Search
2017 WALLI St. Paul

Mark Wallinger

Mark Wallinger

Mark Wallinger, born Chigwell, UK, 1959, has created some of the most subtly intelligent and irreverent artworks of the last thirty years. Wallinger is known for his career-long engagement with ideas of power, authority, artifice and illusion. Using epic narratives, lyrical metaphors and ardent punning, the artist critically interleaves the mythological, the political and the everyday.

His work has dealt with religion, nationalism and class, explored urgent social issues, and pondered Einstein’s theory of relativity and Freud’s concepts of the nature of the human mind. A surprising, inventive and profound artist, whose astonishingly multi-faceted work encompasses painting, sculpture, printmaking, photography, film and video, performance and work for the public realm. Stylistic disparity conceals a conceptual coherence, as Wallinger poses big questions about identity, and about the social, cultural and political power structures that guide us, and because of which we are as we are.

In recent years, Wallinger has intensified this exploration of identity in more personal interrogations of the self. This is keenly apparent in the ‘id Paintings’, 2015 – 2016, a development of his extensive ‘Self Portrait’ series. They move his practice, as he says from ‘painting ‘I’s to ‘I paint’ – from image to action. Each painting pivots round the line of symmetry created by the artist’s body evoking the bilateral symmetry of Leonardo da Vinci’s ‘Vitruvian Man’ and more explicitly the Rorschach test. Created by sweeping paint-laden hands across the canvas in active freeform gestures, the id Paintings bear the evidence of their making and of the artist’s encounter with the surface.

Wallinger was first nominated for the Turner Prize in 1995, and won it in 2007 for his installation State Britain, an exact replica of peace campaigner Brian Haw’s protest camp in London’s Parliament Square. ‘Ecce Homo’ 1999, a life-sized sculpture of Jesus Christ, was the first work to occupy the empty plinth in Trafalgar Square. Wallinger represented Britain at the Venice Biennale in 2001.

Public commissions are central to Wallinger’s practice, the most recent being ‘Writ in Water,’ a monumental installation to commemorate the sealing of the Magna Carta commissioned by the National Trust for Runnymede, England, and ‘The World Turned Upside Down,’ a major sculpture for the London School of Economics. In 2013, Wallinger created ‘Labyrinth,’ a permanent commission to celebrate their 150th anniversary of the London Underground that spans all 270 stations on the network.

Read more +

Biography

  • Born
    Chigwell, England, 1959
  • Education

    MA Course, Goldsmith’s College, London, England, 1983 – 1985
    Chelsea School of Art, London, England, 1978 – 1981
    Loughton College, 1977 – 1978

  • Resides
    Lives and works in London, England

Selected Solo Exhibitions

  • 2018
    mezzaterra11 – flat gallery, Belluno, Italy
    Centro per l’Arte Contemporanea Luigi Pecci, 'MARK WALLINGER MARK', Prato, Italy (Travelling exhibition)
    Victoria Miro, 'Italian Lessons', Venice, Italy
  • 2017
    The Fruitmarket Gallery, ‘MARK WALLINGER MARK’, Edinburgh, Scotland (Travelling exhibition)
    Dundee Contemporary Arts, ‘MARK WALLINGER MARK’, Dundee, Scotland (Travelling exhibition)
    Ingleby Gallery, ‘and per se and. Part I: Mark Wallinger’, Edinburgh, Scotland
  • 2016
    Freud Museum, ‘Self Reflection’, London, England
    Carlier | Gebauer, Berlin, Germany
    Serlachius Museum / Art Museum Gösta, ‘MARK WALLINGER MARK’, Mänttä, Finland (Travelling exhibition)
    Hauser & Wirth, ‘ID’, London, England
  • 2014
    Carlier | Gebauer, Berlin, Germany
    Frieze Art Fair, London, England (curated the booth of Hauser & Wirth)
  • 2013
    Anthony Reynolds Gallery, ‘The Underground’, London, England
    The Void, ‘One’, Derry, Northern Ireland
    Galerie Krinzinger, ‘Sum’, Vienna, Austria
  • 2012
    Baltic Centre for Contemporary Art, ‘SITE, Gateshead, England
    Turner Contemporary, ‘Sinema Amnesia: Mark Wallinger’, Margate, England
  • 2011
    Museum De Pont, Tilburg, Netherlands
  • 2010
    Anthony Reynolds Gallery, London, England
    Carlier | Gebauer, Berlin, Germany
    Kunstnernes Hus, Oslo, Norway
    Sinema Amnesia, Çanakkale, Turkey
  • 2009
    Hayward Gallery, ‘Mark Wallinger: The Russian Linesman, Frontiers, Borders and Thresholds’, London, England [curation] (Travelling Exhibition)
    Glynn Vivian, ‘Mark Wallinger: The Russian Linesman, Frontiers, Borders and Thresholds’, Swansea, Wales [curation] (Travelling Exhibition)
    Leeds Art Gallery, ‘Mark Wallinger: The Russian Linesman, Frontiers, Borders and Thresholds’, Leeds, England [curation] (Travelling Exhibition)
  • 2008
    Kunstmuseum Aarau, Aarau, Switzerland
    MAC/VAL, ‘State Britain’, Vitry-sur-Seine, France (Travelling Exhibition)
  • 2007
    Carlier | Gebauer, ‘The End’, Berlin, Germany
    Donald Young Gallery, ‘The Human Figure in Motion’, Chicago IL
    Kunstverein Braunschweig, Germany
    Tate Britain, ‘State Britain’, London, England (Travelling Exhibition)
  • 2006
    Anthony Reynolds Gallery, ‘The End’, London, England
    Convent of St. Agnes of Bohemia, National Gallery, ‘Threshold to the Kingdom’, Prague, Czech Republic
    New Art Gallery, ‘Out of Place’, Walsall
  • 2005
    Galerie Krinzinger, Vienna, Austria
    Hangar Bicocca, ‘Easter’, Milan, Italy
    Museo de Arte Carillo Gil, Mexico City, Mexico
  • 2004
    Anthony Reynolds Gallery, London, England
    Carlier | Gebauer, Berlin, Germany
    Laing Art Gallery, ‘The Underworld’, Newcastle-upon-Tyne, England
    Neue Nationalgalerie, ‘Sleeper’, Berlin, Germany
    Speed Art Museum, ‘Presence 4: Mark Wallinger’, Kentucky KY
  • 2003
    Carlier | Gebauer, ‘Spacetime’, Berlin, Germany
    Städtische Galerie im Lenbachhaus, ‘Via Dolorosa’, Munich, Germany
    Tate Britain, ‘Christmas Tree’, London, England
    The Wolfsonian, ‘The Sleep of Reason’, Florida FL
  • 2002
    Commission for Bloomberg Space, London
    Glynn Vivian Art Gallery, ‘Ecce Homo’, Swansea, Wales
    Millenium Forum, ‘Cave’, Derry, Northern Ireland
    Minoriten-Galerien im Priesterseminar, ‘Mark Wallinger – Seeing Things’, Graz, Austria
    Tensta Konsthall, ‘Promised Land’, Spanga, Sweden
  • 2001
    Anna Schwartz, Melbourne, Australia
    British Pavilion, The 49th Venice Biennale, Venice, Italy
    Milton Keynes Gallery / Southampton City Art Gallery. ‘Cave’, Milton Keynes / Southampton, England
    University Museum of Natural History, ‘Time and Relative Dimensions in Space’, Oxford, England
    Whitechapel Art Gallery, ‘No Man’s Land’, London, England
  • 2000
    The British School, ‘Threshold to the Kingdom’, Rome, Italy
    Tate Liverpool, ‘Credo’, Liverpool, England
    Galeria Laura Pecci, Milan, Italy
    Vienna Secession, ‘Ecce Homo’, Vienna, Austria
  • 1999
    The Fourth Plinth, Trafalgar Square, ‘Ecce Homo’, London, England
    Museum für Gegenwartskunst, ‘Lost Horizon’, Basel, Switzerland
    Palais des Beaux Arts, ‘Mark Wallinger is Innocent’, Brussels, Belgium
    Portikus, ‘Prometheus’, Frankfurt, Germany
  • 1998
    Delfina, ‘The Four Corners of the Earth’, London, England
  • 1997
    Anthony Reynolds Gallery, ‘God’, London, England
    Canary Wharf Window Gallery, ‘Dead Man’s Handle’, London, England
    Deweer Art Gallery, Otegem, Belgium
    Dolly Fiterman Fine Arts, Minneapolis MN
    Jiri Svetzka Gallery, ‘The Importance of Being Earnest in Esperanto’, Prague, Czech Republic
  • 1995
    Ikon Gallery, Birmingham, England
    Serpentine Gallery, London, England
  • 1994
    Anthony Reynolds Gallery, ‘The Full English’, London, England
  • 1993
    Daniel Newburg Gallery, New York NY
  • 1992
    Anthony Reynolds Gallery, ‘Fountain’, London, England
  • 1991
    Daniel Newburg Gallery, New York NY
    Grey Art Gallery, ‘Capital’, New York NY
    Institute of Contemporary Art, ‘Capital’, London, England
    Manchester City Art Gallery, ‘Capital’, Manchester, England
  • 1990
    Anthony Reynolds Gallery, ‘Stranger²’, London, England
    Sophia Ungers, ‘School’, Cologne, Germany
  • 1988
    Anthony Reynolds Gallery, London, England
    Nottingham Castle Museum, ‘Burgess Park’, Nottingham, England
    Riverside Studios, ‘Passport Control’, London, England
  • 1987
    Serpentine Gallery, London, England
  • 1986
    Anthony Reynolds Gallery, ‘Hearts of Oak’, London, England
  • 1983
    The Minories, Colchester, England
  • View more +

