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Eva Hesse

Photo: Eva Hesse

Born in 1936, Eva Hesse was one of the icons of American art in the 1960s, her work being a major influence on subsequent generations of artists. Comprehensive solo exhibitions in the past 30 years as well as a retrospective that toured from the San Francisco MoMA to the Museum Wiesbaden and finally to the Tate Modern in London, have highlighted the lasting interest that her oeuvre has generated. Hesse cultivated mistakes and surprises, precariousness and enigma, in an effort to make works that could transcend literal associations. The objects she produced, at once humble and enormously charismatic, came to play a central role in the transformation of contemporary art practice.

In New York in the 1960s, Hesse was among a group of artists, including Robert Morris, Bruce Nauman, Richard Serra and Robert Smithson, who engaged materials that were originally soft and flexible: aluminum, latex rubber, plastic, lead, polythene, copper, felt, chicken-wire, dirt, sawdust, paper pulp and glue. Often unstable, these elements yielded works forever alive in their relativity and mutability. Hesse was aware she produced objects that were ephemeral, but this problem was of less concern to her than the desire to exploit materials with a temporal dimension. Much of the tumescent, life-affirming power of Hesse’s art derives from this confident embrace of moment. As she stated in an interview with Cindy Nemser in 1970, ‘Life doesn’t last; art doesn’t last.’

Biography

Born Hamburg, Germany, 1936

Education

Studied at Cooper Union, New York NY, 1954 – 1957
Received a Yale-Norfolk Fellowship, 1957
Studied at Yale University, New Haven CT, 1959

Died New York NY, 1970

Selected Solo Exhibitions

2020 Allen Memorial Art Museum, Oberlin College, 'Forms Larger and Bolder. Eva Hesse Drawings', Oberlin OH (Travelling Exhibition) (forthcoming)

2019 Mumok – Museum Moderner Kunst Stiftung Ludwig Wien, 'Forms Larger and Bolder. Eva Hesse Drawings', Vienna, Austria (Travelling Exhibition) (forthcoming)
Hauser & Wirth New York, 'Forms Larger and Bolder. Eva Hesse Drawings', New York NY (Travelling Exhibition) (forthcoming)
Museum Wiesbaden, 'Forms Larger and Bolder. Eva Hesse Drawings', Wiesbaden, Germany (Travelling Exhibition) (forthcoming)

2018 Craig F. Starr Gallery, 'Eva Hesse. Arrows and Boxes, Repeated', New York NY

2016 Cleveland Museum of Art, ‘Converging Lines. Eva Hesse and Sol LeWitt’, Cleveland OH (Travelling Exhibition)

2015 The Addison Museum, ‘Converging Lines. Eva Hesse and Sol LeWitt’, Andover MA (Travelling Exhibition)

2014 Blanton Museum of Art, ‘Converging Lines. Eva Hesse and Sol LeWitt’, Austin TX (Travelling Exhibition)

2013 Hamburger Kunsthalle, ‘Eva Hesse. One More Than One’, Hamburg, Germany
Hauser & Wirth, ‘Eva Hesse 1965’, London, England

2012 Kukje Gallery, ‘Eva Hesse’, Seoul, Korea

2011 Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art, ‘Eva Hesse. Spectres 1960’, Brooklyn NY (Travelling Exhibition)
Institute of Contemporary Art Boston, ‘Eva Hesse. Studiowork’, Boston MA (Travelling Exhibition)
Craig F. Starr Gallery, ‘Sol LeWitt – Eva Hesse’, New York NY
Berkeley Art Museum / Pacific Film Archive, University of California, ‘Eva Hesse Studiowork’, Berkeley CA (Travelling Exhibition)

2010 University of New Mexico Art Museum, ‘Eva Hesse. Spectres 1960’, Albuquerque NM (Travelling Exhibition)
UCLA Hammer Museum, ‘Eva Hesse. Spectres 1960’, Los Angeles CA (Travelling Exhibition)
Art Gallery of Ontario, ‘Eva Hesse. Studiowork’, Toronto, Canada (Travelling Exhibition)
Tàpies Foundation, ‘Eva Hesse. Studiowork’, Barcelona, Spain (Travelling Exhibition)
Hauser & Wirth New York, ‘Eva Hesse’, New York NY

2009 Camden Arts Centre, ‘Eva Hesse. Studiowork’, London, England (Travelling Exhibition)
Fruitmarket Gallery, ‘Eva Hesse. Studiowork’, Edinburgh, Scotland (Travelling Exhibition)

2006 Menil Collection, ‘Eva Hesse. Drawing’, Houston TX (Travelling Exhibition)
The Drawing Center, ‘Eva Hesse. Drawing’, New York NY (Travelling Exhibition)
Museum of Contemporary Art, ‘Eva Hesse. Drawing’, Los Angeles CA (Travelling Exhibition)
Walker Art Center, ‘Eva Hesse. Drawing’, Minneapolis MN (Travelling Exhibition)
The Jewish Museum, ‘Eva Hesse. Sculpture’, New York NY

2004 Kunsthalle Wien, ‘Eva Hesse Transformationen – Die Zeit in Deutschland 1964/65’, Vienna, Austria (travelling txhibition)
Hauser & Wirth Zürich, ‘Eva Hesse Transformationen – Die Zeit in Deutschland 1964/65’, Zurich, Switzerland (Travelling Exhibition)
The Kukje Gallery, ‘Eva Hesse Transformationen – Die Zeit in Deutschland 1964/65’, Seoul, Korea (Travelling Exhibition)

2003 Gallery Paule Anglim, ‘Eva Hesse’, San Francisco CA

2002 San Francisco Museum of Modern Art, ‘Eva Hesse. Retrospective’, San Francisco CA (Travelling Exhibition)
Museum Wiesbaden, ‘Eva Hesse. Retrospective’, Wiesbaden, Germany (Travelling Exhibition)
Tate Modern, ‘Eva Hesse. Retrospective’, London, England (Travelling Exhibition)

1998 Robert Miller Gallery, ‘Black and White Paintings on Paper from the Estate of Eva Hesse’, New York NY
XXIV Biennial de Sao Paulo, ‘Eva Hesse e Robert Smithson’, Sao Paulo, Brazil

1996 Robert Miller Gallery, ‘Eva Hesse: Dream Portraits, Paintings from 1960-61’, New York NY
Wexner Center for the Arts, Ohio State University, ‘Eva Hesse: Area’, Columbus OH
Robert Miller Gallery, ‘Eva Hesse: Gouaches’, New York NY
XXIV Bienal de Sao Paulo, Pavilhon Ciccillo Matarazzo, ‘Eva Hesse’, Sao Paulo, Brazil

1994 Ulmer Museum, ‘Eva Hesse. Drawing in Space – Bilder und Reliefs’, Ulm, Germany
Westfälisches Landesmuseum für Kunst und Kulturgeschichte, ‘Eva Hesse – Bilder und Reliefs’, Munster, Germany
Mount Saint Vincent University Art Gallery, ‘Contingent’, Nova Scotia, Canada

1993 IVAM Centre Julio Gonzalez, ‘Eva Hesse’, Valencia, Spain
Galerie National du Jeu de Paume, ‘Eva Hesse’, Paris, France
Galerie Montenay, ‘Eva Hesse’, Paris, France
Barbara Gross Galerie, ‘Eva Hesse. 1936-1970’, Munich, Germany
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘Crossings: Works by Sol LeWitt and Eva Hesse from the Weatherspoon Collection’, Greensboro NC

1992 Yale University Art Gallery, ‘Eva Hesse: A Retrospective’, New Haven CT
The Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, ‘Eva Hesse: A Retrospective’, Washington DC
Robert Miller Gallery, ‘Eva Hesse: Paintings 1960-1964’, New York NY

1991 Robert Miller Gallery, ‘Eva Hesse: Gouaches 1960-1961’, New York NY
Galerie Renos Xippas, ‘Eva Hesse: Gouaches 1960-1961’, Paris, France
Stein Gallery, ‘Eva-Hesse – Exhibition’, New York NY

1990 Kicken Pauseback, ‘Eva Hesse Objekte/Malerei/Zeichnungen’, Cologne, Germany

1989 Robert Miller Gallery, ‘Eva Hesse: Reliefs and Related Drawings’, New York NY
Robert Miller Gallery, ‘Eva Hesse and Joan Nelson’, New York NY

1987 Pat Hearn Gallery, ‘Eva Hesse’, New York NY

1985 Rose Art Museum, Brandeis University, ‘The Early Drawings and Selected Sculpture’, Waltham MA

1983 Metro Pictures, ‘Eva Hesse: Paintings and Reliefs’, New York NY
Grey Art Gallery, New York University, ‘A Retrospective of the Drawings’, New York NY
Baltimore Museum of Art, ‘A Retrospective of the Drawings’, Baltimore MD

1982 Allen Memorial Art Museum, Oberlin College, ‘A Retrospective of the Drawings’, Oberlin OH (Travelling Exhibition)
The Renaissance Society at the University of Chicago, ‘A Retrospective of the Drawings’, Chicago IL (Travelling Exhibition)
Contemporary Arts Museum, ‘A Retrospective of the Drawings’, Houston TX (Travelling Exhibition)

1979 Whitechapel Art Gallery, ‘Eva Hesse: Sculpture’, London, England
Rijksmuseum Kröller-Müller, ‘Eva Hesse: Sculpture’, Otterlo, Netherlands
Kestner Gesellschaft, ‘Eva Hesse: Sculpture’, Hanover, Germany
Mayor Gallery, ‘Eva Hesse 1936-1970: A Retrospective Exhibition of Works on Paper’, London, England (Travelling Exhibition)
Rijksmuseum Kröller-Müller, ‘Eva Hesse. 1936-1970: A Retrospective Exhibition of Works on Paper’, Otterlo, Netherlands (Travelling Exhibition)
Kestner-Gesellschaft, ‘Eva Hesse 1936-1970: A Retrospective Exhibition of Works on Paper’, Hanover, Germany (Travelling Exhibition)

1977 Droll/Kolbert Gallery, ‘Eva Hesse’, New York NY

1975 Wadsworth Atheneum, ‘Matrix 5: Eva Hesse’, Hartford CT

1974 James Mayor Gallery, ‘Eva Hesse 1936-1970: An Exhibition of Sculpture and Drawings’, London, England

1973 Albright-Knox Art Gallery, ‘Eva Hesse: A Memorial Exhibition’, Buffalo NY
Museum of Contemporary Art, ‘Eva Hesse: A Memorial Exhibition’, Chicago IL
Pasadena Museum of Modern Art, ‘Eva Hesse: A Memorial Exhibition’, Pasadena CA
University Art Museum, ‘Eva Hesse: A Memorial Exhibition’, Berkeley CA

1972 Solomon R. Guggenheim Museum, ‘Eva Hesse: A Memorial Exhibition’, New York NY
Detroit Institute of Arts, ‘Eva Hesse’, Detroit MI

1971 Visual Arts Gallery, School of Visual Arts, ‘Eva Hesse’, New York NY

1970 Fischbach Gallery, ‘Eva Hesse: New Drawings’, New York NY

1968 Fischbach Gallery, ‘Eva Hesse: Chain Polymers’, New York NY
Allen Memorial Art Museum, Oberlin College, ‘Recent Drawings by Eva Hesse’, Oberlin OH

1965 Kunstverein für die Rheinlande und Westfalen/Kunsthalle Düsseldorf, ‘Eva Hesse: Materialbilder und Zeichnungen’, Dusseldorf, Germany
Home of Isabel and F. Arnhard Scheidt, ‘Tom Doyle and Eva Hesse’, Kettwig an der Ruhr, Germany

1963 Allan Stone Gallery, ‘Eva Hesse, Recent Drawings’, New York NY

Selected Group Exhibitions

2019 Charles Riva Collection, 'Sun Women', Brussels, Belgium

2018 Des Moines Art Center, 'In The Spirit of Louise Noun', Des Moines IA
NGA - The National Gallery of Australia, 'American Masters', Canberra, Australia
Mignoni Gallery, 'An Eccentric View. Works by Tauba Auerbach, Jo Baer, Marsha Cottrell, Tara Donovan, Eva Hesse, Kathleen Jacobs, Yayoi Kusama, Agnes Martin, Mira Schendel', New York NY
Neuberger Museum of Art, Purchase College, State University of New York, 'Minimal Difference. Selected Work by Women Artists 1960s-1970s', (cur. Timothy Atticus, Stephanie Guyet), Purchase NY
Kunsthalle Tübingen, 'Sexy & Cool. Minimal goes Emotional’, Tübingen, Germany
Firstsite, 'Bronze Age c. 3500 BC – AD 2018', (cur. Mary Beard, Neil Wenman), Colchester, England
The Jewish Museum, 'Scenes from the Collection. Constellations’, New York NY

2017 Guggenheim Bilbao, ‘Art and Space’, Bilbao, Spain
Berkeley Art Center, ‘With Liberty and Justice for Some’, Berkeley CA
Mnuchin Gallery, ‘Minimalism and Beyond’, New York NY

(cont'd) Kunstmuseum Winterthur, ‘Calder to Kelly. The American Collection’, Winterthur, Switzerland
The Sunday Painter, ‘Assorted Paper’, London, UK
Centre Pompidou, ‘A Different Way to Move: Minimalismes, New York, 1960-1980’, Paris, France
The Met Breuer, ‘Delirious: Art at the Limits of Reason, 1950-1980’, New York NY
MoMA – Museum of modern Art, Making Space: Women Artists and Abstraction’, New York NY
The Menil Collection, ‘The Beginning of Everything: Drawings from the Janie C. Lee, Louisa Stude Sarofim, and David Whitney Collections’, Housten TX
Bowdoin College Museum of Art, ‘Why Draw? 500 Years of Drawing at Bowdoin College’, Brunswick ME
Turner Contemporary, ‘Syncopation: Materials and Making’, Margate, United Kingdom

2016 The Baltimore Museum of Art, ‘On Paper: Finding Form’, Baltimore MD
ICA Boston, ‘First Light: A Decade of Collection at the ICA’, Boston MA
Seattle Art Museum, ‘Big Picture: Art After 1945’, Seattle WA
Moderna Museet, ‘Objects and Bodies at Rest and in Motion’, Stockholm, Sweden
Moderna Museet, ‘Life Itself’, Stockholm, Sweden
Drawing Center, ‘Drawing Dialogues: The LeWitt Collection’, New York NY
Met Breuer, ‘Unfinished: Thoughts Left Visible’, New York NY
Mumok – Museum Moderner Kunst Stiftung Ludwig Wien, ‘Painting 2.0’, Vienna, Austria
Kunstmuseum Basel, ‘Sculpture on the Move 1946-2016’ Basel, Switzerland
Hauser Wirth & Schimmel, ‘Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016’, Los Angeles CA

2015 Turner Contemporary, ‘Risk’, Margate, England
New Mexico Museum of Art, ‘Looking Forward Looking Back’, Santa Fe NM
Leo Baeck Institute, ‘Crisis and Opportunity: The Cultural Impact of German-Jewish Refugees’, New York NY
New Mexico Museum of Art, ‘Looking Forward Looking Back’, Santa Fe NM
Fondazione Prada, ‘An Introduction’, Milan, Italy
David Zwirner, ‘Selections from the Kramarsky Collection’, New York NY
Whitney Museum of American Art, ‘America Is Hard to See’, New York NY
Museum Brandhorst, ‘Painting 2.0’, Munich, Germany
Des Moines Art Center, ‘Fiber: Sculpture 1969 – present’, Des Moines IA
Whitney Museum of American Art, ‘America Is Hard to See’, New York NY
Hood Museum of Art, ‘Collecting and Sharing: Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art’, Hanover, NH
Staatliche Kunsthalle Baden-Baden, ‘What Comes After A Sudden Death’, Baden-Baden, Germany
Whitechapel Gallery, ‘Adventures of the Black Square. Abstract Art and Society 1915-2015’, London, England
Martin-Gropius-Bau, ‘Tel Aviv Museum of Art visits Berlin’, Berlin, Germany

2014 Bündner Kunstmuseum, ‘Die Kunst des Zeichnens von Arnold Böcklin bis Richard Tuttle’, Chur, Switzerland
Armory Show 2014, Pier 92, ‘Venus Drawn Out’, New York NY
The Institute for Contemporary Art Boston, ‘Fiber: Sculpture 1969 – present’, Boston MA
Musée des Beaux-Arts de Nantes, ‘Agnèse Thurnauer. Now When Then. De Tintoret à Tuymans’, Nantes, France
The Israel Museum, ‘Fragments’, Jerusalem, Israel
Drawing Room, ‘Abstract Drawing’, London, England
Ludwig Forum für Internationale Kunst, ‘Nancy Graves Project’, Aachen, Germany

2013 Deutsche Bank KunstHalle, ‘The Circle Walked Casually’, Berlin, Germany
Museum Abteiberg, ‘Textiles: Open Letter’, Mönchengladbach, Germany
Fondazione Prada, Ca’Corner della Regina, ‘Re-Making When Attitudes Become Form’, Venice, Italy
Centre Pompidou Metz, ‘Sol LeWitt as a Collector. The artist and his artists’, Paris, France

2012 Museum im Kulturspeicher, ‘Aufbruch – Malerei und realer Raum’, Würzburg, Germany (Travelling Exhibition)
Mildred Lane Kemper Art Museum, Washington University, ‘Notations: Contemporary Drawing as Idea and Process’, St Louis MO
Kunsthalle Rostock, ‘Aufbruch – Malerei und realer Raum’, Rostock, Germany
Bucerius Kunst Forum, ‘New York Photography 1890-1950. From Stieglitz to Man Ray’, Hamburg, Germany
Akademie der Künste, ‘Aufbruch – Malerei und realer Raum, Berlin, Germany (Travelling Exhibition)
Whitney Museum of American Art, ‘Singular Visions’, New York NY
Hammer Museum, University of California, ‘Intimitate Immensity: The Susan and Larry Marx Collection’, Los Angeles CA
Kunstsammlung Nordrhein Westfalen, ‘Fresh Widow. The Window in Art since Matisse and Duchamp’, Dusseldorf, Germany

2011 The Art Institute of Chicago, ‘Contemporary Drawings from the Irving Stenn Jr. Collection’, Chicago IL
Institute of Contemporary Art Boston, ‘Dance / Draw’, Boston MA
Kunstmuseum Winterthur, ‘Bild/Objekt: Neuere amerikanische Werke aus der Sammlung’, Winterthur, Switzerland
The Art Institute of Chicago, ‘Contemporary Collecting; The Judith Neisser Collection’, Chicago IL
University of California Berkeley Art Museum, ‘Abstract Now and Then’, Berkeley CA
Lehmann Maupin, ‘Parallax View’, New York NY
Katonah Museum of Art, ‘Drawn / Taped / Burned: Abstraction on Paper’, Katonah NY
Museum of Modern Art, ‘Gifted: Collectors and Drawings at MoMA, 1929 – 1983’, New York NY
Whitney Museum of American Art, ‘Singular Visions’, New York NY

2010 Institut Valencià d’Art Modern, ‘Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection’, Valencia, Spain (Travelling Exhibition)
The Jewish Museum, ‘Shifting the Gaze: Painting and Feminism’, New York NY
MoMA Museum of Modern Art, ‘On Line: Drawing Through the Twentieth Century’, New York NY
Philadelphia Museum of Art, ‘Notations/Forms of Contingency: New York and Turin, 1960s-1970s’, Philadelphia PA

2009 SFMoMA San Francisco Museum of Modern Art, ’75 Years of Looking Forward: The Anniversary Show’, San Francisco CA
Centre Georges Pompidou, ‘elles@centrepompidou’, Paris, France
Glenstone, ‘If we could imagine’, Potomac MD
Los Angeles County Museum of Art, ‘Art of the Two Germanys / Cold War Cultures’, Los Angeles CA (Travelling Exhibition)
Germanisches Nationalmuseum, ‘Art of the Two Germanys During the Cold War’, Nuremberg, Germany (Travelling Exhibition)
Deutsches Historisches Museum, ‘Art of the Two Germanys During the Cold War’, Berlin, Germany (Travelling Exhibition)
Kunsthalle Bielefeld, ’1968. The Great Innocence’, Bielefeld, Germany
Museum of Modern Art, ‘Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection’, New York NY (Travelling Exhibition)
Museum of Modern Art, ‘The awkward objects’, Warsaw, Poland
Henie Onstad Art Centre, ‘Traces and Spaces – Jan Groth’s Influences and Contemporaries’, Oslo, Norway (Travelling Exhibition)

2008 Hugh Lane Gallery, ‘Now’s The Time’, Dublin, Ireland
Felix-Nussbaum-Haus, ‘Die Verborgene Spur. Jüdische Wege durch die Moderne’, Osnabruck, Germany
Rogaland Museum of Fine Art, ‘Traces and Spaces – Jan Groth’s Influences and Contemporaries’, Stavanger, Norway (Travelling Exhibition)
Hammer Museum, ‘Oranges and Sardines. Conversations on Abstract Painting’, Los Angeles CA
P.S.1 Contemporary Art Center, ‘WACK! Art and the Feminist Revolution’, Long Island NY
Andrea Rosen Gallery, ‘Willem de Kooning, Lucio Fontana, Eva Hesse’, New York NY
Hauser & Wirth Zürich, ‘Selections from the Collection of Helga and Walther Lauffs’, Zurich, Switzerland
Michele Maccarone and Gavin Brown, ‘Pretty / Ugly’, New York NY
Fondation Beyeler, ‘Action Painting. Jackson Pollock and Gesture in Painting’, Riehen, Switzerland
Kaiser Wilhelm Museum – Kunstmuseen Krefeld, ‘Der Grosse Wurf / Falling right into place – Faltungen in der Gegenwartskunst / The Fold in Contemporary Art’, Krefeld, Germany

2007 Daros Exhibitions, ‘Face to Face’, Zurich, Switzerland
David Zwirner, ‘A Point in Space is a Place for an Argument’, New York NY
documenta 12, Kassel, Germany
Museum of Contemporary Art, ‘Wack! Art and the Feminist Revolution’, Los Angeles CA (Travelling Exhibition)
National Museum of Women in the Arts, ‘Wack! Art and the Feminist Revolution’, Washington DC (Travelling Exhibition)
Yale University Art Gallery, Yale University, ‘Art for Yale: Acquisitions for a New Century’, New Haven CT

2006 Frith Street Gallery, ‘Resonance’, London, England
L & M Arts, ‘ Elemental Form’, New York NY
Kunstmuseum Winterthur, ‘Plane/Figure’, Winterthur, Switzerland
Tang Art Museum, Skidmore College, Saratoga Springs, ‘Twice Drawn’, New York NY
The Renaissance Society, ‘One Space. Many Ideas’, Chicago IL
Marian Goodman Gallery, ‘Freeing the line’, New York NY
Whitney Museum of American Art, ‘Skin is a Language’, New York NY

2005 Wexner Center for the Arts, ‘Part Object Part Sculpture’, Columbus OH
Tate Modern, ‘Open Systems Rethinking Art c. 1970’, London, England
Kunsthalle Fridericianum, ’50 Jahre / Years documenta 1955-2005’, Kassel, Germany
Antony Grant Inc., ‘Repeat Performance’, New York NY
Deutsche Guggenheim Berlin, ’25 Jahre Sammlung Deutsche Bank’, Berlin, Germany

2004 MACBA – Museu d’Art Contemporani de Barcelona, ‘Laction restreinte’, Barcelona, Spain
Aspen Art Museum, ‘From Pollock to Marden: Post-War Works on Paper’, Aspen CO
Los Angeles County Museum of Art, ‘Beyond Geometry: Experiments in Form 1940-70s’, Los Angeles CA (Travelling Exhibition)
Miami Art Museum, ‘Beyond Geometry: Experiments in Form 1940-70s’, Miami FL (Travelling Exhibition)
MOCA California Plaza, ‘A Minimal Future? Art as Object 1958 – 1968’, Los Angeles CA
Neue Nationalgalerie, ‘Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art’, Berlin, Germany
Kunstmuseum Winterthur, ‘Skulptur – Werke aus der Sammlung’, Winterthur, Switzerland
Mori Art Museum, ‘Modern Means’, Minato-Ku, Tokyo, Japan

2003 Museum of Modern Art, ‘Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art’, New York NY
Museum of Fine Arts, ‘Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art’, Houston TX
Carver Gallery, ‘Top 40! The Tom and Kitty stoner collection of 20th Century Sculptors’ Drawings’, Iowa City IA
Bowdoin College of Art, ‘Drawings of Choice from a New York Collection’, Brunswick ME
Tate Modern, ‘The Stage of Drawing – Gesture and Act’, London, England
Museum Bochum, ‘Das Recht des Bildes – Jüdische Perspektiven in der modernen Kunst’, Bochum, Germany

2002 Krannert Art Museum, ‘Drawings of Choice from a New York Collection’, Champaign IL
Leo Castelli, ‘vertigo’, New York NY
Hauser & Wirth Zürich, ‘Ten Years Galerie Hauser & Wirth’, Zurich, Switzerland
Gallery Paule Anglim, ‘Women Artists: Their Work and Influence, 1950-70’s’, San Francisco CA
Museu de Arte Moderna, ‘Beyond Preconceptions: The Sixties Experiment’, Sao Paulo, Brazil (Travelling Exhibition)
Freedman Gallery, Albright College Center of Arts, ‘Beyond Preconceptions: The Sixties Experiment’, Reading PA (Travelling Exhibition)
Samuel P. Harn Museum, University of South Florida, ‘Beyond Preconceptions: The Sixties Experiment’, Gainesville FL (Travelling Exhibition)
Berkeley Art Museum, Pacific Film Archive, University of California, ‘Beyond Preconceptions: The Sixties Experiment’, Berkeley CA (Travelling Exhibition)

2001 Wadsworth Atheneum Museum of Art, ‘Noncomposition: 15 Case Studies’, Hartford CT
Tate Modern, ‘Century City: Art and Culture in the Modern Metropolis’, London, England
The Contemporary Museum, ‘Drawing is another kind of language’, Honolulu HI
Monika Sprüth, Philomene Magers, ‘Anti-Form’, Munich, Germany
Lucas Schoormans, ‘Isa Genzken, Eva Hesse, Karin Sander’, New York NY
Rupertinum Museum für Moderne und Zeitgenössische Kunst, ‘Von Edgar Degas bis Gerhard Richter. Arbeiten auf Papier aus der Graphischen Sammlung des Kunstmuseums Winterthur’, Salzburg, Austria (Travelling Exhibition)
Westfälisches Landesmuseum für Kunst und Kulturgeschichte, ‘Von Edgar Degas bis Gerhard Richter. Arbeiten auf Papier aus der Graphischen Sammlung des Kunstmuseums Winterthur’, Munster, Germany (Travelling Exhibition)
Neues Museum, Staatliches Museum für Kunst und Design, ‘Von Edgar Degas bis Gerhard Richter. Arbeiten auf Papier aus der Graphischen Sammlung des Kunstmuseums Winterthur’, Nuremberg, Germany (Travelling Exhibition)
Collection of Modern Art of the National Gallery, ‘Beyond Preconceptions: The Sixties Experiment’, Prague, Czech Republic (Travelling Exhibition)
Zacheta-National Gallery of Contemporary Art, ‘Beyond Preconceptions: The Sixties Experiment’, Warsaw, Poland (Travelling Exhibition)
Museo de Arte Moderno, ‘Beyond Preconceptions: The Sixties Experiment’, Buenos Aires, Argentina (Travelling Exhibition)
Paço Imperial Rio de Janeiro, ‘Beyond Preconceptions: The Sixties Experiment’, Rio de Janeiro, Brazil (Travelling Exhibition)

2000 Nationalgalerie Prag, Palais Kinsky, ‘Von Edgar Degas bis Gerhard Richter. Arbeiten auf Papier aus der Graphischen Sammlung des Kunstmuseums Winterthur’, Prague, Czech Republic (Travelling Exhibition)
Kunstmuseum Wintherthur, ‘Von Edgar Degas bis Gerhard Richter. Arbeiten auf Papier aus der Graphischen Sammlung des Kunstmuseums Winterthur’, Winterthur, Switzerland (travelling exhibiton)
Curt Marcus Gallery, ‘In Process. Photographs from the 60s and 70’, New York NY
Pollock Gallery, Southern Methodist University, ‘Contemporary American Drawings from the Sarah-Ann and Werner H. Kramarsky Collection’, Dallas TX
Nicholas Davies Gallery, ‘What I Saw and What I Understood’, New York NY
Contemporary Arts Museum, ‘Afterimage: Drawing Through Process’, Houston TX
Exit Art/The First World, ‘The End: An Independent Vision of Contemporary Culture 1982-2000’, New York NY
ICI – Independent Curators International, ‘Beyond Preconceptions: The Sixties Experiment’, New York NY (Travelling Exhibition)

1999 Museum of Contemporary Art, ‘Afterimage: Drawing Through Process’, Los Angeles CA
Modern Art Museum of Fort Worth, ‘House of Sculpture’, Fort Worth TX
Curt Marcus Gallery, ‘Drawings from the 1960s: Jo Baer, Lee Bontecou, Eva Hesse, Agnes Martin’, New York NY
Fundacio de Serralves, ‘Circa 1968’, Porto, Portugal
Cleveland Museum of Art, ‘Modern Masterworks on Paper from The Israel Museum Jerusalem’, Cleveland OH
New York Studio School, ‘Another From: Drawing into Sculpture’, New York NY
Contemporary Museum, ‘Impact: Revealing Sources for Contemporary Art’, Baltimore MD
Whitney Museum of American Art, ‘The American Century: Art & Culture 1950-2000’, New York NY
P.S.1 MoMA, ‘Primarily Structural’, Long Island NY

1998 Parrish Art Museum, ‘Drawing is Another Kind of Language. Recent American Drawings from a New York Private Collection’, Southampton NY (Travelling Exhibition)
Kunstmuseum Winterthur, ‘Drawing is Another Kind of Language. Recent American Drawings from a New York Private Collection’, Winterthur, Switzerland (Travelling Exhibition)
Kunst-Museum Ahlen, ‘Drawing is Another Kind of Language. Recent American Drawings from a New York Private Collection’, Ahlen, Germany (Travelling Exhibition)
Akademie der Künste, ‘Drawing is Another Kind of Language. Recent American Drawings from a New York Private Collection’, Berlin, Germany (Travelling Exhibition)
Fonds régional d’art contemporain, ‘Drawing is Another Kind of Language. Recent American Drawings from a New York Private Collection’, Amiens, France (Travelling Exhibition)
Robert Miller Gallery, ‘RUBBER’, New York NY
Kunsthalle Köln, ‘Mai 98: Positions In Contemporary Art Since the 1960s’, Cologne, Germany
Barbara Gross, ‘Von hier aus’, Munich, Germany
Basilico Fine Arts, ‘Deep Thought Part I’, New York NY
Harn Museum of Art, University of South Florida, ‘Inner Eye: Contemporary Art from the Marc and Livia Straus Collection’, Gainesville FL
Margarete Roeder Gallery, ‘A Space Between’, New York NY
Sean Kelly, ‘Corpus virtu’, New York NY
Robert Miller Gallery, ‘Drawing: An Essay’, New York NY
Cheim & Read Gallery, ‘Small Paintings: Hand Painted Pictures’, New York NY
Wexner Center for the Arts, ‘Gerhard Richter. Eva Hesse. Brice Marden. Fabrications’, Columbus OH
Gallery Schlesinger, ‘No/Show… An Evolving Exhibition’, New York NY

1997 Setagaya Museum, ‘De-Genderism’, Tokyo, Japan
Nassau County Art Museum, ‘Feminine Image’, Roslyn Harbor NY
Martin-Gropius-Bau, ‘German Images – Art from a divided land’, Berlin, Germany
Arthur M. Sackler Museum, Harvard University Museum, ‘Drawing is Another Kind of Language. Recent American Drawings from a New York Private Collection’, Cambridge MA (Travelling Exhibition)
Margarete Roeder Gallery, ‘Rotating Group Drawing Exhibition’, New York NY
Robert Miller Gallery, ‘About Painting (Part II)’, New York NY

