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LEONA70995

Zoe Leonard

Photo: Zoe Leonard

New York-based artist Zoe Leonard balances rigorous conceptualism with a distinctly personal vision in her work, which merges photography, sculpture, and installation. By employing strategies of repetition, shifting perspectives, and a multitude of printing processes, Leonard’s practice probes the politics of representation and display. Leonard explores themes such as gender and sexuality, loss and mourning, migration, displacement, and the urban landscape. Her photography specifically invites us to contemplate the role that the medium plays in constructing history, and to consider the roots of contemporary photographic culture. More than its focus on any particular subject, however, Leonard’s work encourages the viewer to reconsider the act of looking itself, drawing attention to observation as a complex, ongoing process.

Biography

Born Liberty, New York, 1961

Resides Lives and works in New York NY

Selected Solo Exhibitions

2018 Hauser & Wirth, 'Zoe Leonard. Aerials', London/UK
Museum of Contemporary Art, ‘Zoe Leonard: Survey’, Los Angeles CA
Hauser & Wirth, 'Zoe Leonard. Analogue', Los Angeles CA
Whitney Museum of American Art, ‘Zoe Leonard: Survey’, New York NY

2017 Galerie Gisela Capitain, ‘Misia, Postwar', Cologne/DE

2016 Hauser & Wirth, 'Zoe Leonard: In the Wake', New York NY
High Line Art, 'I want a president', New York NY

2015 Museum of Modern Art, 'Analogue', New York NY
Antony Meier Fine Arts, 'Zoe Leonard', San Francisco CA

2013 Chinati Foundation, '100 North Nevill Street', Marfa TX
Galerie Micheline Szwajcer, 'Sun Photographs', Antwerp/BE

2012 Murray Guy, 'Zoe Leonard', New York, NY
Galleria Raffaella Cortese, 'Sun Photographs', Milan/IT
Camden Arts Centre, 'Observation Point', London/UK

2011 Galerie Gisela Capitain, 'Available Light', Cologne/DE

2009 Museum Moderner Kunst Stiftung, 'Photographs', Wien/AT
Pinakothek der Moderne, 'Photographs', Munich/DE

2008 Dia:Beacon, 'You See I Am Here After All', Beacon NY
Dia at The Hispanic Society of America, 'Derrotero', New York NY
Museo Nacional Centro de Arte Reina Sofía, 'Photographs', Madrid/ES
Galeria Pepe Cobo, 'Zoe Leonard' Madrid/ES

2007 Fotomuseum Winterthur, 'Photographs', Winterthur/CH
Villa Arson, 'Analogue', Nice/FR
Wexner Center for the Arts, 'Analogue', Columbus OH

2006 Galerie Gisela Capitain, 'Project: Zoe Leonard', Cologne/DE

2003 Paula Cooper Gallery, 'New Work', New York NY
Galerie Giti Nourbakhsch, 'Zoe Leonard', Berlin/DE

2002 The Agency for Contemporary Art, 'Zoe Leonard', London/UK

2001 Anthony Meier Fine Arts, 'Zoe Leonard', San Francisco CA
Galerie Gisela Capitain, 'Zoe Leonard', Cologne/DE
Galleria Raffaella Cortese, 'Zoe Leonard', Milan/IT

2000 Paula Cooper Gallery, 'Zoe Leonard', New York NY

1999 Micheline Szwajcer Gallery, 'Zoe Leonard', Antwerp/BE
Centre for Contemporary Art, Ujazdowski Castle, 'Zoe Leonard' Warsaw/PL
Gallery Anadiel, 'Zoe Leonard', Jerusalem/IL
Paula Cooper Gallery, 'Recent Photographs', New York NY

1998 Centre National de la Photographie, 'Zoe Leonard', Paris/FR
Galerie Gisela Capitain, 'Zoe Leonard', Cologne/DE
Philadelphia Museum of Art, 'Strange Fruit', Philadelphia PA
Jan Weiner Gallery, 'Zoe Leonard', Kansas City MO

1997 Galerie Jennifer Flay, 'Zoe Leonard', Paris/FR
Paula Cooper Gallery, 'Zoe Leonard', New York NY
Galerija Dante, 'Zoe Leonard', Umag/HR
Wiener Secession, 'Zoe Leonard', Vienna/AT
Kunsthalle Basel, 'Zoe Leonard', Basel/CH
Kunsthaus Glarus, 'Zoe Leonard', Glarus/CH
Museum of Contemporary Art, 'Strange Fruit', North Miami FL

1995 Le Case d'Arte, 'Zoe Leonard', Milan/IT
Presented by Paula Cooper Gallery at the Artist’s Studio, 'Photographs and Objects', New York NY
Galerie Jennifer Flay, 'Zoe Leonard', Paris/FR
Galerija Dante Marino Cettina, 'Zoe Leonard', Umag/HR

1993 The Renaissance Society at The University of Chicago, 'Zoe Leonard', Chicago IL

1992 Paula Cooper Gallery, 'Zoe Leonard' New York NY

1991 Luhring Augustine Hetzler, 'Zoe Leonard', Santa Monica CA
Pacific Film Archives / University Art Museum, University of California, Berkeley, 'Zoe Leonard', Berkeley CA
Trans Avant-Garde Gallery, 'Zoe Leonard', San Francisco CA
Richard Foncke Gallery, 'Zoe Leonard', Ghent/BE
Galerie Gisela Capitain, 'Photographien', Cologne/DE

1990 Galerie Gisela Capitain, 'Zoe Leonard. Photographien', Cologne/DE

1985 Greathouse, 'Zoe Leonard', New York NY

1983 Hogarth Gallery, 'Zoe Leonard', Sydney/AU

1979 Fourth Street Photo Gallery, 'Zoe Leonard', New York NY

Selected Group Exhibitions

2019 The Phillips Collection, ‘The Warmth of Other Suns. Stories of Global Displacement’, Washington DC
Hayward Gallery, ‘Kiss My Genders’, Southbank Centre London/UK
David Rumsey Map Center of Stanford University, ‘Coordinates: Maps and Art Exploring Shared Terrain’, Stanford CA
Lismore Castle, ‘Palimpsest’, Lismore/IE
Callicoon Fine Arts, ‘Overture’, New York NY
Centre d'Art Contemporain Genève, 'A Few Things I Cannot Leave Behind', Geneva/CH
De La Warr Pavillion, 'Still I Rise. Feminisms, Gender, Resistance', Bexhill-on-Sea/UK (Traveling Exhibition)
Institut Valencià d'Art Modern, '1989. The End of the 20th Century', Valencia/ES

2018 Paris Photo, 'SHEGO/HEGO/EGO. McEvoy Family Collection', Grand Palais, Paris, France
LACMA – Los Angeles County Museum of Art, ‘Outliers and American Vanguard Art’, Los Angeles CA
Münchner Stadtmuseum, 'LAND_SCOPE. Photographic Works from Roni Horn to Thomas Ruff', Munich/DE
Carnegie Museum of Art, ‘Carnegie International, 57th Edition, 2018’, Pittsburg PA
me Collectors Room Berlin/Olbricht Foundation, 'The Moment is Eternity', Berlin/DE
Beeler Gallery, Columbus College of Art & Design, 'Season One: arms ache avid aeon', Columbus OH
Kunst Haus Wien, 'Still Life. Obstinacy of Things', Vienna/AT
High Museum of Art, ‘Outliers and American Vanguard Art’, Atlanta GA
Deutsches Hygiene-Museum, 'SHINE ON ME Wir und die Sonne', Dresden/DE
Dallas Museum of Art, ‘Soft Focus’, Dallas TX
Nottingham Contemporary, ‘Still I Rise: Feminisms, Gender, Resistance’, Nottingham/UK (Traveling Exhibition)
Galerie Max Hetzler, 'True Stories. A Show related to an Era – The Eighties', Berlin/DE
Museum moderner Kunst Stiftung Ludwig, 'Klassentreffen. Werke aus der Sammlung Gaby und Wilhelm Schürmann', Vienna/AT
Modern Art, ‘Fences and Windows’, London/UK
PARKET Space, 'A Time Capsule. Works Made by Women for Parkett. 1984-1987', Zurich/CH
Paula Cooper, 'Zoe Leonard, Kayode Ojo', New York NY
National Gallery of Art, ‘Outliers and American Vanguard Art’, Washington DC
David Nolan, 'This Synthetic Moment', New York NY

2017 S.M.A.K., ‘The Photographic I – Other Pictures’, Ghent/BE
McEvoy Foundation for the Arts, 'la mère la mer', San Francisco CA
CA2M, ‘Elements of Vogue. A Case Study on Radical Performance’, Madrid/ES

(cont'd) Dallas Museum of Art, 'Truth. 24 FRAMES PER SECOND', Dallas TX
Trondheim Kunstmuseum, ‘If on a Trondheim’s night a traveler...’, Trondheim/NO
Contemporary Art Museum St. Louis, 'Urban Planning: Art and the City 1967–2017', St. Louis MO
Malmö Konsthall, ‘Subjectiv’, Malmö/SE (Traveling Exhibition)
Altman Siegel, ‘Soil Erosion’, San Francisco CA
La Triennale di Milano, ‘The Restless Earth’, Milan/IT
LAXART, ‘Reconstitution’, Los Angeles CA
Katonah Museum of Art, ‘Picturing Love: Photography’s Pursuit of Intimacy’, Katonah NY
Hauser & Wirth, ‘Serialities’, New York NY
Pace/MacGill Gallery, ‘Speech’, New York NY
White Columns, ‘Looking back / The 11th White Columns Annual’, New York NY
The Center, ‘Divided States of America’, New York NY

2016 Rosenwald-Wolf Gallery of the University of the Arts, ‘Do You, Ms. Jones?’, Philadelphia PA
Columbus Museum of Art, ‘The Sun Placed in the Abyss,’ Columbus OH
ONE National Gay & Lesbian Archives at the USC Libraries, ‘Memoirs of a Watermelon Woman,’ Los Angeles CA
Palazzo Fortuny, ’QUAND FONDRA LA NEIGE, OU IRA LE BLANC. Contemporary collecting at Palazzo Fortuny, Artworks from Enea Righi Collection’ Venice/IT
Galerie Buchholz, ‘Douglas Crimp – Before Pictures New York City 1967-1977,’ New York NY
Maccarone Gallery, ‘COMING TO POWER: 25 Years of Sexually X-Plicit Art by Women,’ New York NY
Museum of Contemporary Art in Krakow, ‘Medicine in Art,’ Krakow/PL
The Met Breuer, ‘Unfinished: Thoughts Left Visible,’ New York NY
Württembergischer Kunstverein, ‘A Hole in the Sea,’ Stuttgart/DE
P!, ‘O/U,’ New York NY
TEOR/éTica, ’Leé Mis Labios / Read My Lips,’ San José, Costa Rica
Art Institute of Chicago, 'Nothing Personal: Zoe Leonard, Cindy Sherman, Lorna Simpson', Chicago IL
The Kitchen, 'From Minimalism Into Algorithm', New York NY

2015 MoMA PS1, 'Greater New York', Long Island City NY
Bucerius Kunst Forum, 'Uber Wasser. Malerei und Photographie von William Turner bis Olafur Eliasson', Hamburg/DE
Museum moderner Kunst Stiftung Ludwig, 'to expose, to show, to demonstrate, to inform, to offer', Vienna/AT
Galerie Nordenhake, 'Gathered Fates', Berlin/DE
Bridget Donahue Gallery, Dancing Foxes Press Benefit Exhibition, New York NY
Nottingham Contemporary 'Glenn Ligon; Encounters and Collisions', Nottingham/UK (Traveling Exhibition)
Whitney Museum of American Art, 'America is Hard to See', New York NY
Tate Liverpool, 'Glenn Ligon; Encounters and Collisions', Liverpool/UK
Punta Della Dogana, 'Slip of the Tongue' (Curated by Dahn Vo and Carole Bourgeois), Venice/IT
Ludwig Forum, 'Schurmann trifft Ludwig', Aachen/DE
Fondazione Sandretto Re Rebaudengo, 'Fobofilia. Opera dalla Collezione Sandretto Re Rebaudengo', Turin/IT

2014 Centro Andaluz de Arte Contemporaneo, 'La Construccion Social del Paisaje / The Social Construction of the Landscape', Seville, Spain
New York Public Library, 'Public Eye: 175 Years of Sharing Photography', New York NY
Participant Inc, 'Greer Lankton, LOVE ME' New York NY
Mu.ZEE Kunstmuseum aan zee, 'The Sea. Salut d'honeur Jan Hoet', Ostend/DE
Galerie Micheline Szwajcer, 'Petals on the Wind', Brussels/BE
Griffin Editions, 'Staring at the Sun', New York NY
Des Moines Art Center, 'From Speaker to Receiver', Des Moines IA
Galerie Mai 36, 'Memento', Zurich/CH
Participant Inc., 'Greer Lankton: LOVE ME', New York NY
Deutsches Hygiene-Museum, 'Blicke! Körper! Sensationen! Ein anatomisches Wachskabinet und die Kunst / Roll Up, Roll Up! An Anatomical Waxwork Cabinet Meets Art' Dresden/DE
Galerie Buchholz, 'Pictures, Before and After. An Exhibition for Douglas Crimp', Berlin/DE
Mannheimer Kunstverein, 'Art & Activism. Kunst und politischer Aktivismus in New York', Mannheim/DE
National Gallery of Denmark, 'Abandon the Parents', Copenhagen/DK
Museum Folkwang, '(Mis)Understanding Photography', Essen/DE
Sainte- Anne Prison, 'La disparation des lucioles (The disappearence of the fireflies)', Avignon/FR
Murray Guy, 'Matthew Buckingham, Zoe Leonard, Gordon Matta-Clark', New York NY
Contemporary Art Museum, 'Readykeulous by Ridykeulous: This is What Liberation Feels like™', St. Louis MO
Whitney Museum of American Art, 'Whitney Biennial', New York NY
Museum of Art, 'American Scene Photography', Fort Lauderdale FL
Hammer Museum, 'Take It or Leave It: Institution, Image, Ideology', Los Angeles CA

2013 LLS 387 Ruimte voor Actuele Kunst, 'Glory Hole', Antwerp/BE
Stephen Kasher Gallery, 'Alchemical', New York NY
Whitechapel Gallery, 'A Love Meal', London/UK
Ludwig Galerie Schloß Oberhausen, 'Hair! Das Haar in der Kunst von der Antike bis Warhol - von Tilman Riemenschneider bis Cindy Sherman', Oberhausen/DE
National Museum Krakow, 'Vanity. Fashion/Photography from then F.C. Grundlach
Bergen Museum of Art, 'Love and Death', Bergen/NO
Collection / Vanity. Fotografia mody z kolekcji F. C. Gundlacha', Krakow/PL
Wexner Center fort he Art, 'Blues for Smoke', Columbus OH
FRAC Ile-de-France Le Plateau, 'Une préface', Paris/FR
Musée d’Orsay, 'Masculin / Masculin, L'Homme nu dans l'art de 1800', Paris/FR
Flag Art Foundation, 'Something About a Tree', New York NY
Mathew Gallery, 'Photography Now and Forever', Berlin/DE
Centre Pompidou Metz, 'Vues d’en haut / Views from Above', Metz/FR
MoMA PS1, 'EXPO 1: New York', Long Island City NY
Bergen Art Museum, 'Love and Death', Bergen/NO
Martin-Gropius-Bau, 'Von Beckmann bis Warhol. Kunst des 20. und 21. Jahrhunderts. Die Sammlung Bayer', Berlin/DE
Musée d’Art Moderne Grand-Duc Jean, 'L’Image papillon', Luxembourg/DE
Whitney Museum of American Art, 'Blues for Smoke', New York NY
New Museum, 'NYC 1993: Experimental Jet Set, Trash and No Star', New York NY
University of Pennsylvania, Institute of Contemporary Art, 'White Petals Surround Your Yellow Heart', Philadelphia PA
Bétonsalon, 'Make an effort to remember. Or, failing that, invent.', Paris/FR
White Columns, 'Looking Back / The 7th White Columns Annual', New York NY

