Focusing on the work ‘Framed and Frame’ (1999), the materials presented explore the place of printed matter in Mike Kelley’s creative process and his wider practice.
In a 1994 interview Kelley remarked on the role of reading and research in his work, ‘A lot of my process involves going through numerous texts. In one way, I respond to the themes of the work and in other ways I respond to the language of different authors… I respond to specific kinds of language, a certain use of metaphor or associational things like, how in my own experience these ideas remind me of things that have happened to me or that I’ve thought about in the past. This kind of library work doesn’t end up being a didactic exercise; it’s a thematic study with tangents into other areas.’
Archival materials from the Mike Kelley Foundation for the Arts reveal elements of Kelley’s process and thinking for the creation of ‘Framed and Frame’ while also capturing an element of visual culture of the late 1990s. Historic postcards provide snapshots of the ‘Seven Star Cavern’ in its original splendour before its subsequent disrepair. Printed and photocopied materials uncover some of the artist’s background research. His project notes, sketches and photo collages most directly elucidate Kelley’s visual thinking as he developed the ‘wishing well’ and its frame.
Alongside archival materials and a selection of books on the artist (including his writing and interviews) and from his research library, a segment from PBS documentary ‘ART21’ on the theme of memory profiles Kelley in his studio and portrays a personal reflection on his career as an artist and ideas central to his work and practice.
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About the Artist
Mike Kelley is widely considered one of the most influential artists of our time. Originally from a suburb outside of Detroit, Kelley attended the University of Michigan, Ann Arbor, before moving to Southern California in 1976 to study at California Institute of the Arts from which…