Selected Group Exhibitions

  • 2018
    Charlie Smith, 'Transcript', London, England
    Firstsite, ‘Bronze Age c. 3500 BC – AD 2018’, Colchester, England
    Hong Kong Arts Centre, ‘Harbour Arts Sculpture Park’, Hong Kong, China
    Bush House, ‘The Classical Now’, London, England
    Museum im Kulturspeicher, ‘Labyrinth’, Würzburg, Germany
    Hauser & Wirth, ‘The Land We Live In – The Land We Left Behind’, Somerset, England
  • 2017
    Workplace Gallery, ‘The Collective’, Gateshead, England
    Calier Gebauer, ‘dispositiv (1) fortlaufend’, Berlin, Germany
    Seoul Museum of Art, ‘The Art of Dissonance’, Seoul, Korea
    Paula Modersohn-Becker Museum, ‘Sleep. A productive waste of time’, Bremen, Germany
  • (cont'd)
    Galerie Krinzinger, ‘ICON’, Vienna, Austria
    De Pont Museum, ‘ReView. De Pont at 25’, Tilburg, Netherlands
    City of London Corporation, ‘Sculpture in the City’, London, England
    Royal Academy, ‘Summer Exhibition’, London, England
    Simmons & Simmons, ‘A Sense of Place’, London, England
    Sayle Gallery, ‘Turning Point’, Douglas, Isle of Man
    Drawing Room, ‘Drawing Biennial 2017’, London, England
    Hauser & Wirth, ‘Serialities’, New York NY
    Aargauer Kunsthaus, ‘Cinéma mon amour. Film in Art’, Aarau, Switzerland
    Kulturzentrum bei den Minoriten, ‘Vulgata. Künstlerische Zugriffe auf die Bibel / Artistic Approaches to the Bible’, Graz, Austria
  • 2016
    Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, ‘A Brief History of Humankind’, Bonn, Germany (Travelling Exhibition)
    Foundling Museum, ‘FOUND’, London, England
    Centre Pompidou, ‘Collected by Thea Westreich Wagner and Ethan Wagner’, Paris, France
    Turner Contemporary, ‘Seeing Round Corners’, Margate, England
    Frac Haute-Normandie, ‘Festival Normandie Impressionniste: Portrait de l’artiste en alter’, Sotteville-lès-Rouen, France
    Shanghai Himalayas Museum, ‘Welcome to my life. Moving Image from the Collection of Jean-Conrad and Isabelle Lemaître’, Shanghai, China
    Somerset House, ‘Out There: Our Post-War Public Art’, London, England
    Dulwich Picture Gallery, ‘I am Van Dyck’, London, England
    Schirn Kunsthalle, ‘ME’, Frankfurt, Germany
    König Galerie, ‘The Others’, Berlin, Germany
    ERES-Stiftung, ‘Art ∩ Science’, Munich, Germany
  • 2015
    Thessaloniki Center of Contemporary Art, ‘Flying over the Abyss’, Thessaloniki, Greece (Travelling Exhibition)
    Koppe Astner Gallery, ‘The Ultimate Vessel’, Glasgow, Scotland
    Fundació Gaspar, ‘Art Strikes Back!’, Barcelona, Spain
    Kulturzentrum bei den Minoriten, ‘Relikte, Reloaded: Zum Erbe christlicher Bildwelten heute (On the Legacy of Christian Pictorial Worlds Today)’, Graz, Austria
    Hestercombe Gallery at Hestercombe House, ‘Wish You Were Here?’, Taunton, England
    The Holden Gallery, ‘Platform’, Manchester, England
    Museum für Neue Kunst, ‘FRAMES’, Freiburg, Germany
    Schaulager, ‘FUTURE PRESENT’, Basel, Switzerland
    Museum of Contemporary Art of Crete, ‘Flying over the Abyss’, Rethymnon, Greece (Travelling Exhibition)
    Calle del Carbon, ‘Sleepers in Venice’, Venice, Italy
    ‘The Triennial of Contemporary Art by the Sea: Beyond Borders’, Belgium
    Drawing Room, ‘Drawing Biennial 2015’, London, England
    The Israel Museum, ‘A Brief History of Humankind’, Jerusalem, Israel (Travelling Exhibition)
    me Collectors Room, ‘A Man Walks into a Bar’, Berlin, Germany
    Rudolf-Virchow-Center, ‘Signal Pathways. Art & Science meet at the Rudolf-Virchow-Center Würzburg’, Würzburg, Germany
    Void Gallery, ‘Horse. Curated by Mark Wallinger & Maolíosa Boyle’, Derry, Ireland
    MK Gallery, ‘How to Construct a Time Machine’, Milton Keynes, England
    Boca Raton Museum of Art, ‘Surrealism and Magic’, Boca Raton FL
    Kleine Humboldt Gallery at Humboldt University, ‘ENTER the Real World’, Berlin, Germany
    Collection Lambert, ‘Patrice Chéreau. An Imaginary Museum’, Avignon, France
    Chatsworth House, ‘Sotheby’s Without Limits: The Landscape of British Sculpture 1950 – 2015’, Bakewell, England
    Denver Art Museum, ‘Showing Off: Recent Modern & Contemporary Acquisitions’, Denver CO
    Hestercombe House, ‘Wish you were here?’, Taunton, England (Travelling Exhibition)
    Dewar’s Lane Granary Gallery, ‘Wish you were here?’, Berwick-upon-Tweed, England (Travelling Exhibition)
    MAC Birmingham, ‘Wish you were here?’, Birmingham, England (Travelling Exhibition)
  • 2014
    Forum, FRAC/AP2, ‘Nouvelle Génération’, Dunkerque, France
    Royal Academy, ‘Summer Exhibition 2014’, London, England
    Hayward Gallery, ‘The Human Factor: The Figure in Contemporary Sculpture’, London, England
    Kochi Biennale Foundation, ‘Kochi-Muziris Biennale’, Kochi, India
    Mendel Art Gallery, ‘Convoluted Beauty: In the Company of Emily Carr’, Saskatoon, Canada
    The Atkinson, ‘Wish you were here? Artists` postcards from 1960 to today from Jeremy Cooper’s Collection’, Southport, England (Travelling Exhibition)
    KW Institute for Contemporary Art, ‘Real Feelings: Thinking in Film’, Berlin, Germany
    Beursschouwburg, ‘Expo politricks.’, Brussels, Belgium
    Aargauer Kunsthaus, ‘Without Care I Notice Everything. Robert Walser and the Visual Arts’, Aarau, Switzerland
    Kunstsammlungen der Ruhr Universität Bochum – Situation Kunst (für Max Imdahl), ‘Picture of Wound – Wound as Picture’, Bochum, Germany
    Fundación Helga de Alvear, ‘The Tears of Things’, Cáceres, Spain
    FRAC Nord-Pas de Calais, ‘Nouvelle Génération’, Dunkerque, France
    Centre Culturel Irlandais, ‘Wilde Art’, Paris, France
    ERES Stiftung, ‘Megapolis’, Munich, Germany
    Nottingham Contemporary, ‘Somewhat Abstract’, Nottingham, England
  • 2013
    ZKM | Museum of Contemporary Art, ‘global aCtIVISm’, Karlsruhe, Germany
    Anthony Reynolds Gallery, ‘Paintings’, London
    Esbjerg Kunstmuseum, ‘Art in Context’, Copenhagen, Denmark
    Kunsthalle Wien, ‘Salon der Angst’, Vienna, Austria
    Musee d’Art Contemporain du Val-de-Marne, ‘Emoi et Moi’, Paris, France
    Tate Britain, ‘Art under Attack: Histories of British Iconoclasm’, London, England
    Galerie Carlier | Gebauer, ‘Die Wahrscheinlichkeit, dass nichts passiert’, Berlin, Germany
    b-05 Kunst und Kulturzentrum, ’1. pers. sing.’, Montabaur, Germany
  • 2012
    Anthony Reynolds Gallery, ‘Summer Exhibition’, London, England
    Compton Verney, ‘Flight and the Artistic Imagination’, Warwickshire, England
    Dyrham Park, National Trust, ‘A World Away’, Bath, England
    GAK, Gesellschaft Fur Aktuelle Kunst, ‘Beyond Words’, Berlin, Germany
    Mummer + Schnelle, ‘A Bucolic Frolic: Distractions from the Modern’, London, England
    Museo de Arte Contemporaneo de Monterrey, ‘Soccer’, Nuevo Leon, Mexico
    National Gallery, ‘Metamorphosis: Titian 2012’, London, England
    Schirn Kunsthalle, ‘Privat’, Frankfurt am Main, Germany
    Centro de Artes Visuales Helga de Alvear, ‘Language Games’, Cáceres, Spain
    Tate Liverpool, ‘Thresholds’, Liverpool, England
    ERES Stiftung, ‘Chaos!’, Munich, Germany
    Palazzo Grassi – Francois Pinault Foundation, ‘La voce delle immagini’, Venice, Italy
    Hayward Gallery, ‘Wide Open School’, London, England
    Fotografisk Center, ‘fotoGRAFISK’, Copenhagen, Denmark
    Galerie Carlier | Gebauer, ‘The Poster Show’, Berlin, Germany
  • 2011
    Denver Art Museum, ‘Blink!’, Colorado CO
    Galerie Valois, ‘The Big Society’, Paris, France
    Kunsthalle Nürnberg, ‘Among Heroes: Pre-Images in Contemporary Art’, Nuremberg, Germany
    Northern Gallery for Contemporary Art, ‘The Wonders of the Visible World’, Sunderland, England
    The Physics Room, St Paul Gallery, ‘Measure the City with the Body, an itinerant Physics project’, Auckland, New Zealand
    S1 Artspace, ‘A Threepenny Opera’, Sheffield, England
    Southbank Centre, ‘Southbank Centre Celebrates Festival of Britain’, London, England
    Utah Museum of Contemporary Art, ‘Magic and Mysticism’, Salt Lake City UT
    Hong Kong Heritage Museum, ‘Made in Britain: Contemporary Art from the British Council Collection 1980–2010’, Hong Kong, China
    Marres – Centre for Contemporary Culture, ‘Out of Storage: Provisoire & Définitif’, Maastricht, The Netherlands
    Glynn Vivian Art Gallery, ‘Ffilm 3’, Swansea, Wales
    Neues Museum Weimar, ‘Vision/Das Sehen’, Weimar, Germany
  • 2010
    Aspen Art Museum, ‘Restless Empathy’, Aspen CO
    Bienniale of Sydney, ‘The Beauty of Distance: Songs of Survival in a Precarious Age’, Sydney, Australia
    Castlefield Gallery, ‘A horse walks into a bar… ‘, Manchester, England
    Dinard Palais des Arts et du Festival, ‘Hope! ‘ Dinard, France
    MAC/VAL, ‘Let’s Dance’, Vitry-sur-Seine, France
    Vancouver Art Gallery, ‘CUE: Artists’ Videos’, Vancouver, Canada
    Vestfossen Kunstlaboratorium, ‘Grand National’, Buskerud, Norway
    Kunstverein in Hamburg, ‘Freedom of Speech’, Hamburg, Germany
    Collection Lambert, ‘I Believe in Miracles’, Avignon, France
    ACCA – Australian Centre for Contemporary Art, ‘Mortality’, Melbourne, Australia
    Kunstraum Potsdam, ‘Ich Wicht’, Potsdam, Germany
    MARTa Herford, ‘Unsichtbare Schatten – Bilder der Verunsicherung’, Herford, Germany
    Chelsea Futurespace, ‘Re: Public towards an art for the public realm’, London, England
    The Israel Museum, ‘STILL/moving’, Jerusalem, Israel
    Kunstfort bij Vijfhuizen, ‘Werken uit de collectie van Frans Oomen’, Vijfhuizen, The Netherlands
    Museum Ludwig, ‘Bilder in Bewegung’, Cologne, Germany
    Kunsthalle zu Kiel, ‘Dopplereffekt – Bilder in Kunst und Wissenschaft’, Kiel, Germany
  • 2009
    2nd Athens Biennale, ‘Heaven’, Athens
    Anthony Reynolds Gallery, ’5 Sculptures’, London
    Anthony Reynolds Gallery, ‘Only The Lonely’, London
    Creative Time, ‘This World and Nearer Ones’, Governors Island, New York
    David Winton Bell Gallery, Brown University, ‘Inappropriate Covers’, Rhode Island
    Glynn Vivian, ‘Mark Wallinger Curates: The Russian Linesman’, Swansea, Wales (Travelling Exhibition)
    Hayward Gallery, ‘Mark Wallinger Curates: The Russian Linesman’, London, England (Travelling Exhibition)
    Leeds Art Gallery, ‘Mark Wallinger Curates: The Russian Linesman’, Leeds, England (Travelling Exhibition)
    Neuberger Museum of Art, ‘British Subjects 1948-2000’, New York
    Omni Color & K2 Screen, ‘Get Your Juicy Plums Here! ‘, London
    Pennsylvania Academy of the Fine Arts, ‘Contemporary Video Art’, Philadelphia PA
    Whitechapel Gallery, ‘The British Pavilion at the Venice Biennale’, London, England
  • 2008
    Anthony Reynolds Gallery, ‘Selected Works by Gallery Artists’, London, England
    The Courtauld Institute of Art, ‘On Time: The East Wing Collection VIII’, London, England
    Folkestone Triennial, ‘Tales of Time and Space’, Folkestone, England
    ICA, ‘The ICA Auction’, London, England
    Kunsthalle zu Kiel, ‘Collection Videos & Films; Isabelle & Jean-Conrad Lemaitre’, Kiel, Germany
    Mori Art Museum, ‘History in the Making, A Retrospective of the Turner Prize’, Tokyo, Japan
    Musee Cantonal des Beau-Arts, ‘Comme des Betes’, Lausanne, Switzerland
    The Petach Tikva Museum of Art, ‘Insomnia’, Petah Tikva, Israel
    Perth Cultural Centre, ‘Scary Movie’, Perth, Australia
    Gabinete de Historia Natural, ‘Nuevos Místicos’, San Cristóbal de La Laguna, Spain
    Rogaland Kunstmuseum, ‘Hovedutstillinger’, Stavanger, Norway
    University Art Gallery UC San Diego, ‘Revolutions’, San Diego CA
  • 2007
    Fondazione La Triennale di Milano / Triennale-Bovisa, ‘Timer 01 intimita/ Intimacy’, Milan
    MACVAL, ‘Stardust ou la dernière frontière’, Vitry sur Seine, France
    Museum of Modern Art – Centre Pompidou, Paris
    Nationalgalerie im Hamburger Bahnhof, ‘Schmerz’, Berlin
    Netherlands Media Art Institute/ Montevideo, ‘Dark Mirror’, Amsterdam
    Southampton City Gallery, ‘Darkness, Visible’,
    Tate Liverpool, ‘The Turner Prize’, Liverpool
    Tullie House Museum and Art Gallery, ‘You’ll Never Know: Drawing and Random Interference’, Carlisle
    Whitney Museum of American Art, ‘The End’, New York
    Zone, Münster Sculpture Project, Münster
  • 2006
    Estorick Collection of Modern Italian Art, ‘Responding to Rome 1995- 2005’, London, England
    Farnborough Business Park, ‘Four Winds’, Farnborough, England
    gana Art Center, ‘Wondering Stars’, Seoul, Korea
    Glynn Vivian Art Gallery, ‘You’ll Never Know: Drawing and Random Interference’, Swansea, Wales (Travelling Enhibition)
    Harris Museum and Art Gallery, ‘You’ll Never Know: Drawing and Random Interference’, Preston, England (Travelling Enhibition)
    Hayward Gallery, ‘How to Improve the World’, London, England
    Kunsthaus Landesmuseum, ‘Protections’, Graz, Austria
    Kunstmuseum Thun, ‘Choosing my Religion’, Thun, Switzreland
    The Lowry, ‘You’ll Never Know: Drawing and Random Interference’, Salford, England (Travelling Enhibition)
    Museum für Gegenwartskunst, Basel, Switzreland
    New Art Gallery, ‘You’ll Never Know: Drawing and Random Interference’, Walsall, England (Travelling Enhibition)
    Prince Charles Cinema, ‘Artprojx’, London, England
    Singapore Biennale 2006, ‘Belief’, Singapore
    Tate Britain, ‘The Calouste Gulbenkian Foundation and British Art’, London, England
    Tenerife, ‘New Mystics’, Tenerife, Spain
    Tullie House Museum and Art Gallery, ‘You’ll Never Know: Drawing and Random Interference’, Carlisle, England (Travelling Enhibition)
  • 2005
    Castel Mareccio, Museion, ‘Il colore della vita – omaggio a Piero Siena’, Bolzano, Italy
    Centro Sperimentale per le Arti Contemporanee, ‘Chronos’, Caraglio, Italy
    De La Warr Pavillion, ‘Variety’, Bexhill on Sea, Engalnd
    Galleri Kaare Berntsen, ‘London Calling’, Oslo, Norway
    Italian Pavillion, La Biennale di Venezia, ‘The Experience of Art’, Venice, Italy
    Likovni Salon, ‘The Fifth Gospel’, Celje, Slovenia FACT, ‘Critics Choice’, Liverpool, England
    Martin Gropius Bau, ‘Rundlerwelten’, Berlin, Germany
    MEIAC, ‘Miradas y Conceptos’, Badajoz , Spain
    Migros Museum fur Gegenwartskunst, ‘When Humour Becomes Painful’, Zurich, Switzerland
    Mori Art Museum, ‘The World is a Stage’, Tokyo, Japan
    Stephen D Paine Gallery, Massachusetts College of Art, ‘OUTPOST’, Boston MA
  • 2004
    The Art Gallery, University of the Arts, ‘Gifted’, London, England
    Bard Center for Curatorial Studies, ‘Between above and below’, New York NY
    Centro de Artes Visuais, ‘On Side’, Coimbra, Portugal
    The City History Museum of Barcelona, ‘The Human Condition. The Image of Man in Art’, Barcelona Des Moines Art Center, ‘Contested Fields’, Iowa IA
    Lincoln Cathedral & the Usher Gallery ‘Presence – Images of Christ for the Third Millennium’, Lincoln, England
    Musée des Beaux-Arts de Tourcoing, ‘De Leur Temps, Collections Privées Francaises’, Tourcoing, France
    Towner Art Gallery, ‘Things Domestic (selected work from the Arts Council Collection) ‘, Eastbourne, England
  • 2003
    Berlin Academy of Arts, ‘Rituals’, Berlin, Germany
    The Blue Gallery, ‘Thatcher’, London, England
    Frankfurter kunstverein, ‘nation’, Frankfurt, Germany
    Gallery of Modern Art, ‘Sanctuary’, Glasgow Scotland
    Kunsthalle Mucsarnok, ‘Micro/Macro – British Art 1996-2002’, Budapest, Hungary
    London Institute Gallery, ‘Peter Blake – Sculpture’, London, England
    Martin – Gropius Bau, ‘Warum! Ebenbild – Abbild – Selbstbild’, Berlin, Germany
    MOT, ‘Round Table’, London, England
    The National Museum of Contemporary Art, ‘Body Matters’, Oslo, Norway
    Pavilhão Lucas Nogueira Garcez, ‘A Bigger Splash: British Art from Tate 1960-2003’, Sao Paulo, Brazil
    Russian Museum, ‘Contemporary Art in the Traditional Museum’, St Petersburg, Russia
    Smart Project Space, ‘Someone to Watch Over Me’, Amsterdam, Netherlands
    South London Gallery, ‘Independence’, London, England
    The Study Gallery, ‘Horse’, Dorset, England
  • 2002
    The Aldrich Museum of Contemporary Art, ‘Family’, Connecticut CT
    Art Gallery of Ontario, ‘In Light’, Toronto, Canada
    Borusan Art & Culture Centre, ‘Faux/Real’, Istanbul, Turkey
    The Centre of International Modern Art, Calcutta / The India Habitat Centre, ‘Sidewinder’, New Delhi, India (Travelling Exhibition)
    Edifício Cultura Inglesa / Centro Brasileiro Britânico, ‘Painting as a Foreign Language’, Sao Paulo, Brazil
    Gimpel Fils Gallery, ‘Location: UK’, London, England
    Glynn Vivian Gallery, ‘Con Art: Magic / Object / Action’, Swansea, Wales (Travelling Exhibition)
    Harewood House, ‘The Anatomy of the Horse – Mark Wallinger and George Stubbs’, Leeds England
    Helga de Alvear, ‘Mensaje de Texto’, Madrid, Spain
    Museum as Ostwall, ‘THE GAP SHOW – Young Critical Art from Great Britain’, Dortmund, Germany
    Site Gallery, ‘Con Art: Magic / Object / Action’, Sheffield (Travelling Exhibition)The National Gallery of Modern Art, ‘Sidewinder’, Mumbai, India (Travelling Exhibition)
    ‘Ommegang-Circumflexion’, Bruges, Belgium
    Sir John Soane’s Museum, ‘Sphere’, London, England
    Tate St. Ives, ‘Real Life’, St. Ives, England
    Yvon Lambert, ‘Les Enfants du Paradis’, Paris, France
    York City Art Gallery, ‘Blow up your TV’, York, England
  • 2001
    Cheltenham Pump Room, ‘Project: Film and Video’, Cheltenham, England
    Decatur House Museum, ‘‘Heads and Hands‘ - A WPA\C’, Washington DC
    ICA, ‘City Racing 1988-1998: a partial account’, London, England
    Kunsthalle Fridericianum, ‘Looking at You – Kunst Provokation Unterhaltung Video’, Kassel, Germany
    The Studio Museum in Harlem, ‘Purloined’, New York NY
    Tate Modern, ‘Century City: Art and Culture in the Modern Metropolis’, London, England
  • 2000
    Delta Axis, ‘Ghosts’, Memphis TN
    Maidstone Library Gallery, ‘On the Frac Track (Text as Image) ‘, Kent, England (Travelling Exhibition)
    Maidstone Museum & Bentlif Art Gallery, ‘On the Frac Track (Text as Image) ‘, Kent, England (Travelling Exhibition)
    Musee des Beaux-Arts de Nantes, ‘Vision Machine’, Nantes, France
    National Gallery, ‘Seeing Salvation’, London, England
    Rochester Art Gallery, ‘On the Frac Track (Text as Image) ‘, Kent, England (Travelling Exhibition)
    The Royal Museum & Art Gallery, ‘On the Frac Track (Text as Image) ‘, Canterbury, England (Travelling Exhibition)
    Sassoon Gallery, ‘On the Frac Track (Text as Image) ‘, Kent, England (Travelling Exhibition)
    Sevenoaks Library Gallery, ‘On the Frac Track (Text as Image) ‘, Kent, England (Travelling Exhibition)
  • 1999
    Espace Sculfort, ‘L’Art et l’Ecrit’, Maubeuge, France
    Maze Art Gallery, ‘Il passato nel Presente’, Turin, Italy
    Musée d’art moderne Lille Métropole, ‘Changement d’air’, Villeneuve d’Ascq, France
    National Theatre, ‘Fourth Wall’, London, England
    Villa delle Rose, Galleria d’Arte Moderna, ‘Officina Europa’, Bologna, Italy
    San Michele and Museo Laboratorio, ‘Il luogo degli angeli’, San Angelo, Italy
    ‘The Sultan’s Pool’, Jerusalem, Israel
  • 1998
    1st Biennale de Montreal, Montreal, Canada
    Anthony Reynolds Gallery, London, England
    Benger Areal, ‘U.K Maximum Diversity’, Bregenz, Austria
    Denver Art Museum, ‘Contemporary British Artists’, Denver CO
    Djanogly Art Gallery, ‘Book’, Nottingham, England
    Electricity Showroom, ‘Heatwave’, London, England
    Feringbury Manor, ‘Feeringbury VIII – Cultivated’, Essex, England
    Galerie Ursula Krinzinger, ‘Dissin’ the Real’, Vienna, Austria (Travelling Exhibition)
    Lombard Fried Gallery, ‘Dissin’ the Real’, New York NY (Travelling Exhibition)
    The London Institute, ‘Drawing Itself’, London, England
    Moderna Museet, ‘Wounds’, Stockholm, Sweden
    Museu de Electricidade, ‘Made in London’, Lisbon, Portugal
    ‘Shunted’, Sheffield, England
    The Tannery, ‘Il passato nel Presente’, London, England
    The Waiting Room, ‘Heatwave’, Wolverhampton, England
  • 1997
    2nd Johannesburg Biennale, Johannesburg, South Africa
    5th Istanbul Biennale, Istanbul, Turkey
    Art Gallery of South Australia, ‘Pictura Britannica’, Adelaide, Australia (Travelling Exhibition)
    CCA, ‘Animal’, Glasgow, Scotland
    Centro de Arte Moderna José de Azerdo Perdigâo ‘Treasure Island’,
    Galerie Gebauer, ‘P..er.sonal…Absurdities’, Berlin, Germany
    Hamburger Banhof, ‘Sensation’, Berlin, Germany (Travelling Exhibition)
    Helsinki City Art Museum, ‘Dimensions Variable: Works from the British Council Collection’, Helsinki, Finland
    London Printworks Trust, ‘Pledge Allegiance to a Flag? ‘, London, England
    Museum of Contemporary Art, ‘Pictura Britannica’, Sydney, Australia (Travelling Exhibition)
    Royal Academy of Arts, ‘Sensation’, London, England (Travelling Exhibition)
    Te Papa, ‘Pictura Britannica’, Wellington, New Zealand (Travelling Exhibition)
  • 1996
    10th Biennale of Sydney, Sydney, Australia
    Anthony Reynolds Gallery, London, England
    Manchester City Art Gallery, ‘Offside!’, Manchester, England
    Rhona Hoffman Gallery, Chicago IL
  • 1995
    The British Art Show, Manchester, England
    Barbican Art Gallery, ‘The Art Casino’, London, England
    Tate Gallery, ‘The Turner Prize’, London, England
    Walker Art Gallery, ‘John Moores Exhibition 19’,Liverpool, England
  • 1994
    Arts Council Touring Show, ‘1994 Art Unlimited’, England
    Deweer Art Gallery, ‘A Painting Show’, Otegem, Belgium
    Galerie Martina Detterer, ‘Jet Lag’, Frankfurt Galleri Andrehn Schiptjenko, ‘Five British Artists’, Stockholm, Sweden
    Nvisible Museum, Thirty Shepherdess Walk, ‘Seeing the Unseen’, London, England
    Karsten Schubert Gallery, ‘Not A Self Portrait’, London, England
    Laure Genillard Gallery, ‘Art Boutique’, London, England
    Palazzo Publico, ‘Idea Europa’, Siena, Italy
    Rear Window / Richard Salmon, ‘Every Now and Then’, London, England
    Reynolds Gallery, ‘Untitled Streamer Eddy Monkey Full Stop Etcetera’, Anthony London, England
    Serpentine Gallery, ‘Here and Now’, London, England
  • 1993
    Anthony Reynolds Gallery, ‘Spit in the Ocean’, London, England
    Art Cologne, ‘Junge Britische Kunst’, Cologne, Germany
    City Racing, ‘You’ve Tried the Rest, Now Try the Best’, London, England
    MA Galerie, Paris, France
    Mark Boote Gallery, ‘Mandy loves Declan 100%’, New York NY
    Saatchi Collection, ‘Young British Artists II’, London, England
  • 1992
    ‘Let Me Look’, San Miniato, Italy
    Clove Building, ‘Whitechapel Open’, London, England
  • 1991
    Kunstverein Karlsruhe, ‘Kunstlandschaft Europa’, Karlsruhe, Germany
    Palacio de Velasquez, ‘Confrontaciones’, Madrid, Spain
  • 1990
    The Köln Show, Cologne, Germany
    National Gallery of Victoria, ‘Australian Sculpture Triennial’, Melbourne, Australia
  • 1989
    Anthony Reynolds Gallery, London, England
    Chisenhale Gallery, ‘Territories’, London, England
    Deichtorhallen, ‘Einleuchten: Will, Vorstel und Simul in HH’, Hamburg, Germany
    Galerie Sophia Ungers, ‘Über Unterwanderung’, Cologne , Germany
    Grey Art Gallery, ‘Excommunication: Some Notions on Marginality’, New York NY
  • 1988
    ‘___’, ‘Cries and Whispers, paintings of the Eighties in the British Council Collection’, touring Australia
    City Museum and Art Gallery, ‘Image and Object: Aspects of British Art in the 1980’s’, Stoke-on-Trent, England
    The Contemporary Arts Center, ‘The New British Painting’, Cincinnati OH
    Cornerhouse, ‘Something Solid’, Manchester, England
    Koury Wingate, ‘Sculptures’, New York NY
  • 1987
    Anthony Reynolds Gallery, ‘Appropriate Pictures’, London, England
    City Museum and Art Gallery, ‘Palaces of Culture: The Great Museum Exhibition’, Stoke-on-Trent, England
    Herbert Art Gallery, ‘State of the Nation’, Coventry, England
    Serpentine Gallery, ‘Stuart Brisley, Ken Currie, Glenys Johnson, Mark Wallinger’, London, England
  • 1986
    Anthony Reynolds Gallery, ‘New Art’, London
    City Museum and Art Gallery, ‘Unheard Music’, Stoke-on-Trent
    Edith C Blum Art Institute, Bard College, ‘Neo Neo-Classicism’, Annandale-on-Hudson NY
    The Exhibition Gallery, Milton Keynes
    John Hansard Gallery, ‘Canvass: New British Painting’, Southampton
  • 1985
    Anthony Reynolds Gallery, ‘New Art 2’, London, England
    Kettle’s Yard, ‘Prelude’, Cambridge, England
  • 1984
    Whitechapel Art Gallery, ‘Whitechapel Open’, London, England
  • 1982
    St Mary’s Art Centre, ‘Space Invaders’, Colchester, England
  • 1981
    ICA, ‘New Contemporaries’, London, England
  • View more +

Screenings and Film Festivals

  • 2017
    Die Lange Nacht der Zürcher Museen, Zurich, Switzerland
    Various venues, ‘Strangelove: moving image festival’, Folkestone, England
  • 2016
    Institute of Contemporary Arts, ‘Artists’ Film Club’, London, England
  • 2015
    Central Saint Martins – University of the Arts, ‘Strangelove: moving image festival’, London, England
    Gillman Barrack, ‘Open Media Art Festival’, Singapore
  • 2014
    Tulca Festival of Visual Arts, Galway, Ireland
    Le cinéma des cinéastes, ‘Flottements: Film Cycle Around Dirk Braeckman. L‘énigme du quotidien’, Paris, France
  • 2008
    Glasgow Film Festival, ‘The End’, Glasgow, Scotland
    Sonic Illuminations, BFI, ‘The Lark Ascending’, London, England
  • 2007
    Artprojx, Anthology Film Archives, ‘Sleeper’, New York NY
    Whitney Museum of American Art, ‘`The End’, New York NY
  • 2006
    Prince Charles Cinema, ‘The End’, London, England
  • 2005
    The Film & Media Arts Festival, ‘The Lark Ascending’, Berwick upon Tweedm England
    Stroom, ‘The Lark Ascending’, The Hague, Netherlands
  • 2004
    57 Festival Internazionale del film Locarno, Locarno, Switzerland
    ‘The Lark Ascending’, Pančevo, Serbia
    Prince Charles Cinema, ‘The Lark Ascending’, London, England
  • View more +

Talks and Lectures

  • 2017
    The Fruitmarket Gallery, ‘Mark Wallinger in conversation with Fiona Bradley’, Edinburgh, Scotland
  • 2016
    Hauser & Wirth, ‘Mark Wallinger in conversation with Lavinia Greenlaw’, London, England
    Dulwich Picture Gallery, ‘Mark Wallinger in conversation with Xavier Bray’, London, England
  • 2015
    The Duncairn Centre for Culture and Arts, ‘Festival of art & Design’, Belfast, Ireland
    Tate Britain, ‘Mark Wallinger in conversation with Sally O’Reilly’, London, England
  • 2011
    The London Art Book Fair, Whitechapel Gallery, ‘In Conversation, Mark Wallinger and Martin Herbert’, London, England
  • 2009
    Hayward Gallery, ‘Mark Wallinger, Artist Talk, The Russian Linesman, Frontiers, Borders and Thresholds’, London, England
  • 2007
    Institute of Contemporary Arts, ‘Zoë Walker & Neil Bromwich in conversation with Mark Wallinger and Mark McGowan; chaired by JJ Charlesworth’,London, England
    Tate Britain, ‘Artist Talk, Mark Wallinger: State Britain’,London, England
    Tate Modern, ‘Contemporary Sculpture and the Social Turn, on Skulptur Projekte Muster 07, talk chaired by Dr Achim Borchardt-Hume’, London, England
  • View more +