2012 Whitechapel Gallery, 'Viral Research', London/UK
Lentos Kunstmuseum Linz, 'Vollmilch. Der Bart als Zeichen', Linz/AT
The Geffen Contemporary at MOCA, 'Blues for Smoke', Los Angeles CA
François Pinault Foundation, Palazzo Grassi, 'Voice of Images', Venice/IT
Mai 36 Galerie, 'Printed', Zürich/DE
Museum Ludwig, 'Ein Wunsch bleibt immer übrig. Kasper König zieht Bilanz', Cologne/DE
Stadtgalerie Schwaz, 'Ändere dich, Situation!', Schwaz, Tyrol/AT
Hôtel de Région (in collaboration with Le Pôle Image Haute-Normandie), 'Le Feuillagisme', Rouen/FR
Pinakothek der Moderne, 'True Stories. Amerikanische Fotografie aus der Sammlung Moderne Kunst', Munich/DE
Bleibtreu Galerie, 'Situation 56', Berlin/DE
Weserburg Museum für Moderne Kunst, 'Circus Wols. Eine Hommage', Bremen/DE
Swiss Institute, 'Heart to Hand (curated by Pati Hertling)', New York NY
Michael Benevento, “Out-of-_________” (organised by Leila Khastoo), Los Angeles CA

2011 SITE, 'Agitated Histories', Santa Fe NM
Kunsthalle Wien,'Vanity. Fashion/Photography from then F.C. Grundlach Collection / Mode/Fotografie aus der Sammlung F. C. Gundlach', Vienna/AT
MuMoK Stiftung Ludwig, 'Museum der Wuensche', Vienna/AT
MoMA, Museum of Modern Art, 'To Save and Project. The Ninth MoMA International Festival of Film Preservation', New York NY
Sprengel Museum Hannover, 'PHOTOGRAPHY CALLING! Sammlung Wilhelm und Gabi Schürmann', Hannover/DE
Marian Goodman Gallery, 'You have been there – departures, bifurcations (a proposition by Marie Muracciole)', New York NY
Museum Ludwig, 'Vor dem Gesetz. Skulpturen der Nachkriegsmoderne und Räume der Gegenwartskunst', Cologne/DE
De Hallen Haarlem, 'He disappeared into complete silence: re-reading a single artwork by Louise Bourgeois', Haarlem/NL
Kunsthaus Graz, 'Heterotopien und Wissensräume in der Kunst', Graz/AT
Murray Gallery, 'Vision is elastic. Thought is elastic. (curated by Moyra Davey & Zoe Leonard)', New York NY
Staedtische Galerie Iserlohn, 'Fashion Room. Fotografien aus der Sammlung F.C. Gundlach', Iserlohn/DE
White Columns, 'White Columns. 1970-2011 / 40+ Years of Support for Artists (benefit auction)', New York NY

2010 Staatsgalerie Stuttgart, 'Wunschzettel, im Rahmen der Ausstellung: Nur Papier, und doch die ganze Welt', Stuttgart/DE
Museo Nacional Centro de Arte Reina Sofía, 'Atlas. How to Carry the World on One’s Back', Madrid/ES (Traveling Exhibition)
ZKM Museum für Neue Kunst, 'Atlas. How to Carry the World on One’s Back', Karlsruhe/DE (Traveling Exhibition)
Solomon R. Guggenheim Museum, 'Haunted: Contemporary photography / video performance', New York NY
Sammlung Falckenberg, 'Atlas. How to Carry the World on One’s Back', Hamburg/DE (Traveling Exhibition)
Miguel Abreu Gallery, 'False/Divide: Representations of Abstraction in a Few Photographic Works', New York NY
Centre d’Art Contemporain Genève, 'Contagious! Reports Against Normality', Geneva/CH
Galleria Raffaella Cortese, 'In Full Bloom', Milan/IT
Higher Pictures, '50 Artists Photograph the Future', New York NY
Museion, 'Artworks from the Enea Righi Collection', Bolzano/IT
Whitney Museum of American Art, 'Collecting Biennials', New York NY
Leo Koenig, 'Self-Fulfilling Prophecies', New York NY
Bank Austria Forum, 'Augenschmaus – Vom Essen im Stillleben', Vienna/AT
Museo Nacional Centro de Arte Reina Sofía, 'Mixed Use: Manhattan', Madrid/ES
Museum of Contemporary Art, 'MOCA's First 30 Years', Los Angeles CA
Photographers Gallery, 'Deutsche Börse Photography Prize', London/UK (Traveling Exhibition)
Frankfurter Kunstverein, 'Deutsche Börse Photography Prize', Frankfurt/DE (Traveling Exhibition)
Barbican Gallery, 'The Surreal House', London/UK

2009 21st Century Museum of Contemporary Art, '200 Artworks – 25 Years', Kanazawa/JP (Traveling Exhibition)
Singapore Tyler Print Institute, '200 Artworks – 25 Years', Singapore/CN (Traveling Exhibition)
Seoul Arts Center, Hangaram Museum, '200 Artworks – 25 Years', Seoul/KR (Traveling Exhibition)
Paula Cooper Gallery, 'Photography', New York NY
Museum of Contemporary Art, 'Pivot Points 3', Miami FL
Yvon Lambert, 'Locus Solus', Paris/FR
Museum für Angewandte Kunst, 'Fashion Room, Fotografien der Sammlung F.C. Gundlach', Frankfurt/DE
Museum Abteiberg, 'Das Gespinst', Mönchengladbach/DE
Cheim & Read, 'The Female Gaze. Women Look At Women', New York NY
Centre Georges Pompidou, 'Elles @ Centrepompidou. Artists in the Collections of the Centre Pompidou', Paris/FR
Yvonne Lambert, 'Espèces d'espaces', New York NY
Centro Galego de Arte Contemporánea 'En todas partes', Santiago de Compostela/ES
Pacific Film Archive / University Art Museum, University of California, Berkeley, 'Galaxy', Berkeley CA
Gallery Bergen, 'Out of the Blue', Paramus, NJ (Traveling Exhibition)
Centre PasquArt, Kunsthaus Centre d’art, 'Nouvelles Collections III, Sammlung Jocelyne & Fabrice Petignat', Biel/Bienne/CH

2008 Whitney Museum of American Art, 'Signs of the Time', New York NY
Bronx Museum of the Arts, 'Street Art, Street Lifw: From the 1950s to Now',
New York NY
MARTa Herford Museum, Ad Adsurdum – Energien des Absurden von der klassischen Moderne zur Gegenwart, Herford/DE
Capitain Petzel, 'Kunst im Heim', Berlin/DE
Calouste Gulbenkian Cultural Centre, 'Drawing a Tension – Works from the Deutsche Bank Collection', Lisbon/PT
New Museum, 'After Nature', New York NY
Art Centre, 'listen darling ... the world is yours', Cascais/PT
Künstlerhaus Stuttgart, 'Soziale Diagramme / Planning Reconsidered', Stuttgart/DE
Statens Museum for Kunst, 'Reality Check', Copenhagen/DK
International Center of Photography, 'Archive Fever: Uses of the Document in Contemporary Art', New York NY
Le Plateau, 'L’Argent', Paris/FR
New York Public Library, 'Eminent Domain: Contemporary Photography and the City', New York NY
Statens Museum for Kunst, 'Reality Check', Copenhagen/DK
Kunstverein Muenchen, 'Oh Girl, It’s a Boy', Munich/DE
Galleria Raffaella Cortese, 'Versus inversus', Milan/IT

2007 Deutsche Bank Kunst und Sakıp Sabancı Museum, 'Blind Date', Istanbul, Turkey
dOCUMENTA XII, Kassel/DE
Galleria Raffaella Cortese, 'dolls', Milan/IT
Bilbao Fine Arts Museum, 'KISS KISS BANG BANG. 45 Years of Art and Feminism', Bilbao/ES
Henry Art Gallery, 'Mouth Open, Teeth Showing: Works from the True Collection' Seattle WA
Kunstverein München, 'Oh Girl, it’s a Boy!', Munich/DE
Künstlerhaus Bethanien, 'Normal Love: precarious sex, precarious work', Berlin/DE
Witte de With Center for Contemporary Art, 'BODYPOLITCX', Rotterdam/NL
Van Abbemuseum, 'Forms of Resistance. Artists and the desire for social change from 1871 to the present', Eindhoven/NL

2006 Orchard, 'Around the Corner: Zoe Leonard and Peter Wunderlich', New York NY
Haus der Photographie, Deichtorhallen Hamburg, 'The Heartbeat of Fashion', Sammlung F.C. Gundlach, Hamburg/DE
Museum Ludwig, 'Das Achte Feld', Cologne/DE
Whitney Museum of American Art, 'Full House', New York NY
Villa Merkel und Bahnwärterhaus, 'Fliegende Kühe und andere Kometen - nicht nur komische Dinge in der Kunst', Esslingen/DE
Tracy Williams Ltd., 'Vija Celmins, Liz Deschenes, Zoe Leonard', New York NY
Abington Art Center, 'Out of the Blue', Jenkintown PA (Traveling Exhibtion)

2005 Mildred Lane Kemper Art Museum, Washington University 'Inside Out Loud: Visualizing Women’s Health in Contemporary Art', St. Louis MO
Fries Museum, 'Alias & Alibi', Leeuwarden/NL
The Collection Lambert in Avignon, 'Theorema, une Collection Privee en Italie, la Collection d’Enea Righi', Avignon/FR
Musée de Carouge, 'Femme(s)', Geneva/CH
Sharjah International Biennial 7, Sharjah/AE
Galeria Pepe Cobo, 'La Hendidura del Tiempo', Madrid/ES
Mai 36 Galerie, 'Roe Ethridge, Zoe Leonard, Christopher Williams', Zurich/CH
The Whitney Museum of American Art, 'The New City: Sub/Urbia in Recent Photography', New York NY
Galleria d’arte Sabrina Raffaghello, 'Cromosoma X', Ovada/IT
Joyce & Co. Galleria, 'Artistico Letteraria', Genoa/IT

2004 Montserrat College of Art Galleries, 'Infinitely Specific', Beverly MA
SK Stiftung Kultur, 'kurzvordanach', Cologne/DE
IVAM Institut d'Art Modern, 'Coleccion Sandretto Re Rebaudengo', Valencia/ES
The Proposition Gallery, 'Open Proposition: Artists for the Bill of Rights', New York NY
Musee d'Evreux, 'Portraits d'arbres, Henri Gadeau de Kerville au regard de la photographie contemporaine', Evreux/FR
Galleria Raffaella Cortese, 'Cave Birds', Milan/IT
Sean Kelly Gallery, 'Marilyn: From Anastasi to Weegee', New York NY
Western Bridge, 'Possessed: The Things We Own and The Things That Own Us', Seattle WA
MACI Museo arte contemporanea, 'L'arte in testa. Storia di un'ossessione da Picasso ai giorni nostri', Isernia/IT
Museo Cantonale d'Arte, 'Les Enfants Terribles. The Language of Childhood in Art - 1909-2004 (Curated by Marco Franciolli, Helmut Friedel, Giovanni Iovane)', Lugano/CH

2003 Swiss Institute Contemporary Art, 'Eric Hattan, Zoe Leonard, Michel Francois', New York NY
The Museum of Fine Arts, 'Recent Acquisitions – Photography', Houston TX
Museum fur Gegenwartskunst, 'Works from the Sammlung Schürmann', Siegen/DE
Neue Galerie, 'Phantom of Desire', Graz/AT
Mass MoCA, 'Yankee Remix', North Adams MA
Museo di Arte Moderna e Contemporanea di Trento e Rovereto, 'The Tale of the Thread: Embroidery and Sewing in Contemporary Art' Rovereto/IT
S.M.A.K., 'Gelijk het leven is', Ghent/BE
beaumontpublic, 'Urban Incidence', Luxembourg/FR
Sean Kelly Gallery, 'Hot Summer in the City', New York NY
The Italian Foundation of Photography and Palazzo Bricherasio, 'In Nature: 10th International Biennial of Photography', Turin/IT
Haus der Photographie, International Deichtorhallen Hamburg,'A Clear Vision. Photographic Works from the F.C. Gundlach Collection', Hamburg/DE
Fondazione Sandretto Re Rebaudengo, 'Lei. Donne Nelle Collezioni Italiane' (Curated by F. Bonami), Turin/IT

2002 Jan Weiner Gallery, 'RE: ACTION 2002', Kansas City MO
The Museum of Fine Arts, 'Recent Accessions: Photography', Houston TX
American Academy of Arts and Letters, 'American Academy Invitational Exhibition of Painting & Sculpture', New York NY
Palazzo delle Papesse, De Gustibus (Curated by Achille Bonito Oliva and Sergio Risaliti), Siena/IT
Staatliche Kunsthalle Baden-Baden, 'Prophets of Boom – Werke aus der Sammlung Schürmann', Baden-Baden/DE
Art Gallery of Hamilton, 'Mask & Metamorphosis', Hamilton, Ontario/CA
K21 Kunstsammlung Nordrhein-Westfalen, 'Sie träumt von Ihrem Lieblingsstar. Er spricht mit einer fremden Sprache. Vier Räume aus der Sammlung Schürmann', Düsseldorf/DE
K21, Kunstsammlung NRW, 'Startkapital', Duesseldorf/DE
Galerie Georges-Philippe & Nathalie Vallois, 'Cadavre Exquis', Paris/FR
Musée des Beaux-Arts de Rouen, 'Le Regard de L’Autre', Rouen/FR
Musée d’art Contemporain, 'Photographier – to Photograph, Collection Lambert', Avignon/FR
Liljewachs Konsthall, 'My Marilyn', Stockholm/SE
Galerie Praz-Devallade, 'Group Show', Paris/FR
Whitney Museum of American Art, 'Visions from America Photographs from the Whitney Museum of American Art, 1940-2001', New York NY
Henry Art Gallery, 'The Photographic Impulse', Seattle WA
Ivan Dougherty Gallery, 'With and Without You. Re-visitations of Art in the Age of AIDS', Sydney/AU
Kunsthalle Basel, 'Keine Kleinigkeit', Basel/CH
Tate Modern, 'In Focus: Display within the Collection 2002', London, United Kingdom
The Agency, 'Group Show', London/UK
Galleria Raffaella Cortese, 'Disturbance', Milan/IT

2001 Jan Weiner Gallery, 'Full Frontal, Photographic Portraits', Kansas City MO
Brattleboro Museum & Art Center, 'From Real to Ideal', Brattleboro VT
Generali Foundation, 'Shopping', Vienna/AT
Museum of Modern Art, 'Parkett Collaborations', New York NY
Project Arts Centre, 'OutArt 2001. Stand Fast Dick and Jane', Dublin/IE
Generali Foundation, 'Double Life', Vienna/AT
Deutsches Hygiene-Museum, 'Sex – Vom Wissen und Wünschen (Curated by Rosemarie Trockel)', Dresden/DE
Kunsthalle Bielefeld, ‘Die unheimliche Frau. Weiblichkeit im Surrealismus’, Bielefeld/DE
Site Gallery, 'Magic/Object/Action', Sheffield/UK

