2018 Clark, Robin, Lauson, Cliff, ‘Larry Bell’, New York: Rizzoli Electa, 2018, ill.

2011 De Brugerolle, Marie, ‘Larry Bell’, Dijon: Presses du Réel, 2011, ill. (exh. cat.)

2005 Bernard Jacobson Gallery, ‘Larry Bell: New Works’, London: Bernard Jacobson Gallery, 2005, ill. (exh. cat.)

2002 Roswell Museum and Art Center, ‘Sumer Series’, Roswell: The Roswell Museum and Art Center, 2002, ill. (exh. cat)

1997 Cushman, Dean, Frank, Peter, Hall, Douglas Kent, ‘Zones of Experience: The Art of Larry Bell’, Albuquerque: Albuquerque Museum, 1997, ill. (exh. cat.)

1995 Bell, Larry, Witt, David L., ‘Sumer: A Work in Progress. Bronze Calligraphy by Larry Bell’, Taos: The Harwood Museum of Art, 1995, ill. (exh. cat.)

1991 Tucson Museum of Art, ‘Larry Bell: Mirage Works’, Tucson: Tucson Museum of Art, 1991, ill (exh. cat.)

1989 Raspail, Thierry, Bell, Larry, Afif, Steve, ‘Larry Bell: Works from New Mexico’ Lyon: Musée d’Art Contemporain, 1989, ill. (exh. cat.)

1987 Otton, William G. (ed.), ‘Larry Bell. Light on Surface: Ten Years of Vapor Drawings’, Laguna Beach: Laguna Art Museum, 1987, ill. (exh, cat.)

1986 Willard, David, ‘Contained Space and Trapped Light. Larry Bell’s Sculptural Environments,’ Boise: Boise Gallery of Art, 1986, ill. (exh. cat)

1983 Doe, Donald Bartlett, ‘Larry Bell: Major Works in Glass’, Lincoln: Sheldon Memorial Art Gallery, 1983, ill. (exh. cat.)

1982 Newport Harbor Art Museum, ‘On the Ellipse: New Works by Larry Bell’, Newport Beach: Newport Harbor Art Museum, 1982, ill. (exh. cat.)
Campbell, Suzan, ‘Larry Bell. The Sixties’, Santa Fe: Museum of Fine Arts, 1982, ill. (exh. cat.)

1981 Lin, Henry, ‘Larry Bell: Furniture, Vapor Drawings, Sculpture’, Athens: Trisolini Gallery of Ohio University, 1981, ill. (exh. cat.)

1980 Wortz, Melinda, Creeley, Robert, Koshalek, Richard (et al.), ‘Larry Bell: New Work’, Yonkers: The Hudson River Museum, 1980 , ill. (exh. cat.)

1974 ___, ‘Larry Bell’, Rome: Marlborough Galleria d’Arte, 1974, ill. (exh. cat.)

1972 Haskell, Barbara, ‘Larry Bell’, Pasadena: Pasadena Art Museum, 1972, ill. (exh. cat.)

1967 Bell, Larry, Crouwel, Wim, ‘Larry Bell’, Amsterdam: Stedelijk Museum, 1967, ill. (exh. cat.)

2017 Baum, Kelly, Bradnock, Ryan, Tina Rivers (et al.), ‘Delirious: Art at the Limits of Reason, 1950–1980’ New York: Metropolitan Museum of Art, 2017, ill. (exh. cat.)
de Chassey, Éric, ‘Après la fin: Suspensions et reprises de la peinture dans les années 1960 et 1970’, Paris: Éditions Klincksieck, 2017, ill.
Hopps, Walter, Ruscha, Ed, Tresiman, Deborah (et al.), ‘The Dream Colony: A Life in Art’, New York: Bloomsbury USA, 2017
Leguillon, Pierre, Fédier, Barbara, ‘Oracles—Artists’ Calling Cards’, Zurich: Édition Patrick Frey, 2017, ill.
Lew, Christopher Y., Locks, Mia, Rothkopf, Scott (et al.) ‘Whitney Biennial 2017’ New York: Whitney Museum of Art, New Haven: Yale University Press, 2017, ill. (exh. cat.)

2016 Kvaran, Gunnar B., Raspail, Thierry (eds.), ‘Los Angeles - A Fiction’, Oslo: Astrup Fearnley Museet, Lyon, France: Musée d’art contemporain de Lyon, 2016, ill. (exh. cat.)
Rivenc, Rachel, ‘Made in Los Angeles: Materials, Processes, and the Birth of West Coast Minimalism’, Los Angeles: Getty Conservation Institute, 2016, ill.

2015 Clarke, Brian, Vyner, Harriet, Arne, Glimcher, ‘A Strong Sweet Smell of Incense: A Portrait of Robert Fraser’ London: Pace Gallery, 2015, pp. 24, 248, 249 (exh. cat.)
Feldman, Melissa E., ‘Another Minimalism: Art After California, Light and Space’, Edinburgh: Fruitmarket Gallery, 2015 (exh. cat.)
Hackman, William, ‘Out of Sight: The Los Angeles Art Scene of the Sixties’, New York: Other Press 2015, pp. 87, 90, 92, 94, 97, 134, 149, 150, 189, 194, 205)

2014 Berstein, Charles, “A Conversation with Robert Creeley and Larry Bell” [Audio], May 28, 1980, Philadelphia: University of Pennsylvania, 2014.
George, Herbet, ‘The Elements of Sculpture: A Viewer’s Guide’, London: Phaidon, 2014, p. 44
___, ‘Highlights from the Gus Foster Collection’, Taos: Harwood Museum of Art at University of New Mexico, 2014, pp. 14–17, 38, 82
Cateforis, David, Hankins, Evelyn C., Hutton, Molly S. (et al.), ‘A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University’, Munich: Prestel, 2014, pp. 51, 174
Schimmel, Paul, Unterdörfer, Michaela (eds.) ‘Re-view: Onnasch Collection’ Cologne: Snoeck, 2014, pp. 122–23 (exh. cat.)

2013 Amirsadeghi, Hossein, Eisler, Maryam (eds.) ‘Art Studio America: Contemporary Artist Spaces’, 1st ed., New York: Thames & Hudson, pp. 122–29
Benjamin, Brent R., ‘Your Museum Transformed’, St. Louis: Saint Louis Art Museum, 2013, p. 39
Hotch, Phyllis, ‘3 A.M. Poems’ Denver: Taos Press, 2013, cover ill.
Lemoine, Serge (ed.) ‘Dynamo: Un siècle de lumière et de mouvement dans l’art 1913–2013’, Paris: Réunion des musées nationaux—Grand Palais, 2013 (exh. cat.)
Temkin, Ann, Lehmann, Claire, ‘Ileana Sonnabend: Ambassador for the New’ New York: Museum of Modern Art, 2013, pp. 64–67 (exh. cat.)

2012 Davidson, Susan, ‘John Chamberlain: Choices’ New York: Solomon R. Guggenheim Foundation, 2012, p. 202 (exh. cat.)
Gielen, Denis, ‘S.F.: Art, science et fiction’, Brussels: Musée des Arts Contemporains de la Fédération Wallonie-Bruxelles, 2012, p. 47 (exh. cat.)
Page, Jutta-Annette, Morrin, Peter, Bell Robert, ‘Color Ignited: Glass 1962–2012’, Toledo: Toledo Museum of Art, 2012, pp. 33–41, 138 (exh. cat.)
Zelanski, Paul, Fisher, Mary Pat, ‘Color’, 6th ed., Upper Saddle River: Prentice Hall, 2012, p. 47

2011 Baudoin, Tanja, Bergholtz, Frederique, de Brugerolle, Marie, ‘Guy De Cointet’s Five Sisters’, Amsterdam: If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, 2011, pp. 20–21
Huberman, Georges-Didi, Anghel, Golgona, Cachopo, João Pedro (et al.) ‘O que nos vemos, O que nos olha’, São Paulo: Editora 34, 2011, p. 113
Peabody, Rebecca, ‘Pacific Standard Time: Los Angeles Art, 1945–1980’, Los Angeles: Getty Research Institute and J. Paul Getty Museum, 2011, pp., 28, 98, 110–12, 115, 129, 162, 166–70, 172–74, 194, 192, 200, 205, 223, 315 (exh. cat.)

2010 Colburn School, ‘Side by Side’, Los Angeles: Colburn School, 2010, pp. 14, 15, 41 (exh. cat.)

2009 Bezzola, Tobia, Lentzsch, Franziska ‘Hot Spots: Rio de Janeiro/Milano–Torino/Los Angeles, 1956 bis 1969’ Zurich: Kunsthaus Zürich, 2009, pp. 242, 243, 244, 287–88 (exh. cat.)
Kellein, Thomas, Albrecht, Matthias, Grabner, Roman (et al.), ‘1968: Die Große Unschuld’, Cologne: DuMont Buchverlag, 2009, pp. 438–39 (exh. cat.)
Makholm, Kristin, ‘Art Adventures of Connie Lembark’, Bloomington: Xlibris, 2009, pp. 14, 93
McKenna, Kristine, ‘The Ferus Gallery: A Place to Begin’, Göttingen: Steidl, 2009, pp. 22–25,184, 192, 208, 227, 237, 238, 247, 274, 275, 286, 309 (exh. cat.)

2008 Feinstein, Roni, ‘Circa 1958, Breaking Ground in American Art’ Chapel Hill: University of North Carolina Press, 2008, pp. 88–89 (exh. cat.)
Goldstein, Ann, Morse, Rebecca, Schimmel, Paul, ‘This is Not to Be Looked At: Highlights from the Collection of the Museum of Contemporary Art, Los Angeles’ Los Angeles: The Museum of Contemporary Art, Los Angeles, 2008 (exh. cat.)
Hankins, Evelyn C., ‘The Panza Collection’ Washington, DC: Hirshhorn Museum and Sculpture Garden, 2008 (exh. cat.)
Hopper, Dennis, Hickey, Dave, ‘Hopper at the Harwood: L.A. to Taos—40 Years of Friendship’ Taos: Harwood Museum of Art of the University of New Mexico, 2008, pp. 6–9 (exh. cat.)
Kent, Rachel, Hanor, Stephanie, ‘Southern Exposure: Works from the Collection of the Museum of Contemporary Art San Diego’ Sydney: Museum of Contemporary Art, Sydney, 2008, p. 15 (exh. cat.)
Lauria, Jo, ‘20th Century Art and Design’ San Francisco: San Francisco Museum of Art, 2008, pp. 36–39 (exh. cat.)
Meyer-Stoll, Christine (ed.), ‘Sammlung Rolf Ricke: Ein Zeitdokument’, Ostfildern: Hatje Cantz, 2008, pp. 27, 44, 93, 102, 130, 131, 143, 147, 164, 196, 227, 268, 318, 392, 427 (exh. cat.)
Nittve, Lars, Essling, Lena, ‘Time & Place: Los Angeles 1957–1968’ Stockholm: Moderna Museet, 2008, pp. 22, 68, 69, 70, 90, 118 (exh. cat.)