1996 Dunlop Art Gallery, ‘Contingent: Small Sculpture by Eva Hesse, 1966-1968; Recent Works by Elspeth Pratt & Martha Townsend, 1992-1995’, Regina, Canada
The Institute of Contemporary Art, ‘Inside the Visible’, Boston MA
Rose Art Museum, Brandeis University, ‘More than Minimal: Feminism & Abstraction in the 1970’s’, Waltham MA
Solomon R. Guggenheim Museum, ‘Total Risk, Freedom, Discipline’, New York NY
Montgomery Glasoe Fine Art, ‘Body of Work’, Minneapolis MN
Robert Miller Gallery, ‘Summer Group Show’, New York NY
Barbara Mathes Gallery, ‘Signs & Symbols’, New York NY
Margarete Roeder Gallery, ‘Drawings by American and European Artists’, New York NY

1995 South Bank Centre, ‘Drawing the Line’, London, England (Travelling Exhibition)
Whitechapel Art Gallery, ‘Drawing the Line’, London, England (Travelling Exhibition)
Southampton City Art Gallery, ‘Drawing the Line’, Southampton, England (Travelling Exhibition)
Manchester City Art Galleries, ‘Drawing the Line’, England (Travelling Exhibition)
Ferens Art Gallery, ‘Drawing the Line’, Hull, England (Travelling Exhibition)
Aargauer Kunsthaus, ‘Kara Dame’, Aarau, Switzerland
Pat Hearn Gallery, ‘A Selected Survey, 1983-1995’, New York NY
Lannan Foundation, ‘Floored’, Los Angeles CA
Museum of Contemporary Art, ‘Revolution in Contemporary Art: The Art of the Sixties’, Tokyo, Japan
Curt Marcus Gallery, Inc., ‘Sculpture as Objects: 1915-1995’, New York NY
Baumgartner Galleries, Inc., ‘Works on Paper’, Washington DC
The Art Gallery, Mount Saint Vincent University, ‘Contingent: Small Sculpture by Eva Hesse, 1966-1968; Recent Works by Elspeth Pratt & Martha Townsend, 1992-1995’, Nova Scotia, Canada
Centre Georges Pompidou, ‘Féminine-Masculine’, Paris, France

1994 National Gallery of Art, ‘From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection’, Washington DC
The Ueno Royal Museum, ‘Against All Odds: The Healing Powers of Art’, cur. Sam Hunter, Tokyo, Japan
The Hakone Open-Air Museum, ‘The Healing Powers of Art’, Kanagawa-ken, Japan
Frith Street Gallery, ‘Drawings’, London, England
Robert Miller Gallery, ‘Abstract Works on Paper’, New York NY
Mary Delahoyd Gallery, New York NY
John Weber Gallery, ‘Another Dimension: Paintings by Sculptors’, New York NY
Weatherspoon Art Gallery, University of North Carolina at Greensboro, ‘The Grid: Selections from the Weatherspoon Collection’, Greensboro NC

1993 Hayward Gallery, South Bank Centre, ‘Gravity and Grace: The Changing Condition of Sculpture 1965-1975’, London, England
David Nolan Gallery, ‘European and American Drawings 1961-1969’, New York NY
Lennon, Weinberg Inc., ‘Collage and Assemblage’, New York NY
Berlinische Galerie im Martin-Gropius-Bau, ‘Amerikanische Kunst im 20. Jahrhundert’, Berlin, Germany (Travelling Exhibition)
Royal Academy of Arts, ‘Amerikanische Kunst im 20. Jahrhundert’, London, England (Travelling Exhibition)
Peggy Guggenheim Collection, ‘Drawing the Line Against AIDS’, Venice, Italy
Wiener Secession, ‘REAL’, Vienna, Austria
Marisa del Re Gallery, ‘The Linear Image II’, New York NY
National Touring Exhibitions Service, Arts Council of Great Britain as organizer of the exhibition opening at Aberdeen Art Gallery, ‘The Body of Drawing’, Aberdeen, Scotland (Travelling Exhibition)
Graves Art Gallery, ‘The Body of Drawing’, Sheffield, England (Travelling Exhibition)
The Mead Gallery, ‘The Body of Drawing’, Coventry, England (Travelling Exhibition)
Victoria Art Gallery, ‘The Body of Drawing’, Bath, England (Travelling Exhibition)
Oriel Mostyn Gallery, ‘The Body of Drawing’, Llandudno, England (Travelling Exhibition)

1992 Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘Josef Albers and His Circle’, Greensboro NC
Rosa Esman Gallery, ‘Twenty Twenty’, New York NY
Anthony Ralph Gallery, ‘Modern Drawings’, New York NY
Fundacio Cultural de Curiba/Museu da Gravura, ‘X Mostra da Gravura Cidade de Curitaba/Mostra America’, Curitiba, Brazil
Bellas Artes Gallery, ‘Baziotas to Basquiat: 1950s to 1990s’, Santa Fe NM
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘Recycled Lives: Collage from the Weatherspoon Collection’, Greensboro NC

1991 Margo Leavin Gallery, ‘Twentieth-Century Collage’, Los Angeles CA
Sidney Janis Gallery, ‘Who Framed Modern Art or the Quantitative Life of Roger Rabbit’, New York NY
Musée d’art Moderne et d’art Contemporain, ‘Twentieth-Century Collage’, Nice, France (Travelling Exhibition)
Centro Cultural Arte Contemporaneo, ‘Twentieth-Century Collage’, Polanco MX (Travelling Exhibition)
Museum Moderner Kunst, ‘Bildlicht’, Vienna, Austria
I.M.B. Gallery of Science and Art, ‘Design 1936-1965: What Modern Was’, New York NY
The Whitney Museum of American Art at Phillip Morris, ‘Drawing Acquisitions, 1980-1991. Selections from the Permanent Collection of the Whitney Museum of American Art’, New York NY
The Whitney Museum of American Art at Equitable Center, ‘Immaterial Objects’, New York NY
Parrish Art Museum, ‘Minimalism and Post-Minimalism: Drawing Distinctions’, Southampton NY
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘Height Width Length: Sculptors on Paper from the Weatherspoon Collection’, Greensboro NC
Daniel Newburg Gallery, ‘1969’, New York NY
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘Weatherspoon Women: An Exhibition of Women Artists from the Weatherspoon Collection’, Greensboro, NC
Wadswoth Atheneum, ‘Open Mind: The LeWitt Collection’, Hartford CT
Bellas Artes, ‘Sculptor’s Drawings’, Santa Fe NM
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, ‘Greensboro Collects’, Greensboro NC
Matuszakaya Museum, ‘Four Centuries of Women’s Arts’, Nagoya, Japan (Travelling Exhibition)
Tenjin Iwataya, ‘Four Centuries of Women’s Arts’, Fukuoka, Japan (Travelling Exhibition)
Daimaru Museum Umeda, ‘Four Centuries of Women’s Arts’, Osaka, Japan (Travelling Exhibition)
Nagano Tokyo, ‘Four Centuries of Women’s Arts’, Tokio, Japan (Travelling Exhibition)
Hiroshima Museum of Art, ‘Four Centuries of Women’s Arts’, Hiroshima, Japan (Travelling Exhibition)

1990 The Bunkamara Museum of Art, ‘Four Centuries of Women’s Arts’, Shibuya, Tokyo, Japan (Travelling Exhibition)
Museum of Modern Art Kamakura, ‘Four Centuries of Women’s Arts’, Kanagawa, Japan (Travelling Exhibition)
Sapporo Tokyo, ‘Four Centuries of Women’s Arts’, Tokyo, Japan (Travelling Exhibition)
565 Braodway, ‘Art Pro Choice’, New York NY
Whitney Museum of American Art, ‘The New Sculpture 1965-1975: Between Geometry and Gesture’, New York NY
Anthony Ralph Gallery, ‘Group Exhibition’, New York NY
Rosa Esman Gallery, ‘Tanglewood Press Inc. Original Editions Revisited 1965-1972’, New York NY
Galerie Georges-Phillipe Vallois, ‘Entre la Géometrie et le Geste’, Paris, France
Rosa Esman Gallery, ‘Sculpture and Drawings’, New York NY
Museum Wiesbaden, ‘Künstlerinnen des 20. Jahrhunderts’, Wiesbaden, Germany
Weatherspoon Art Gallery, University of North Carolina, ‘Changing Perceptions-The Evolutions of Twentieth Century American Art’, Greensboro NC
Wexner Center for the Arts, Ohio State University, ‘Art in Europe and America: The 1950s and 1960s’, Columbus OH
The Katonah Gallery, ‘The Technological Muse’, Katonah NY
Holly Solomon Gallery, ‘Hesse, Lawler, Martin, Meyer, Pfaff, Smith, Winsor’, New York NY

1989 Anthony Ralph Gallery, ‘20th Century Works’, New York NY
Virginia Beach Center for the Arts, ‘Made in America’, Virginia Beach VA
Massachusetts Institute of Technology, ‘Natural Forms/Natural Forces’, Cambridge MA
Whitney Museum of American Art, ‘Art in Place: Fifteen Years of Acquisitions’, New York NY
Cincinnati Art Museum, ‘Making Their Mark. Women Artists Move into the Mainstream, 1970-85’, Cincinnati OH
Hillwood Art Gallery, Long Island University, ’100 Drawings by Women’, Long Island NY

1988 Whitney Museum of American Art, ‘Vital Signs: Organic Abstraction’, New York NY

1987 Xavier Fourcade, Inc., ‘Drawings’, New York NY
Wadsworth Atheneum, ‘From the Le Witt Collection’, Hartford CT
Avenue B Gallery, ‘Aspects of Conceptualism in American Work Part II’, New York NY
Solomon R. Guggenheim Museum, ‘Fifty Years of Collecting: An Anniversary Selection’, New York NY
Institute of Contemporary Art, University of Pennsylvania, ’1967: At The Crossroads’, Philadelphia PA
Kent Fine Art, ‘Assemblage’, New York NY
La Jolla Museum of Contemporary Art, ‘Contemporary Collectors’, La Jolla CA
David Winton Bell Gallery, List Art Center, Brown University, ‘Alternative Supports: Contemporary Sculpture on the Wall’, Providence RI
Kunstmuseum, ‘Brennpunkt Düsseldorf…1962-1987’, Dusseldorf, Germany
Pat Hearn Gallery, ‘Group Show’, New York NY
Houston Contemporary Arts Museum, ‘The Window in Twentieth Century Art’, Houston TX
Sandor Gallery, ‘Boundaries’, New York NY
Bess Cutler Gallery, ‘Walk Out To Winter’, New York NY
Städtische Kunsthalle, ‘Similia/Disimilia: Modes of Abstraction in Painting, Sculpture and Photography Today’, Dusseldorf, Germany (Travelling Exhibition)
Wallach Art Gallery, Columbia University, ‘Similia/Disimilia: Modes of Abstraction in Painting, Sculpture and Photography Today’, New York NY (Travelling Exhibition)
Leo Castelli, ‘Similia/Disimilia: Modes of Abstraction in Painting, Sculpture and Photography Today’, New YorkNY (Travelling Exhibition)
Sonnabend Gallery, ‘Similia/Disimilia: Modes of Abstraction in Painting, Sculpture and Photography Today’, New York NY (Travelling Exhibition)

1986 Museum of Art, ‘From the Collection of Sol LeWitt’, Fort Lauderdale FL
Museum of Art, ‘American Renaissance: Painting and Sculpture Since 1940’, Fort Lauderdale FL
Bakalar Sculpture Gallery, Albert and Vera List Visual Arts Center, Massachusetts Institute of Technology, ‘Natural Forms and Forces: Images in Contemporary American Abstract Sculpture’, Cambridge MA
Palacio de Velazquez, ‘Between Geometry and Gesture: American Sculpture, 1965-1975’, Madrid, Spain
Centre Georges Pompidou, ‘Qu’est-ce qu’est la Sculpture Moderne?’, Paris, France
Neuberger Museum, State University of New York, ‘The Window in Twentieth Century Art’, Purchase NY
Houston Contemporary Arts Museum, ‘The Window in Twentieth Century Art’, Houston TX
Museum of Contemporary Art, ‘Individuals: A Selected History of Contemporary Art 1945-1986’, Los Angeles CA

1985 Ackland Art Museum, University of North Carolina at Chapel Hill, ‘From the Collection of Sol LeWitt’, Chapel Hill NC
Everhart Museum, ‘From the Collection of Sol LeWitt’, Scranton PA
Meadow Brook Art Gallery, Oakland University, ‘From the Collection of Sol LeWitt’, Rochester MI
Grey Art Gallery and Study Center, ‘From the Collection of Sol LeWitt’, New York NY
The Whitney Museum of American Art at Philip Morris, ‘The Box Transformed’, New York NY
Edith C. Blum Art Institute, The Bard College Center, ‘The Maximum Implication of the Minimal Line’, Annandale-on-Hudson NY
The Whitney Museum of American Art, ‘Affiliations: Recent Sculpture and Its Antecedents’, Stamford CT
Blum Helman, ‘American Eccentric Abstraction’, New York NY
Columbus Museum of Art, ‘Partners in Purchase’, Columbus OH
Hudson River Museum, ‘A New Beginning: 1968-1978’, Yonkers NY
Weatherspoon Art Gallery, University of North Carolina, ‘Summer Sculpture Exhibition’, Greensboro NC
Solomon R. Guggenheim Museum, ‘Transformations in Sculpture: Four Decades of American and European Art’, New York NY

1984 Grand Rapids Art Museum, ‘Women in Art’, Grand Rapids MI
Merian-Park, ‘Skulptur im 20. Jahrhundert’, Basel, Switzerland
Sidney Janis Gallery, ‘American Women Artists, Part I: Twentieth Century Pioneers’, New York NY
Moderna Museet, ‘Flykt-punkter/Vanishing Points’, Stockholm, Sweden
Montreal Museum of Fine Arts, ‘Drawings by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection’, Montreal, Canada (Travelling Exhibition)
Vancouver Art Museum, ‘Drawings by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection’, Vancouver, Canada (Travelling Exhibition)
The Nickle Arts Museum, ‘Drawings by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection’, Calgary, Canada (Travelling Exhibition)
The Seagram Gallery, ‘Drawings by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection’, New York NY (Travelling Exhibition)
London Regional Art Gallery, ‘Drawings by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection’, London, England (Travelling Exhibition)
University Art Museum, California State University Long Beach, ‘From the Collection of Sol LeWitt’, Long Beach CA
Museum of Modern Art, ‘“Primitivism” in 20th Century Art’, New York NY (Travelling Exhibition)
Detroit Institute of Arts, ‘“Primitivism” in 20th Century Art’, Detroit MI (Travelling Exhibition)
Dallas Museum of Art, ‘“Primitivism” in 20th Century Art’, Dallas TX (Travelling Exhibition)
Gesellschaft für aktuelle Kunst Düsseldorf, ‘von hier aus’, Dusseldorf, Germany

1983 Whitney Museum of American Art, ‘From Minimalism to Expressionism: Painting and Sculpture Since 1965’, New York NY
Museum of Contemporary Art, ‘The First Show: Painting and Sculpture from Eight
Collections, 1940-1980’, Los Angeles CA

1982 Centre d’Arts Plastiques Contemporains, ‘Sculptures, 1966 –1969’, Bordeaux, France
University Art Museum, University of California at Berkeley, ‘Matrix’, Berkeley CA
Whitney Museum of American Art, ‘Sculpture from the Permanent Collection’, New York NY

1981 Museen der Stadt Köln, ‘Westkunst’, Cologne, Germany
Yale University Art Gallery, ‘Twenty Artists: Yale School of Art, 1950-1970’, New Haven CT
Wesleyan University Art Gallery/Davison Art Center, ‘No Title: The Collection of Sol LeWitt’, Middletown CT

1980 David Winston Bell Gallery, List Art Center, Brown University, ‘Invitational’, Providence RI
Neuberger Museum, State University of New York, ‘Hidden Desires’, Purchase NY
Museum Haus Lange, ‘Zeichnungen der 50er und 70er Jahre aus dem Kaiser-Wilhelm Museum’, Krefeld, Germany
Allen Memorial Art Museum, ‘From Reinhardt to Christo’, Oberlin OH

1979 Touchstone Gallery, ‘Drawings by Sculptors’, New York NY
Roosevelt Public Library, Art Workshop, ‘Lines, Points, Plains’, Roosevelt NY
Museum of Modern Art, ‘Contemporary Sculpture: Selections from the Collection of The Museum of Modern Art’, New York NY
Toledo Museum of Art, ‘Modern Art in Toledo Collections’, Toledo, Spain
Kunsthaus Zürich, ‘Weich und Plastisch – Soft Art’, Zurich, Switzerland

1978 Bleeker Renaissance, ‘OIA’, New York NY
Storm King Art Center, ‘Sculpture: A Study in Materials’, Mountainville NY
Leo Castelli, ‘Numerals, 1924-1977’, New York NY
Stedelijk Museum, ‘Door Beeldhouwers Gemaakt; Made by Sculptors’, Amsterdam, Netherlands
Whitney Museum of American Art, ‘Collection: American Sculpture’, New York NY
Pace Gallery, ‘Grids: Format and Image in Twentieth Century Art’, New York NY

1977 Pratt Institute Gallery, Pratt Institute, ‘Alumni Fine Art Show’, Brooklyn NY
Rosa Esman Gallery, ‘Photonotations’, New York NY
Vancouver Art Gallery, ‘Strata: Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Windsor’, Vancouver, Canada
The Renaissance Society, University of Chicago, ‘Ideas in Sculpture 1965 – 1977’, Chicago IL
Brooklyn Museum Art School, ‘Contemporary Women: Consciousness and Content’, Brooklyn NY
The Fitzwilliam Museum, ‘Jubilation: American Art During the Reign of Elizabeth II’, Cambridge, England
The Solomon R. Guggenheim Museum, ‘Recent Gifts and Purchases’, New York NY
The Whitney Museum of American Art, ‘20th Century American Art From Friend’s Collections’, New York NY
The New York State Museum, ‘The State of Art’, Albany NY
Museum of Contemporary Art, ‘A View Of A Decade 1967-1977’, Chicago IL
Museum Fridericianum, Orangerie, Neue Galerie, ‘Documenta 6: Handzeichnungen, Utopisches Design’, Kassel, Germany
Neue Gesellschaft für bildende Kunst, Schloss Charlottenburg, ‘Künstlerinnen international 1877-1977’, Berlin, Germany

1976 Whitney Museum of American Art, ‘Two Hundred Years of American Sculpture’, New York NY
Museum of Modern Art, ‘Drawing now’, New York NY
New Orleans Museum of Art, ‘Sculpture: American Directions 1945-1975’, New Orleans LA
Seibu Museum of Art, ‘Three Decades of American Art’, Tokyo, Japan

1975 Städtisches Museum, Schloss Morsbroich, ‘USA Zeichnungen 3’, Leverkusen, Germany
Whitney Museum of American Art, ‘Sculptures of the Sixties: Selections from the Permanent Collection’, New York NY
Guggenheim Museum, ‘Drawing, Painting and Sculpture from the Dorothy and Herbert Vogel Collection’, New York NY
Institute of Contemporary Art, University of Pennsylvania, ‘Drawing, Painting and Sculpture from the Dorothy and Herbert Vogel Collection’, Philadelphia PA
Contemporay Arts Center, ‘Drawing, Painting and Sculpture from the Dorothy and Herbert Vogel Collection’, Cincinnati OH

1974 William Zierler, Inc., ‘American Works on Paper: 1944-1974’, New York NY
International Council of the Museum of Modern Art, ‘Some Recent American Art’ (cur. Waldo Ramussen), New York NY (Travelling Exhibition)
National Gallery of Victoria, ‘Some Recent American Art’, Melbourne, Australia (Travelling Exhibition)
Art Gallery of New South Wales, ‘Some Recent American Art’, Sydney, Australia (Travelling Exhibition)
Art Gallery of South Australia, ‘Some Recent American Art’, Adelaide, Australia (Travelling Exhibition)
Art Gallery of Western Australia, ‘Some Recent American Art’, Perth, Australia (Travelling Exhibition)
Auckland City Art Gallery, ‘Some Recent American Art’, Auckland, New Zealand (Travelling Exhibition)

1973 New York Cultural Center, ’3D into 2D: Drawings for Sculpture’, New York NY (Travelling Exhibition)
Vancouver Art Gallery, ’3D into 2D: Drawings for Sculpture’, Vancouver, Canada (Travelling Exhibition)
National Gallery of Canada, ’3D into 2D: Drawings for Sculpture’, Ottawa, Canada (Travelling Exhibition)
Allen Memorial Art Museum, Oberlin College, ’3D into 2D: Drawings for Sculpture’, Oberlin OH (Travelling Exhibition)
University Art Museum, University of California, ’3D into 2D: Drawings for Sculpture’, Berkeley CA (Travelling Exhibition)
University Art Museum, University of California, ’3D into 2D: Drawings for Sculpture’, Santa Barbara CA (Travelling Exhibition)
Whitney Museum of American Art, ‘American Drawings: 1963-1973’, New York NY
Seattle Art Pavilion, ‘American Art: Third Quarter Century’, Seattle WA
Storm King Art Center, ‘The Emerging Real’, Mountainville NY
‘Young American Artists: Drawings and Graphics’, Copenhagen, Denmark

1972 Institute of Contemporary Art, University of Pennsylvania, ‘Grids’, Philadelphia PA
Salem Fine Arts Center, ‘Women: A Historical Survey of Works by Women Artists’, Winston-Salem NC (Travelling Exhibition)
North Carolina Museum of Art, ‘Women: A Historical Survey of Works by Women Artists’, Raleigh NC (Travelling Exhibition)
Kunsthaus Hamburg, ‘American Women Artist Show’, Hamburg, Germany
The High Museum of Art, ‘The Modern Image’, Atlanta GA
Philadelphia Museum of Art, ‘Friends Purchase Party’, Philadelphia PA
Art Institute of Chicago, ‘Seventieth American Exhibition’, Chicago IL
Museum Fridericianum/Neue Galerie, ‘Documenta 5’, Kassel, Germany

1971 ’1971 Triennale of India’, New Delhi, India
International Council of the Museum of Modern Art, New York NY
Finch College Museum of Art, Contemporary Wing, ‘Projected Art: Artists at Work’, New York NY
The Corcoran Gallery of Art, ‘Depth and Presence’, Washington DC
Museum of Modern Art, Art Lending Service, ‘Summer Show’, New York NY
M. Knoedler & Co., ‘Selections of Work by Gallery Artists’, New York NY
The Aldrich Museum of Contemporary Art, ‘Sculpture and Shapes of the Last Decade’, Ridgefield CT
Katonah Gallery, ‘Materials and Methods: A New View’, Katonah NY
Museum of Contemporary Art, ‘Six Sculptors: Extended Structures’, Chicago IL
Bykert Gallery, ‘Drawings and Prints’, New York NY
School of the Museum of Fine Arts, ‘Changing Terms’, Boston MA

1970 Vancouver Art Gallery, ’955 000’, Vancouver, Canada
Centro de Arte y Communicacion, ’3 549 000’, Buenos Aires, Argentina
Hawthorne Gallery, Skidmore College, ‘Group’, Saratoga Springs NY
Trinity College Art Gallery, ‘Works in Plastic, 1970’, Hartford CT
Sidney Janis Gallery, ‘String and Rope’, New York NY
Reese Palley Gallery, ‘Multiples and Graphics’, San Francisco CA
The Emily Lowe Gallery, Hofstra University, ‘Hanging/Leaning’, Hempstead NY
The Art Museum, Princeton University, ‘American Art Since 1960’, Princeton NJ
Owens-Corning Fiberglass Center, ‘Tony Delap, Franceank Gallo/Eva Hesse: Trio’, New York NY
Owens-Corning Fiberglass Center, ‘Art in Automobile’, Detroit MI
Whitney Museum of American Art, ‘Recent Acquisitions’, New York NY
Galerie Ricke, ‘Zeichnungen Amerikanischer Künstler’, Cologne, Germany
Fondation Maeght, ‘L’Art Vivant Aux Etats-Unis’, St. Paul-de Vence, France
The Museum of Modern Art, ‘Recent Acquisitions’, New York NY
Galerie Yvon Lambert, ‘American Drawings’, Paris, France
Institute of Contemporary Art, ‘Works Mostly on Paper’, Boston MA
Institute of Contemporary Art, University of Pennsylvania, ‘Against Order: Chance and Art’, Philadelphia PA
Milwaukee Art Center, ‘A Plastic Presence’, Milwaukee WI (Travelling Exhibition)
San Francisco Museum of Art, ‘A Plastic Presence’, San Francisco CA (Travelling Exhibition)
Cooper-Hewitt Museum of Decorative Arts and Design, Smithsonian Institute, ‘The Drawing Society of New York Regional Exhibition: 1970’, New York NY (organised by the American Foundation of the Arts, autumn 1970 – autumn 1971)
The Museum of Modern Art, ‘Art Lending Service’, New York NY
Janie C. Lee Gallery, ‘Drawings’, Dallas TX
University of Maryland Art Gallery, ‘Editions in Plastic’, College Park MD
Whitney Museum of American Art, ‘The Permanent Collection – Women Artists’, New York NY
Paula Cooper Gallery, ‘Drawings’, New York NY

1969 Institute of Contemporary Art, University of Pennsylvania, ‘Plastics and New Art’, Philadelphia PA
Marion Koogler McNay Art Institute, ‘Plastics and New Art’, San Antonio TX
Wilcox Gallery, Swarthmore College, ‘Hard, Soft and Plastic’, Swarthmore PA
Finch College Museum of Art, ‘Drawings: Some Recent Trends’, New York NY
New Jersey State Museum, ‘Soft Art’, Trenton NJ
New York Shakespeare Festival, Public Theatre, ‘Art/Peace Event’, New York NY
University Gallery, University of Minnesota, ‘The Artist and the Factory’, Minneapolis MN
Galerie Heiner Friedrich, ‘Drawings’, Munich, Germany
Kunsthalle Bern, ‘When Attitudes Become Form/Works-Concepts-Processes-Situations-Information’, Berne, Switzerland (Travelling Exhibition)
Museum Haus Lange, ‘When Attitudes Become Form/Works-Concepts-Processes-Situations-Information’, Krefeld, Germany (Travelling Exhibition)
ICA – Institute of Contemporary Art, ‘When Attitudes Become Form/Works-Concepts-Processes-Situations-Information’, London, England (Travelling Exhibition)
The New Gallery, ‘Seven Objects’, Cleveland OH
Galerie Ricke, ‘Seven Objects’, Cologne, Germany
Whitney Museum of American Art, ‘Anti-Illusion: Procedures/Materials’, New York NY
The Westmorland County Museum of Art, ‘Recent Trends in American Art’, Greensburg PA
The Aldrich Museum of Contemporary Art, ‘Highlights of the 1968-1969 Art Season’, Ridgefield CT
Fort Worth Art Museum, ‘American Drawings’, Fort Worth TX
Heckscher Museum, ‘The Expressive Line’, Huntington NY
Gallerie Ricke, ‘Profile’, Cologne, Germany
Finch College Museum of Art, Contemporary Wing, ‘Art in Progress IV’, New York NY
The Jewish Museum, ‘A Plastic Presence’, New York NY
The Museum of Modern Art, ‘New Media, New Methods’ (cur. Kynaston McShine), New York NY
Seattle Art Museum, ’557 087’, Seattle WA

1968 Moore College of Art, ‘American Drawings 1968’, Philadelphia PA
Galerie Ricke, ‘Programm 1’, Cologne, Germany
Milwaukee Art Center, ‘Directions 1: Options, 1968’, Milwaukee WI
Museum of Contemporary Art, ‘Directions 1: Options, 1968’, Chicago IL
John Gibson Gallery, ‘Anti-Form’, New York NY
Kunsthalle, ‘Kunstmarkt 1968’, Cologne, Germany
Leo Castelli (Warehouse), ‘Nine at Leo Castelli’, New York NY
Flint Institute of Arts, ‘Made of Plastics’ (circulating exhibition organized by Lucy Lippard and Flint Institute of Art), Flint MI
Whitney Museum of American Art, ‘Annual Exhibition’, New York NY
The American Federation of the Arts, ‘Soft and Apparently Soft Sculpture’, New York NY

1967 Ithaca College Museum of Art, ‘Drawings, 1967’, Ithaca NY
New York State Fair, ‘Art Today, 1967’ (organised in cooperation with the New York State Council of the Arts), Syracuse NY
The Weatherspoon Gallery, University of North Carolina, ‘Art on Paper Invitational 1967’, Greensboro NC
The Lannis Museum of Normal Art, ‘Normal Art’, New York NY
Finch College Museum of Art, Contemporary Wing, ‘Art in Series’, New York NY

1966 Graham Gallery, ‘Abstract Inflationism and Stuffed Expressionism’, New York NY
Fischbach Gallery, ‘Eccentric Abstraction’, New York NY
Riverside Museum, ‘30th Annual Exhibition: “Yesterday and Today” 1933-1966’, New York NY
Visual Arts Gallery, School of Visual Arts, ‘Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art’, New York NY

1964 Park Place Gallery, ‘Invitational Show’, New York NY
Kunstverein für die Rheinlande und Westfalen/Kunsthalle Düsseldorf, ‘Winterausstellung’, Dusseldorf, Germany

1963 Amel Gallery, ‘First Showing of Gallery Group’, New York NY

1961 John Heller Gallery, ‘Drawings, 3 Young Americans’, New York NY
The Wadsworth Atheneum, ‘Drawings’, Hartford CT
The Brooklyn Museum, ‘21st International Watercolor Biennial’, Brooklyn NY

Bibliography

Monographs

2019 Rosen, Barry (ed.), 'Eva Hesse. Oberlin Drawings. Drawings in the Collection of the Allen Memorial Art Museum', Zurich: Hauser & Wirth Publishers, 2019

2018 Schwartz, Dieter, ‘Eva Hesse. Arrows and Boxes, Repeated’, New York: Craig F. Starr Gallery, 2018

2015 Swenson, Kirsten, ‘Irrational Judgments. Eva Hesse, Sol LeWitt, and 1960s New York’, New Haven: Yale University Press, 2015

2014 Roberts, Veronica (ed.), ‘Converging Lines: Eva Hesse and Sol LeWitt’, New Haven: Yale University Press, 2014

2013 Rosen, Barry (ed.), ‘Eva Hesse 1965’, New Haven: Yale University Press, 2013 (exh. cat.)

2011 Roberts, Veronica, ‘Eva Hesse and Sol LeWitt’, New York: Craig F. Starr Gallery, 2011

2010 McKinnon, Luanne (ed.), ‘Eva Hesse Spectres 1960’, Albuquerque: University of New Mexico, New Haven: Yale University Press, 2010

2009 Fer, Briony (ed.), ‘Eva Hesse. Studiowork’, New Haven: Yale University Press, 2009 (exh. cat.)

2007 Daur, Jörg, ‘Eva Hesse. Zwischen Anti-Form und Materialästhetik. Neue Formen und Materialien der Kunst um 1970’, Herzogenrath: Verlag Murken-Altrogge, 2007
Jürgs, Michael (ed.), ‘Eine berührbare Frau: Das atemlose Leben der Künstlerin Eva Hesse’, Munich: C. Bertelsmann, 2007

2006 Folie, Sabine, Georgia Holz, and Eva Kernbauer (eds.), ‘Eva Hesse: Datebooks: 1964-65. A facsimile edition’, New Haven: Yale University Press, 2006
Petzinger, Renate, Rosen, Barry, Spohn, Annette (eds.), ‘Eva Hesse: Catalogue Raisonné: Volume 1: Painting’, New Haven: Yale University Press, 2006
Petzinger, Renate, Rosen, Barry, Daur, Jörg (eds.), ‘Eva Hesse: Catalogue Raisonné: Volume 2: Sculpture’, New Haven: Yale University Press, 2006
de Zegher, Catherine (ed.), ‘Eva Hesse Drawing’, New Haven/London: Yale University Press, 2006 (exh. cat.)
Sussman, Elizabeth, Wasserman, Fred (eds.), ‘Eva Hesse Sculpture’, New Haven/London: Yale University Press, 2006 (exh. cat.)
Pollock, Griselda, Corby, Vanessa (eds.), ‘Encountering Eva Hesse’, London: Prestel, 2006

2004 Folie, Sabine (ed.), ‘Eva Hesse. Tranformations – The Sojourn in Germany 1964/65’, Seoul: Kukje Gallery, Vienna: Kunsthalle Wien, 2004 (exh. cat.)
Kunsthalle Wien (ed.), ‘Eva Hesse. Transformationen – Die Zeit in Deutschland 1964/65 Eva Hesse. Tranformations – The Sojourn in Germany 1964/65’, Cologne: Verlag der Buchhandlung Walther König, 2004 (exh. cat.)

