996
Griffin, Annie, 'Eyes on the ball', in: The Guardian, London/UK, 10 June 1996
Scottish Daily Mail, London/UK, 23 February 1996
The List, 8-21 March 1996
___, 'He's behind you!', in: The Sun, London/UK, 23 February 1996
Gale, Ian, '20th Century Sporting Art', in: Country Life, London/UK, 7 March 1996
Jackson, Tina, 'Mark Wallinger: Horse Crazy', in: The Big Issue, London/UK, 12-18 February 1996
Sim, Andrew, 'A Real Work of Art', in: The Sporting Life, London/UK, 29 January 1996

1995 Collings, Matthew, 'The Art of Prize Fighting', in: The Guardian, London/UK, 28 November 1995
Dorment, Richard, 'Beauty amid the Beasts', in: The Daily Telegraph, London/UK, 8 November 1995
Cork, Richard, 'Hirst commands two fronts', in: The Times, London/UK, 7 November 1995
Gorman, Edward, 'leaky Works of Art put out to grass', in: The Times, London/UK, 1 November 1995
Hall, James, 'Turner Exhibition comes alive and dangerous', in: The Guardian, London/UK, 1 November1995
Conaghan, Dan, 'Tate Shows Turner Prize Cream but not the Cow', in: The Daily Telegraph, London/UK, 1 November 1995
Searle, Adrian, 'The Thirst for Hirst', in: The Independent, London/UK, 1 November 1995
Bonaventura, Paul, 'The Alternative British Art Show: Four Views', in: Untitled, New York NY, Winter 1995
Christiansen, Rupert, 'Dark Horse of the Art World', in: The Daily Telegraph Magazine, London/UK, 21 October 1995
Sladen, Mark, 'Mark Wallinger', in: Frieze, London/UK, September-October 1995
Currah, Mark, 'Mark Wallinger in London', in: Untitled, New York NY, Summer 1995
Thorncroft, Antony, 'Sheep leads the horses in Turner stakes', in: Financial Times, London/UK, 22 July 1995
Wilson, Simon, Sewell, Brian, 'Mark Wallinger's A Real Work of Art', in: Independent, London/UK, 14 July 1995
Lister, David, 'It may win Prizes, but is it Art or Orifice?', in: Independent, London/UK, 14 July 1995
Conaghan, Dan, 'Dead Mutton Dressed up as Sheep', in: The Guardian, London/UK, 13 July 1995
Lister, David, 'Turner Artists inquires within', in: Independent, London/UK, 13 July 1995
Alberge, Dalya, 'Colourful Rebels Vie for Turner Prize', in: The Times, London/UK, 13 July 1995
Ellison, Mike, 'No Butts as Hirst is Tipped for Top Art Prize', in: The Guardian, London/UK, 13 July 1995
Buck, Louisa, 'British Art: don't knock it', in: Independent Weekend, London/UK, 24 June 1995
Vann, Philip, 'Backing the Right Horse', in: RA Magazine, London/UK, Spring 1995
Sanders, Mark, 'Eye opener', in: The London Magazine, London/UK, May 1995
Parry, Robert Lloyd, 'Ideas of Englishness', in: This is London, London/UK, 9 June 1995
Gayford, Martin, 'Favourite with a Handicap', in: The Daily Telegraph, London/UK, 7 June 1995
Januszczak, Waldemar, 'His Sporting Life', in: The Sunday Times, London/UK, 4 June 1995
Graham-Dixon, Andrew, 'The British Art Buzz', in: Vogue, London/UK, June 1995
Curtis, Sarah, 'Blood Lines', in: World Art, no.2 1995
Kent, Sarah, 'Race Relation', in: Time Out, London/UK, 31 May-7 June 1995
___, 'London Review', in: Art Review, London/UK, June 1995
Cork, Richard, 'Our Nation at Horseplay', in: The Times, London/UK, 30 May 1995
Londoner's Diary, in: Evening Standard, London/UK, 23 May 1995
Vincent, Martin, 'Painters and Punters', in: New Statesman and Society, London/UK, 19 May 1995
___, 'What's Happening', in: Nine to Five, Sydney AU, 15 May 1995
Packer, William, 'An Artist lays his Bets', in: Financial Times, London/UK, 13-14 May 1995
Feaver, William, 'Horse for courses', in: The Observer Review, London/UK, 19 March 1995
___, 'Mark Wallinger', in: Blueprint, London/UK, March 1995
Searle, Adrian, 'Self Portrait as a pantomime horse', in: The Guardian, London/UK, 7 March 1995
Coren, Giles, '___', in: The Times, London/UK, 1995
Norman, Geraldine, in: The Independent on Sunday Review, London/UK, 1 January 1995