2007 Grenier, Catherine (ed.) ‘Catalog L.A.: Birth of an Art Capital 1955–1985’, Paris: Centre Pompidou, 2007, pp. 89, 95, 162, 163, 203 (exh. cat.)
Humblet, Claudine, ‘The New American Abstraction, 1950–1970’ [Vol. 2],, Milan: Skira Editore, 2007, pp. 1137–69
Rose, Barbara, Abakanowicz, Magdalena, Varas, Valeria (et al.), ‘Monochromes: From Malevich to the Present’, Berkeley: University of California Press, 2007, pp. 150–51 (exh. cat.)
Sandler, Irving, Enyeart, James, David Sylvester, David (et al.) ‘Picturing Artists (1950s–1960s): Photographs by Dan Budnik’, New York: Knoedler & Co., 2007, pp. 48–49 (exh. cat.)

2006 Foster, Hal, ‘Le retour du reel: situation actuelle de l’avant-garde’, Brussels: La Lettre Volée, 2005, pp. 62–63, 96
Fox, Howard, Nichols, Sarah C. Nichols, ‘Glass: Material Matters’, Los Angeles: Los Angeles County Museum of Art, 2006, pp. 22–23 (exh. cat.)
Las Vegas Art Museum, ‘Southern California Minimalism’, Las Vegas: Las Vegas Art Museum, 2006 (exh. cat.)
Lévy, Dominique, Mnuchin, Robert, ‘Elemental Form’, New York: L&M Arts, 2006 (exh. cat.)
Pilven, Marguerite, and Marie De Brugerolle, Larry Bell Cubes, Paris: 40 Ans—Galerie Daniel Templon, 2006, pp. 674–75.
Sbarge, Suzanne, Cecil, Andrew J., ‘Green: Inaugural Exhibition’, Albuquerque: 516 ARTS, 2006, p. 15 (exh. cat.)

2004 Baverey, Michel (ed.), ‘Pour un Art Concret: Donation Albers-Honegger = Konkrete Kunst: Schenkung Albers-Honneger’, Paris: Isthme, Centre national des arts plastiques, 2004, p. 210 (exh. cat.)
Goldstein, Ann, Diederichsen, Diedrich ‘A Minimal Future? Art as Object, 1958–1968’ Los Angeles: Museum of Contemporary Art, Los Angeles, 2003, p. 12
Marzona, Daniel, Grosenick, Uta, ‘Minimal Art’ Cologne: Taschen, 2004, pp. 38, 39
Schaffner, Ingrid, Simpson, Bennett, Leighton, Tanya (et al.), ‘The Big Nothing’, Philadelphia: The Institute of Contemporary Art at the University of Pennsylvania, 2004, p. 5 (exh. cat.)
University Art Museum, College of the Arts, California State University Long Beach, ‘Centric 66’, Long Beach: University Art Museum, College of the Arts, California State University Long Beach, 2004 (exh. cat.)
Zelevansky, Lynn, ‘Beyond Geometry: Experiments in Form, 1940s–1970s’, Cambridge: MIT Press, 2004, p. 116

2003 de Chassey, Eric, ‘Minimal to the Max: The Brownstone Collection at the Norton Museum of Art’, West Palm Beach, FL: Norton Museum of Art, 2003, pp. 12–15 (exh. cat.)
Dreishpoon, Douglas, ‘CA/T: Contemporary Art/Taos’, Taos: Hardwood Art Museum of the University of New Mexico, 2003 (exh. cat.)
Loers, Veit, Schaefer, Albert T., Maiburg, Barbara, ‘Skulpturengarten: Museum Abteiberg Mönchengladbach’, Mönchengladbach: Museum Abteiberg Mönchengladbach, 2003, pp. 24-29
Museum Abteiberg Mönchengladbach, ‘Larry Bell, Arolsen, 1992’, Mönchengladbach: Museum Abteiberg Mönchengladbach, 2003, pp. 24–29
Sintra Museum of Modern Art, ‘Here and Now: On Minimal Art in the Berardo Collection’, Sintra, Portugal: Sintra Museum of Modern Art, 2003, p. 94 (exh. cat.)

2002 Hodermarsky, Elisabeth, ‘The Synthetic Century, Collage from Cubism to Postmodernism, Selections from the Collection’, New Haven: Yale University Art Gallery, 2002, p. 50 (exh. cat.)
Kardon, Peter Franklin, Schwager, Eunice R., Tanselle, Thomas G., ‘The John Simon Guggenheim Memorial Foundation 1925–2000, A Seventy-Fifth Anniversary Record’, New York: John Simon Guggenheim Memorial Foundation, 2002, p. 310
Martínez, Demetria, ‘The Devil’s Workshop’, Tuscon: University of Arizona Press, 2002
Weinberg, Adam D., ‘Treasures of the Addison Gallery of American Art’, New York: Abbeville Press, 2002, p. 218

2001 Bocola, Sandro, ‘Timelines: The Art of Modernism, 1870–2000’, Cologne: Taschen, 2001, pp. 118, 130
Chouinard Foundation, ‘Chouinard: A Living Legacy’, Pasadena, CA: Chouinard Foundation, 2001 (exh. cat.)
Fowler, Kathryne, Stem, Nancy M., ‘New Mexico Millennium Collection: A Twenty-First Century Celebration of Fine Art in New Mexico’, Santa Fe: New Mexico Millennium Collection 2001, pp. 24, 41
Princethal, Nancy, Dowley, Jennifer, ‘A Creative Legacy: A History of the National Endowment for the Arts for the Visual Artists’ Fellowship Program, 1966–1995’, New York: Harry N. Abrams, 2001, pp. 163, 209
Taos Center for the Arts, ‘Art’, Taos: Taos Center for the Arts, 2001
Memorial Foundation 1925–2000, ‘A Seventy-Fifth Anniversary Record’, New York: John Simon Guggenheim Memorial Foundation, 2002, p. 310

2000 Barron, Stephanie, ‘Made in California: Art, Image and Identity 1900–2000’, Berkeley: University of California Press, 2000, pp. 210-211 (exh. cat.)
Celant, Germano, Cross, Susan, ‘Venice/Venezia: California Art from the Panza Collection at the Guggenheim Museum’, New York: Solomon R. Guggenheim Museum, 2000, pp. 42–47 (exh. cat.)
Degel, Kirsten, ‘Vision og Virkelighed’, Humlebaek: Louisiana Museum of Modern Art, 2000 (exh. cat.)
Eastern New Mexico University, ‘Scene Unseen’ Portales: Eastern New Mexico University, 2000 (exh. cat.)
Meyer, James, ‘Minimalism’, London: Phaidon, 2000, pp. 49, 70, 71, 74, 146, 147, 183, 292

1999 Belloli, Jay, ‘Radical Past: Contemporary Art & Music in Pasadena, 1960–1974’, Pasadena, CA: Armory Center for the Arts and Art Center College of Design, 1999 (exh. cat.)

1998 Anderson Ranch Arts Center, ‘Larry Bell: Improvisation with Light and Surface’, Snowmass Village: Anderson Ranch Arts Center, 1998, p. 14.
Friese, Peter, ‘Minimal Maximal’, Bremen: Neues Museum Weserburg, 1998 (exh. cat.)
Nittve, Lars, Hanse, Henning S., ‘Sunshine & Noir: Art in L.A. 1960–1997’, Humlebaek: Louisiana Museum of Modern Art, 1998, pp. x, xi (exh. cat.)

1997 Mann, Audrey, ‘Recent Glass Sculpture: A Union of Ideas’, Milwaukee: Milwaukee Art Museum, 1997 (exh. cat.)
Obrist, Hans-Ulrich, ‘Unbuilt Roads: 107 Unrealized Projects’, Stuttgart, Germany: Gerd Hatje, 1997

1996 Sintra Museum of Modern Art, ‘The Berardo Collection’, Sintral: Sintra Museum of Modern Art, 1996, pp. 110–11 (exh. cat.)
Weiss, Evelyn ‘L’art du 20e siècle: Museum Ludwig, Cologne’, Cologne: Taschen, 1996, p. 86

1995 Kramer, Elizabeth, ‘Shape: Forming the L.A. Look’, Fullerton: California State University, 1995, pp. 14, 21-22
Cerrito, Joanne, Ammann, Jean-Christophe, Campbell, James D. (eds.) ‘Contemporary Artists’ [4th ed.], Detroit: St. James Press, 1995, p. 104–105
Aubert, Marie-Caroline, ‘Fractions’, Paris: Éditions Jannink, 1995
Battcock, Gregory (ed.), ‘Minimal Art: A Critical Anthology’, Oakland: University of California Press, 1994
Haskell, Barbara, ‘The American Century: Art and Culture 1900–2000’, New York: Whitney Museum of American Art, 1995 (exh. cat.)
Longview Art Museum, ‘An Artist’s Taste of Taos’, Longview: Longview Museum of Fine Arts, 1995 (exh. cat.)

1994 Bridegum, Kelly, ‘From the Collection of John and Mary Lou Paxton’, Reno: Nevada Museum of Art, 1994, p. 21
DeLap, Tony, ‘The House of the Magician: An Installation of Reconstructed Works from 1967–1979’, Fullerton: California State University, 1994, p. 14
New Directions Gallery, ‘Wingspread Collector’s Guide’, Taos: New Directions Gallery, 1994, p. 229
New Mexico Cultural Festival Book Fair, ‘El mundo del arte de Nuevo México’, Jalisco: New Mexico Cultural Festival Book Fair Jalisco, Mexico, 1994, p. 7
Roznoy, Cynthia, ‘Evolutions in Expression: Minimalism and Post-Minimalism from the Permanent Collection of the Whitney Museum of American Art’, New York: Whitney Museum of American Art, 1994, pp. 6-7 (exh. cat.)