2002 Petzinger, Renate, and Volker Rattemeyer (ed.), ‘Eva Hesse’, Wiesbaden: Museum Wiesbaden, 2002 (exh. cat.)
Sussman, Elisabeth (ed.), ‘Eva Hesse’, New Haven/London: Yale University Press, San Francisco: San Francisco Museum of Modern Art, 2002 (exh. cat.)

1994 Reinhardt, Brigitte, Spector, Naomi et al., ‘Eva Hesse. Drawing in Space. Bilder und Reliefs’, Ulm: Ulmer Museum, 1994 (exh. cat.)
The Aldrich Museum of Contemporary Art (ed.), ‘In the Lineage of Eva Hesse’, Ridgefield: The Aldrich Museum of Contemporary Art, 1994, ill. (exh. cat.)
Hess, Elizabeth, Mel Bochner, ‘In the Lineage of Eva Hesse’, Ridgefield: The Aldrich Museum of Contemporary Art, 1994

1992 Cooper, Helen A., Berger, Maurice, et al., ‘Eva Hesse: A Retrospective’, New Haven: Yale University Press, 1992 (exh. cat.)
Kozloff, Max, ‘Eva Hesse Paintings’, New York: Robert Miller Gallery, 1992 (exh. cat.)

1991 Frank, Elizabeth, ‘Eva Hesse Gouaches 1960-1961’, New York: Robert Miller Gallery, Paris: Galerie Renos Xippas, 1991 (exh. cat.)
Steingladstone Gallery (ed.), ‘Eva Hesse’, New York: Steingladstone Gallery Publication, 1991 (exh. cat.)

1989 Robert Miller Gallery (ed.), ‘Eva Hesse: The Reliefs 1965’, New York: Robert Miller Gallery Publication, 1989 (exh. cat.)
Barrette, Bill, ‘Eva Hesse. Sculpture. Catalogue Raisonné’, New York: Timken Publishers, 1989

1985 Stoops, Susan, ‘Eva Hesse: The Early Drawings and Selected Sculpture’, Waltham: The Rose Art Museum/Brandeis University, 1985

1982 Johnson, Ellen H., ‘Eva Hesse A Retrospective of the Drawings’, Oberlin: Allen Memorial Art Gallery/Oberlin College, 1982

1979 Brown, David, ‘Eva Hesse. Works on paper’, London: The Mayor Gallery, 1979 (exh. cat.)
Krauss, Rosalind E., ‘Eva Hesse 1936-1970. Skulpturen und Zeichnungen’, Hanover: Kestner-Gesellschaft, 1979, pp. 9-14 (exh. cat.)
Serota, Nicholas, Krauss, Rosalind (eds.), ‘Eva Hesse: Sculpture 1936-1970’, London: The Whitechapel Art Gallery, 1979 (exh. cat.)
Spector, Naomi, ‘A Selection from the Notebooks of Eva Hesse’, London: Whitechapel Art Gallery, 1979

1976 Lippard, Lucy R., ‘Eva Hesse’, New York: New York University Press, 1976

1974 Mayor Gallery (ed.), ‘Eva Hesse 1936-1970: An Exhibition of Sculpture and Drawings’ (text: Linda Shearer), London: Mayor Gallery, 1974, ill. (exh. cat.)

1972 Shearer, Linda, Pincus-Whitten, Robert ‘Eva Hesse. A Memorial Exhibition’, New York: The Solomon R. Guggenheim Museum Publication, 1972 (exh. cat.)

1965 Kunstverein für die Rheinlande und Westfalen, Kunsthalle Düsseldorf (ed.), ‘Eva Hesse: Materialbilder und Zeichnungen’, Düsseldorf: Kunstverein für die Rheinlande und Westfalen/Kunsthalle Düsseldorf, 1965 (exh. cat.)

Publications

2019 Rosen, Barry (ed.), ‘Eva Hesse. Oberlin Drawings’, New York: Hauser & Wirth Publishing, Oberlin: Allen Memorial Museum, 2019 (exh. cat.) (forthcoming)
Lyle, Jenna, Mileaf, Janine (ed.), ‘Thessia Machado. Toward the Unsound’, Chicago: The Arts Club of Chicago, 2019, p. 11, ill. in b/w (exh. cat.)

2018 Birnbaum, Daniel, Noring, Ann-Sofing (eds.), ‘Moderna Museet. The Collection’, London: Koenig Books, Stockholm: Moderna Museet, 2018, pp. 110-11, ill.
Stokstad, Marilyn, Cothrein, Michael W., ‘Art History’, London: Laurence King Publishing Ltd., 2018, p. 1114, ill.
Ardalan, Ziba (ed.), Godfrey, Mark + [et al.], ‘Heidi Bucher’, London: Parasol Unit, 2018, pp. 39, 60, ill. (exh. cat.)
Brunet, Claire, ‘Accéder à un réel toujours sournoisement esquivé’, in: Les Cahiers du Musée National d’Art Moderne, Paris: Centre Pompidou, no. 145, Autumn 2018, p. 11, ill. in b/w
Fritz, Nicole (ed.), ‘Sexy and Cool. Minimal Goes Emotional’, Bielfeld: Kerber Verlag/ Kunsthalle Tübingen, 2018, pp. 16, 23, 28, ill. in colour (exh.cat.)
Gorvy, Brett, Wolff, Rachel + [et al.], ‘Intimate Infinite’, New York: Lévy Gorvy, 2018, pp. 96-99, ill. in colour (exh. cat.)
Hütte, Friedhelm (ed.), ‘The World on Paper’, Berlin: Kerber Verlag, 2018, p. 70, ill. in colour (exh. cat.)
Katz, Alex, ‘Looking at Art with Alex Katz’, London: Laurence King Publishing, 2018, pp. 82-83, ill. in colour
Krauss, Rosalind E., ‘Bachelors’, Tokyo: Heibonsha Limited, 2018, pp. 91, 94, ill. in b/w
Lauson, Cliff, Schuld, Dawna + [et al.], ‘Space Shifters’, London: Hayward Gallery Publishing, 2018, p. 36, ill. in colour (exh. cat.)
O’Doherty, Brian, ‘Hesse and Stella. Dispatches from the Sixties’, in: ‘Collected Essays’, Oakland: University of California Press, 2018
Rumsey, Monica, Swiston, Rachel (eds.) ‘Graphic Revolution. American Prints 1960 to Now’, St. Louis: Saint Louis Art Museum, 2018, p. 63, ill. in colour (exh. cat.)
Storer, Russell, Tan, Eugene (eds.), ‘Minimalism. Space. Light. Object.’, Singapore: National Gallery Singapore, 2018, p. 60, ill. in colour (exh. cat.)
Ward, Lucinda (ed.), ‘American Masters’, Parkes: National Gallery of Australia, 2018, pp. 190-191, ill. in colour (exh. cat.)
Adler, Laure, Viéville, Camille, ‘Les femmes sont dangereuses’, Paris: Flammiron, 2018, pp. 112-113, ill. in colour

2017 Bradnock, Lucy, Baum, Kelly + [et al.], ‘Delirious. Art at the Limit of Reason 1950-1980’, New York: The Metropolitan Museum of Art, 2017 (exh. cat.)

2016 Enwezor, Okwui, Siegel, Katy + [et al.], ‘Postwar. Postwar. Art Between the Pacific and the Atlantic, 1945-1965’, Munich: Prestel, 2016, pp. 288, 616-617, ill. in colour (exh. cat.)
Erf, Lisa K., Fellrath, Kiersten (et al.), ‘Art at work. The JPMorgan Chase Art Collection’, New York: JPMorgan Chase & Co., 2016, p. 80, ill.
Bernardelli, Francesco, Poli, Francesco, ‘Mettere in scena l’arte contemporanea. Dallo spazio dell’opera allo spazio intorno all’opera’, Monza: Johan & Levi Editore, 2016, p. 128, ill. in b/w
Carroll, Alisa, ‘Art House. The Collaboration of Chara Schreyer and Gary Hutton’, New York: Assouline, 2016, pp. 45-46, 219, ill. in colour
Ehninger, Eva, Krause-Wahl, Antje (eds.), ‘In Terms of Painting’, Berlin: Revolver Publishing, 2016, pp. 124-139, ill.
Hentschel, Martin (ed.), ‘ Das Abenteuer unserer Sammlung. Kunst nach 1945 aus den Kunstmuseen Krefeld’, Cologne: Wienand Verlag, 2016, pp. 168-169, ill.
Humblet, Claudine, ‘Post-minimalisme et Anti-Form: dépassement de l’stheétique minimale’, Milan: Skira, 2016, pp. 11-47, ill.
Gilman, Claire, Gross, Beatrice, ‘Drawing Dialogues: Selections from the Sol LeWitt Collection’, New York: The Drawing Center, 2016, p. 117, ill.
Amor, Monica, ‘Theories of the Nonobject. Argentina, Brazil, Venezuela, 1944-1969’, Oakland: The University of California Press, 2016, p. 178, ill.
Robecchi, Michele (ed.), ‘Sarah Sze. Okwui Enwezor, Benjamin H.D. Buchloh, Laura Hoptman’, London, Phaidon, 2016, p. 82, ill.
Bloch, Judy, Stein, Suzanne (eds.), ‘San Francisco Museum of Modern Art 360° – Views on the Collection’, San Francisco: San Francisco Museum of Modern Art, 2016, pp. 244-245, ill.
Schwab, Helen, Wright, Robin, Benezra, Neal, ‘The Campaign for Art: Gifts for the San Francisco Museum of Modern Art’, San Francisco: San Francisco Museum of Modern Art, 2016, p. 220, ill.
Ammer, Manuela, Hochdörfer, Achim, Joselit, David (eds.), ‘Painting 2.0 Expression in the Information Age. Gesture and Spectacle. Eccentric Figuration. Social Networks.’, Munich: Prestel, 2015, pp. 104, 106, 108-109, ill. (exh. cat.)
Baier, Simon, Bürgi, Bernhard M., Caraco, Oliver, [et. al.], ‘Sculpture on the Move 1946 – 2016’, Ostfildern: Hatje Cantz, 2016, p. 89, ill. (exh. cat.)
Getlein, Mark, ‘ Living with Art, Eleventh Edition’, New York: McGraw-Hill Education, 2016, p. 512, ill.
Boulvain, Thibault, ‘While there’s still time – Les Reliquaires technologiques de Paul Thek’, in: ‘Les Cahiers du Musée national d’art moderne’, Michael Gauthier, Louis Émauré + [et. al.], Paris: Centre Pompidou, p. 79, ill.
de Zegher, Catherine, ‘tangentes, raaklijnen, tangents’, Gent: Museum voor Schone Kunsten, 2016, p. 11, ill. (exh. cat.)

2015 Rondeau, James, Robert Sharp, Wilson McBee + [et al.] (eds.), ‘The Art Institute of Chicago. The Essential Guide’, Chicago: The Art Institute of Chicago, 2015, p. 247, ill. in colour
Pernac, Natacha, Martin, Marie-Pauline, Maldonado, Guitemie, ‘ Bescherelle – Chronologie de l’histoire de l’art’, Paris: Hatier, 2015, p. 379, ill.
Warner, Malcolm, McFadden, Jane, Hafif, Marcia, ‘Marcia Hafif. The Inventory: Painting’, California: Laguna Art Museum, 2015, p. 14, ill.
Tel Aviv Museum of Art (ed.), ‘Highlights from the Tel Aviv Museum of Art Collection’, Tel Aviv: Tel Aviv Museum of Art, 2015, n.p., ill.
Milazzo, Richard, ‘The Mannequin of History’, Modena: Franco Cosimo Panini, 2015, p. 69, ill.
Cumming, Robert, ‘ART a visual history’, London: Dorling Kindersley Limited, 2015, p. 382, ill.
Nakas, Kassandra (ed.), ‘Verflüssigungen: Ästehtische und semantische Dimensionen eines Topos’, Paderborn: Wilhelm Fink, 2015, pp. 60, 62-63, 72, ill.
Miller, Sequoia, ‘The Ceramic Presence in Modern Art’, New Haven: Yale University Press, 2015, p. 57, ill.
Celant, Germano (ed.), ‘Gianni Piacentino’, Milan: Fondazione Prada, 2015, p. 30, ill. (exh. cat.)
Braun, Emily, ‘Alberto Burri: The Trauma of Painting’, New York: The Solomon R. Guggenheim Foundation, 2015, p. 79, ill. (exh. cat.)
Munro, Vera (ed.), ‘Linda McCue: The Materials’, Hamburg: Textem Verlag, 2015, p. 99, ill.
Weil, Benjamin, Hogan, John, ‘Sol LeWitt. 17 Wall Drawings (1970-2015)’, Santander: Fundación Botín, 2015, p. 230, ill.
Lagnado, Lisette + [et al.], ‘Cultural Anthropophagy. The 24th Bienal de Sao Paulo 1998’, London: Afterall Books, 2015, pp. 156-157, ill.
Hood Museum of Art, Dartmouth College (ed.), ‘Collecting and Sharing. Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art’, Seattle: Marquand Books, 2015, p. 20, ill. (exh. cat.)
Kresge Gallery (ed.), ‘Jay Wholley. The Piero/Leonardo Project’, Mahwah, 2015, p. 5, ill.
Miller, Dana (ed.), ‘Whitney Museum of American Art. Handbook of the Collection’, New York: Whitney Museum of American Art, 2015, pp. 176-177, ill.
Williams, Dave H., ‘Small Victories. A couple’s surprising adventures building an unrivaled collection of American prints’, Boston: David R. Godine Publisher, 2015, pp. 214-215, p. 216, ill.
Luckow, Dirk (ed.), ‘Picasso in der Kunst der Gegenwart. Picasso in Contemporary Art’, Cologne: Snoeck, 2015, p. 20, ill. (exh. cat.)
Tel Aviv Museum of Art, Martin-Gropius-Bau (eds.), ‘Tel Aviv Museum of Art Visits Berlin. Kunst der Moderne und Gegenwart’, Munich: Prestel Verlag, pp. 96-97, ill. (exh. cat.)
Blazwick, Iwona, Petersens, Magnus af, ‘Adventures of the Black Square: Abstract Art and Society 1915-2015’, London: Whitechapel Gallery, p. 180, ill.
Bündge, Hendrik, Holten, Johan (eds.), ‘nach dem frühen tod. after an early death’, Cologne: Verlag der Buchhandlung Walter König, 2015, pp. 136-137, 157-159, ill. (exh. cat.)

2014 Noreika, Sarah (ed.), ‘Philadelphia Museum of Art. Handbook’, Philadelphia: Publishing Departement Philadelphia Museum of Art, 2014, p. 363, ill. in colour
Garrett, Craig (ed.), ‘Terry Winters patterns in a chromatic field’, Greenwich: Meridian Printing, 2014, p. 10, ill. (exh. cat.)
The Aldrich Contemporary Art Museum, ‘Fifty Years’, Ridgefield: The Aldrich Contemporary Art Museum, 2014 (exh. cat.)
Galerie Lelong (ed.), ‘Zilia Sanchez. Heroicas Eroticas en Nueva York’, New York: Actar Publishers, 2014, p. 6, ill. (exh. cat.)
Kleiner, Fred S., ‘Gardner’s Art Through the Ages. A Global History (15th edition)’, Boston: Cengage Learning, 2014, pp. 963-964, ill.
Rickels, Laurence A., ‘Germany. A Science Fiction’, Fort Wayne: Anti-Oedipus Press, 2014, pp. 263-264, ill.
Schlegel, Amy Ingrid,’ MANNA: Masterworks from the Tufts University Permanent Art Collection’, Medford: The Tufts University Art Gallery, 2014, p.102, ill.
Barrish, Erica, ‘Reductive Minimalism: Women Artists in Dialogue, 1960-2014’, p.11, ill.
George, Herbert, ‘The Elements of Sculpture’, London: Phaidon Press Limited, p.57, ill.
Pam Hatley, ‘Giving Up One’s Mark. Helen Frankenthaler in the 1960s and 1970s’, Buffalo: Albright-Knox Art Gallery, p.15, ill.
Petherbridge, Deanna,‘The Primacy of Drawing’, London: Yale University Press, 2014, p.170, ill.
Zwietnig-Rotterdam, Paul, ‘Wild Vegetation. From Art to Nature’, Munich: Hirmer Verlag GmbH, 2014, pp. 60, 234, ill.
The Jewish Museum New York, Norman L. Kleeblatt, ‘Mel Bochner. Strong Language’, New Haven: Yale University Press, 2014, p. 11, ill. (exh. cat.)
Cole, Lily, ‘Gabriel Orozco. Impossible Utopias’, London: Claire de Rouen Books, 2014, p. 74, ill.
Rubio, Fernando Dominguez, ‘Preserving the unpreservable: docile and unruly objects at MoMA’, on: www.escholarship.org, August 2014, pp. 7-8, ill.
Bradley, Fiona (ed.), ‘Drawing Water. Drawing as Mechanism for exploration’, Edinburgh: The Fruitmarket Gallery, 2014, p. 19, ill. (exh. cat.)
Fundación Jumex Arte Contemporaneo (ed.), ‘Habitar el Tiempo’, Madrid: Artes Graficas Palermo, 2014, p. 106, ill. (exh. cat.)
Kunz, Stephan (ed.), ‘Leitlinien. Die Kunst des Zeichnens’, Chur: Bündner Kunstmuseum Chur, 2014, p. 37, ill. (exh. cat).
Musée des Beaux-Arts de Nantes (ed.), ‘Agnès Thurnauer. Now When Then, Lyon: Frage, 2014, pp. 54-55, ill.
Best, Susan, ‘Eva Hesse’s Late Sculptures: Elusive Expression and Unconscious Affect’, in: Visualizing Feeling – affect and the feminine avant-garde’, Vancouver: I.B. Tauris & Co. Ltd, 2014, pp. 67-91, ill.
Filipovic, Elena (ed.), ‘Franz Erhard Walther: The Body Decides’, Brussels: WIELS Contemporary Art Centre, 2014, p. 27, ill.
Barnet, Sylvan, ‘A Short Guide to Writing about Art’, New York: Pearson, 2014, pp. 103-104, ill.

2013 Corà, Bruno (ed.), ‘Louise Nevelson’, Milan: Skira, 2013 (exh. cat.)
Pollock, Griselda, ‘After-affects. After-images. Trauma and aesthetic transformation in the virtual feminist museum’, Manchester: Manchester University Press, 2013, pl. 13, ill.
Grove, Jeffrey, Viso, Olga (eds.), ‘Jim Hodges: Give More Than You Take’, Dallas: Dallas Museum of Art, Minneapolis: Walker Art Center, 2013, p. 23, pl. 13, ill. (exh. cat.)
Ruth and Emer Wellin Museum of Art (ed.), ‘Dannielle Tegeder. Painting in the extended Field’, Clinton: Wellin, 2013, p. 21, ill.
Brüderlin, Markus (ed.), ‘Kunst & Textil. Stoff als Material und Idee in der Moderne von Klimt bis heute’, Ostfildern: Hatje Cantz, 2013, p. 228, p. 308-310, ill. (exh. cat.)
Hedbäck, Johan, ‘Wounded Trompe L’oeils, 2013’, in: Hans Isaksson. A Title, Stockholm: Björkholmen Gallery, 2013, p. 15
Museum Abteiberg (ed.), ‘Textiles: Open Letter. Abstraktionen, Textilien, Kunst’, Mönchengladbach: Museum Abteiberg, 2013, pp. 22-23
The Israel Museum Jerusalem (ed.), ‘Out of body: Fragmentation in Art’, Jerusalem: The Israel Museum, 2013, pp. 84-85
Meyer-Stoll, Christiane, ‘A Curious Contortion in the Method of Progress and “L’ellipse d’ ellipse”. A walk Trough Bojan Sarcevic’s Exhibitions in Vaduz and Villeurbanne’, in: Kunstmuseum Liechtenstein, Institut d’art contemporain, (ed.), ‘Bojan Sarcevic. A Curious Contortion in the Method of Progress. L’ ellipse d’ ellipse’, Cologne: Snoeck Verlagsgesellschaft mbH, 2013, p. 82, ill.
Fisher, Elizabeth, Fortnum, Rebecca (eds.), ‘On Not Knowing How Artists Think’, London: Black Dog Publishing, 2013, p. 89
Mundy, Jennifer, ‘Lost Art. Missing Artworks of the Twentieth Century’, London: Tate Publishing, 2013, pp. 1991-195
‘Art, Lux et Veritas. Personal Responses to Collections at Yale’, New Haven: Yale University Art Gallery, 2013, pp. 33-34
Holten, Johan, and Friedrich Meschede (eds.), ‘Auf Zeit’, Cologne: Verlag Buchhandlung Walther König, 2013, p. 97
Applin, Jo, ‘Eccentric Objects. Rethinking Sculpture in 1960s America’, New Haven: Yale University Press, 2013
Richmond, Susan, ‘Lynda Benglis. Beyond Process’, London: I.B. Tauris, 2013, pp. 19, 6
Stuckey, Charles, ‘Pollock. One: Number 31, 1950’, New York: The Museum of Modern Art, 2013, p. 39
Unterdörfer, Michaela (ed.), ‘Hauser & Wirth. 20 Years’, Ostfildern: Hatje Cantz, 2013
Moszynska, Anna, ‘Sculpture Now’, London: Thames & Hudson, 2013
Nyberg, Patrik, Jari-Pekka Vanhala (eds.), ‘Marja Kanervo. Esiinkatoavaa – (Dis)appearing’, Helsinki: Museum of Contemporary Art Kiasma, 2013, pp. 13, 27
Cucker, Felipe, ‘Manifold Manners. The Crossing Paths of the Arts and Mathematics’, Cambridge: Cambridge University Press, 2013, p. 145
Francis, Mark (ed.), ‘Robert Rauschenberg. Jammers’, London: Gagosian Gallery, 2013, p. 88

2012 Fogle, Douglas (ed.), ‘Intimate Immensity. The Susan and Lary Marx Collection’, Los Angeles: Hammer Museum, 2012, unpag., ill. (exh. folder)
The Agustin Fernandez Foundation (ed.), ‘Agustín Fernández. The Metamorphosis of Experience’, Milan: 5 Continents Editions, 2012, p. 31, ill.
Thun-Hohenstein, Felicitas, ‘Performanz und ihre räumlichen Bedingungen. Perspektiven einer Kunstgeschichte’, Vienna: Böhlau Verlag Wien Köln Weimar, 2012, p. 131, ill.
Chadwick, Whitney, ‘Women, Art, and Society. Fifth edition’, London: Thames & Hudson world of art, 2012, p. 339-341, 348, 379, 456, ill.
Jacobson, Karen, ‘Currents 35: Tara Donovan’, Milwaukee: Milwaukee Art Museum, 2012, p. 13
Catherine Morris, Vincent Bonin (ed.), ‘Materializing Six Years, Lucy R. Lippard and the Emergence of Conceptual Art’, Brooklyn: Brooklyn Museum, 2012, p. 8, 99, 103, ill. (exh. cat.)
Cramer, Sue, ‘Less is More: Minimal and Post-Minimal Art in Australia’, Bulleen: Heide Museum of Art, 2012, p. 21
de Chassey, Eric, Sylvie Ramond (eds.), ‘Soulages XXIe Siècle’, Paris: Editions Hazan, 2012, p. 58
McCarthy, Laurette E., ‘Swope Art Museum. Selected Works from the Collection’, Terre Haute: The Swope Art Museum, 2012, pp. 60-61
Cappellazzo, Amy, and Barbara Rose, ‘“We had to destroy it in order to save it”. Painting in New York in the 1970’s.’, New York: Christie’s, 2012, p. 32, ill. (cat.)
Kunstsammlung Nordrhein-Westfalen (ed.), ‘Fresh Widow. Fenster-Bilder seit Matisse und Duchamp’, Ostfildern: Hatje Cantz Verlag, pp. 149 – 162, ill. (exh. cat.)
Dander, Patrizia, Lorz, Julienne (eds.), ‘Skulpturales Handeln. Sculptural Acts’, Ostfildern: Hatje Cantz Verlag, 2012, pp. 79-82, ill. (exh. cat.)
Westheider, Ortrud, Michael Philipp (eds.), ‘New York Photography 1890-1950. Von Stieglitz bis Man Ray’, Munich: Hirmer Verlag, 2012, p. 231
Godø, Randi, and Dieter Roelstraete, ‘Camilla Løw. The Space of Shape-Time’, Oslo: Nasjonalmuseet for kunst, arkitektur og design, 2012, p. 17

2011 White, Kit, ’101 Things to Learn in Art School’, Cambridge: The MIT Press, 2011, plate 25, ill.
Derstine, Andria, Mason, Charles, Wiles, Stephanie (eds.), ‘Allen Memorial Art Museum. Highlights from the Collection’, Oberlin: Allen Memorial Art Museum, 2011, pp. 182-185, ill.
Franz, Erich (ed.), Possegger, Iris (ed.), ‘Aufbruch. Malerei und realer Raum’, Heidelberg: Verlag das Wunderhorn, 2011, pp. 118 – 119, ill.
Berry, Ian (ed.), Shear, Jack (ed.), ‘Twice Drawn. Modern and Contemporary Drawings in Context’, Munich: Prestel Verlag, 2011, pp. 58 – 59, 230, ill.
Celant, Germano, ’Arte Povera 2011’, Milan: Mondadori Electa S.p.A., p. 331, ill.
Holzwarth, Hans Werner, Taschen, Laszlo, ’Modern Art. Volume 2 1945-2000’, Cologne: Taschen, 2011, pp. 536-537, ill.
Foster, Hal, Rosalind Krauss, Yve-Alain Bois + [et al.], ‘art since 1900’, London: Thames & Hudson, 2011, pp. 547, 581
van Voolen, Edward, ’50 Jüdische Künstler. Die man kennen sollte’, Munich: Prestel Verlag, 2011, pp. 128-129, ill.
___, ’The Italian Sale. London 14 October 2011’, London: Christie’s, p. 38, ill.
___, ’Contemporary Drawings from the Iriving Stenn Jr. Collection’, New Haven: Yale University Press, 2011, pp. 66-67, ill.
Vartanian, Ivan, ‘Art Work. Seeing inside the creative process’, San Francisco: Chronicle Books LLC, 2011, pp. 32-41, ill.
Baskind, Samantha, Silver Larry, ‘Jewish Art. A Modern History’, London: Reaktion Books LTD, 2011, pp. 152-153, ill.
Molesworth, Helen (ed.), ‘Dance/Draw’, Ostfildern: Hatje Cantz, 2011, pp. 68-69
Shatter, Ranjani, ’Dewdrops and Sunshine’, Melbourne: The Council of Trustees of the National Gallery of Victoria’, 2011, pp. 19-21, ill.
Holzwarth, Hans Werner, ‘Modern Art 1870–2000 – Impressionism to Today’, Cologne: Taschen, 2011, pp. 536-537, ill.
Zelanski, Paul, Fisher, Mary Pat, ‘The Art of Seeing: Eight Edition’, Upper Saddle River: Prentice Hall, 2011
Wagner, Anne M. and Simon Wallis, ‘Eva Rothschild. Hot Touch’, Wakefield: The Hepworth Wakefield, 2011, p.9
___,‘Art Since 1940. Strategie of being’, New Jersey: Pearson, 2011, p. 297, ill.

2010 Conte, Lara, ’Materia, corpo, azione Ricerche artistiche processuali tra Europa e Sati Uniti 1966-1970’, Milan: Mondadori Electa S.p.A., 2010, p. 264, ill.
Meschede, Friedrich, de Werd, Guido (eds.), ‘Mit der Möglichkeit gesehen zu werden. Dorothee und Konrad Fischer: Archiv einer Haltung’, Barcelona: Museu d’Art Contemporani de Barcelona, 2010, pp. 302-303, ill.
Morineau, Camille, ‘ARTISTES FEMMES. DE 1905 À NOS JOURS’, Paris: Centre Pompidou, 2010, p. 89, ill.
Butler, Cornelia, Schwartz, Alexandra (eds.), ‘Modern Women. Women Artists at the Museum of Modern Art’, New York: MoMA, 2010, pp. 258-261, ill. (exh. cat.)
Jacob, Mary Jane, Grabner, Michelle (eds.), ‘The studio reader: On the space of artists’, London: The University of Chicago Press, Ltd., 2010, p. 61
Thomas, Karin, ‘Blickpunkt Moderne’, Cologne: DuMont Buchverlag, 2010, pp. 303, 385 f., n.p., no. 122, ill. in colour
Getlein, Mark, ‘Living with Art. Ninth Edition’, New York: McGraw Hill, 2010, p. 111, ill.
Arnason, H.H, Mansfield, Elizabeth C., ‘History of Modern Art’, Upper Saddle River: Prentice Hall, Pearson Education, 2010, pp. 630, ill.
Marzio, Peter C., ‘American Art & Philantropy. Twenty Years of Collecting at the Museum of Fine Arts, Houston’, New Haven: Yale University Press, 2010

2009 Davidts, Wouter, Paice, Kim (eds.), ‘The Fall of the Studio. Artists at Work’, Amsterdam: Valiz, pp. 119-140
Marcadé, Bernard, ’53 œuvres qui M‘Ébranlèrent le monde’, Paris: Beaux Arts Èditions, 2009, pp. 66, ill.
Kellein, Thomas, Grabner, Roman (ed.), ’1968, Die Grosse Unschuld’, Hamburg: DuMont Buchverlag, 2009, pp. 405-409, (exh. cat.)
Barron, Stephanie, (ed.) ‘Art of Two Germanys Cold War Cultures’, Los Angeles: Los Angeles County Museum, 2009, p. 316-317, ill.
Ware, Ian, ‘Floating Life: Contemporary Aboriginal Fibre Art’, Queensland: Queensland Art Gallery, 2009
Nackman, Rachel, ‘New York New Drawings 1946-2007’, Sergovia: Museo de arte contemporaneo esteban vicente, 2009, p. 320, ill.
Goldman, Judith, Scalapino, Leslie (eds.), ‘War and peace, the future’, Hampshire: O Books, 2009
The Art Institute of Chicago, ‘The Modern Wing’, Chicago: The Art Institute of Chicago, 2009
Morineau, Camille, Rimmaudo, Annalisa, ‘Women Artists, elles@centrepompidou’, Paris: Centre Pompidou, 2009, p. 149, ill. (exh. cat)
Moore, Padraic E., ‘Now’s the time’, Dublin: Dublin City Gallery The Hugh Lane, 2009
Thyssen-Bornemisza Art Contemporary, Eva Ebersberg, Daniel Zyman (eds.), ‘Jorge Otero-Pailos: The Ethics of Dust’, Cologne: Walther König, 2009
Hudson, Suzanne P., ‘Robert Ryman – Used Paint’, Cambridge/London: The MIT Press, 2009 (exh. cat.)
Cliff, Paul, ‘Soft Sculpture’, Canberra: National Gallery of Australia, 2009
Lange-Berndt, Petra, ‘Animal Art, Präparierte Tiere in der Kunst 1850-2000’, Munich: Verlag Silke Schreiber, 2009, p. 190, ill.
Bishop, Janet, Keller, Corey, Roberts, Sarah (eds.), ‘San Francisco Museum of Modern Art: 75 years of looking forward’, San Fransisco: SFMoMA, 2009
Halkin, Talya, Raz, Daphna (eds.), ‘Glass, Trends in Contemporary Art’, Tel Aviv: Litvak Gallery, 2009 (exh. cat)
Rennert, Susanne (ed.), ‘Gerhard Hoehme: Die Unruhe wächst’, Cologne: DuMont, 2009, p.147 (exh. cat)
Thomas, Elizabeth, ‘Matrix/Berkeley: A changing exhibition of contemporary art’, California: University of California/Berkeley Art Museum/Pacific Film Archive, 2009
Kennedy, Brian P., Burke, Emily Shubert (eds.), ‘Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art’, Hanover/London: University Press of New England, 2009 (exh. cat)
Rattemeyer, Christian, ‘Compass in Hand. Selection from The Judith Rothschild Foundation. Contemporary Drawings Collection’, New York: The Museum of Modern Art, 2009, p. 108, ill. (exh. cat)
Rattemeyer, Christian, ‘The Judith Rothschild Foundation. Contemporary Drawings Collection. Catalogue Raisonné’, New York: The Museum of Modern Art, 2009, p. 144, ill.
McMahon, Don, Cho, Christina (eds.), ‘If we could imagine’, Potomac: Glenstone Foundation, 2009, p. 93
Sharp, Robert, Stepina, Elizabeth, Weidemeyer, Susan, ‘Art Institute of Chicago: Pocketguide’, Chicago: The Art Institute of Chicago, 2009, p. 25, ill.
Sharp, Robert, Stepina, Elizabeth, Weidemeyer, Susan, ‘Art Institute of Chicago: The Essential Guide’, Chicago: The Art Institute of Chicago, 2009, p. 125, ill.
Temkin, Anne, Fer, Briony, Buchloh, Benjamin, Orozco, Gabriel, ‘Gabriel Orozco’, New York: The Museum of Modern Art, 2009, p. 38, ill.

