The Generative Universe
28 May – 16 August 2026
Downtown Los Angeles
30 May 2026, 11 am – 1 pm
28 May – 16 August 2026
This summer, we’re pleased to present ‘The Generative Universe,’ British artist Keith Tyson’s first exhibition in the city since 2009. Spanning more than three decades of paintings, sculptures and mixed-media works, the exhibition emerges from Tyson’s foundational conviction that the universe operates as a single generative system—a constantly shifting network in which all forms arise, transform and dissolve.
Originally trained as an engineer, Tyson was an early practitioner of generative art, often approaching creativity as the act of setting parameters within systems he set in motion, allowing a blend of chance, material behavior, mathematics and intuition to shape the outcome. A highlight of the exhibition is Tyson’s early-1990s Artmachine works, in which he programmed a device that generates prompts for him to execute by hand, shifting authorship away from the artist’s own preferences. Other works employ chemical processes, mathematical models, meditative painting, biological structures and handmade electronic devices—inviting viewers to consider the mysterious universal processes through which reality, and our consciousness within it, come into being.

‘I don’t believe in a permanent self or in developing an artistic style. Our world is full of intricately connected systems and events. I’m simply trying to make work in collaboration with them.’
Drawing on a wide range of influences ranging from mathematics and science through to poetry and mythology, Keith Tyson has become known for a highly diverse body of work including drawing, painting, installation and sculpture. He is interested in how art emerges from the combination of information systems and physical processes that surround us everyday. Through such diverse explorations the artist seeks to locate us in space and time and reflect the complexity of the world we all inhabit.
Tyson sees paint as a programmable material, effected by various social and aesthetic influences. He uses them to cross pollinate text, pictorial language, mathematics, and myths in his paintings. Although he often works in a rule based series, he states that his aim is always that each individual work will eventually become its own universe, with its own rules, beauty and reasons for being.
Computers, coding and maths have always been an inextricable element of Tyson’s life. From taking apart a motherboard as a teenager, to building ‘Art Machine’ early in the 1990’s. The ‘Art Machine’ created algorithm-generated combinations of words and ideas, which Tyson then had to interpret and realise as physical artworks. In his varied approaches to his working, Tyson questions the creation of the artwork itself, positing it as something which can equally be formed by an iterative function, as it can by the artist's will and inner emotional landscape.
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