Hauser & Wirth
FORG88601

Günther Förg

Estate of Günther Förg

Günther Förg was born in 1952 in the region of Allgäu, Germany. His career began in the early 1970s as a student at The Academy of Fine Art Munich. During his studies, Förg developed a practice grounded almost exclusively in grey and black monochrome. These early investigations into gray—also called ‘Gitter’ paintings—demonstrate the beginning of a lifelong commitment to conceptualism. As he stated, ‘Grey is nothing: not white, not black. Something in between. Not concerned with the figure. Something free.’ While the artist later incorporated color into his monochrome series, his use of gray represents a neutral foundation from which he conceived his oeuvre.

In the 1980s, Förg began utilizing photography, printing large-format images of culturally—and politically—significant architectural structures, from Bauhaus buildings in Tel Aviv to Fascist constructions in Italy. This diversification of material and form led Förg to abandon painting altogether, and for some years he pursued a purely photographic practice as a reaction against painting itself. He would later reflect that his use of photography was a method of ‘working closer to reality,’ stating, ‘what one paints is not reality.’

Throughout the 1980s and 1990s, his photographic works achieved critical acclaim and were exhibited at major museums internationally, including the Kunsthalle Bern in Switzerland and The Solomon R. Guggenheim Museum, New York NY. During this time, Förg also began experimenting upon the exhibition space itself, painting over the gallery walls, and positioning photographs against his own paintings.

Förg entered a new phase of experimentation in the late 1980s, which brought him back to painting, but also included the embrace of new materials for him, such wood, copper, bronze, and lead. Förg’s renowned lead series—acrylic painted on sheets of lead and supported by wooden frames—blurs the line between painting and sculpture in an evolution towards object-making. Also initiated during the 1980s, his bronze sculptural practice indicates a painterly quality, with indentations and marks that are reminiscent of a brushstroke, as he attempted to replicate a moment frozen in time.

In pursuit of further artistic experimentation Förg began producing fragmented body-part sculptures in the early 1990s, describing this arrival at figuration as inevitable. These new works embraced the materiality of their making; the heavy, weathered, and scratched surfaces of the sheets of metal, lead, and wood hint at something that is simultaneously formal and expressionist, geometric and free.

By the beginning of the 21st century, Förg’s paintings had left the formality of Minimalism behind. In a new direction, he incorporated a brighter palette and more expressive hand with a series of grid-like marks and intersecting colors. These paintings—called ‘Gitterbilder’ (grid paintings)—command a similar freedom of form and sensuality that has led to critical comparisons to Cy Twombly. Other works from this era portray vast canvases of negative space interrupted by colorful, gestural hatching and mark-making. Förg’s ultimate return to expressive painting indicates a completion of sorts—a full-circle arrival at painting as a synthesis of experimentation, rooted in art history. In the artist’s own words, ‘I think painting is a resilient practice; if you look through the history of painting it doesn’t change so much and we always see it in the present. It is still now.’

Image credit: © Wilhelm Schürmann, Herzogenrath

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Selected Artworks

Untitled

2005

Untitled

2004

Untitled

1998

Untitled

1998

Untitled

1996

Untitled

1994

Untitled

1993

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Biography

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Born

Füssen, Germany, 1952

Education

Academy of Fine Arts, Munich, Germany, 1973 – 1979 

Professorship for Painting at the State Academy of Design Karlsruhe, Germany, 1992 – 1998 

Professorship for Painting and Graphics at the Academy of Fine Arts Munich, Germany, 1999 – 2013

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Selected Solo Exhibitions

2024

Maison La Roche, Fondation Le Corbusier, 'Günther Förg. Le moderne', Paris, France 

CAC Málaga, 'Günther Förg. Legacy of Modernism', Málaga, Spain

2023

Galerie Bärbel Grässlin, 'Günther Förg. A Silence Already Filled With Noises', Frankfurt, Germany 

Hauser & Wirth, 'Günther Förg. Tupfenbilder', London, UK

Long Museum, 'Günther Förg. Trunk Road and Branch Roads', Shanghai, China 

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Selected Group Exhibitions

2022

Hauser & Wirth, 'Chromophilia', Zurich, Switzerland

macLYON Musée d'art contemporain de Lyon, 'Une histoire de famille.Collection(s) Robelin', Lyon, France

2021

Galerie Arnoldi-Livie, 'Meisterzeichnungen 1500-1950. Von Kulmbach bis Beckmann und Picasso. In Dialog mit Arbeiten auf Papier von Günther Förg und Fred Sandback', Munich, Germany

Jahn und Jahn, '99 Drawings. Part II', Munich, Germany

Galerie P. W. Richard, 'Sean Scully / Robert Mangold / Günther Förg / etc.', Berlin, Germany

Galerie Nagel Draxler, 'Portrait of a Generation. Clegg & Guttmann, Günther Förg', Munich, Germany

Kunstmuseum St. Gallen, 'ERKER – Galerie – Edition – Verlag', St. Gallen, Switzerland

Fundacion Helga de Alvear, 'Helga de Alvear Collection', Cáceres, Spain

Almine Rech Gallery, 'Un Hiver á Paris', Paris, France

Galerie Edouard Simoens, 'Accrochage', Knokke-Heist, Belgium

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Awards and Grants

1996

Wolfgang-Hahn-Preis, Museum Ludwig, Cologne, Germany

Exhibitions

Films

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Günther Förg surface of bronze

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