2000 Matthew Marks Gallery, 'Drawings & Photographs', New York NY (Traveling Exhibition) Alexander and Bonin, 'Drawings & Photographs', New York NY (Traveling Exhibition)
Künstlerhaus Bethanien, 'Cross Female', Berlin/DE
Galerie Jennifer Flay, 'Brave New World', Paris/FR
3rd Gwangju Biennale, 'Man and Space', Gwangju/KR
Kunstverein München, 'The Wounded Diva', Munich/DE
Virginia Museum of Art, 'Vanitas: Meditations on Life and Death in Contemporary Art', Richmond VA
Raum Aktueller Kunst Martin Janda, 'Positions to a Political Discourse', Vienna/AT (Traveling Exhibition)
Nieuw Internationaal Cultureel Centrum, 'Positions to a Political Discourse', Anderlecht/BE (Traveling Exhibition)
Fonds régional d’art contemporain de Haute-Normandie, 'Lignes d’horizon: Acquisitions récentes du FRAC Haute-Normandie', Rouen/FR
Musée d’Art Moderne de la Ville de Paris, 'Voilà: Le Monde Dans la Tête', Paris/FR
Le Printemps de Cahors, 'Sensitive', Cahors/FR
Galerie Jennifer Flay, 'Body Beautiful', Paris/FR
Harn Museum of Art, 'The Swamp: On the Edge of Eden', Gainesville FL (Traveling Exhibition)
The Cummer Museum of Art & Gardens, 'The Swamp: On the Edge of Eden', Jacksonville FL (Traveling Exhibition)
28 Wooster Street, 'Other Worlds, (Curated by Erika Belle)', New York NY
Contemporary Museum, 'Snapshot', Baltimore MD

1999 Espai d´Art Contemporani de Castelló, 'No Quarter Given. Images of Violence in Contemporary Art', Castello/ES
Galerie Praz-Delavallade, 'A Girl Like You', Paris/FR
Milano Triennale, 'The Sentiment of the Year 2000', Milan/IT
Carousel Gallery, 'Persona II', Paris/FR
Center for Curatorial Studies, Bard College, 'Calendar 2000', Annandale-on-Hudson NY
Fonds Régional d’Art Contemporain, 'Larmes Blanches', Rouen/FR
Fotogallery, 'Sleuth', Cardiff/IE (Traveling Exhibition)
Oriel Mostyn, 'Sleuth', Llandudno, Wales (Traveling Exhibition)
Barbican Gallery, 'Sleuth', London, United Kingdom (Traveling Exhibition)
The Museum of Modern Art 'The Museum as Muse: Artists Reflect', New York NY (Traveling Exhibition)
The Museum of Contemporary Art, 'The Museum as Muse: Artists Reflect', San Diego CA (Traveling Exhibition)
The Photographic Resource Center, 'Dramatis Personæ', Boston MA
The Israel Museum, 'Skin Deep: Surface and Appearance in Contemporary Art', Jerusalem/IL
The Center for Curatorial Studies, Bard College, 'in passing', Annandale-on-Hudson NY
Galerie Seitz-von Werder, 'Les Fleurs du Mal', Berlin/DE
Neuer Aachener Kunstverein, 'Gender Trouble', Aachen/DE
Boulder Museum of Contemporary Art, 'Sans Titre: Works from the Collection of Peggy Scott & David Teplitzky', Boulder CO

1998 Groninger Museum, 'Crossroad', Groningen/NL
Patricia Faure Gallery, 'Three Generations' Santa Monica CA
Kunstverein Hamburg, 'Fast Forward (Body Check)', Hamburg/DE
Linda Kirkland Gallery, 'Some Like it Hot', New York NY
Musée Zadkine, 'Jardin d’artistes: De mémoire d’arbre', Paris/FR
La Fondation Mamco et Le Musée d’art moderne et contemporain, 'L’Hypothèse du Tableau Vole', Geneva/CH
Thomas Healy Gallery, 'Bathroom' (Curated by Wayne Koestenbaum), New York NY
Paula Cooper Gallery, 'Travel and Leisure', New York NY
Austrian Regional Gallery, 'Sculpture - Figure - Woman, Upper', Linz/AT (Traveling Exhibition)
Kunstsammlungen Chemnitz, 'Sculpture - Figure - Woman, Upper', Chemnitz/DE
University Art Gallery, Montclair State University, 'The Precious Image: Contemporary Platinum Photography', Montclair NJ
EVA International, ‘Exhibition of Visual Art 1998', Limerick/IE

1997 Kunstverein Schwerte, 'Museum Van Hedendaagse Kunst Gent zu Gast im Kunstverein Schwerte', Schwerte/DE
Revolution Gallery, 'Still and Moving: Contemporary Photography and Video', Ferndale MI
Bundesanstalt für Arbeitsschutz und Arbeitsmedizin, 'Miami Short Cuts: Links to the Body', Dortmund/DE
Koldo Mitxelena Kulturunea Exhibition Gallery, 'The Veiled Face (Transvestism and Identity in Art): The 80’s and 90’s', Donostia-San Sebastian/ES
Art Gallery of New South Wales, 'Body', Sydney/AU
Galerija Dante Marino Cettina, 'The Matrix of Geography', Umag/HR
Whitney Museum of American Art, '1997 Biennial Exhibition', New York NY
Annika Sundvik Gallery, 'The Leisure Sector', New York NY
Jennifer Flay Gallery, 'Skin Deep', Paris/FR
Nassau County Museum of Art, 'Feminine Image', Roslyn Harbor NY
The Institute of Contemporary Art, 'Gothic', Boston MA
Cleveland Center for Contemporary Art, 'Fashion Moda', Cleveland OH
Centre d’Art Contemporain, 'Veronica’s Revenge: Oeuvres Photographiques de la Lambert Art Collection', Geneva/CH (Traveling Exhibition)
Casino Luxembourg and Musée National d’histoire et d’art, 'Veronica’s Revenge: Oeuvres Photographiques de la Lambert Art Collection', Luxembourg/FR (Traveling Exhibition)
Arken Museum of Modern Art, 'Veronica’s Revenge: Oeuvres Photographiques de la Lambert Art Collection', Ishøj/DK

1996 Paula Cooper Gallery, 'Group Show', New York NY
A Different Light Bookstore, 'The Wild Good; Lesbian Photography and Writings on Love', New York NY
Independent Curators International, 'Embedded Metaphor (Curated by Nina Felshin)', New York NY
Groninger Museum, 'Groninger Museum’s Collection and Proposals for Future Acquisitions', Groningen/NL
Claudia Gian Ferrari Arte Contemporanea, 'Nudo and Crudo: Sensitive body, Visible body', Milan/IT
Groninger Museum, 'Black and Blue: Eight American Photographers', Groningen/NL
Galerie Jennifer Flay, 'Passage à l'acte', Paris/FR
Galerie Micheline Szwajcer, 'Vija Celmins, Zoe Leonard, Jorge Pardo, Joe Scanlan', Antwerp/BE
Pacific Film Archive / University Art Museum, University of California, Berkeley, 'Points of View: Photography from the Collection', Berkeley CA
Spiral Garden, 'Art at Home: Ideal Standard Life', Tokyo/JP
Centre d'Art Contemporain, 'L'Evidence', Geneva/CH
Sagacho Exhibit Space, 'Sosie', Tokyo/JP
Randolph Street Gallery, 'Push Pause', Chicago IL

1995 Pacific Film Archives / University Art Museum, University of California, Berkeley 'In a Different Light', Berekley CA
Sangamon State University Visual Arts Gallery, 'Zoe Leonard and Mauri Formigoni', Springfield IL
Museum of Contemporary Art 'Compulsion to Repeat: Repetition and Difference in Works from the Permanent Collection' Los Angeles CA
LAC Svizzera, Museo Pecci, 'L'immagine Riflessa: Una Selezione di Fotografia Contemporanea dalla Collezione' Prato/IT
Entwistle Gallery, 'Fashion Moda (Curated by Lisa Marie Marks)', London/UK
Centre Georges Pompidou, 'Feminin/Masculin: Le Sexe de L'art', Paris/FR
University Gallery Fine Arts Center, University of Massachusetts, Amherst 'Nature Studies II', Amherst MA
Shoshana Wayne Gallery, 'Obliquely', Santa Monica CA
Musée d’Art Moderne de la Ville de Paris, 'Passion Privées: Collections Particulières d’art Moderne et Contemporain en France', Paris/FR

1994 Centre Gallery, Miami-Dade Community College, 'The Art of Seduction', Miami FL
Terrain Gallery, 'The Use of Pleasure', San Francisco CA
Paula Cooper Gallery, 'Pictures of the Real World (In Real Time)' (Curated by Robert Nickas), New York NY (Traveling Exhibition)
Le Consortium, 'Pictures of the Real World (In Real Time)' (Curated by Robert Nickas), Dijon/FR (Traveling Exhibition)
Le Capitou, Centre d'Art Contemporain, 'Pictures of the Real World (In Real Time)' (Curated by Robert Nickas), Frejus/FR (Traveling Exhibition)
Städtische Galerie, 'Pictures of the Real World (In Real Time)' (Curated by Robert Nickas), Goppingen/DE (Traveling Exhibition)
Massimo de Carlo, 'Pictures of the Real World (In Real Time)' (Curated by Robert Nickas), Milan/IT (Traveling Exhibition)
Hara Museum of Contemporary Art, Pictures of the Real World (In Real Time), Tokyo/JP (Traveling Exhibition)
University of Hawaii at Manoa Art Gallery, 'Sum of the Parts', Honolulu HI
Margo Leavin Gallery, 'In the Field: Landscape in Recent Photography', Los Angeles CA
Herve Mikaeloff, 'Sosie', Paris/FR
Offshore Gallery, Sea Sights (Curated by Nessia Pope), East Hampton NY
Paula Cooper Gallery, 'Holiday Exhibition;, New York NY

1993 Lowinsky Gallery, 'Saints and Survivors in a Time of Plague', New York NY
Whitney Museum of American Art, '1993 Whitney Biennial Exhibition', New York NY (Traveling Exhibition)
National Museum of Contemporary Art, '1993 Whitney Biennial Exhibition' Seoul/KR
Otis Gallery, Otis School of Art and Design, 'Dissent, Difference & The Body Politic', Los Angeles CA
Münchner Stadtmuseum, 'Art & Aids in New York', Munich/DE (Traveling Exhibition)
Stadtbibliothek Hannover, 'Art & Aids in New York', Hannover/DE (Traveling Exhibition)
Exit Art / The First World, '1920: The Subtlety of Subversion, The Continuity of Intervention', New York NY
Montgomery Glasoe Fine Art, 'Rewriting History: The Salon of 1993', Minneapolis MN
David Zwirner Gallery, 'Coming To Power: 25 Years of Sexually Explicit Art by Women', New York NY
Gemeentemuseum Arnhem, Sonsbeek Exhibition, 'The Uncanny', Arnhem/NL
Galerie Monika Sprüth, 'Eau de Cologne: 1983 – 1993', Cologne/DE
Fawbush, 'Robert Gober, Zoe Leonard', New York NY
Espace Paul Boye,'Nulle Part et Partout', Sète/FR
The Lesbian Herstory Archives, 'Imaginaries', New York NY
Whitney Independent Study Program, 'Abject Art: Repulsion and Desire in American Art', Whitney Museum of American Art, New York NY
American Fine Arts - Colin de Land, 'What Happened to the Institutional Critic?', New York NY
The Drawing Center, 'The Return of the Cadavre Exquis', New York NY (Traveling Exhibition)
Corcoran Gallery of Art, 'The Return of the Cadavre Exquis', Washington D.C. (Traveling Exhibition)
The Foundation for Contemporary Art, 'The Return of the Cadavre Exquis', Mexico City/MX (Traveling Exhibition)
The Santa Monica Museum, 'The Return of the Cadavre Exquis', Los Angeles CA Forum for Contemporary Art, 'The Return of the Cadavre Exquis', St. Louis MO
Museum Fridericianum Kassel, Kunstverein Kippenberger, 'The Return of the Cadavre Exquis', Kassel/DE
Museum van Hedendaagse Kunst, 'Gent de Gast in De Beyerd Breda: De Keuze Van Jan Hoet', Ghent/BE

1992 Jack Hanley Gallery, 'Zoe Leonard, Félix González-Torres, Kiki Smith, Robert Gober', San Francisco CA
dOCUMENTA IX, Kassel/DE

1991 Richard F. Brush Art Gallery, St. Lawrence University, 'From Desire: A Queer Diary', New York NY
Galerie Sophia Ungers, 'Gulliver's Travels', Cologne/DE
Paula Cooper Gallery, 'Group Exhibition’, New York NY
Los Angeles Photography Center, '8th Annual Day of the Dead / Día de los Muertos', Los Angeles CA
Andrea Rosen Gallery, 'Nancy Brooks Brody, Paula Hayes, Zoe Leonard, Jack Pierson', New York NY
AC Project Room, 'Shooter's Hill', New York NY
Paula Cooper Gallery, 'Act Up Benefit Exhibition', New York NY

1990 Luhring Augustine, 'Group Show', New York NY
The Köln Show, 'Group Show', Cologne/DE
Andrea Rosen Gallery, 'Wendy Jacob and Zoe Leonard', New York NY
Museum van Hedendaagse Kunst, 'Ponton Temse', Ghent/BE
Penine Hart Gallery, 'Survey of Gay and Lesbian Artists', New York NY
Paula Allen Gallery, 'Work on Paper', New York NY
Paula Cooper Gallery, 'Act Up Auction For Action', New York NY

1989 New Museum, 'Strange Attractors: Signs of Chaos', New York NY
Sally Hawkins Gallery, 'First Amendment Show', New York NY
Heiner Freidrich, Inc, 'War Resisters' League Benefit', New York NY
Lesbian and Gay Community Center, 'The Center Show', New York NY
Simon Watson Project Space, 'Erotophobia', New York NY
Pacific Film Archives / University Art Museum, University of California, Berkeley, 'AIDS Timeline, An Installation by Group Material', Berkeley CA

1988 Artist's Space, 'Selections from the Artists' File', New York NY

1987 ISD, 'Consonance', New York NY

1986 Middendorf Gallery, 'The Hidden Surface', Washington, D.C.
Simon Cerigo Gallery, 'Group Show', New York NY
Myth, 'Greathouse', New York NY
New Math Gallery, 'Group Show', New York NY

1985 Civilian Warfare Gallery, 'Getting Off', New York NY

1984 Greathouse, 'Soon to Be A Major Motion Picture', New York NY
New Math Gallery, 'Just Appearances', New York NY

1983 Piezo Electric, 'Twenty Nine Downtown', New York NY

1980 Club 57, 'Group Show', New York NY

Awards and Grants

2014 Bucksbaum Award, Whitney Museum of American Art, New York NY

2010 Finalist for the Deutsche Börse Photography Prize, London/UK

2006 Anonymous Was A Woman

2005 Pollock Krasner Foundation Grant, New York NY

2003 Wexner Center for the Arts Residency, Columbus OH

2001 Creative Capital Foundation, New York NY

2000 Creative Capital Foundation, New York NY

Bibliography

Monographs

2018 Crimp, Douglas, Lebovici, Elisabeth + [et al.], ‘Zoe Leonard. Survey’, Munich: Prestel Publishing, 2018 (exh. cat.)

2014 Kelly, Karen, Schröder, Barbara (eds.), ‘Zoe Leonard. Available Light’, Brooklyn: Ridinghouse / Dancing Foxes Press, 2014
Lebovici, Elisabeth, Leonard, Zoe, ‘The Politics of Contemplation / From There to Back Again’, New York: Murray Guy, 2012 (exh. cat.)
Vicario, Gilbert (ed.), ‘From Speaker to Receiver’, Des Moines: Des Moines Art Center, 2014 (exh. cat.)