2008 Monvoisin, Alain, ’Dictionnaire international de la Sculpture Moderne & Contemporaine’, Paris: Editions du Regard, 2008, pp. 242-243, ill.
Dublin City Art Gallery The Hugh Lane, ‘Now’s the Time’, Dublin: Dublin City Gallery The Hugh Lane, 2008, pp. 14, ill.
Jacobson, Karen (ed.), ‘Oranges and Sardines’, Los Angeles: Hammer Museum, 2008, p.72
Deppner, Prof. Dr. Martin Roman (ed.), ‘Die verborgene Spur, jüdische Wege durch die Moderne’, Osnabrück: Felix-Nussbaum-Haus Osnabrück Künstler, und Autoren Verlag, 2008, p. 86-87, ill.
Lipard, Lucy (ed.), ‘Eva Hesse. La forte charge existentielle’, Paris: Collection Art Graphique, Centre Pompidou, 2008, p. 329 ill.
Meyer, Peter (ed.), ‘Jan Groth`s Influences and Contemporaries’, Rogaland: Rogaland Museum of Fine Arts 2008, p. 108– 116 ill.
Noever, Peter (ed.), ‘Formlose Möbel. Formless Furniture’, Ostfildern: Hatje Cantz, 2008, p. 91, ill.
Colomar, Christina, Francis, Mark, ‘Rachel Whiteread’, Beverly Hills: Gagosian Gallery, 2008
Meyer-Stoll, Christiane, ‘Sammlung Rolf Ricke – Ein Zeitdokument’, Ostfildern: Hatje Cantz, 2008
Eshoo, Amy (ed.), ’560 Broadway. A New York Drawing Collection at Work, 1991-2006’, New York: Fifth Floor Foundation (in association with New Haven/London: Yale University Press), 2008, ill.
Weidemann, Christiane, Larass, Petra, Klier, Melanie, ’50 Künstlerinnen, die man kennen sollte’, Munich: Prestel, 2008, pp. 116-119, ill.
Thiem, Annika, ‘Unbecoming Subjects. Judith Butler, Moral Philosophy and Critical Responsibility’, Bronx: Fordham University Press, 2008, cover, ill.
Fondation Beyeler (ed.), ‘Action Painting’, Riehen: Fondation Beyeler, 2008, p. 156, ill.
Calouste Gulbenkian Foundation (ed.), ‘Drawing a Tension’, Lisbon: Calouste Gulbenkian Foundation’s Modern Art Centre, 2008 (exh. cat.)
Daros-Latinamerica AG/ Daros Services AG, ‘Face. The Daros Collection’, Zurich: The Daros Collection, 2008
Woithe, Gabriele, ‘Das Lebenswerk als Lebensgeschichte’, Berlin: Logos Verlag Berlin, 2008
Skov Holt, Steven, Holt Skov, Mara, ‘Manufractured: The Conspicuous Transformation of Everyday Objects’, San Fransisco: Chronicle Books, 2008, pp. 62, ill.

2007 de Zegher, Catherine, ‘Julie Mehretu: Drawings’, New York: Rizzoli International, 2007, p. 20, ill.
Thomas, Karin (ed.), ‘Kunst. Bildatlas’, Stuttgart: Ernst Klett Verlag, 2007, p. 32, ill.
de Zegher, Catherine (ed.), ‘Räume der Zeichnung’, Berlin: Akademie der Künste, Nuremberg: Verlag für moderne Kunst Nürnberg, 2007, pp. 189-211, ill.
Nittve, Lars, ‘Art Guide. Moderna Museet’, Stockholm: The Moderna Museet, 2007, pp. 46, 47, ill.
Sprague, Tiffany (ed.), ‘Art for Yale: Collecting for a New Century’, New Haven: Yale University Art Gallery, 2007 (exh. cat.)
Thomas, Karin, Fritz Seydel, and Hubert Sowa, ‘Kunst. Bildatlas’, Stuttgart/Leipzig: Ernst Klett Verlag, 2007, p. 32, ill.
Hall-Duncan, Nancy, and Peter C. Sutton, ‘Contemporary+Cutting Edge: Pleasures of Collecting, Part III’, Greenwich: Bruce Museum, 2007, pp. 18-19, ill. (exh. cat.)
Manca, Joseph, Patrick Bade, Sarah Costello, ’1000 Sculptures of Genius’, London: Sirrocco, 2007, pp. 478, 506, ill.
Bowman, Russell, and Thomas Connors, ‘Milwaukee Art Museum – Friends of Art Celebrating 50 Years’, Milwaukee: Milwaukee Art Museum, 2007
Drouin-Brisebois, Josée, ‘dé-con-structions’, Ottawa: National Gallery of Canada, 2007, p. 9, ill. (exh. cat.)
Boehm, Gottfried, Brandstetter, Gabriele + [et al.] (eds.), ‘Figur und Figuration. Studien zur Wahrnehmung und Wissen’, Munich: Wilhelm Fink Verlag, 2007, pp. 91-118, ill.
Heartney, Eleanor, Posner, Helaine, Princenthal, Nancy, Sue Scott (eds.), ‘After the Revolution Women Who Transformed Contemporary Art’, Munich/Berlin/London/New York: Prestel Verlag, 2007, ill.
Mark, Lisa Gabrielle, and Elizabeth Hamilton (ed.), ‘WACK! Art and the Feminist Revolution’, London: MIT Press, Los Angeles: MoCA, 2007, ill. (exh. cat.)
Wood, J., D. Hulks, A. Potts (eds.), ‘Modern Sculpture Reader’, Leeds: Henry Moore Institute, 2007, pp. 282-284
Baskind, Samantha, ‘Encyclopedia of Jewish american Artists’, London: Greenwood Press, 2007, pp. 141-144, ill.
Albus, Stefan, Christian Bonten, ‘KunststoffKunst – Eine tückische Erfolgsgeschichte’, Cologne: AXAArt Versicherung AG, 2007, pp. 53- 54, ill.
Beal, W.J. Graham, Mancoff, Debra N., ‘Treasures of the DIA. Detroit Institute of Arts’, Detroit: DIA, 2007, p. 420, ill.

2006 Lewis, Michael J., ‘American Art and Architecture’, London: Thames & Hudson, 2006, p. 293, ill.
Association des Revues Scientifiques et Cuturelles, ‘La Part de L‘Œil. Esthétique et phénoménolgie en mutation’, France, 2006
Wells, A.J., ‘Rethinking Cognitive Computation. Turing and the Science of Mind’, Hampshire/New York: Palgrave MacMillan, 2006, Cover, ill.
Yale University (ed.), ‘Yale Landmarks & Leaders’, New Haven: Yale University, 2006, p. 44, ill.

2005 Molesworth, Helen (ed.), ‘Part Object. Part Sculpture’, Columbus: Wexner Center for the Arts/The Ohio State University, 2005 (exh. cat.)

2003 Krannert Art Museum (ed.), Krannert Art Museum and Kinkead Pavilion. Annual Report 2002-2003’, Champaign, p. 7, ill.
National Gallery of Australia (ed.), ‘Building the collection’, Australia: Thames and Hudson, 2003, p. 230, ill. (exh. cat)
Smith, Elizabeth A. T., Storr, Robert, de Salvo, Donna, et al., ‘Lee Bontecou. A Retrospective’, New York: Harry N. Abrams, Inc., 2003, p. 186, ill. (exh. cat)
Cable Shaw, Patrick, Foster Carter E (ed.), et al., ‘Drawing Modern. Works from the Agnes Gund Collection’, Cleveland: The Cleveland Museum of Art, 2003, pp. 56-57, ill. (exh. cat.)
Elderfield, John (ed.), ‘Visions of Modern Art. Painting and Sculpture from The Museum of Modern Art’, New York: The Museum of Modern Art Publication, 2003, pp. 275, 297, ill. (exh. cat.)
University of Iowa Museum of Art (ed.), ‘Top 40! The Tom and Kitty Stoner Collection of Sculptor’s Drawings’, Iowa: University of Iowa Museum of Art, 2003, p. 49, ill. (exh. cat.)
Bippus, Elke, ‘Serielle Verfahren. Pop Art, Minimal Art, Conceptual Art und Postminimalism’, Berlin: Dietrich Reimer Verlag, 2003, pp. 152-156, figure 8, pp. 47-50, 52-58, ill.
Buskirk, Martha (ed.), ‘The Contingent Object of Contemporary Art’, Boston: The MIT Press, 2003, pp. 25, 31, 32, 134, 136, 145, 247, ill.
Cros, Caroline (ed.), ‘Hesse, Eva’, in: l’ABCdaire de la Sculpture du XXe siècle, Paris, 2003, pp. 62-63, ill.
Flam, Jack, Miriam Deutch, ‘Primitivism and twentieth-century art’, Berkeley/Los Angeles/London: University of California Press, 2003, pp. 337, 338, 404, ill.
Gaiger, Jason, Paul Wood, ‘Art of the Twentieth Century. A Reader’, New Haven/London: Yale University Press in association with The Open University, 2003, pp. 274-286, ill.
Grosenick, Uta, ‘Women Artists. Künstlerinnen im 20. und 21. Jahrhundert’, Cologne: Taschen Icons 2003, pp. 84-87, ill.
Joselit, David (ed.), ‘American Art Since 1945’, London: Thames & Hudson, 2003, pp. 113-114, ill.
Lee, Janie C., Melvin P. Lader, ‘Arshile Gorky. A Retrospective of Drawings’, New York: Whitney Museum of American Art/Herry N. Abrams, Inc., 2003, pp. 59, 75, 80, ill.
Stepina, Elisabeth (ed.), ‘The Art Institute of Chicago. The Essential Guide’, Chicago: The Art Institute of Chicago Publication, 2003, p. 279, ill.
Tsushima, Michiko, ‘The Space of Vacillation. The Experience of Language in Becett, Blanchot, and Heidegger’, Berne: Peter Lang AG/European Academic Publishers, 2003, cover, ill.

2002 Wadsworth Atheneum Museum of Art (ed.), ‘Noncomposition. Fitfteen case studies’ [text by Nicholas Baume], Hartford: Wadsworth Atheneum Museum of Art, 2002, pp. 6, 11, ill. (exh. cat.)
Whitney Museum of American Art (ed.), ‘New York Renaissance. Masterworks from the Whitney Museum of American Art’, New York: Whitney Museum of American Art, Milan: Electa, 2002, p. 38, ill. (exh. cat.)
Bayrische Staatsoper (ed.), ‘Richard Wagner. Siegfried’, Munich: Bayrische Staatsoper, 2002, p. 53, ill.
Centre National d’Art et de Culture Georges Pompidou (ed.), ‘Centre Georges Pompidou Paris’, Munich/Berlin/London/New York: Prestel, pp. 114-115, ill.
Helfand, Jessica, ‘Reinventing the Wheel’, New York: Princeton Architectural Press, 2002, p. 152-153, ill.
Helfenstein, Josef, Jonathan Fineberg (ed.), ‘Drawings of Choice. From a New York Collection’, Champaign: Krannert Art Museum, Little Rock: Arkansas Arts Center, Washington: University of Washington Press, 2002, pp. 60-61, ill.
Kort, Carol, Sonneborn, Liz (ed.), ‘A to Z of American Women in the Visual Arts’, New York: Facts On File, Inc., 2002, pp. 93-95, ill.
Philadelphia Museum of Art (ed.), ‘Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art’, Frome: Butler and Tanner Ltd., 2002, p. 135, ill.
Reulecke, Anne-Kathrin, ‘Geschriebene Bilder. Zum Kunst- und Mediendiskurs in der Gegenwartsliteratur’, Munich: Wilhelm Fink Verlag, 2002, cover, ill.
Schneider, Adams Laurie, Butcher, Philip A. (eds.), ‘Art across time’, New York: McGraw-Hill Companies, Inc., 2002, pp. 979-980, ill.
Stewart, Mary, ‘Launching the Imagination. A Comprehensive Guide to Basic Design’, New York: The McGraw Hill Companies, Inc, 2002, ill.
Wagner, Monika, Dietmar Rübel (eds.), et al., ‘Lexikon des künstlerischen Materials. Werkstoffe der modernen Kunst von Abfall bis Zinn’, Munich: Verlag C.H. Beck, 2002, pp. 131-135, ill.
Corby, Vanessa, Crawford, Joanne, ‘Making Sense of the City. Films and Photography of Arists in New York by Dorothy Levitt Beskind’, Leeds: University Gallery Leeds, 2002

2001 Barron, Stephanie, Zelevansky, Lynn, ‘Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections’, Los Angeles: Los Angeles County Museum of Art, New York: Harry N.Abrams, Inc., Publishers, 2001, p. 125, ill
Bocola, Sandro, ‘Timeslines. Die Kunst der Moderne 1870-2000’, Cologne: Taschen, 2001, pp. 122-130, ill.
Eidelberg, Martin, ‘Design 1935-1965. What Modern Was. Selections from the Liliane and David M. Stewart Collection’, Montreal/New York: Le Museé des Arts Décoratif de Montréal/ Harry N. Abrams, Inc, Publishers, 2001, pp. 280-284, ill.
Grosenick, Uta (ed.), ‘Women Artists. Künstlerinnen im 20. Und 21. Jahrhundert’, Cologne: Taschen, 2001, pp. 204-209, ill.
Rorimer, Anne (ed.), ‘New Art in the 60s and 70s Redefining Reality’, London: Thames&Hudson, 2001, pp. 20, 25-27, ill.
Schneede, Uwe M., ‘Die Geschichte der Kunst im 20. Jahrhundert’, Munich: Verlag C.H. Beck, 2001, pp. 223, 226, ill.
Schneegass, Christian, ‘Minimal-concept. Zeichenhafte Sprachen im Raum’, Berlin: Akademie der Künste, 2001, ill. (Abb. 113)
Sammlung Deutsche Bank, Grigoteit, Ariane (ed.), ‘Ein Jahrhundert. One Century’, Frankfurt: Deutsche Bank, 2001, pp. 132-133, ill.
Steinbrecher, Juliane (ed.), ‘Timelines. The Art of Modernism 1870-2000’, Cologne: Taschen, 2001, pp. 127, 128, 129, ill.
Whitechapel Art Gallery (ed.), ‘The Whitechapel Art Gallery Centenary Review. 17 articles, 23 artists’ pages, 198 images’, London: Whitechapel Art Gallery, 2001, p. 114, ill.
Whitney Museum of American Art (ed.), ‘American Visionaries. Selection from the Whitney Museum of American Art’, New York, 2001, p. 138, ill.

2000 Meyer, James, ‘Minimalism’, London: Phaidon, 2000
Independent Curators International (ICI) (ed.), ‘Beyond Preconceptions: The Sixties Experiment’, New York: Independent Curators International Publication, 2000, ill. (exh. cat.)
Van Keuren, Philip, Werner H. Kramarsky, et al., ‘On Drawing: A Conversation with Werner H. Kramarsky, Connie Butler, and Harry Cooper’, Dallas: Pollock Gallery, Southern Methodist University, 2000, ill. (‘Untitled’, 1964, reproduced in color, pp. 12-13) (exh. cat.)
Blazwick, Iwona, Simon Wilson (eds.), ‘Tate Modern: The Handbook’, London: Tate Gallery Publishing Limited, 2000, p. 170, ill.
Fineberg, Jonathan, ‘Art Since 1940: Strategies of Being’, Englewood Cliffs: Prentice Hall, 2000 (Second Edition), pp. 311-313, 315, 318, 381, 437, 481, ill.
Keller, Eva, Peter Fischer (eds.), ‘Daros’, Zurich: Daros Services, 2000, pp. 38, ill.
Landay, Janet, ‘The Museum of Fine Arts, Houston Visitors Guide’, London/Wappingers Falls: Scala Publishers Ltd./Antique Collectors’ Club, 2000, p. 131, ill. (Reproduction of ‘Untitled’, 1964, plate 4.22, p. 131)
Lauer, David A., Pentak, Stephen, ‘Design Basics’, Orlando: Harcourt Brace College Publishers, 2000, pp. 16, 96, ill.
Codognato, Mario, Coen, Ester (eds.), ’99 Artisti della Collezione Marzona’, London/Rome: West Zone Publishing/G.C.A.M.C. Galleria Comunale d’Arte Moderna e Contemporanea 2000, ill.
Williams, Richard J., ‘After Modern Sculpture. Art in the United States and Europe 1965-70’, Manchester/New York: Manchester University Press, 2000, pp. 3, 45, 50-55, 56, 89, ill.

1999 Danto, Arthur C., Jacob, Mary Jane et al., ‘Howard Ben Tré’, New York: Hudson Hills Press, p. 49, ill. (‘Repetition 19, III’, 1968, reproduced, p. 49) (exh. cat.)
Perry-Lehmann, Meira (ed.), ‘Modern Masterworks on Paper from The Israel Museum, Jerusalem’, Jerusalem: The Israel Museum, 1999, pp. 198-199, ill. (‘Untitled’, 1965, reproduced, p. 199) (exh. cat.)
Phillips, Lisa, ‘The American Century. Art & Culture 1950-2000’, New York: Whitney Museum of American Art, 1999, pp. 181, 183, 186, 186, 190, 194, 195, 231, ill. (exh. cat.)
Adams, Laurie Schneider, ‘Art Across Time, Volume II’, New York: McGraw-Hill College, 1999, pp. 911-912, ill.
Auping, Michael, ‘House of Sculpture’, Forth Worth: The Modern Art Museum of Forth Worth, 1999, p. 2, ill. (exh. cat.)
Ades, Dawn, Cox, Neil, Hopkins, David, ‘Marcel Duchamp’, London: Thames&Hudson, 1999, p. 209, ill.
Barlow, Margaret, ‘Women Artists’, Southport: Hugh Lauter Levin Associates, Inc., 1999, pp. 293-294, 298, 299, ill.
Bernard, Julia (ed.), ‘Germeriana. Unveröffentlichte oder übersetzte Schriften von Stefan Germer zur zeitgenössischen und modernen Kunst’, Cologne: Oktagon Verlag, 1999, pp. 162-163, 180, 227, 231, ill.
Maher, Mary (ed.), ‘Leonardo Drew’, Madison: Madison Art Center Publication, pp. 21, 27, ill.
Smith, Lucie, Edward, Judy, ‘Women and Art: Contested Territory’, Chicago, 1999, pp. 51, 124-125, ill.
Tobler, Jay (ed.), ‘The American Art Book’, London: Phaidon Press Limited, 1999, p. 200, ill.
Siegel, Jeanne, ‘Painters/Sculptors’, in: ‘Painting After Pollock: Structures of Influence’, Singapore: G+B Arts International, 1999, pp. 101-118, ill.
___, ‘Teaching Art Since 1950’, Washington: National Gallery of Art, 1999, pp. 50-52, ill.

1998 Aillagon, Jean-Jacques, et al., ‘Au Fil du Trait de Matisse à Basquiat’, Paris/Nimes: Centre Georges Pompidou/Carré d’Art/Musée d’art contemporain de Nimes, 1998, p. 112, ill. (exh. cat.)
Chadwick, Whitney, et al., ‘Mirror Women, Surrealism, and Images’, Boston: Massachusetts Institute of Technology, 1998, ill., plate 12 (exh. cat.)
Jacob, Mary Jane, ‘Containment and Chaos: Eva Hesse and Robert Smithson/Contenção e Caos: Eva Hesse e Robert Smithson’, in: XXIV Bienal de São Paulo: Núcleo Historico: Antropofagia e Histórias de Canibalismos, São Paulo: Fundação Bienal de São Paulo, 1998, pp. 470-485, ill. (exh. cat.)
Moszynska, Anna, Fer, Briony, ‘Liz Rideal: New Work’, Nottingham: Angel Row Gallery, 1998, ill. p. 13 (exh. cat.)
Causey, Andrew, ‘Sculpture Since 1945’, Oxford/New York: Oxford University Press, 1998, p. 139, ill.
Luckow, Dirk, ‘Wesenverwandschaft und Bezüge im Werk von Eva Hesse und Beuys’, in: ‘Jospeh Beuys und die amerikanische Anti Form-Kunst’, Berlin: Gebr. Mann Verlag, 1998, pp. 124, 129, 138, 140, 142, 144, 147, 149, 150, 152, ill.
Morgan, Robert C., ‘The End of the Art World’, New York: Allworth Press/School of Visual Arts, 1998, pp. 79-81, 84-89, 93-94, ill.
Oetker, Brigitte, Schneider, Christiane (eds.), ‘Mai 98. Positionen zeitgenössischer Kunst seit den 60er Jahren’, Cologne: Oktagon, 1998, pp. 60-61, 93-95, 120, ill.
Walther, Ingo F. (ed.), ‘Art of the 20th Century’ (2 vols.), Cologne: Taschen, 1998, pp. 536-537, 737-378, ill.

1997 Kobayashi, Yasuo, et al., ‘De-Genderism. Détruire dit-elle/il’, Tokyo: Setagaya Art Museum/Tankosha Publishing Company, Ltd., 1997 (exh. cat.)
Fer, Briony, ‘On Abstract Art’, New Haven/London: Yale University Press, 1997, pp. 106-130, ill.
Martin, Elizabeth, Meyer, Vivian ‘Female Gazes: Seventy-Five Women Artists’, Toronto: Second Story Press, 1997, p. 120
___, ‘Jewish Women in America: An Historical Encyclopedia’, New York: Carlson Publishing Company, 1997

1996 Bernadac, Marie-Laure, ‘Dessins: acquisitions 1992-1996’, Paris: Centre Georges Pompidou, Cabinet d’Art Graphique, 1996 (exh. cat.)
Bois, Yve-Alain, Rosalind Krauss, ‘L’informe: mode d’emploi’, Paris: Centre Georges Pompidou, 1996, p. 147.
de Zegher, M. Catherine (ed.), ‘Inside the Visible’ (includes essay by William Wilson, ‘Eva Hesse: On the Threshold of Illusions’), Boston/Cambridge: The Institute of Contemporary Art/The MIT Press, 1996, pp. 33-34, 252, 426-432, 468-470, 477, 484, 488
Jenker, Ingrid, ‘Contingent: Small Sculpture by Eva Hesse, 1966 – 68. Recent Works by Elspeth Pratt and Martha Townsend, 1992-1995’, Halifax: The Art Gallery, Mount Saint Vincent University, 1996, pp. 11-13
le Thorel-Daviot, Pascale, ‘Petit Dictionnaire des Artistes Contemporains’, Paris: Bordas, 1996, p. 119
Lucie-Smith, Edward, ‘Art Today’, London: Phaidon Press Limited, 1996, pp. 138, 149, 462, ill.
Wagner, Anne Middleton, ‘Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O’Keeffe’, Berkeley: University of California, 1996
Weatherspoon Art Gallery (ed.), ‘From a Curator’s point of view. Making Selections and Forging Connections’, Greensboro: Weatherspoon Art Gallery Publication, 1996, ill.
Wood, James N., ‘The Art Institute of Chicago: Twentieth Century Painting and Sculpture’, Chicago: Art Institute of Chicago, 1996, pp. 128, ill.

1994 Arthur, John, ‘Against All Odds: The Healing Powers of Art’, Kanagawa-ken: Hakone Open-Air Museum, 1994
de Mèredieu, Florence, ‘Histoire Matérielle & Immatérielle de l’Art Moderne’, Paris: Bordas, 1994
Fineberg, Jonathan, ‘Art Since 1940: Strategies of Being’, Englewood Cliffs: Prentice-Hall, 1994
Weber, Fox, Nicholas, Paul Overy, et al., ‘Josef Albers’, London: The South Bank Centre, 1994
Sayre, Henry M., ‘A World of Art’, Englewood Cliffs: Prentice Hall, 1994

1993 ARGE REAL (ed.), ‘Real Sex/ Real Real/ Real AIDS/ Real Text’, Klagenfurt: Verlag Ritter, 1993, pp. 230, ill.
Krauss, Rosalind E., ‘The Optical Unconscious’, Cambridge/London: MIT Press, 1993, pp. 309-320, ill

1992 Nye, Tim, McEvilley, Thomas ‘Leonardo Drew’, New York: Thread Waxing Space, 1992 (exh. cat.)
Danto, Arthur C., ‘Beyond The Brillo Box: The Visual Arts in Post-Historical Perspective’, New York: Farrar, Straus & Giroux Inc., 1992
Kurtz, Bruce, ‘Contemporary Art 1965-1970’, London: Calmann & King Ltd., 1992
Muthesius, Angelica, Riemschneider, ‘Erotik in der Kunst des 20. Jahrhunderts’, Cologne: Benedikt Taschen Verlag, 1992, p. 96

1991 Beesch, Ruth K., ‘Height Length Width’, Greensboro: Weatherspoon Art Gallery, The University of North Carolina at Greensboro, 1991 (exh. cat.)
Hoffman, Katherine, ‘Explorations: The Visual Arts Since 1945’, New York: Icon Editions, Harper Collins, 1991
Rogers-Lafferty, Ashton, et al., ‘Breakthroughs: Avant-Garde Artists in Europe and American, 1950-90’, New York: Rizzoli International Publications, 1991

1990 Armstrong, Richard, John G. Hanhardt, et al., ‘The New Sculpture 1965-75: Between Geometry and Gesture’, New York: Whitney Museum of American Art, 1990 (exh. cat.)
Petzinger, Renate, Rattemeyer, Volker ‘Künstlerinnen des 20. Jahrhunderts’, Kassel: Verlag Weber & Weidemeyer GmbH, Wiesbaden: Museum Wiesbaden, 1990 (exh. cat.)
Topping, Brett (ed.), ‘Four Centuries of Women’s Art’, Washington: The National Museum of Women in the Arts, 1990 (exh. cat.)
Rogers-Lafferty, Sarah, Soldaini, Antonella, et al., ‘Art in Europe and America: The 1950s and 1960s’, Columbus: The Wexner Center for the Visual Arts/Ohio State University, 1990 (exh. bro.)
___, ‘Changing Perceptions: The Evolution of Twentieth Century American Art’, Greensboro: Weatherspoon Art Gallery/University of North Carolina, 1990 (exh. cat.)
___, ‘Hesse, Lawler, Martin, Meyer, Pfaff, Smith, Winsor’, New York: Holly Soloman Gallery, 1990
Langdon, Ann R., ‘Women Visual Artists You Might Like to Know’ [reference guide for teachers], North Haven: William J. Mack Co., 1990
Rubinstein, Charlotte Streifer, ‘American Women Sculptors: A History of Women Working in Three Dimensions’, Boston: G.K. Hall & Co, 1990

1989 Armstrong, Tom, Larson, Susan ‘Art in Place: Fifteen Years of Acquisitions’, New York: Whitney Museum of American Art, 1989 (exh. cat.)
___, ‘Made in America’, Virginia Beach: Virginia Beach Center for the Arts Publication, 1989 (exh. cat.)
Britt, David (ed.), ‘Modern Art: Impressionism to Post-Impressionism’, London: Thames and Hudson, 1989
Collischan, Judy, Leavitt, Thomas et al., ‘Lines of Vision: Drawings by Contemporary Women’, New York: Hudson Hills Press, 1989

1987 Krane, Susan, Evren, Robert (eds.), ‘The Painting and Sculpture Collection: Acquisitions since 1972’, Buffalo: Albright-Knox Art Gallery, New York: Hudson Hills Press, 1987

1986 Betti, Claudia, and Salee Teel, ‘Drawing: A Contemporary Approach’, New York: CBS College Publishing, 1986

1984 Buchloh, Benjamin H. D., ‘Eva Hesse’, in: ‘Von hier aus Dusseldorf’, 1984 (exh. cat.)
Moderna Museet (ed.), ‘Flykpunkter/Vanishing Point’, Stockholm, 1984, pp. 111-139
Rubin, William (ed.), ‘‘Primitivism’ in 20th Century Art’, New York: Museum of Modern Art, 1984
Schjeldahl, Peter, ‘Art of Our Time: The Saatchi Collection’, London: Lund Humphries, vol.1, 1984, pp. 23-25

1981 Parker, Rosy, Griselda Pollock, ‘Old Mistresses: Women, Art and Ideology’, London: Oresko Books, 1981, pp. 153, 156

1980 Endicott Barnett, Vivian, ‘Handbook: The Guggenheim Museum Collection’, 1900-1980, New York: Solomon R. Guggenheim Museum, 1980, pp. 514-515

1979 Billeter, Erika, ‘Weich und Plastisch’, Zurich: Kunsthaus Zürich, 1979
Holt, Nancy (ed.), ‘The Writings of Robert Smithson’, New York: New York University Press, 1979, p. 35

1977 Krauss, Rosalind, ‘Passages in Modern Sculpture’, Cambridge: MIT Press, 1977

1975 Nemser, Cindy, ‘Art Talk: Conversations with 12 Women Artists’, New York: Charles Scribner’s Sons, 1975

1973 Lippard, Lucy R., ‘Six Years: The Dematerialization of the Art Object’, New York: Praeger, 1973

1972 Bonito Oliva, Achille, ‘El Territorio Magico: Comportamenti Alternativi dell’Arte’, Florence: Centro di Edizioni, 1972, pp. 67, 111

1971 (letter from Eva Hesse to Sol LeWitt) ‘Sol LeWitt’, Den Haag: Haags Gemeentemuseum, 1971 (exh. cat.)
Lippard, Lucy R., ‘Changing: Essays in Art Criticism’, New York: E.P. Dutton, 1971

1970 Owens-Corning Fiberglas Center (ed.), ‘Tony Delap, Frank Gallo, Eva Hesse. Trio’, New York: Owens-Corning Fiberglas Center, 1970 (exh. bro.)

1969 Prokopoff, Stephan S., ‘Plastic and New Art’, Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1969 (exh. cat.)
___, ‘Art in Process IV’, New York: Finch College, 1969 (exh. cat.)
Celant, Germano, ‘Arte Povera’, Milan: Gabriele Mazzotta, 1969, pp. 56-60 (also published as: Art Povera: ‘Earthworks-Impossible Art-Actual Art-Conceptual Art’, New York: Praeger)

1968 Battock, Gregory (ed.), ‘Minimal Art’, New York: E.P. Dutton, 1968

Press

2019 Luckel, Madeleine, ‘Konekt Creates Its First Lighting Collection, Inspired by Eva Hesse and Medieval Chain Mail’, on: www.architecturaldigest.com, Los Angeles, 2 April 2019
Sifo’n, Sara Torres, ‘Woman Art House. Eva Hesse’, on: www.plataformadeartecontemporaneo.com, Madrid, 22 March 2019, ill.
Begleiter, Marcie, ‘No footage? No problem! Eva Hesse. A Feature Documentary Crafted from Archives’, in: Brooklyn Rail, New York, March 2019, p. 42, ill.

