News

Selected Press

Artforum

20 November

Under the Influence: Larry Bell

'Art is about feeling. It’s not about anything else.'

Thumbnail image for Exhibition titled Artforum — Larry Bell, 2023.

T: The New York Times Style Magazine

Aatish Taseer

18 November

The Art of Britain’s Windrush Generation Has Never Felt More Relevant

‘These two hard imperatives — of neither being welcome at the metropole nor having a place to return to — form the unsentimental understructure of Boyce’s recent show at Hauser & Wirth in Manhattan’s Chelsea neighborhood.’

Thumbnail image for Exhibition titled T: The New York Times Style Magazine — Sonia Boyce in her studio, 2025. Photo: Lily Bertrand-Webb

Monopol

17 November

Monopol Top 100: These are the most important people in the art world

‘...with 17 galleries worldwide, its own publishing house, the coffee-table magazine "Ursula," and over 90 represented artists—from Rita Ackermann and Nicole Eisenman to Philip Guston and David Zink Yi—Iwan and Manuela Wirth and their partner Marc Payot remain top players among art dealers.’

Thumbnail image for Exhibition titled Monopol — Iwan and Manuela Wirth, Marc Payot. Photo: David Needleman / AUGUST, Courtesy Hauser & Wirth

Art Basel Stories

Colony Little

13 November

Uman’s kaleidoscopic journeys

‘It’s almost like I’m saying goodbye to this chapter after 20 years in New York..I’ve described my show at the Aldrich as my love letter to my life here upstate.’

Thumbnail image for Exhibition titled Art Basel Stories — Portrait of Uman by Katharina Poblotzki.

Observer

12 November

2025 Art Power Index: The Art Market’s Most Influential People

‘It's clear to us that 'success' is not a zero-sum game in a delicate ecosystem like the art world...We've been putting a lot of energy over the last few years into collaborations with our colleagues who operate at different scales, so that we can contribute in concrete, measurable ways to the health of the wider field.’

Thumbnail image for Exhibition titled Observer — Marc Payot Photo: Sim Canetty, Courtesy Hauser & Wirth

Baltimore Beat

Angela N. Carroll

4 November

Epically, ecstatically, and sublimely Black: A reflection on Amy Sherald’s mid-career retrospective at the Baltimore Museum of Art

Amy Sherald’s opus is so impressively generative, odd, and satisfying in its epic reflection of real people living real lives that it advances a triumphant acknowledgement. These renderings are more heroic than some will ever be willing to appraise.

Thumbnail image for Exhibition titled Baltimore Beat — Amy Sherald as photographed by Kelvin Bulluck

The Guardian

Tim Jonze

4 November

The artists striking back against the climate emergency

'I, Gustav Metzger, am asking for your participation in this worldwide call for a day of action to remember nature on November 4th...Our task is to remind people of the richness and complexity in nature … and by doing so art will enter territories that are inherently creative.'

Thumbnail image for Exhibition titled The Guardian — ‘He had a great sense of urgency’ … Gustav Metzger with students from Central Saint Martins in 2015. Photograph: Tristan Fewings/Getty Images for Serpentine Galleries

Vogue

Stephanie Sporn

31 October

The Unhinged Rococo Fantasies of Flora Yukhnovich

‘I loved that idea of thinking about a threshold or a portal. That got me really excited and thinking about escapism in relation to Boucher’s work...I wanted to create something like that, like you’re stepping into the painting.’

Thumbnail image for Exhibition titled Vogue — Installation view, “Flora Yukhnovich. Bacchanalia,” Hauser & Wirth Downtown Los Angeles.© Flora Yukhnovich. Courtesy the artist, Hauser & Wirth, and Victoria Miro. Photo: Keith Lubow

The Guardian

Emine Saner

29 October

Don McCullin on 19 of his greatest pictures

‘...when it comes to my work, I am very sensitive, very polite. I’m a human being...If I wasn’t thinking like that, my pictures wouldn’t have a sensitive way of trying to speak to you.’

Whitewall

Ana Novi

29 October

At Hauser & Wirth London, Nicolas Party’s 'Clotho' Becomes a Temple to Time

‘Pastel has always felt like the perfect material for exploring fragility in my work. It’s an incredibly delicate medium—essentially made of dust—and that dust-to-dust symbolism carries a lot of weight.’