2010 Cooke, Lynne, Kelly, Karen (eds.), ‘Zoe Leonard. You See I Am Here After All’, New York: Dia Art Center, 2010 (exh. cat.)

2008 Staher, Urs (ed.), ‘Zoe Leonard. Photographs’, 2nd ed., Winterthur: Fotomuseum Winterthur, Göttingen: Steidl, 2008 (exh. cat.)

2007 Stahel, Urs (ed.), ‘Zoe Leonard. Fotografien’, 1st ed., Zürich: Steidl Verlag, 2007 (exh. cat.)
Bremner, Ann (ed.), 'Zoe Leonard. Analogue', Columbus: Wexner Center for the Arts, Cambridge: MIT Press, 2007 (exh. cat.)

2003 Engelbach, Barbara (ed.), ‘Zoe Leonard. Mouth Open, Teeth Showing II’, Siegen: Museum für Gegenwartskunst Siegen, 2003 (exh. cat.)

1999 Capellazzo, Amy, 'Life Support Tree Systems. Works by Zoe Leonard', Jerusalem: Gallery Anadiel, 1999 (exh. cat.)
Lebovici, Elisabeth, 'Zoe Leonard', Warsaw: Centre for Contemporary Art Ujazdovski Castle, 1999 (exh. cat.)

1998 Lebovici, Elisabeth, ‘Exposition Zoe Leonard’, Paris: Centre National de Photographie, 1998 (exh. cat.)

1997 Blume, Anna, ‘Zoe Leonard. Secession’, Vienna: Wiener Secession, 1997 (exh. cat.)
Pakesch, Peter, Schuppli, Madeleine, ‘Zoe Leonard’, Basel: Kunsthalle Basel / Schwabe Verlag, 1997, (exh. cat.)

1996 Dunye, Cheryl, Leonard, Zoe, ‘The Fae Richards Photo Archive’, San Francisco: Artpace Books, 1996 (exh. cat.)

1995 La Casa d’Arte, 'Zoe Leonard', Milan: La Casa d’Arte, Gallery 1995 (exh. cat.)
Paula Cooper Gallery, ‘Strange Fruit’, New York: Paula Cooper Gallery, 1995 (exh. cat.)

1991 Hanley, Jack, ‘Zoe Leonard, 1991’, San Francisco: Trans Avant-Garde Gallery, 1991 (exh. cat.)
Koether, Jutta, ‘Information’, Cologne: Galerie Gisela Capitain, 1991 (exh. cat.)
Rinder, Lawrence, ‘Zoe Leonard. Matrix / Berkeley 143’, Berkeley: University Art Museum, 1991 (exh. cat.)

Artist Books & Writings

2018 ‘El Río / The River. A Collaboration’, Zoe Leonard & Dolores Dorantes, Mexico City: Gato Negro Ediciones, 2018

2017 ‘I want a president’ (chapbook), Mexico City: Gato Negro Ediciones, 2017
‘I want a president. Transcript of a Rally’, with Karen Kelly, Barbara Schröder + [et al.], New York: Dancing Foxes Press, 2017, pp. 8-10

2014 'An Iris', in: 'Herstory Inventory. 100 Feminist Drawings by 100 Artists', edited by Barbara Schroeder, Karen Kelly, and Ulrike Müller, Brooklyn: Dancing Foxes Press, 2014, p. 224
‘December 3, frame 3 (2011/12)’, in: ‘Blind Spot. The Twentieth Anniversary Issue’, New York: Blind Spot Inc., no. 47, 2014, front and back cover, ill.
‘Shannon Ebner and Zoe Leonard’ (interview), in: ‘Bomb. The Water Issue’, Zoe Leonard & Shannon Ebner, New York: Bomb Magazine, no. 127, Spring 2014, pp. 54-64, ill.

2013 ‘Conversations on Queer Affect and Queer Archives. Analogue’, in: Art Journal, New York, vol. 72, no. 2, Spring 2013, pp. 78-81, ill.
‘Photography, the Archive, and the Question of Feminist Form. A Conversation with Zoe Leonard’, in: ‘Camera Obscura Journal of Literature and Photography’, Zoe Leonard with Huey Copeland, Durham: Duke University Press, no. 2, issue 86, 2013, pp. 176-189

2012 ‘Multiverse’, in: ‘Josiah McElheny. Some Pictures of the Infinite’, edited by Lucy Flint, Ostfildern: Hatje Cantz, 2012, pp. 76-103 (exh. cat.)
‘Muscle Memory’, in: ‘Coming After. Queer Time, Arriving Too Late and the Spectre of the Recent Past’, edited by Jon Davies, Toronto: The Power Plant, 2012, pp. 66-71
‘The Politics of Contemplation’, in: ‘La Voce della immagini’, Zoe Leonard & Elisabeth Lebovici, edited by Caroline Bourgeois, Venice: Palazzo Grassi / Electa, 2012 (exh. cat.)
‘Zoe Leonard. Observation Point’, Zoe Leonard & Briony Fer, London: Camden Arts Center (‘Artist Files’), no. 69, 2012 (exh. pamphlet, ed. of 1000)
‘500 Words. Zoe Leonard talks about her show at Camden Art Center’, on: www.artforum.com, New York, April 2012, ill.

2011 ‘A Wild Patience’, in: ‘Agnes Martin’, edited by Lynne Cooke and Karen Kelly, New Haven: Yale University Press, New York: Dia Art Foundation, 2011, pp. 78-101
‘Blind Spot’, Zoe Leonard & Moyra Davey (eds.), Annandale-on-Hudson/New York: Blind Spot Inc., Issue 43, 2011
‘East Jerusalem’, in ‘She is the One. Some moments from a feminist year’, with Nairy Baghramian, Kerstin Cmelka + [et al.], Berlin: Texte Zur Kunst, no. 84, December 2011 (ed. of 100 + 20 AP)
‘James Castle. Inside Out’, in: ‘James Castle. Show and Store’, with Lynne Cooke and Briony Fer, Madrid: D.A.P. Museo Nacional Centro de Arte Reina Sofia, 2011, pp. 9-15

2010 ‘This is where I was’ (text), in: ‘Zoe Leonard. You See I am Here After All’, edited by Lynne Cooke and Karen Kelly, New Haven: Yale University Press, New York: Dia Art Foundation, 2010, pp. 8-21 (exh. cat.)

2009 ‘1 Hour Photo & Video (for Parkett)’, New York: Parkett Publishers Artist Editions, No. 84, 2009 (Ed. of 40)

2008 ‘Analogue, 1998-2007’, in: ‘Antinomies of Culture. Modernity, Postmodernity, Contemporaneity’, edited by Terry Smith, Okwui Enwezor, and Nancy Condee, Durham: Duke University Press, 2009, pp. 187-203

2007 ‘Zoe Leonard. Analogue’, in: ‘Cultural Politics’, with Carrie Moyer & The Speculative Archive (Julia Meltzer and David Thorne), Durham: Duke University Press, vol. 3, no. 2, July 2007, pp. 249-253, ill.
‘Zoe Leonard. Interview at Documenta 12’ [video], edited by Lidia Rossner and Alexander Rossner, Berlin: dmovies.net, 2007

2003 ‘Mouth Open, Teeth Showing II’ (essay), in: ‘Zoe Leonard. Mouth Open, Teeth Showing’, edited by Barbara Engelbach, Siegen: Museum für Gegenwartskunst, 2003
‘Transcript of a Lecture by Zoe Leonard’, in: ‘The Generation of Images. Reality’s Desire’, edited by Roberto Pinto, Milan: Postemedia SRL/Commune di Milano, 2003, pp. 99-121

2002 ‘Interview with Zoe Leonard’, in: ‘Discourse’, Zoe Leonard with Beth Dungan, Claremont: McKenna College, vol. 24, no. 2, Spring 72, pp. 70-85
‘Notes on Work', in: Arte e Critica, Rome, no. 29, January-March 2002, pp. 29-30
‘Out of Time. Artist Questionnaire’, in: October, edited by Rosalind Krauss, Cambridge: MIT Press, no. 100, Spring 2002, pp. 88-97

1998 'Fundamental Horror', in: ‘Studio Voice. Multi-Media Mix Magazine’, Tokyo, vol. 272, August 1998, pp. 18-19
‘Ladies and Gentlemen’, in: Toronto: Art Metropole (‘The Little Cockroach Press Series’), vol. 10, August 1998 (Ed. of 1000 + 25 APs)
'The 1998 Bearded Lady Calendar. Starring Jennifer Miller', Glarus: Kunsthaus Glarus, 1998

1996 ‘The Fae Richards Photo Archive’, Zoe Leonard & Cheryl Dunne, San Francisco: Artspace Books, 1996 (exh. cat.)
‘Watermelon Woman. The Fae Richards Photo Archive’ [insert], in: Parkett, Zoe Leonard & Cheryl Dunne, New York, no. 47, 1996

1990 ‘HIV-antibody Testing and Legal Issues for HIV-Positive People’, in: ‘Women, Aids & Activism’, edited by Cynthia Chris and Monica Pearl, Boston: South End Press, 1990, pp. 55-68
‘Lesbians in the AIDS Crisis’, in: ‘Women, Aids & Activism’, edited by Cynthia Chris and Monica Pearl, Boston: South End Press, 1990, pp. 113-118
‘Prostitution and HIV Infection’, in: ‘Women, Aids & Activism’, Zoe Leonard & Polly Thistlewaite, edited by Cynthia Chris and Monica Pearl, Boston: South End Press, 1990, pp. 177-186
‘Safe Sex is Real Sex’, in: ‘Women, AIDS & Activism’, edited by Cynthia Chris and Monica Pearl, Boston: South End Press, 1990, pp. 55-68

Selected Writings

2018 Zoe Leonard, Dolores Dorantes, ‘El Río / The River. A Collaboration’, Mexico City: Gato Negro Ediciones, 2018
Zoe Leonard, Meg Watcher (ed.), ‘I want a president’, in: ‘Got a Girl Crush’ (mag.), Winnipeg: Prolific Group, issue 8, 15 November 2018, pp. 2-3
Zoe Leonard, François Piron (ed.), ‘I want a president’, in: ’Initiales Revue. SL (Sylvère Lotringer)’, Lyon: Ècole Nationale Supérieure des Beaux-Arts de Lyon, Paris: Fondation d’entreprise Ricard, vol. 12, November 2018

2017 Zoe Leonard, ‘I Want A President’ (chapbook), Mexico City: Gato Negro Ediciones, 2017
Zoe Leonard, Nina Strand (ed.), ‘I Want A President’, in: ’Subjektiv 15’, Odder: Narayana Press, 2017
Kelly, Karen, Schroeder, Barbara (eds.), ‘I want a president: Transcript of a Rally’, New York: Dancing Foxes Press, 2017
Zoe Leonard with Adriano Pedrosa (ed.), ‘I want a president’ in: ‘Historias de Sexualidade’, São Paulo: MASP, Museu de Arte de São Paulo Assis Chateaubriand, 2017, p. 264 (exh. cat.)

2016 Zoe Leonard, ‘Post-Election Artists Dossier’, in: ‘Grey Room’, Cambridge: MIT Press, no. 65, Fall 2016
Zoe Leonard, Miguel A. Lopez (ed.), ‘I want a president’, in: ‘Could Be. Radical Anticipation’, Seoul Museum of Art, no. 4, 2016, pp. 52-53
Zoe Leonard, David J. Getsy (ed.), ‘I Want A President’, in: ‘Queer, Documents of Contemporary Art’, London: Whitechapel Gallery, Cambridge: MIT Press, 2016, p. 114
Zoe Leonard, ‘Downtown (for Douglas)’, in: Document Journal, Fall/Winter 2016, Issue No. 9, pp. 344-351

2014 Zoe Leonard with Barbara Schroeder, Karen Kelly + [et al.] (eds.), 'An Iris', in: 'Herstory Inventory. 100 Feminist Drawings by 100 Artists', Brooklyn: Dancing Foxes Press, 2014, p. 224
Zoe Leonard with Matthew S. Witkovsky (ed.), ‘Zoe Leonard's 100 North Nevill Street’, in: ‘The Chinati Foundation Newsletter’, Marfa, vol. 19, October 2014, pp. 30-43, ill.

2013 Zoe Leonard, Amy Herzog (ed.), 'I want a president' in: ‘Women's Studies Quarterly’, New York: The Feminist Press, Issue 41, no. 3 & 4, Fall/Winter 2013, pp. 229-230

2012 Zoe Leonard, Lucy Flint (ed.), ‘Multiverse‘, in: ‘Josiah McElheny. Some Pictures of the Infinite’, Ostfildern: Hatje Cantz, 2012, pp.76-103 (exh. cat.)
Zoe Leonard, Jon Davies (ed.), ‘Muscle Memory' in: ‘Coming After. Queer Time, Arriving Too Late and the Spectre of the Recent Past', Toronto: The Power Plant, 2012, pp. 66-71
Zoe Leonard, '500 Words. Zoe Leonard talks about her show at the Camden Arts Center', on: www.artforum.com, New York NY, 5 April 2012

2011 Zoe Leonard, Moyra Davey, ‘Blind Spot’, New York: Photo-Based Art, Issue 43, New York, 2011
Zoe Leonard with Lynne Cooke, Briony Fer + [et al.], ‘James Castle. Inside Out' (essay), in: 'James Castle. Show and Store', Madrid: D.A.P. Museo Nacional Centro de Arte Reina Sofia, 2011, pp. 9-15 (exh. cat.)
Zoe Leonard with Lynne Cooke, Karen Kelly (eds.), 'A Wild Patience', in: 'Agnes Martin', New York: Dia Art Foundation, New Haven: Yale University Press, 2011, pp. 78-101
Zoe Leonard, 'She is the One’, in: ‘Some Moments From a Feminist Year', Berlin: Texte Zur Kunst, no. 84, December 2011, pp. 72-73

2010 Zoe Leonard with Lynne Cooke, Karen Kelly (eds.), 'This is where I was' in: 'Zoe Leonard: You See I am Here After All', New York: Dia Art Foundation, New Haven: Yale University Press, 2010, pp. 8-21

2003 Zoe Leonard, Roberto Pinto (ed.), 'Transcript of Lecture by Zoe Leonard' in: 'The Generation of Images- Reality's Desire', Milan: Postmedia SRL / Comune di Milano, 2003, pp. 99-121

2002 Zoe Leonard, Rosalind Krauss (ed.), 'Out of Time', in: October, New York, no. 100, Spring 2002, pp. 88-97

2001 Zoe Leonard, 'Notes on Work', in: Arte e Critica, Rome, no. 29, January-March 2002, pp. 29-30

1998 Zoe Leonard, ‘Ladies and Gentlemen’, in: ‘The Little Cockroach Press Series’, Toronto: Art Metropole, vol. 10, August 1998 (Ed. of 1000 + 25 APs)
Zoe Leonard, 'The 1998 Bearded Lady Calendar. Starring Jennifer Miller', Glarus: Kunsthaus Glarus, 1998
Zoe Leonard, 'Fundamental Horror', in: ‘Studio Voice. Multi-Media Mix Magazine’, Tokyo, vol. 272, August 1998, pp. 18-19

1996 Zoe Leonard, Cheryl Dunye, ‘Watermelon Woman. The Fae Richards Photo Archive’ [insert], in: Parkett, New York, no. 47, 1996, insert, ill.