1994 Collings, Mathew, 'New London', in: The Daily Express, London/UK, 5 September 1994
Currah, Mark, 'Every Now and Then', in: Frieze, London/UK, June-July-August 1994
Harvey, William, 'Rear Window', in: Untitled, New York NY, Summer 1994
Harvey, William, 'Curators Egg', in: Untitled, New York NY, Summer 1994
Kastner, Jeffrey, 'Mark Wallinger', in: Flash Art, Milan IT, June 1994
Hall, James, 'The Guide', in: The Guardian, London/UK, 11 June 1994
Bonaventura, Paul, 'An Equal Match? ', in: Modern Painters, New York NY, Spring 1994
Alberge, Dalya, 'Artist's latest work is a racing certainty for controversy', in: The Independent, London/UK, 14 May 1994
Bevan, Roger, 'The Horse as an Art Form', in: The Art Newspaper, London/UK, May 1994
Lee, David, 'Update', in: Art Review, London/UK, May 1994
Currah, Mark, 'Mark Wallinger', in: Time Out, London/UK, 4-11 May 1994
Hall, James, 'Horsing Around', in: The Guardian, London/UK, 25 April 1994
Dannatt, Adrian, 'Young British Art Now', in: The Sunday Times Magazine, London/UK, 17 April 1994
Bonaventura, Paul, 'Turf Accounting: Mark Wallinger interviewed', in: Art Monthly, London/UK, April 1994
Dorment, Richard, 'Throw that work of art another bale of hay', in: The Daily Telegraph, London/UK, 17 March 1994

1993 Choon, Angela, 'Openings', in: Art & Antiques, London/UK, December 1993
Schneider, Bruno F, 'Mit drunem Licht zaubern', in: Kolnische Rundschau, Cologne DE, 15 November 1993
Bunte, 11 November 1993
Stadt-Anzeiger, Kolner, Cologne DE, 5 November 1993
Kruger, Werner, 'Junge britische Kunstler', in: Weltkunst, Berlin DE, 15 October 1993
Renton, Andrew, 'Young British Artists II', in: Flash Art, Milan IT, Summer 1993
Brown, Craig, 'Time for an Artful Dodge', in: The Evening Standard, London/UK, 22 March 1993
Garfield, Simon, 'I like it, I'll take the lot', in: The Independent, London/UK, 20 March 1993
Fleissig, Peter, 'Leche-Vitrine', in: Parkett, no 35, Zurich CH, 1993
Stallabrass, Julian, 'Young British Artists', in: Art Monthly, London/UK, March 1993
Pile, Stephen, 'Don't put the Nail in the Coffin Yet', in: The Daily Telegraph, London/UK, 18 February 1993
Packer, William, 'Young British Artists II at the Saatchi Gallery', in: Financial Times, London/UK, 16 February 1993
Graham-Dixon, Andrew, 'Radical chic and the schlock of the New', in: The Independent, London/UK, 16 February 1993
Feaver, William, 'Phew! What a freezer! ', in: The Observer, London/UK, 14 February 1993
Kent, Sarah, 'Blood Group', in: Time Out, London/UK, 10-17 February 1993
Craddock, Sacha, 'Young British Artists', in: Untitled, New York NY, Spring 1993
Januszczak, Waldemar, 'Blood and Thunder', in: The Guardian, London/UK, 8 February 1993
Hilton, Tim, 'Familiar Signs of a misspent youth', in: The Sunday Review, The Independent on Sunday, London/UK, 7 February 1993
McKie, David, 'What You Read into It', in: The Guardian, London/UK, 6 February 1993
Cork, Richard, in: The Times London/UK, 1993
Kent, Sarah, 'Less is Gore', in: Time Out, London/UK, 2-9 February 1993
Hall, James, 'Diary', in: The World of Interiors, London/UK, February 1993
Feaver, William, 'The Second Coming', in: Vogue, London/UK, February 1993
Searle, Adrian, 'Fools and Horses', in: Frieze, London/UK, January-February 1993, pp. 16-20

