Poetry
Jenny Xie responds to a work by Kate Liebman
Kate Liebman, When it was our generation’s turn to be alive, 2025. Acrylic, ink, colored pencil, transfer paper, collage and vellum on canvas, 54 × 54 in. Courtesy the artist and Management. Photo: Inna Svyatsky/installshots.art
And so analemma, life in its figure-eight tilt.
And so weeks recited in prose and in cinnabar,
a cord of lines, and the smell of nothing
exactly. Drippings of a dream you run
your fingers through, followed by the chalk
of white capsules to halt a protein’s formation
so certain hormones drift in the synaptic cleft.
Across: glaze of the imagined loss of someone
who arrived only recently, the one humming
fear that sustains. Wash and wipe, wipe and wash,
alerts of missed calls. Newborn chroma curled
along perforating branches of mammary arteries.
For most of a decade, you wanted swerves
and now you only dream of removing the hands
from the face: tocks and ticks, a fine sweep
of the numbers, and the spinning entirely imperceptible
at 1,525 feet per second. And what was it for?
Crosshatch of pleas, burnt rivulets. And so hours drying,
never evenly at the surface. And walking from one
margin of the day to the next in search of a bracket,
in search of some strained pressure, at the end of a line.
–
Jenny Xie is the author of The Rupture Tense and Eye Level, both of which were finalists for the National Book Award. She lives in New York City and teaches at Bard College.