1993 Cottingham, Laura, ‘Zoe Leonard (interview)’, in: Journal of Contemporary Art, New York NY, vol.
6, no. 1, Summer 1993, pp. 64-77

1990 Zoe Leonard with Cynthia Chris, Monica Pearl (eds.), ‘Safe Sex is Real Sex’, in: ‘Women, Aids & Activism’, Boston: South End Press, 1990, pp. 27-31
Zoe Leonard with Cynthia Chris, Monica Pearl (eds.), ‘HIV-antibody Testing and Legal Issues for HIV-Positive People’, in: ‘Women, Aids & Activism’, Boston: South End Press, 1990, pp. 55-68
Zoe Leonard with Cynthia Chris, Monica Pearl (eds.), ‘Lesbians in the AIDS Crisis’, in: ‘Women, Aids & Activism’, Boston: South End Press, 1990, pp. 113-118
Zoe Leonard, Polly Thistlewaite, with Cynthia Chris, Monica Pearl (eds.), ‘Prostitution and HIV Infection’, in: ‘Women, Aids & Activism’, Boston: South End Press, 1990, pp. 177-186

Publications

2019 Rugoff, Ralph + [et. al.], ‘Kiss My Genders’, London: Hayward Gallery, 2019, pp. 160-161, 231 (exh. cat.)
Cooper, Jeremy, ‘The World Exists to Be Put on a Postcard’, London: Thames & Hudson, 2019
Leidl, Bettina, Lübbke-Tidow, Maren (eds.), ‘Obstinacy of Things. Still Life in Photographic Concepts of the Present’, 2nd ed., Leipzig: Spector Books, Vienna: Kunst Haus Wien, 2019
Pakesch, Peter, ‘True Stories. A Show Related to an Era. The Eighties’, Berlin: Holzwarth Publications, 2019, forthcoming (exh. cat.)

2018 Aristizabal, Irene, Cooper, Rosie + [et al.], ‘Still I Rise. Feminisms, Gender, Resistance’, Bexill-on-Sea: De La Warr Pavilion, Nottingham: Nottingham Contemporary, 2018 (exh. cat.)
Beal, Justin, 'Touchpiece', Los Angeles: Hannah Hoffman Gallery, New York: Midgramme, 2018, pp. 1-15 (exh. cat.)
Cooke, Lynne, ‘Outliers and American Vanguard Art’, Washington DC: National Gallery of Art, Chicago: University of Chicago Press, 2018, pp. 298-299 (exh. cat.)
Farocki, Harun, Leidl, Bettina + [et al.], ‘Eigensenn der Dinge. Stilleben in fotografischen Konzepten der Gegenwart’, 1st ed., Leipzig: Spector Books, Vienna: Kunsthaus Wien, 2018 (exh. cat.)
Leber, Christian, ‘Fotofinish. Photography’s Triumph as an Autonomous Art Form’, New York: Snoeck, 2018
Lederman, Russet (ed.), ‘How We See. Photobooks by Women’, New York: 10x10 Photobooks, 2018
Nichols, Catherine (ed.), ‘Shine on Me. Wir und die Sonne’, Dresden: Deutsche Hygiene-Museum, Göttingen: Wallstein Verlag, 2018 (exh. cat.)
Park, Liz, Schaffner, Ingrid (eds.), ‘The Guide. Carnegie International, 57th Edition’, Pittsburgh: Carnegie Museum of Art, 2018, pp. 74-75 (exh. cat.)
Pedrosa, Adriano, Schwarcz, Lilia + [et. al.] (eds.),‘Historias Da Sexualidade', São Paulo: MASP – Museu de arte de São Paulo Assis Chateaubriand, 2017, pp. 37, 264, 266 (exh. cat.)
White, Michelle, 'Mona Hatoum. Terra Infirma', London: Yale University Press, 2018, pp. 84-85 (exh. cat.)

2017 Berger, Daniel S., Neff, John, ‘Militant Eroticism. The ART+Positive Archives’, Berlin: Sternberg Press, 2017 (exh. cat.)
Gallois, Christophe, Staes, Pascale (eds.), ‘Pensive Images. 16 Artists in Dialogue with G. Sebald’, Clausen: Mudame Luxembourg, 2017, pp. 43-46
Gioni, Massimiliano, Brambilla, Micola, ‘The Restless Earth (La Terra Inquieta)’, Milan: Electa, 2017, pp. 54, 184-185
Hering, Michael, Lepik, Andres + [et. al.] (eds.),‘Pinakothek Der Moderne. Art, Prints & Drawings, Design, Architecture’, Berlin: Hatje Cantz, 2017, p. 178
Iverson, Margaret, ‘Photography, trace, and trauma’, Chicago: The University of Chicago Press, 2017
Lebovici, Elisabeth, ‘Ce que le sida m’a fait’, in: ‘Lectures maisons rouges’ [series], Paris: La maison rouge, Zürich: jrp | Ringier, 2017
Maaz, Bernhard (ed.), ‘Pinakothek Der Moderne Munich. Modern Art Collection’, Berlin: Deutscher Kunstverlag, 2017, pp. 279, 293
Motta, Carlos (ed.), ‘The SPIT! Manifesto Reader’, London: Frieze Projects, 2017, p. 28
Pedrosa, Adriano (ed.), ‘Historias de Sexualidade’, São Paulo: MASP –Museu de Arte de São Paulo Assis Chateaubriand, 2017, p. 264 (exh. cat.)
Philips, Lisa (ed.), ‘40 Years New’, London: Phaidon, New York: New Museum, 2017, pp.180, 270-271
Press, Clayton, ‘Next to Nothing, Close to Nowhere. Kathleen Jacobs’, Ewing: Burckhardt Boles, 2017, p. 32
Sholis, Brian, ‘Group Portrait’, in: Subjektiv 15, Oslo: Narayana Press, no. 15, 2017, pp. 8-17, ill.
Smith, Shawn Michelle, Sliwinski, Sharon (eds.), ‘Photography and the Optical Unconscious’, Durham: Duke University Press, 2017

2016 Christ, Hans D., Iris Dressler, ‘Ein Loch in Meer / A Hole in the Sea’, Stuttgart: Württembergischer Kunstverein, 2016 (exh. cat.)
Crimp, Douglas, ‘Before Pictures’, New York: Dancing Foxes Press, Chicago: The University of
Chicago Press, 2016
Getsy, David J., ‘Queer, Documents of Contemporary Art’, London: Whitechapel Gallery, Cambridge: MIT Press, 2016, p. 114
Lorenz, Renate, ‘Encounter’, in: ’Quand Fondra la Neige, où ira le Blanc’, Venice: Palazzo Fortuny, 2016 (exh. cat.)
Sawyer, Drew (ed.), ‘The Sun Placed in the Abyss’, Columbus: Columbus Museum of Art, 2016 (exh. cat.)
Urbanelli, Elisa, Blood, Anne Rebecca (eds.), ‘Unfinished. Thoughts Left Visible’, New York: The Metropolitan Museum of Art, 2016

2015 Bajac, Quentin, Gallun, Lucy + [et al.] (eds.), ‘Photography at MoMa.1960–Now’, New York: Museum of Modern Art, 2015
Bourgeois, Caroline, Vo, Danh (eds.), ‘Slip of the Tongue’, Venice: Marsilio Editori, 2015 (exh. cat.)
Delbecq, Marcelline, ‘Oublier, voir’, Paris: Manuella Éditions, 2015, pp. 11, 13 (Ed. of 175)
Farquharson, Alex, Manacorda, Francesco + [et al.], ‘Glenn Ligon. Encounters and Collisions’, London: Nottingham Contemporary and Tate Liverpool, 2015, pp. 104-105 (exh. cat.)
Hart, Katherine, O’Reilly, John, ‘Collecting and Sharing. Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art’, Hannover: Hood Museum of Art, 2015, pp. 73, 85 (exh. cat.)
Hoet, Jan, Bossche, Philip Van den (ed.), ‘Das Meer. The Sea. La Mer. De Zee. A tribute to Jan Hoet’, Ostfildern: Hatje Cantz, 2015, p. 237 (exh. cat.)
Macel, Christine, Sussman, Elizabeth, ‘Collected by Thea Westreich and Ethan Wagner’, New York: The Whitney Museum of American Art, 2015, pp. 56, 302
Michalka, Matthias (ed.), ‘To expose, to demonstrate, to inform, to offer. Artistic practices around 1990’, Vienna: Museum Moderner Kunst Stiftung Ludwig Wien, 2015
Miller, Dana (ed.), Weiberg, Adam D., ‘Whitney Handbook of the Collection’, New York: The Whitney Museum of American Art, 2015, p. 225
Paolo, Maganoli, ‘Documents of Utopia. The Politics of Experimental Documentary’ New York: Columbia University Press, 2015, pp. 91-91, 95

2014 Berrebi, Sophie, ‘The Shape of Evidence. Contemporary Art and the Document’, Amsterdam: Valiz, 2014, pp. 113-114, 123, cover
Bezzola, Tobia, Ebner, Florian, ‘(Mis)Understanding Photography. Works and Manifestos', Essen: Museum Folkwang/Steidl, 2014, pp.140, 148-151 (exh. cat.)
Brown, Elspeth, Phu, Thy (eds.), ‘Feeling Photography’, Durham: Duke University Press, 2014
Burton, Johanna, Ellegood, Anne, (eds.), 'Take It or Leave It. Institution, Image, Ideology', Los Angeles: The Hammer Museum/DelMonico Books/Prestel, 2014, pp.12, 19, 22, 102-3, 184-85, 203-4, 259-60 (exh. cat.)
Kalb, Peter R., 'Art Since 1980. Charting the Contemporary' London: Pearson, 2014, pp. 245–246
Kelly, Karen, Müller, Ulrike + [et al.](eds.), ‘Herstory Inventory. 100 Feminist Drawings by 100 Artists’, Brooklyn: Dancing Foxes Press, 2014, p. 224
Meyer-Hermann, Eva (ed.), 'Blicke! Körper! Sensationen! / Looks! Bodies! Sensations! An Anatomical Waxwork Cabinet and the Arts', Dresden: Deutsches Hygiene-Museum/ Wallstein, 2014, pp. 23, 60 (exh. cat.)
Stather, Martin (ed.), 'Art and Activism. Sammlungen Hieber/Theising', Mannheim: Mannheim Kunstverein, 2014. pp. 33, 63, 65, 88, 91 (exh. cat.)

2013 Arnaud, Claude, Cogeval, Guy + [et al.], 'Masculin / Masculin. Lʼhomme nu dans lʼart de 1800 à nos jours', Paris: Musée dʼOrsay / Flammarion, 2013, p. 289 (exh. cat.)
Azouley, Isabelle, Monneyron, Fréderick, 'Vanity. Fashion/Photography from the F.C. Grundlach Collection', Vienna: Kunsthalle Wien, 2011, pp. 187, 189-190, 192-193 (exh. cat.)
Cluitmans, Laurie, Zeqo, Arnisa (eds.), 'He Disappeared into Complete Silence. Rereading a Single artwork by Louise Bourgeoise', Haarlem: De Hallen Haarlem, 2011, pp. 91, 103 (exh. cat.)
Imhoff, Aliocha, Quiros, Kantuta (eds.), 'Fais un effort pour te souvenir / Make an effort to remember. Or, Failing that, Invent' Paris: Bétonsalon Centre d’art et de recherche, 2013, p. 11 (exh. booklet)
König, Kasper, 'Vor dem Gesetz/ Before the Law’, Cologne: Museum Ludwig, 2011, pp. 98-101 (exh. cat.)
Lampe, Angela (ed.), 'Vues d’en haut', Metz: Centre Pompidou Metz, 2013, p. 350 (exh. cat.)
Moore, Jenny, 'NYC 1993. Experimental Jet Set, Trash and No Star', New York: New Museum, 2013, p. 99 (exh. cat.)
Peters, Andrea (ed.), 'Von Beckmann bis Warhol / From Beckmann to Warhol’, Köln: Wienand Verlag , 2013, pp. 272-273 (exh. cat.)
Ruby, Rich B., 'Historical Fiction, Modern Desires. The Watermelon Woman', in: 'New Queer Cinema. The Directors Cut', Durham: Duke University Press, 2013, pp. 66-71
Vogt, Christine, (ed.) 'Hair! Hair! Das Haar in der Kunst / Hair in Art. Masterpieces from the Ludwig Collection from antiquity to Warhol, from Tilman Riemenschneider to Cindy Sherman’, Bielefeld: Kerber, Cologne: Museum Ludwig, 2013, p. 91 (exh. cat.)

2012 Borchardt-Hume, Achim (ed.), 'Think Twice. Twenty years of Contemporary Art from Collection Sandretto Re Rebaudengo', London: Whitechapel Art Gallery, 2012, pp. 66-67 (exh. cat.)
Brohm, Anna, Schneider, Valeska (eds.), 'Ein Wunsch bleibt immer übrig / One Wish always remains', Cologne: Museum Ludwig, 2012, pp. 168, 170 (exh. cat.)
Burton, Johanna , Cooke, Lynne + [et al.], ‘Interiors. Perspectives on Art and Culture’ [reader], Annandale-on-Hudson: CSS Readers – Centre for Curatorial Studies Bard University Readers, Berlin: Sternberg Press, vol. 1, 2012, pp. 44-53
Edlinger, Thomas,'Vollmilch / Milk. The Beard as Sign’, Linz: Lentos Kunstmuseum, 2012, pp. 26-27 (exh. booklet)
Förster, Simone, Ingelmann, Inka Graeve + [et al.], 'True Stories. American Photography from the Modern Art Collection’, Munich: Pinakothek der Moderne, 2012, pp. 28-29 (exh. cat)
Forty, Adrian, 'Concrete and Culture. A Material History', London: Reaktion Books Ltd., 2012, p. 42
Gill, Marta (ed.), Rouillé, André, ‘Slow Motion. A Camera Lenta’, in: ‘C International Photo Magazine’ [periodical], London/Madrid: Ivorypress, no. 5, 2012
Jigarjian, Michi, Pratt, Libby (eds.), ‘Writing as Practice. Peripheral Continuity', New York: Secretary Press / Transcripts and Afterthoughts from a Symposium (Bard University), 2012
Lewis, George E., Ligon, Glenn, 'Blues for Smoke', Los Angeles: MOCA – The Museum of Contemporary Art Los Angeles / Prestel, 2012, pp. 43, 155 (exh. cat.)
Lorenz, Renate, ‘Queer Art. A Freak Theory’, in: ‘Queer Studies’ [series], Bielefeld: Deutsche Nationalbibliothek / transcript-Verlag, vol. 2, 2014, pp. 131-135
Metzel, Olaf (ed.), 'Circus Wols. Eine Hommage / A Tribute', Bremen: Neues Museum Weserburg, Köln: Walther König, 2012 (exh. cat.)

