News

At the Crossroads of artistic insight and intellectual curiosity, we find The Edge of Reason—a new limited podcast produced in partnership with Atlantic Re:think. Hosted by Jeff Chang, gallery artists including Allison Katz, Nicolas Party, Christina Quarles, Thomas J Price, Pipilotti Rist, Lorna Simpson sit down to discuss the centuries-old enlightenment principles that inspire their work.

Celebrating ‘Christina Quarles. In 24 Days tha Sun’ll set at 7pm,’ led to the first Learning activity held at our Chelsea location in partnership with the organization, Wide Rainbow, a NYC based organization that works to expand access to art education by connecting children from under-resourced neighborhoods with contemporary artists. Lower East Side children from The Sixth Street Community Center attended a walkthrough of, ‘Christina Quarles. In 24 Days tha Sun’ll set at 7pm,’ where they had the opportunity to engage with and learn about the exhibition.

To celebrate our new exhibitions at Hauser & Wirth in New York, we will hold two days of public events on 10 & 17 September to connect with the local community, highlight the release of exciting new publications from our artists, expand the discourse around each new body of work and activate the spaces at 542 West 22nd Street through performance and a return to in person programming.

‘‘The Milk of Dreams’ takes its title from a book by Leonora Carrington (1917–2011),’ says Cecilia Alemani, ‘in which the Surrealist artist describes a magical world where life is constantly re-envisioned through the prism of the imagination. It is a world where everyone can change, be transformed, become something or someone else. The exhibition takes Leonora Carrington’s otherworldly creatures, along with other figures of transformation, as companions on an imaginary journey through the metamorphoses of bodies and definitions of the human.’

The Museum of Contemporary Art (MOCA) announces that Los Angeles-based artist Christina Quarles joins MOCA’s Board of Trustees.

Born in Chicago in 1985, Christina Quarles has achieved wide acclaim for her exploration of bodily experience—from the weight and gravity of the physical world, to the pleasures and pressures of societal existence—in vivid, enigmatic paintings teeming with limbs, torsos, and faces reconfigured into new forms. Brought to life through painterly gestures and an unexpected palette, the artist’s scenes suggest the different ways in which race, gender, and sexuality contribute to the coalescing of identity. Quarles’ work spans drawing, painting, and installation, and embraces the permeability of the constructed form. As a queer, cis-woman born to a Black father and a white mother, she has described her position of engagement with the world as ‘multiply situated,’ an experience of embodiment reflected profoundly in her sui generis art.