2018 Christiane Schmidt-Maiwald, ‘Textil als Material in der zeitgenössischen Kunst’, in: Kunst + Unterricht, Seelz: Friedrich Verlag, Heft 427/428, No. 51427, December 2018, p. 66, ill.
Bradley, Paige Katherine, ''More Than Minimal. Feminism and Abstraction in the ‘70s’ at the Rose Art Museum in Waltham', in: Garage Magazine, Brooklyn, issue 15, October 2018, pp. 84-89, ill.
Rockefeller, Hall D., 'Life and Work of Eva Hesse, Pioneer of Postmodern Sculpture', on: www.thoughtco.com, New York, 29 October 2018, ill.
Menard, Kate, 'Eva Hesse: Arrows and Boxes, Repeated at Craig F. Starr Gallery’, on: Arte Fuse, New York, 20 April 2018
Baker, R.C., ’Everything Old School Is New Again’, on: The Village Voice, New York, 28 March 2018
Black, Paul, ’Glenstone: Immersive Pro-enviromental Expansion Larger Than The Whitney Museum’, on: Artlyst, London, 19 March 2018

(cont'd) ___, 'Sotheby's to Auction Drawings from the Betsy Witten Collection', on: www.uk.blouinartinfo.com, New York, 1 March 2018
Muñoz-Alonso, Lorena, 'ART AND SPACE: Guggenheim Museum Bilbao, Spain', in: Frieze, London, March 2018, pp. 192-193
Genzlinger, Neil, 'Robert Pincus-Witten, Art Critic and Historian, Is Dead at 82', on: www.nytimes.com, New York, 31 January 2018
Farago, Jason, 'Fresh Take on Faith and Art', in: The New York Times, New York, 26 January 2018, pp. C19-C22
Prince, Cathryn J., '650 works from NY Jewish Museum’s private stockpile on show in massive exhibit', on: www.timesofisrael.com, Jersualem, 19 January 2018
Hilsenrath, Ella, 'Reading the Diaries of Eva Hesse, and Embracing the Art World as an Introverted Woman', on: www.ordoesitexplode.com, New York, 11 January 2018
Martín, Patricia, 'La vida no dura', on: www.elfinanciero.com.mx, Mexico City, 11 January 2018
___, 'Oberlin art museum to celebrate former college professor', on: www.morningjournal.com, Lorain, 9 January 2018

2017 Earnest, Jarrett, ‘Lucy Lippard with Jarrett Earnest’, on: brooklynrail.org, New York, 13 December 2017
Carrigan, Margaret, ‘‘Art and Space’ at Guggenheim Bilbao Invites in Underrepresented Artists’, on: observer.com, New York, 8 December 2017
Gopinath, Gabrielle, ‘Gimme Shelter’, on: www.northcoastjournal.com, Eureka, 30 November 2017 Almeida-Shore, Dr. Mary Jo, ‘The Wait is Over- The Bass is Back!’, on: communitynewspapers.com, Miami, 28 November 2017
Barrilà, Silvia Anna, Marta Adelaide Marchesoni, ‘Wirth: “Leader con 24 archivi Focus su studio e mercato”’, in: Il Sole 24 Ore, Milan, 25 November 2017
Lau, Lucy, ‘Leading contemporary art gallery Hauser & Wirth opens holiday pop-up bookstore in Vancouver’, on: www.straight.com, Vancouver, 24 November 2017
Garrett, Nancy, ‘Wonder Women! Draws Parallels Between Inspirational Artists And The Superhero Icon’, on: georgetownvoice.com, Washington DC, 18 November 2017
___, ‘Landmark Leonardo crowns stunning $1.4 billion week’, on: www.christies.com, New York, 17 November 2017
Lawrence, James, ‘Sold Recollections’, in: Gagosian Magazine, London, November 2017, pp. 40-45
‘Auction Preview: 20th Century & Contemporary Art Day Sale Morning Session at Phillips, New York, Nov 15’, on: www.blouinartinfo.com, New York NY, 10 November 2017
Eisner, Ken, ‘Leonard Cohen wires Vancouver Jewish Film Festival’, on: www.straight.com, Vancouver, Canada, 1 November 2017
‘A Moving Portrait’, on: thejewishnews.com, Detroit MI, 30 October 2017
Bloom, Nate, ‘Jews of MLB! Amy Schumer does drama! And a whole mess of new stuff on Netflix’, on: www.jweekly.com, San Francisco CA, 24 October 2017
Brady, Harris and Gareth Harris, ‘Frieze Artists Keep it Surreal’, in: The Art Newspaper, London, UK, 7 – 8 October 2017, p. 1
Warde-Aldam, Digby, ‘Frieze London 2017 in Review: The Good, The Bad and The Celebrities’, on: www.blouinartinfo.com, New York NY, 5 October 2017
Gerlis, Melanie, ‘Adventurous art collection of Jerome and Ellen Stern comes to Sotheby’s’, on: theartnewspaper.com, London, UK, 20 September 2017
Smith, Roberta, ‘A Nervy Makeover for Post-War Art’, in: The New York Times, New York NY, 15 September 2017, pp. C18-19
McGinnes, Mac, ‘A Recollection of Eva Hesse’s Untitled or Not Yet’, on: openspace.sfmoma.org, San Francisco CA, 12 September 2017
Sutton, Benjamin, ‘How Eva Hesse Embraced Absurdity in Life and Art’, on: hyperallergic.com, New York, 25 August 2017
Smallwood, Christine, ‘Why Are So Many Artists Making Work That Lies on the Floor?’, in: T: The New York Times Style Magazine, New York, 20 August 2017, pp. 169-172
Thill, Vanessa, ‘At the Borderline of Uncontrollability: Six Lessons from Eva Hesse’, on: www.artinamericamagazine.com, New York, 8 August 2017
___, ’9 Art Events to Attend in New York City This Week’, on: www.artnews.com, New York, 10 April 2017, ill. in b/w
Landes, Jennifer, ‘Preserving the Legacy of Hesse’, on: www.easthamptonstar.com, East Hampton, 23 February 2017
Crichton-Miller, Emma, ‘Turning women’s work into art, on: www.apollo-magazine.com, London, 15 February 2017, ill. in colour
Goldman, Edward, ‘Must-see documentaries about great artists’, on: www.huffingtonpost.com, New York, 21 February 2017, ill. in colour

2016 Adams, Alexander, ‘Despair, Pleasure, and Pride. Eva Hesse’s diaries are moving but share few of her ideas about art’, in: The Art Newspaper, no. 282, September 2016, ill.
Collings, Matthew, ‘Eva Hesse on assholes and existentialists’ [interview], in: ArtReview, London, November 2016, pp 72-74, ill.
Wolfe, Jennifer, ‘Portrait of the Artist as a Young Woman: Documenting the Innovation and Influence of Eva Hesse’, on: www.creativeplanetnetwork.com, New York, 27 June 2016, ill.
Suttel, Scott, ‘Ten new things to do in Cleveland through June 30’, on: www.crainscleveland.com, Cleveland, 23 June 2016
de Verges, Jolene, ‘Eva Hesse: review of the documentary’, on: www.hamonlibraryblog.org, Dallas, 21 June 2016, ill.
Scott, A. O., ‘A Moving Chronicle of a Flame That Burned Only Briefly, but Furiously’, in: The New York Times, New York, 27 April 2016, p. C4, ill.
Traps, Yevgeniya, ‘Remembering the Transcendent Meditations of Eva Hesse’, on: www.forward.com, New York, 22 May 2016, ill.
Reis, Victoria, ‘Remembering Eva Hesse’, on: www.thejewishmuseum.org, New York, 17 May 2016, ill.
Abatemarco, Michael, ‘Brief light: “Eva Hesse”’, on: www.santafenewmexican.com, Santa Fe, 13 May 2016, ill.
Linden, Sheri, ‘‘Gutsiness right from the get-go’: Documentary shines light on artist Eva Hesse’, on: www.latimes.com, Los Angeles, 12 May 2016, ill.
Morgenstern, Joe, ‘‘Eva Hesse’ Review: The Persitence of the Ephemeral’, on: www.wsj.com, New York, 12 May 2016, ill.
Ketchum, Amy Lee, ‘Eva Hesse’, on: www.tinymixtapes.com, May 2016
Miranda, Carolina A., ‘Groundbreaking sculptor Eva Hesse finally gets a documentary that tells the story of her life and work’, on: www.latimes.de, Los Angeles, 11 May 2016, ill.
Anastas, Rhea, ‘When attitude becomes norm’, in: Artforum, New York, May 2016, pp. 107-110, ill.
Reimer, Susan, ‘A serious and soulful Artist’, on: www.thejewishweek.com, New York, 10 May 2016, ill.
Finkel, Jori, ‘Portrait of the artist as a young woman: inside the mind of Eva Hesse’, on: www.theartnewspaper.com, London, 5 May 2016, ill.
Zohn, Patricia, ‘CultureZohn: The Wizardry of Eva Hesse’, on: www.huffingtonpost.com, New York, 27 April 2016, ill.
Boykoff Baron, Joan, Baron, Reuben, ‘Vulnerable Visionary: Eva Hesse, A Film By Marcie Begleiter, on: www.artcritical.com, New York, 26 April 2016, ill.
Felsenthal, Jula, ‘The Director of Eva Hesse on Why the Documentary Is Long Overdue’, on: www.vogue.com, New York, 26 April 2016, ill.
Scott, A. O., ‘Review: “Eva Hesse” Offers a Moving Portrait of an Artist’s Brief Life’, on: www.nytimes.com, New York, 26 April, 2016, ill.
Hoberman, J., ‘A Brilliant Magpie’, on: www.tabletmag.com, New York, 26 April 2016, ill.
Iversen, Margaret, ‘Desire and the Diagrammatic’, in: Oxford Art Journal, Oxford, vol. 39, no. 1, 2016, p. 6, ill.
Kale, Sirin, ‘Remembering Eva Hesse, art’s forgotten female pioneer’, on: www.dazeddigital.com, London, 11 April 2016, ill.
Litt, Steven, ‘Cleveland Museum of Art needs more shows like new exhibit on Sol LeWitt and Eva Hesse (photos)’, in: The Cleveland, Cleveland, 5 April 2016, ill.
Lempesis, Dimitris, ‘Eva Hesse and Sol LeWitt-Converging Lines’, on: www.dreamideamachine.com, New York, 3 April 2016, ill.
Usmani, Josh, ‘‘Converging Lines’ at CMA Highlights Two Artists’ Enduring Friendship’, on: www.clevescene.com, Cleveland, 28 March 2016, ill.
Neuendorf, Henri, ‘New Documentary on Revolutionary Female Artist Eva Hesse to Launch in April’, on: www.news.artnet.com, New York, 23 March 2016, ill.
___, ‘Documentary about the art and life of Eva Hesse to open at Film Forum in New York on April 27’, on: www.artdaily.com, New York, 23 March 2016, ill.
Green, David B., ’1936: A Bold, Witty Sculptress Dies Terribly Young’, on: www.haaretz.com, Tel Aviv, 11 January 2016, ill.

2015 Haselbeck, Helmut, ‘Zur Titelabbildung’, in: Sozialpsychaitrische Informationen, Hannover, vol. 4, April 2015, pp. 2-3, ill. (cover)
Brooks, Katherine, ‘Sol LeWitt’s Advice to Eva Hesse is what every creative person needs to hear’, on: www.huffingtonpost.com, New York, 28 October 2015, ill.
Ed Krčma, ‘Eva Hesse’s Wanton Duality: Liquidity and Compression in the Mechanical Drawings of 1965’, in: Master Drawings, vol. LIII, No. 3, Autumn 2015, New York NY: Master Drawings Association, 2015
Flusfeder, David, ‘Can art still shock in the age of the extreme selfie?’, on: www.theguardian.com, London, 5 October 2015
Sebastian Smee, ‘Addison shows how Hesse and LeWitt impacted one another’, in: The Boston Globe, Boston, 24 September 2015, ill.
Kölmel, Mara-Johanna, ‘Material Matters, Porous Solutions’ in: Die Nadel. Kulturwissenschaftliche Zeitschrift für Kunst und Medien, Lüneburg, vol. 03, 2015, pp. 104-105, ill.

2014 Dominguez Rubio, Fernando, ‘Preserving the unpreservable. Docile and unruly objects at the MoMA’, on: www.escholarship.org, San Diego, August 2014, ill.
Green, Kate, ‘Review: Eva Hesse and Sol Lewitt at the Blanton Museum of Art’, on: www.blouinartinfo.com, New York, 27 April 2014, ill.
Plagens, Peter, ‘A Touching Connection’, on: www.online.wsj.com, Austin, 22 April 2014, ill.
Dylan Mitchell, Samantha, ‘Converging Lines: Eva Hesse and Sol Lewitt’, on: www.brooklynrail.org, New York, 2 April 2014
Adams, Rachel, ‘Converging Lines: Eva Hesse and Sol Lewitt’, on: www.artsandculturetx.com, Dallas, 27 March 2014, ill.
Szymánski, Wojciech, ‘All about Eve. Eva Hesse and the Post-Minimalist Romantic Irony’, on: www.riha-journal.org, RIHA Journal 0082, 12 March 2014
Nedo, Kito, ‘Gego & Eva Hesse. Hamburger Kunsthalle’, in: Frieze, London, March 2014, p. 153, ill.
Büsing, Nicole, Klaas, Heiko, ‘Eva Hesse’, in: artist. Kunstmagazin, Bremen, February – April 2014, pp. 42-47, ill.
Kunz, Sabine Mila, ‘Freiheit und Disziplin. Eva Hesse und Gego in der Hamburger Kunsthalle’, in: Szene Hamburg, Hamburg, February 2014
Corsten, Volker, ‘Spielen im Raum’, in: Weltkunst, Hamburg, February 2014, pp. 84-85, ill.
Roberts, Veronica, ‘Converging Lines: Eva Hesse And Sol Lewitt’, on: www.incollect.com, Watertown, 29 January 2014, ill.
Vahland, Kia, ‘Kopf aus Stein, Herz aus Baumwolle’, in: Süddeutsche Zeitung, Munich, 18/19 January, ill
Fölsing, Ulla, ‘Schlingen und Schläuche’, in: Der Tagesspiegel, Berlin, 12 January 2014, ill.
Cruz, Cynthia, ‘Context and Silence: On the Art Writings of Eva Hesse and Cady Noland’,
on: www.hyperallergic.com, New York, 10 January 2014
Karich, Swantje, ‘Die vertriebenen Töchter der Stadt kehren endlich zurück’, in: Frankfurter Allgemeine Zeitung, Frankfurt/Main, 3 January, ill.
___, ‘Vergrösserung der Idee’, in: Zeitkunst, Neu-Isenburg, January 2014, ill.
Kupitz, Gunthild, ‘Die Unvollendete’, in: Nova, Hamburg, January 2014, ill.
___, ‘Mondän Minimal’, in: Architectural Digest, December 2013/January 2014
___, ‘Delicate Structures’, in: Aesthetica, York, December 2013/January 2014, p. 21, ill.

2013 Keats, Jonathan, ‘Before Snapchat, There Was Eva Hesse (See Her Art While It Lasts)’, on: www.forbes.com, New York, 13 December 2013
Bénichou, Anne, ‘Esses documentos que sao também obras…’, in: Revista Valise, December 2013, pp. 171-191
Buhr, Elke, ‘Preview. Eva Hesse in Hamburg’, in: Monopol, Berlin, Dezember 2013, pp. 139-140
Jürgs, Michael, ‘Fäden des Lebens’, in: Art. Das Kunstmagazin, Hamburg, Dezember 2013, pp. 34-44
Kipphoff, Petra, ‘Aller Anfang ist Linie’, in: Die Zeit, Hamburg, 5 December 2013, ill.
Engler, Katja, ‘Die Kraft der Wiederholung’, in: Die Welt/Feuilleton, Berlin, 2 December 2013, ill.
Gardner, Belinda Grace, ‘Flüchtige Avantgarde’, in: Welt am Sonntag, Hamburg, 24 November 2013, p. 13, ill.
Fischer, Katharina, ‘Eine ungemein produktive Frau’, in: Frankfurter Allgemeine Sonntagszeitung, Frankfurt, 24. November 2013, p. R5
Rojas, Laurie, ‘Two come home to Hamburg’, in: The Art Newspaper, London, November 2013, p. 48, ill.
Fransoni, Alessio, ‘L’eccentrico e il negativo: Eva Hesse e Marisa Merz’, in: quaderni di scultura contemporanea, Vol. 11, Rome: edizioni della cometa , 2013, pp. 16-25
Kelleher, Sarah, ‘Eva Hesse 1965’, in: Enclave Review, Cork, 12 September 2013, p. 4, ill.
Pfeiffer, Prudence, ‘Eva Hesse 1965. Edited by Barry Rosen’, in: Bookforum, New York, Sept/Oct/Nov 2013, p. 28, ill.
Larios, Pablo, ‘When Attitudes Become Form’, in: Frieze, London, September 2013, p. 166
Bocherdt, Gesine, ‘Zwischen Pietät und Prestige’, in: Welt am Sonntag, Berlin, 11 August, p. 43, ill.
Swenson, Kirsten, ‘ Eva Hesse: “Pre- Sculpture”’, on: www.yalepress.wordpress.com, London, 4 April 2013, ill.
___, ‘ Women’s History Month Artists: Celebrating WHM with Eva Hesse as the Nine of Hearts’, on: www.huffingtonpost.com, 28 March 2013, ill.
Bodin, Claudia, ‘ Die Strasse der Künstler’, in: Art, Hamburg, April 2013, pp. 82- 90, ill.
Graham-Dixon, Celia,’ EVA HESSE,1965, Off the wall’, on: www.yalebooks.wordpress.com, London, 8 March 2013, ill.
Tapply, Sue, ‘Artist Eva Hesse in London’, on: www.womensviewsonnews.org, London, 22 February 2013, ill.
Grant, Simon, ‘Interview with Helen Charash about the life and work of her late sister Eva Hesse’, on: www.tate.org.uk, London, 22 February 2013, ill.
Pilger, Zoe, ‘Eva Hesse 1965’ in: The Independent, London, 14 February 2013, p. 53, ill.
___,‘London – Eva Hesse: “1965” at Hauser & Wirth trought March 9th, 2013’ on: www.artobserved.com, New York, 11 February 2013, ill.

2012 Hyun-gi, Noh, ’Sculptor Hesse’s torment comes to life’, in: The Korea Times, Seoul, 3 March 2012, ill.
Min-young, Park, ‘Looking back on Eva Hesse’, on: www.koreaherald.com, Seoul, 1 March 2012, ill.
Mac Adam, Alfred, ’Eva Hesse. Brooklyn Museum’, in: ARTnews, New York, February 2012, ill.
___, ‘Haunted’, on: www.tabletmag.com, New York, 5 January 2012

2011 , ‘‘, in: The L Magazine, New York, 15 December 2011, ill.
___, ‘Curator’s Choice. Jenni Lomax Director of the Camden Arts Centre, London’, in: Modern Painters, New York, October 2011, p. 22, ill.
Pollack, Maika, ‘Painting as Mirror’, in: The New York Observer, New York, 10 October 2011, pp. B6-B7, ill.
Rosenberg, Karen, ‘What Hesse, the Painter, Thaught Hesse, the Sculptor’, in: New York Times, New York, 7 October 2011, p. C28, ill.
Buhmann, Stephanie, ‘Eva Hesse and Sol LeWitt’, in: The Brooklyn Rail, New York, 6 May 2011

2010 ___, ‘Eva Hesse Spectres 1960’, in: THE Magazine, December 2010, p.55, ill.
D.A., in: THE Magazine, Santa Fe, December 2010, ill.
Smith, Roberta, ‘Eva Hesse Spectres 1960’, on: www.thenewyorktimes.com, New York, 12 November 2010
Donohue, Marlena, ‘Eva Hesse’, in: INTROspective Magazine, Oakland, October 2010, ill.
___, ‘Highways, Inc. Presents Meditations: Eva Hesse, Opens 9 / 24’, in: Broadway World Online, Santa Barbara, 17 August 2010, ill.
Camih, Leslie, ‘Just Looking/Eva Hesse’, in: T Magazine, New York, 25 March 2010
Schwabsky, Barry, ‘Eva Hesse’, in: Art Forum, New York, April 2010, pp. 205-206
Viveros-Fauné, Christian, ‘Meanwhile, Uptown…’, in: Village Voice, New York, March 2010, p. 37
__, ‘The House of Hesse’, in: Interior Design, New York, February 2010, p. 28
Evans, Oliver, ‘Art Previews. Eva Hesse’, in: Dazed and Confused, London, January 2010
___, ‘Fivebest Exhibitions’, in: The Independent, London, 6 January 2010, ill.
Cotter, Holland, ‘Eva Hesse’, in New York Times, New York, 16 April 2010

2009 ___, ‘Eva Hesse: Studioworks’, in: Monopol, Berlin, Ocotber 2009, p. 126, ill.
Walsh, John, ‘The festive adventures of Sherlock Holmes’, in: The Independent, London, 28 December 2009, ill.
Sumpter, Helen, ‘The enigmatic art of Eva Hesse’, in: Time Out, London, 29 December 2009, ill.
Cummin, Laura, ‘Review of the year: You should have seen the desecration’, in: The Observer, London, 12 December 2009
___, ‘Picture This’, in: Saatchi Art & Music, London, Winter 2009, ill.
___, ‘Eva Hesse: Studiowork’, in: The FT Weekend, London, 12 December 2009
Güner, Fisun, ‘Eva Hesse: Studioworks’, in: Metro, London, 15 December 2009
___, ‘Critics choice, major Spaces’, in: Time Out, London, 15 December 2009
Grosse, Julia, ‘Haarige Strukturen’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 12 December 2009, ill.
JL, ‘Exhibitions Eva Hesse’, in: The Guardian Guide, London, 5 December 2009, p. 38, ill.
Lesso, Rosie, ‘Eva Hesse: Studioworks’, in: Art Monthly, London, December 2009-January 2010, p. 332, ill.
I.M., ‘Eva Hesse: Studioworks’, in: The Art Newspaper, London, December 2009
Tatley, Roger, ‘Nachlässe’, in: Monopol, Berlin, December 2009, p. 55
___, ‘Eva Hesse: „Studiowork“’, in: Monopol, Berlin, October 2009
___, ‘Eva Hesse: „Studiowork“’, in: Frieze, London, issue 126, October 2009
Levy, Paul, ‘Eva Hesse: A Pioneer of modern sculpture’, in: The Wall Street Journal, New York, 4-6 September 2009
Macmillan, Duncan, ‘Little marvels’, in: The Scotsman, Edinburgh, 8 September 2009, p. 38, ill.
Levy, Paul, ‘Eva Hesse: A Pioneer of modern sculpture’, in: The Wall Street Journal, New York, 4-6 September 2009, ill.
Mundy, Rebecca, ‘A Guide to the Edinburgh Art Festival’, in: Scottish Art News, Edingburgh, Issue 12, Autumn 2009, p. 68, ill.
Leaver-Yap, Isla, ‘Eva Hesse: Present Tense’, in: MAP, Dundee, Autum 2009, ill.
Mansfield, Susan, ‘The legacy of Eva Hesse’, in: The Scotsman, London, 4 August 2009, pp. 43-44, ill.
___, ‘Three Weeks’, in Visual Art, August 2009, ill.
Pottinger, Becca, ‘Eva Hesse’, in: The Skinny, London, issue 47, August 2009, ill.
___, ‘Eva Hesse: Studiowork, At Fruitmarket Gallery, Edinburgh – Review’, in: Arcadia Art Magazine, Edinburgh, 27 August 2009
___, ‘Grand designs, wee spaces’, in: The Sunday Times, London, 23 August 2009, ill.
McLean-Ferris, Laura, ‘ArtReview discusses Eva Hesse: Studioworks with Briony Fer’, on: artreview.com, 17 August 2009
Garner, James, ‘A wider view on big ideas’, in: Free Metro. Art Review Festival Exhibition, London, 13 August 2009, ill.
Jones, Jonathan, ‘Once more with feeling’, in: the Guardian, London, 11 August 2009, ill.
Urwin Jones, Sarah, ‘Art to live and die for’, in: Sundayherald, Edingburgh, 9 August 2009, ill.
Jeffrey, Moira, ‘Art review: Eva Hesse l John McCracken l Alan Davie l Nashashibi and Skaer’, on: living.scotsman.com, Edinburgh, 9 August 2009, ill.
___, ‘Not set in Stone’, in: The List Festival Magazine, Edinburgh, 6-13 August 2009, ill.
___, ‘New Research by Renowned Eva Hesse Scholar Results in Exhibition at the Fruitmarket Gallery’, on: artdaily.org, London, 6 August 2009, ill.
Lack, Jessica, ‘Artist of the week 52: Eva Hesse’, on: guardian.co.uk, London, 5 August 2009, ill.
Mansfield, Susan, ‘The legacy of Eva’, on: living.scotsman.com, Edinburgh, 4 August 2009, ill.
Dorment, Richard, ‘Messages in the making’, in: The Daily Telegraph, London, August 2009, ill.
Sooke, Alastair, ‘Her dark materials’, in: The Telegraph, London, August 2009, ill.
Cumming, Laura, ‘Female curators throw new light on women`s work’, in: The Observer, London, August 2009, ill.
Sooke, Alastair, ‘Must see, Exhibitions’, in: Telegraph Review, London, August 2009, ill.
Martin Agnes, ‘Eva Hesse’, in: Financial Times, London, August 2009, ill.
Clark, Robert, ‘Eva Hesse. Edingburgh’, in: The Guardian, London, 1 August 2009, ill.
Lesso, Rosie, ‘Edinburgh Festival Guide, Eva Hesse’, in: The List, Edinburgh, July 2009, ill.
Julian, Clary, ‘Gosh, it really is a big one!’, in: Arts Edinburgh Festival, London, July 2009, ill.
J.H., ‘Eva Hesse: Studiwork’, in: The Art Newspaper, London, July 2009, ill.
Meyer, James, ‘Eva Hesse: Studiowork’, in: Artforum, New York, May 2009, p. 159, ill.
Schreiber, Daniel, ‘Der Man im Hintergrund’, in: Monopol, Berlin, March 2009, pp. 22-25, ill.
Hochdörfer, Achim, ‘A Hidden Reserve: Painting from 1958 to 1965’, in: ArtForum, New York, February 2009, pp. 153-159, ill.

2008 OkvG, ‘Eva Hesse. Künstlerin’, in: Monopol, Berlin, July 2008, ill.
Hess, Ewa, Szczesniak, Paulina, ’50 Meisterwerke zeitgenössischer Kunst’, in: SonntagsZeitung, Zurich, 1 June 2008, p. 16, ill.
___, ‘York’, 15 May 2008, p. 9, ill.
Maak, Niklas, ‘Eva Hesse: Accretion’, in: Frankfurter Allgemeine, Frankfurt, 10 May 2008, p. 24, ill.
Schaernack, Christian, ‘Die Augen der Thea Westreich’, in: AD, Berlin, May 2008, p. 126, ill.
Bellet, Harry, ‘Le geste et la spontanéité du peintre’, in: Le Monde, Paris, April 2008, ill.
Hänggi, Rahel, ‘Action Painting in der Fondation Beyeler’, in: 50 plus, Muttenz, April 2008, ill.
___, ‘Switzerland. Basel. Fondation Beyeler’, in: Herald Tribune International, London, April 2008, ill.
Larkin, Graham, ‘Things Fall Apart’, in: Artforum, New York, April 2008, pp. 153-154, ill.
Kröger, Michael, ‘So viel Eva wie möglich’, in: Grafschafter Nachrichten, Niedersachsen, 7 March 2008, p. 22, ill.
Moser, Kati, ‘Spritzen und schütteln’, in: Schweizer Illustrierte, Zurich, 25 February 2008, p. 63, ill.
Lippard, Lucy R., ‘Out of the Past’, in: Artforum, New York, February 2008, pp. 236-250, ill.
Meyer, James, ‘The Logic of the Double’, in: Artforum, New York, February 2008, pp. 251-257, ill.

2007 Landau, Suzanne, ‘___’, in: Art News, New York, 1 November 2007, p. 208, ill.
Orden, Abraham, ‘The Minute’, in: Artnet Magazine, New York, 16 August 2007, ill.
Cohen, David, ‘Ample Room for Argument’, in: The New York Sun, New York, 2 August 2007, p. 17, ill.
Smith, Roberta, ‘A Point in Space is a Place for an Argument’, in: The New York Times, New York, 20 July 2007, p. 29, ill.
___, ‘Listings: Best by Day’, in: Time Out New York, New York, 5-11 July 2007, p. 84, ill.
Baker, R.C., ‘Best in Show’, in: The Village Voice, New York, 25-31 July 2007, p. 48, ill.
Mueller, Stephen, ‘Quotidian and Engaging. David Zwirner group show of living and dead is July’s best’, in: Gay City News, New York, 12-18 July 2007, p. 17, ill.
Saletnik, Jeffrey, ‘Josef Albers, Eva Hesse, and the Imperative of Teaching’, on: tate.org.uk, London, Spring 2007, ill.
___, ‘Die teuerste Woche aller Zeiten’, in: Monopol, Berlin, no. 7, July 2007, pp. 104-107, ill.
___, ‘Ein atemloses Leben’, in: Art, Hamburg, no.7, July 2007, p.152, ill.
Groskop, Viv, ‘All hail the feminaissance’, in: The Guardian, London, 11 May 2007, pp. 14-17, ill.
Baer-Bogenschütz, Dorothea, in: Kunstzeitung, Regensburg, no. 129, May 2007, p. 18, ill.
Stockmar, Stephan, ‘Eine berührbare Frau. Zu Leben und Werk der Künstlerin Eva Hesse’, in: Die Drei, Frankfurt, May 2007, pp. 53-58, ill.
___, ‘Berührbarer Mythos’, in: Der Spiegel, Hamburg, 30 April 2007, no. 18, 2007, p. 164, ill.
Buergel, Roger M., ‘Die documenta 12 setzt auf die Migration der Form’, in: Frankfurter Allgemeine, Frankfurt, 21 April 2007, no. 93/16 R, p. 48, ill.
Burk, Henning, ‘Sich selbst einen Schritt voraus’, on: 3sat.de/kulturzeit/lesezeit, 1 March 2007, ill.
Baer-Bogenschütz, Dorothee, ‘Michael Jürgs erzählt vom ‘atemlosen Leben’ der Eva Hesse’, in: Kunstzeitung, Regensburg, no. 129, May 2007, p. 18, ill.
Albers, Ricarda, ‘Eva Hesse? Wer ist Eva Hesse? ‘, on: abendblatt.de, Hamburg, 11 April 2007, ill.