1993 Butterfield, Jan, ‘The Art of Light and Space’, New York: Abbeville Press, 1993, pp. 174–188
Durozoï, Gérard (ed.), ‘Dictionnaire de l’art moderne et contemporain’, Paris: Éditions Hazan, 1993, p. 60
Weinberg, Adam D., Kiehl, David (eds.), ‘In a Classical Vein: Works from the Permanent Collection’, New York: Whitney Museum of American Art, p. 20

1992 Baigell, Matthew, ‘Arte Americana 1930–1970’, Milan: Fabbri, 1992, pp. 283, 337

1991 Colpitt, Francis, ‘Finish Fetish: LA’s Cool School’, Los Angeles: Fisher Gallery at the University of Southern California, 1991 (exh. cat.)
Marshall, Richard, ‘Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art, New York’, New York: Whitney Museum of American Art, 1991, pp. 24–25 (exh. cat.)
Museum of Contemporary Art Los Angeles, ‘Perceptual Investigations: Light and Space Works in the Permanent Collection’, Los Angeles: Museum of Contemporary Art Los Angeles, 1991 (exh. cat.)
New Directions Gallery, ‘Wingspread Collector’s Guide’, Taos: New Directions Gallery, 1991, p. 186
Reynolds, Jock, ‘American Abstraction at the Addison’, Andover: Addison Gallery of American Art, 1991 (exh. cat.)

1989 Cameron, Dan, ‘Daylight Savings’, Barcelona: Galeria Joan Prats, 1989 (exh. cat.)
Galeria Joan Prats, ‘Eight West Coast Artists’, Barcelona: Galeria Joan Prats, 1989 (exh. cat.)
___, ‘Larry Bell, Works from New Mexico’, Lyon: Musée d’art contemporain de Lyon, 1989 (exh. cat.)
Musée d’Art Contemporain de Lyon, ‘Collection 1989’, Lyon: Musée d’Art Contemporain de Lyon, 1989 (exh. cat.)
Parks, Stephen, ‘Southwest Profile’, Taos: Whitney Publishing, 1989, p. 13
Prabhu, Vas, ‘Together at MOCA: A Guide for Families’, Los Angeles: Museum of Contemporary Art, Los Angeles, 1989
Preble, Duane, Preble, Sarah, ‘Artforms: An Introduction to the Visual Arts’, 4th ed., New York: Harper & Row, 1989, p. 442
Roswell Museum, ‘Very Special Arts New Mexico’, Roswell: Roswell Museum, 1989 (exh. cat.)

1988 McCready, Eric S., ‘The Huntington at 25: The Gallery Collects, Selected Acquisitions 1983–1987’, Austin: Archer M. Huntington Art Gallery, 1988, p. 41 (exh. cat.)
Miller, Tressa Ruslander, Iskin, Ruth, ‘Artist’s Images: Images of Artists by Artists’, Los Angeles: Security Pacific, 1988 (exh. cat.)
Rudenstine, Angelica Zander, Pulitzer, Emily Rauh, ‘Modern Painting, Drawing & Sculpture’, [Vol. 4], Cambridge: Harvard University Art Museums, 1988, pp. 573–78 (exh. cat.)

1987 Katzive, David H., Runyon, Pamela S., ‘Fringe Patterns: Six Contemporary Works with Scientific or Metaphoric Ties to the 1887 Michelson-Morley Experiment’, Cleveland: Cleveland Center for Contemporary Art, 1987 (exh. cat.)
Gedeon, Lucinda H., Cripe, Dianne, M., ‘Sculpture in Glass and Works on Paper: 3 + 3 x 7’, Tempe: Arizona State University Art Museum, 1987, pp. 27–31 (exh. cat.)
Kurtz, Bruce D., ‘Phoenix Biennial: Regionalism, Nationalism, Internationalism’, Phoenix: Phoenix Museum of Art, 1987 (exh. cat.)
Zelanski, Paul, Fisher, Mary Pat, ‘Shaping Space: The Dynamics of Three-Dimensional Design’, New York: Holt, Rinehart and Winston, 1987, p. 150

1986 Colorado Springs Fine Art Center, ‘The New West’, Colorado Springs: Colorado Springs Fine Art Center, 1986, pp. 12, 13 (exh. cat.)
Fischer, R. M., ‘Modern Objects: A New Dawn’, New York: Baskervile + Watson, 1986 (exh. cat.)
Kalil, Susie, ‘The Texas Landscape: 1900–1986’, Houston: The Museum of Fine Arts, Houston, 1986 (exh. cat.)
Newport Harbor Art Museum, ‘Works from the Permanent Collection’, Newport Beach: Newport Harbor Art Museum, 1986, p. 1 (exh. cat.)

1985 Museo Rufino Tamayo, ‘Imagenes en Cajas’, Mexico City: Museo Rufino Tamayo, 1985, p. 10 (exh. cat.)
Security Pacific, ‘The Security Pacific Collection 1970–1985: Selected Works’, Los Angeles: Security Pacific, 1985, p. 76 (exh. cat.)
Waldman, Diane, ‘Transformations in Sculpture: Four Decades of American and European Art’, New York: Solomon R. Guggenheim Museum, 1985, pp. 220–21 (exh. cat.)

1984 Orr-Cahall, Christina, ‘The Art of California: Selected Works from the Collection of the Oakland Museum’, Oakland: Oakland Museum, 1984 (exh. cat.)

1983 Leffingwell, Edward, ‘The Chinese Chance: An American Collection’, Youngstown: The Butler Institute of American Art, 1983 (exh. cat.)

1982 Art Institute of Chicago, ‘74th American Exhibition’, Chicago: Art Institute of Chicago, 1982 (exh. cat.)
Doe, Donald Bartlett, ‘Santa Fe/Taos’, Lincoln: Sheldon Memorial Art Gallery, 1982, p. 19 (exh. cat.)
Nugent, Bob L., Levine, Melinda, ‘Sculpture ’82: A Contemporary Survey’, Rohnert Park: Sonoma State University Art Gallery, 1982, pp. 3, 5, 12, 13, 16, 17 (exh. cat.)

1981 Constable, Rosalind, ‘Rosalind Constable Invites’, Santa Fe: Santa Fe Festival of the Arts, 1981 (exh. cat.)
Bordeaux, Jean-Luc, Brow, Claudette, ‘Abstraction in Los Angeles: 1950–1980’, Northridge: California State Univeristy, Northridge, 1981 (exh. cat.)
Tate Gallery (London), ‘Illustrated Catalogue of Acquisitions, 1978–80’, London: Tate Gallery, 1981, pp. 62–63
Tuchman, Maurice, ‘Art in Los Angeles: 17 Artists in the Sixties’, Los Angeles: Los Angeles County Museum of Art, 1981 (exh. cat.)

1980 Calas, Nicolas, ‘Further Furniture’, New York: Marian Goodman Gallery 1980 (exh. cat.)
Friedman, Mary Lou, ‘The Vice President’s House’, Washington, DC: Loan Collection from Pacific Coast States Museums at the Vice President’s House, 1980 (exh. cat.)

1979 Wortz, Melinda, ‘California Perceptions, Light and Space: Selections from the Wortz Collection’, Fullerton: California State University, Fullerton, 1979 (exh. cat.)
Landis, Ellen, ‘Introduction to Reflections of Realism’, Albuquerque: The Albuquerque Museum, 1979 (exh. cat.)

1978 Newman, Jay Hartley, Newman, Lee Scott, ‘The Mirror Book: Using Reflective Surfaces in Art, Craft, and Design’, New York: Crown Publishers, 1978
Rivers, Larry, ‘12 Artistas Internacionales en la Colección del Museo del Arte Contemporáneo de Caracas’, Caracas: Museo del Arte Contemporaneo de Caracas, 1978 (exh. cat.)
Savage, Sue, ‘Selections from the Frederick R. Weisman Company Collection of California Art’, Long Beach: California State University, Long Beach, 1978, p. 33 (exh. cat.)

1975 Wortz, Melinda, ‘University of California Irvine: 1965–1975’, San Diego: La Jolla Museum of Contemporary Art, 1975, p. 8 (exh. cat.)

1974 Mogelon, Alex, LaLiberté, Norman, ‘Art in Boxes’, New York: Van Nostrand Reinhold, pp. 198–99, 224
Plagens, Peter, ‘Sunshine Muse: Contemporary Art on the West Coast’, New York: Praeger, pp. 24, 28, 120, 122, 126-127

1973 Detroit Institute of Arts, ‘Art in Space: Some Turning Points’, Detroit: Detroit Institute of Arts, 1973 (exh. cat.)

1972 de la Motte, Manfred, ‘USA: West Coast, 1972’, Hamburg, Germany: Kunstverein, 1972 (exh. cat.)
Tate Gallery (London), ‘The Tate Gallery: 1970–72’, London: Tate Gallery, 1972 (exh. cat.)

1971 Friedmann, Martin, ‘Works for New Spaces’, Minneapolis: Walker Art Center, 1971 (exh. cat.)
Los Angeles County Museum of Art, ‘A Report on the Art and Technology Program of the Los Angeles County Museum of Art’, Los Angeles: Los Angeles County Museum of Art, 1971 p. 51
Tuchmand, Maurice, Livingston, Jane, Campbell, Robin (et al.), ‘11 Los Angeles Artists’, London: Arts Council of Great Britain, 1971 (exh. cat.)
Wight, Frederick S., ‘Transparency, Reflection, Light, Space: Four Artists’, Los Angeles: UCLA Art Galleries, 1971 (exh. cat.)

1970 Compton, Michael, ‘Larry Bell, Robert Irwin, Doug Wheeler’, London: Tate Gallery, 1970 (exh. cat.)

1969 Coplans, John, ‘West Coast, 1945–1969’, Pasadena: Pasadena Art Museum, 1969 (exh. cat.)
Friedman, Martin, ‘14 Sculptors: The Industrial Edge’, Minneapolis: Walker Art Center, 1969 (exh. cat.)
Leering, Jean, ‘Kompas 4: Westkust USA/ West Coast USA’, Eindhoven: Van Abbemuseum Eindhoven, 1969 (exh. cat.)
Licht, Jennifer, ‘Spaces’, New York: Museum of Modern Art, 1969 (exh. cat.)