Commissions and Special Projects

  • 2018
    ‘Writ in Water’, in collaboration with Studio Octopi, commissioned by the National Trust in association with Situations, Runnymede, England
  • 2017
    St Paul’s Cathedral (in partnership with Amnesty International), ‘Mark Wallinger. Ecce Homo’, London, England
  • 2013
    Transport for London / Art on the Underground, ‘Mark Wallinger. Labyrinth’, London, England
  • 2012
    Royal Opera House/The National Gallery, ‘Metamorphosis: Titian 2012’, London, England
  • 2011
    Sadler’s Wells, ‘Undance/Twice Through The Heart’, [choreographic work collaborating with Mark-Anthony Turnage and Wayne McGregor], London, England
  • View more +

Awards and Grants

  • 2009
    Honorary Fellow, Goldsmiths College, University of London, London, England
    Ebbsfleet Landmark Project Commission, Kent, England
    My City Commission, Canakkale, Turkey
  • 2007
    Turner Prize, London, England
  • 2003
    Honorary Doctorate, University of Central England, Birmingham, England
  • 2002
    Honorary Fellowship, the London Institute, London, England
  • 2001-02
    DAAD Artist Programme, Berlin, Germany
  • 1998
    Henry Moore Fellowship, British School at Rome, Rome, Italy
  • View more +

Bibliography

Publications

  • 2018
    Squire, Michael, Cahill, James, Allen, Ruth (eds.), 'The Classical Now', London/UK: Elephant Publishing with King’s College London, 2018, pp. 44-45, ill. In colour
  • 2017
    Brodesco, Alberto, Giordano, Federico (eds.), 'Body Images in the Post-Cinematic Scenario. The Digitisation of Bodies', Milan/IT: Mimesis International, 2017, p.90, ill.
    Schmidt, Frank (ed.), 'Schlaf. Eine produktive Zeitverschwendung', Bremen/DE: Museen Böttcherstraße, Paula Modersohn-Becker Museum, 2017, pp. 114-115, ill. (exh. cat.)
    Hanbum, Lee (ed.), 'The Art of Dissonance', Seoul: Seoul Museum of Art (SeMA), 2017, pp. 50-52, ill.
    Barboza, Amalia, Hüttenhoff, Michael, Lorenze, Stefanie et al. (eds.), 'Spektakel der Transzendenz? Kunst und Religion in der Gegenwart', Würzburg/DE: Königshausen & Neumann, 2017, ill.
    Gabriele, Marta, 'Drammaturgia Del Sacro. Imagini Contemporanee a Confronto', Milan/IT: Mimesis Edizioni, 2017, p. 178, ill.
    Purkiss, Anne-Katrin, 'Sculptors. 1986 – 2016', London/UK: Miriquidi Books, 2017, p. 85, ill.
    Schuppli, Madeleine (ed.), 'Cinéma mon amour. Film in Art', Zürich/CH: Scheidegger & Spiess, 2017, ill. (exh. cat.)
    Elmgreen, Michael; Dragset, Ingar; Diers, Michael, 'The Others', London: Koenig Books, 2017, pp.136-137, ill. (exh. cat.)
  • 2016
    Bradley, Fiona (ed.), 'Mark Wallinger Mark', Mänttä/FI: Serlachius Museums; Dundee/UK: Dundee Contemporary Arts; Edinburgh/UK: The Fruitmarket Gallery, 2016
    Gale, Matthew (ed.), 'Tate Modern: The Handbook', London: Tate Publishing, 2016
    Weinhart, Martina, Hollein, Max (eds.), 'Ich', Cologne: Walther König, 2016, p. 35, ill. (exh. cat.)
    Fullerton, Elizabeth, 'Artrage! The story of the Brit Art Revolution', London: Thames & Hudson, 2016
    Roberts, Eric, 'Programming Abstractions in Java', Cambridge: Pearson, 2016, ill.
  • 2015
    Prenowitz, Eric (ed.), 'Parallax 77: philosophy withou an object', London: Routledge, 2015, Front cover ill.
    Ingram, Alan, 'Transactions of the Institute of British Geographers', London: Royal Geographic Society, 2015
    Groves, Thomas, Lam, Harriet, 'City and Guilds of London – Art Histories 2015' London: City & Guilds Ltd., 2015
    Rosen, Aaron, 'Art and Religion in the 21st Century', London: Thames & Hudson, 2015
    Karner, Esther, 'Football Art', Vienna: Verlag für Moderne Kunst, 2015
    Staff, Craig, 'Monochrome: Darkness and Light in Contemporary Art', London: Vilma Gold, 2015 (exh. cat.)
    Cohen-Uzzielli, Tania, A Brief Histor of Humankind in The Israel Museum, Jerusalem, A Brief History of Humankind in The Israel Museum, Jerusalem, Jerusalem: The Israel Museum, 2015, pp. 81, 82, ill. (exh. cat.)
    Grovier, Kelly, 'Art Since 1989', London: Thames & Hudson, 2015
    Weibel, Peter, 'Global Activism. Art and Conflict in the 21st Century', The MIT Press, Cambridge MA, 2015 (exh. cat.)
    O’Reilly, Sally, 'Mark Wallinger', London: Tate Publishing, 2015
    Smith, Marquard, 'How to Construct a Time Machine', Milton Keynes: MK Gallery, 2015, pp. 120-121, ill. (exh. cat.)
    Eijkemans, Marie jose, Srodzinski, Roxana, van der Waals, Tessa, 'Dichter bij de Kunst', Tilburg, De Pont Museum, 2015 (exh. cat.)
    Laurenz Foundation, Schaulager Basel (ed.), 'Future Present. The Collection of the Emanuel Hoffmann Foundation', Basel, 2015 (exh. cat.)
    The Groucho Club. 30 Years, London, 2015
    Whitney Museum of American Art / Centre Pompidou, 'Collected by Thea Westreich Wagner and Ethan Wagner', New York / Paris, 2015, p. 94, ill. (exh. cat.)
    Collection Lambert, 'Patrice Chéreau. Un musée imaginaire', Avignon, France, 2015 (exh. cat.)
  • 2014
    Berger, Matthias, 'Mark Wallingers Videoarbeit „Angel“', Berlin: LIT Verlag Dr. W. Hopf, Zurich: LIT Verlag GmbH & Co. KG Wien, 2014, ill.
    Coysh, Louise. 'Labyrinth. A Journey Through London's Underground by Mark Wallinger', London: Art Books Publishing, 2014
    Contemporary Art Society, Whitechapel Gallery (ed.), 'The Best is Not Too Good for You', London: Contemporary Art Society; Whitechapel Gallery, 2014 (exh. cat.)
    Dezeuze, Anna, 'Thomas Hirschhorn. Deleuze Monument', London: Afterall Books, 2014
    Griffin, Jonathan, Harper, Paul [et al], 'The 21st Century Art Book', London: Phaidon, 2014, p. 277, ill.
    O’Donoghue, Hughie (ed.), 'Summer Exhibition Illustrated 2014', London: Royal Academy of Arts, 2014 (exh. cat.)
    Rugoff, Ralph (ed.), 'The Human Factor. The Figure in Contemporary Sculpture', London: Hayward Publishing, 2004 (exh. cat.)
    Sperling, Franziska, Sperling, Johannes (eds.), 'A Man Walks Into A Bar… Jokes & Postcards', Ostfildern, Hatje Cantz, 2014, p. 80, ill.
    Downey, Anthony, 'Art and Politics Now', London: Thames & Hudson, pp. 91 – 93, ill. In colour
  • 2013
    Grovier, Kelly, '100 works of art that will define our age', London: Thames & Hudson, 2013, pp. 290–293, ill.
    Petry, Michael, 'Nature Morte: Contemporary artists reinvigorate the still-life tradition', London: Thames & Hudson, 2013, p. 40, ill.
  • 2012
    Weinhart, Martina, Hollein, Max [et al.], 'Privat', Berlin: Distanz Verlag, 2012 (exh. cat.)
    National Gallery (ed.), 'Metamorphosis: Titian 2012. Chris Ofili, Conrad Shawcross, Mark Wallinger', London: National Gallery, 2012 (exh. cat.)
  • 2011
    Herbert, Martin, 'Mark Wallinger', London: Thames & Hudson, 2011, ill.
    Petry, Michael, 'The Art of not making. The new artist/artisan relationship', London: Thames & Hudson, pp. 144, 145, ill.
  • 2010
    Kunstnernes Hus (ed.), 'Mark Wallinger', Oslo: Kunstnernes Hus, 2010, ill. (exh. cat.)
    Gördüren, Petra; Luckow, Dirk (eds.), 'Dopplereffekt. Bilder in Kunst und Wissenschaft', Berlin: Dumont Verlag und Kunsthalle Kiel, 2010, ill. (exh. cat.)
    Adicéam, Ashok, 'Hope! Une exposition d'art contemporain sur l'espoir', Paris: Skira Flammarion, 2010, ill. (exh. cat.)
  • 2009
    The Hayward/Southbank Centre (eds.), 'Mark Wallinger. The Russian Linesman. Frontiers Borders and Thresholds', London: Hayward Publishing, 2009, ill. (exh. cat.)
    Bee, Andreas, 'Angel Dust. Bogomir Ecker, Mark Wallinger und ein unbekannter Meister', Frankfurt: Museum für Moderne Kunst, 2009
  • 2008
    Schuppli, Madeleine, De Vries, Janneke (eds.), 'Mark Wallinger', Zurich: JRP | Ringier, 2008, ill.
    Schlieker, Andrea, 'Folkestone Triennial. Tales of Time and Space', Folkestone: Creative Foundation, 2008, ill. (exh. cat.)
    Moisdon, Stéphanie, 'Qu’est-ce que l’art video aujourd’hui? ', Boulogne: Beaux Arts Editions, 2008
    Mori Art Museum (Ed.), 'History In The Making: A Retrospective of The Turner Prize', Tokyo: Mori Art Museum, 2008 (exh. cat.)
    Kunsthalle zu Kiel (ed.), 'Collection Video & Films, Isabelle & Jean- Conrad Lemaître: eine Auswahl', Cologne: Walther Koenig, 2008 (exh. cat.)
  • 2007
    Tate Britain (ed.), 'Mark Wallinger. State Britain', London: Tate Britain Publishing, 2007, ill. (exh. cat.)
    Tyradellis, Daniel (ed.), 'Schmerz. Kunst und Wissenschaft', Cologne: DuMont Verlag, 2007, ill. (exh. cat.)
    Deutsches Hygiene-Museum, Wellcome Collection (eds.), 'Schlaf & Traum, Deutsches Hygiene-Museum Dresden', Cologne: Bohlau, 2007 (exh. cat.)
    The Speed Art Museum (ed.), 'Highlights From The Collection', London: Merrell, 2007 (exh. cat.)
  • 2006
    McGregor, Sheila, 'New Art on View', Southampton: Southampton City Art Gallery, 2006 (exh. cat.)
    Singapore National Arts Council (ed.), 'Belief: Singapore Biennale 2006'. Singapore: SIngapore Biennale Secretariat, 2006 (exh. cat.)
    Van Assche, Christine, Nash, Mark [et al.], 'Une Vision du Monde la Collection Vidéo d'Isabelle et Jean-Conrad Lemaître', Lyon/Paris: Fage éditions/La maison rouge, 2006 (exh. cat.)
  • 2004
    Robson, Julien (ed.), 'Presence', Louisville: Speed Art Museum, 2004, ill. (exh. cat.)
  • 2003
    Flügge, Matthias, Meschede, Friedrich [et al.], 'Warum! Bilder diesseits und jenseits des Menschen', Ostfildern: Hatje Cantz, 2003 (exh. cat.)
    Cameron, Baillie Elizabeth, 'Sanctuary - Contemporary Art and Human Rights', Glasgow: Gallery of Modern Art, 2003
    Farquharson, Alex, 'Micro/macro - British Art 1996-2001', Budapest: Mucsarnok/Kunsthalle Budapest, 2003
  • 2002
    Glynn Vivian Art Gallery, 'Mark Wallinger. Ecce Homo', Swansea: Glynn Vivian Art Gallery, 2002, ill. (exh. cat.)
    Pahlke, Rosemarie E., (ed.), 'THE GAP SHOW - Young Critical Art from Great Britain', Dortmund: Museum am Ostwall, 2002 (exh. cat.)
    Brugge 2002 (ed.), 'Ommegang-Circumflexion: Brugge 2002', Roeselare: Brugge 2002, 2002 (exh. cat.)
    Hemsworth, Gerard, Malik, Suhail [et al.], 'Painting as a Foreign Language', Sao Paulo: Spciete Brasileira de CUltura Inglesa, 2002 (exh. cat.)
    Hough, Jessica, Hall, Doug [et al.], 'Family', Ridgefield: The Aldrich Museum of Contemporary Art, 2002
    Wimmer, Elga, 'Faux/Real', Istanbul: Borusan Lojistik, 2002 (exh. cat.)
  • 2001
    The British Council (ed.), 'Mark Wallinger. The British Pavilion. 49th Venice Biennale 2001, London: The British Council, 2001, ill. (exh. cat.)
    Oxford University Museum of Natural History, Ruskin School of Drawing and Fine Art (eds.),
    'Mark Wallinger. Time and Relative Dimensions in Space', Oxford: Oxford University Press, 2001, ill. (exh. cat.)
  • 2000
    Tate Liverpool (ed.), 'Mark Wallinger. Credo', London: Tate Publishing, 2000, ill. (exh. cat.)
    MacGregor, Neil, Langmuir, Erika, 'Seeing Salvation', London: BBC Publishing, 2000
    Buck, Louisa, 'Moving Targets 2: A User's Guide to British Art Now', London: Tate Publishing, 2000
    Bonaventura, Paul, 'Locus Solus', Newcastle-upon-Tyne: Locus +, 2000
    Bulgakov, Mikhail; Searle, Adrian, 'Mark Wallinger - Ecce Homo', Vienna: Secession, 2000
    Portikus (ed.), 'Mark Wallinger: Prometheus', Frankfurt am Main: Portikus, 2000, ill.
  • 1999
    Museum für Gegenwartskunst, 'Mark Wallinger – Lost Horizon', Basel: Museum für Gegenwartskunst, 1999, ill. (exh. cat.)
    San Michele and Museo Laboratorio (ed.), 'Il luogo degli angeli', San Angelo: San Michele and Museo Laboratorio, 1999
    Idem + Arts (ed.), 'L'Art et L'Ecrit', Maubeuge/Dunkirk: Idem + Arts, Espace Sculfort/Frac Nord-Pas de Calais, 1999
    Buck, Louisa, 'Moving Targets: A User's Guide to British Art Now', London: Tate Publishing, 1999
    Barilli, Renato, Mazzotta, Edizioni Gabriele, 'Officina Europa', Milan: Mazzotta, 1999
    Timms, Robert; Bradley, Alexandra; Hayward, Vicky (eds.), 'Young British Art. The Saatchi Decade', London: Booth – Clibborn Editions, 1999, pp. 64, 65, 134, 135, 532, ill.
  • 1998
    Pierre Luigi Tazzi (ed.), 'Mark Wallinger Is Innocent', Brussels/London: Société des expositions du Palais des Beaux-Arts de Bruxelles/Delfina,1998, ill. (exh. cat.)
    Bickerstaff, David, Bonaventura, Paul, '"Book": David Austen, Neil Miller, Mark Wallinger, Daphne Wright', Nottingham: Djanogly Art Gallery, 1998
    Higgs, Matthew, Areal, Benger, 'U.K. Maximum Diversity', Vienna: Galerie Krinzinger, 1998
    Shone, Richard, 'Made in London', London: Simmons & Simmons, 1998
    Wilson, Gerard, Hart, Janice, 'Drawing Itself', London: The London Institute, 1998
    Hepworth, Stephen, Wood, Katherine [et al.], 'Feeringbury VIII - Cultivated', London: Firstsite / Curtain Road Arts, 1998
    Davey, Kevin, 'English Imaginaries', London: Lawrence & Wishart, 1998
    Burrows, David (ed.), 'Who's Afraid of Red White & Blue? Attitudes to popular & mass culture, celebrity, alternative & critical practice & identity politics in recent British art', Birmingham: Article Press, 1998
  • 1997
    Dolly Fiterman Fine Arts (ed.), 'Mark Wallinger', Minneapolis: Dolly Fiterman Fine Arts, 1997, ill. (exh. cat.)
    Royal Acasemy of Arts (ed.), 'Sensation: Young British Artists from the Saatchi Collection', London: Thames & Hudson, 1997, pp. 176 – 179, ill. (exh. cat.)
    Molder, Jorge, Sanches, Rui [et al.], 'Treasure Island', Lisbon: Centro de Arte Moderna José de Azeredo Perdigâo/Fundacao Calouste Gulbenkian, 1997 (exh. cat.)
    Button, Virginia, 'The Turner Prize', London: Tate Gallery Publishing, 1997
    Russell, Steward, Papastergiadis, Nikos, 'Pledge Allegiance to a Flag?', London: Printworks Trust, 1997
    Murphy, Bernice, (ed.), 'Pictura Britannica', Sydney: Museum of Contemporary Art, 1997 (exh. cat.)
    Gallagher, Ann, 'Dimensions Variable: New Works for the British Council Collection', London: The British Council, 1997 (exh. cat.)
    Martinez, Rosa, '5 th International Istanbul Biennial', Istanbul: Istanbul Foundation for Culture and Arts, 1997 (exh. cat.)
    Kuspit, Donald, 'Mark Wallinger', Minneapolis: Dolly Fiterman Fine Arts, 1997
  • 1996
    Bonaventura, Paul, Cadwallader, Helen, 'Vade Mecum: A Compendium of New Art', Newcastle-upon-Tyne: Locus +, 1996
    Cook, Lynne (ed.), 'Jurassic Technologies 10 th Biennale of Sydney', Sydney: The Biennale of Sydney, 1996 (exh. cat.)
    Coburn, Jason, 'Hello, Artists in Conversation', London: The Royal College of Art, 1996
  • 1995
    Thompson, Jon (ed.), 'Mark Wallinger', Birmingham: Ikon Gallery, 1995, ill. (exh. cat.)
    Cork, Richard, Finn-Kelcey, Rose [et al.], 'The British Art Show', London: The South Bank Centre, 1995 (exh. cat.)
    Button, Virginia, 'The Turner Prize', London: Tate Gallery Publishing, 1995 (exh. cat.)
    Treuherz, Julian, 'John Moores Exhibition 19', Merseyside: National Museums & Galleries on Merseyside, 1995 (exh. cat.)
  • 1994
    Deweer Art Gallery (ed), 'A Painting Show : Siegfried Anzinger (A) ... Mark Wallinger (GB)', Otegem: Deweer Art Gallery, 1994, ill. (exh. cat.)
    Wadhwa, Mark, Meyer, Walter [et al.], 'Seeing the Unseen', London: Nvisible Museum, 1994
    Salmon, Richard, 'Every Now and Then', London: Rear Window, 1994
    Lane, Hilary, Patrizio, Andrew, 'Art Unlimited: Multiples from the 1960s and 1990s', London: South Bank Centre, 1994
    Bruni, Valeria, Calabrese, Omar [et al.], 'Idea Europa', Siena: Contemporanea Editrice, 1994
  • 1993
    Krüger, Werner, 'Junge Britische Kunst', Cologne: Art Cologne, 1993
    Kent, Sarah, 'Young British Artists II', London: The Saatchi Collection, 1993
  • 1992
    Bruni, Valeria, Santacatterina, Stella [et al.], 'Let Me Look', San Miniato: Commune di San Miniato, 1992
    Whitechapel Art Gallery (ed.), 'Whitechapel Open', London: Whitechapel Art Gallery, 1992
  • 1990
    National Gallery of Victoria (ed.), 'Australian Sculpture Triennial', Melbourne: National Gallery of Victoria, 1990
  • 1989
    Koether, Jutta, 'Über Unterwanderung', Cologne: Galerie Sophia Ungers, 1989
    Graw, Isabelle (ed.), 'Nachschub, The Köln Show', Cologne: SPEX, 1989
  • 1988
    Nottingham Castle Museum (ed.), 'Mark Wallinger. Burgess Park', Nottingham: Nottingham Castle Museum, 1988 ill. (exh. cat.)
    Szeeman, Harald, Liesbrock, Heinz [et al.], 'Einleuchten: Will, Vorstel und Simul in HH', Hamburg: Deichtorhallen, 1988
    Lucie-Smith, Edward, Cohen, Carolyn [et al.], 'The New British Painting', Oxford: Phaidon, 1988
    Vines, Ian, 'Image and Object: Aspects of British Art in the 1980s', Stoke-on-Trent: Stoke-on-Trent City Council, 1988
    Allthorpe-Guyton, Marjorie, 'Something Solid', Manchester: Cornerhouse, 1988
    Biggs, Lewis, 'Cries and Whispers: New works for the British Council Collection', London: The British Council, 1988
    Riverside Studios, Anthony Reynolds Gallery (eds.), 'Passport Control', London: Riverside Studios/Anthony Reynolds Gallery, 1988
  • 1987
    Evans, Graham, 'Palaces of Culture: The Great Museum Exhibition', Stoke on Trent: City Museum and Art Gallery, 1987
    Selwood, Sara, 'State of the Nation', Coventry: Herbert Art Gallery, 1987
  • 1986
    Drier, Deborah, Edith C. Blum Art Institute, 'Neo Neo-Classicism: the uses of tradition in late 20th century art', Annandale-on-Hudson: Edith C. Blum Art Institute, Bard College Center, 1986
    Dexter, Emma, 'Unheard Music', Stoke-on-Trent: City Museum and Art Gallery, 1986
  • View more +