1992 Santacatterina, Stella, 'Mark Wallinger', in: Tema Celeste, Milan IT, Winter 1992
Juliet Art Magazine, Anno XII, Milan IT, December 1992
Manganiello, Mario, 'Artisti Inglesi Contemporanei A San Miniato', in: Images; Art Life, November-December 1992
Renton, Andrew, 'Mark Wallinger', in: Flash Art, Milan IT, November-December 1992
Wilson, Andrew, 'Mark Wallinger', in: Forum International, November-December 1992
Joyce, Conor, 'Mark Wallinger', in: Art Monthly, London/UK, November 1992
Tosi, Alessndro, 'Quel Magico Accordo', in: La Nazione, Florence IT, 5 November 1992
Cincinelli, Saretto, 'Let Me Look', in: Flash Art, Milan IT, October-November 1992
Mugnaini, Alberto, 'Luoghi Storici del Paese', in: Tema Celeste, Milan IT, October 1992
Gulotta, Alessandra, 'Let Me Look', in: Next, October 1992
Arias, Fernando, 'La renovacion de la pintura anglosajona', in: Hoja de Lunes, Valencia ES, 15 July 1992
Koplos, Janet, '___', in: Art in America, New York NY, July 1992
Koether, Jutta, 'Mark Wallinger', in: Artscribe, London/UK, Summer 1992
Cork, Richard, 'A picture of wealth', in: New Statesman Society, London/UK, 31 May1992

1991 Craddock, Sacha, 'Truth or Dare?', in: The Guardian, London/UK, 28 May 1991
Kent, Sarah, 'Politics in Paint', in: Time Out, London/UK, 15-22 May 1991
Graham-Dixon, Andrew, '___', in: The Independent, London/UK, 14 May 1991
Spears, Dorothy, 'Mark Wallinger', in: Arts Magazine, London/UK, May 1991
Choices, Levin, '___', in: Village Voice, New York NY, 26 February 1991

1990 Kent, Sarah, 'Mark Wallinger', in: Time Out, London/UK, 2-9 January 1990

1989 Archer, Michael, 'Mark Wallinger', in: Artforum, New York NY, January 1989

1988 Meyer, P H, 'Mark Wallinger', in: Juliet Art Magazine, Milan IT, December-January 1988
Hatton, Brian, 'Mark Wallinger', in: Flash Art, Milan IT, November-December 1988
MacDonald, Robert, '___', in: Time Out, London/UK, 12-19 October 1988
Currah, Mark, '___', in: City Limits, London/UK, 29 September-6 October 1988
Schwendenwien, Jude, 'Sculpture, Koury Wingate', in: Artnews, London/UK, Summer 1988
Edmund, Mark, 'Something Solid', in: Pulp Magazine, London/UK, 10 May 1988
Lovely, David, 'Something Solid', in: Arts Review, London/UK, May 1988
Koether ,Jutta, '___', in: Artscribe, London/UK, May 1988
Fleissig, Peter, 'Artists for Architecture', in: Building Design, London/UK, 18 March 1988

1987 Glaves-Smith, John, 'Palaces of Culture', in: Art Monthly, London/UK, December-January 1987
ES Magazine, '___', in: Evening Standard, London/UK, 6 November 1987
Graham-Dixon, Andrew, 'A Museum of Mirrors', in: The Independent, London/UK, 25 September 1987
Wickham, David, 'Building an art of stone', in: News on Sunday, London/UK, 20 September 1987
Reynolds, Nigel, 'Art or Just brick-a-brac? ', in: London Evening Standard, London/UK, 14 September 1987
___, 'Ken Currie, Glenys Johnson, Mark Wallinger', in: The Observer, London/UK, 1 February 1987
Petzal, Monica, 'Stuart Brisley, Glenys Johnson, Mark Wallinger, Ken Currie', in: Time Out,
London/UK, 28 January-4 February 1987
Januszczak, Waldemar, 'Stuart Brisley at the Serpentine', in: The Guardian, London/UK, 21 January 1987
Roberts, John, 'Mark Wallinger's History Paintings', in: Artscribe, London/UK, January-February 1987