2006 Finkel, Jori, ‘Bound for Glory’, in: Art+Auction, New York, December, 2006, pp. 87-90, ill.
Troche, Volker, ‘Erinnerung an Eva Hesse’, in: WAZ, Essen, 18 November 2006, ill.
Puff, Melanie, ‘Eva Hesse’, in: Kunstforum International, Ruppichteroth, vol. 182, October-November 2006, pp. 406-407, ill.
Burton, Johanna, ‘Eva Hesse, The Jewish Museum/The Drawing Center’, in: Artforum, New York, vol. XLV, no. 2, October 2006, pp. 260-261, ill.
Ratner, Megan, ‘Back’, in: Frieze, London, issue 102, October 2006, pp. 256 –257, ill.
Ratner, Megan, ‘Freeing the Line’, in: Frieze, London, issue 102, October 2006, pp. 264, ill.
Miller, John, ‘Revolte gegen die Vernunft’, in: Texte zur Kunst, Berlin, no. 63, September 2006, pp. 211-216, ill.
Thomas, Kelly Devine, ‘Say it with Flowers – or Gourds, Goats, Fur Cups, or Fried Eggs’, in: Art News, New York, 21 September 2006, pp. 118-121, ill.
Schmid, Karlheinz, ‘ Aller guten Dinge sind drei’, in: Informationsdienst Kunst, Regensburg, no. 357, August 2006, p. 9
Doenitz, Amanda, ‘The Super Market’, in: Art on paper, New York, vol. 10, no. 6, July-August 2006, p. 16
Spector, Naomi, ‘Eva Hesse: Language and What Remains’, in: The Brooklyn Rail, New York NY, July-August 2006, ill.
Sheets, Hilarie M., ‘Eva Hesse. The Drawing Center’, in: Artnews, New York, vol. 105, no. 7, Summer 2006, p. 172, ill.
Prendergast, Kathy, ‘Kathy Prendergast on Eva Hesse’s Untitled (1967)’, in: TATE etc, London, issue 7, Summer 2006, pp. 108-109, ill.
Almela, Ramon, ‘New York. Resistencia y reacción melancólica’, on: criticarte.com, July 2006, ill.
Wecker, Menachem, ‘Circular Art: Two Eva Hesse Shows’, in: Jewish Press, New York, July 2006
Swenson, Kirsten, ‘Machines & Marriage. Eva Hesse and Tom Doyle in Germany, 1964-65’, in: Art in America, New York, no. 6, June-July 2006, pp. 166-169, 212, ill.
Thon, Ute, Bomsdorf, Clemens, ‘Beleidigend geringe Zahl’, in: Art, Hamburg, no. 6, June 2006, p. 115, ill.
Steir, Pat, ‘Eva Hesse’ in: Interview, New York, June 2006, p. 36, ill.
Stern, Fred, ‘Art Review. Eva Hesse: Against the Stream’, in: Commuter Week, 26 June 2006, p. 7, ill.
Zeitz, Lisa, ‘Die Innenwelt des Minimalismus’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 139, 19 June 2006, p. 39, ill.
___, ‘Eva Hesse at the Drawing Center in New York’, on: artdaily.com, New York, 30 May 2006, ill.
Fer, Briony, ‘Eva Hesse’, in: Artforum International, New York, May 2006, p. 112
Cone, Michèle C., ‘Excellence has (no) sex’, on: artnet.com, 26 May 2006, ill.
Duponchelle, Valérie, ‘L`inconscient dans la main d`Eva Hesse’, in: Le Figaro, Paris, 19 May 2006, p. 36, ill.
Yablonsky, Linda, ‘Eva Hesse Shows Offer Heartbreaking Story, Staggering Art’, on: bloomberg.com, New York, 12 May 2006
Spence, Rebecca, ‘Putting Together the Pieces of a Sculptor’s Life and Work’, in: Forward Magazine, New York, 12 May 2006
Glueck, Grace, ‘Bringing the soul into Minimalism: Eva Hesse’, in: New York Times, New York, 12 May 2006
Esman, Abigail R., ‘Handle with Care’, in: Art & Auction, New York, vol. XXXIX, no. 7, March 2006, pp. 134-136
___, ‘Between covers. Font-runner’, in: ArtReview, London, vol. LXII, March 2006, p. 17, ill.
Packham, Monte, von Taube, Annika, ‘Only the good die young’, in: Sleek, Berlin, Spring 2006, pp. 58-65, ill.
Pasini, Francesca, ‘Il potere nascente della condivisione / The nascent state of gender sharing’, in: Work. Art in Progress, Trento, no. 15, Spring 2006, pp. 32-43, ill.
___, ’2005/2006 Museum Preview. February. Eva Hesse’, in: Art in America, New York, February 2006, p. 39, 41
Rothkopf, Scott, ‘Eva Hesse. Menil Collection’, in: Artforum International, New York, January 2006, p. 98

2005 Meyer, James, ‘“Open Systems” Tate Modern’, in: Artforum, New York, vol. XLIV, no. 2, October 2005, p. 271, ill.
Haddrell, James, ‘Playing a part in art’, in: The Pulse. South London Press, London, 26 August 2005, p. 12, ill.
Harris, Ed, ‘Who’s that girl on the bus?’, in: Evening Standard, London, 12 August 2005, p. 25, ill.
Haddrell, James, ‘Open Systems: Tate Modern’, on: icsouthlondon.icnetwork.co.uk, London, 9 August 2005
___, ‘Part Object Part Sculpture’, in: Art in America, New York, no. 7, August 2005, p. 38
___, ‘February. Eva Hesse’, in: Art in America, New York, no. 7, August 2005, p. 41-43
Dezeuze, Anna, ‘Open Systems: Rethinking Art c1970’, in: Art Monthly, London, no. 288, July-August 2005, pp. 33-34, ill.
___, ‘Minimal y conceptual. La Tate Modern reconsidera el objeto artistico en “Open Systems”’, in: Lapiz, Madrid, July 2005, p. 29, ill.
Kent, Sarah, ‘Radical cheek’, in: Time Out London, London, 29 June– 6 July 2005, p. 57, ill.
___, ‘Open Systems’, in: Evening Standard, London, 16 June 2005, ill.
Field, Marcus, ‘Lots of fun and games for all the family’, in: The Independent on Sunday, London, 5 June 2005, ill.
Güner, Fisun, ‘Art Review. Open Systems’, in: Metro, London, 2 June 2005, ill.
Hackworth, Nick, ‘How art tried to smash the system’, in: Evening Standard, London, 2 June 2005, ill.
Dorment, Richard, ‘Acid trip down memory lane’, in: Telegraph, London, 1 June 2005, ill. (website)
Campbell-Johnston, Rachel, ‘Firstnight. Letting it all hang out in an aesthetic maze’, in: The Times, London, 1 June 2005, p. 28, ill.
Herbert, Martin, ‘Summer of Love. Art’s latest 1960s revival’, in: Modern Painters, London, June 2005, pp. 105-107
Appleyard, Bryan, ‘What’s this about?’, in: The Sunday Times, London, 29 May 2005, ill.
___, ‘Eva Hesse: “Untitled”, 1967’, in: Grundschule Kunst, Seelze-Velber, no. 18, 1. Quartal, 2005, p. 20, ill.
Lopez Anaya, Jorge, ‘Historia del discurso critico / A History of Critical Discourse’, in: Lapiz, Madrid, no. 210/211, February-March 2005, pp. 68-85, ill.

2004 Karmel, Pepe, ‘The Year of Living Minimally’, in: Art in America, New York, no. 11, December 2004, pp. 90-101, p. 149, ill.
Heiner, Bastian, ‘Jetzt sprechen die Bilder: Ein Gang durch die Sammlung Flick’, in: Die Welt am Sonntag, Berlin, 19 September 2004, pp. 70-71
Drohojowska-Philp, Hunter, ‘A Minimal Future? Art as Object 1958-1968’, in: ARTnews, New York, June 2004, p. 119
___, ‘Top Ten’, in: Monopol. Das Magazin für Kunst und Leben, Berlin, no. 2, June-July 2004, p. 114, ill.
Boström, Antonia (ed.), ‘The Encyclopedia of Sculpture’, London/New York: Fitzroy Dearborn, vol. 1-3, 2004, pp. 748-749, ill.
Tufnell, Miranda, Crickmay, Chris (ed.), ‘A widening field. Journeys in body and imagination’, Hampshire: Dance Books, 2004, p. 156, ill.
___, ‘Galerie Hauser & Wirth Zürich’, in: Züritipp [insert in Tages Anzeiger], Zurich, 15 July 2004, p. 39, ill.
Renner, Sascha, ‘Wenn Schnüre zu Bildern werden’, in: Tages Anzeiger, Zurich, 14 July 2004, p. 15, ill.
Affentranger-Kirchrath, Angelika, ‘Im Widerstreit der Kräfte. Eva Hesses Zeit des Umbruchs bei Hauser & Wirth’, in: Neue Zürcher Zeitung, Zurich, no. 159, 12 July 2004, p. 31
S.-W., I., ‘Eva Hesse: Reiz der Gegensätze’, in: Schweizer Illustrierte, Zurich, 12 July 2004, p. 72, ill.
Spinelli, Claudia, ‘Denk mal’, in: Weltwoche, Zurich, vol. 72, no. 26, 24 June 2004, p. 90, ill.
Matharan, Bernard, ‘La légende d’Eva Hesse. Du la painture au relief’, in: art actuel, Paris, May-June 2004, p. 29, ill.
Weskott, Hanne, ‘Gegen die Regeln’, in: Parnass, Vienna, no. 2, 10 May 2004, pp. 114-115, ill.
Borchhardt-Birbaumer, Brigitte, ‘Widerspruch als Sprache der Form’, in: Wiener Zeitung, Vienna, 8 May 2004, p. 13, ill.
Kasnter, Jeffrey, ‘Deviation Standard’, in: Arforum, New York, vol. XVII, no. 9, May 2004, pp. 73-75
P.G., ‘Deutsche Jahre’, in: Art, Hamburg, no. 5, May 2004, p. 103
Schor, Gabriele, ‘Lebendigkeit contra Homogenität. Eva Hesse in Wien. Sol LeWitt in Graz’, in: Neue Zürcher Zeitung, Zurich, no. 93, 22 April 2004, p. 43, ill.
Fohn, Daniela, ‘Aus dem Schatten’, in: an.schläge, Das feministische Magazin, Vienna, no. 4, April 2004, pp. 36-37, ill.
Patricek, Gabriele, ‘Transformationen in Deutschland’, in: Jazzzeit, Vienna, no. 4, 29 March 2004, p. 24, ill.
___, ‘Eva Hesse. Transformationen – Die Zeit in Deutschland 1964/65’, on: cycamp.at, Vienna, 29 March 2004, ill.
___, ‘Eva Hesse in der Kunsthalle Wien’, on: korvasnewmedia.at, Vienna, 18 March 2004
Scheyerer, Nicole, Dusini, Matthias, ‘Med ana schwoazzn Tinth’, in: Falter, Vienna, no. 12, 17 March 2004, p. 65, ill.
___, ‘Was Künstler fragen’, in: Schaufenster, Die Presse, Vienna, 14 March 2004
ld, ‘Eva Hesse in der Kunsthalle’, on: wien.emarktplatz.at, Vienna, 8 March 2004, ill.
Hofleitner, Johanna, ‘Korrektur & Katharsis’, in: Schaufenster, Die Presse, Vienna, 5 March 2004, pp. 10-12, ill.
Horny, Henriette, ‘Eine fleißige Zweiflerin’, in: Kurier Wien, Vienna, 5 March 2004, ill.
Mittringer, Markus, ‘Wege in den Raum’, in: Der Standard, Vienna, 5 March 2004, ill.
Spiegler, Almuth, ‘Wie eine störrische Brust’, in: Die Presse, Vienna, 5 March 2004, ill.
EP, ‘Dokumente aus den 60ern’, in: U-Express, Vienna, 5 March 2004, p. 9, ill.
___, ‘Bild mit Schnüren’, in: Salzburger Nachrichten, Salzburg, 5 March 2004, ill.
___, ‘Andenken einer Deutschlandreise’, on: portalkunstgeschichte.de, Kromsdorf/Weimar, 5 March 2004
Metzger, Rainer, ‘Weltformat in Wartestellung’, on: artmagazine.cc, Vienna, 4 March 2004, ill.
___, ‘Eva Hesse in der Kunsthalle Wien’, on: presseportal.at, Vienna, 4 March 2004
___, ‘Eva Hesse transformations’, on: undo.net, 3 March 2004, ill.
___, ‘Transformationen. Die Zeit in Deutschland. Eva Hesse’, on: a-vela.de, Bonn, 1 March 2004, ill.
Strohner, Iris, ‘Eva Hesse: Transformationen – Die Zeit in Deutschland 1964/65’, on: policy.hu, Budapest, 1 March 2004, ill.
Grimm, Michael, ‘Eva Hesse: Transformationen. Kunsthalle Wien im Museumsquartier’, on: vienna.at, Vienna, March 2004, ill.
P. S., ‘Amerikanische Kunst’, in: Illustrierte Zeitung, Vienna, no. 2/3, March 2004
___, ‘Eva Hesse – Transformationen’, on: kunstaspekte.de, Dusseldorf, March 2004, ill.
___, ‘Eva Hesse: Transformationen. Deutschland 1964/65’, in: Pharma Time, Vienna, no. 3, March 2004, ill.
___, ‘Kunsthalle Wien – Ausstellungsführung „Eva Hesse“’, in: Gehört, Ö1, Vienna, March 2004, p. 49, ill.

2003 Ackermans, Heinz, Basualdo, Carlos, et al., ‘Which artist from the past decades still assert a great influence on the art of today’, in: Tema Celeste, Milan, no. 100, November-December 2003, pp. 58-69
Michaels, Anne, ‘Body of work’, in: Frieze, London, no. 74, April 2003, pp. 64-69, ill.
___, ‘Neues aus den Galerien’, in: Informationsdienst Kunst, Regensburg, no. 273, 20 March 2003, p. 20
Potts, Alex, ‘Eva Hesse’, in: Burlington Magazine, London, vol. CXLV, March 2003, pp. 237-238, ill.
Hubbard, Sue, ‘Eva Hesse’, in: Art Review, London, February 2003, ill.
Morton, Tom, ‘Non-art, or why you do not have to worry about what it all means’, in: Blueprint, London, February 2003, p. 58, ill.
___, ___, in: AD Architectural Digest, Paris, February, 2003, ill.
Collins, Ian, ‘Something strange was brougth back from market’, in: Eastern Daily Press, Norwich, 31 January 2003, ill.
___, ‘Eva Hesse’, in: The Friend, London, 21 January-3 February 2003, p. 30, ill.
Osiewacz, Frank, ‘Ordnung und Zufall’, in: Westfälischer Anzeiger, Hamm, 23 January 2003, ill.
___, ‘Mutige Durchsetzung führt zur Auszeichnung’, in: Wiesbadener Tagblatt, Wiesbaden, 23 January 2003
Fischer, Katinka, ‘Nach Eva Hesse hat Jawlensky Rückenwind’, in: Wiesbadener Kurier, Wiesbaden, 22 January 2003
Fischer, Katinka, ‘Auch “Schönheit” der Hesse-Schau gewürdigt’, in: Wiesbadener Kurier, Wiesbaden, 16 January 2003, ill.
___, ‘Eva Hesse’, in: La Repubblica, Rome, 13 January 2003
___, ‘Weiche Materialien’, in: Wiesbadener Tagblatt, Wiesbaden, 4 January 2003, ill.
Battista, Kathy, ‘Eva Hesse’, in: Contemporary, London, no. 47/48, January-February, 2003, p. 108-109, ill.
Johnson, Pamela, ‘Material Witness’, in: Crafts, London, January-February 2003, pp. 22-25, ill.
___, ‘Eva Hesse’, in: The Art Newspaper, London, January 2003, ill.

2002 Birnbaum, Daniel, ‘Eva Hesse’, in: Artforum, New York, vol. XLI, no. 4, December 2002, p. 118-119, ill.
Whitney, Kathleen, ‘Eva Redux or What Do We Owe Eva Hesse’, in: Sculpture, Washington, December 2002, pp. 31-35, ill.
___, ‘Eva Hesse’, in: The Teacher, Bethesda, December 2002, ill.
___, ‘Personalien: wer macht was’, in: Informationsdienst Kunst, Regensburg, no. 267, December 2002, p. 6
McKenzie, Janet, Dr., ‘When Attitudes become Form’, on: studio-international.co.uk/sculpture/hesse, 23 December 2004, ill.
___, ‘Les expositions’, in: Le Vif/L’Express, Brussels, 13 December 2002, p. 68
Lambirth, Andrew, ‘Iconic Rebel’, in: The Spectator, London, 7 December 2002, p. 52, ill.
Cooper, Emmanuel, ‘Sculptures of inner pain’, in: Tribune, London, 6 December 2002, p. 21, ill.
Darwent, Charles, ‘Look closely you’ll find the mother of all contemporary art buried here’, in: Independent on Sunday, London, 1 December 2002, ill.
Whitfield, Sarah, ‘Eva Hesse invented a language of form that is entirely her own’, in: Modern Painters, London, Winter 2002, pp. 122-125, ill.
___, ‘Londinium’, Winter 2002
Diez, Renato, ‘La quiete al centro’, in: Arte, Milan, November 2002, ill.
Grant, Simon, ‘Eva Hesse’, in: Prospect, London, November 2002, p. 61
Güner, Fisun, ‘Catch it while you can’, in: Metro Life, London, November 2002, p. 22, ill
Taylor, Sue, ‘Vessels and Vacancies’, in: Art in America, New York, no. 11, November 2002, pp. 130-139, ill.
___, ‘Hesse stands in for Judd at Tate’, in: Art Newspaper, London, November 2002
___, ‘Eva Hesse’, in: Art Review, London, November 2002, p. 10
Ermen, Reinhard, ‘Eva Hesse’, in: Kunstforum International, Ruppichteroth, no. 162, November-December 2002, pp. 346-349, ill.
Korbet, Stephen, ‘Minimalism with a Human Face’, in: Tate International Arts and Culture, London, no. 2, November-December 2002, pp. 78-81, ill.
___, in: Tema Celeste, Milan, no. 100, November-December 2003, pp. 58-63
Lubbock, Tom, ‘Eva Hesse’, in: The Independent, London, 30 November-6 December 2002, ill.
___, ‘Exhibiton of the week: Eva Hesse’, in: The Week, London, 29 November 2002, p. 25, ill.
Sewell, Brian, ‘Eva Hesse’, in: Metro Life, London, 28 November 2002, p. 53
Searle, Adrian, ‘Strings attached’, in: The Guardian, London, 26 November 2002, pp. 12-13, ill.
Gayford, Martin, ‘Non-art for non-art’s sake’, in: The Telegraph, London, 24 November 2002, pp. 11, ill.
Hensher, Philip, ‘Keeping her name in shape’, in: The Mail on Sunday, London, 24 November 2002, pp. 80-81, ill.
___, ‘Eva Hesse’, in: The Observer, London, 24 November 2002
Bell, Matthew, ‘Hesse impresses but Emin bores’, in: The Editor (?), London (?), 23 November 2002, ill.
Campbell-Johnston Rachel, ‘Eva Hesse’, in: Times Play, London, 23-29 November 2002, ill.
Kent, Sarah, ‘Space invader’, in: Time out, London, 22 November 2002, ill.
Dorment, Richard, ‘Monuments to the fragility of life’, in: The Daily Telegraph, London, 21 November 2002, p. 27, ill.
Taylor, John Russell, ‘In the surgical spirit’, in: The Times, London, 20 November 2002, p. 20, ill.
Lubbock, Tom, ‘It’s a material world’, in: The Independent, London, 19 November 2002, ill.
Beeler, Monique, ‘Materials messages behind experiments’, in: Oakland Tribune, Oakland, 18 November 2002
Hackworth, Nick, ‘Reputation hangs by more than a thread’, in: Evening Standard, London, 18 November 2002, p. 50, ill.
Lack, Jessica, ‘Eva Hesse’, in: The Guardian, London, 18 November 2002, p. 18
Cumming, Laura, ‘Off the wall’, in: The Observer, London, 17 November 2002, pp. 12-13, ill.
MacRitchie, Lynn, ‘The lost genius of a material ‘girl’‘, in: Financial Times, London, 15 November 2002, p. 17, ill.
Winterson, Jeanette, ‘All about Eva’, in: The Guardian, London, 13 November 2002, pp. 12 – 13, ill.
Gleadell, Colin, ‘Timebomb at Tate Modern’, in: The Daily Telegraph, London, 11 November 2002, p. 8
___, ‘Openings. London’, in: Financial Times, London, 11 November 2002, p. 19
Baker, Kenneth, ‘Sixties exhibition stresses art as idea Worldwide conceptual movement rejected traditional focus on objects’, in: San Francisco Chronicle, San Francisco, 9 November 2002, p. D1, ill.
___, ‘(in)visible (in)sights’, in: The Guide, London, 9-15 November 2002, p. 35, ill.
___, ‘Eva Hesse’, in: VHS Wiesbaden Programmheft, Wiesbaden, Autumn/Winter 2002
Giuliano, Charles, ‘A roedancer Accompanied by Her Shadow: Eva Hesse’, in: Berliner Kunst International, New York, October 2002, pp. 78-79, ill.
Mann, Tess, ‘Portrait of the Art World’, in: ARTnews, New York, vol. 101, no. 9, October 2002, p. 141, ill.
Petzinger, Renate, ‘Eva Hesse in Wiesbaden’, in: Zeitraum. Zeitschrift für aktuelle Kunst, no. 24, October 2002, ill.
___, ‘Lust auf Museum. Retrospektive Eva Hesse’, in: HAI-Lights, Die Stadtzeitung, Wiesbaden, October 2002, ill.
___, ’11. Juni bis 13. Oktober. Eva Hesse im Museum Wiesbaden’, in: Rhein-Main-Aktuell, Bad Homburg vor der Höhe, October 2002, ill.
Glauner, Max, ‘Das Leben ist vergänglich’, in: Ost-West-Wochenzeitung, 11 October 2002, ill.
Frauenfelder, Kathrin, ‘Souveräner Schaffensprozess’, in: Zürichsee-Zeitung, Zurich, 9 October 2002, p. 21, ill.
Sojitrawalla, Shirin, ‘Auskünfte über einen fragilen Seelenzustand’, in: Wiesbadener Kurier, Wiesbaden, 5 October 2002, ill.
Bartholomäus, Elke, ‘Die Ordnung des Absurden’, in: Deutsches Aerzteblatt, Cologne, 4 October 2002, ill.
Fischer, Katinka, ‘Auch von literarischer Qualität’, in: Wiesbadener Kurier, Wiesbaden, 2 October 2002, ill.
Blain, Françoise-Aline, ‘Eva Hesse. Féminin singulier’, in: Beaux Art magazine, Paris, September 2002
Gintz, Claude, ‘Eva Hesse’, in: Artpress, Paris, no. 282, September 2002, pp. 73-74, ill.
Graw, Isabelle, ‘immer schön immanent bleiben’, in: Texte zur Kunst, Berlin, vol. 12, no. 47, September 2002, pp. 155-157, ill.
Hochfield, Sylvia, ‘Sticks and Stones and Lemon Cough Drops’, in: Art News, New York, vol. 101, no. 8, September 2002, pp. 116-122, ill.
Kuni, Verena, ‘Eva Hesse im Museum’, in: Kunst-Bulletin, Zurich, no. 9, September 2002, pp. 48-49, ill.
Bantelmann, Wibke, ‘Eva Hesse. Extreme Gegensätze’, in: Emma, Cologne, September – October 2002, ill.
Spector, Naomi, ‘Drawings Into Herself: Eva Hesse’s Work on Paper’, in: Art on Paper, New York, vol. 7, no. 1, September-October 2002, pp. 56-61, ill.
___, ‘Theaterstück nach Eva Hesse’, in: Wiesbadener Tagblatt, Wiesbaden, 28 September 2002
Goetz, Joachim, ‘Starke Werke – minimalistisch, doch sinnlich’, in: Ruhr-Nachrichten, Dortmund, 19 September 2002, ill.
Huther, Christian, ‘Der Körper feiert fröhlich Wiederkehr’, in: Bonner Generalanzeiger, Bonn, 18 September 2002
Hafner, Hans-Jürgen, ‘Rätselhafte Aura’, in: Nürnberger Nachrichten, Nuremberg, 18 September 2002
Moura, Rodrigo, ‘Os Primeiros pos-modernos’, in: Folha de S. Paulo, Sao Paulo, 6 September 2001, p. E8, ill.
Giuliano, Charles, ‘A Ropedancer Accompanied by Her Shadow’, in: Boston’s Visual Artsletter, Boston, no. 77, 3 September 2002
Melten, Birgitta, ‘Museum wird ab Januar umgebaut’, in: Wiesbadener Tagblatt, Wiesbaden, 3 September 2002, ill.
Sojitrawalla, Shirin, ‘Süchtig aufs Sehen’, in: Wiesbadener Kurier, Wiesbaden, 2 September 2002
___, ‘Eva Hesse’, in: Frankfurter Allgemeine Sonntagszeitung, Frankfurt, 1 September 2002, ill.
___, ‘Eva Hesse’, in: Kunst und Unterricht, Seelze/Velber, no. 264, August 2002, ill.
Nabakowski, Gislind, ‘Am Ende der Vereinnahmung’, in: Rheinpfalz, Ludwigshafen, 23 August 2002, ill.
___, ‘Eva Hesse. Die Tragische Heldin der modernen Kunst’, in: 3Sat, Mainz, 22 August 2002, ill.
Fischer, Katinka, ‘Grandioses hätte werden können’, in: Wiesbadener Kurier, Wiesbaden, 19 August 2002
Schlüter, Daniela, ‘Kunst zum (leider nicht) Anfassen’, in: Pepper, Terminkalender für das Reihn-Main-Gebiet, 16 August 2002, p. 5, ill.
rb, ‘Alles, aber anders’, in: Syker Kreiszeitung, Bremen/Verdener Aller-Zeitung, Verden, 13 August 2002
Peschke, Marc, ‘Auf der Suche nach Nicht-Kunst’, in: Handelsblatt, Dusseldorf, 9 August 2002
Held, Roland, ‘Eva hinter den Spiegeln’, in: Echo Online, Darmstadt, 8 August 2002
___, ‘Zu Eva Hesses Werk. Museum Wiesbaden veranstaltet Symposium’, in: Allgemeine Zeitung Mainz, Mainz, 8 August 2002
___, ‘Museum Wiesbaden – Eva-Hesse-Retrospektive mit einem Symposium’, in: Frankfurter Rundschau, Frankfurt, 6 August 2002
Schwarze, Dirk, ‘Bis zur völligen Auflösung der Form’, in: Hessisch-Niedersächsische Allgemeine, Kassel, 2 August 2002, ill.
Händler, Ruth, ‘Eva Hesse’, in: Art, Hamburg, no. 7, July 2002, pp. 84-87, ill.
Arditi, Fiamma, ‘La farfalla di ferro’, in: ARS, July-August 2002, pp. 92 – 94, ill.
___, ‘Bis 13. Oktober Eva Hesse im Museum Wiesbaden’, in: Rhein-Main-Aktuell, Bad Homburg vor der Höhe, July-August 2002, ill.
Tietenberg, Annette, ‘Eva Hesse. Kontext. Materialität. Rezeption’, in: Kritische Berichte, Trier, no. 3, July-September 2002
Pisano, Hortense, ‘Gegensätze und Wiederholungen bis zur Obsession’, in: Mannheimer Morgen, Mannheim, 30 July 2002, ill.
Erdmann Ziegler, Ulf, ‘Von Schläuchen und Schnüren’, in: Die Tageszeitung, Berlin, no. 6806, 22 July 2002, p. 15
Siegel, Jeanne, ‘Still Searching for Eva Hesse’, in: Artnet Magazine, Frankfurt, 20 July 2002, ill.
DS, ‘Eva-Hesse-Retro nur in Wiesbaden’, in: Sparkassen Zeitung, Berlin, 19 July 2002, ill.
Frauenfelder, Kathrin, ‘Eine Grenzgängerin der Moderne’, in: Der Landbote (Tagblatt), Winterthur, 17 July 2002, ill.
Nabakowski, Gislind, ‘Formen dem Material folgen lassen’, in: Tages Anzeiger, Zurich, vol. 110, no. 157, 10 July 2002, ill.
bab, ‘Heute zu Eva Hesse ins Museum Wiesbaden’, in: Frankfurter Rundschau, Frankfurt, 8 July 2002
Damm, Melanie, ‘Von Schoderer bis Hesse’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 7 July 2002
Thiels, Gabriele, ‘Kunst’, in: Welt am Sonntag, Berlin, 7 July 2002, ill.
Baer-Bogenschütz, ‘Herrin der Schnüre’, in: Badische Zeitung, Freiburg, 6 July 2002, ill.
Klein, Dagmar, ‘Differenzierte Welten der Vorstellungskraft’, in: Giessener Allgemeine, Giessen, 6 July 2002, ill.
Weidle, Barbara, ‘„Nichts“ findet eine Form’, in: Kölner Stadtanzeiger, Cologne, 5 July 2002, ill.
Buhr, Elke, ‘Schnüre tanzen Ringelreihen’, in: Frankfurter Rundschau, Frankfurt, 3 July 2002, ill.
Kivirinta, Marja-Terttu, ‘Naistilataiteilija 60-luvun uudistajana’, in: Helsingin Sanomat, Lauantaina, 3 July 2002, ill.
Lohr, Stephan, ‘Eva Hesse im Landesmuseum Wiesbaden „Dokument und Kritik“’, in: (TuZ-Journal) Norddeutscher Rundfunk, Radio 3, Hamburg, 3 July 2002
Leske, Marion, ‘0’, in: Die Welt, Berlin, no. 151, 2 July 2002, p. 28
___, ‘Wiesbadener Eva-Hesse-Retrospektive auch von der „art“ geadelt’, in: Wiesbadener Kurier, Wiesbaden, 2 July 2002, ill.
Baer-Bogenschütz, Dorothee, ‘Forever Young’, in: Kunstzeitung, Regensburg, no. 70, June 2002, p. 13, ill.
Hübl, Michael, ‘Ein Zipfel vom Weltgeschehen. Versuch über Wurst und Kunst’, in: Kunstforum International, Ruppichteroth, vol. 160, June-July 2002, p. 81, ill.
Mascelli, Gianfranco, ‘Antologia europea’, in: Lo Strillo, Naples, June 2002, ill.
Tietenberg, Annette, ‘Von der Kunst überrascht’, in: Art Kaleidoscope, Frankfurt, June-August 2002, ill.
___, ‘Eva Hesse’, in: Fritz – Das Magazin, Wiesbaden, June 2002, ill.
Baer-Bogenschütz, Dorothee, ‘Ich bin keine schlichte Person, sagte Eva Hesse’, in: Neue Ruhr Zeitung, Trier, 26 June 2002, ill.
Huther, Christian, ‘Aus Resten Objekte geformt’, in: Main-Echo, Aschaffenburg, 23 June 2002
Mack, Gerhard, ‘Vom Chaos in der Ordnung’, in: Neue Zürcher Zeitung, Zurich, 23 June 2002, p. 77, ill.
___, ‘Leben und Werk von Eva Hesse im Museum Wiesbaden’, in: Hessischer Rundfunk, Frankfurt, 22 June 2002, ill.
Kleppe, Katharina, ‘Eva Hesse im Museum Wiesbaden’, unter: 3Sat.de/denkmal, Mainz, 21 June 2002, ill.
BB, ‘Schaustück’, in: Die Zeit, Hamburg, 20 June 2002, ill.
Fischer, Katinka, ‘Als hätte auch Wiesbaden ein Fridericianum. Grosse Resonanz auf Hesse-Ausstellung im Museum. Farbige Fahnen vor dem Eingang’, in: Wiesbadener Kurier, Wiesbaden, 20 June 2002
Gries, Benjamin, ‘Der Körper feiert fröhliche Wiederkehr’, in: Rhein-Zeitung, Wiesbaden/Mainz, 18 June 2002
Huther, Christian, ‘Das Fiberglasperlen-Spiel’, in: Der Tagesspiegel, Berlin, 18 June 2002, ill.
Wagner, Thomas, ‘A Void That Is So Much More Than Emtiness’, in: Frankfurter Allgemeine Zeitung (Beilage der Financial Times), Frankfurt, 18 June 2002, ill.
Schön, Veronika, ‘Leben in der Box’, in: Süddeutsche Zeitung, Munich, 17 June 2002, ill.
Wagner, Thomas, ‘Das Nichts ist mehr als bloss Leere’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 15 June 2002, ill.
Heier, Gisela, ‘Eva Hesse-Ausstellung im Museum Wiesbaden’, in: Frankfurt Live, Frankfurt, 14 June 2002, ill.
___, ‘Im Ideenrausch’, in: Südwest Fernsehen/Nachtkultur, Stuttgart, 14 June 2002, ill.
___, ‘Grosse Eva-Hesse-Retrospektive im Landesmuseum Wiesbaden eröffnet’, in: Wiesbadener Kurier, Wiesbaden, 11 June 2002, p. 12, ill.
___, ‘Eva Hesse’, unter: Tagesschau.de, 12 June 2002, ill.
___, ‘Eva Hesse’, in: L’Echo, 12 June 2002
___, ‘Biegsame Plastik’, in: Brigitte, Hamburg, 12 June 2002, ill.
Crüwell, Konstanze, ‘Poetische Skulpturen aus Schnüren und Draht’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 11 June 2002, ill.
Fischer, Katinka, ‘Gegensätze prägen sinnliches Werk’, in: Wiesbadener Kurier, Wiesbaden, 11 June 2002, ill.
Melten, Birgitta, ‘Weibliche Ästhetik der weichen Materialien’, in: Wiesbadener Tagblatt, Wiesbaden, 11 June 2002, ill.
Anaya, Jorge Lopez, ‘Estrategias conceptuales’, in: La Nacion, Buenos Aires, 11 June 2001, p. 5, ill.
Pisano, Hortense, ‘Kunst der Gegensätze’, in: Journal Frankfurt, Frankfurt, 7-20 June 2002, ill.
___, ‘Vorbereitung zur grossen Eva-Hesse-Retrospektive’, in: Wiesbadener Kurier, Wiesbaden, 4 June 2002, ill.
Lee, Pamela M., ‘Eva Hesse. San Francisco Museum of Art’, in: Artforum International, New York, vol. XL, no. 9, May 2002, pp. 177-178, ill.
___, ‘Eva Hesse’, in: Atelier 11, Prague, 30 May 2002, ill.
Baker, Kenneth, ‘Painting donated to Legion of Honor’, in: San Francisco Chronicle, San Francisco, 14 May 2002, ill.
Kimmelman, Michael, ‘Ambition and Rapture Add Up to Joy’, in: The New York Times, New York, 12 May 2002, p. 25, ill.
Kinzer, Stephen, ‘Rediscovering a missing artist. Eva Hesse gets her due’, in: International Herald Tribune, New York, 4-5 May 2002, p. 8, ill.
Ward, Ossian, ‘Eva Hesse’, in: Art Review, London, 2002 ill.
Hutchison, Alice L., ‘Eva Hesse’, in: Contemporary, London, no. 4, April 2002, p. 111, ill.
Kinzer, Stephen, ‘Eva Who? Giving a Little-Known Artist Her Due’, in: The New York Times, New York, 30 April 2002
DeCarlo, Tessa, ‘San Francisco’s Modern: In Search of Stability After a Storm’, in: New York Times, New York, 24 April 2002, p. 29, ill.
Baker, Kenneth, ‘At SFMOMA, Some Words of Wisdom on Eva Hesse’, in: San Francisco Chronicle, San Francisco, 16 April 2002, ill.
Helfand, Glen, ‘Will a Retrospective affect Eva Hesse’s Market? ‘, in: Daily Gabrus, Milan/London/New York, 11 April 2002, ill.
Dalkey, Victoria, ‘Stretching the Materials’, in: The Sacramento Bee, Sacramento, 7 April 2002, p. EN6, ill.
Moura, Rodrigo, ‘Beyond Preconceptions: The Sixties Experiment’, in: ArtNexus, Miami, no. 43, March 2002, pp. 128-120, ill.
___, ‘Eva Hesse: A Retrospective’, in: Sculpture, Washington, vol. 21, no. 2, March 2002, p. 14, ill.
Benet, Carol, ‘Eva Hesse. Her Early Death Puts a Stamp on her Work’, in: The Ark, Tiburon, 27 March 2002, ill.
Koeppel, Fredric, ‘Picks of the Week’, in: The Commercial Appeal Fanfare, Memphis, 27 March 2002, Article 28, ill.
___, ‘Rare Eva Hesse Exhibit Is at SFMOMA’, in: The Reporter, Los Angeles, 23 March 2002
Knight, Christopher, ‘Out With Orthodoxy’, in: L.A. Times, Los Angeles, 20 March 2002, p. D1/D6, ill.
___, ‘Hesse: Retrospective at the San Francisco Museum of Modern Art’, in: Los Angeles Times, Los Angeles, 20 March 2002, ill.
Grant, Daniel, ‘Hesse Works Scarce and Sought After’, in: ARTnewsletter, New York, vol. XXVII, no. 15, 19 March 2002, p. 7
Jury, Louise, ‘America’s loss is rare gain for the Tate’, in: The Independent, London, 18 March 2002, p. 10, ill.
fi, ‘Vita bedingte die Kunst’, in: Wiesbadener Kurier, Wiesbaden, 15 March 2002, ill.
LittleJohn, David, ‘The Gallery: Eva Hesse’s Short, Intense Quest. The Artist Took Evident Pleasure in Using Odd Materials; Mr. Oliveira’s Self-Renewal’, in: Wall Street Journal, New York, 5 March 2002, ill.
Baker, Kenneth, ‘Eva Hesse’, in: Modern Painters, London, 1 March 2002, pp. 116-117, ill.
S.D., ‘Eva Hesse. San Francisco Museum of Modern Art’, in: The Art Newspaper, New York, no. 122, February 2002, ill.
___, ‘Museum Wiesbaden – Friedrich-Ebert-Allee 2’, in: ConSens, February 2002, ill.
___, ‘Les sculptures d’Eva Hesse’, in: Air France Magazine, Paris, February 2002, p. 142, ill.
Helfand, Glen, ‘Pretty/Ugly. In SFMOMA’s Dazzling Eva Hesse Retrospective, it’s All About the Places in Between’, in: San Francisco Bay Guardian, San Francisco, 27 February 2002, ill.
Baker, Kenneth, ‘Eva Hesse show going to London’, in: San Francisco Chronicle, San Francisco, 19 February 2002, ill.
Vanlew, Andy, (Teng, Santani), ‘Eva Hesse. San Francisco Museum of Modern Art’, in: The California Aggie, Davis, no. 4, 19 Februar y 2002, ill.
Fischer, Jack, ‘Focus on the work, not on the tragedy’, in: San Jose Mercury News, San Jose, 18 February 2002, ill.
Cheng, Scarlet, ‘Fragile Work, Fragile Life’, in: Los Angeles Times, Los Angeles, 17 February 2002, ill.
Bammer, Richard, ‘Quirky Sculptor Eva Hesse Feded in Rare, Major Retrospective at SFMOMA’, in: The Reporter, Los Angeles, 8 February 2002, ill.
Bonetti, David, ‘Hesse exposes minimalism’s soft innards’, in: San Francisco Chronicle, San Francisco, 4 February 2002, ill.
Dunkell, Samuel V., ‘Eva Hesse Doesn’t Belong in the Suicide Quartet’, in: San Francisco Chronicle, San Francisco, 3 February 2002, ill.
Sivesind, Elizabeht, ‘Eva Hesse’s Enduring Art’, in: Contra Costa Times, Walnut Creek, 2 February 2002, pp. D1-D2, ill.
Kazanijan, Dodie, ‘Excellence has no sex’, in: Vogue, New York, January 2002, pp. 104-109, 139, ill.
Siegel, Katy, ‘Eva Hesse. San Francisco Museum of Art’, in: Artforum International, New York, vol. XL, no. 5, January 2002, pp. 40-41, ill.
___, ‘SFMOMA To Present Eva Hesse Exhibition’, in: Antiques And The Arts, Newtown, January 2002, ill.
Katz, Anita, ‘Utter Absurdity’, in: The Independent, San Francisco, 29 January 2002, ill.
Baker, Kenneth, ‘Hesse’s sculpture. One last look’, in: San Francisco Chronicle, San Francisco, 27 January 2002, p. 55, ill.
___, ‘Major Eva Hesse Show Set to Open’, in: The Reporter, Los Angeles, 24 January 2002
Cypriano, Fabio, ‘Gramatica radical dos anos 60 ocupa SP’, in: Folha de Sao Paulo, Sao Paulo, 23 January 2002, p. 3
Hamlin, Jesse, ‘What a tangled web they weave’, in: San Francisco Chronicle, San Francisco, 22 January 2002, ill.
___, ‘SFMOMA Slates Big Eva Hesse Retrospective’, in: The Reporter, Los Angeles, 2 January 2002, ill.
Dick, Leslie, ‘Eva Hesse: Random Notes’, in: X-tra, Los Angeles, vol. 5, no. 2, 2002, pp. 30-35, ill.
Bonetti, David, ‘Hesse Exposes Minimalism’s Soft Innards’, in: San Francisco Chronicle, San Francisco, 2002, ill.
Shank, Will, ‘Less is still more’, in: Bay Area Reporter, San Francisco, 2002, pp. 30-34, ill.
Nixon, Mignon, ‘Seeing Hesse’, in: Sculpture Journal, London, vol. VIII, 2002 pp. 96-98, ill.
___, ‘Kunst-Position. Diavortrag. Eva Hesse’, in: Volkshochschule Osnabrück Programm II, Osnabrück, 2002, ill.
___, ‘Wiesbaden’, in: Journal des Hessischen Museumsverbandes, no. 23, 2002, ill.
Jover, Manuel, ‘Eva Hesse. Météore post-minimaliste’, in: ___, December 2002-January 2003, ill.
The Art Institute of Chicago (ed.), ‘Notable Acquisitions at The Art Institute of Chicago’, in: Museum Studies/The Art Institute Publication, Chicago, vol. 29, no. 2, 2002, pp. 84-85, ill.