Press

  • 2018
    Ryan, Alison, 'Inside Archway’s Bomb Factory' on: www.kentishtowner.co.uk, London/UK, 12 April 2018
    __, 'Art Industry News: Cabaret Star's Heirs Reclaim Nazi-Looted Egon Schiele Works Found at Art Fair + More Must-Read Stories' on: news.artnet.com, London/UK, 6 April 2018
  • (cont'd)
    Kufer, Katrina, 'Michael Rakowitz's Daesh-Destroyed Plinth Unveiled in London' on: www.harpersbazaararabia.com, Abu Dhabi/UEA, 3 April 2018
    Anderson, John and Revd Jonathan Evens, 'Jonathan Anderson: Religious Inspirations Behind Modernism – Interview Revd Jonathan Evens' on: www.artlyst.com, London/UK, 30 March 2018
    Mansfield, Susan, 'Tay time: how Dundee became the perfect home for the new V&A' on: www.list.co.uk, Edinburgh/UK, 29 March 2018
    Kennedy, Maev, 'Winged bull made of syrup cans unveiled on fourth plinth' on. www.theguardian.com, London/UK, 28 March 2018
    __, 'At the Centro Pecci the first Italian solo show by Mark Wallinger' on: www.arte.sky.it, Prato/IT, 28 March 2018
    __, 'In Pictures: Harbour Arts Sculpture Park' in: The Art Newspaper, London/UK, 28 March 2018, pp. 14-15
    __, 'Firstsite opens Hauser & Wirth's satirical museological presentation 'Bronze Age c. 3500 BC - AD 2018'' on: www.artdaily.com, London/UK, March 2018
    Chan, Hera, 'In Memory of a Free Public: Harbour Arts Sculpture Park' on: www.ocula.com, Hong Kong, 16 March 2018
    Lucarelli, Niccolò, 'Mark Wallinger, prophet of the newspaper. In Prato' on: www.artribune.com, Prato/IT, 7 March 2018
    Paskett, Zoe, 'Artists hand over control for Face Value 2 at Jealous East' on: www.islingtongazette.co.uk, London/UK, 2 March 2018
    Lloyd, Joe, 'Natural Selection: Romanticised and derided in equal measure, the countryside is the subject of an ambitious exhibition in Somerset' on: www.1843magazine.com, London/UK, 23 February 2018
    Tsui, Enid, 'Hong Kong outdoor sculpture show: funny, functional, minimalist, whimsical – how will art go down with the public? ' on: www.scmp.com, Hong Kong/CN, 25 February 2018
    __, 'Exhibitions: Mark Wallinger at the Pecci di Prato' on: www6.ansa.it, Prato/IT, 23 February 2018
    Dami, Andrea, 'The works of Mark Wallinger in the constant search for the ego. The exhibition at the Pecci Center in Prato' on: www.reportcult.it, Pistoia/IT, 23 February 2018
    Judah, Hettie, 'Deep in the English Countryside, Hauser & Wirth Indulges in Fantasies of Rustic Life' on: www.artnet.com, London/UK, 19 February 2018
    __, ''Mark Wallinger: Italian Lessons' at Victoria Miro, Venice' on: www.blouinartinfo.com, London/UK, 13 February 2018
    Simpson, Veronica, 'The Land We Live In – The Land We Left Behind' on: www.sutdiointernational.com, London/UK, 7 February 2018
    Ceccarelli, Valentina, '"Mark Wallinger Mark": the new exhibition at the Centro Pecci' on: www.pratosfera.com, Prato/IT, 5 February 2018, ill. in colour
    Klingelfuss, Jessica, 'Hauser & Wirth Somerset’s latest show celebrates rural rituals' on: www.wallpaper.com, London/UK, 30 January 2018
    __, 'Victoria Miro Venice opens career-long exhibition of works by Mark Wallinger' on: www.artdaily.com, London/UK, January 2018
    Brady, Anna, 'Foreign galleries make move on Italy' on: www.theartnewspaper.com, London/UK, 24 January 2018
    Bagging, Julian, 'Statues have had their day. Let’s make our monuments memorable' on: www.theguardian.com, London/UK, 19 January 2018
    Tsui, Enid, 'Hong Kong harbour turned into a gallery for 18 international artists' on: www.scmp.com, Hong Kong/CN, 22 January 2018, ill.
  • 2017
    Demoney, Catarina, 'Award-winning artist creates new artwork in Runnymede to celebrate the 'global significance' of Magna Carta' on: www.getsurrey.co.uk, Guildford/UK, 30 November 2017, ill.
    __, 'Julian Opie and Mark Wallinger contribute works for auction in memory of late artist Francesca Lowe' on: www.standard.co.uk, London/UK, 2 November 2017
    Holledge, Richard, 'Folkestone Triennial: How the Kent Coast got it’s groove back' on: www.independent.co.uk, London/UK, 24 October 2017
    Gleadell, Colin, 'London's art scene: The Grenfell Tower art auction and more bricks at the Tate' on: www.telegraph.co.uk, London/UK, 24 October 2017
    Beech, Mark, 'Thirty Artists Donate Works to £1 Million Sotheby’s Sale for Grenfell Tower Families' on: www.blouinartinfo.com, New York NY, 10 October 2017
    Quin, John, 'Folkestone Is An Art School: At The Triennial' on: www.thequietus.com, London/UK, 24 September 2017
    Thorpe, Vanessa, 'Turner prizewinners lead calls to rescue fund that lit up visual arts in the north' on: www.theguardian.com, London/UK, 17 September 2017
    O’Connor, Joanne, 'Postcard from… Folkstone' in: FT Weekend, London/UK, 2-3 August 2017, p. 8
    Fulcher, Merlin, 'Studio Octopi picked to create Magna Carta memorial at Runnymede' on: www.architectsjournal.co.uk, London/UK, 9 August 2017, ill.
    Helm, Toby, Pritchard, Stephen, Savage, Michael, 'Poll finds that 60% of Britons want to keep their EU citizenship' on: www.theguardian.com/uk, London/UK, 1 July 2017
    Keamin, Siobhan, 'Alterego' in: ARTICLE, London/UK, June 2017, pp. 46-57, ill.
    Been, Matt, 'Mark Wallinger at St Paul’s' on: Time Out London, London/UK, 18-24 April 2017, p. 80
    Lightbody, Jen, 'Mark Wallinger Mark exhibition review' on: www.tuppencemagazine.co.uk, Cardiff/UK, 15 April 2017
    Williams, Alex, ''Strikingly vulnerable' statue of Jesus reminds London of restrictions on beliefs' on: www.premier.org.uk, London/UK, 12 April 2017
    __, 'Behold the man' in: The Times, London/UK, 12 April 2017, p. 4
    __, 'New home for plinth statue' in: i newspaper, London/UK, 12 April 2017, p. 12
    __, 'Sculpting a better world for all' in: City Matters, London/uk, 12 April 2017, cover
    Dee, Robert, 'Mark Wallinger's fourth plinth statue finds a home at St Paul’s on: www.standard.co.uk, London/UK, 11 April 2017
    Been, Matt, 'The first ever Fourth Plinth sculpture just went on display at St Paul’s' on: www.timeout.com, London/UK, 11 April 2011
    Dee, Robert, 'First statue on fourth plinth finds home at St Paul’s' in: The Evening Standard, London/UK, 11 April 2017, p. 11
    Buck, Louisa, 'Mark Wallinger’s Ecce Homo finds new home for Easter outside St Paul’s' on: theartnewspaper.com, London/UK, 11 April 2017
    __, 'Fourth plinth's first statue has a new home' (video) on: www.londonlive.co.uk, London/UK, 11 April 2017
    __, 'Mark Wallinger' in: Aesthetica, York/UK, 2 April 2017, p. 131
    Malvern, Jack, 'Turner Prize opens to emerging artists of older vintage' on: www.thetimes.co.uk, London/UK, 30 March 2017
    Rosie-Wilkinson, Immie, 'Me, Myself and I: Mark Wallinger and Identity' in Art on: www.studentnewspaper.org, Edinburgh/UK, 22 March 2017
    Mansfield, Susan, 'Space Invader' in: The Scotsman, Edinburgh/UK, 18 March 2017, ill.
    Hanna, Noah, 'Mark Wallinger// The Fruitmarket Gallery, Dundee Contemporary Art' on: www.theseenjournal.org, Chicago IL, 14 March 2017, ill.
    Sutherland, Giles, 'Portrait of the Artist’s Inner Me' in: The Times, London/UK, 7 March 2017, p. 18, ill.
    Sutherland, Giles, 'Visual art: Mark Wallinger, Fruitmarket Gallery, Edinburgh, and DCA Dundee' on: www.thetimes.co.uk, London/UK, 7 March 2017
    Sneddon, Ciaran, 'Half of Turner Prize-winning artist’s new exhibition opens at DCA' on: www.thecourier.co.uk, Dundee/UK, 4 March 2017, p. 23
    Sneddon, Ciaran, 'Artist making his Mark with DCA exhibition' in: The Courier, Dundee/UK, 4 March 2017
    __, 'Turner Prize winner opens shows in Edinburgh and Dundee' in: The Herald, Glasgow/UK, 3 March 2017, p. 4
    __, 'Mark Wallinger Mark' in: The List, Edinburgh/UK, March 2017, p. 91, 93, ill.
    Mansfield, Susan, 'Interview: Mark Wallinger on his giant “id” paintings, coming soon to Edinburgh and Dundee' on: www.scotsman.com, Edinburgh/UK, 28 February 2017
    __, 'Turner Prize-winning artist displays work at Sayle Gallery' on: www.iomtoday.co.im, Isle of Man/UK, 27 February 2017
    Mansfield, Susan, 'A plundering of the psyche' in: The Scotsman Magazine, 25 February 2017, Edinburgh/UK, pp. 18-19
    Jamieson, Teddy, 'Horses for courses' in: The Herald Arts, Glasgow/UK, 25 February 2017, pp. 4-5, ill.
    Jamieson, Teddy, 'Turner Prize winner Mark Wallinger on giving up booze and betting, and his first Scottish shows' on: www.heraldscotland.com, Glasgow/UK, 25 February 2017
    Cooper, Neil, 'Mark Wallinger: new exhibition presents the painter's work simultaneously across two cities' on: www.list.co.uk, Edinburgh/UK, 16 February 2017
  • 2016
    Gilpin, Jemimah, 'Subways as art: tunnels to a stronger community? ' on: theboar.org, Coventry/UK, 8 December 2016
    Chine, Nate, 'Jason Moran, From the Venice Biennale to the Village Vanguard'
    on: www.nytimes.com, New York NY, 21 November 2016
    __, 'Somme Centenary - Battle's End poppy tribute in Folkestone’, on: www.centenarynews.com, London/UK, 19 November 2016
    Lee, Donald, 'Three to see: London', on: theartnewspaper.com, London/UK, 23 September 2016
    __, 'Mark Wallinger's recreation of Parliament Square anti-war camp to reside at Tate', on: www.centrallifetimes.com, High Wycombe/UK, 21 September 2016
    __, 'Mark Wallinger's recreation of Parliament Square anti-war camp to reside at Tate', on: www.aol.co.uk, London/UK, 21 September 2016
    __, 'Recreation of anti-war protest camp enters the Tate's collection', on: www.itv.com, London/UK, 21 September 2016
    Dex, Robert, 'Parliament Square peace camp comes to the Tate', in: www.standard.co.uk, London/UK, 21 September 2016
    Issaurat, Laurent, 'Mark Wallinger dédouble la maison londonienne de Sigmund Freud', on: www.connaissancedesarts.com, Paris/FR, 15 September 2016
    Reid, Melanie, 'Supersize horses with the power to move us', on: www.thetimes.co.uk, London/UK, 12 September 2016
    __, 'Into the mind of Sigmund Freud for his 160th birthday', on: www.artscouncil.org.uk, London/UK, 1 September 2016
    Hubbard, Sue, 'Mark Wallinger Self Reflection. Freud Museum, London', on: www.3quarksdaily.com, London/UK, 29 August 2016
    __, 'Mark Wallinger: Self-Reflection', on: londonartportfolioblog.com, London/UK, 27 August 2016
    Gat, Orit, 'Looking up from the couch: on Mark Wallinger's show at the Freud Museum in London', on: theartnewspaper.com, London/UK, 18 August 2016
    __, 'Mark Wallinger: Self-Reflection, Freud Museum', on: www.culturewhisper.com, London/UK, 15 August 2016
    Spencer, Samuel, 'Mark Wallinger Installs Giant Mirror, New Sculpture in Freud Museum London', on: blouinartinfo.com, New York NY, 11 August 2016
    Jones, Jonathan, 'Mark Wallinger at the Freud Museum review – mirror mirror on the ceiling', on: www.theguardian.com, London/UK, 8 August 2016
    Waywell, Chris, 'Mark Wallinger: Self Reflection', on: www.timeout.com, London/UK, 8 August 2016
    Jones, Jonathan, 'Freud's study, Rio favelas and Hillary Clinton's niqab – the week in art', on: www.theguardian.com, London/UK, 5 August 2016
    __, 'Mark Wallinger gets reflective at the Freud Museum’, on: phaidon.com, London/UK, 2 August 2016
    Shaw, Anny, 'Three to see: London,' on: theartnewspaper.com, London/UK, 29 July 2016
    Robinson, Paul Carter, 'Mark Wallinger: Recumbent Analysand Reflected In Mirrors Freud Museum London', on: www.artlyst.com, London/UK, 29 July 2016
    Clark, Robert, 'Opening this week', in: The Guardian Guide, London/UK, 16-22 July 2016, p. 33
    Schwartzkoff, Louis, 'Things to Do: We love Art on the Underground', in: Time Out, London/UK, 19-25 July 2016, p. 38
    Finlay, Lesley, '10 lovely things to look out for along The Leas', on: www.folkestoneherald.co.uk, Folkestone/UK, 13 July 2016
    Coxhead, Gabriel, 'Mark Wallinger,' in: Art in America, New York NY, June/July 2016, p. 152
    Cook, Dave, Guest, Richard, 'Mark Wallinger’s ID – A Conversarion', on: londoneyeball.wordpress.com, London/UK, 11 June 2016
    Wilson, Carl, 'The Turner Prize. A Brief Introduction to Film and Video (and Disappointment in 2016) ', on: popmatters.com, 10 June 2016
    Cole, Angela, 'Folkestone: The town’s artworks featuring famous names, will be joined by Banksy’s Art Buff', on: kentonline.co.uk, Kent/UK, 6 June 2016
    __, 'Mark Wallinger Exhibition Opens in Serlachius Museums, Finland', on: businesswire.com
    Jeffrey, Tom, 'Factories, fine art and starry skies in rural Finland', on: apollo-magazine.com, 23 May 2016
    Sipilä, Annamarie, 'Melkein oikeissa töissä', in: Helsingin Sanomat, Helsinki/FI, 22 May 2016, p. C 15
    Roth, Raili; Vuokola,Tomi, 'Taiteilijatähti yllättää, vaikka karhupuvussa', in:
    Luke, Ben, 'Sigmund Freud: snubbed by science, embraced by art', in: The Art Newspaper, London/UK, May 2016
    ___, 'Around Town: Photography in Focus', in: Artinfo, London/UK, April 2016, p18
    Russell, Anna, 'A Young British Artist Grows Up', in: The Wall Street Journal, New York NY, 15 April 2016
    Russell, Anna, 'Mark Wallinger: A British Master of Reinvention', on: www.wsj.com, New York NY, 13 April 2016
    Cattaneo, Ada, 'Mark Wallinger Passport Control', in: 'Parterre de Rois', Milan/IT, Spring/Summer 2016
    Talbot, Lynton, 'Mark Wallinger: ID', in: Art Monthly, London/UK, April 2016
    Barry, Robert, 'Analyse That: Mark Wallinger's Monsters From The ID', www.thequietus.com, London/UK, 3 April 2016
    Forrest, Tim, 'Mark Wallinger ID', on: www.tfeanda.com, London/UK, 30 March 2016
    ___, 'Arts agenda: The cultural highlights you have to see', in: i, London/UK, 30 March 2016, p. 31
    Warde-Aldam, Digby, 'Innocence and Experience: Mark Wallinger stood out from the other YBAs for his wit and subtelty', on: www.1843magazine.com, London/UK, 22 March 2016
    McNay, Anna, 'Mark Wallinger: 'Even the ugliest mark, with symmetry, gains some kind of élan', on: www.studiointernational.com, New York NY, 19 March 2016
    Black, Paul, 'Mark Wallinger's ID at Hauser & Wirth', on: www.artlyst.com, London/UK, 17 March 2016
    Berman, Arthur, 'The mataphorical bunch of Daffs', on: www.unvarnished.co.uk, London/UK, 17 March 2016
    Martin, Richard, 'Mark Wallinger's uncanny identity parade', on: www.apollo–magazine.com, London/UK, 16 March 2016
    ___'Don't Miss – Still on and still great', in: Time Out London, London/UK, 15 March 2016
    Luke, Ben, 'Identity crisis is impossible to resist', in: London Evening Standard, London/UK, 14 March 2016
    Van Biema, David, 'Can religious art be taken seriously again? A Q&A with Aaron Rosen', on: www.religiousnews.com, Washington DC, 10 March 2016
    ___, 'Arts Agenda: The cultural highlights you have to see', in: i, London/UK, 8 March 2016
    Klingelfuss, Jessica, 'Grand gestures: Mark Wallinger gets his hands dirty at Hauser & Wirth', on: www.wallpaper.com, London/UK, 4 March 2016
    Buck, Louisa, 'Who does Mark Wallinger think he is?', on: www.telegraph.co.uk, London/UK, 4 March 2016
    ___, 'Mark Wallinger: ID', on: www.rag-bone.com, New York NY, 3 March 2016
    ___, 'Mark Wallinger "ID" Exhibition Opening at Hauser & Wirth London', on: www.purple.fr, 2 March 2016
    Petty, Felix, 'mark wallinger: portrait of an artist with an iphone', on: www.i-d.vice.com, London/UK, 1 March 2016
    ___, 'Arte! International', in: 'Arte Brasileiros', March 2016, Brasilia/BR
    Coomer, Martin, 'Mark Wallinger: ID', in: Time Out London, London/UK, 1 March 2016
    ___, 'The Europe Edition – March 2016', on: Artinfo, London/UK, March 2016, p.28
    Tonkin, Boyd, 'A Mark of Distinction', in: 'The Independent, London/UK, 29 February 2016
    ___, 'Another Major Departure from Sotheby's', on: www.apollo-magazine.com, London/UK, 29 February 2016
    ___, 'Art Review', on: www.artlyst.com, London/UK, 29 February 2016
    Bromwich, Kathryn, 'Mark Wallinger', in: 'The Observer, The New Review, London/UK, 28 February 2016, p.3
    Cumming, Laura, 'Who does he think he is?', in: The Observer, The New Review, London/UK, 28 February 2016, p.30
    Basciano, Oliver, 'London: Mark Wallinger', in: The Guardian Guide, London/UK, 27 February 2016
    Muraben, Billie, 'Continuous revolutions abound in Mark Wallinger's new show', on: www.itsnicethat.com, London/UK, 25 February 2016
    Upton, George, 'The Art of The Mind: Mark Wallinger', www.port-magazine.com, London/UK, 25 February 2016
    Judah, Hettie, 'How One Contemporary Artist got Addicted to Finger Painting', on: www.nytimes.com, New York NY, 25 February 2016
    Milner, Catherine, 'Mark Wallinger, ID at Hauser & Wirth', on: www.howtospendit.ft.com, London/UK, 26 February 2016
    ___, 'Mark Wallinger: ID', on: www.galleriesnow.net, London/UK, 26 February 2016
    Buck, Louisa, 'Mark Wallinger: 'Facing Up To Myself'', on: www.thartsnewspaper, London/UK, February 2016
    Coomer, Martin, 'Mark Wallinger: ID', on: www.timeout.com, London/UK, 25 February 2016
    Searle, Adrian, 'Full Marks', in: 'The Guardian, G2', London/UK, 25 February 2016, p.16
    Cambell-Johnston, Rachel, 'Mark Wallinger is watching you (if you go to his show)', in: The Times, London/UK, 24 February 2016
    ___, 'Mark Wallinger: ID', in: Timeout London, London/UK, 23 February 2016
    ___, 'Mark Wallinger at Hauser & Wirth London', on: www.amuse-i-d.vice.com, London/UK, 21 February 2016
    Jones, Jonathan, 'The Week in Art', on: www.theguardian.com, London/UK, 19 February 2016
    Westfall, Mark, 'NEW Mark Wallinger exhibition ID', on: www.fadmagazine.com, London/UK, 18 February 2016
    Kordic, Angie, 'Mark Wallinger Explores Self Through Artistic Means in a Debut at Hauser & Wirth', on: www.widewalls.ch, Ermatingen/CH, 16 February 2016
    ___'Don't Miss', in: Modern Painters, New York NY, February 2016, p.38
    ___, 'On Show', in: Christie's Magazine, London/UK, February 2016
    ___, 'Mark Wallinger', in: GarageWings, Moscow/RU, Spring 2016
    Hastings, Sophie, 'The Artist in Six Easy Pieces', in: GQ, London/UK, March 2016
    Barry, Robert, 'Round ’Em Up Let’s Go: February Exhibition Previews', on: www.thequietus.com, London/UK, 31 January 2016
    Cook, Greg, ' Build A Giant Horse — And Other Ways Art And Business Can Partner To Enliven Cities', on: www.artery.org, Boston MA, 19 January 2016
    Lee, Donald, 'Face-off: Van Dyck and Mark Wallinger', on: www.theartsnewspaper.com, London/UK, 13 January 2016
    Jones, Jonathan, 'I am Van Dyck – the Andy Warhol of 17th-century portraiture', on: www.theguardian.com, London/UK, 12 January 2016
    Arsen, Jan, 'Anthony Van Dyck and Mark Wallinger Meet in an Extraordinary Combination of Baroque and Contemporary Art', on: www.widewalls.ch, Bern/CH, 11 January 2016
    Herbert, Martin, 'Previews', in: ArtReview, London/UK, January – February 2016
    ___, 'The most unmissable culture of 2016', in: The Guardian, G2, London/UK, 4 January 2016
    Pilcher, Jeremy, 'State Britain and the Art of (Im)proper Democratic Protest', in: Law, Culture and the Humanities, London/UK, January 2016
  • 2015
    Atwood, Margaret, 'Secret Lives', in Lapham’s Quarterly, New York NY, p. 134 (ill.)
    ___, 'Mark Wallinger Pairs With Van Dyck In Dulwich Picture Gallery Display', on: www.artlyst.com, London/UK, 18 December 2015
    ___, '2015's Turner Prize winner is not the weirdest thing that ever claimed the prize', on: www.stuff.co.nz, Christchurch/NZ, 9 December 2015
    ___, 'Ten most notable and notorious Turner Prize winners', on: www.itv.com, London/UK, 7 December 2015
    Bancroft, Holly, 'An Unconventional Christmas', on: www.palatinate.org.uk, Durham/UK, 4 December 2015
    Grenier, Elizabeth, 'Turner Prize Logic', on: www.dw.com, Berlin/DE, 7 December 2015
    Klingelfuss, Jessica, 'Art strikes back at Fundacio Gaspar, Barcelona's newest art gallery', in: www.wallpaper.com, London/UK, 27 November 2015
    Bhowmick, Aruna, 'Vibrant Movement', on: www.thestatesman.com, New Delhi/IN, 26 November 2015
    Schmidt, Veroncia, 'Talk to the Animals', on: www.listener.co.nz, Wellington/NZ, 19 November 2015
    ___, 'British artist Wallinger's 'White Horse' unveiled in Delhi', on: www.business-standard.com, New Delhi/IN, 19 November 2015
    ___, 'The White Horse by Mark Wallinger at British Council, Delhi', on: www.britishcouncil.in, New Delhi/IN, 18 November 2015
    Muir, Gregor, 'The closing scene was a mob', in: Vogue, London/UK, November 2015, pp. 242 – 243
    Reißmann, Erwin, 'Labyrinth: Art on London's Underground', on: www.blogmymaze.com, Berlin/DE, 11 October 2015
    Passariello, Christina, 'What Venture Capital and Art Have in Common', on: blogs.wsj.com, New York NY, 9 October 2015
    Cumberbatch, Amiée Grant, 'Beyond Limits: The Landscape of British Sculpture 1950-2015' on: www.telegraph.co.uk, London/UK, 11 September 2015
    O'Hagan, Sean, 'Artist Patrick Brill, aka Bob and Roberta Smith, on the 'sickening' YBAs, Tory 'philistines', and losing to Michael Gove in the last election', on: www.theguardian.co.uk, London/UK, 23 August 2015
    Starrs, Siobhan, 'Along London's 'other river,' am art walk brightens the scenery', on: www.washingtonpost.com, Washington DC, 30 July 2015
    ___, 'Shortlisted: Four Museums Compete for £40,000 Contemporary Art Society Award', on: www.artlyst.com, London/UK, 12 July 2015
    ___, 'The walls talk in the Groucho Club', on: www.christies.com, London/UK, 9 July 2015
    ___, 'Art brightens up London's Victoria Tube line', on: www.themalaymailonline.com, Kuala Lumpur/MY, 2 July 2015
    Barnicoat, Becky, 'I failed – and it became news', in: 'The Guardian', London/UK, 24 June 2015
    Wallinger, Mark, 'Untitled', in: The Guardian, G2, London/UK, 24 June 2015, p. 19