1968 Coplans, John, ‘Los Angeles 6: An Exhibition’, Vancouver: Vancouver Art Gallery, 1968 (exh. cat.)
Coplans, John, ‘Serial Imagery’, Pasadena: Pasadena Art Museum, 1968 (exh. cat.)

1967 Rose, Barbara, ‘A New Aesthetic’, Washington, DC: Washington Gallery of Modern Art, 1967, pp. 21–25 (exh. cat.)

1966 Coplans, John, ‘Ten from Los Angeles’, Seattle: Seattle Art Museum, 1966 (exh. cat.)

1965 Hopps, Walter, ‘The United States of America, VIII São Paulo Biennial’, Pasadena: Pasadena Art Museum, 1965 (exh. cat.)

2020 Westall, Mark, ‘Hauser & Wirth announce new 5,000 sqft space in the Hamptons’, on: fadmagazine.com, 25 June 2020
Durón, Maximilíano, ‘Hauser & Wirth Will Open New Space in Long Island’s Southampton’, on: artnews.com, 25 June 2020
Kinsella, Eileen, ‘Hauser and Wirth Is the Latest Blue-Chip Gallery to Plan a Hamptons Outpost as the New York Market Moves East’, on: news.artnet.com, 25 June 2020
Eisler, Maryam, ‘Confined Artists – Free Spirits’ [Interview], on: lux-mag.com, 18 May 2020, ill.
de Brugerolle, Marie, ‘A World Without Angels: Larry Bell’, in: Mousse Magazine, Milan, no. 71, April 2020, pp. 98-109, ill.
Galleries Now, ‘6 great exhibitions you can visit right now, in Virtual Reality! from GalleriesNow’, on: fadmagazine.com, 31 March 2020
Art Report Today, ‘Podcast: Artist Larry Bell Discusses His Work and Career’ [audiovisual], on: youtube.com, 22 March 2020
Gluibizzi, Amanda, ‘Larry Bell’, in: The Brooklyn Rail, Brooklyn, March 2020, p. 53
Carsel, Casey, ‘Armory Week Lockdown: Art Shows to See’, on: ocula.com, 28 February 2020
Singer, Jill, ‘Jagged, Glacier-Inspired Glass By a California Icon, On View at Hauser + Wirth’, on: sightunseen.com, 24 February 2020
Riefe, Jordan, ‘LA Icons Larry Bell and Billy Al Bengston Look Back’, on: artandobject.com, 3 February 2020
Rus, Mayer, ‘Photographer Douglas Friedman Makes His Home on The Range in Marfa, Texas’, in: Architectural Digest, February 2020, pp. 52-53
Riefe, Jordan, ‘Too Cool for School’, in: LALA Magazine, Los Angeles, pp. 84-87
Mitton, Desiree, ‘Larry Bell’, in: Whitewall, New York, no. 56, Winter 2020, pp.75-79

2019 Tempo Staff, ‘What’s happening in Taos?’, on: taosnews.com, 26 November 2019
Wahlquist, Grant, ‘New New Next: OCMA Gala Honors Iconic Artist Larry Bell’, in: BlueDoor Magazine, Los Angeles, November 2019, pp. 34-41
Goldstein, Andrew, ‘The Story of artnet, Part 2: How Founder Hans Neuendorf Helped Invent the Art Fair in a More “Innocent” Time’, on: news.artnet.com, Berlin, 9 October 2019
Miranda, Carolina A., ‘Essential Arts: Plácido Domingo’s L.A. Opera exit leads to questions of legacy’, in: Los Angeles Times, Los Angeles, 5 October 2019
Vankin, Deborah, ‘What are those glowing red cubes outside MOCA? Meet Larry Bell’s latest work’, in: Los Angeles Times, Los Angeles, 30 September 2019

2018 Rozzo, Mark, ‘Outside the Box’, in: Galerie, New York, no. 11, December 2018, pp. 122-127
David, Elliott, ‘Artist Larry Bell tells architect Frank Gehry about his addiction to beginnings’, on: documentjournal.com, 26 November, 2018
Willette, Jeanne, ‘Larry Bell’ [preview & cover], in: Art Scene, Los Angeles, vol. 37, no. 9, June-August 2018, pp. 9-10
Muchnic, Suzanne, Vankin, Deborah, ‘Ed Moses, “Cool School” painter who helped forge L.A.’s art scene, dies at 91’, on: latimes.com, Los Angeles, 8 July 2018
Slayton, Nicholas, ‘Hauser & Wirth Has Cubes, Paintings and More’, on: ladowntownnews.com, Los Angeles, 6 July 2018
Slayton, Nicholas, ‘Cube, Paintings and Beyond’, in: Downtown News, Los Angeles, vol. 47, no. 27, 2 July 2018, pp. 14-16
Slenske, Michael, ‘Larry Bell Cubed’, in: Design LA, Los Angeles, June 2018, p. 20
Tarley, Phil, ‘Larry Bell. Complete Cubes at Hauser & Wirth’, on: fabrikguide.com, Los Angeles, June 2018
___, ‘Larry Bell. Complete Cubes’, on: widewalls.ch, June 2018
___, ‘Larry Bell. Venice Fog: Recent Investigations at Hauser & Wirth Zürich’, on: dailyartfair.com, Paris, June 2018
Carey, Jean M., ‘Stereo Lab: An Experimental Pairing of Jesús Rafael Soto and Larry Bell at the Tampa Museum of Art’, on: artefuse.com, New York, June 2018
Wakim, Marielle, ‘Tech Meets Fine Art in Larry Bell’s Glass Cubes’, on: lamag.com, Los Angeles, 22 June 2018
Miranda, Carolina, ‘Datebook: Police violence paintings, a gallery’s 25th and enduring images of a photojournalist’s life’, on: latimes.com, Los Angeles, 21 June 2018
Symonds, Alexandria, ‘Two American Art Icons Discuss the Old Days and Their New Shows’, on: nytimes.com, New York, 15 June 2018
Bennett, Megan, ‘A taste of a very in-depth life’, on: abqjournal.com, Albuquerque, 15 June 2018
Testerman, Tamra, ‘Painter holds on, survives’, on: taosnews.com, Taos, 31 May 2018
Kay, Christin, ‘New rooftop sculpture unveiled for summer at Aspen Art Museum’, on: aspenpublicradio.org, Aspen, 29 May 2018
Romancito, Rick, ‘Harwood plans Larry Bell tribute’, on: taosnews.com, Taos, 13 May 2018.
Johnson, Virginia, ‘On the Town: Vapor and Vibration Art at Tampa Museum’, on: baynews9.com, St. Petersburg, 11 May 2018
___, ‘Tampa Museum of Art’, in: Tampa Bay Times, St. Petersburg, 4 May 2018
Duffy, Maggie, ‘Groundbreaking artists Larry Bell and Jesus Rafael Soto’s work on display at the Tampa Museum of Art’, on: tampabay.com, 4 May 2018, ill
___, ‘Hauser & Wirth at Art Cologne 2018 – Waves and Particles: Larry Bell, Mary Heilmann, Takesada Matsutani’, on: artcologne.com, Cologne, April 2018
Rosenmeyer, Aoife, ‘Larry Bell – Venice Fog: Recent Investigations’, in: Kunst Bulletin, Zürich, March 2018
___, ‘Hauser & Wirth’, in: Art.Investment, Beijing, no. 125, March 2018
Dawson, Aimee, ‘Performance pioneer Joan Jonas takes over Tate Modern’, on: theartnewspaper.com, London, 13 March 201
___, ‘Kelly Wearstler’s LA art gallery hit list’, on: vogue.com.au, Melbourne, 5 March 2018
___, ‘Larry Bell Venice Fog: Recent Investigations’, on: thisistomorrow.info, London, 2 March 2018
___, ‘Syri-Arts and Christie’s Auction Saving a Generation Through Education’, on: prnewswire.com, London, 28 February 2018
Salema, Isabel, ‘A megagaleria que mais parece um museu’, in: Ípsilon, Lisbon, 22 February 2018
Riefe, Jordan, ‘Why People Still Get Worked Up About Jasper John’s ‘Flag’ Painting’, on: observer.com, New York, 21 February 2018
Cogley, Bridget, ‘Larry Bell’s glass cubes mimic California light and fog’, on: dezeen.com, London, 13 February 2018
Flanagan, Rosie, ‘Larry Bell’s Recent Investigations Into Venice Fog’, on: ignant.com, Berlin, 9 February 2018
___, ‘Larry Bell: 19 Jan – 3 Mar 2018 at the Hauser & Wirth Gallery in Zurich, Switzerland’, on: wsimag.com, Budva, 1 February 2018
Paulina, Szczesniak, ‘Atmosphärisch: Ein Kalifornier imitiert mit Glasskulpturen das Sonnenlicht in seiner Heimatstadt’, in: Tagesanzeiger Züritipp, Zürich, January 2018
___, ‘“Endless Summer” Exhibition of 60s California Art Opens at MCA Chicago’, on: artfixdaily.com, San Francisco, January 2018
Ure-Smith, Jane, ‘Immaterial World: In the 1960s, Californian artists became masters of light and space’, in: The Economist, London, 31 January 2018
Biller, Steven, ‘Holy Moses: At Art Palm Springs, Ed and Andy Moses celebrate their lives in painting’, on: palmspringslife.com, Palm Springs, 29 January 2018
___, ‘Hauser & Wirth Zürich opens a major solo exhibition by sculptor Larry Bell’, on: artdaily.org, London, 29 January 2018
___, ‘Larry Bell. Venice Fog: Recent Investigations’ at Hauser & Wirth Zürich, on: blouinartinfo.com, New York, 25 January 2018
Jansen, Charlotte, ‘Larry Bell transforms Venice Beach fog into works of sheer beauty’ [review], on: wallpaper.com, London, 24 January 2018
___, ‘Prolific artist Ed Moses of LA’s ‘Cool School’ dies at 91’, on: wtop.com, Washington DC, 19 January 2018
Rogers, John, Ed Moses, painter who helped transform Los Angeles into force in modern art, dies at 91’, on: washingtonpost.com, Washington DC, 19 January 2018
___, ‘Larry Bell. Venice Fog: Recent Investigations at Hauser & Wirth Zürich’ [preview], in: Tagesanzeiger Züritipp, Zürich, 18 January 2018
Rus, Mayer, ‘Ricky Martin Takes AD Inside His Blissful Beverly Hills Home’, in: Architectural Digest, Los Angeles, 9 January 2018
Testerman, Tamra, ‘It’s all about the light’, on: taosnews.com, Taos, 7 January 2018