2001 Applin, Jo, ‘‘Materialized secrets’: Samaras, Hesse and small-scale boxes’, in: ‘Object. Graduate research and reviews in the history of art and visual culture’, London, no. 4, 2001/2002, pp. 5-24, ill.
Langer, Martin, ‘Die Latex-Skulpturen der Deutsch-Amerikanischen Künstlerin Eva Hesse (1936-1970)’, in: Zeitschrift für Kunsttechnologie und Konservierung, Worms, vol. 15, no. 2, 2001, pp. 285-338, ill.
Bohlen, Celestine, ‘Whitney Museum Cuts Its Staff and Budget’, in: The New York Times, New York, December 2001
Dannatt, Adrian, ‘A month packed by heavyweight men And a Teutonic trio of Fräulein’, in: The Art Newspaper, New York, no. 118, October 2001, pp. 78-79
___, ‘Raizes do contemporâneo’, in: no.com.br, 20 September 2001
Name, Daniela, ‘No Paço, a prova da atualidade dos anos 60’, in: Jornal do Brasil, Caderno, 13 September 2001
Moura, Rodrigo, ‘Os primeiros pós-modernos’, in: Folha de Sao Paulo, Sao Paulo, 6 September 2001, p. E8, ill.
Chambers, Christopher, ‘The Contemporary Sales New York’, in: Tema Celeste, Milan, vol. 18, no. 86, Summer 2001, pp. 20-21, ill.
___, ‘La energía de los desechos’, in: Radar, Buenos Aires, 8 July 2001
Authier, Ariel, ‘Pitabamos ayer’, in: Rev. Veintitres, Buenos Aires, 5 July 2001
Constantin, Maria Teresa, ‘El Concepto es el mensaje’, in: Rev. Tespuntos, Buenos Aires, 21 June 2001
Tortosa, Alina, ‘Beyond preconception: the sixties experiment’, in: Buenos Aires Herald, Buenos Aires, 17 June 2001, p. 11, ill.
Anaya, Jorge López, ‘Estrategias conceptuales’, in: La Nacion, Buenos Aires, 10 June 2001, p. 5
Meyer, Micaela, ‘Yesterday-the 60s and 70s’, in: Buenos Aires Herald, Buenos Aires, 10 June 2001, ill.
___, ‘Drawing is another kind of language’, in: The Contemporary Museum News, Honolulu, Spring/Summer 2001, pp. 1-2, ill.
Osorio, Luiz Camillo, ‘Exposição no Paço sobre radicalismo das vanguardas ganha ótica dramática com atentádo terrorista’, in: Jornal do Brasil, Caderno, 9 March 2001
Malkowska, Monika, ‘Co Lezy, co lata’, in: Rzeczpospolita, Warsaw, no. 37, 13 February 2001
LG, ‘Awangarda i kuchnia’, in: Zycie Warszawy, Warsaw, no. 36, 12 February 2001
___, ‘Art of The 1960’s’, in: Kaleidoscope, Warsaw, no. 2, February 2001

2000 Chave, Anna C., ‘Minimalism and Biography’ in: The Art Bulletin, New York, vol. LXXXII, no. 1, March 2000, unpag.

1999 Plagens, Peter, ‘Peter Plagens. Best of the ‘90s’, in: Artforum, New York, vol. 38, no. 4, December 1999, pp. 124-125, ill.
Baeyer, Hans Christian von, ‘World on a String’, in: The Sciences, September-October 1999, pp. 10-13, ill.
Frank, Peter, ‘Afterimage: Drawing Through Process. Museum of Contemporary Art, Los Angeles LA’, in: Art On Paper, New York, vol. 4, no. 1, September-October 1999, p. 61, ill.
Adams, Brookes, ‘The Art of Assemblage’, in: Interior Design, New York, vol. 70, no. 10, August 1999, pp. 124-133, ill.
Simic, Charles, ‘Eva Hesse’, in: Artforum, New York, vol. 37, no. 10, Summer 1999, pp. 136-137, ill.
Swartz, Anne, ‘Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O’Keefe’, in: Woman’s Art Journal, Laverock, vol. 20, no. 1, Spring-Summer 1999, pp. 63-64
Spector, Naomi, ‘Museum & Gallery Reviews’, in: Art on Paper, New York, vol. 3, no. 4, March-April 1999, pp. 65-66, ill.
Shulman, Ken, ‘Hesse on the Rise’, in: ARTnews, New York, February 1999, p. 60, ill.
___, ‘Museum of Fine Arts, Houston: Annual Report 1998-99’, Houston: Museum of Fine Arts, 1999, p. 10

1998 Shulman, Ken, ‘Eva Hesse’s Lasting Influence’, in: ARTnewsletter, New York, vol. 24, no. 9, December 29, 1998, pp. 6-7
K., N., ‘Eva Hesse: Gouaches’, in: Art on Paper, New York, vol. 3, no. 2, November-December 1998, p. 65, ill. (Reproduction of ‘Untitled’, 1960.)
Carvalho, Denise, ‘XXIV São Paulo Biennial’, in: Flash Art, Milan, vol. 331, no. 202, October 1998, pp. 75-76, ill. (‘Accession II’, 1967.)
___, ‘Eva Hesse’, in: Revista Veja Brasil, September 30, 1998, ill. (Reproduction of ‘Accession II’)
Pollack, Barbara, ‘Leaping off the Pedestal’, in: ARTnews, New York, June 1998, pp. 106-110, ill.
Clifford, Kaite, ‘Rubber’, in: Art Papers, New York, vol. 22, no. 3, May-June 1998
Solomon-Godeau, Abigail, ‘Dreaming in the Abstract’, in: Art in America, New York, May 1998, pp. 37-41, ill.
___, ‘Galleries Uptown. Eva Hesse / ‘Tension’’, in: The New Yorker, New York, 27 April– 4 May 1998, p. 28
Bell, Bowyer J., ‘Eva Hesse. Gouaches’, in: Review, New York, 15 April 1998, pp. 33-34
Fujio, Yasuhide, ‘Carnegie International 1995’, in: Atelier, March 1998, pp. 2-8, ill. (reproduction of ‘Yves’, 1991, p. 8.)
Glueck, Grace, ‘The Antithesis of Minimalism’s Cool Geometry’, in: The New York Times, New York, 13 February 1998
Nahas, Dominique, ‘Rubber’, in: Review, 15 February 1998, p. 8.
Kino, Carol, ‘Rubber’, in: Time Out New York, New York, 26 February-5 March 1998, p. 53
Temin, Christine, ‘Drawing Their Own Conclusions’, in: The Boston Globe, Boston, 21 January 1998, pp. F1, F4, ill.
Bonetti, David, ‘SFMOMA Unveits Its New Rothko, Hesse’, in: San Francisco Examiner, San Francisco, 16 January 1998
Stolz, George, ‘The Art Market’, in: Arco Noticias, January 1998, no. 10, pp. 62-63, ill. (Reproduction of ‘Vinculum I’, p. 63)

1997 Vogel, Carol, ’2 Big Steps For A Museum’, in: The New York Times, New York, 21 November 1997, ill.
Bonetti, David, ‘SFMOMA Obtains Notable Sculpture’, in: San Francisco Examiner, San Francisco, 14 November 1997
Tully, Judd, ‘Christie’s redefines fields’, in: Art & Auction, November 1997, pp. 26, 28, ill.
___, ‘Art’, in: Fabulous Fall Food, New York, 27 October 1997, p. 146, ill.
Rubin, David S., ‘The Human Touch In Contemporary Sculpture. The Continuing Vision of Eva Hesse’, in: Focus on Art, vol. 2, no. 1, Spring 1997, pp. 5-7, ill.
___, ‘Sleeper of the month’, in: Art & Auction, New York, January 1997
Swartz, Anne, ‘Accession II. Eva Hesse’s Response to Minimalism’, in: Bulletin of the Detroit Institute of Arts, vol. 71, no. 1/2, 1997, pp. 36-45, ill.
Fer, Briony, ‘Bordering on Blank. Eva Hesse and Minimalism’, in: On Abstract Art, New Haven/London: Yale University Press, 1997, pp. 108-130, ill.

1996 van Winkel, Camiel, ‘Eva Hesse en het fantoom van de vrijheid’, in: Archis, Architecture, Urbanism & Visual Arts, September 1996, pp. 70-80
Fisher Sterling, Susan, ‘Daring to Look Inside the Visible’, in: Women In The Arts, National Museum of Women In The Arts, Washington, vol. XIV, no. 3, Summer 1996, p. 8
Adams, Brook, ‘The Abstract Century’, in: Art in America, New York, July 1996, pp. 56-61, ill.
Smith, Roberta, ‘The Gallery Doors Open to the Long Denied’, in: The New York Times, Arts & Leisure, New York, 26 May 1996, p. 29, ill.
Kimmelman, Michael, ‘Abstraction, Without the Mess’, in: The New York Times, New York, 9 February 1996, pp. C1, C30
Vogel, Carol, ‘A Museum Tackles A Monster: Abstraction’, in: The New York Times, New York, 6 February 1996, p. C11, C16.

1995 Broude, Norma, Garrard, Mary D., ‘The Power of Feminist Art’, New York: Harry N. Abrams, 1995
Craig-Martin, Michael, ‘Drawing the Line’, London: South Bank Centre, 1995
Dorion, Hèléne, ‘The Edges of Light’, New York: Guernica, 1995 (cover illustration only)
Johnson, Ellen H, ‘Modern Art and the Object’, New York: Icon, HarperCollins Publishers, 1995 (revised and enlarged edition of original book published in 1976)
Lauer, David A., Pentak, Stephen, ‘Design Basics’, New York: Harcourt Brace College Publishers, 1995 (4th edition)
Lucie-Smith, Edward, ‘Artoday’, London: Phaidon Press Limited, 1995
Nemser, Cindy, ‘Art Talk: Conversations with 15 Women Artists’, New York: Icon Editions, Harper Collins, 1995
Puvogel, Renate, ‘Lehrgeld. Zwanzig Künstlerportraits’, Stuttgart: Oktagon Verlag, 1995, pp. 99-104, ill.
___, ‘Sculpture As Objects: 1915-1995’, New York: Curt Marcus Gallery and Timothy Baum, 1995
Shioda, Junichi, ‘Revolution: Art of The Sixties From Warhol to Beuys’, Tokyo: Museum of Contemporary Art, 1995
Stammer, Beatrice, ‘Im Grenzbereich hinter den Körpern’, in: ‘Muse Küsst Muse. Eine Zeitgenössische Reflexion über historische Künstlerinnen’, Altenburg: Lindenau Museum Altenburg Publication, 1995, pp. 100-111
Thiele, Carmela, ‘Skulptur. Schnellkurs’, Cologne: Dumont Verlag, 1995
___, ‘Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline’ (Family Activity Guide Brochure), New York: The Solomon R. Guggenheim Foundation, 1995
Cotter, Holland, ’100 Works by Women, Not Intended for Women Only’, in: The New York Times, New York, 21 July 1995, p. C15, ill.
___, ‘It’s the Jews! A Celebration of New Jewish Visions’, in: Long Shot, Hoboken, vol. 17, 1995
___, in: Manhattan File, New York, January 1995, p. 82, ill.

1994 Mack, Gerhard, ‘Sehen und Begehren – das Kunstmuseum Ulm zeigt Eva Hesses Frühwerk’, in: Kunst-Bulletin, Kriens, no. 5, May 1994, pp. 15-21, ill.
Spector, Naomi, ‘Forum: Well-Defined Enigmas. Ordering Chaos. An Untitled Drawing by Eva Hesse’, in: Drawing, vol. XVI, no. 4, November-December 1994, pp. 82-83, ill.
Herbstreuth, Peter, ‘Eva Hesse Ulmer Museum’, in: Flash Art, Milan, October 1994, p. 101
___, ‘Haggling for Hesses’, in: ARTnews, New York NY, October 1994, p. 48, ill.
Fer, Briony, ‘Bordering on Blank: Eva Hesse and Minimalism’, in: Psychoanalysis in Art History, vol. 17, no. 3, September 1994, pp. 424-449
___, ‘Experimente’, in: Madame, Munich, May 1993, ill.
Tietenberg, Annette, ‘Im wilden Raum farbenfroher Beziehungsstrudel’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 26 April 1994
Hoffmann, Gabriele, ‘Richtiger Nonsens’, in: Die Tageszeitung, Berlin, 23 April 1994
Auffermann, Verena, ‘Über die Absurdität des Lebens’, in: Frankfurter Rundschau, Frankfurt, 22 April 1994
Vogel, Thomas, ‘Ulmer Fluchtpunkt im Zeitgetriebe’, in: Neu-Ulmer Zeitung, Ulm, 20 April 1994, ill.
Baumer, Dorothea, ‘Ich bin meine Kunst’, in: Süddeutsche Zeitung, Munich, 14 April 1994
Buhles, Günter, ‘Späte Vollendung’, in: Schwäbische Zeitung, Leutkirch, 9 April 1994
Halder, Johannes, ‘Kordeln durchbohren Körper’, in: Badische Neuste Nachrichten, Karlsruhe, 8 April 1994, ill.
Kollros, Petra, ‘Vor dem Aufbruch in den Raum’, in: Südwest Presse, Ulm, 8 April 1994, ill.
von Olschowski, Petra, ‘Von der Wand in den Raum’, in: Stuttgarter Zeitung, Stuttgart, 8 April 1994, ill.
Kachelriess, Andrea, ‘Ordnung gegen Chaos’, in: Stuttgarter Nachrichten, Stuttgart, 7 April 1994, ill.
Vogel, Thomas, ‘Kontinuität im Werk Eva Hesses herausgestellt’, in: Neu-Ulmer Zeitung, Ulm, 6 April 1994
___, ___, in: Neu-Ulmer Zeitung, Ulm, 5 April 1994, ill.
___, ‘Latex, Gummi und Fiberglas’, in: Kunstmarkt, Krefeld, April 1994, p. 13, ill.
Kollros, Petra, ‘Vitale Kraft und Bestimmtheit’, in: Südwest Presse, Ulm, 28 March 1994, ill.
___, ‘Als Eva Hesse floh, brannten auch Synagogen’, in: Neu-Ulmer Zeitung, Ulm, no. 72, 28 March 1994
___, ‘Bilder einer Bildhauerin’, in: Der Spiegel, Hamburg, no. 13, 28 March 1994, ill.
___, ‘Ulmer Museum zeigt Eva Hesse’, in: Südwest Presse, Ulm, 26 March 1994
___, ‘Bilder von Eva Hesse im Ulmer Museum’, in: Neu-Ulmer Zeitung, Ulm, 26 March 1994, ill.
Smith, Roberta, ‘Sculptors in the Shadow of a Minimalist Master’, in: The New York Times, New York, 18 March 1994, p. C21.
___, ‘Auspacken’, in: Schwäbische Zeitung, Leutkirch, 4 March 1994, ill.
___, ‘Ahnfrau einer weiblichen Kunst’, in: Neu-Ulmer Zeitung, Ulm, no. 50, 2 March 1994, ill.
Holert, Tom, ‘Kultur: Kunst Schläuche, Drähte, Fäden. Eva Hesse entdeckt die andere Seite der Moderne’, in: Vogue, Munich, no. 3, March 1994, pp. 13-132, ill.
___, ‘Kunst aus Draht und Kleister’, in: Brigitte, Hamburg, no. 8, March 1994, ill.
pko., ‘Minimal Art mit sinnlicher Qualität’, in: Südwest Presse, Ulm, 26 February 1994, ill.

1993 bsa., ‘Eva Hesses Elemente in unbestimmten Räumen’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 265, 13 November 1993, p. 34
Rollmann, Barbara, ‘Galerien-Initiative’, in: Neue Bildende Kunst, Berlin, no. 3, October-November 1993, p. 85
Weskott, Hanne, ‘Im Widerspruch zu allen Regeln’, in: Kritik, Zeitgenössische Kunst München, Munich, no. 4 (?), Fall 1993 (?)
Steinlechner, Carin, in: München Merkur, Munich, 20 October 1993, p. 243
Sonna, Birgit, ‘Aktuell in Münchner Galerien’, in: Süddeutsche Zeitung, Munich, 24 September 1993
Sachs, Britta, ‘Im Galopp durch den Weizen’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 18 September 1993
Valentin, Beate, ‘Verschlüsselungen und wundersame Metamorphosen’, in: Handelsblatt, Düsseldorf, 16 September 1993
Müller-Mehlis, Reinhard, ‘Spektrum des 20 Jahrhunderts’, in: Handelblatt, Düsseldorf, no. 180, 17-18 September 1993, p. G5, ill.
Todd, Stephen, ‘Eva Hesse’, in: Art & Text, Sydney, no. 46, September 1993, p. 94
Königer, Maribel, ‘Konzeption mit Haut und Haar’, in: Neue Bildende Kunst, Berlin, no. 3, Summer 1993, p. 29-32, ill.
Morgan, Stuart, ‘Oh! More absurdity! ‘, in: Frieze, London, no. 11, Summer 1993, pp. 42-45, ill.
___, ‘Hesse und Takis at the Jeu de Paume’, in: Flash Art, Milan, vol. XXVI, no. 171, Summer 1993, ill.
Risaliti, Sergio, ‘Eva Hesse: Heart of Darkness’, in: Flash Art, Milan, vol. XXVI, no. 171, July-August 1993, p. 111, ill.
Santacreu, Elisabeth, ___, in: Le Parisien, Paris, 19 June 1993
van den Abeele, Lieven, ‘Vrouwelijk antwoord op minimalisme’, in: De Standaard, Groot Bijgaarden, 4 June 1993
Guéhenneux, Lisa, ‘L’urgence de faire’, in: Révolution, 3-9 June 1993
Fricke, H., ‘Kunst am Partialobjekt’, in: Die Tageszeitung, Berlin, 2 June 1993, p. 12
Nuridsany, M., ‘Eva Hesse et sa sculpture organique’, in: Le Figaro, Paris, 1 June 1993, p. 15.
Brice, Irène, ‘Thierry Kuntzel, Eva Hesse’, in: Arts Antiques Auctions, June 1993, p. 66, ill.
Boulanger, Dorothée, ‘Comme sur un fil’, in: Technikart, Levallois Perret Cedex, no. 10, June-August 1993, ill.
Fernández, Horacio, ‘A Journey Through the IVAM’, in: Arte Contemporáneo, Arco ’93, Preview ’94, June 1993, pp. 118, 119
Laurent, C., ‘Itinéraire en musées’, in: Art & Culture, Brussel, June 1993
Panhans-Bühler, Ursula, ‘‘Lerne Zapln Tod’. Eva Hesse (1936-1970). Weiblicher Trickster. Learn to wriggle, death. Trickster Eva Hesse. 1936-1970’, in: Parkett, Zurich, no. 36, June 1993, pp. 8-23, ill.
Picard, D., ‘Sculpter, font-ils’, in: Connaissance des Arts, Boulogne, June 1993, ill.
Wallenstein, Sven-Olov, ‘Eva Hesses konkreta logik’, in: Material, Stockholm, no. 16, June 1993, ill.
___, ‘Galerie Nationale du Jeu de Paume’, in: Le Cercle, June 1993, ill.
Maillet, Florence, ‘Eva Hesse la tourmentée’, in: ___, Spring 1993
___, Les grandes expositions à voir en Europe’, in: Le Journal de Gèneve et Gazette de Lausanne, Geneva/Lausanne, 29 May 1993, p. 25, ill.
Rosen, Miriam, ‘Hesse Trop Raisonnable’, in: Libération, Paris, 27 May 1993
Maillet, Florence, ‘Le parcours d’Eva Hesse’, in: Le Jour, 21 May 1993, p. 13.
___, ‘Eva Hesse, Thierry Kuntzel’, in: Le Monde, Paris, 20 May 1993
Pinte, Ph., ‘Eva Hesse’, in: La Croix, Paris, 17 May 1993
Pierrard, Jean, ‘Les Choix du Point’, in: Le Point, 15 May 1993
Dagen, Philippe, ‘Une œuvre de douleur’, in: Le Monde, Paris, 14 May 1993
___, ‘Eva Hesse et Thierry Kuntzel’, in: L’Evènement du Jeudi, Paris, 13-19 May 1993, ill.
Pinte, J.L., ‘La Pureté d’Eva Hesse’, in: Figaroscope, Paris, 12 May 1993
Huchet, Stéphane, ‘Eva Hesse, au-delà du cube’, in: Beaux Arts, Paris, May 1993, ill.
Fleck, Robert, ‘Visionäre Kraft im kargem Material’, in: Art, Hamburg, no. 5, May 1993, pp. 104-105, ill.
Nesbitt, Lois, ‘Women Artists Break Through’, in: Diversion, May 1993, pp. 111-115, 142
Norden, Linda, ‘Eva Hesse Rétrospective’, in: Art Présence, May 1993, p. 31-34
___, ‘Eva Hesse. 27 avril – 20 juin’, in: Arts Info, no. 65, May – June 1993, p. A1
___, ‘Eva Hesse’, in: Jardin des Modes, Paris, May 1993, illl.
___, ‘Eva Hesse im Jeu de Paume’, in: Pariser Luft, April-May 1993, ill.
Puvogel, Renate, ‘Eva Hesse. New Ground in Sculpture’, in: Forum International, no. 17, March-April 1993, p. 82-86, ill.
Taplin, Robert, ‘Vital Parts’, in: Art in America, New York, February 1993, pp. 70-75, ill.
___, ‘Eva Hesse Rétrospective’, in: Eurodiagnostic, no. 5, February 1993, p. 113
McWilliams, Martha, ‘Washington D.C. Fax’, in: Art Issues, Los Angeles, January-February 1993, p. 35, ill.
Hugues, Robert, ‘Telling an Inner Life’, in: Time, New York, 4 January 1993, p. 77
Morgan, Robert C., ‘Eva Hesse’, in: Tema Celeste, Siracusa, Winter 1993, p. 75

1992 Spector, Naomi, ‘Eva Hesse’, in: Galeries Magazine, Paris, no. 2, December 1992-January 1993, pp. 3, 62-71, 110-111 and cover, ill.
Hughes, Robert, ‘Telling an Inner Life’, in: Time, 28 December 1992, pp. 68-69, ill.
Glueck, Grace, ‘Hesse’s Robust Paintings at Miller Upend Expections’, in: The New York Observer, New York, 2 November 1992, p. 24
___, ‘Goings on about Town’, in: The New Yorker, New York, 2 November 1992, p. 20, ill.
Danoff, Michael I., ‘“Export” Update’, in: Des Moines Art Center, November-December 1992, pp. 2-3, ill.
Spector, Naomi, in: The Print Collector’s Newsletter, New York, vol. 23, no. 5, November-December 1992, pp. 190-194
Frank, Elizabeth, ‘Eva Hesse, Yale University Art Gallery’, in: Artnews, New York, November 1992, p. 150
Jones, K. Marriott ‘Eva Hesse, Yale University Art Gallery’, in: Artforum, New York, October 1992, pp. 111-112, ill.
Kahn, Eve M., ‘Mingling hard-line minimalism with sex, wit, and grandeur’, in: Art & Antiques, Atlanta, October 1992, p. 83, ill.
Wilson, W.S., ‘Eva Hesse, Alone And/Or Only With’, in. Artspace, Los Angeles, vol. 16, no. 5, pp. 36-41, September-October 1992, ill.
Knight, Christopher, ‘Yale Stages Eva Hesse Retrospective’, in: Los Angeles Times, Los Angeles, 15 July 1992, pp. B8, B11
Plagens, Peter, ‘A Short, Amazing Life’, in: The Arts/Newsweek, New York, 25 May 1992, p. 88, ill.
Kimmelman, Michael, ‘Eva Hesse and the Lure of ‘Absurd Opposites’‘, in: The New York Times, New York, 10 May 1992, pp. H31, 38
Larson, Kay, ‘Woman’s Work’, in: New York Magazine, New York, 4 May 1992, pp. 81-82, ill.
Cameron, Dan, ‘Anxieties of Influence’, in: Flash Art, Milan, vol. XXV, no. 164, May-June 1992, pp. 75-81
Schjeldahl, Peter, ‘Art Heroine for the Nineties. A New Retrospective Anoints Eva Hesse. Empress of the Absurd’, in: ELLE Magazine, New York, April 1992, pp. 94-96, ill.