    Dorment, Richard, 'After 30 years, I look back with amazement', on: www.telegraph.co.uk, London/UK, 23 June 2015
    Steinberg, Jessica, 'Israel Museum tells story of 'Sapiens' via archaelogy and art', on: www.timesofisrael.com, Jerusalem/IL, 19 June 2015
    ___, 'Dreamers Wanted: Rose Design's Garry Blackburn dreams up Labyrinth in the London Underground' on: www.thedrum.com, London/UK, 17 June 2015
    ___, 'Thousands sign petition as trade union rep sacked by National Gallery remains defiant', on: www.westendextra.com, London/UK, 5 June 2015
    ___, 'A new sculpture walk brings contemporary art to Stratford', on: www.citymetric.com, London/UK, 3 June 2015
    Mackin, Annette, 'Two thousand-strong rally sends defiant message to National Gallery bosses', on: socialistworker.co.uk, London/UK, 31 May 2015
    ___, 'Rally backs National Gallery strike', on: www.belfasttelegraph.co.uk, Belfast/UK, 30 May 2015
    ___, 'VAN May/June 2015: Watching Liquid Run', Maolíosa Boyle and Mark Wallinger in Discussion', on: visualartists.ie, Dublin/IE, 29 May 2015
    Ward, Julie, 'Standing Together With National Gallery Staff', on: www.huffingtonpost.co.uk, London/UK, 25 May 2015
    ___, 'Leading Artists Transform Rolls-Royce Ghost Cars For Breast Cancer Charity', on: www.artlyst.com, London/UK, 21 May 2015
    McGivern, Hannah, 'Artists unite for Delfina Foundation: Mark Wallinger and Tacita Dean among alumni donating works to raise funds for residency centre in London', on: www.theartsnewspaper.com, London/UK, 19 May 2015
    Kielbasiewicz, Stefan, 'Does art really hate Religion?', on: www.nouse.co.uk, Bristol/UK, 5 May 2015
    Jury, Louise, 'Artists Grayson Perry and Mark Wallinger back protest letter over privatisation at National Gallery', on: www.standard.co.uk, London/UK, 20 April 2015
    Grow, Kory, 'Electronica Titans Leftfield Return With Frist Music in 16 Years', on: www.rollingstones.com, New York NY, 26 March 2015
    ¬___, 'Christina Mackie Unveils The Latest Tate Britain Commission Supported by Sotheby's', on: www.artlyst.com, London/UK, 23 March 2015
    Masters, Tim, 'Gift Horse sculpture trots onto Fourth plinth', on: www.bbc.co.uk, London/UK, 5 March 2015
    ___, 'From cocks to horses: Introducing the tenth artwork on Trafalgar Square's Fourth Plinth – Hans Haacke's Gift Horse', on: www.cityam.com, London/UK, 3 March 2015
    Muñoz-Alonso, Lorena, 'Damien Hirst, Martin Creed, and Gary Hume Star in The Line, London's New Art Walk', on: www.artnet.com, London/UK, 26 February 2015
    ___, 'Turner Prize winner hosts Derry show', on: www.derryjournal.co.uk, Derry/UK, 22 February 2015
    ___, 'Turner Prize winner Mark Wallinger returns to Derry', on: www.northernireland.org, Belfast/UK, 21 February 2015
    Davies, Catrin, '5 of the best stylish spring break getaways', on: www.mydaily.com, London/UK, 10 February 2015
    Martin, Fiona, 'Book Reviews', in: 'Aesthetica Magazine', York/UK, February 2015, p.147
    ____, 'Christie’s Joins ArtStack For The First Crowd Sourced Auction Initiative', on: www.artlyst.com, London/UK, 31 January 2015
    ____, 'Alex Sainsbury Appointed As New Chair of the Whitechapel Gallery', on: www.artlyst.com, London/UK, 8 January 2015
  • 2014
    Pobric, Pac, 'Artists call the shots', on: www.theartnewspaper.com, London/UK, 4 December 2014
    Dunne, Aidan, 'No need for anxiety as Tulca engages in Galway', on: www.irishtimes.com, Dublin/IE, 18 November 2016
    Appleyard, Bryan, 'He is Risen', in: The Sunday Times, Culture, London/UK, 2 November 2014
    ___, 'Lost in London', in: Time Out London, London/UK, November 2014
    Brooke, Mike, 'Turner prize-winner Mark Wallinger selects artists for last Bow Arts show in old pickle factory', on: www.eastlondonadvertiser.co.uk, 2 September 2014
    Howard, Kate, 'We are lucky Galway has a wealth of artists and an arts audience', on: www.advertiser.ie, Galway/IE, 30 October 2014
    Carey-Kent, Paul, 'Frieze a Fading Memory’, on: www.artlyst.com, London/UK, 25 October 2014
    Baal, Iphgenia, 'Women’s Work Sells and Freud’s Study is Reimagined at Frieze London’, on: www.artinamericamagazine.com, New York NY, 16 October 2014, ill.
    Miller, Ben, 'Frieze London 2014: Ten to see during Frieze week', on: www.culture24.com, London/UK, 16 October 2014
    Pietsch, Hans, 'Kindergarten und Live-Events’, on: www.art-magazin.de, 16 October 2014, ill.
    Siegel, Nina, 'The id and the ego, depicted in colour', in: Internation New York Times, New York NY, 16 October 2014
    ___, 'Frieze Sales Report’, on: www.artmarketmonitor.com, New York NY, 15 October 2014, ill.
    ___, 'Mark Wallinger curates Hauser & Wirth at Frieze', on: www.id.com, London/UK, 15 October 2014
    ___, 'Seen at Frieze’, on: www.artmarketmonitor.com, New York NY, 15 October 2014, ill.
    Gat, Orit, 'Frieze Art Fair’, on: www.art-agenda.com, New York NY, 15 October 2014, ill.
    Charlesworth, JJ, 'Top 10 Best Booths at Frieze London,’ on www.artnet.com, London/UK, 15 October 2014, ill.
    Charlesworth, JJ, ’Frieze London, Behave!’, on: www.artnet.com, London/UK, 15 October 2014
    Milliard, Coline, ’What Sold at Frieze London 2014?’, on: www.artnet.com, London/UK, 15 October 2014
    Indrisek, Scott, 'Frieze London: Miley Cyrus, Sleeping Guards, and Race-Car Hunting Trophies’, on: www.blouinartinfo.com, New York NY, 15 October 2014
    Indrisek, Scott, 'Dispatches from Frieze: Here’s One Man Already Suffering From Fatigue’, on: www.blouinartinfo.com, New York NY, 15 October 2014, ill.
    ___, 'Video: 60 Works in 60 Seconds at Frieze London 2014’, on: www.blouinartinfo.com, New York NY, 15 October 2014, ill.
    ___, 'Frieze Week, Digby’s Diary (Wednesday)’, on: www.apollomagazine.com, London/UK, 15 October 2014, ill.
    ___, 'Artlyst Power 100: 2014 Alternative Art Power List revealed’, on: www.artlyst.com, London/UK, 15 October 2014
    ___, 'Diary', in: 'The Arts Newspaper Frieze Daily Edition', London/UK, 14 October 2016
    Higgins, Charlotte, 'Frieze: even sleeping security guards are art in a world of elaborate disguises', on: www.theguardian.com, 14 October 2014, ill.
    Yablonsky, Linda, 'First Wave’, on: artforum.com, New York NY, 13 October 2014
    Swengley, Nicola, 'Frieze: on the psychologist's couch', on: www.ft.com, 12 October 2014
    Warner, Maria, 'Blackfriars station', on: www.ft.com, London/UK, 10 October 2014
    ___, 'Frieze Week And Alternative Satellite Art Fair Guide 2014’, on: www.artlyst.com, London/UK, 9 October 2014
    ___, 'Go on a Journey Through London's Underground with Mark Wallinger', on: www.culture24.org.uk, London/UK, 2 October 2014
    Cahill, James, 'Deep Frieze', in: 'Apollo', London/UK, October 2014, pp. 49-50
    ___, 'Frieze Sculpture Park Announced for Frieze Art Fair’, on: www.artlyst.com, London/UK, 29 September 2014
    Clark, Nick, 'What's your poison? Soup from Fukushima at art fair', in: The Independent, 26 September 2014, p. 9
    ___, 'Preview Frieze London 2014', on: www.artnews.com, London/UK, 10 September 2014
    Brown, Mark, 'From Fukushima to Frieze - vegetable soup to test resolve of London's hungry art lovers', in: The Guardian, London/UK, 26 September 2014, p. 17
    Moore, Susan, 'The Art Market', in: Apollo, London/UK, October 2014, pp. 92-93
    Stückelberger, Johannes, 'Die Stadt als religiöser Raum. Mark Wallingers Analysen', in: Kunst und Kirche, Frankfurt am Main/DE, 03/2014, pp. 42-45, ill.
    Buck, Louisa, 'Folkestone Triennial: after the gold rush', on: www.telegraph.co.uk, London/UK, 6 September 2014, ill.
    Emms, Stephen, 'Folkestone's third Triennial: must-sees and more', on: www.theguardian.com, London/UK, 30 August, 2014
    ___, 'Mark Wallinger And Zandra Rhodes Present Made in Bermondsey Exhibition', on: www.artlyst.com, London/UK, 20 August 2014
    ___, 'The Whispers Keeps Alive Voices From The Great War', on: www.kentnews.co.uk, Ashford UK, 17 August 2014
    Michael Glover, 'Figures of Fun', in: The Independent, London/UK, 11 August 2014, pp. 40-41
    Jury, Louise, 'New Goldsmiths gallery in a former bathhouse', in: Evening Standard, London/UK, 20 July 2014, p. 26
    ___, 'The Line Announces Sculptors Participating in 2014 Inaugural Exhibition', on: www.artlyst.com, London/UK, 13 July 2014
    ___, 'Hirst sculpture to line art walk', on: www.dailymail.co.uk, London/UK, 11 July 2014
    Shaw, Anny, 'Former YBAs and conceptual artists take part in London sculpture trail', on: www.theartnewspaper.com, London/UK, 11 July 2014
    Jury, Louise, 'Landscape art; walk The Line to see world-class sculptures', in: Evening Standard, London/UK, 11 July 2014, p. 3
    Nayeri, Farah, 'F is for fair, for Frieze and for Fiac. But which comes out on top in the battle for autumn's crop of deep-pocketed collectors?', in: Baku, Baku/AZ, Summer 2014, pp. 72-75
    Watt, Nicholas, 'Labour party auctions football match in wake of Tories' tennis game', on: www.theguardian.com, London/UK, 8 July 2014
    Henderson, Violet, 'The Green Party', in: Vogue, London/UK, August 2014, pp. 175-179, 195
    Schröder, Nicola, 'Memorial for the Unknown Artist', in: Atrensuite, Bern/CH, June/July 2014, pp.7 - 9, ill.
    Güner, Fisun, 'The Human Factor, Hayward Gallery', on: www.theartsdesk.com, London/UK, 18 June 2014
    Searle, Adrian, 'An infuriating, clashing drama that fizzles out', in: The Guardian, London/UK, 17 June 2014, p. 11, ill.
    Luke, Ben, 'Go figure!', in: London Evening Standard, London/UK, 17 June 2014, pp. 36-37
    Sooke, Alastair, 'How the human body regained its place in art', in: The Daily Telegraph, London/UK, 17 June 2014, p. 25
    ___, 'JFK and Oswald share gallery space', on: www.belfasttelegraph.co.uk, Belfast UK, 16 June 2014
    Cripps, Charlotte, 'Food For Thought. Mark Wallinger', in: The Independent, London/UK, 15 June 2014
    ___, ' Tracey Emin among big-name artists in Hestercombe House's debut art show', on: www.thisisthewestcountry.co.uk, Weybridge/UK, 28 May 2014
    ___, 'Wayfinding and Environmental Graphics shortlist 2014', on: www.designweek.co.uk, London/UK, 16 May 2014
    ___, 'Home', in: Time Out London, London/UK, 13-19 May 2014, p. 73, ill.
    Brown, Mark, 'Homeless charity Crisis shows art commissioned from its clients', on: www.theguardian.com, London/UK, 8 May 2014, ill.
    Jones, Jonathan, 'Past perfect: Why the best modern art shows its primitive roots', on: www.theguardian.com, London/UK, 6 May 2014
    Beanland, Christopher, 'Supersize Art: The Kelpies in Falkirk', on: www.independent.co.uk, 16 April 2014
    Buck, Louisa, 'Drawing the line with Megan Piper', in: The Telegraph Luxury, London/UK, Spring 2014, p. 60
    Sherwin, Skye, 'Country special: Outsider Art', in: The London Magazine, London/UK, April 2014, pp. 32-33, ill.
    ___, 'Sarah is kind of a big deal in the UK', on: www.sootoday.com, Ontario CA, 15 March 2014
    Christiansen, Rupert, 'Urban art: soon we'll all want to walk the Line', on: www.telegraph.co.uk, London/UK, 17 March 2014
    ___, 'Ebbsfleet: Britain's first new garden city', on: www.telegraph.co.uk, London/UK, 16 March 2014
    Clark, Nick, 'Mark Wallinger hopes life-size white horse unveiled on The Mall will 're-kick-start' momentum for its 50m sister', on: www.independent.co.uk, London/UK, 5 March 2014, ill.
    ___, 'Mark Wallinger joins Hauser & Wirth', on: www.artmediaagency.com, Paris/FR, 24 February 2014
    ___, 'Turner Prize exhibitor hopes as Hestercombe plans art gallery opening', on: www.thisisthewestcountry.co.uk, Weybridge/UK, 23 February 2014
    Jacques, Adam, 'Delfina Entrecanales & Mark Wallinger', in: The Independent, London/UK, 23 February 2014, pp. 42-43
    Adam, Georgina, 'Vitory for expertise', in: FT Weekend Life & Arts, London/UK, 22 & 23 February 2014, p. 19
    Willis, Lenise, 'Winston-Salem Flooded With Fluid Movement', on: yesweekly.com, Greensboro NC, 19 February 2014
    Harris, Gareth, 'London artists start New York-style gallery hopping', on: www.theartnewspaper.com, London/UK, 19 February 2014, ill.
    Thorpe, Vanessa, 'New Battle of Hastings as plan for helter skelter sculpture splits town', on: www.theguardian.com, London/UK, 15 February 2014
    Duggins, Alexi, 'Fun, fun, funds', in: Time Out London, London/UK, February 2014, p. 7
    Brown, Mark, 'Trafalgar Square's fourth plinth to show giant thumbs up and horse skeleton', on: www.theguardian.com, London/UK, 7 February
    Curtis, Nick, 'The line of beauty: Mark Wallinger’s vision for an outdoor sculpture trail in East London', in: London Evening Standard, London/UK, 7 February 2014
  • 2013
    Landy, Michael, 'Art attack at Tate Britain: artists explain why they sabotage', on: www.theguardian.com, 28 September 2013
    Brown, Mark, '"Angel of the south", with wings clipped, lands in London amid financial storm', on: theguardian.com, London/UK, 5 March 2013
    Clark, Nick, 'Mark Wallinger hopes life-size white horse unveiled on The Mall will “re-kick-start” momentum for its 50m sister', on: independent.co.uk, London/UK, 5 March 2013
    Brown, Mark, 'Tube celebrates 150th birthday with labyrinth art project', on: theguardian.com, London/UK, 7 February 2013
    ___, 'Art on the Underground: Mark Wallinger’s designes – in pictures', on: theguardian.com, London/UK, 7 February 2013
    Sinclair, Mark, 'Mark Wallinger’s Underground Labyrinth', on: creativereview.co.uk, London/UK, 7 February 2013
  • 2012
    Hubbard, Sue, 'An Inquiring Mind', in: Artillery, London/UK, November – December 2012
    Lovatt, Estelle, 'Meatmorphosis: Titan Transformed', in: Art of England, London/UK, October 2012
    Wallinger, Mark, 'my space', in: The Times, London/UK, 11 August 2012
    Barnett, Laura, 'A stonemason's view on Mark Wallinger's site', in: The Guardian, London/UK, 1 July 2012
  • 2011
    Crisp, Clement, 'Undance: Sadler's Wells', in: The Financial Times, London/UK, 5 Decmber 2011
    Jennings, Luke, 'A great threesome unbound', in: The Observer, London/UK, 4 December
    Crompton, Sarah, 'Undance, Sadler’s Wells Review', in: The Daily Telegraph, London/UK, 2 December 2011
    Anderson, Zoe, 'Undance, Sadler's Wells, London (2/5) ', on: independent.co.uk, London/UK, 2 December 2011
    Bishop, Clifford, 'Undance review', in: London Evening Standard, London/UK, 2 December 2011
    Winship, Lyndsey, 'That's the way to undo it', in: Time Out, London/UK, 1 December 2011
    ___, 'Turner Prize and Olivier Award Winner Team up for Super Ballet', in: The Huffington Post, New York NY, December 2011
    Crompton, Sarah, 'The supergroup of modern dance', in: The Daily Telegraph, London/UK, New York NY 30 November 2011
    Craine, Debra, 'Painting feels like it’s an endgame', in: The Times, London/UK, 14 November 2011
    Van Der Lint, Roos, 'Mark Wallinger (is onschuldig)', on: kunstbeeld.nl, Amsterdam NL, November 2011
    Wroe, Nick, 'A Life in Art, Mark Wallinger', in: The Guardian, London/UK, 1 October 2011
    Sharp, Rob, 'The Wallingers that were just too wacky – even for him', in: The Independent, London/UK, 1 October 2011
    Barnett, Laura, 'It took a while to earn his trust', in: The Guardian G2, London/UK, 21 June 2011
    Searle, Adrian, 'Yes, but is it drawing?', on: guardian.co.uk, London/UK, April 2011
    Luke, Ben, 'Surreal World Captured in Perpetual Motion', in: Evening Standard, London/UK, April 2011
    Ward, Ossian, 'Turkey: art, war, memory', in: Time Out, London/UK, February 2011
    Mount, Harry, 'Turkish Time Travel', in: The Spectator, London/UK, 1 January 2011
  • 2010
    Herbert, Martin, 'Now See This', in: Art Review, London/UK, December 2010
    Bunbury, Stephanie, 'Happily Making His Mark', in: The Age A2, Melbourne/AU, 9 October 2010
    Wallinger, Mark, 'Collages That Cut To The Quick', in: The Independent, London/UK, 3 December 2010
    Spence, Rachel, 'Straits Ahead', in: The Financial Times Life & Arts, London/UK, 20-21 November 2010
    Adams, Tim, 'Frieze Art Fair', in: The Observer, New Review, London/UK, 17 October 2010
    Schama, Simon, 'The Beastliness of Modern Art', in: Financial Times Life & Arts, London/UK, 16 & 17 October 2010
    Itzkoff, Dave, 'British Artists Protest a Possible Cut in Government Funds', in: The New York Times, New York NY, 10 September 2010
    Akbar, Arifa, 'Cockerels, cashpoints and cake nest for fourth plinth', in: The Independent, London/UK, 20 August 2010
    ___, 'Exporama', in: ArtPress, Paris/FR, July-August 2010
    Kennedy, Maev, 'Mark Wallinger Gets The Tory Vote', in: The Guardian, London/UK, 20 July 2010
    ___, 'Wallinger Will Grace Jeremy's Joint', in: TheArtNewspaper.com, London/UK, 20 July 2010
    ___, 'Diary', in: The Independent, London/UK, 20 July 2010
    ___, 'Jeremy Hunt picks Wallinger for his walls', Diary', in: The Evening Standard, London/UK, 19 July 2010
    ___, 'What’s going on Jeremy Hunt’s wall? ', on: guardian.co.uk, London/UK, 19 July 2010
    Kennedy, Maev, 'Cinema with a view: Mark Wallinger makes history in Turkey', on: guardian.co.uk, London/UK, 9 July 2010
    Coxhead, Gabriel, 'Mark Wallinger', in: Time Out London, London/UK, 24 June 2010
    Dorment, Richard, 'Mark Wallinger at the Anthony Reynolds Gallery', in: The Daily Telegraph, London/UK, 15 June 2010
    ___, 'Five Best London Shows', in: The Independent, London/UK, 19 June 2010
    Kellaway, Kate, 'Portrait Of The Artist As A Revolving Pope', in: The Observer, New Review, London/UK, 6 June 2010
    Campbell-Johnston, Rachel, 'Mark Wallinger and the big white horse', in: The Times, London/UK, 5 June 2010
    Byrt, Anthony, 'Mark Wallinger', on: artforum.com, New York NY, 1 June 2010
    Ulrichs, David, 'Berlin Gallery Weekend', in: Art Monthly, London/UK, June 2010
    Peers, Alexandra, 'Mountaintop Art', in: The New York Observer, New York NY, 19 May 2010
    Altman, Anna, 'Mark Wallinger', on: frieze.com, London/UK, May 2010
    Heiser, Jorg, 'Berlin Highlights', on: frieze.com, London/UK, May 2010
    Birch, Amanda, 'Giddy Heights', in: Building Design, London/UK, 30 April 2010
  • 2009
    Steeds, Lucy, 'Mark Wallinger curates: The Russian Linesman', in: Art Monthly, London/UK, April 2009
    Slater, Lydia, 'Horsing About', in: Evening Standard Magazine, London/UK, 17 April 2009
    Byrt, Anthony, 'The Russian Linesman', on: www.artforum.com, London/UK, 7 April 2009
    ___, 'Gigantic Animal News', in: Art Monthly, London/UK, March 2009
    Tellwright, Turia, 'Horse for a Kingdom', in: Racing Post, London/UK, 30 March 2009
    Orr, Deborah, 'Mark Wallinger', in: The Independent Magazine, London/UK, 14 March 2009
    Cumming, Laura, 'Roll up, roll up, the circus is in town', in: The Observer, London/UK, 8 March 2009
    Darwent, Charles, 'The Russian Linesman, Hayward Gallery, London', in: The Independent, London/UK, 22 February 2009
    Jarvis, Alice-Azania, 'Party of the week: making his Mark as curator', in: The Independent, London/UK, 20 February 2009
    Pitman, Joanna, 'The Russian Linesman at Hayward Gallery, London SE1', in: The Times, London/UK, 21 February 2009
    McLean-Ferris, Laura, 'Exhibitionist: The best art shows to see this week',in: The Guardian, London/UK, 20 February 2009
    Lewis, Ben, 'Now you see it, now you don’t', in: The Evening Standard, London/UK, 18 February 2009
    Lubbock, Tom, 'Spot the links', in: The Independent, London/UK, 17 February 2009
    Reilly, Hugh, 'Illusions that can cross the line', in: The London Paper, London/UK, 17 February
    Addley, Esther, 'Diary', in: The Guardian, London/UK, 17 February 2009
    Sooke, Alastair, 'The jumble of an ordered mind', in: The Daily Telegraph, London/UK, 16 February 2009
    Searle, Adrian, 'Let’s do the time warp again', in: The Guardian, London/UK, 16 February 2009
    ___, 'Winning again by a brass neck', in: The Sunday Times, London/UK, 15 February 2009
    Adams, Tim, 'Mark Wallinger', in: The Observer, London/UK, 15 February 2009
    Vallely, Paul, 'Mane attraction', in: The Independent, London/UK, 14 February 2009
    Morrison, Richard, 'Do we need serious art for serious times or serious fun? ', in: The Times, London/UK, 14 February 2009
    Jack, Ian, 'This horse isn’t so huge in Ebbsfleet', in: The Guardian, London/UK, 14 February 2009
    ___, 'One hourse race: Wallinger wins Ebbsfleet sculpture commission', on: www.flashartonline.com, Milan IT, 13 February 2009
    Akbar, Arifa, 'The Diary: Kate Winslet; Mark Wallinger; Sir Ian McKellen; Charlotte Roche', in: The Guardian, London/UK, 13 February 2009
    ___, 'One horse race: Wallinger wins Ebbsfleet sculpture commission', on: www. flashartonline.com, Milan IT, 13 February 2009
    Hudson, Mark, 'Mark Wallinger’s white horse is a winner', in: The Telegraph, London/UK, 12 February 2009
    Cooper, Jilly, 'Did it have to be a horse? ', in: The Guardian, London/UK, 12 February 2009
    Walker, Peter, 'The man is a genius – there’s no question about it', in: The Guardian, London/UK, 12 February 2009
    Reid, Melanie, 'It's a racing cert this horse will be a winner', in: The Times, London/UK, 12 February 2009
    Strong, Roy, 'Roy Strong, scourge of so much modern art, champions the wonder horse', in: Daily Mail, London/UK, 12 February 2009
    Campbell-Johnston, Rachel, 'Bold, simple design will make an instant impact', in: The Times, London/UK, 11 February 2009
    ___, 'Mark Wallinger installs mirrored 'Tardis' at The Hayward', on: www.london-se1.co.uk, London/UK, 11 February 2009
    ___, 'Giant horse to tower over UK countryside', on: www.cnn.com/europe, Atlanta GA, 10 February 2009
