Hauser & Wirth
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Selected Press

Plus Magazine

Matthew Holman

12 November

George Rouy Paints the Composite

‘Abstraction works in time: a big swoop holds the duration of the arm that made it, so the mark carries the body as movement, something like a dance.’
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George Rouy, 2026. Photo: Damian Griffiths

L'Officiel

Osman Can Yerebakan

10 November

Rashid Johnson Was Made to Feel

‘I think, as a whole art audience, we have become exhausted by irreverence and insincerity...Let’s bring in vulnerability.’
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Still from 'Birthday Boys,' 2026 Color video with sound, transferred from 35 mm film

ARTnews

Devorah Lauter

30 October

In Postwar Rural France, Alexander Calder Found Respite from Pressures of Fame and a Chance to Dream Big

‘In really an unprecedented way, [Calder] was drawing directly on the metal: fabricating, welding, crafting the works into existence in full-scale, and that didn’t happen before. It was an extraordinary moment, with fantastic works of tremendous vocabulary.’
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Alexander Calder with Les Granettes (1953) at François Premier, Saché, 1967. Photo: ©Tony Vaccaro Studio; Art: ©2026 Calder Foundation, New York and ADAGP, Paris/Courtesy Calder Foundation, New York and Art Resource, New York

The Brooklyn Rail

29 October

A Tribute to Mary Heilmann

‘You gave us all an invitation to play, to feel, and to embrace the beautiful messiness of being alive.’
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Mary Heilmann, 2025.

The Chicago Tribune's Chicago Magazine

Kelley Engelbrecht

26 October

Rashid Johnson Comes Home With an MCA Retrospective

‘There are very few jobs in life...in which you get to what people consider the middle of it, and they ask you to put down your pen and look at everything you did.’
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Rashid Johnson, 2026. Photo: Sabrina Santiago.

T: The New York Times Style Magazine

Zoey Poll

19 October

Jenny Holzer Resurrects the Past to Lament the Present

‘Even though it’s only light, it’s strangely tactile and emotional.’
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Portrait of Jenny Holzer at the Musée D'Orsay. Photo: Laëtitia Striffling-Marcu

Elle

Claudia Saíz

13 October

Cristina Iglesias Is Reimagining Sculpture for a Changing World

‘New places where people can meet and experience an extraordinary moment, one they will want to return to. Works, like light, are constantly changing...’
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Cristina Iglesias, 2025 © Cristina Iglesias, VEGAP, Madrid. Courtesy the artist and Hauser & Wirth Photo: Álex Iturralde

Harper's Bazaar

Chloë Ashby

8 October

The Age of Opulence

‘You’re coming face to face with who you really are and what you look like on a very objective level. Getting older in that process is eye-opening and scary at the same time.’
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© 2026 Cindy Sherman / Artists Rights Society (ARS), NY. Courtesy the artist and Hauser & Wirth.

The Financial Times

Ella Risbridger

6 October

What makes a powerful art dealer tick? Read this cookbook

‘The story of this book is in making something for someone you love: a dinner, a picture, a book. The only reason to make anything is to make it for someone.’
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Hauser & Wirth Publishers' 'A Cookbook for Iwan'

The Brooklyn Rail

Phong H. Bui

1 October

Rita Ackermann with Phong H. Bui

'Discomfort is the warm bed of good ideas.'
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Rita Ackermann Tangled Up in Blue 2025 Acrylic, silkscreen print, chalk and soft pastel on canvas 210.8 x 165.1 cm / 83 x 65 in © Rita Ackermann Courtesy the artist and Hauser & Wirth Photo: Dario Lasagni

Frieze

Zoë Hopkins

30 September

Lorna Simpson Cuts Across Time

‘Painting allows me to work subconsciously, while also engaging with the real world.’
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Portrait of Lorna Simpson, 2025. Courtesy: © Lorna Simpson; photograph: Grace Ahlbom

Cultured

Isa Farfan

25 September

Lee Bul Has Made Work About the Impact of Technology for Decades. It Has Never Been More Relevant.

‘Forty years into her career, the South Korean sculptor has debuted a major Hauser & Wirth show that strips technology down to its vulnerable underbelly of human ambition.’
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Lee Bul © Lee Bul. Photo: Yoon Hyung-moon. Courtesy of the artist

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