2011 Birnbaum, Daniel, Butler, Cornelia + [et al.], 'Defining Contemporary Art. 25 Years in 200 Pivotal Artworks', London: Phaidon, 2011, pp. 206, 232-233
Couanet, Catherine, ‘Sexualités & Photographie’, Paris: L’Harmattan, 2011, pp. 72-85
Cullinan, Nicholas (ed.), 'Tacita Dean. Film', in: ‘Unilever Series’, London: Tate Publishing, no. 12, 2011, p. 95 [exh. cat.]
Huber, Hans Dieter, Pakesch, Peter + [et al.](eds.), 'Vermessung der Welt / Measuring the World. Heterotopias and Knowledge Spaces in Art', Graz: Kunsthus Graz, Köln: Walther König, 2011, pp. 71-73, 154-155 (exh. cat.)
Paneque, Guillermo (ed.), 'Entre chien et loup / Between dog and wolf. Works from the Meana Larrucea Collection', Bilbao: Iberdrola, Madrid:TF Editores, 2011, p. 169 (exh. cat.)
Smith, Terry, 'Contemporary Art. World Currents', London: Pearson Press, 2011, pp. 262-263

2010 Bracewell, Michael, 'Deutsche Börse Photography Prize 2010. Anna Fox, Zoe Leonard, Sophie Ristelhueber,
Donovan Wylie', London: The Photographer’s Gallery, 2010 (exh. cat.)
Coan, Jaime Shearn (ed.), ‘Dear Someone’ [ongoing letter-writing archive], New York: Printed Matter, vol. 1, 2010
Cooke, Lynne, Crimp, Douglas+ [et al.], 'Mixed Use, Manhattan. Photography and Related Practices, 1970s to the Present', Madrid: Museo Reina Sofía, 2010, pp. 4, 204-209, 276, 295 (exh. cat.)
Didi-Huberman, Georges, 'Atlas. ¿Cómo llevar el mundo a cuestas? / How to Carry the World on One’s Back?', Madrid: TF Editores/Museo Reina Sofía, 2010, p. 311 (exh. cat.)
Enwezor, Okwui, Condee, Nancy + [et al.], ‘Antinomies of Culture. Modernity, Postmodernity, Contemporaneity’, Durham: Duke University Press, 2009, pp. 192-202, ill. in b/w
Kalmár, Stefan (ed.), ‘Be Nice Share Everything Have Fun’, Köln: Walther König, 2010 (exh. cat.)
Naumann, Francis, Noland, David (eds.), 'The Visible Vagina', New York: David Noland Gallery/Francis Naumann Gallery, 2010 (exh. cat.)
Owens, Iris, ‘After Claude’, New York: New York Review of Books Classics, 2010, cover ill.

2009 Aliaga, Juan Vicente, Lebovici, Elisabeth + [et al.], 'En todas partes / Everywhere. Sexual Diversity Policies in Art', Santiago de Compostela: Centro Galego de Arte Contemporánea, 2009 (exh. cat.)
Belting, Hans, Buddensieg, Andrea (eds.), 'The Global Art World. Audiences, Markets, and Museums', Ostfildern: Hatje Cantz, 2009, pp. 40, 161-162
Cotton, Charlotte, 'The Photograph as Contemporary Art' London: New Edition, 2009, pp. 198-199, 230-31
Danbolt, Mathias, Rowley, Jane + [et al.](eds.), 'Lost and found. Queerying the Archive', Copenhagen: Nikolaj Copenhagen Contemporary Art Center, 2009 (exh. cat.)
Enwezor, Okwui, Condee, Nancy + [et al.], ‘Antinomies of Culture. Modernity, Postmodernity, Contemporaneity’, Durham: Duke University Press, 2009, pp. 192-202
Morineau, Camille (ed.), ‘Elles @ Centre Pompidou’, Paris: Centre Pompidou, 2009, pp. 100-101 (exh. cat.)
Thomas, Elizabeth (ed.), ‘Matrix/Berkeley. A Changing Exhibition of Contemporary Art’, Berkeley: University of California Berkeley Art Museum, 2009, p. 296
Welzel, Mark (ed.), '200 Artworks. 25 Years. Artists’ Editions for Parkett', Z¨ürich/New York: Parkett, 2009, pp. 254 - 255

2008 Baker, George, 'Lateness and Longing’, in: ‘50 Moons of Saturn', Turin / Milan: T2 Torino Triennale, 2008, pp. 47-65
Bock, Jürgen, 'Drawing a Tension. Works from the Deutsche Bank Collection', Lisbon: Calouste Gulbenkian Cultural Centre, 2008, pp. 142-143 (exh. cat.)
Enwezor, Okwui, 'Archive Fever, International Center of Photography', New York NY: Steidl / ICP, 2008
Herford, Marta, 'Ad Absurdum', Bielefeld: Kerber Verlag, 2008 (exh. cat.)
Hermann, Matthias (ed.), ‘AIDS. A Reader, 'AIDS. A Reader’, Toronto: Art Metropole, 2008
Peterson, Anne Ring, Koester, Joachim + [et al.], 'Reality Check', Copenhagen: Statens Museum for Kunst, 2008, pp.106-107 (exh. cat.)
Phillips, Lisa, Gioni, Massimiliano, 'After Nature', New York NY: The New Museum, 2008 (exh. cat.)
Pinson, Stephen C. (ed.), 'Eminent Domain. Contemporary Photography and the City', New York: The New York Public Library, 2008, pp. 48-59 (exh. cat.)
Rugg, Whitney, Yee, Lydia (eds.), ‘Street Art Street Life. From the 1950’s to Now’, New York: The Bronx Museum of the Arts/Aperture Foundation, 2008, pp. 68-69 (exh. cat.)
Stather, Martin (ed.),' Break the Rules!' Theising / Mannheim: Sammlungen Hieber / Mannheimer Kunstverein, 2008, pp. 19, 37-39 (exh. cat.)
Temporary Services, 'Public Phenomena’, 2nd ed., Chicago: Half Letter Press, 2008, pp. 145-146

2007 Baur, Andreas (ed.), 'Fliegende Kühe und andere Kometen / Flying Cows and other Comets. Not just funny Things in Art’, Nuremberg: Galerien der Stadt Esslingen am Neckar / Verlag für Moderne Kunst, 2007, pp. 62-67 (exh. cat.)
Buergel, Roger M., Noack, Ruth (eds.), 'documenta 12', Cologne: Tashcen, 2007 (exh. cat.)
Buergel, Roger M., Noack, Ruth (eds.), ‘Documenta 12 Magazine. Life!’, Koln: Taschen, no. 2, 2007, pp. 38, 43, 46-47, 51-53, ill. in colour
Collins, Judith, ‘Sculpture Today’, New York: Phaidon, 2007
Edlinger, Thomas, Waldvogel, Florian (eds.), 'Body Politicx', Rotterdam: Witte de With Centre for Contemporary Art, 2007 (exh. cat.)
Lorenz, Renate, 'Normal Love', Berlin: Künstlerhaus Bethanien, 2007 (exh. cat.)
Ölcer, Nazan, Sabanci, Sakip + [et al.],'Blind Date. Istanbul', Istanbul: Deutsche Bank Kunst und Sakıp Sabancı Museum, 2007, pp. 70, 210 (exh. cat.)

2006 Friedrich, Julia, König, Kasper, Wagner, Frank (eds.), 'Das Achte Feld / The Eighth Square', Cologne: Ostfildern-Ruit / Museum Ludwig, 2006, pp. 112-113 (exh. cat.)
Episalla, Joy, Lipton, Amy + [et al.], 'Out of the blue', Jenkintown: Abington Art Centre, 2006 (exh. cat.)
Demos, T.J., 'Vitamin Ph (New Perspectives in Photography)’, London: Phaidon Press, 2006
Armstrong, Carol, De Zegher, Catherine, 'Women Artists at the Millennium', Cambridge: MIT Press, 2006

2005 Bright, Susan, 'Art Photography Now', London: Thames and Hudson, 2005, pp. 124 -125
Grosenick, Uta, ‘Art Now. The new directory to 136 International Contemporary Artists’, Berlin: Taschen, 2005, pp. 249-251
Mézil, Eric, Verzotti, Giorgio, ‘Theorema. La Collection d’Enea Righi’, Avignon: Collection Lambert, 2005, pp. 21-25, 85
Richer, Francesca, Rosenzweig, Matthew (eds.), 'First Works. By 362 Artists’ [series], New York NY: D.A.P, 2005, Vol. 1, p. 215

2004 Bousteau, Fabrice, ‘Sexes. Images–pratiques et pensées contemporaines (Pictures-practices and contemporary thoughts’, Paris: Beaux Arts Livres, 2004, p. 90
Clark, Larry (ed.), ‘Printed Matter Photography Portfolio’ [series], New York: Printed Matter Inc., Vol. V, 2004
Cotton, Charlotte, ‘The Photograph as Contemporary Art’, London: Thames & Hudson, 2004, pp. 198-199
Didier, Michel (ed.), ‘Portraits d’arbes. Henri Gadeau de Deville au regard de la photographie contemporaine’, Cherbourg-Octeville: Le Point du Jour / Musée d’Évreux, 2004, pp. 28-29
Foster, Hal, Krauss, Rosalind + [et al.], 'Art Since 1900', London: Thames and Hudson, 2004, pp.
610-611
Mileaf, Jeanine (ed.), ‘Inside Out Loud. Visualizing Women’s Health in Contemporary Art’, St. Louis: Mildred Lane Kemper Art Museum at Washington University, 2004

2003 Buskirk, Martha, 'The Contingent Object of Contemporary Art', Cambridge: The MIT Press, 2003, pp. 143-147, 191, 192
Detheridge, Anna (ed.), ‘Innatura / In Nature. Biennale internazionale di fotografia’ , Turin: Fondazione italiana per la fotografia, 2003, pp. 119, 116-118 (exh. cat.)
Eribon, Didier, 'Dictionnaire des Cultures Gays et Lesbiennes', Paris: Larousse, 2003, no. IX, pp. 285-286
Pasini, Francesca, Verzotti, Giorgio, 'Il Racconto del Filo / The Story of the Thread’, Trento / Milan: Museo d’arte moderna e contemporanea di Trento e Rovereto, 2003, pp. 114-117 (exh. cat.)
Steward Heon, Laura, 'Yankee Remix. Artists take on New England', North Adams: SPNEA – Society for the Preservation of New England Antiquities, 2003, pp. 63-70 (exh. cat.)
Weibel, Peter (ed.), 'Phantom of Desire. Visions of Masochism in Art', Graz: Neue Galerie Graz / Landesmuseum Joanneum, 2003, pp. 300-303 (exh. cat.)
Zdenek, Felix (ed.), 'A Clear Vision. Photographic works from the F.C. Gundlach collection', Hamburg: Deichtorhallen Hamburg, 2003, pp. 80-81 (exh. cat.)

2002 Breitweiser, Sabine, Huyghe, Pierre (eds.), ‘Double Life’, Berlin: Walther Köning, 2002
Bolliger, Thérèse, Caws, Mary Ann + [et al.](eds.), 'Mask and Metamorphosis', Hamilton: Art Gallery of Hamilton, 2002 (exh. cat.)
Fonds régional d'art contemporain, 'Une Collection pour une région 1982-2002', Normandy: Traffic Haute Normandie FRAC, 2002, p. 86
Grosenick, Uta (ed.), ‘Women Artists in the 20th and 21st Century’, Cologne: Tashcen, 2002, pp. 312-317
Grosenick, Uta, Riemschneider, Burkhard (eds), 'Art Now. Artists at the Rise of the New Millennium', Berlin: Taschen, 2002, pp. 264-267
Heynen, Julian, Krystof, Doris (eds.), 'Sie träumt von ihrem Lieblingsstar / She dreams of her favorite star. He speaks in a foreign language. Four rooms from the Schürmann Collection’, Ostfildern-Ruit: K21 Düsseldorf, 2002, pp. 73-82 (exh. cat.)
Marzona, Daniel, 'K21 - Kunstsammlung Nordrhein-Westfalen', Düsseldorf: Kunstsamlung Nordhein-Westfalen, 2002, pp. 70-71, 73-74, 93-94, 72-78
__, 'Keine Kleinigkeit / No Small Thing', Basel: Kunsthalle Basel, 2002 (exh. cat.)
Schumacher, Rainald, Winzen, Matthias (eds.), in: ‘Die Wohltat der Kunst / The Benefit of Art. Post-feminist positions of the nineties from the Goetz Collection’, Baden-Baden: Staatliche Kunsthalle Baden-Baden, Köln: Walther König, 2002, p. 200 (exh. cat.)
Schumacher, Rainald, Winzen, Matthias (eds.), in: ‘Die Wohltat der Kunst / The Benefit of Art. Post-feminist positions of the nineties from the Goetz Collection’, Baden-Baden: Staatliche Kunsthalle Baden-Baden, Köln: Walther König, 2002, p. 200 (exh. cat.)
Scürmann, Wilhelm (ed.), 'Prophets of Boom. Werke aus der Sammlung Schürmann', Baden-Baden: Staatliche Kunsthall, 2002, pp. 44-47 (exh. cat.)
Wolf, Sylvia, Grundberg, Andy, 'Visions from America. Photographs from the Whitney Museum of American Art. 1940-2001', New York: Whitney Museum of American Art, 2002, p. 144 (exh. cat.)

