Hauser & Wirth Exhibitions

Hauser & Wirth Zürich is delighted to present its end of year show ‘Tables, Carpets & Dead Flowers’, an exhibition bringing together works by modern and contemporary masters that document and record daily activities in the studio. Taking inspiration from Rodney Graham’s ‘Dead Flowers in My Studio’ (2009) and Dieter Roth’s...

Organized with Olivier Renaud-Clément Beginning 15 February, Hauser & Wirth will present ‘Serialities,’ a group exhibition organized with Olivier Renaud-Clément which examines notions of seriality and repetition, and ways in which artists explore linear and non-linear narratives through iterations. On view through 8 April, the exhibition...

Beginning 16 October, Hauser Wirth & Schimmel will present ‘Isa Genzken. I Love Michael Asher,’ the first Los Angeles solo exhibition for the celebrated artist. Isa Genzken was in her late 20s when she visited Michael Asher in California on a travel grant from Dusseldorf Academy, where she had begun teaching in 1977. At this time, Genzken was...

Beginning 13 March 2016, Hauser Wirth & Schimmel is pleased to present ‘Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016,’ the inaugural exhibition at its new complex in the heart of the downtown Los Angeles Arts District. Through nearly 100 works made by 34 artists over the past seventy years, this ambitious undertaking...

In a new series of paintings unveiled at Hauser & Wirth London, Genzken employs motifs from the language of capitalism to explore themes of self- and social-examination. Since the 1970s, Genzken’s diverse practice has encompassed sculpture, photography, found-object installation, drawing and painting. Her work borrows from the aesthetics...

‘I have always said that with any sculpture you have to be able to say, although this is not a ready-made, it could be one. That’s what a sculpture has to look like. It must have a certain relation to reality’ – Isa Genzken in conversation with Wolfgang Tillmans Inspired by the stark severity of modernist architecture and the...

Isa Genzken‘s work is a cacophonous riot of colour, material and form. She pulls from the geometries of modernist architecture, the aesthetic of Robert Rauschenberg’s combines and the stark and severe ethos of minimalism and corrals these elements in to her own world, rearranging them according to her distinct set of rules. For...

Isa Genzken presents a new body of work that is displayed across the Piccadilly gallery; including the main gallery and mezzanine, as well as the American Room on the top floor which has been out of bounds for several years; and continues across the road in Swallow Street. At the exhibition’s core is a presentation of Genzken’s long-awaited...