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Selected Press

studio international

Joe Llyod

20 February

Takesada Matsutani: Shifting Boundaries, and Tetsumi Kudo: Microcosmos

‘They each push beyond conventional artistic notions of beauty: for Matsutani by finding an alternative, and for Kudo by rejecting beauty completely. And both capture something of our plastic world, where the synthetic can imitate – or supplant – the natural.’
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Tetsumi Kudo. Microcosms, installation view, Hauser & Wirth London, 2026. © Hiroko Kudo, the Estate of Tetsumi Kudo / Artists Rights Society (ARS), NY / ADAGP Paris 2026. Courtesy Hiroko Kudo, the Estate of Tetsumi Kudo and Hauser & Wirth. Photo: Eva Hurzog.

Hyperallergic

Daria Simone Harper

20 February

A Cold Plunge Into Glenn Ligon’s Blue

‘It is because of this ability to transmute fixed forms into perception-bending experiences for the viewer that Ligon will always be a bit of a magician to me.’
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Glenn Ligon, “Blue (for JB) #18” (2025), carbon ink and acrylic on torinoko paper (all photos Daria Simone Harper/Hyperallergic)

The New York Times

Jonathan Griffin

18 February

How a Visionary Collector Eyed Her Trophies

‘True visionaries like Eileen are increasingly rare...Eileen has always understood that a vibrant cultural ecosystem depends on nurturing talent.’
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Installation view of 'Destiny Is a Rose: The Eileen Harris Norton Collection' at Hauser & Wirth Downtown Los Angeles. Photo: Jeff McLane

The Financial Times

Jacoba Urist

16 February

The LA fires changed these artists’ lives — a year later, they’re still dealing with the fallout

'If you look in one direction, it’s this beautiful, wild jungle of native plants and mature oak trees...If you look in the other direction, there’s nothing there.;
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Portrait of Christina Quarles. Photo: Joyce Kim

Highsnobiety

Ben Detrick

12 February

Karl-Anthony Towns x Rashid Johnson: When the Artist Met the All-Star

‘Anxious Men resonated with me. I loved the wax, the textures, the different materials. I wanted people to walk into my house and be like, “What is that?” I felt that the drawing I purchased represented the multiple people you become during an NBA season: sometimes it’s fun, sometimes it’s very stressful. All-Star Weekend comes by, playoffs are coming, you’re on that three-game losing streak. Art is all about the beholder.’
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Portrait of Rashid Johnson. Photo: Brand X

The New Yorker

Zachary Fine

9 February

Pierre Huyghe’s A.I. Art Monster Takes Over a Night Club in Berlin

'Liminals' is...an absolutely terrifying work of art.'
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Art work by Pierre Huyghe / Courtesy the artist / VG Bild-Kunst

The Guardian

Adrian Searle

27 January

Pierre Huyghe: Liminals review – terrifying quantum visions in a notorious Berlin club take seeing beyond believing

‘Liminals has lodged in my head, and won’t go away. How alive it all is, how unhinging.’
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Pierre Huyghe, 'Liminals,' (2025) Installation view, Halle am Berghain, Berlin Commissioned by LAS Art Foundation and Hartwig Art Foundation Courtesy the artist Photo: Andrea Rossetti © Pierre Huyghe / ADAGP, 2026

The New Yorker

Jillian Steinhauer

23 January

Louise Bourgeois’s Art Can Still Enthrall

'Yet even acolytes of her psychologically freighted sculptures, drawings, and prints may find new revelation in 'Gathering Wool,' an exhibition at Hauser & Wirth (through April 18) focused on her late abstractions.'
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Installation view, ‘Louise Bourgeois. Gathering Wool,’ Hauser & Wirth New York, 22nd Street 6 November 2025 – 18 April 2026 © The Easton Foundation/VAGA at ARS, NY Courtesy the Foundation and Hauser & Wirth Photo: Thomas Barratt

The Observer

Andrew Anthony

22 January

Interview with Don McCullin

‘...McCullin’s work is not voyeuristic or exploitative because, even in the most dire circumstances, he has always kept his eye on the essential humanity of his subjects.’
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Don McCullin working at home in 2019 © Bright Yellow Films and Oxford Films. Courtesy the artist, Bright Yellow Films and Oxford Films. Photo: Eoin McLoughlin

World of Interiors

Alastair Sooke

15 January

Giacometti: Out of the Shadows

‘Above all..the mountains provided a refuge for Giacometti from the cut-and-thrust of Paris. Thanks to Scheidegger, his trusted friend, we can catch a glimpse of what this Swiss sanctuary was like.’
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Installation view, ‘Alberto Giacometti. Faces and Landscapes of Home’, curated by Tobia Bezzola, at Hauser & Wirth St. Moritz. © Succession Alberto Giacometti / 2025, ProLitteris, Zurich. Photo: Jon Etter

Whitewall

Katy Donoghue

12 January

Inside the Cover Story with Artist Jeffrey Gibson

‘These spirits are meant to remind us of hard-fought moments when people demanded equity.’
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Jeffrey Gibson Studio in his New York studio, 2025 © Jeffrey Gibson Studio Courtesy the artist and Hauser & Wirth Photo: Emiliano Granado

Financial Times

Lily Le Brun

10 January

The little-known story of Giacometti’s rural retreat

‘Scheidegger himself put it this way: 'Giacometti was not a legend to me. My encounters with him, and the resulting photographs were of a more intimate, personal sort.'
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Alberto Giacometti at his work table in Stampa, 1964 © Succession Alberto Giacometti / 2025, ProLitteris, Zurich Photograph: Ernst Scheidegger © 2025 Stiftung Ernst Scheidegger-Archiv, Zürich

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