2017 Eisler, Maryam, ‘Portrait of an Artist: Larry Bell’, in: Vanity Fair, London, November, 2017, pp. 66, 67
___, ‘Exhibition at White Cube brings together works from Larry Bell’s extensive career’, on: artdaily.org, Los Angeles, 2017
Farago, Jason, ‘The Biennial: A User’s Guide’, in: The New York Times, New York, 9, March, 2017, pp. C1, C5
Frankel, Eddy, ‘Larry Bell: Smoke on the Bottom’, on: timeout.com, London, 2017
Bell, Larry, ‘A Hotel Life’, on: lalamagdigital.com, Los Angeles, Fall, 2017
Cafazzo, Robert, ‘Reflections of Larry Bell’, in: Taos News, Taos, 2, February, 2017
___, ‘Seeing Red in the Larry Bell exhibit at the Weisman’, in: The Los Angeles Times, Los Angeles, 1, March, 2017, pp. T12
Jansen, Charlotte, ‘The big smoke: there’s more to Larry Bell’s latest show than meets the eye’, on: wallpaper.com, London, 9, May, 2017
Hearn, Matthew, ‘Larry Bell: Smoke on the Bottom’, artworkslondon.com, London, 2017
Bury, Louis, ‘Dale Chihuly’s Road Not Taken’, on: hyperallergic.com, New York, 29, October, 2017
___, ‘Sotheby’s online art auction raises funds for Harvey relief efforts’, on: houston.culturemap.com, Houston, 31, October, 2017
Johnson, Noah, ‘What Happened to Designer Adam Kimmel?’, on: gq.com, New York, 29, November, 2017
Dunne, Susan, ‘‘Mirror Mirror’ On Wadsworth’s Walls’, on: courant.com, Hartford, 18, December, 2017

2016 Buosi, Carlotta, ‘Hauser & Wirth Presents: Larry Bell’ [preview], on: idolmag.co.uk, London, 25, January, 2016
Evans, Christina O., ‘Larry Bell at Hauser & Wirth, New York: Geometry, glass and perceptual phenomena collide in style’, on: howtospendit.ft.com, London, 3, February 2016
Biller, Steven, ‘Thinking Inside the Box’, on: palmspringslife.com, Palm Springs, 1, February, 2016
Gendall, John, ‘Shaping the way: Larry Bell’s legendary 1960s works get aired in New York’, on: wallpaper.com, London, 8, February, 2016
___, ‘Larry Bell Creations from the 60s Coming to Hauser & Wirth New York’, on: widewalls.ch, London, 27, January, 2016
___, ‘Greenberger, Alex, ‘Coast to Coast: Frank Stella and Larry Bell on the 1960s Los Angeles Art Scene’, on: artnews.com, New York, 8, February, 2016
Plagens, Peter, ‘Feminist Art, Lyrical Composition and 1960s Paintings’, on: wsj.com, New York, 26, February, 2016
Bacon, Alex, ‘Larry Bell with Alex Bacon’ [interview], on: brooklynrail.com, New York, 4, March, 2016
Zlotowitz, A., ‘New York – Larry Bell: “From the ‘60s” at Hauser & Wirth through April 9th, 2016’, on: artobserved.com, New York, 16 March 2016
Slenske, Michael, ‘In the Studio: Larry Bell’, on: blouinartinfo.com, New York, 1, April, 2016
Zara, Janelle, ‘A Rowdy Roundtable Discussion with Three L.A. Art Legends’, on: nytimes.com, New York, 6, April 2016
Churner, Rachel, ‘Larry Bell: Hauser & Wirth’ [review], in: Artforum, New York, Summer, 2016, p. 393
Kimberly, Johnson B., ‘Master of Light and Space, Student of Art and Life’, in: Palm Springs Art Magazine, Palm Springs, 8 February 2016
___, ‘Larry Bell “From the 60s” Exhibition at Hauser & Wirth, New York’, on: purple.fr, Paris, 4 March 2016

2015 Landi, Anne, ‘Larry Bell’, in: ARTnews, April 2015, p. 87
Rosenmeyer, Aoife, ‘Troika, Tobias Putrih, Larry Bell Reverse Order’, on: art-agenda.com, New York, June 2015
Sundberg, K., ‘Larry Bell’s Industrialized Twist on the Light and Space Movement’, on: artsy.net, New York, June 2015
Enholm, Molly, ‘Larry Bell’, in: Art Ltd., Los Angeles, July 2015
Fiske, Courtney, ‘Larry Bell: The Chinati Foundation’, in: artforum.com, New York, June 2015
___, ‘Larry Bell: 2D-3D: Glass & Vapor’, on: wsimag.com, Budva, 23, July 2015
___, ‘American Artist Larry Bell to Open at White Cube Mason’s Yard’, on: artlyst.com, London, 21 June 2015
Du Toit, Wessie, ‘Haunted reflections: Larry Bell’s experimental work on show at White Cube Mason’s Yard’, on: wallpaper.com, London, 14, July 2015.
Gaylord, Martin, ‘Exhibitions’, on: spectator.co.uk, London, 1 August 2015
Grattan, Nikki, ‘Our Last Hurrah: Larry Bell’, on: inthemake.com, San Francisco, January 2015
Pollock, David, ‘Another Minimalism: Art After California Light and Space’, on: list.co.uk, London, 16 November 2015
Pomar, Aina, ‘Reflection, absorption, transmission: Larry Bell’s new show at White Cube Mason’s Yard’, on: artdependence.com, London, July 2015
___, ‘When Chuck met Jay and more Miami gossip’, on: theartnewspaper.com, Miami, 3 December 2015
Ure-Smith, Jane, ‘Larry Bell and Robert Irwin step into the light’, on: ft. com, London, 18, December 2015

2014 ___, ‘Sept. 11, 2001 and Larry Bell “Teeth in Orange Juice” to Exhibit at DAFA’, in: Taos News, Taos, 3, July 2014, pp. 4-6
Bleiler-Strong, Lyn, ‘Light and Reflection in the Work of Larry Bell’, in: Trend Magazine, Santa Fe, Summer 2014, pp. 112, 130
___, ‘Surface to Air: Los Angeles Artists of the ‘60’s and the Materials That They Use at Kayne Griffin Corcoran’, on: artdaily.org, Los Angeles, 21, May 2014
Stromberg, Matt, ‘Joan Quinn Captured at the Brand Library and Art Center’, in: Dailyserving, an International Publication for Contemporary Art, San Francisco, 23, July, 2014
___, ‘Larry Bell: Fractions at the Blumenschein Museum’, in: Taos News, Taos, 20, August 2014, p. 8
McHugh, Fionnuala, ‘As Happy as Larry’, in: South China Post Magazine, Hong Kong, 21, September 2014, pp. 22-24, 26
Anspon, Catherine, ‘Bellwether’, in: ArtDesk, Oklahoma City, Issue 3, Fall/ Winter 2014, pp. 4-9

2013 Wyspolaki, Bondo, ‘Larry Bell, still ringing in an art gallery near you’, on: easyreadernews.com, Hermosa Beach, 31, May 2013
Enholm, Molly, ‘Recent Works by Larry Bell’ [review], in: Art Scene, Los Angeles, May 2013
Wyrick, Christopher, ‘Venice Art Walk and Auction draws Artists Larry Bell and Kelly Berg’, on: hollywoodreporter.com, Los Angeles, 20, May 2013
Davidson, Lisa, ‘Larry Bell: Recent Work, Frank Lloyd Gallery’ [review], on: weheart.co.uk, London, 7, June 2013
Ollman, Leah, ‘Less Is More in Collages’ [review], in: Los Angeles Times, Los Angeles, 29, May 2013, D-3
Barnas, Maria, ‘Larry Bell & Sarah Crowner, Meet Marlow Moss’, in: Frieze, London, Issue 157, September 2013, pp. 160-161
Khemir, Sabiha Al, ‘Beyond Brancusi: The Space of Sculpture’, in: Art in America, New York 2013, p. 38
Brunn, Dan, ‘Samy Kamienowic Home’, on: danbrunn.com, 2013
Bleiler-Strong, Lyn, ‘Larry Bell Sculptor of Kinetic Light’ [cover], Trend Magazine, Santa Fe, Fall-Spring 2013, pp. 114-121, ill.
Pagel, David, ‘Local Fish at Ernie Wolfe Casts a Wide, Fun Net’, in: Los Angeles Times, Los Angeles, 15, August 2013
Davie, William, ‘Larry Bell at White Cube Gallery, London’ [review], in: Aesthetica Magazine Blog, York, 2013
Smith, Roberta, ‘The Artist’s Force Field, Frozen in Time’, in: The New York Times, New York, 2013, pp. C21-C3

