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How To Peel an Orange
I interviewed Louise Bourgeois in 1998. Well, I say I interviewed her. It was more a case of pressing the button on the camera and seeing where...
ArtLab: Our new technology and research division
Our new research and innovation arm ArtLab explores projects at the intersection of art and technology. ArtLab was formed to create bespoke...
Diana Widmaier Picasso on Louise Bourgeois
Inside the last home and studio of Louise Bourgeois, former studio assistant to the artist Jerry Gorovoy speaks to art historian Diana Widmaier...
Gary Indiana on the psychoanalytic writings of Louise Bourgeois
When I met her, in the mid-1980s, it was by way of a mash note she sent in the mail to the paper I wrote for, not so much thanking me for a review...
Louise Bourgeois & Pablo Picasso: Anatomies of Desire
Exhibition curator Marie-Laure Bernadac and Jerry Gorovoy of The Easton Foundation introduce ‘Louise Bourgeois & Pablo Picasso: Anatomies of...
Ursula Hauser: Unconscious Landscape
Inside her home and collection in Switzerland, Ursula Hauser reflects on the impulses behind her extraordinary art collection with her daughter...
Louise Bourgeois: Knots and Sutures
In ‘Beyond the Pleasure Principle’ (1920), Freud described observing a game with a spool and thread invented by his grandson Ernst. The infant boy...
Simone Rocha on Louise Bourgeois
Fashion designer Simone Rocha reflects on the work of Louise Bourgeois ahead of the inaugural exhibition at Hauser & Wirth St. Moritz, ‘Louise...
Louise Bourgeois exhibition announced at Long Museum, Shanghai
Rocking to infinity the red skein It will never be interrupted, abandoned or cut. There is one eternal thread and it is you ...
Philip Larratt-Smith introduces ‘The Three Graces’ by Louise Bourgeois
‘Art was for Louise a system of self-knowledge—of discharging tensions and anxieties, and exorcising early traumas.’