2001 Adams, Rachel, 'Sideshow USA. Freaks and the American Cultural Imagination', Chicago IL: University of Chicago Press, 2001, pp. 135-136
Bronfen, Elisabeth, Kavka, Misha (eds), 'Feminist Consequences. Theory for the New Century', New York: Columbia University Press, 2001, pp. 306-307
Lampe, Angela (ed.), 'Die unheimliche Frau / The uncanny Woman. Feminity in Surrealism’, Bielefeld: Kunsthalle Bielefeld, 2001, pp. 156-157 (exh. cat.)
Grosenick, Uta, Riemschneider, Burkhard, 'Art Now', Cologne: Taschen, 2001, pp. 96-97
McDonald, Helen, 'Erotic Ambiguities. The female nude in art', London / New York: Routledge, 2001
Persekian, Jack, 'Exposure. New Gate, Old City', Al-Ma’mal Foundation for Contemporary Art, Jerusalem, 2001 (exh. cat.)
Reckitt, Helena (ed.), 'Art and Feminism', London: Phaidon Press, 2001, pp. 43, 166, 269, 270
Wye, Deborah, 'Parkett collaborations and editions since 1984', Zurich / New York NY: Parkett, 2001, p. 295

2000 Barbara, Haskell, Phillips, Lisa, 'The American Century. Art & Culture 1950-2000', New York: The Whitney Museum of American Art, 2000 (exh. cat.)
Eiblmayr, Silvia, von Braun, Christina, 'Die verletzte Diva / The injured Diva. Hysteria, body, technology in the art of the 20th century’, Munich: Kunstverein München, 2000, p. 92 (exh. cat.)
Hammond, Harmony, Lyon, Christopher, 'Lesbian Art in America. A Contemporary History', New York: Rizzoli, 2000, pp. 80-81, 129-131, 158, 176
Höffer, Barbara, Schulte-Fischedick, Valeria (eds.), 'Cross female. Metaphern des Weiblichen / Metaphors of the Feminine in the Art of the 90s’, Berlin: Künstlerhaus Bethanien, p. 50 (exh. cat.)
Kitahara, Megumi, 'Kakuran bunshi kyōkai / Cochrane Bunko Mutual Aid. Art Activism II', Tokyo: Impact Shuppankai, 2000, pp. 62, 160, 168
Oliver-Smith, Kerry, 'The Swamp. On the Edge of Eden', Gainesville FA: Samuel Harn Museum of Art / University of Florida, 2000, p. 48 (exh. cat.)
Pagé, Suzanne, Parent, Béatrice, 'Voilà le monde dans la tête / Here’s the world in the head', Paris: Musée d’Art Moderne de la Ville de Paris, 2000, pp. 482-483 (exh. cat.)
Perrin, Marie-Thérèse, Macel, Christina, + [et al.], 'Sensitive. Printemps / Spring of Cahors', Cahors, 2000, pp. 48-49, 108-109 (exh. cat.)
Ravenal, John B. (ed.), 'Vanitas. Meditations on Life and Death in Contemporary Art', Richmond: Virginia Museum of Fine Arts, 2000 (exh. cat.)
Tempkin, Ann + [et. al], 'Twentieth Century Painting and Sculpture in the Philadelphia Museum of Art', Philadelphia: Philadelphia Museum of Art, 2000, p. 150

1999 Alíaga, Juan Vicente, Scarry, Elaine, 'A sang I foc / No Quarter Given. Images of Violence in Contemporary Art', Castelló: Espai d´Art Contemporani de Castelló, 1999 (exh. cat.)
Bloom, Lisa (ed.), 'With Other Eyes. Looking at Race and Gender in Visual Culture', Minneapolis: University of Minnesota Press, 1999, pp. 133-138
Dery, Mark, 'The Pyrotechnic Insanitarium. American Culture on the Brink', New York: Grove Press 1999
Landau, Suzanne (ed.), 'Skin-Deep. Surface and Appearance in Contemporary Art', Jerusalem: Israel Museum, 1999 (exh. cat.)
Grunenberg, Christoph, 'Gothic. Transmutations of Horror in Late Twentieth Century Art', Boston MA: The MIT Press,1999
McShine, Kynaston, 'The Museum as Muse. Artists Reflect', New York: The Museum of Modern Art, 1999 (exh. cat.)
Naisbitt, John,' High Tech / High Touch. Technology and Our Accelerated Search for Meaning', New York: Nicholas Brealey Publishing, 1999
Rachofsky, Howard E., Stone, Sharon (eds.), 'Two by Two for AIDS and Art', Dallas: Dallas American Foundation for AIDS Research / The Dallas Museum of Art, 1999 (cat.)
Rosenfeld Dassel, Sara, 'Dramatis Personae. A Look at Role Playing and Narrative in Contemporary Photography', Boston: The Photographic Resource Center, 1999
Temkin, Ann, 'Mortality/Immortality. The Legacy of 20th Century Art', Los Angeles CA: The Getty Conservation Institute, 1999
Uta, Grosenick, Riemschneider, Burkhard (eds), 'Art at the Turn of the Millenium', London: Taschen, 1999, pp. 306-309

1998 Gould, Claudia, Smith, Valerie (eds.), '5000 Artists Return to Artists Space. 25 Years', New York: Artists
Space, 1998 (exh. cat.)
Janus, Elizabeth (ed.),' Veronica's Revenge. Contemporary Perspectives on Photography. The Lambert Art Collection', Zurich: Scalo, 1998 (exh. cat.)
Wally, Barbara (ed.), 'Skulptur, Figur, Weiblich / Sculpture, Figure, Female', Linz: Landesgalerie Oberösterreich, 1998 (exh. cat.)
Wilson, Mark (ed.), 'What Remains. MCMLXXXXVIIII', Groningen: Groninger Museum, 1998 (exh. cat.)

1997 Bond, Anthony, 'Body', Sidney: Sidney Art Gallery of New South Wales, 1997 (exh. cat.)
Cortés, José Miguel G., Lausotua, Irudi, 'El Rostro Velado / The Veiled Face. Transvestism and Identity in Art', San Sebastián: Koldo Mitxelena Kulturunea, 1997, pp. 272-275 (exh. cat.)
Cuspit, Donald, 'Feminine Image,' Rosalyn Harbour: Nassau County Museum of Art, 1997, p. 68 (exh. cat.)
Phillips, Lisa, Neri, Louise, '1997 Whitney Biennial Exhibition', New York: Whitney Museum of American Art, 1997 (exh. cat.)

1996 Archer, Michael, ‘Art Since 1960’, London: Thames and Hudson, 1997
Benson, Elaine, Esten, John, 'Unmentionables. A Brief History of Underwear', New York: Simon & Schuster,1996, p. 157
Foster, Hal, 'The Return of the Real', Cambridge: The MIT Press, 1996
Gates, Beatrix, 'The Wild Good Lesbian. Photographs and Writings on Love', New York: Knopf Doubleday, 1996
Koike Kazuko, Sag-chō Ekikibitto + [et al.], 'Sosie', Tokyo: Sagacho Exhibit Space, 1996, pp. 24-27 (exh. cat.)
Jones, Amelia (ed.), 'Sexual Politics. Judy Chicago's 'Dinner Party' in Feminist Art History', San Francisco: Wight Art Gallery, 1996
Marcoci, Roxana (ed.), ‘New Art’, New York: Harry N. Abrams, 1997
Umemiya, Noriko, 'Art at Home. Ideal Standard Life', Tokyo: Spiral Garden, 1996 (exh. cat.)
__, 'Points of View. Photography Collection', Berkeley: University Art Museum at Berkeley / Pacific Film Archive, 1996 (exh. cat.)

1995 Archer, Michael, ‘Art Since 1960’, London: Thames and Hudson, 1997
Benson, Elaine, Esten, John, 'Unmentionables. A Brief History of Underwear', New York: Simon & Schuster,1996, p. 157
Foster, Hal, 'The Return of the Real', Cambridge: The MIT Press, 1996
Gates, Beatrix, 'The Wild Good Lesbian. Photographs and Writings on Love', New York: Knopf Doubleday, 1996
Koike Kazuko, Sag-chō Ekikibitto + [et al.], 'Sosie', Tokyo: Sagacho Exhibit Space, 1996, pp. 24-27 (exh. cat.)
Jones, Amelia (ed.), 'Sexual Politics. Judy Chicago's 'Dinner Party' in Feminist Art History', San Francisco: Wight Art Gallery, 1996
Marcoci, Roxana (ed.), ‘New Art’, New York: Harry N. Abrams, 1997
Umemiya, Noriko, 'Art at Home. Ideal Standard Life', Tokyo: Spiral Garden, 1996 (exh. cat.)
__, 'Points of View. Photography Collection', Berkeley: University Art Museum at Berkeley / Pacific Film Archive, 1996 (exh. cat.)

1994 Broude, Norma, Garrard, Mary D., ‘The Power of Feminist Art. The American Movement of the 1970s, History and Impact’, New York: Harry N. Abrams Publishers, 1994 (exh. cat.)
Chan, Gaye, 'Sum of the Parts', Honolulu HI: University of Hawaii Art Gallery, 1994 (exh. cat.)
Clearwater, Bonnie (ed.) 'The Art of Seduction', Miami: The Center Gallery / Miami-Dade Community College, 1994 (exh. cat)

1993 Kelley, Mike, ‘The Uncanny’, Arnhem: Sonsbeek 93 with Fred Hoffman, 1993 (exh. cat.)

1992 Freidrich, Julia (ed.), 'Aus Meiner Sicht / Out of My Sight. From the Art of Disappearing’ in: ‘Documenta IX. Die Magische Dose', Ostfildern: Edition Cantz, 1992, pp. 13-14

1991 Wallis, Brian, 'Democracy. A Project by Group Material', Seattle: The New Press 1991, p.112

1990 Hoet, Jan, 'Ponton Temse', Ghent: Museum van Hedendaagse Kunst, 1991 (exh. cat.)

1989 Butler, Cornelia, 'Selections from the Artists’ File', New York NY: Artists Space 1989 (exh. cat.)
Welling, James (ed.), ‘Strange Attractors. Signs of Chaos’, New York: New Museum of Contemporary Art, 1989 (exh. cat.)

Selected Articles

2019 Chu, Mimi, ‘A New Exhibition Coyly Unravels the Grandeur of Lismore Castle’, on: www.frieze.com, London, 13 May 2019
Hofer, Kathi, ‘Zoe Leonard. Analogue’, [review], in: Camera Austria, Graz, March 2019, pp. 80-81, ill.
Malvoisin, Armelle, ‘Les Femmes à l’honneur. Women centre stage’, in: Le Quotidien de l’Art, Paris, 30 January 2019, pp. 6-7, ill.
Epps, Philomena, ‘Zoe Leonard. Aerials’, on: www.photomonitor.co.uk, London, 23 January 2019, ill.
Moten, Fred, Lerner, Ben (intro.), ‘Resistances’, in: Harper’s Magazine, New York, vol. 338, no. 2024, January 2019, pp. 53-56, ill.
Murray, Yxta Maya, ‘Why Zoe Leonard Matters’, on: www.artsy.com, New York, 14 January 2019, ill.

2018 Bader, Eleanor J., ‘160 Years of Feminist (and Anti-Feminist) Art in One Book’, on: www.rewire.com, Bethesda, 18 December 2018
Miranda, Carolina M,, ‘In quiet yet visceral works, Zoe Leonard captures the frailty, pain and eccentricities of human life’, on: www.latimes.com, Los Angeles, 14 December 2018, ill.
Churchman, Fi, ‘Zoe Leonard. Where you look from is always half the picture’, in: ArtReview, London, December 2018, pp. 41-51, cover, ill.
Chang, Richard, 'In LA, Zoe Leonard Nails the Details', on: www.blouinartinfo.com, New York, 8 November 2018, ill.
Frieze News Editors, ͚͛I Want a Dyke For President͛. Zoe Leonard͛s Landmark Poem Revived Following US Midterms͛, on: www.frieze.com , New York, 20 November 2018, ill.
Cascone, Sarah, ‘Zoe Leonard Releases an Edition of Her Beloved ͚I Want a President͛ Poem to Support an HIV Activist Group, on: www.artnet.com , New York, 17 November 2018, ill.
Brown, Kate, ‘Hollywood’s #MeToo Whistleblower Rose McGowan Says She Is Focusing on Her Other Major Passion. Art’, on: www.artnet.com , New York, 22 November 2018
Cultural Digest, ‘Weekend Reading List. The Class Divide that Plagues the Arts’, on: www.frieze.com , New York, 23 November 2018
Chang, Richard, ‘Zoe Leonard Pays Attention to the Details’, in: Modern Painters, New York, December 2018, pp. 112-113, ill.

(cont'd) Cooper, Ashton S., ‘Zoe Leonard: Survey’, on: Mousse, Milan, May 2018, p. 200
Farago, Jason, ‘When Misery Becoes a Subject for Art’, on: The New York Times, New York, 18 May 2018
Bahners, Von Patrick, ‘Ein Benkmal aus handvernähtem Streuobst’, on: Frankfurter Allgemeine Zeitung, Frankfurt, 14 May 2018
Jen, Alex, ‘Zoe Leonard Transcends Time at the Whitney Museum’, on: Hyperallergic, New York, 7 May 2018
___, ‘Zoe Leonard: Survey’, in: Whitewaller, New York, May 2018, p. 80
Wiley, Chris, ‘Zoe Leonard’, in: Frieze, pp. 190-191, London, May 2018
Scott, Andrea K., ‘Optic Nerve’, in: The New Yorker, p. 8, New York, 9 April 2018
Scott, Andrea K., Zoe Leonard’s Radical Evidence of the Overlooked’, on: The New Yorker, New York, 9 April 2018
Diez, Di Renato, ‘Zoe Leonard, tra mito americano e denuncia’, in: Arte, Rome, March 2018, p. 64
Press, Clayton, ‘Culture Under Surveillance, Photographs By Zoe Leonard and Kayode Ojo’, on: Forbes, New York, 19 March 2018
Fateman, Johanna, ‘Zoe Leonard: An artist of quiet but steadfast radicalism recieves a Whitney Museum retrospective’, on: 4 Columns, New York, 19 March 2018
Martin, Olivia, ‘Zoe Leonard’s first major survey reveals a prophetic artist ahead of her time’, on: Wallpaper*, London, 11 March 2018
Goodman, Ellie June, ‘Why Zoe Leonard’s work will make you stop and take notice’, on: Dazed, London, 9 March 2018
Cotter, Holland, ‘Continuing a Spell Cast Decades Ago’, in: The New York Times, pp.C13, C20, New York, 8 March 2018
Dafoe, Taylor, ‘Why Zoe Leonard is the Artist We Need in Today’s Instagram-Addled Age’, on: Artnet, New York, 6 March 2018
Solomon, Deborah, ‘Review: The Whitney’s Museum New Fun Couple’, on: WNYC, New York, 2 March 2018
Wilkin, Karen, ‘Zoe Leonard: Survey’ Review: Diverse, Yet Single-Minded’, on: The Wall Street Journal, New York, 3 March 2018
Sykes, Morgan, 'A Photographic Meditation on Time', on: www.thecut.com, New York, 4 March 2018
Tkacik, Christine, 'Poem 'I want a president' comes to brick wall in Old Goucher neighborhood in Baltimore', on: www.baltimoresun.com, Baltimore, 2 February 2018

2017 Leonard, Zoe, 'The Artists' Artists', in: Artforum, New York, December 2017, p. 64
Lebovici, Elisabeth, 'Yamina Benaï’, in L'Officiel Art, Paris, France, September-November 2017, pp. 204-205
Lebovici, Elisabeth, 'Zoe Leonard', in L'Officiel Art, Paris, France, September-November 2017, pp. 96-107
Provan, Alexander, ‘What Do We Know?’, in: Mousse, February & March 2017, pp. 93–98
Cole, Teju, ‘The Image of Time’, on: nytimes.com, 31 January 2017

2016 Griffin, Tim, ‘Best of 2016: Zoe Leonard’, in ArtForum, New York NY, December 2016, p. 228-231
‘Artists on Politics’, in: ArtForum, New York NY, November 2016, pp.226-228.
Hatfield, Zack, ‘Difficult Situations: Zoe Leonard’s In the Wake’, on: www.lareviewofbooks.org, Los Angeles CA, 8 October 2016
Cotter, Holland, ‘Review: Zoe Leonard, In the Wake’, on: www.nytimes.com, New York NY, 7 October 2016
Scott, Andrea K., ‘Zoe Leonard’, on: www.4columns.org, New York NY, 7 October 2016
‘Goings On About Town: Zoe Leonard’, in: The New Yorker, New York NY, 3 October 2016, pp.6
‘Artist’s Project’ in: Artforum, New York NY, Summer 2016, pp. 308–311
Gaiter, Derrick, ‘Moment of Truth: Zoe Leonard Curates History’, Document, documentjournal.com, 13 September 2016
Stamler, Hannah, ‘Zoe Leonard: In the Wake’, Village Voice, villagevoice.com, September 2016
Allison, Genevieve, ‘5 Photography Exhibitions to See this Fall’, on: www.aperture.org, New York NY, 28 September 2016
Osterweil, Ara ‘Fuck You! A Feminist Guide to Surviving the Art World’ in Artforum, New York NY, Summer 2016, pp 324-325
‘Artist’s Project’ in: Artforum, New York NY, Summer 2016, pp. 308–311