2012 Eisenhart, Mary, Torrez, Andre, ‘96 Hours’, in: San Francisco Chronicle, San Francisco, January 2012
Ollman, Leah, ‘Sensory Remix’, in: Art in America, New York, January 2012, pp. 70-75
Frank, Peter, ‘Larry Bell and Gregory Edwards’, on: huffingtonpost.com, New York, 2012
___, ‘46 N. Los Robles: A History of the Pasadena Art Museum’, on: pacificstandardtime.org, Los Angeles, 2012
Green, Tyler, ‘Larry Bell’, on: manpodcast.com, 26, January 2011
Cooke, Lynne, ‘Perfect Fit’ [interview], in: Artforum, New York, pp. 236-241, ill.
Morgan, Robert C., ‘Larry Bell’s Architectonic Light: Early Cubes and Improvisations’, on: eastofborneo.org, Los Angeles, 2, March 2012
Goldner, Liz, ‘Best Kept Secret Laguna Art Museum’ [review], in: Artillery Magazine, Los Angeles, February/ March 2012, pp. 75-76
Goldner, Liz, ‘Best Kept Secret Newsletter’, on: contemporary-art-dialogue.com, Los Angeles, February 12 2012
Olson, Kimberly, ‘In the Clear’, in: Luxe Interiors + Design Magazine, San Diego, vol. 10, no. 2, 2012, pp. 194-201, ill.
Steffen, Patrick, ‘Process Is Not Dead’, in: Flash Art News, New York, May/June 2012, ill.
Hulbert, Dory, ‘Immortal Visage: Paul O’ Connor Captures Iconic Faces of Taos’, in: The Taos News, Taos, May/June 2012, ill.
Bleiler, Lyn, ‘The Taos Hum’, in: Trend Magazine, Santa Fe, Summer 2012, pp. 136-137
Gair, Chrisopher, ‘“Perhaps the Words Remember Me”: Richard Brautigan’s Very Short Stories’ [cover], in: Western American Literature, Quarterly Journal of Western Literature, vol. 47, no. 1, Spring 2012, pp. 4-21

2011 Plagens, Peter, ‘Laying Claim to Its Place in the Sun’ [review], in: The Wall Street Journal, New York, 13, October 2011
___, ‘Exhibit Reveals Little Known Art History’, on: lagunabeachindy.com, Laguna Beach, 26, October 2011
Kane, Richard, ‘Laguna Art Museum Revives UC Irvine’s Forgotten Avant-Garde Renaissance’, on: lagunabeachpatch.com, Laguna Beach, 28 November 2011
Chang, Richard, ‘Laguna Art Museum Bares ‘Best Kept Secret’’, in: The Orange County Register, Anaheim, 30 October 2011, pp. 1, 3
Verhagen, Erik, ‘Larry Bell: On Reflections and Presence’, on: en.arpress.com, 28 February 2011
___, ‘Human Nature: Contemporary Art from the Collection’, on: lacma.org, Los Angeles, 31 March 2011
___, ‘Artist Larry Bell, Bel Air Camera Customer Since 1960s Shows Photographs in Nimes, France’, in: The Daily Bruin, Los Angeles, 13 April 2011, p. 11
Talalla, Natalie, ‘Venice in Venice. Glow & Reflection – Venice California Art from 1960s to the Present. 54th Venice Biennale’, on: aajpress.wordpress.com, London, 23 June 2011
Friedman, Julia, ‘Venice in Venice’, in: Artforum, New York, July 2011
Muchnic, Suzanne, ‘Rebels in Paradise by Hunter Drohojowska-Philp’ [book review], in: Los Angeles Times, Los Angeles, 17 July 2011
Plagens, Peter, ‘When the West Coast Went Pop’ [book review], in: The Wall Street Journal, New York, 16 July 2011
Hawthorne, Christopher, ‘Critic’s Notebook: Shifting Horizons in Santa Monica Park Design’, in: Los Angeles Times, Los Angeles, 30 July 2011
___, ‘Phenomenal: California Light, Space, Surface’, on: mcasd.org, San Diego, 2011
Teicholz, Tom, ‘How LA Grew Its Art’, on: tommywood.com, Los Angeles, 8 September 2011
Rothman, Tibby, ‘Larry Bell Gets a Restaurant, Larry’s, Where the Opening Was A Pacific Standard Time Reunion’, on: blogs.laweekly.com, Los Angeles, 2011
Hirsch, Faye, ‘Flocked Pink Ladies: An Anomaly’, in: Art in America, New York, October 2011, pp. 72-75
Dougherty, Margot, ‘Letter from L.A.’, in: Town & Country Magazine, Los Angeles, March 2011, p. 110
Knight, Christopher, ‘L.A. Inspiration’ [review], in: Los Angeles Times, Los Angeles, 5 October 2011, pp. D-D12
Snyder, Benjamin A., ‘Phenomenal: California Light, Space, Surface at the Museum of Contemporary Art San Diego’ [review], in: Art Ltd. Magazine, Los Angeles, 2011
Chute, James, ‘Outside the Frame’, in: San Diego Union-Tribune, San Diego, 18 September 2011, pp. 1, 8
___, ‘Museum Promises New Show Is Phenomenal’, in: Del Mar Times, Solana Beach, 22, September 2011, p. 2
___, ‘Wound Up for Pacific Standard Time’, in: San Diego City Beat, San Diego, 14, September 2011, p. 22
Chute, James, ‘Phenomenal: California Light, Space, Surface’ [review], in: San Diego Union-Tribune, San Diego, 18, September, 2011
Baker, Kenneth, ‘S. California Plays with the Light-Space Phenomenon’, on: sfgate.com, San Francisco, 24, December 2011
Knight, Christopher, ‘High-Achieving Show’, in: Los Angeles Times, Los Angeles, 5 October 2011, pp. D-1, 12
Smith, Roberta, ‘A New Pin on the Map’, on: nytimes.com, New York, 10 November 2011

2010 Pincus-Witten, Robert, ‘Craig Kauffman’ [review], in: Artforum, New York, December 2010
___, ‘All the Rage. NY Fashion Week: Derek Lam’s West Coast Style’, 15 September 2010
Dreishpoon, Douglas, ‘Dennis Hopper: 1936-2010’, in: Art in America, New York, September 2010, pp. 34, 36
Smith, Roberta, ‘Surfing Art at Nyehaus, Zwirner Gallery’, in: The New York Times, New York, 2 August 2010
Baron, Joan B., Reuben, M., ‘West Coast Minimalism: Four New York Shows’, on: artcritical.com, New York, February 2010
Viveros-Faune, Christian, ‘David Zwirner’s ‘Primary Atmospheres’ is California Sweet’, in: The Village Voice, New York, January/ February 2010, p. 28
Russeth, Andrew, ‘Editor’s Picks’, on: artinfo.com, 27 January 2010
Schjedahl, Peter, ‘Way Out West: California Minimalism Comes to Town’, in: The New York Times, New York, 25 January 2010
Perreault, John, ‘How the West Was Won: Finish Fetish’, in: Artopia, John Perreault’s Art Diary, Los Angeles, 18 January 2010
___, ‘David Zwirner Presents Primary Atmosphere Works from California 1960-70’, in: The Huffington Post, New York, 16 January 2010
Johnson, Ken, ‘Primary Atmospheres: Works from California 1960-1970’, in: Art & Design, New York Times, New York, 14 January 2010
Alexander, Peter, ‘Phenomenal L.A. 1970-1970 Primary Atmospheres’, in: Gallery Beat, New York, 11 January 2010, ill.
Esplund, Lance, ‘California Gleaming’, in: The Wall Street Journal, New York, January 2010, p. W14
Fichtner, Brian, ‘Primary Atmospheres: Works from California 1960-1970’, coolhunting.com, New York, 2010

2009 Rico, Diane, ‘Bell Opens Encore’, in: The Taos News, Taos, March 2009, pp. 4-6
Silverman, Jason, ‘Riders of the Storm’, in: Santa Fean, Santa Fe, June/July 2009, pp. 36-41
Mathis, Miles, ‘Fake People Fake Their Shows’, in: The Taos News, Taos, August/September 2009, p. 6
Edwards, Joseph, ‘Mediocrity, Regret, and Taos Art’, in: Horse Fly, Taos, 15 July 2009
___, Paisley Party’, in: The Taos News, Taos, July 2009, p. 26
Whaley, Bill, ‘Taos Has a New Mayor, Hopper and Friends’, vol. II, no. 2, 15, May 2008, pp. 1, 3
Parker, Phil, ‘Mayor ‘Easy Rider’’, in: Albuquerque Journal, Albuquerque, 5 May 2009, pp. C1, C2
___, ‘Larry Bell Opens the New Encore Gallery at Taos Center for the Arts, Taos, NM’, on: tcataos.org, Taos, 6, March 2009
___, ‘New Mexico Artists Reveal a Range of Possibilities’, on: abqarts.com, Albuquerque, March 2009
___, ‘Larry Bell’, in; Art & Living Magazine, Los Angeles, Winter, 2009, pp. 22-23
___, ‘Larry Bell in ‘Burque’, in: The Taos News, Taos, January 2009, pp. 8, 22-28
Fairfield, Douglas, ‘Filling a Vacuum, Larry Bell Comments on His Ongoing Investigations’, in: The New Mexican, Santa Fe, 2009, pp. 28-30, ill.
Clark, Virginia L., ‘Art and Culture Critic David Hickey Cuts Loose at the Harwood’, in: The Taos News, Taos, pp. 28-31

2008 Frank, Peter, ‘The Radar Art’, in: Angeleno, Los Angeles, February, 2008, pp. 74, 76
Pagel, David, ‘Taking Collages to a Dazzling Place’, in: Los Angeles Times, Los Angeles, 15, February, 2008, E-27
Chen, Angel, ‘Larry Bell Modern Mystic’, on: www.artslant.com, Los Angeles, 28, February, 2008
Frank, Peter, ‘Animal Spirits, Endangered Species, Larry Bell’, in: L.A. Weekly, Los Angeles, 2008
Gerdes, Scott R., ‘Becoming Elegant Again’, in: The Taos News, Taos, June, 2008, p. 24
Fox, Steve, ‘The Pulse’, in: Horse Fly, Taos, 15, August, 2008, p. 19-20
___, ‘Larry Bell Talks About His Work’, in: The Taos News, Taos, July, 2008, p. 8
Landi, Ann, ‘Frank Stella, Larry Bell’, in: ARTnews, New York, Summer, 2008
Klimek, Chris, ‘The Hirshhorn’s “Panza Collection” Is a Trove of Intangible Pleasures’, in: The Washington Examiner, Washington, D.C., 7, November, 2008
___, ‘Hirshhorn Museum Presents Recent Acquisitions from the Collection of Count Giuseppe Panza’, on: www.artdaily.org, 23, October, 2008
___, ‘Don’t Miss Larry Bell at Frank Lloyd Gallery’, in: Los Angeles Times, Los Angeles, 6, March, 2008, p. 12