    Norman, Pete, 'Huge horse to be 'Angel of the South'', on: www.sky.news.com, London/UK, 10 February 2009
    ___, 'Wallinger's horse chosen to be Ebbsfleet's Angel of the South', in: The Guardian, London/UK, 10 February 2009
    Macdonald, Fiona, 'Art that crosses the line', in: The Metro, London/UK, February 2009
    Scarrer, Eva, 'Mark Wallinger, Aargauer Kunsthaus', in: Artforum, New York NY, January 2009
  • 2008
    Higgins, Charlotte, 'Crossing the line: how disputed World Cup goal inspired show about illusions', in: The Guardian, London/UK, 16 December 2008
    Herbert, Martin, 'I Wallinger', in: Modern Painters, New York NY, September2008
    ___, 'Mark Wallinger', on: www.likeyou.com, Zurich CH, 1 September 2008
    ___, 'Mark Wallinger in Aargauer Kunsthaus',on: www.news.ch, Zurich CH, 1 September 2008
    ___, 'Aargauer Kunsthaus Presents Today Mark Wallinger Exhibition', on: www.artdaily.com, London/UK, 30 August 2008
    Altorfer, Sabine, 'Zwischen Himmel und Hölle', in: MZ, 30 August 2008
    Diers, Michael, 'Art Protest and Politics, Notes on 'State Britain' by Mark Wallinger', on: www.kunstmagazinberlin.de, Berlin DE, 30 August 2008
    ___, 'Turner Prize-winner Mark Wallinger in Aaragauer Kunsthaus', on: www.bluewin.ch, Zurich CH, 28 August 2008
    ___, 'Aargauer art with international art house', on: www.zisch.ch, Zurich CH, 28 August 2008
    ___, 'Ingleby Gallery, Edinburgh', on: www.wallpaper.com, London/UK, August 2008
    Wright, Karen, 'Resurrection of Folkestone', on: www.phillipsartexpert.com, New York NY, 17 June 2008
    Herbert, Martin, 'Shabby Chic', on: www.artforum.com, New York NY, 16 June 2008
    ___, 'What is the Folkestone Triennial? ', on: www.bbc.co.uk, London/UK, 13 June 2008
    Sooke, Alistair, 'Folkestone: a place where nothing ever happens? ', on: www.telegraph.co.uk, London/UK, 16 June 2008
    ___, 'Meet the Artists' and 'Creating a Centre for Art' in: Folkestone Triennial Guide, Folkestone UK, June 2008
    Marre, Oliver, 'Mark Wallinger, The artist gets back in the saddle', in: The Observer, London/UK, 11 May 2008
    Jones, Jonathan, 'My kingdom for a horse', on: www.theguardian.com, London/UK, 10 May 2008, ill.
    Campbell-Johnston, Rachel, 'The big bold horse wins it hands down',in: The Times, London/UK, 8 May 2008
    Alberge, Dalya, 'Artist seeks to rival famous angel with a giant Stallion of the South', in: The Times, London/UK, 8 May 2008
    Lubbock, Tom, 'Colossal ideas… or the makings of a white elephant? ',in: The Independent, London/UK, 8 May 2008
    Dorment, Richard, 'Towering ambitions', in: The Daily Telegraph, London/UK, 8 May 2008
    Simpson, Aislinn, 'Giant horse leads race to be 'angel of the South'', in: The Daily Telegraph, London/UK, 8 May 2008
    Higgins, Charlotte, 'High horse. Plan for Britain’s biggest sculpture', in: The Guardian, London/UK, 8 May 2008
    ___, 'Mark Wallinger's Steel Racehorse Proposal', on: artforum.com/news, New York NY, 8 May 2008
    Nayeri, Farah, 'Turner Winner Wallinger Dreams of Giant Horse, Dresses as Bear', on: bloomberg.com, New York NY, 8 May 2008
    Curtis, Nick, 'Giant horse among runners to be 'Angel of the South'', in: Evening Standard, London/UK, 7 May 2008
    Vallee, Pascaline, 'Revolutions Artistiques', in: Mouvement, London/UK, April-June 2008
    ___, 'Exclusive interview with Jean-Conrad and Isabelle Lemaitre', on: www.artcouncil.org.uk, London/UK, 25 April 2008
    ___, 'World War II RAF link inspires Tube artwork', in: Metro, London/UK, 17th March 2008
    ___, 'Tube's Mod remake’, in: The London Newspaper, London/UK, 14 March 2008
    Artnotes, 'Ebbsfleet', in: Art Monthly Issue 3, 13, London/UK, February 2008
    Feldmann, 'Schonheit und Brutalitat des Lebens', in: Dithmarscher Landeszeitung, Heide DE, 2 February 2008
    Busing, Nicole, Klaas, Heiko, 'Poesie und Irritationen im Alltag', in: Nordsee Zeitung, Bremerhaven DE, 30 January 2008
    Campbell Johnson, Rachel, 'It's got to be striking and must stand up for a nation', in: The Times, London/UK, 29 January 2008
    Alberge, Dalya, 'Artists think big for £2m gateway to England', in: The Times, London/UK, 29 January 2008
    Gardner, Belinda Grace, 'Die bewegende Kunst der bewegten Bilder', in: Die Welt, Berlin DE, 22 January 2008
    Wallis, Clarrie, 'State Wallinger', in: Pluck, Issue #35, Spring 2008
  • 2007
    Rappolt, Mark, 'Tales from the city: Liverpool', in: Art Review, Issue 17, London/UK, December 2007
    Cooke, Lynne, 'Mark Wallinger', in: Artforum, New York NY, December 2007
    ___, 'You ask the questions…', in: The Independent, London/UK, 10 December 2007
    Gentle, Lynne, 'Sleeper Hit', on: artforum.com/diary, London/UK, 6 December 2007
    Higgins, Charlotte, 'It's a good day for bears', in: The Guardian, London/UK, 5 December 2007
    Akbar, Arifa, 'Praise for Turner jury as prize goes to war protest', in: The Independent, London/UK, 4 December 2007
    Searle, Adrian, 'Critic's view: Accessible, funny, and serious', in: The Guardian, London/UK, 4 December 2007
    Higgins, Charlotte, 'Wallinger takes Turner prize with re-creation of parliament protest', in: The Guardian, London/UK, 4 December 2007
    Aspden, Peter, 'Political art captivates Turner Prize panel', in: Financial Times, London/UK, 4 December 2007
    Reynolds, Nigel, 'War protest work wins Turner Prize', in: The Daily Telegraph, London/UK, 4 December 2007
    Lubbock, Tom, 'Wallinger is deserving winner', in: The Independent, London/UK, 4 December 2007
    Kelner, Simon, 'Bear with us', in: The Independent, London/UK, 4 December 2007
    Alberge, Dalya, 'Bearly believable? The Turner prizewinner', in: The Times, London/UK, 4 December 2007
    ___, 'Anti-war camp copycat wins Turner Prize', in: The Daily Express, London/UK, 4 December 2007
    Baracaia, Alexa, 'Wallinger's grizzly win', in: The London Paper, London/UK, 4 December 2007
    Harris, Paul, 'The bear that's just walked off with the Turner Prize', in: The Daily Mail, London/UK, 4 December 2007
    Reilly, Tom, 'Bungle wins the £25,000 Turner', in: The Sun, London/UK, 4 December 2007
    ___, 'Arti-war prize', in: Daily Mirror, London/UK, 4 December 2007
    ___, 'Tate Liverpool', on: e-flux.com, New York NY, 4 December 2007
    Jury, Louise, 'Wallinger: Why I had to win the Turner', in: thisislondon.co.uk, London/UK, 4 December 2007
    Maddocks, Fiona, 'The Bear Man', in: Evening Standard, London/UK, 23 October 2007
    Lubbock, Tom, 'Why an artist dressed in a bear suit deserves', in: The Independent, London/UK, 19 October 2007
    Campbell-Johnston, Rachel, 'It’s a poor show – Turner disciples are about to have their faith tested', in: The Times, London/UK, 19 October 2007
    Jury, Louise, 'Grin and bear it…the Turner Prize show set to raise a smile', in: Evening Standard, London/UK, 18 October 2007
    Higgs, Matthew, 'Mark Wallinger', in: Artforum, New York NY, September 2007
    Lewis, Ben, 'It's Turner Prize Time Again', in: Financial Times, London/UK, 29-30 September 2007
    ___, 'Sculpture Projects in Münster', in: Art Monthly, issue 309, London/UK, September 2007
    Diederichsen, Dietrich, 'Muenster', in: Frieze, London/UK, September 2007
    Coonan, Clifford, 'BritArt goes east: Tracey's bed is re-made in China', in: The Independent, London/UK, 6 July 2007
    Searle, Adrian, 'Peek-a-boo! ', in: The Guardian, London/UK, 26 June 2007
    Kenning, Dean, 'You cannot be serious: Art Politics Idiocy', in: Art Monthly, issue 307, London/UK, June 2007
    Bonaventura, Paul, 'Mark Wallinger: State Britain', in: Parkett, issue 79, Zurich CH, 2007
    Morton, Tom, 'Back – Mark Wallinger', in: Frieze, London/UK, May 2007
    ___, 'Aftershock', in: CGM, CN, May 2007
    Perry, Grayson, 'Welcome to the feeding frenzy', in: The Times, London/UK, 9 May 2007
    Rose, Rebecca, 'War protest artist tipped do take Turner', in: ___, London/UK, 9 May 2007
    Higgins, Charlotte, 'Political works to the fore in incredibly strong year', in: The Guardian, London/UK, 9 May 2007
    Alberge, Dalya, 'Placards and protest put up for the Turner', in: The Times, London/UK, 9 May 2007
    Reynolds, Nigel, 'Turner arts prize turns political', in: Daily Telegraph, London/UK, 9 May 2007
    Dorment, Richard, 'A grown-up and interesting shortlist of contenders', in: Daily Telegraph, London/UK, 9 May 2007
    Akbar, Arifa, 'Art takes back seat as politics and religion dominate Turner shortlist', in: The Independent, London/UK, 9 May 2007
    ___, 'Peace protest replica in running for Turner Prize', in: Morning Star, London/UK, 9 May 2007
    Hanna, Laurie, 'Anti-war Parliament demo is up for Turner Prize', in: Daily Mirror, London/UK, 9 May 2007
    Jury, Louise, 'Anti-war protest is nominated for Turner Prize', in: The Evening Standard, London/UK, 8 May 2007
    ___, 'Artwork based on atin-war campaigner', on: news.bbc.co.uk, London/UK, 8 May 2007
    Herbert, Martin, 'Mark Wallinger', in: Modern Painters, New York NY, April 2007
    Bois, Yves-Alain, 'Piece Movement', in: Artforum, New York NY, April 2007
    Art Obsevation, CN, April 2007
    Grayson, Richard, 'Mark Wallinger', in: Art Monthly, London/UK, Issue 304, March 2007
    Lange, Christy, 'Captive Audience', in: Tate Etc., Issue 9, London/UK, Spring 2007
    Gilligan, Andrew, 'The art of propaganda', in: The Evening Standard, London/UK, 22 February 2007
    Cripps, Charlotte, 'Cultural Life, Mark Wallinger, Artist', in: The Independent, London/UK, 16 February 2007
    Power, Carla, 'Beyond the Barricade', in: Newsweek, New York NY, 12 February 2007
    Campbell, Peter, 'Peter Campbell at Tate Britain', in: London Review of Books, London/UK, 8 February 2007
    Politi, Afroditi, 'From the protest to the gallery', in: Eleftherotipia, Athens GR, 25 January 2007
    ___, 'The art of propaganda', in: The Evening Standard, London/UK, 22 January 2007
    Cumming, Laura, 'Anti-war demo? Let’s put the show on right here', in: The Observer, London/UK, 21 January 2007
    Darwent, Charles, 'When art takes to the barricades', in: The Independent on Sunday, London/UK, 21 January 2007
    Hensher, Philip, 'Is it art just because it’s in the Tate?', in: The Mail on Sunday, London/UK, 21 January 2007
    Januszczak, Waldemar, 'What do we want?', in: The Sunday Times, London/UK, 21 January 2007
    Iggulden, Amy, 'The modern art of protesting', in: The Daily Telegraph, London/UK, 16 January 2007
    Davies, Serena, 'The fine art of free speech', in: The Daily Telegraph, London/UK, 16 January 2007
    Lubbock, Tom, 'Voice from the gallery', in: The Independent, London/UK, 16 January 2007
    Searle, Adrian, 'Bears against bombs', in: The Guardian, London/UK, 16 January 2007
    Teeman, Tim, 'Protest loses its potency off the street', in: The Times, London/UK, 16 January 2007
    Teodorczuk, Tom, 'Torn down by police, now Haw's protest camp lives again at the Tate', in: The Evening Standard, London/UK, 15th January 2007
    Guner, Fisun, 'Exploring our freedom', in: The Metro, London/UK, 15 January 2007
    ___, 'Makeshift protest camp 'a work of art'', in: The London Lite, London/UK, 15 January 2007
    Cole, Olivia, 'Tate puts artistic bomb under Blair', in: The Sunday Times, London/UK, 14 January 2007
    Sooke, Alastair, 'In the studio', in: The Daily Telegraph, London/UK, 9 January 2007
  • 2006
    Bonham-Carter, Charlotte, 'Mark Wallinger', in: Flash Art, Milan IT, November – December 2006
    Henkes, Alice, 'Choosing my Religion im Kunstmuseum', in: Kunst Bulletin, Zurich CH, 6 November 2006
    Kent, Sarah, Reviews 'Mark Wallinger', in: Time Out, London/UK, 4-11 October 2006
    Field, Marcus, 'Films for People Who Don't Like Video Art', in: The Independent on Sunday, London/UK, 1 October 2006
    Davies, Lillian, Critic’s choice 'Mark Wallinger', in: Artforum, New York NY, October 2006
    Critics Choice, 'Mark Wallinger', in: Time Out, London/UK, 20-27 September 2006
    Webb, Simon, 'Crivelli’s Nail', in: AN Magazine, London/UK, April 2006
    Wullschlager, Jackie, 'Off the Wall', in: Financial Times, London/UK, April 2006
    Ulrich, Maurice, 'Culture Visions du monde', in: L'Humanité, Paris/FR, 14 March 2006
  • 2005
    Saunders, Matt, 'Berlin', in: Artforum, New York NY, December 2005
    Spiegler, Von Almuth, 'Orgasmus unter Palmen', in: Die Presse, Vienna AT, 5 December 2005
    Mittringer, Markus, 'Im Niemandsland', in: Der Standard, Vienna AT, 25 November 2005
    Metzger, Rainer, 'Das Prinzip Intelligenz', in: Art Magazine, Hamburg DE, 25 November 2005
    ___, 'Artist Short', in: Berwick upon Tweed, Film and Media Arts Festival, Berwick upon Tweed UK, 16-25 September 2005
    ___, 'Via Dolorosa, ha una capella Intermente dedicate all'arte contemporanea. Per sempre', in: ___, Milan IT, 22 September 2005
    ___, 'Arte Sacra del Terzo Millennio', in: Chiesa di Milano, Milan IT, 21 September 2005
    ___, 'Mark Wallinger- Via Dolorosa', in: Exibart, Milan IT, 21 September 2005
    ___, 'Mark Wallinger- Easter', on: undo.net, Milan IT, 23 September 2005
    Ghezzi, Rosella, 'Un inglese a Milano', in: Vivi Milano, Milan IT, 21 September 2005
    Mammi, Alessadra, 'Christo si e fermato a Lodra', in: L'espresso, Milan IT, 22 September 2005
    Vettese, Angela, 'Wallinger tra la cripta e l'hangar', in: Corriere Della Serra, Milan IT, 22 September 2005
    Domenica, Francesca Bonazzoli, 'Credenti oppure no la mia arte e per tutti', in: Corriere Della Serra, Milan IT, 22 September 2005
    Garbini, Don Luigi, 'L'Angelus Novus dell'arte sacra: il Duomo home theatre', in: Il Riformista, Rome IT, 16 September 2005
    ___, 'Don Garbin, 'Aiutera la preghiera', in: Corriere Della Serra, Milan IT, 22 September 2005
    Gleadell, Colin, 'Art hunters head for their prey', in: Telegraph, London/UK, 20 June 2005
    Spiegler, Marc, 'The Venice effect', in: The Art Newspaper- Art Basel daily newspaper, Basel CH, 15 June 2005
    Searle, Adrian, 'Filth, blasphemy and big stars', in: Guardian, London/UK, June 2005
    Barber, Lynn, 'Anyone for Venice? ', in: The Observer, London/UK, 18 June 2005
    Lubbock, Tom, 'Eye Contact', in: ArtReview, London/UK, April 2005
    O'Reilly, Sally, 'Things that go bump in the night: Mark Wallinger bears all', in: Modern Painters, New York NY, June 2005
  • 2004
    Craddock, Sacha, 'Embedded', in: Contemporary Magazine, London/UK, Issue 69, 2004
    Glinkowski, Paul, 'Losing it in translation', in: AN Magazine, London/UK, December 2004
    Bennett, Oliver, 'Hellish Vision', in: The Observer, London/UK, 9 May 2004
    Withers, Rachel, 'Mark Wallinger', in: Artforum, New York NY, May 2004
    Parker, Catherine, 'Mark Wallinger', in: Art Press, London/UK, April 2004
    O'Reilly, Sally, 'Mark Wallinger', in: Frieze, London/UK, April 2004
    Zybok, Oliver, 'Kunst und Sport – Die inszenierung von körperlichkeit und bewegung',
    in: Kunstforum International, Bd. 169, Cologne DE, Marz-April 2004
    Bolz, Norbert, 'Kunst und Sport – Sport als ästhetik der zukunft', in: Kunstforum International, Bd. 169, Cologne DE, Marz-April 2004
    Watts, Jane, 'In Memorium', in: a--n Magazine, London/UK, March 2004
    Buck, Louisa, 'Three degrees of separation', in: The Art Newspaper, London/UK, February 2004
    Williams, Rowan, 'Imitations of Christ', in: The Guardian, London/UK, 31 January 2004
    Kent, Sarah, 'Mark Wallinger', in: Time Out, London/UK, 28 January – 4 February 2004
    Searle, Adrian, 'Mark Wallinger', in: The Guardian, London/UK, 21 January 2004
    Darwent, Charles, 'Mark Wallinger', in: Metro, London/UK, 20 January 2004
    Lubbock, Tom, 'Pitch-black perfect', in: The Independent, London/UK, 20 January 2004
    Darwent, Charles, 'At home in the kingdom of the strangely familiar', in: The Independent on Sunday, London/UK, 18 January 2004
    Cumming, Laura, 'Family favourites', in: The Observer Review, London/UK, 18 January 2004
    Güner, Fisun, 'Bring me light', in: What’s On in London, London/UK, 14 January 2004
    Güner, Fisun, 'Mark Wallinger: The artist ascending', in: The Independent Review, London/UK, 14 January 2004
    Lack, Jessica, 'Mark Wallinger', in: The Guardian Guide, London/UK, 10-16 January 2004
  • 2003
    Reynolds, Nigel, 'Christ's birth inspired me, says creator of Tate's tree', in: The Daily Telegraph, London/UK, 13 December 2003
    Kennedy, Maev, 'Traditional trappings, Artist trims Tate Tree', in: The Guardian, London/UK, 13 December 2003
    Alberge, Dalya, 'Tate tree gives rosary reminder', in: The Times, London/UK, 13 December 2003
    Leitch, Luke, 'Has the Tate finally lost its baubles?', in: Evening Standard, London/UK, 12 December 2003
    Gale, Iain, 'Art that will set you free', in: The Scotsman, Edinburgh UK, 12 May 2003
    Huther, Christian, 'Welt im Wandel', in: Main Echo, Aschaffenburg DE, 14 June 2003
    Vogt, Tobias, 'Warum! Martin-Gropius-Bau', in: Zitty, Berlin DE, 13 June 2003
    Williams, Eliza, 'Thatcher', in: Contemporary, Issue 53/53, London/UK, 2003
    Binyon, Michael, 'Deface of the Nation', in: The Times, London/UK, 18 April 2003
    ___, 'I wanted to invade her privacy (Thatcher)', in: The Guardian, London/UK, 16 April 2003
    ___, 'Hungary for British art', in: Art Review, London/UK, April 2003
    Young, Gary, 'Much Ado About Nothing', in: Art Papers, Atlanta GA, January/February 2003
  • 2002
    Allgårdh, Sophie, 'Wallinger ger oss en glimt av det förlovade landet', in: Konst, Stockholm SE, 24 November 2002
    Johansson, Andreas, 'Tre Frågor/Har du alltid velat bli Konstnär? ', in: Observer, Stockholm SE, 22 November 2002
    Högkvist, Stina, 'Borde jag ha läst Bibeln först?', in: Observer, Stockholm SE, 11 November 2002
    Runefelt, Eva, 'Välkommen til världen', in: Observer, Stockholm SE, 8 November 2002
    Forsberg, Nils, 'Såvitt vi ser', in: Observer, Stockholm SE, 31 October 2002
    Karlstam, Cristina, 'På tröskeln till riket', in: KULTUR, Stockholm SE,26 October 2002
    Av Katarina, Lööv, 'Söker andlighet I konsten', in: Broderskap, Stockholm SE, 25 October 2002
    Nordqvist, Jens, 'Han gestaltar kampen mellan tro och tvivel', in: NYA DAGEN, Stockholm SE, 22 October 2002
    Kino, Carol, 'Seeing and Believing', in: Art in America, New York NY, October 2002
    Mikhail, Kate, 'What's The Big Idea', in: The Observer Magazine, London/UK, 22 September 2002
    Hague, Helen, 'A classy, sexy two-horse race', in: The Independent, London/UK, 30 August 2002
    Gayford, Martin, 'George Stubbs and Mark Wallinger', in: The Sunday Telegraph, London/UK, 11 August 2002
    Searle, Adrian, 'Sculpture gives life to Christian symbolism', in: The Western Mail, Cardiff UK, 4 May 2002
    Kent, Sarah, 'On the Mark - the poetic logic of Wallinger's new show', in: Time Out, London/UK, 2-9 January 2002
    Leoni, Chiara, 'Ready to Rumble', in: Flash Art, Milan IT, December–January 2002
  • 2001
    Lapp, Axel, 'It Ain't! Is It Not? Mark Wallinger and Robert Gober at the 49th Venice Biennale', in: ___, 2001
    The Sculpture Journal VI, Liverpool UK, 2001
    ___, Cover story, in: pLUK, London/UK, November - December 2001
    Wilsher, Mark, 'What's On in London', in: ___, 28 November - 5 December 2001
    Gayford, Martin, 'Ordinary and Sublime', in: The Daily Telegraph, London/UK, 28 November 2001
    Cumming, Laura, 'A Matter of Life and Death', in: The Observer Review, London/UK, 25 November 2001
    Cork, Richard, 'Readings from Mark', in: The Times, London/UK, 21 November 2001
    Guner, Fisun, 'Let's get metaphysical', in: What's On in London, London/UK, 21 November 2001
    Jones, Jonathan, 'God's-eye views', in: The Guardian, London/UK, 20 November 2001
    Lubbock,Tom, 'It's a hit and myth affair', in: The Independent, London/UK, 20 November 2001
    Dorment, Richard, 'Pick of the week - Mark Wallinger', in: The Daily Telegraph, London/UK, 10 November 2001
    Collings, Matthew, 'Art Crazy Nation: The Post Blimey Art World', in: 21 Publishing Ltd. London/UK, 2001
    Darwent, Charles, 'A poetic moment in an electric chair', in: The Independent, London/UK, 2001
    Farndale, Nigel, 'Seeing the Light', in: The Sunday Telegraph Magazine, London/UK, 4 November 2001
    Lubbock, Tom, 'Wallinger and Religion', in: Modern Painters, New York NY, Autumn 2001
    ___, 'Mark Wallinger on Whistlejacket', in: Private Passions - The Times, London/UK, 3 October 2001
    Archer, Michael, 'Preview - Mark Wallinger', in: Artforum, New York NY, September 2001
    ___, 'Biennale Venedig', in: Frame, Amsterdam NL, August - September 2001
    Metzger, Rainer, 'The Englishness of English Art', in: Frame, Amsterdam NL, August - September 2001
    Vetrocq, Marcia E., 'Biennale Babylon', in: Art in America, New York NY, September 2001
    Jocks, Heinz-Norbert, 'Die Austellung im Innern des Kopfes', in: Kunstforum International,
    Cologne DE, August - October 2001
    Wilson, Andrew, 'The Zones of Venice', in: Art Monthly, London/UK, July - August 2001
    Kent, Sarah, 'Venice Biennale', in: Time Out, London/UK, 27 June - 4 July 2001
    ___, 'Exhibition of the week: Venice Biennale', in: The Week, London/UK, 23 June 2001
    Gayford, Martin, 'States of bemusement', in: The Spectator, London/UK, 23 June 2001
    Durand, Régis, 'La tradition non conformiste', in: Art Press, London/UK, June 2001
    Pietsch, Hans, 'Der blinde Narr', in: Art das Kunstmagazin, Hamburg DE, June 2001
    Kimmelman, Michael, 'Arty, Artful, Artless', in: The New York Times, New York NY, 20 June 2001
    Januszczak, Waldemar, 'A curious beast', in: The Sunday Times, London/UK, 17 June 2001