1991 Hughes, Robert, ‘Telling and Inner Life’, in: Time, New York, December 1991, pp. 68-70
___, ‘Galeries: Eva Hesse’, in: The New Yorker, New York, 2 November 1991, p. 20
___, ‘Permanent Collection: Recent Accessions, Eva Hesse’, in: Des Moines Art Center News, Iowa, November-December 1991, p. 3-4
Salvioni, Daniela, ‘Eva Hesse Steingladstone’, in: Flashart, Milan, vol. XXIV, no. 160, October 1991, p. 170
Kuspit, Donald, ‘Eva Hesse Robert Miller, SteinGladstone’, in: Artforum, New York, vol. XXX, no. 1, September 1991, p. 126, ill.
Brenson, Michael, ‘In Connecticut, a Conceptualist’s Nonconceptual Collection’, in: The New York Times, New York, 9 August 1991, p. C23
Stern, Fred, ‘Art & Auction News/Eva Hesse: Gouaches 1960/61’, in: Mizue, no. 959, Summer 1991, p. 137
Debailleux, Henri-Francois, ‘Eva Hesse’, in: Libération, Paris, 2 May 1991
___, in: The Print Collector’s Newsletter, New York, vol. XXII, no. 2, May-June 1991, p. 66
Simon, Joan, ‘Eva Hesse ou la ligne devenant lumière’, in: Art Press, Paris, no. 157, April 1991, pp. 35-41
___, ‘Milton Resnick/Eva Hesse’, in: The New Yorker, New York, 25 March 1991, p. 13
Brenson, Michael, ‘Gouaches by Eva Hesse From Her Post-School and Pre-Sculpture Days’, in: The New York Times, New York, 1 March 1991, p. C25, ill.
Knight, Christopher, ‘MoCA’s ‘New Sculpture’ A Fine Match of Work, Space’, in: The Los Angeles Times, Los Angeles, March 1991
___, ‘Museum Preview 1991-92 (March)’, in: Art in America, New York, March 1991, p. 31
Wilson, William, ‘Famous Figures Relax with Cut, Paste’, in: Los Angeles Times, Los Angeles, January 1991, p. F17 (Section F)

1990 Anfam, David, ‘Evaluating a Radical Decade’, in: Art International, Zurich, vol. 12, Autumn 1990, p. 92-94, ill.
Hayt-Atkins, Elizabeth, ‘The Anxiety of Influence’, in: Contemporanea, Oberbillig, no. 20, September 1990, pp. 66-73, ill.
Heartney, Eleanor, ‘The New Sculpture 1965-75’, in: ARTnews, New York, September 1990, p. 168
Danto, Arthur C., ‘Postminimalist Sculpture’, in: The Nation, 14 May 1990, pp. 680-684
Kalb, Marty J., ‘Art in Europe and America: The 1950s and 1960s’, in: Dialogue, Columbus, vol. 13, no. 28, May-June 1990, p. 28
Michelson, Annette, ‘Where is Your Rupture? Mass Culture and Gesamtkunstwerk’, October, vol. 56, Spring 1990, pp. 43-63
Winter, Peter, ‘Ansetzen zum Flug’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 85, 10 April 1990, p. 35
Danto, Arthur C., ‘Institutionalisme en Interpretatie: Eva Hesse en Robert Mangold’, in: Kunst Museum Journal, Berlin, vol. 1, no. 4, 1990, pp. 18-30

1989 Harris, Ann Sutherland, ‘Entering the Mainstream: Women Sculptors of the 20th Century, Part Two: Louise Bourgeois and Eva Hesse’, in: Gallerie: Women’s Art, Vancouver, vol. II, no. 3, Winter 1989, pp. 4-9
Danto, Arthur C., ‘Growing up absurd’, in: ARTnews, New York, November 1989, p. 118-121, ill.
Graw, Isabell, ‘Eva Hesse’, in: Flashart, Milan, no. 146, May-June 1989, p. 112, ill.
Rankin-Reid, Jane, ‘Eva Hesse. The 1965 Reliefs’, in: Artscribe International, London, May 1989, p. 66-67, ill.
Zimmer, William, ‘Eva Hesse/Joan Nelson’, in: ARTnews, New York, April 1989, p. 198-199
Combalia, Victoria, ‘Invasion de europeos’, in: El Pais, Madrid, 2 February 1989, p. 2
Smith, Roberta, ‘Eva Hesse: The 1965 Reliefs’, in: The New York Times, New York, 20 January 1989, p. C24
___, ‘Eva Hesse’, in: The Village Voice, New York, 11-17 January 1989, p. 46
Morgan, Robert C., ‘Eccentric Abstraction and PostMinimalism’, in: FlashArt, Milan, no. 144, January-February 1989, pp. 73-81

1988 Kuspit, Donald, ‘Eva Hesse at Pat Hearn Gallery’, in: Artforum, New York, April 1988, p. 139
Nemser, Cindy, ‘Eva Hesse’, in: Eau de Cologne, February 1988, pp. 50-51

1987 Hershenson, Roberta, ‘The Fine, Painstaking Art of Arranging a Major Exhibition’, in: The New York Times, New York, 9 November 1987
Faulkner, Ray, ‘Edwin Ziegfeld and Howard Smagula’, in: Art Today, New York, Holt, Reinhart and Winston, 1987, pp. 250, 251, figure 249

1986 Zimmer, William, ‘At The Neuberger, Windows Allow Artists To Share A Theme’, in: The New York Times, New York, 12 October 1986

1985 ___, ‘Eva Hesse: The Early Drawings and Selected Sculpture’, in: Brandeis Reporter, Waltham, vol. 3, no. 8, 13 December 1985
___, ‘Choices: Art’, in: The Boston Review, Boston, December 1985
Stapen, Nancy, ‘The Idiosyncratic Hesse’, in: Boston Herald, Boston, 21 November 1985
Taylor, Robert, ‘Hesse Show Demonstrates Creative Growth’, in: Boston Globe, Boston, 17 November 1985
___, ‘Rose Presents First Area Show of Early Works By Artist Hesse’, in: Brandeis Reporter, Waltham, vol. 3, no. 6, 8 November 1985
___, ‘Rose Will Host Hesse Exhibit’, in: The Waltham News – Tribune, Waltham, 24 October 1985

1983 Johnson, Ellen H., ‘Order and Chaos: From the Diaries of Eva Hesse’, in: Art in America, New York, Summer 1983, pp. 110-118
Klein, Michael R., in: ARTnews, New York, vol. 82, no. 4, April 1983, pp. 151-152
Eisenman, Stephen F., ‘Eva Hesse’, in: Arts Magazine, New York, March 1983
Combs, Tram, ‘Eva Hesse drawings’, in: Woodstock Times, New York, 24 February 1983, p. 20, ill.
Russi Kirshner, Judigh, ‘Eva Hesse: A Retrospective of the Drawings’, in: Artforum, New York, vol. 21, no. 6, February 1983, p. 84
Larson, Kay, ‘The James Dean of Art’, in: New York Magazine, New York, 31 January 1983, p. 50
Glueck, Grace, ‘How An American Sculptor Found Her True Metier’, in: New York Times, New York, 23 January 1983, ill.

1982 Kalil, Susie, ‘Art: Drawings by Eva Hesse’, in: The Houston Post, Houston, 5 December 1982, pp. 10F, 11F, ill.
Fernandes, Joyce, in: New Art Examiner, Chicago, vol. 10, no. 3, December 1982, p. 25
Platt, S., ‘Testing the Studies’, in: Artweek, San José, no. 13, 2 October 1982, p. 3
Curtis, Cathy, ‘On the Trail of Eva Hesse’, University Art Museum Berkeley Publication, Berkeley, September 1982, p. 2, ill.

1981 Weyergraf, Clara, ‘The Holy Alliance: Populism and Feminism’, in: October, no. 16, Spring 1981, pp. 23-24

1980 MacGregor, N., ‘Some Recent Sculpture Acquisitions by British Public Collections’, in: The Burlington Magazine, London, no. 122, January 1980, p. 84

1979 Goldstein, Carl, ‘Teaching Modernism: What Albers Learned in the Bauhaus and Taught to Rauschenberg, Noland and Hesse’, in: Arts Magazine, New York, December 1979, pp. 109, 111, 114-115, 116
___, ‘Whitechapel Art Gallery’, in: The Print Collector’s Newsletter, New York, vol. 10, no. 5, November-December 1979, p. 166
von Graevenitz, Antje, in: Pantheon, vol. 37, no. 4, October-December 1979, pp. 331-333
___, ‘Eva Hesse: Skulpturen und Zeichnungen in der Kestner Gesellschaft/Hannover’, in: Flash Art, Milan, October-November 1979, p. 50
Marcelis, B., ‘Per la prima volta in Europa, una grande mostra… ‘, in: Domus, Milano, no. 599, October 1979, pp. 48-49
Winter, Peter, in: Kunstwerk, vol.32, no.5, October 1979, pp. 55-56
Cooper, E., in: Art and Artists, vol. T14, July 1979, pp. 8-10
Hill, Andrea, in: Artscribe, London, no. 18, July 1979, pp. 41-43
Petzal, Monica, in: Art Monthly, vol. 27, June 1979, pp. 15-16
Overy, Paul, ‘Masculine and feminine’, in: The Listener, 31 May 1979
Bennet, Ian, ‘Meet the visiting Americans. FT/Sotheby’, in: Financial Times, London, 26 May 1979
Januszczak, Waldemar, ‘The mysteries of the organism’, in: The Guardian, London, 17 May 1979
Kent, Sarah, ‘Eva Hesse’, in: Time Out, London, 17 May 1979
Feaver, William, ‘Welsh visionary’, in: The Observer, London, 13 May 1979
___, ‘Critics Forum (review on Hesse at Whitechapel Gallery)’ on: BBC Radio 3, 12 May 1979
McEwen, John, ‘Maximal’, in: Spectator, London, 12 May 1979
Forsyth, Susan, ‘Eva Hesse 1936-1970. Sculpture, Drawings’, in: Arts Review, London, Spring 1979
Carr, Carolyn, ‘Grids: Format and Image in 20th Century Art’, in: Dialogue, no. 4, March 1979
Combs, Tram, ‘Eva Hesse drawings’, in: Woodstock Times, 24 February 1979, p. 20
Gablik, Suzi, ‘Grids at Pace’, in: Art in America, New York, 1979, p. 141

1978 Smith, Roberta, in: Art in America, New York, vol. 66, no. 1, January-February 1978, pp. 19-21

1977 Russell, John, ‘It Could Have Been A Disaster But… ‘, in: The New York Times, New York, 2 November 1977
___, ‘Book Review. Eva Hesse by Lucy R. Lippard’, in: The Print Collector’s Newsletter, New York, vol. VII, no. 4, September-October 1977
Spector, Naomi, in: Print Collector’s Newsletter, New York, vol. 8, no. 4, September-October 1977, pp. 117-118
Perrone, Jeff, in: Artforum, New York, vol. 16, no. 1, September 1977, pp. 54-55
Kramer, Hilton, in: The New York Times, New York, 20 March 1977, p. 27

1976 Lorber, Richard, ‘Eva Hesse’, in: Arts Magazine, New York, vol. 51, no. 4, December 1976, p. 7

1975 Raleigh, Henry P., ‘The Aesthetic of Change’, in: Journal of Aesthetics and Art Criticism, vol. 34, no. 2, Winter 1975, pp. 177-182

1974 Cork, Richard, ‘Half a Hesse… ‘, in: Evening Standard, London, 24 October 1974, p. 25
Overy, Paul, ‘Jim Dine: sparks that don’t catch fire’, in: The Times, London, 15 October 1974, ill.
Feaver, William, ‘Eva Hesse’, Financial Times, London, 10 October 1974, ill.
Griffiths, John, ‘Galleries’, in: The Tablet, London, 5 October 1974
Forsyth, Susan, ‘Eva Hesse 1936-1970. Sculpture, Drawings’, in: Arts Review, London, 4 October 1974 (?)
Tisdall, Caroline, ‘Eva Hesse’, in: The Guardian, London, 1 October 1974 (?)
Vaizey, Marina, ‘Shapes of inspiration’, in: Sunday Times, London, October 1974 (?)
Markell, John, ‘The Tragic Life and Forceful Sculpture of Eva Hesse’, in: U.C. Berkeley Daily California Arts Magazine, Berkeley, 18 January 1974
___, ‘Announcement’, in: Artweek, San José, vol. 5, no. 2, 12 January 1974, p. 1

1973 Nemser, Cindy, ‘My Memories of Eva Hesse’, in: Feminist Art Journal, vol. 2, no. 1, Winter 1973, pp. 12-13
Nemser, Cindy, ‘Eva Hesse: Her Life’, in: Feminist Art Journal, vol. 2, no. 1, Winter 1973, pp. 13-14
Shere, Charles, U.C. ‘Retrospective Explores the Work of Eva Hesse’, in: The Oakland Tribune, Oakland, December 23, 1973
Albright, Thomas, ‘A Moving Experience’, in: The San Francisco Chronicle, San Francisco, 13 November 1973
Ianco-Starrels, Josine, ‘Art News’, in: LA Times, Los Angeles, 4 November 1973
Smith, Barbara, ‘Eva Hesse retrospective’, in: Los Angeles Weekly News, Los Angeles, 2 November 1973, p. 24, ill.
Carpenter, Edith Flora, ‘Eva Hesse: The Mystery of Art in Form’, in: Greensboro Daily News, 28 October 1973, p. E16
___, ‘Discussion of Modern Art Set at Museum’, in: LA Times, Los Angeles, 15 October 1973
Terbell, Melinda, ‘Eva Hesse Retrospective’, in: Artweek, San José, vol. 4, no. 33, 7 October 1973, p. 1,16
Wilson, William, ‘Eva Hesse’s Memorial to a Life of Pain’, in: The Los Angeles Times, Los Angeles, 7 October 1973, p. 52
Borden, Lizzie, ‘Art Economics and the Whitney Drawing Show’, in: Artforum, New York, vol. XII, no. 2, October 1973, p. 87
Wade, Martha, ‘Art. Eva Hesse at the Pasadena’, in: Sundancer, Los Angeles, vol. 2, no. 19, October 1973
Danieli, Fidel, ‘L.A. Art Sight Lines’, in: Los Angeles Weekly News, Los Angeles, 28 September 1973, pp. 1-16
Ianco-Starrels, Josine, ‘Art News’, in: LA Times, Los Angeles, September 1973
___, ‘Conceptual art Arte povera Land art Body art 1966 – 1969’, in: Bolaffiarte, Torino, vol. 4, no. 31, June-July 1973, p. 74
Berenson, Ruth, ‘New Realists’, in: National Review, New York, 11 May 1973, p. 530
Borden, Lizzie, ’3D Into 2D’, in: Artforum, New York, vol. XI, no. 8, April 1973, p. 74
Gula, Kasha Linville, ‘Eva Hesse: No Explanation’, in: MS Magazine, April 1973, pp. 39-42, ill.
Schjeldahl, Peter, ‘Eva Hesse at the Guggenheim’, in: Art in America, New York, March-April 1973, pp. 39-42, ill.
___, ‘Eva Hesse’ [includes statement by the artist], in: Art Press, Paris, no. 3, March-April 1973, pp. 20-21
Willig, Nancy Tobin, ‘Eva Hesse: Cries and Whispers Live in Sculpture’, Buffalo Courier-Express, Buffalo, 11 March 1973 p. 5
Reeves, Jean, ‘Eva Hesse Sculpture Exhibits Wide Range of Materials’, in: Buffalo Evening News, Buffalo, 6 March 1973
Boice, Bruce, ‘Eva Hesse: The Guggenheim Museum’, in: Artforum, New York, vol. 12, no. 7, March 1973, pp. 89-91
Crimp, Douglas, ‘New York Letter’, in: Art International, Zurich, vol. 17, no. 3, March 1973, pp. 40-42, 69
Rose, Barbara, ‘A Special Woman, Her Surprise Art’, in: Vogue, March 1973, p. 50
Wahl, Kenneth, ‘A Great Talent was Lost’, in: Birch Bark, March 1973, p. 7
___, ‘A Special Woman, Her Surprise Art’, in: Vogue, March 1973, p. 50, ill.
Baker, Kenneth, ‘Memorial Exhibition’, in: The Christian Science Monitor, Boston, 17 February 1973
Sheridan, Lee, ‘“Eva Hesse: Memorial Exhibition” Art Show of Astonishing Beauty’, in: Springfield Daily News, Springfield, 7 February 1973
Baker, Elizabeth C., ‘Sculpture: The Eva Hesse Memorial Exhibition’, in: Saturday Review, February 1973, pp. 57-58
Levin, Kim, ‘Eva Hesse: Notes on New Beginnings’, in: ARTnews, New York, vol. 72, no. 10, February 1973, pp. 71-73, ill.
Shapiro, David, ‘The Random Forms in Soft Materials and String by the Late Young Innovator Eva Hesse’, in: Craft Horizons, New York, February 1973, pp. 40-45, 77
Johnston, Jill, ‘As Anybody Lay Dying’, in: The Village Voice, New York, 25 January 1973, pp. 23-26
Picard, Lil, ‘Aus dem Nachlass der Avantgarde’, in: Die Welt, Berlin, 25 January 1973
Nemser, Cindy, ‘Letter to the editor: “All About Eva“’, in: The Village Voice, New York, 18 January 1973
Davis, Douglas, ‘Cockroach or Queen’, in: Newsweek, New York, 15 January 1973, p. 73
Helfer, Judith, ‘Szene: Künstlerinnen’, in: Der Spiegel, Hamburg, 15 January 1973
Helfer, Judith, ‘Eva Hesse: Wirkungs-und gehaltvolle Retrospektive’, in: Aufbau, 12 January 1973, p. 19
Trini, Tommaso, ‘Tregua fra tendenze negli USA’, in: Corriere della Sera, Milan, 7 January 1973
Hughes, Robert, ‘Vulnerable Ugliness’, in: Time, New York, 1 January 1973, p. 37, ill.
Rose, Barbara, ‘The Real Thing’, in: New York Magazine, New York, vol. 6, no. 1, 1 January 1973, p. 60.

1972 ___, ‘Sculptures: Eva Hesse’, in: Aphra, vol 3, no. 1, Winter 1972-73, pp. 42-45
Marvel, Bill, ‘Unsung in Life, Lionized in Death. Sylvia Plath, Eva Hesse, and Diane Arbus’, ?, Winter 1972 (?), ill.
Perreault, John, ‘Knotted and Split at the Seams’, in: The Village Voice, New York, 21 December 1972, pp. 31-32
Kramer, Hilton, ‘Memorial for an Admired Art Talent’, in: The New York Times, New York, 18 December 1972, p. 31
Genauer, Emily, ‘Art and the Artist’, in: The New York Post, New York, 16 December 1972
Kramer, Hilton, ‘A Career Cut Short by Death’, in: The New York Times, New York, 17 December 1972, p. 27, ill.
Purnick, Joyce, ‘A Portrait of the Artist, Tortured and Talented’, in: The New York Post, New York, 13 December 1972
___, ‘Memorial For An Admired Talent’, in: The New York Times, New York, 9 December 1972, p. 31
Pincus-Witten, Robert (ed.), ‘Eva Hesse: Last Words’, in: Artforum, New York, vol. 11, no. 3, November 1972, pp. 74-76
___, ‘Eva Hesse: Last Words’, in: Artforum, New York, vol. 11, no. 3, November 1972, pp. 74-76
Hakanson, Joy, ‘Sculptors explore the ‘unstructured’ [review, Detroit Institute of Arts], ___, Fall 1972
Kolbert, Frank L., ‘Eva Hesse 1936/1970’, in: Detroit Institute of Arts, Detroit, Fall 1972, ill.
Borden, Lizzie, ‘Cosmologies’, in: Artforum, New York, vol. XI, no. 2, October 1972, pp. 35-40
Pincus-Witten, Robert, ‘Rosenquist and Samaras: The Obsessive Image and Post Minimalism’, in: Artforum, New York, vol. 11, no. 1, September 1972, pp. 64-69
Kramer, Hilton, in: The New York Times, New York, 9 July 1972
Kramer, Hilton, in: The New York Times, New York, 1 July 1972, p. 11
Canaday, John, ‘Win, Draw, or Lose at Chicago’s All-American Show’, in: The New York Times, New York, 25 June 1972, p. 19
Gordon, Leah, ‘Myths of Sensibility’, in: Time, New York, 20 March 1972, pp. 72-77, ill.

1971 Baker, Elizabeth C., in: ARTnews, New York, vol. 70, no. 8, December 1971, p. 16
Davis, Douglas, ‘The Invisible Woman is Visible’, in: Newsweek, New York, 15 November 1971, pp. 130-131
Pincus-Witten, Robert, ‘Eva Hesse: Post-Minimalism into Sublime’, in: Artforum, New York, vol. 10, no. 3, November 1971, pp. 32-44
Perreault, John, ‘Art’, in: The Village Voice, New York, 21 October 1971, p. 35
Lippard, Lucy R., ‘Eva Hesse – The Circle’, in: Art in America, New York, vol. 59, no. 3, May-June 1971, pp. 68-73
Baker, Elizabeth C., ‘Sexual Art-Politics’, in: ARTnews, New York, vol. 69, no. 9, January 1971, pp. 47-48, 60-62

1970 H., G., ‘Tony Delpa, Frank Gallo, Eva Hesse’, in: ARTnews, New York, no. 69, September 1970, p. 14
N., C., ‘Frank Gallo, Tony Delap, Eva Hesse at Owens Corning’, in: Arts Magazine, New York, no. 44, Summer 1970, p. 57
Rosenstein, Harris, ‘Reviews and Previews’, in: ARTnews, New York, vol. 69, no. 4, Summer 1970, p. 62
Mellow, James R., ‘Three Sculptors in Plastic Mode’, in: The New York Times, New York, 5 July 1970, p. B17 (Section 2)
___, ‘Eva Hesse Dies: Sculptor was 34’, in: The New York Times, New York, 30 May 1970, p. 23
Nemser, Cindy, ‘An Interview with Eva Hesse’, in: Artforum, New York, vol. 8, no. 9, May 1970, pp. 59-63
Kramer Hilton, in: The New York Times, New York, 18 April 1970
Ashton, Dore, ‘Exhibition at Finch College’, in: Studio International, New York, vol. 179, March 1970, p. 119
___, ‘Fling, Dribble, and Dip’ [includes statement by the artist], in: Life, New York, vol. 68, no. 7, 27 February 1970, p. 66
Leider, Philip, ‘Art in Process IV’, in: Artforum, New York, vol. 8, no. 6, February 1970, p. 70
Rosenberg, Harold, ‘The Art World: Deaestheticization’, in: The New Yorker, New York, 24 January 1970, pp. 62-67
Pincus-Whitten, Robert, in: Artforum, New York, vol. 8, no. 5, January 1970, p. 69

1969 Müller, Gregoire, ‘Art in Process IV’, in: Arts Magazine, Hamburg, vol. 44, no. 3, December 1969-January 1970, pp. 54-55
Glueck, Grace, ‘Art Notes: Building the Plastic Image’, in: The New York Times, New York, 7 December 1969, p. D28
Perreault, John, ‘Plastic, Very Present’, in: The Village Voice, New York, 4 December 1969, pp. 28, 63, ill.
Gruen, John, ‘A Sticky Hodgepodge’, in: New York, New York, 17 November 1969, p. 58
Plagens, Peter, ’557,087’, in: Artforum, New York, vol. 8, no. 3, November 1969, pp. 64-67
Müller, Grégoire, ‘A Plastic Presence’, in: Arts Magazine, New York, vol. 44, no. 2, November 1969, pp. 36-37, ill.
___, ___, in: Art News, New York, November 1969
Denvir, Bernard, ___, in: Art International, Zurich, vol. XIII, no. 8, October 1969, p. 72
Plagens, Peter, ‘The Possibilities of Drawing’, in: Artforum, New York, vol. 8, no. 2, October 1969, pp. 50-55, ill.
Harrison, Charles, ‘Against Precedents’, in: Studio International, New York, vol. 178, no. 914, September 1969, pp. 90-93
___, ___, in: Artforum, New York NY, vol. 9, no. 1, September 1969, pp. 56-57
Aach, Herb, ‘The Materials of Art Verses the Art of Materials’, in: Craft Horizons, New York, July-August 1969, pp. 37-38
Perreault, John, ‘Art. A Sort of Sacrifice’, in: The Village Voice, New York, 29 May 1969, pp. 14-16
Kramer, Hilton, ___, in: The New York Times, New York, 24 May 1969, p. 31
Ammann, Jean-Christophe, ‘Schweizer Brief’, in: Art International, Zurich, vol. XIII, no. 5, May 1969, pp. 47-50
Goldin, Amy, ‘Sweet Mystery of Life’, in: ARTnews, New York, vol. 68, no. 3, May 1969, pp. 46-51, 62
Rose, Barbara, ‘Problems of Criticism VI: The Politics of Art, Part III’, in: Artforum, New York, vol. 7, no. 9, May 1969, pp. 46-51
___, in: The New York Times, New York, 18 April 1969
Pomeroy, Ralph, ‘Soft Objects: At the New Jersey State Museum’, in: Arts Magazine, New York, vol. 43, no. 5, March 1969, pp. 46-48, ill.
___, ‘Leo Castelli Gallery, N.Y. (Dec. 4 – 28, 1968)’, in: Flash Art, Milan, March 1969
Chandler, John, ‘Art in the Electric Age’, in: Art International, Zurich vol. XIII, no. 2, 20 February 1969, p. 24
Smith, Larry, ‘Flexible Constructions: Floppy and Wonderful’, in: The Village Voice, New York, 6 February 1969, pp. 13, 34, 38
Kozloff, Max, ’9 in a Warehouse. An “attack on the status of the object.”’, in: Artforum, New York, vol. 7, no. 6, February 1969, pp. 38-42, ill.
Müller, Gregoire, ‘Robert Morris Presents Anti-form’, in: Arts Magazine, New York, vol. 43, no. 4, February 1969, pp. 29-30, ill.
___, ‘Floating Wit’, in: Time, New York, 3 January 1969, p. 44, ill.
Mellow, James R., ‘New York Letter’, in: Art International, Zurich, vol. 8, no. 1, January 1969, pp. 53-54
Pincus-Witten, Robert, ___, in: Artforum, New York, vol. 8, no. 5, January 1969, p. 69

1968 Wasserman, Emily, ___, in: Artforum, New York, vol. 7, no. 5, January 1969, p. 60
Perreault, John, ‘Illusions of Reality’, in: The Village Voice, New York, 26 December 1968, p. 22-23
Perreault, John, ‘Art: a Test’, in: The Village Voice, New York, 19 December 1968, p. 19
Frank, Peter, ‘New York Art Notes’, in: The Columbia Owl, New York, 4 December 1968, p. 6, ill.
Perreault, John, ‘The Materiality of Matter’, in: The Village Voice, New York, 28 November 1968, p. 19
Kramer, Hilton, in: The New York Times, New York, 23 November 1968, p. 54
Müller, Gregoire, in: Arts Magazine, New York, vol. 44, no. 2, November 1968, pp. 36-37
Plagens, Peter, ’5557 087’, in: Artforum, New York, vol. 8, no. 3, November 1968, pp. 64-67, ill.
(Letter protesting Mayor Daley), in: ARTnews, New York, vol. 76, no. 7, November 1968, p.29 (Hesse one of several signatories)
Last, Martin, in: ARTnews, New York, vol. 67, no. 7, November 1968, p. 14
___, ‘Eva Hesse’, in: Arts Magazine, New York, vol. 42, no. 3, November 1968, p. 58
Plagens, Peter, ‘The Possibilities of Drawing’, in: Artforum, New York, vol. 8, no. 2, October 1968, pp. 50-55
Denvir, Bernard, in: Art International, vol. 13, no. 8, October 1968, p. 72
___, ‘The New Season: Mostly Minimal’, in: The Village Voice, New York, 19 September 1968, pp.18-19, ill.
Chandler, John, ‘Tony Smith and Sol LeWitt. Mutations and Permutation’, in: Art International, vol. 12, no. 7, September 1968, pp. 16-19
Harrison, Charles, ‘Against Precedents’, in: Studio International, New York, vol. 178, no. 914, September 1968, pp. 90-93
Wasserman, Emily, in: Artforum, New York, vol. 8, no. 1, September 1968, pp. 56-57
Aach, Herb, ‘The Materials of Art Versus the Art of Materials’, in: Craft Horizons, New York, July-August 1968, pp. 37-38
Perreault, John, ‘Art’, in: The Village Voice, New York, 29 May 1968, p. 16
Morris, Robert, ‘Anti-form’, in: Artforum, New York, vol. VI, no. 8, April 1968, pp. 33-35
Lippard, Lucy R., ‘John, Chandler, The Dematerialization of Art’, in: Art International, Zurich, vol. 12, no. 2, February 1968, pp. 31-32

1967 Perreault, John, ‘Repeating Absurdity’, in: The Village Voice, New York, 14 December 1967, p. 18-19, ill.
Willard, Charlotte, ‘Primary Forms’, in: The New York Post, New York, 9 December 1967, p. 46, ill.
Lee, David, ‘Serial Rights’, in: ARTnews, New York, vol. 66, no. 8, December 1967, pp. 42-45, 68
Bochner, Mel, ‘The Serial Attitude’, in: Artforum, New York, vol. 6, no. 4, December 1967, pp. 28-33
LeWitt, Sol, ‘Paragraphs on Conceptual Art’, in: Artforum, New York, vol. 15, no. 10, Summer 1967, pp. 70-83 (ill. only)
Bochner, Mel, ‘The Serial Art, Systems, Solipsism’, in: Arts Magazine, New York, vol. 41, no. 8, Summer 1967
Monte, James, ‘‘Making It’ with Funk’, in: Artforum, New York, vol. 5, no. 10, Summer 1967, pp. 56-59
Lippard, Lucy R., ‘Eros Presumptive’, in: The Hudson Review, New York, Spring 1967, pp. 91-99

1966 Lippard, Lucy R., ‘Eccentric Abstraction’, in: Art International, Zurich, vol. 10, no. 9, 20 November 1966, pp. 28, 34-40
Smithon, Robert, ‘Quasi-Infinities and the Waning of Space’ , in: Arts Magazine, New York, vol. 41, no.1, November 1966, pp. 28-31
Antin, David, ‘Another Category: ‘Eccentric Abstraction’‘, in: Artforum, New York, vol. 5, no. 3, November 1966, pp. 56-57
Bochner, Mel, ___, in: Arts Magazine, New York, vol. 41, no. 1, November 1966, pp. 57-58
Kramer, Hilton, ‘And Now Eccentric Abstraction: It’s Art But Does It Matter?’, in: The New York Times, New York, 25 September 1966, pp. 27, 29 (section 2), ill.
Glueck, Grace, ‘New York Gallery Notes: ABC to Erotic’, in: Art in America, New York, vol. 54, no. 5, September-October 1966, pp. 105 – 108
Lippard, Lucy R., ‘An Impure Situation’, in: Art International, Zurich, vol. 10, no. 5, May 1966, pp. 60-65
Pincus-Witten, Robert, in: Artforum, New York, vol. 4, no. 9, May 1966, p. 54
Gruen, John, ‘Art: Ugly Young Americans’, in: New York Herald Tribune (New York magazine section), New York, 13 March 1966, p. 32

1963 Peterson, Valerie, ‘Exhibition at Stone Gallery’, in: ARTnews, New York, vol. 62, no. 3, May 1963, p. 19

1961 Judd, Donald, ‘Exhibition at Heller Gallery’, in: Arts Magazine, New York, vol. 35, no. 7, April 1961, p. 60
O’Doherty, Brian, ‘Art: Paintings by Five Technicans on Display’, in: The New York Times, New York, 18 April 1961, p. 34
Roskill, Mark, ‘Drawings by Three Young Americans at Heller’, in: ARTnews, New York, vol. 60, no. 2, 1961, p. 64

1954 ___, ‘It’s All Yours’ [includes statement by the artist], in: Seventeen, September 1954, pp. 140- 141, 161

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Portraits of young offenders used as targets during the training of police officers in the city of M., United States

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Wed 31 Jul 2019, 6.30 pm

CinemArt Screening: Eva Hesse

Cinéma Rex Pontresina, St. Moritz

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Born in 1936, Eva Hesse was one of the icons of American art in the 1960s, her work being a major influence on subsequent generations of artists. Hesse cultivated mistakes and surprises,...

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