2007 Pulkka, Wesley, ‘Show Bodes Well for 516 Arts’ in: The Sunday Journal, Albuquerque, January, 2007
Grove, Martha, ‘Seeking New Canvas for Venice Art Scene’, in: Los Angeles Times, Los Angeles, 19, May, 2007, pp. B1, B12
Haden-Guest, Anthony, ‘Reflections of a Glass Matter’, in: Financial Times, London, 23, June, 2007
Pulkka, Wesley, ‘Art + Architecture in New Mexico = An International Narrative’, in: Art Santa Fe, Santa Fe, Summer, 2007, pp. 22-23
Whaley, Bill, ‘Art Notes, Larry Bell, Studio Investigations’, in: Horse Fly, Taos, 15, August, 2007, pp. 1 & 21
Silsbee, Kirk, ‘LA & E. Civic Pride’, in: Los Angeles City Beat, Los Angeles, vol. 5, no. 35, August, 2007, p. 17
Hoban, Phoebe, ‘Larry Bell’ [review], in: ARTnews, New York, December, 2007, p. 155
Larson, Eric, ‘Ed Moses and Larry Bell’ [interview], in: Art and Living, Los Angeles, Fall, 2007, pp. 60-63, ill.
___, ‘With a Little Help from Their Friends: The Faces Behind Sergeant Pepper’, in: The Independent, London, February, 2007, pp. 1-5
Danese, 'New Sculpture', New York NY

2006 Van Doren, Phyllis, ‘All About’, in: San Diego Home/ Garden Lifestyles, San Diego, March, 2006, pp. 38-41, ill.
Kuipers, Dean, ‘Up Front with the Kids, They’re Patrons Too’, in: Los Angeles Times, Los Angeles, 6, April, 2006, p. E4, 45, ill.
Frank, Peter, ‘Larry Bell, Richard M. Haley’, in: L.A. Weekly, April/ May, 2006, p. 61
McDonald, John, ‘Intimations of Mortality’, in: The Sydney Morning Herald, Sydney, 21, May, 2006, ill.
Davies, Lillian, ‘Larry Bell, Galerie Daniel Templon’, on: www.artforum.com, New York, May, 2006
Dambrot, Shana N., ‘Making Space for Light-Norton Simon Museum Show Explores the Concepts of Perception, Reflection, Light and Illusion’, in; West Coast Art + Design Lifescapes Magazine, Santa Barbara, July, 2006, pp. 26-28
Perez, Magdalene, ‘Larry Bell, Cubes’ [review], on: artinfo.com, 2006
Adams, Brook, ‘The School of L.A.’, in: Art in America, New York, 2006, pp. 160-167, ill.
Mayer, Kathie, ‘The Ongoing Investigation of Art’, in: The Port Townsend & Jefferson County Leader, Port Townsend, December, 2006, p. 2
Salem, Nancy, ‘State of the Art’, in: The Albuquerque Tribune, Albuquerque, 8, December, 2006
Mayfield, Dan, ‘For New 516 Arts, Two Floors Better Than One’, in: The Sunday Journal, Albuquerque, 3, December, 2006, pp. F1 & F4
Ross, Lee, ‘516 Arts Presents Green’, in: Albuquerque Arts, Albuquerque, December, 2006
Goldman, Edward, ‘Reflections of Imperfect, Mortal You: The Art of Anish Kapoor, Larry Bell and Lee Mullican’ [review], on: www.kcrw.com, Los Angeles, 28, March, 2006
___, ‘Annandale Galleries’ [review], on: www.theaustralian.news.com, Sydney, May, 2006

2004 Pulkka, Wesley, ‘A Wider Reach’, in: The Albuquerque Journal, Albuquerque, 1, February, 2004, pp. F1-F2
Knight, Christopher, ‘Max Minimal’, in: Los Angeles Times, Los Angeles, 16, March, 2004, pp. E1, E8
Kimmelman, Michael, ‘How Not Much Is a Whole World’, in: The New York Times, New York, 2, April, 2004, pp. E31, E33
___, ‘Larry Bell Returns to Show ‘Fractions’’, in: Taos News, 27, May, 2004, p. 10
___, ‘California Classroom: A Box that Opens Up Many Ways to See Art and Light’, in: Los Angeles Times, Los Angeles, 8, April, 2004, p. H3
Mauk, Laura, ‘Donald Judd’s Marfa’, in: Western Interiors and Design’, 2004, pp. 120-129
Kennedy, Randy, ‘Where Creative Heat Meet Molten Metal’, in: The New York Times, New York, 13, August, 2004
Godfrey, Mark, ‘Dimensions Variable’ [review], in: Frieze, New York, pp. 116-121
Drohojowska-Philip, Hunter, ‘A Minimal Future? Art as Object 1958-1968’, in: ARTnews, New York, June, 2004, p. 119
Stammer, Kimberly M., ‘The Eclectic Eye’, in: Frederick R. Weisman Philanthropic Foundation, Los Angeles, 2004, pp. 38-39
Fallon, Roberta, ‘The Big Nothing and Phillie’, in: Artnet, New York, March, 2004
Henry, Clare, ‘The Big Nothing, ICA Philadelphia, etc.’, in: The Financial Times, London, 22, July, 2004, p. 10
Kimmelman, Michael, ‘Artists Who Just Say No. To Everything’, in: The New York Times, New York, 25, June, 2004, pp. E29, E31
___, ‘The Big Nothing’ [preview], in: e-flux, New York, 11, May, 2004
Smolan, Rick, Cohen, Elliot, ‘Taos’, in: New Mexico 24/7, Sausalito, 2004, p. 66

2003 Anspon, Catherine D. ‘Art League Houston’s Texas Art Patron of the Year, Lester Marks, Brushes with Fame at the Hotel Derek’, in: Paper City, Houston, 2003, p. 32
Muchnic, Suzanne, ‘Defunct L.A. Art School on a Quest for Resurrection’, in: Los Angeles Times, Los Angeles, 7, March, 2003, p. E28
Roug, Louise, ‘He’s Extending His Stay’, in: Los Angeles Times, Los Angeles, 19, June, 2003, p. F9
Paglia, Michael, ‘Dumb and Dumber’, in: Westword, Denver, June/July, 2003, p. 55
Siegel, Evelyn, ‘Artists’, in: Evelyn Siegel Gallery News, Forth Worth, Summer, 2003
Berenger, Peter, ‘Two Sides of the Coin’, in: The Horse Fly, Taos, 15, November, 2003, p. 23
Pulkka, Wesley, ‘Shows Contrast Expectations’, in: The Albuquerque Journal, Albuquerque, 9, November, 2003, p. F5
___, ‘St. John’s College Art Gallery’, in: The New Mexican, Santa Fe, October, 2003, p. 39
Kim, Sheila, ‘Newsdesk’, in: Interior Design, New York, 2003, p. 35

2002 Carver, Jon, ‘More Today than Today: Hovering Between the Figure and Abstraction’, in: Santa Fe Trend, Santa Fe, vol. 2, no. 2, Winter/Spring, 2002, pp. 18-23
Henderson, Chaucer, ‘The Curmudgeon’s Complaint – Neo-Pre-Raphaelite Relief – Three Who Count’, in: Horse Fly, Taos, 15, February, 2002, pp. 18-19
Esperanza, Jennifer, ‘Sexy Artists, April 2002’, in: The Magazine, Santa Fe, pp. 33
Rusnell, Wesley, ‘Larry Bell: The Sumer Project’, in: Rosswell Museum and Art Center Quarterly Bulletin, Rosswell, vol. 50, no. 3, Summer, 2002
Romancito, Rick, ‘Bell Ringer’, in: Tempo Magazine, Taos, 15, August, 2002, pp. 12, 14
Whaley, Bill, ‘Larry Bell’, in: Horse Fly, Taos, 15, August, 2002, pp. 21
Ebony, David, ‘Los Angeles, Larry Bell at Kiyo Higashi’ [review], in: Art in America, New York, September, 2002, pp. 143-144
Quinn, Joan A., ‘Focal Point, Around and About with Joan Agajanian Quinn’, in: New York Master Planner, New York, August/ September, 2002, p. 30, ill.
Pagel, David, ‘Bell’s Recycling Project Becomes a Potent Series’, in: Los Angeles Times, Los Angeles, 30, August, 2002
Tourjé, Dave, ‘Artist to Artist’, Grand View, Pasadena, no. 11, July, 2002, ill.
Plagens, Peter, ‘Ferus (at Gagosian Gallery)’, in: Artforum International Magazine, New York, 2002, pp. 130-131
Marcoulesco, Ileana, ‘Larry Bell: Post 9/11 Tableaux and the Time Machine-New Gallery’, in: Artlies, Winter, 2002-2003, p. 83
___, ‘Land Trust Auction Nets Art and Adventures for Patrons’, in: Tempo Magazine, Taos, 22, August, 2002, p. 18
___, ‘Sculpture Along the Way …’ in: Sculpture Magazine, Washington, D.C. vol. 21, no. 5, ., June, 2002
___, ‘Award Artists’, in: Taos Talking Picture and Film Festival, Taos, 2002, p. 37

2001 ___, ‘Venice, Italy Ongoing – Jan. 7’, in: Art & Antiques, Annual Asian Issue, Museum Scene, 2001, p. 44
Pulkka, Wesley, ‘Larry Bell’, in: Elevation, The Magazine of Mountain Life, Winter, 2001, p. 78-79
Urquijo, Javier, ‘El Museo Guggenheim acoge la Colección Panza at the Guggenheim Museum, in: Gran Bilbao, Bilbao, 2001, ill.
Quinn, Joan A., ‘Joan Quinn, Etc., Etc., Etc.’, in: Art-Talk, Los Angeles, 2000, November, p. 18
Della Flora, Anthony, ‘Museum Worthy’, in: The Albuquerque Sunday Journal, Albuquerque, 4, February, 2001, p. F1
Ford, Sara, ‘Award Recipients Will Be Taking Home a Bit of Taos’, in: Taos News, Taos, 5, April, 2001, p. 3
Romancito, Rick, ‘Falling for Liz’, in: The Taos News Tempo, 12, April, 2001, pp. 3-4
Marcoulesco, Ileana, ‘Larry Bell: A Passionate Coupling of Light and Space’, in: Sculpture, A Publication of the International Sculpture Center’, Washington, D.C., vol. 20, no. 20, July/August, 2001, pp. 8-9
Chattopadhyay, Collette, ‘New Directions in Non-Objective Sculpture’, in: Sculpture, A Publication of the International Sculpture Center, Washington, D.C., vol. 20, no. 6, July/August 2001, pp. 32-35.
___, ‘New Maverick in Taos’, in: The Daily Breeze, Santa Monica, 10, April, 2001, p. A2
Carasso, Roberta, ‘Artist Display Reflects on Magical Sculpture’, in: Laguna-News Post, Laguna Beach, 9, August, 2001
Collins, Tom, ‘Seeing Differently’, in: Albuquerque Journal, Albuquerque, 14, September, 2001, p. 6
___, ‘Out of L.A. – 6 Californian Artists’, in: Art in America, New York, May, 2001, p. 101
___, ‘Exhibition Update’, Pasadena: The Chouinard Foundation, no. 7, April, 2001, p. 3
___, ‘Gift to the Nation’, in: Friends of Art and Preservation in Embassies, Washington, D.C., 2001, p. 214

