Ursula

Poetry

The Hands From The Face

Jenny Xie responds to a work by Kate Liebman

Ursula detail hero for for The Hands From The Face

Kate Liebman, When it was our generation’s turn to be alive, 2025. Acrylic, ink, colored pencil, transfer paper, collage and vellum on canvas, 54 × 54 in. Courtesy the artist and Management. Photo: Inna Svyatsky/installshots.art

  • 24 April 2026
  • Issue 16

And so analemma, life in its figure-eight tilt.

And so weeks recited in prose and in cinnabar,

a cord of lines, and the smell of nothing

exactly. Drippings of a dream you run

your fingers through, followed by the chalk

of white capsules to halt a protein’s formation

so certain hormones drift in the synaptic cleft.

Across: glaze of the imagined loss of someone

who arrived only recently, the one humming

fear that sustains. Wash and wipe, wipe and wash,

alerts of missed calls. Newborn chroma curled

along perforating branches of mammary arteries.

For most of a decade, you wanted swerves

and now you only dream of removing the hands

from the face: tocks and ticks, a fine sweep

of the numbers, and the spinning entirely imperceptible

at 1,525 feet per second. And what was it for?

Crosshatch of pleas, burnt rivulets. And so hours drying,

never evenly at the surface. And walking from one

margin of the day to the next in search of a bracket,

in search of some strained pressure, at the end of a line.

Jenny Xie is the author of The Rupture Tense and Eye Level, both of which were finalists for the National Book Award. She lives in New York City and teaches at Bard College.