Education Lab Returns to Somerset: ‘Open Art School’

Visitors are invited to explore the creative prompts found throughout the space and take part in their activation, considering what their wants and needs are from arts education today and into the future. The Education Lab will host a rolling program of learning events for the duration of the exhibition. This includes drop-in creative workshops from May – December, developed in partnership with Bath Spa University and facilitated by external arts and environmental organizations such as the Comfy Club Collective, Forest of Imagination, One Planet Bruton and Bath Art Depot. These events are open to the public and suitable for all ages. The space will also be activated as part of our Summer Art School in August, designed for young people aged 14 – 17 years.

The Education Lab is part of the gallery’s commitment to inclusive learning programs. Located at our galleries in Downtown Los Angeles, Menorca and Somerset, as well as the Chillida Leku museum, each Education Lab is a collaboration with a local community group, school or university. 

About ‘Phyllida Barlow. unscripted’
The work of Phyllida Barlow (1944 – 2023) takes over Hauser & Wirth Somerset in a celebration of the British artist’s transformative approach to sculpture, marking the 10th anniversary of the arts center that was inaugurated by Barlow’s solo exhibition ‘GIG’ in 2014. The landmark exhibition, curated by Frances Morris, draws on her close working relationship with the artist during her lifetime. ‘Phyllida Barlow. unscripted’ explores the evolution of Barlow’s formal and expressive vocabulary, bringing together singular sculptures, installations, studio maquettes and drawings from her extensive career, some of which will be on public view for the first time. The exhibition is on view through Sunday 5 January 2025.

About Phyllida Barlow
For almost 60 years, British artist Phyllida Barlow took inspiration from her surroundings to create imposing installations that can be at once menacing and playful. She created large-scale yet anti-monumental sculptures from inexpensive, low-grade materials such as cardboard, fabric, plywood, polystyrene, scrim, plaster and cement. These constructions were often painted in industrial or vibrant colors, the seams of their construction left at times visible, revealing the means of their making. Barlow’s restless invented forms stretch the limits of mass, volume and height as they block, straddle and balance precariously. The audience is challenged into a new relationship with the sculptural object, the gallery environment and the world beyond. Barlow exhibited extensively across institutions internationally and in 2017 represented Britain at the Venice Biennale.