1997 Knight, Christopher, ‘Lots Of ‘Sunshine’, in: LA Times, Los Angeles, 27 July 1997

1994 Greene, David, ‘The Shapes Of Things To Come’, Los Angeles Reader, vol. 16, no. 38, 1 July 1994, pp. 20, 26

1991 Heartney, Eleanor, ‘Larry Bell At Shafrazi’, in: Art in America, New York, July 1991, pp. 124-125
Bell, Larry, ‘Roger Kramer’, in: Visions Art Quarterly, Fall 1991, p. 54
Knight, Christopher, ‘From Out West and the ‘Cool School, It’s Abstract Pop’, in: Los Angeles Times, Los Angeles, 14 April 1991

1990 Donnely, Cheryl, ‘Finely Chiseled Furniture’, in: Vogue Decoration International, vol, 28, 1990, pp. 104-109

1985 Jacobs, Jody, ‘Art Vapor Made’, Los Angeles Times, Weekend Guide, Los Angeles, 15 November 1985

1981 Raynor, Vivian, ‘Technology As Medium For Artists’, in: New York Times, New York, 22 February, 1981

1975 ___, ‘One Fracture From The Iceberg’, A Magazine of the Fine Arts, vol. 1, no. 13, 1975, p. 49

1973 Dunham, Judith, ‘Larry Bell’, in: Artweek, vol. 4, no. 6, 10 February 1973, p. 5

1971 Plagens, Peter, ‘Los Angeles’, in: Artforum, New York, vol. 10, no. 6, February 1971, pp. 86-90
Terbell, Melinda, ‘Los Angeles’, in: Arts Magazine, vol. 45, no. 4, February 1971, pp. 45-46

1970 Plagens, Peter, ‘Los Angeles’, in: Artforum, New York, vol. 9, no. 2, October 1970, p. 887
Fuller, Peter, ‘Larry Bell, Doug Wheeler, Robert Irwin’, in: Connoisseur, vol. 174, no. 7092, August 1970, p. 285
___‘Los Angeles Artists’ Studios’, in: Art in America, New York, vol. 58, no. 6, November-December 1970, p. 103
Tuchman, Phyllis, ‘American Art in Germany: History of a Phenomenon’, in: Artforum, New York, vol. 9, no. 3, November 1970, pp. 58-69
Terbell, Melinda, ‘Los Angeles’, in: Arts Magazine, vol. 45, no. 2, November 1970, p. 53
Kramer, Hilton, ‘Participatory Aesthetics’, New York Times, New York, 11 January 1970, p. 25
Gluek, Grace, ‘Museum Beckoning Space Explorers’, New York Times, New York, 3 January 1970, p. 34

1969 ___, ‘Work In Progress’, Esquire, vol. 72, no. 6, December 1969, p. 216.

1968 Kirby, Michael, ‘Sculpture As Visual Instrument’, in: Art International, October 1968, pp. 35-37
Trini, Tommaso, ‘Larry Bell: Le Pareti Dell’infinito (Vacuum Vision)’, Domus, , no. 460, March 1968, pp. 42-44
Schwartz, Paul W., ‘Paris’, Studio International, February, vol. 175, no. 897, 1968, pp. 95-96
Leider, Phillip, ‘Gallery ‘68: High Art and Low Art, in: Look, Des Moines, vol. 32, 9 January 1968, pp. 12-22
Muller, Gregoirs, ‘Paris: Art’s Common Market’, in: Art and Artists, vol. 2, no. 10, January 1968, pp. 45, 47

1967 ___,‘Sculpture’, Time Magazine, vol. 89, no. 19, 12 May 1967, pp. 80,83
Danieli, Fidel, ‘Bell’s Progress’, in: Artforum, New York, vol. 5, no. 10, Summer 1967, pp. 68-71
Tuten, Frederick, ‘In The Galleries, Larry Bell’, Arts Magazine, vol. 41, no. 8, Summer 1967, p. 46
Waldman, Diane, ‘Reviews and Previews’, in: Art News, New York, vol. 66, no. 4, Summer 1967, pp. 12-13
Morris, Robert, ‘Notes on Sculpture, Part 3, Notes and Nonsequiturs’, in: Artforum, New York, vol. 5, no. 10, Summer 1967, pp. 24-29
Leider, Phillip, ‘American Sculpture at Los Angeles County Museum of Art’, in: Artforum, New York, vol. 5, no. 10, Summer 1967, pp. 6-11
Travers, D. ‘American Sculpture of the 60’s’, in: Art and Architecture, vol. 84, no. 5, June 1967, pp. 26-43
Canaday, John, ‘Art: Some Recent History Of Sculpture’, in: New York Times, New York, 29 April 1967, p. 31
Davis, Douglas, ‘From New Materials…Sculpture’, in: National Observer, Washington D.C., February 20 1967, p. 22

1966 Plagens, Peter, ‘Present Day Styles and Ready Made Criticism’, in: Artforum, New York, vol. 5, no. 4, December 1966, pp. 36-39
Aldrich, Larry, ‘New Talent USA’ in: Art in America, New York, vol. 54, no. 4, July-August 1966, pp. 22-69
Smithson, Robert, ‘Entropy And New Moments’, in: Artforum, New York, vol. 4, no. 10, June 1966, pp. 26-31
Danieli, Fidel, ‘New York From Los Angeles’, in: Art News, New York, vol. 65, no. 1, March 1966, pp. 20, 74
Von Meier, Kurt, ‘Los Angeles Letter’, in: Art International, vol. 10, no. 3, March 1966, pp. 48, 53
Coplans, John, ‘5 Los Angeles Sculptors At Irvine’, in: Artforum, New York, vol. 4, no. 6, February 1966, pp. 33-37
Bourdon, David, ‘Boxing Up Space’, in: The Village Voice, New York, February
18, 1966
Lippard, Lucy, ‘New York Letter’, in: Art International, vol. 10, no. 2, February 1966, pp. 52-53
Bochner, Mel, ‘In The Galleries: Larry Bell’, in: Arts, vol. 4, no. 3, January 1966, pp. 54-55
Coplans, John, ‘Los Angeles: Object Lesson’, in: Art News, New York, vol. 64, no. 9, January 1966, p. 40
Factor, Don, ‘Larry Bell, Ferus Gallery’, in: Artforum, New York, vol. 4, no. 5, January 1966, pp. 12-13
Rose, Barbara, ‘Los Angeles, The Second City’, in: Art in America, New York, vol. 54, no. 1, January-February 1966, pp. 110-115

1965 Glueck, Grace, ‘New York Gallery Notes’, in: Art in America, New York, vol. 53, no. 6, December 1965, p. 121
Coplans, John. ‘Larry Bell’ in: Artforum, New York, vol. 43, no. 9, June 1965, pp. 27-29
Ashton, Dore, ‘New Sculpture Fresh In Old Techniques’, in: Studio International, New York, vol. 169, no. 866, June 1965, p. 263
Coplans, John, ‘New Abstraction On The West Coast, USA’, in: Studio International, New York, vol. 169, no. 865, June 1965, pp. 192,199.
Rickey, George, ‘Scandale De Succes’, in: Art International, vol. 9, no. 4, May 1965, pp. 16-23
Hess, Thomas B, ‘You Can Hang It In The Wall’, in: Art News, New York, vol. 64, no. 2, April 1965, pp. 41-43, 49-50
Lippard, Lucy, ‘New York Letter’, in: Art International, vol. 9, no. 32, March 1965, p. 46
Judd, Donald, ‘Specific Objects’, in: Arts Yearbook, vol. 8, pp. 74-82

1964 Ashton, Dore, ‘Art’, in: Art and Architecture, vol. 81, no. 6, June 1964, pp. 9, 33
Tillim, Sidney, ‘In The Galleries’, in: Arts Magazine, vol. 38, no. 10, September 1964, pp. 62-63
Coplans, John, ‘Formal Art’, in: Artforum, New York, Summer 1964, pp. 42-43
Leider, Phillip, ‘The Cool School’, in: Artforum, New York, Summer 1964, p. 47
Coplans, John, ‘Circle of Styles on The West Coast’, in: Art in America, New York, vol. 52, no. 3, June 1964, pp. 24-41
Wolfe, Claire, ‘California Hard Edge Painting’, in: Artforum, New York, vol. 2, no. 11, May 1964, pp. 14-15
Factor, Donald, ‘Boxes’, in: Artforum, New York, vol. 2, no. 10, April 1964, pp. 20-23
Hopps, Walter, ‘Boxes’, in: Art International, vol. 8, no. 2, March 1964, p. 38-41
Danieli, Fidel, ‘Larry Bell, Ferus Gallery’, in: Artforum, New York, New York, vol. 2, no.7, January 1964, p. 41
Langsner, Jules, ‘New York from Los Angeles’, in: Art News, New York, vol. 62, no.9, January 1964, p. 50

1963 Coplans, John, ‘Three Los Angeles Artists’, in: Artforum, New York, vol. 1, no. 10, April 1963, pp. 29-31
Langsner, Jules. ‘America’s Second Art City’, in: Art In America, New York, vol. 51, no. 2, March-April 1963, pp. 127-131

1962 Langsner, Jules, ‘Los Angeles Letters’, in: Art International, Lugano, vol. 6, no. 7, September 1962, p. 50