Diana Thater at LACMA reviewed by ARTFORUM

Diana Thater’s mid-career retrospective comprising videos and projection installations spanning nearly twenty-five years – is tightly woven and allows the vibrant colors and intense movements characteristic of the artist’s always-silent works to bleed into each other, generating a distinct overarching mise-en-scène.

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A Conversation with Diana Thater

One of the striking aspects of Diana’s early work, like ‘Oo Fifi, Five Days in Claude Monet’s Garden,’ is that the work is rough video, very chunky, and it’s broken apart into its red, blue, and green components.

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