    McEwen, John, 'Pushy culture vultures', in: The Sunday Telegraph, London/UK, 17 June 2001
    Burnet,t Craig, 'Fools Walk In ...', in: Modern Painters, New York NY, Summer 2001
    Irving, Mark, 'Cultural Geography: art versus power', in: Financial Times, London/UK, 16 June 2001
    Packer, William, 'Wallinger marks the spot', in: Financial Times, London/UK, 16 June 2001
    Searle, Adrian, 'Lagoon Show', in: The Guardian, London/UK, 16 June 2001
    Smith, Arthur, 'Watery Rave', in: The Guardian, London/UK, 14 June 2001
    Cork, Richard, 'Too many tours spoil the broth', in: The Times, London/UK, 13 June 2001
    Dorment, Richard, 'Wallinger's act of faith pays off', in: The Daily Telegraph, London/UK, 13 June 2001
    Darwent, Charles, 'Flying the flag at the Eurovision art contest', in: The Independent on Sunday, London/UK, 10 June 2001
    Irving, Mark, 'Briton is the big draw as Venice Biennale opens', in: The Independent, London/UK, 7 June 2001
    Reynolds, Nigel, 'British artist flies the flag of controversy at Biennale', in: The Daily Telegraph, London/UK, 7 June 2001
    Alberge, Dalya, 'Best of British misses the art of diplomacy', in: The Times, London/UK, 7 June 2001
    Campbell-Johnston, Rachel, 'The art before the horse', in: The Times, London/UK, 4 June 2001
    Bennett, Oliver, 'Taking a Tardis to the Venice Biennale', in: The Independent on Sunday, London/UK, 3 June 2001
    Aidin, Rose, 'Profile: Mark Wallinger- Race, class and sex', in: The Independent, London/UK, 2 June 2001
    Withers, Rachel, 'Customs Man: Mark Wallinger', in: Artforum, New York NY, Summer 2001
    ___, 'Mark Wallinger unveils new work at Museum', in: Oxford Blueprint, Oxford UK, 31 May 2001
    Buck, Louisa, 'Chigwell Conceptualist', in: Evening Standard, London/UK, 31 May 2001
    Hague, Helen, 'Conceptual without cliché', in: The Times Higher, London/UK, 25 May 2001
    Santacatterina, Stella, '___', in: Flash Art, Milan IT, March-April 2001
    Gayford, Martin, 'artists on art - Mark Wallinger', in: The Daily Telegraph, London/UK, 3 March 2001
    Bonaventura, Paul, 'The Culture of Command', in: Modern Painters, New York NY, Spring 2001
    Godfrey, Tony, '___', in: The Burlington Magazine, London/UK, January 2001
  • 2000
    Moszynska, Anna, 'Breeding and Healing', Art Review, London/UK, December/January 2000
    Dodson, Sean, 'Artists who paint by digits', The Guardian, London/UK, 30 November 2000
    Ingleby, Richard, '___', The Independent, London/UK, 11 - 17 November 2000
    MacRitchie, Lynn, 'Portraits of the artist', Financial Times, London/UK, 10 November 2000
    Bonaventura, Paul, 'Playful Art', New Statesman, London/UK, 6 November 2000
    Sumpter, Helen, 'Seeing is Believing', I-D Magazine, London/UK, November 2000
    Crowe, Nick, 'Football, The Lords Prayer and Heavy Metal - a peculiar kind of nationhood'
    Flux Magazine, London/UK, October - November 2000
    Jones, Jonathan, 'The Magical Mystery Tour', The Guardian, London/UK, 28 October 2000
    Lubbock, Tom, 'In the sweet hereafter', The Independent, London/UK, 24 October 2000
    Riley, Joe, 'Art can be fun', Liverpool Echo, Liverpool UK, 24 October 2000
    Gayford, Martin, 'An Angel Underground', Sunday Telegraph, London/UK, 22 October 2000
    RC, '___', Guardian Guide, London/UK, 21-27 October 2000
    Gleadall, Colin, 'Contemporary Market', Daily Telegraph, London/UK, 16 October 2000
    Grant, Simon, 'From Jesus on a plinth to an angel on Merseyside', Independent on Sunday, London/UK, 15 October 2000
    ___, 'Mostre', Vogue-Italia, Milan IT, September 2000
    Perra, Daniele, Tema Celeste Contemporary Art, Milan IT, July - September 2000
    Grant, Simon, 'Soul Searching', Tate Magazine, London/UK, Summer 2000
    Gleadall, Colin, 'Edge of meaning and nonsense', The Daily Telegraph, London/UK, 22 July 2000
    Mittringer, Marcus, 'Sehet, welch ein Mensch!', Der Standard, Vienna AT, 3 August 2000
    Hall, James, 'Another Time, Another Place', Art Review, London/UK, July-August 2000
    Ad.M., 'Wallinger per miracol mostrare', Il Giornale dell'Arte, Turin IT, Naples IT, July 2000
    Ca.C., 'Wallinger. Un Young British artist da scoprire', Arte, Naples IT, July 2000
    ___, 'Ecce Homo', Vivi Milano, Milan IT, 17 May 2000
    The Rt Revd. Chartres, Richard, 'Ecce Homo', Oremus, London/UK, March 2000
    Ede, Sian, 'Bizarre Consequences' in Strange and Charmed, Calouste Gulbenkian Foundation United Kingdom Branch, London/UK, 2000
    Treneman, Ann, 'Art, farce, politics and pigeons', The Times, London/UK, 11 February 2000
    Barber, Lynn, 'For Christ's sake', The Observer, London/UK, 9 January 2000
  • 1999
    Searle, Adrian, 'Brush Hour', in: The Guardian, London/UK, 28 December 1999
    Watson-Smyth, Kate, Abrams, Fran, 'Captain Cook and Batman fight for a place at the heart of nation', in: The Independent, London/UK, 27 December 1999
    Jones, Jonathan, 'Mark Wallinger's Christ', in: The Guardian, London/UK, 27 December 1999
    Hall, James, 'Short of statue', in: Artforum, New York NY, November 1999
    Hoge, Warren, 'A finishing touch', in: Vocable, Paris/FR, 21 October-3 November 1999
    Lethbridge, Lucy, 'The Plinth's Progress', in: ArtNews, New York NY, October 1999
    Dorment, Richard, 'Small figure makes a big impact', in: The Daily Telegraph, London/UK, 25 August 1999
    Hoge, Warren, 'A Finishing Touch for Trafalgar Square', in: International Herald Tribune, New York NY, 21-22 August 1999
    Hoge, Warren, 'Plinth Seeks Occupant. Nelson will be Neighbour', in: New York Times, New York NY, 19 August 1999
    Miller, Phil, 'New Statue of Jesus dwarfed by giants of Empire', in: The Scotsman, Edinburgh UK, 1999
    Sir Strong, Roy, 'Is this a fitting site for a statue of Jesus Christ?', in: Daily Mail, London/UK, 22 July 1999
    ___, 'Centre of attention, public statues', in: The Times, London/UK, 22 July 1999
    Alberge, Dalya, 'Christ stirs passion in Trafalgar Square', in: The Times, London/UK, 22 July 1999
    Lister, David, 'Humble Christ beats war-like Thatcher', in: The Independent, London/UK, 22 July 1999
    Bennett, Will, 'Christ fills a gap in heart of London', in: The Daily Telegraph, London/UK, 22 July 1999
    Hendry, Alex, 'Jesus starts a new battle of Trafalgar', in: The Express, London/UK, 22 July1999
    ___, 'The plinth and the people', in: The Guardian, London/UK, 22 July 1999
    Searle, Adrain, 'The day I met the son of God', in: The Guardian, London/UK, 22 July 1999
    Gibbons, Fiachra, 'Behold Jesus, just another ordinary bloke', in: The Guardian, London/UK, 22 July 1999
    Santacatterina, Stella, 'Mark Wallinger', in: Flash Art, Milan IT, March-April 1999
    Heartney, Eleanor, 'Report from Montreal', in: Art in America, New York NY, February 1999
    Brown, Neal, '___', in: Frieze, London/UK, January-February 1999
  • 1998
    ___, 'Who's Afraid of Red White & Blue? Attitudes to popular & mass culture, celebrity, alternative & critical practice & identity politics in recent British art', in: Article Press, Birmingham UK, 1998
    Tozer, John, 'From today painting is dead', in: Contemporary Visual Arts, no. 21, London/UK, 1998
    Glaister, Dan, 'Modern art to the rescue of Trafalgar Square's empty plinth', in: The Guardian, London/UK, 8 December 1998
    Collings, Matthew, 'Battle of Trafalgar Square', in: The Observer, London/UK, 6 December 1998
    Currah, Mark, in: Time Out, London/UK, 28 October- 4 November 1998
    Sumpter, Helen, 'Mark Wallinger: The Four Corners of the Earth', in: The Big Issue, London/UK, 12-18 October 1998
    ___, 'Mark Wallinger', in: The Guide, London/UK, 3-9 October 1998
    ___, 'Mark Wallinger: The Four Corners of the Earth', in: The Guardian Space, London/UK, 9 October 1998
    ___, 'Mark Wallinger: The Four Corners of the Earth', in: 1998 Exhibit:A, September-October 1998
    ArtClub, Autumn 1998
    Contemporary Visual Arts, no. 20, London/UK, 1998
    The Artnewspaper, Vol.X, London/UK, October 1998
    Sumpter, Helen, 'Mark Wallinger: The Four Corners of the Earth', in: Evening Standard, London/UK, 1 October 1998
    Harlow, John, 'Christ to get place in Trafalgar Square', in: The Sunday Times, London/UK, 20 September 1998
    Geraghty, Ian, 'Mark Wallinger', in: Untitled, New York NY, Autumn 1998
    McLaren, Duncan, 'The Four Corners', in: The Independent on Sunday, London/UK, 8 November 1998
    Wallinger, Mark, 'The Pygmalion Paradox', in: Art Monthly, London/UK, July-August 1998
    ___, 'Minimalsport mit Erwin Wurm und vieles mehr', in: Kurier, Vienna AT, 6 June 1998
    ___, 'Von Endorphinen, Salzgurken und Stromstößen', in: Der Standart, Vienna AT, 5 June 1998
    Kino, Carol, 'Dissin'the Real', in: Time Out New York, New York NY, 10 March 1998
  • 1997
    ___, 'Mark Wallinger at Jiri Svestka', in: Flash Art, Milan IT, November-December 1997
    ___, 'The Art Pack', in: Elle, London/UK, October 1997
    The Guardian, London/UK, 19 September 1997
    Johnstone, Isobel, 'Who's buying who?', in: The Guardian, London/UK, 3 June 1997
    Tozer, John, 'Mark Wallinger, God', in: Art Monthly, London/UK, May 1997
    Colard, Jean-Marc, 'Union Mark', in: Les Inrockuptibles, Paris/FR, 23-29 April 1997
    Coomer, Martin, 'Mark Wallinger', in: Time Out, London/UK, 2-9 April 1997
    Hoare, Lottie, 'Mark Wallinger', in: Untitled, New York NY, Spring 1997
    Burrows, David, 'Ada Adekola, Yinka Shonibare, Mark Wallinger', in: Art Monthly, London/UK, February 1997
    ___, 'Ada Adekola, Yinka Shonibare, Mark Wallinger', in: Time Out, London/UK, 22-29 January 1997
  • 1996
    Virden, Bridget, 'Stud-U-Like', in: Homepage 1996
    Griffin, Annie, 'Eyes on the ball', in: The Guardian, London/UK, 10 June 1996
    Scottish Daily Mail, London/UK, 23 February 1996
    The List, 8-21 March 1996
    ___, 'He's behind you!', in: The Sun, London/UK, 23 February 1996
    Gale, Ian, '20th Century Sporting Art', in: Country Life, London/UK, 7 March 1996
    Jackson, Tina, 'Mark Wallinger: Horse Crazy', in: The Big Issue, London/UK, 12-18 February 1996
    Sim, Andrew, 'A Real Work of Art', in: The Sporting Life, London/UK, 29 January 1996
  • 1995
    Collings, Matthew, 'The Art of Prize Fighting', in: The Guardian, London/UK, 28 November 1995
    Dorment, Richard, 'Beauty amid the Beasts', in: The Daily Telegraph, London/UK, 8 November 1995
    Cork, Richard, 'Hirst commands two fronts', in: The Times, London/UK, 7 November 1995
    Gorman, Edward, 'leaky Works of Art put out to grass', in: The Times, London/UK, 1 November 1995
    Hall, James, 'Turner Exhibition comes alive and dangerous', in: The Guardian, London/UK, 1 November1995
    Conaghan, Dan, 'Tate Shows Turner Prize Cream but not the Cow', in: The Daily Telegraph, London/UK, 1 November 1995
    Searle, Adrian, 'The Thirst for Hirst', in: The Independent, London/UK, 1 November 1995
    Bonaventura, Paul, 'The Alternative British Art Show: Four Views', in: Untitled, New York NY, Winter 1995
    Christiansen, Rupert, 'Dark Horse of the Art World', in: The Daily Telegraph Magazine, London/UK, 21 October 1995
    Sladen, Mark, 'Mark Wallinger', in: Frieze, London/UK, September-October 1995
    Currah, Mark, 'Mark Wallinger in London', in: Untitled, New York NY, Summer 1995
    Thorncroft, Antony, 'Sheep leads the horses in Turner stakes', in: Financial Times, London/UK, 22 July 1995
    Wilson, Simon, Sewell, Brian, 'Mark Wallinger's A Real Work of Art', in: Independent, London/UK, 14 July 1995
    Lister, David, 'It may win Prizes, but is it Art or Orifice?', in: Independent, London/UK, 14 July 1995
    Conaghan, Dan, 'Dead Mutton Dressed up as Sheep', in: The Guardian, London/UK, 13 July 1995
    Lister, David, 'Turner Artists inquires within', in: Independent, London/UK, 13 July 1995
    Alberge, Dalya, 'Colourful Rebels Vie for Turner Prize', in: The Times, London/UK, 13 July 1995
    Ellison, Mike, 'No Butts as Hirst is Tipped for Top Art Prize', in: The Guardian, London/UK, 13 July 1995
    Buck, Louisa, 'British Art: don't knock it', in: Independent Weekend, London/UK, 24 June 1995
    Vann, Philip, 'Backing the Right Horse', in: RA Magazine, London/UK, Spring 1995
    Sanders, Mark, 'Eye opener', in: The London Magazine, London/UK, May 1995
    Parry, Robert Lloyd, 'Ideas of Englishness', in: This is London, London/UK, 9 June 1995
    Gayford, Martin, 'Favourite with a Handicap', in: The Daily Telegraph, London/UK, 7 June 1995
    Januszczak, Waldemar, 'His Sporting Life', in: The Sunday Times, London/UK, 4 June 1995
    Graham-Dixon, Andrew, 'The British Art Buzz', in: Vogue, London/UK, June 1995
    Curtis, Sarah, 'Blood Lines', in: World Art, no.2 1995
    Kent, Sarah, 'Race Relation', in: Time Out, London/UK, 31 May-7 June 1995
    ___, 'London Review', in: Art Review, London/UK, June 1995
    Cork, Richard, 'Our Nation at Horseplay', in: The Times, London/UK, 30 May 1995
    Londoner's Diary, in: Evening Standard, London/UK, 23 May 1995
    Vincent, Martin, 'Painters and Punters', in: New Statesman and Society, London/UK, 19 May 1995
    ___, 'What's Happening', in: Nine to Five, Sydney AU, 15 May 1995
    Packer, William, 'An Artist lays his Bets', in: Financial Times, London/UK, 13-14 May 1995
    Feaver, William, 'Horse for courses', in: The Observer Review, London/UK, 19 March 1995
    ___, 'Mark Wallinger', in: Blueprint, London/UK, March 1995
    Searle, Adrian, 'Self Portrait as a pantomime horse', in: The Guardian, London/UK, 7 March 1995
    Coren, Giles, '___', in: The Times, London/UK, 1995
    Norman, Geraldine, in: The Independent on Sunday Review, London/UK, 1 January 1995
  • 1994
    Collings, Mathew, 'New London', in: The Daily Express, London/UK, 5 September 1994
    Currah, Mark, 'Every Now and Then', in: Frieze, London/UK, June-July-August 1994
    Harvey, William, 'Rear Window', in: Untitled, New York NY, Summer 1994
    Harvey, William, 'Curators Egg', in: Untitled, New York NY, Summer 1994
    Kastner, Jeffrey, 'Mark Wallinger', in: Flash Art, Milan IT, June 1994
    Hall, James, 'The Guide', in: The Guardian, London/UK, 11 June 1994
    Bonaventura, Paul, 'An Equal Match? ', in: Modern Painters, New York NY, Spring 1994
    Alberge, Dalya, 'Artist's latest work is a racing certainty for controversy', in: The Independent, London/UK, 14 May 1994
    Bevan, Roger, 'The Horse as an Art Form', in: The Art Newspaper, London/UK, May 1994
    Lee, David, 'Update', in: Art Review, London/UK, May 1994
    Currah, Mark, 'Mark Wallinger', in: Time Out, London/UK, 4-11 May 1994
    Hall, James, 'Horsing Around', in: The Guardian, London/UK, 25 April 1994
    Dannatt, Adrian, 'Young British Art Now', in: The Sunday Times Magazine, London/UK, 17 April 1994
    Bonaventura, Paul, 'Turf Accounting: Mark Wallinger interviewed', in: Art Monthly, London/UK, April 1994
    Dorment, Richard, 'Throw that work of art another bale of hay', in: The Daily Telegraph, London/UK, 17 March 1994
  • 1993
    Choon, Angela, 'Openings', in: Art & Antiques, London/UK, December 1993
    Schneider, Bruno F, 'Mit drunem Licht zaubern', in: Kolnische Rundschau, Cologne DE, 15 November 1993
    Bunte, 11 November 1993
    Stadt-Anzeiger, Kolner, Cologne DE, 5 November 1993
    Kruger, Werner, 'Junge britische Kunstler', in: Weltkunst, Berlin DE, 15 October 1993
    Renton, Andrew, 'Young British Artists II', in: Flash Art, Milan IT, Summer 1993
    Brown, Craig, 'Time for an Artful Dodge', in: The Evening Standard, London/UK, 22 March 1993
    Garfield, Simon, 'I like it, I'll take the lot', in: The Independent, London/UK, 20 March 1993
    Fleissig, Peter, 'Leche-Vitrine', in: Parkett, no 35, Zurich CH, 1993
    Stallabrass, Julian, 'Young British Artists', in: Art Monthly, London/UK, March 1993
    Pile, Stephen, 'Don't put the Nail in the Coffin Yet', in: The Daily Telegraph, London/UK, 18 February 1993
    Packer, William, 'Young British Artists II at the Saatchi Gallery', in: Financial Times, London/UK, 16 February 1993
    Graham-Dixon, Andrew, 'Radical chic and the schlock of the New', in: The Independent, London/UK, 16 February 1993
    Feaver, William, 'Phew! What a freezer! ', in: The Observer, London/UK, 14 February 1993
    Kent, Sarah, 'Blood Group', in: Time Out, London/UK, 10-17 February 1993
    Craddock, Sacha, 'Young British Artists', in: Untitled, New York NY, Spring 1993
    Januszczak, Waldemar, 'Blood and Thunder', in: The Guardian, London/UK, 8 February 1993
    Hilton, Tim, 'Familiar Signs of a misspent youth', in: The Sunday Review, The Independent on Sunday, London/UK, 7 February 1993
    McKie, David, 'What You Read into It', in: The Guardian, London/UK, 6 February 1993
    Cork, Richard, in: The Times London/UK, 1993
    Kent, Sarah, 'Less is Gore', in: Time Out, London/UK, 2-9 February 1993
    Hall, James, 'Diary', in: The World of Interiors, London/UK, February 1993
    Feaver, William, 'The Second Coming', in: Vogue, London/UK, February 1993
    Searle, Adrian, 'Fools and Horses', in: Frieze, London/UK, January-February 1993, pp. 16-20
  • 1992
    Santacatterina, Stella, 'Mark Wallinger', in: Tema Celeste, Milan IT, Winter 1992
    Juliet Art Magazine, Anno XII, Milan IT, December 1992
    Manganiello, Mario, 'Artisti Inglesi Contemporanei A San Miniato', in: Images; Art Life, November-December 1992
    Renton, Andrew, 'Mark Wallinger', in: Flash Art, Milan IT, November-December 1992
    Wilson, Andrew, 'Mark Wallinger', in: Forum International, November-December 1992
    Joyce, Conor, 'Mark Wallinger', in: Art Monthly, London/UK, November 1992
    Tosi, Alessndro, 'Quel Magico Accordo', in: La Nazione, Florence IT, 5 November 1992
    Cincinelli, Saretto, 'Let Me Look', in: Flash Art, Milan IT, October-November 1992
    Mugnaini, Alberto, 'Luoghi Storici del Paese', in: Tema Celeste, Milan IT, October 1992
    Gulotta, Alessandra, 'Let Me Look', in: Next, October 1992
    Arias, Fernando, 'La renovacion de la pintura anglosajona', in: Hoja de Lunes, Valencia ES, 15 July 1992
    Koplos, Janet, '___', in: Art in America, New York NY, July 1992
    Koether, Jutta, 'Mark Wallinger', in: Artscribe, London/UK, Summer 1992
    Cork, Richard, 'A picture of wealth', in: New Statesman Society, London/UK, 31 May1992
  • 1991
    Craddock, Sacha, 'Truth or Dare?', in: The Guardian, London/UK, 28 May 1991
    Kent, Sarah, 'Politics in Paint', in: Time Out, London/UK, 15-22 May 1991
    Graham-Dixon, Andrew, '___', in: The Independent, London/UK, 14 May 1991
    Spears, Dorothy, 'Mark Wallinger', in: Arts Magazine, London/UK, May 1991
    Choices, Levin, '___', in: Village Voice, New York NY, 26 February 1991
  • 1990
    Kent, Sarah, 'Mark Wallinger', in: Time Out, London/UK, 2-9 January 1990
  • 1989
    Archer, Michael, 'Mark Wallinger', in: Artforum, New York NY, January 1989
  • 1988
    Meyer, P H, 'Mark Wallinger', in: Juliet Art Magazine, Milan IT, December-January 1988
    Hatton, Brian, 'Mark Wallinger', in: Flash Art, Milan IT, November-December 1988
    MacDonald, Robert, '___', in: Time Out, London/UK, 12-19 October 1988
    Currah, Mark, '___', in: City Limits, London/UK, 29 September-6 October 1988
    Schwendenwien, Jude, 'Sculpture, Koury Wingate', in: Artnews, London/UK, Summer 1988
    Edmund, Mark, 'Something Solid', in: Pulp Magazine, London/UK, 10 May 1988
    Lovely, David, 'Something Solid', in: Arts Review, London/UK, May 1988
    Koether ,Jutta, '___', in: Artscribe, London/UK, May 1988
    Fleissig, Peter, 'Artists for Architecture', in: Building Design, London/UK, 18 March 1988
  • 1987
    Glaves-Smith, John, 'Palaces of Culture', in: Art Monthly, London/UK, December-January 1987
    ES Magazine, '___', in: Evening Standard, London/UK, 6 November 1987
    Graham-Dixon, Andrew, 'A Museum of Mirrors', in: The Independent, London/UK, 25 September 1987
    Wickham, David, 'Building an art of stone', in: News on Sunday, London/UK, 20 September 1987
    Reynolds, Nigel, 'Art or Just brick-a-brac? ', in: London Evening Standard, London/UK, 14 September 1987
    ___, 'Ken Currie, Glenys Johnson, Mark Wallinger', in: The Observer, London/UK, 1 February 1987
    Petzal, Monica, 'Stuart Brisley, Glenys Johnson, Mark Wallinger, Ken Currie', in: Time Out,
    London/UK, 28 January-4 February 1987
    Januszczak, Waldemar, 'Stuart Brisley at the Serpentine', in: The Guardian, London/UK, 21 January 1987
    Roberts, John, 'Mark Wallinger's History Paintings', in: Artscribe, London/UK, January-February 1987
  • 1986
    Garlake, Margaret, 'Canvas II', in: Art Monthly, London/UK, July-August 1986
    Sidey, Tessa, 'Unheard Music', in: Arts Review, London/UK, May 1986
    Bohm-Duchen, Monica, '___', in: Flash Art, Milan IT, April 1986
    Allthorpe-Guyton, Marjorie, '___', in: Artscribe, London/UK, April-May 1986
    Henry, Clare, '', in: Arts Review, London/UK, 14 February 1986
    SC, 'A Mixed Message', '___', in: London Week, London/UK, 7-13 February 1986
    Januszczak, Waldemar, '___', in: The Guardian, London/UK, 7 February 1986
    Russell Taylor, John, 'Mark Wallinger: Hearts of Oak', in: The Times, London/UK, 4 February 1986
    Currah, Mark, '___', in: City Limits, London/UK, 31 January-6 February 1986
    Kent, Sarah, '___', in: Time Out, London/UK, 23-29 January 1986
    R. Costa, 'London', in: Juliet magazine, Milan IT, December-January 1986
    Allthorpe-Guyton, Marjorie, 'New Art I and II at Anthony Reynolds Gallery', in: Artscribe, London/UK, December-January 1986
  • 1985
    Januszczakm, Waldemar, 'New Art', in: The Guardian, London/UK, 27 August 1985
  • View more +