1986 Garlake, Margaret, 'Canvas II', in: Art Monthly, London/UK, July-August 1986
Sidey, Tessa, 'Unheard Music', in: Arts Review, London/UK, May 1986
Bohm-Duchen, Monica, '___', in: Flash Art, Milan IT, April 1986
Allthorpe-Guyton, Marjorie, '___', in: Artscribe, London/UK, April-May 1986
Henry, Clare, '', in: Arts Review, London/UK, 14 February 1986
SC, 'A Mixed Message', '___', in: London Week, London/UK, 7-13 February 1986
Januszczak, Waldemar, '___', in: The Guardian, London/UK, 7 February 1986
Russell Taylor, John, 'Mark Wallinger: Hearts of Oak', in: The Times, London/UK, 4 February 1986
Currah, Mark, '___', in: City Limits, London/UK, 31 January-6 February 1986
Kent, Sarah, '___', in: Time Out, London/UK, 23-29 January 1986
R. Costa, 'London', in: Juliet magazine, Milan IT, December-January 1986
Allthorpe-Guyton, Marjorie, 'New Art I and II at Anthony Reynolds Gallery', in: Artscribe, London/UK, December-January 1986

1985 Januszczakm, Waldemar, 'New Art', in: The Guardian, London/UK, 27 August 1985

TV and Radio Features

2016 The Art Channel, 'Mark Wallinger at Hauser & Wirth, London', 18 March 2016
BBC Radio 4, 'Saturday Review', 27 February 2016
Reuters, 'Belle Lupton meets British artist Mark Wallinger on the opening of a new exhibition', 26 February 2016
BBC Radio 4, 'Front Row. Artist Mark Wallinger talks about his solo exhibition at Hauser & Wirth London', 16 February 2016

2015 BBC 2, 'Will Gompertz', Episode 13 of 28, 16 October 2015

2014 RTE lyric fm, 'Culture File – Mark Wallinger', aired on 10 November 2014
BBC Radio 4, 'Front Row. Review of the exhibition “The Human Factor: The Figure in Contemporary Sculpture”, at the Hayward Gallery, London, 2014', aired on 12 June 2014

2013 BBC Radio 4 / Artangel, 'Open Air. Audio interventions by five artists', 29 March 2013
BBC News, 'Mark Wallinger unveils White Horse sculpture on The Mall', 5 March 2013
BBC News, 'Mark Wallinger unveils labyrinth Tube art', 7 February 2013

2012 BBC Radio 3, 'Private Passions. Michael Berkeley talks to Mark Wallinger', 15 July 2012

2011 BBC 2, 'The Culture Show', Episode 17, 5 November 2011

2010 BBC 4, 'Ego: The Strange and Wonderful World of Self Portraits', 6 November 2010
Channel 4, 'The Genius of British Art', 5 October 2010

2007 ITV 1, 'Mark Wallinger, South Bank Show', 4 March 2007

Publications by the artist

2000 Wallinger, Mark, Warnock, Mary (eds.), 'Art for All? Their Policies and our Culture', London: Peer, 2000

Writings by the artist

Wallinger, Mark, '___', in: Guardian G2, London/UK, 24 March 2014, p. 19
Wallinger, Mark, 'Mark Wallinger: London’s line of beauty', on: theindependent.co.uk, London/UK, 12 February 2014
Wallinger, Mark, '"Via Dolorosa (2002)." Art attack at Tate Britain: artists explain why they sabotage', on: theguardian.com, London/UK, 28 September 2013
Gioni, Massimiliano, Wallinger, Mark [et al.], 'Tacita Dean: Five Americans', New York: New Museum, 2012 (exh. cat.)
Wallinger, Mark, '___', in: 'Art, Activism and Recuperation', in: Arnolfini Concept Store Journal, Issue 3, Bristol UK, July 2010
Wallinger, Mark, 'Alte Meister, Von Neuen Geliebt', in: Monopol, Berlin DE, January 2011
Wallinger, Mark, 'Collages That Cut To The Quick', in: The Independent, London/UK, 3 December 2010
Wallinger, Mark, 'Artist's special', in: The Guardian, London/UK, 27 April 2010
Wallinger, Mark, 'Easter', in: Corriere Della Serra, Milan IT, 22 September 2005
Wallinger, Mark, 'Sleeper', in: Frieze, Issue 91, London/UK, May 2005
Wallinger, Mark, 'Fool Britannia', in: The Guardian, London/UK, 12 December 2000
Wallinger, Mark, 'My Week', in: The Independent, London/UK, 24 July 1999
Wallinger, Mark, 'A Brush with genius:1', in: The Guardian, London/UK, 3 July 1995

Selected Images

Installation view, ‘Mark Wallinger. The Human Figure in Space’, Jerwood Gallery, 2018

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