Hauser & Wirth
News

Selected Press

Harper's Bazaar

Chloë Ashby

8 October

The Age of Opulence

‘You’re coming face to face with who you really are and what you look like on a very objective level. Getting older in that process is eye-opening and scary at the same time.’
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© 2026 Cindy Sherman / Artists Rights Society (ARS), NY. Courtesy the artist and Hauser & Wirth.

The Financial Times

Ella Risbridger

6 October

What makes a powerful art dealer tick? Read this cookbook

‘The story of this book is in making something for someone you love: a dinner, a picture, a book. The only reason to make anything is to make it for someone.’
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Hauser & Wirth Publishers' 'A Cookbook for Iwan'

The Brooklyn Rail

Phong H. Bui

1 October

Rita Ackermann with Phong H. Bui

'Discomfort is the warm bed of good ideas.'
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Photo: Victor Neyra

Frieze

Zoë Hopkins

30 September

Lorna Simpson Cuts Across Time

‘Painting allows me to work subconsciously, while also engaging with the real world.’
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Portrait of Lorna Simpson, 2025. Courtesy: © Lorna Simpson; photograph: Grace Ahlbom

Cultured

Isa Farfan

25 September

Lee Bul Has Made Work About the Impact of Technology for Decades. It Has Never Been More Relevant.

‘Forty years into her career, the South Korean sculptor has debuted a major Hauser & Wirth show that strips technology down to its vulnerable underbelly of human ambition.’
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Lee Bul © Lee Bul. Photo: Yoon Hyung-moon. Courtesy of the artist

TIME

Belinda Luscombe

17 September

Amy Sherald Would Rather Walk Away Than Water Down Her Art

‘...it has been 50 years since a living painter has been solo on the magazine’s cover. (In fact, Rauschenberg was the last, appearing in a self-portrait on the Nov. 29, 1976, issue of TIME.) Until this week. Painter Amy Sherald appears on the new cover following a blockbuster two-year, four-museum tour of her work. The predecessors she joins in that space include Pablo Picasso, Salvador Dali, Thomas Hart Benton, and Andrew Wyeth.’
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Amy Sherald, 2025. Photo: Kelvin Bulluck

The New York Times

Walker Mimms

15 September

Camille Henrot, Polyglot of Arts and Letters, in the Triple Spotlight

‘The world that is being born in ‘Grosse Fatigue’ I hope to God is not dying in ‘In the Veins'...’
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Camille Henrot, 2025. Photo: Vitor Duarte

T: The New York Times Style Magazine

M.H. Miller

12 September

Rita Ackermann Doesn’t Have to Explain Her Work to You

‘If after 33 years I’m still stressing about making my masterpiece, then I haven’t learned anything.’
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Photo: Victor Neyra

New York Magazine

David Lê

8 September

George Rouy Makes a Bigger Splash

‘There’s always this remove with my work, something I’m not revealing or exposing entirely. A smoke-and-mirrors quality, to some extent.'
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George Rouy, 2025 Photo: Jeff Henrikson © Jeff Henrikson

The Brooklyn Rail

Dian Parker

1 September

Musa Mayer with Dian Parker

‘The book is moving in so many ways. Being married to a famous artist like Philip Guston couldn’t have been easy. Yet in Musa McKim Guston’s writings, there is such tenderness and obvious love alongside her struggles. The power of the book is the opportunity to have the woman’s perspective about a life with a renowned male artist, especially from that period of time.’
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'Life with P.: Journals, 1966–1976' by Hauser & Wirth Publishers

Tatler Asia

Zabrina Lo

17 August

A major solo exhibition of Lucio Fontana, known for his slashed canvases, opens in Hong Kong next month

‘The ‘Fontana Revolution’ was a good revolution. Maybe it was a little bit too bright for his time—but now we see the light.’
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Lucio Fontana. Photo: Ugo Mulas

The Punch

Nawaid Anjum

14 August

Subodh Gupta interview: ‘Even the most ordinary objects can carry extraordinary human histories’

‘As an artist, I feel grateful that I have been able to transform these humble materials into works that invite reflection and dignity. It reminds me that even the most ordinary objects can carry extraordinary human histories.’
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Portrait of Subodh Gupta

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