TV and Radio Features

  • 2016
    The Art Channel, 'Mark Wallinger at Hauser & Wirth, London', 18 March 2016
    BBC Radio 4, 'Saturday Review', 27 February 2016
    Reuters, 'Belle Lupton meets British artist Mark Wallinger on the opening of a new exhibition', 26 February 2016
    BBC Radio 4, 'Front Row. Artist Mark Wallinger talks about his solo exhibition at Hauser & Wirth London', 16 February 2016
  • 2015
    BBC 2, 'Will Gompertz', Episode 13 of 28, 16 October 2015
  • 2014
    RTE lyric fm, 'Culture File – Mark Wallinger', aired on 10 November 2014
    BBC Radio 4, 'Front Row. Review of the exhibition “The Human Factor: The Figure in Contemporary Sculpture”, at the Hayward Gallery, London, 2014', aired on 12 June 2014
  • 2013
    BBC Radio 4 / Artangel, 'Open Air. Audio interventions by five artists', 29 March 2013
    BBC News, 'Mark Wallinger unveils White Horse sculpture on The Mall', 5 March 2013
    BBC News, 'Mark Wallinger unveils labyrinth Tube art', 7 February 2013
  • 2012
    BBC Radio 3, 'Private Passions. Michael Berkeley talks to Mark Wallinger', 15 July 2012
  • 2011
    BBC 2, 'The Culture Show', Episode 17, 5 November 2011
  • 2010
    BBC 4, 'Ego: The Strange and Wonderful World of Self Portraits', 6 November 2010
    Channel 4, 'The Genius of British Art', 5 October 2010
  • 2007
    ITV 1, 'Mark Wallinger, South Bank Show', 4 March 2007
  • View more +

Publications by the artist

  • 2000
    Wallinger, Mark, Warnock, Mary (eds.), 'Art for All? Their Policies and our Culture', London: Peer, 2000

Writings by the artist

Selected Images

View all
Web068 Wallinger Luigi Pecci 2018

Installation view, 'Mark Wallinger', Centro per l'arte contemporanea Luigi Pecci, Prato, Italy

1 of 38

Featured Stories

View all

Hauser & Wirth Exhibitions

View all
28-11-land-show-website-banner-waT32R

The Land We Live In – The Land We Left Behind

20 Jan – 7 May 2018, Somerset

Portraits of young offenders used as targets during the training of police officers in the city of M., United States

Serialities

15 Feb – 8 Apr 2017, New York, 22nd Street

Museum Exhibitions

Wallinger Luigi Pecci 2018

MARK WALLINGER MARK

24 Feb – 3 Jun 2018

Sign up for the latest news from Hauser & Wirth