Poetry
By Eric Roy

Will Boone, Turkey Vulture, 2021–22 © Will Boone. Courtesy the artist and Karma. Photo: Max Lee-Russell
A new poem in our Antiphony series by Eric Roy, in response to American artist Will Boone’s sculpture Turkey Vulture.
Each morning a committee of vultures
gathers on the old road that leads to town.
Each morning you try to remember atoms
are majorities of space, as with the iron
fence surrounding that one grave. Although
parts are real enough: a crystal frame
gifted for a wedding photograph from 1965;
a bespoke plush toy fox whose hand-stitched
“x” for a butthole still makes for a laugh;
a gold band inscribed inside with forever
now living beneath a banker’s lamp, waiting
on copper cobblestones of customary change.
And every afternoon you drive yourself
down the country road that leads to town
and every afternoon a kettle of vultures
hangs high in the air above the bend before
the hideaway. And as the sun goes down,
you have to remind yourself you didn’t feel
her flesh first thing upon waking, her sweat.
Nothing touches you. You feel electromagnetic
forces, negatively charged electrons, not lips
smiling, a nose nudging you awake. Some
forevers are shorter than some. But the end
is a wake of vultures, who hop around one more
dumb, split-open armadillo, winged shadow portals
dancing around each other to find a soft way in.
–
Eric Roy writes fiction and poetry. His work has appeared or is forthcoming in Bear Review, Post Road Magazine, Lit Magazine, Fence, The Iowa Review, Ploughshares and elsewhere. A former teacher, coach and cook, he now sells old, good things in Round Top, Texas (pop. 87).