2015 Bryan-Wilson, Julia, 'Zoe Leonard. Anthony Meier Fine Arts', on: www.artforum.com, New York NY, September 2015
Förster, Carolin, Reinhard, Braun (ed.), ‘Zoe Leonard. Reading Traces. The Proximate’, in:
Camera Austria, Graz, vol. 130, 2015, pp. 11-20, ill.
Yablonsky, 'Pride of Place, ' on: www.artforum.com, New York NY, 1 July 2015
Morris, Matt, 'Militant Eroticism,' on: www.artforum.com, New York NY, June 2015
Sachs, Danica, 'Zoe Leonard. Anthony Meier Fine Art', on: artforum.com, New York, May 2015.
__, 'Punta della Dogana: Slip of the Tongue,' on: www.monopol-magazin.de, Berlin Germany, May 2015, p. 28
Yablonsky, Linda, 'American Beauty,' on: www.artforum.com, New York NY, 23 April 2015

2014 ‘Artists on Politics’, in: ArtForum, November 2016, New York NY pp.226-228.
Cascone, Sarah, 'Zoe Leonard Wins Whitneyʼs Bucksbaum Award with her Giant Camera Obscura', on: www.artnet.com, New York NY, 15 May 2014
Cotter, Holland, 'One Last Dance in the Old Place', in: The New York Times, New York NY, 7 March 2014, p. C25
Ebner, Shannon, 'Interview with Zoe Leonard', in: Bomb, no. 127, Brooklyn NY, Spring 2014, pp. 54–64
__, 'In Conversation: First Impressions of the 2014 Whitney Biennial', on: www.artslant.com, New York NY, 7 March 2014
Gassel, Harry, 'Why to Visit the Whitney Biennial: Bootleg Jordans, Painted TVs and a Juggalo Yard Sale' in: Fader, New York NY, 6 March 2014
Goldstein, Andrew M., 'The Most Spectacular Artworks in the Whitney Biennial', on: www.artspace.com, New York NY, 14 March 2014
Gopnik, Blake, 'Daily Pic: An Elegy for the Breuer Whitney' on: www.artinfo.com, New York NY, 11 March 2014
Griffin, Jonathan. 'Take It or Leave It' in: Art in America, New York NY, April 2014
Halle, Howard, 'Review: 2014 Whitney Biennial', Time Out NY, New York NY, 6 March 2014
Jackson, Nate, 'Zoe Leonardʼs Camera Obscura Turns Marfa Inside Out and Upside Down', in: Texas Observer, Austin TX, 1 July 2014
McGarry, Kevin, 'Whitney Biennial 2014', on: www.art-agenda, New York NY, 7 March 2014
Molesworth, Helen, 'Whitney Biennial' in: Artforum, New York NY, May 2014, pp. 310–311
Robertson, Rebecca, 'Photography at the Whitney Biennial: Hidden in Plain Sight' on: www.artnews.com, New York NY, 6 March 2014
Saltz, Jerry, 'Seeing Out Loud, 2014 Whitney Biennial Review', in: New York Magazine, New York NY, 10 March 2014
Schafer, Ellen, 'Zoe Leonard Wins Bucksbaum Award', in: Art in America, New York NY, 16 May 2014
Schumacher, Mary Louise, 'Wisconsin presence at Whitney Biennial', in: Journal Sentinel Tap, Milwaukee MO, 14 March 2014
Silverman, Coral, 'Review: Color and Craft at the Whitney Biennial 2014', on: www.stagebuddy.com, New York NY, 30 May 2014
Vartanian, Hrag, 'Whitney Biennial 2014: Anthony Elms on the Second Floor', on: www.hyperallergic.com, Brooklyn NY, 6 March 2014
Vartanian, Hrag, 'Whitney Biennial 2014: Grabner Michelle on the Fourth Floor', on: www.hyperallergic.com, Brooklyn NY, 4 March 2014
Vogel, Carol, 'State of Our Art, According to Whitney: A Guide to the 2014 Whitney Museum Biennial' in: The New York Times, New York NY, 28 February 2014, p. C21
__, 'Zoe Leonard_945 Madison Avenue', on: www.freshartinternational.com, New York NY, 9 March 2014
Vik Muniz, Barney Kulok, Blind Spot Anniversary Issue, 2014, cover and back page
‘Zoe Leonard’s 100 North Nevill Street’, Chinati Newsletter volume 19, Marfa, 2014, cover, pp. 30-53

2013 Berrebi, Sophie, 'Platinum Blondes and a Bearded Lady', on: blog.fotomuseum.ch, Winterthur CH, 1 March 2013
Copeland, Huey, 'Photography, the Archive, and the Question of Feminist Form: A Conversation with Zoe Leonard', in: Camera Obscura 28: 2, Durham NC, issue 86, 2013, pp. 176–189
Scribner, Charity, 'Reading the Lumpenproletariat: Zoe Leonard's Kampala Photographs', in: Nka, Durham NC, no. 33, Fall 2013, pp. 47–55
Tottenham, John, 'Kind of Blue. Smoke, Mirrors and All That Jazz at MOCA Geffen', on: www.artillerymag.com, Los Angeles CA, April 2013
Zapperi, Giovanna, 'Womanʼs Reappearance: Rethinking the Archive in Contemporary Art–Feminist
Perspectives', in: Feminist Review, London UK, no. 105, 2013, pp. 21–47
Burton, Johanna, Cooke, Lynne , McElheny, Josiah (eds.) 'Habitation is a Habit' in: Interiors (CSS Readers: Perspectives on Art and Culture 1), Annadale-on-Hudson NY/Berlin DE, 2013, pp. 44-53


‘Four Images from Analogue, 1998–2009’, Art Journal 72, no. 2, Summer 2013, pp. 78–81

2012 Abitare, Redazione, 'Zoe Leonard. Sun photographs', in: Abitare, Milan IT, 22 May 2012
Allsop, Laura, 'Zoe Leonard: Observation Point', in: Art Monthly, London UK, May 2012
__, 'Art Galleries - Chelsea. Zoe Leonard', in: The New Yorker, New York NY, 8 October 2012
Banks, Tom, 'Zoe Leonard: Obsevation Point', on: www.designweek.co.uk, London UK, 1 March 2012
Bishop, Claire, 'Digital Divide. On Contemporary Art and New Media', in: Artforum, New York NY, September 2012, pp. 434-441
Brown, Camilla, 'Zoe Leonard: Observation' in: Photomonitor, London UK, 31 March 2012
Burton, Johanna, 'Zoe Leonard – Murray Guy', in: Artforum, New York NY, December 2012, p. 272
__, 'Camera Obscura, Camden Arts Centre', NXNW Magazine, London UK, March 2012
Cavera, Valentina, 'Fotografie impossibili', in: www.insideart,edu, Rome IT, 19 June 2012
Choksi, Neha, 'On Starlight and Celestial Darkness: Human Vision and Cosmic Revision, as seen in the
recent works of Zoe Leonard and and Katie Paterson', in: X-TRA Contemporary Art Quarterly, Los Angeles CA, vol. 15, no. 2, Winter 2012
Colia, Claudia, 'Observation Point. Mostra di Zoe Leonard a Londra', on: New Cult Frame - Arti Visive, www.onestopart.com, Rome IT, 10 May 2012
Cooke, Lynne, 'Best of 2012', in: Artforum, New York NY, December 2012, p. 213
Cotton, Charlotte, 'Zoe Leonard. Camden Arts Centre', in: Art in America, New York NY, July 2012, p. 176
Diehl, Travis, 'Out-of-…', on: www.artforum.com, New York NY, 2 February 2012
Gresle, Yvette, 'Zoe Leonard: Observation Point', on: www.lecool.com, London UK, 16 April 2012
__, 'Culture Fix: Zoe Leonard: Observation Point', Vantage NW, London UK, April 2012
Fiske, Courtney, 'In-Camera: Q+A with Zoe Leonard', on: www.artinamericamagazine.com, New York NY, 6 November 2012
Fitzpatrick, Corrine, 'Zoe Leonard', on: ww.artforum.com, New York NY, 4 October 2012
__, 'Five best London shows', Information (supplement to The Independent), London UK, 21 April 2012
Iodice, Anna Lisa, 'Zoe Leonard. Milano, Galleria Raffaella Cortese', on: www.exibart.com, Rome IT, 22 June 2012
Iversen, Margaret, 'Analogue: On Zoe Leonard and Tacita Dean', in: Critical Inquiry, Chicago IL, volume 38, no. 4, Summer 2012, pp. 796–818
Jones, Ann, 'World Turned Upside Down', in: Image Object Text, London UK, 12 June 2012
Kuo, Michelle, 'After the Deluge', in: Artforum, New York NY, December 2012, p. 35 (ill.)
Lear, Rowan, 'Zoe Leonard at Camden Art Centre', in: This is Tomorrow, London UK, 21 June 2012
McLean-Ferris, Laura. 'Zoe Leonard, Camden Arts Centre' in: iNewspaper, London UK, 5 April 2012
McLean-Ferris, Laura, 'Zoe Leonard, Camden Arts Centre' in: The Independent, London UK, 2 April 2012
Minuto, Maria Elena, 'Zoe Leonard. Sun Photographs', on: www.doppiozero.com, Rome IT, 4 June 2012
Ou, Aurthur, '500 Words: Zoe Leonard', on: Artforum.com, New York NY, 5 April 2012
Padineri, Marinella, 'Zoe Leonard, Raffaela Cortese', Flash Art, Milan IT, no. 304, July/August/September 2012
Paderni, Marinella, 'Zoe Leonard. Raffaella Cortese – Milano', in: Flash Art (Italian Edition), Rome IT, Year 45, no. 304, July-September 2012
Pearson, Harriet, Cross, Maureen, Barker, Rachel 'Protecting Impermanence: A Preliminary Investigation into the Care of Temporary Artworks', in: Immediations, London UK, vol. 3, no. 1, 2012, pp. 26 (ill.), 27-44
Pelloso, Giovanni, 'Sun Photographs. Zoe Leonard', in: ViviMilano / Corriere della Sera, Milan IT, 18 May 2012
__, 'Photographic Mediations', Ham and High, London UK, 24 May 2012
__, 'Pick of the Week', Guardian Guide, London UK, 7 April 2012
Rosenberg, Karen, 'Heart to Hand', The New York Times, New York NY, 5 April 2012
Rosenberg, Karen, 'Zoe Leonard’s ‘453 West 17th Street’ at Murray Guy', on: www.nytimes.com, New York NY, 11 October 2012
Russeth, Andrew, 'Transformers: Ambitious Installations Are Altering the Reality of New York’s Galleries. They’re all impressive, but are any of them good?', on: www.galeristny.com, New York NY, 2 October 2012
Sherwin, Skye, 'Zoe Leonard, London', The Guardian Guide, London UK, April 2012
Steward, Sue. 'Zoe Leonard: Observation Point, Camden Arts Centre – review', London Evening Standard, London UK, 5 April 2012
Sumpter, Helen, 'Zoe Leonard: Camden Arts Centre Major Spaces', Time Out, London UK, 3 May 2012
Warner, Michael, 'Queer and Then?', The Chronicle of Higher Education, Washington D.C., 1 January 2012
__, 'Zoe Leonard: Available Light', in: ICON Magazine, London UK, March 2012
__, 'Zoe Leonard – Analogue', in: CPhoto; Slow Motion, Madrid SP, 2012, pp. 54-71
Magagnoli, Paolo, 'Zoe Leonard: Observation Point', in: Camera Austria International, Graz AU, no. 118, 2012, pp. 80-81
__, ‘Zoe Leonard: 'Observation Point', in: Time Out, London UK, 10 May 2012
__, 'Ten Best Visual Arts', in: iSaturday, The Independent UK, London, 21 April 2012
__, 'Camera Obscura. Zoe Leonard im Camden Arts Center [sic]', on: www.untitled-mag.com, London UK, 2 April 2012
Diedrichsen, Diedrich, 'Before the Law: Post-War Sculptures and Spaces of Contemporary Art. Museum Ludwig, Cologne', in: Artforum, New York NY, April 2012, pp. 204-205
Roberts, Catherine, 'Zoe Leonard’s Observation Point transforms Camden Arts Centre into a camera obscura', on: www.culture24.org.uk, London UK, 12 April 2012
__, 'Alles wahr: Amerikanische Fotografie in München', in: Frankfurter Allgemeine Zeitung, Frankfurt DE, no. 66, 17 March 2012, p. 34

2011 Couanet, Catherine, 'Sexualités & Photographie', in: L’Harmattan, Paris FR, 2011, pp. 72-85
Buhr, Elke, 'Seht, wie klein der Mensch doch ist: Gewichtige Installationen in Köln', in: Monopol, Berlin DE, December 2011, p. 125
Imdahl, Georg, Vor diesem Gesetz sind wir alle ungleich. Kasper Ludwig testet Gegenwartskunst auf philosophische Tauglichkeit und Tiefe’, in: Kölner Stadt-Anzeiger, Cologne DE, 16 December 2011, p. 26
__,'Vor dem Gesetz. Skulpturen der Nachkriegszeit und Räume der Gegenwartskunst. Eine gemeinsame Ausstellung des Museum Ludwig und der Siemens Stiftung’, 17 Dezember 2011 – 22 April 2012', in: Stadtzauber Kulturmagazin, Cologne DE, December 2011, p. 17
Danicke, Sandra, 'Haben wir was falsch gemacht? Kasuistisch: Das Museum Ludwig in Köln zeigt die Ausstellung, Vor dem Gesetz', in: Süddeutsche Zeitung, Munich DE, 19 December 2011, p. 12
__, 'Study for “Tree“', in: Ein Magazin für Orte, Berlin DE, no. 8, Spring 2011, p. 2
Levine, Debra, 'Another Kind of Love: A Performance of Prosthetic', in: e-misférica, Performance and Politics in The Americas, www.hemi.nyu.edu, New York NY, issue 2.2, Fall 2011
Cooke, Lynne, 'La camera obscura du XXIe siècle (Le meilleur du 2001: arts plastiques)', in: Beaux Arts Magazine, Paris FR, December 2011, p. 65
Hill, Wes, 'Zoe Leonard. Galerie Gisela Capitain Cologne', in: Frieze, London UK, issue 143, November-December 2011, p. 147
Troeller, Jordan, 'Against Abstraction: Zoe Leonard's Analogue', in: Art Journal, New York NY, vol. 69, no.4, 2011, pp. 208-123
Berg, Marc Joseph, 'You See I Am Here After All', in: Bomb Magazine, Brooklyn NY, no. 115, Spring 2011, p. 20

2010 McDonough, Tom, ‘The Archivist of Urban Waste: Zoe Leonard, Photographer as Rag Picker', in: Afterall, London UK, Autumn 2010, pp. 18-29
Troeller, Jordan, 'Against Abstraction: Zoe Leonard’s Analogue', in: Art Journal, New York NY, vol. 69, no 4, 2010
Berrebi, Sophie, 'Goats, Lamb, Veal, Breast: Strategies of Organisation in Zoe Leonard’s Analogue', in: Afterall, London UK, Autumn 2010, pp. 30-37
Nathan, Emily, 'Bridging the Gap', in: www.artslant.com, New York NY, 7 November 2010
Huther, Christian, 'Den Bildern ist nicht mehr zu trauen', in: Frankfurter Neue Presse, www.fnp.de, Frankfurt DE, 15 July 2010
__, 'Deutsche Börse Photography Prize 2010' on: www.prophoto-online.de, Frankfurt DE, June 2010
Smith, Roberta, 'Self-Fulfilling Prophecies', in: Art in Review, The New York Times, New York NY, 16 April 2010
O’Hagen, Sean, 'Deutsche Börse Prize 2010', on: www.guardian.co.uk, London UK, 14 February 2010
Searle, Adrian, 'Whiskers and War Zones at the Deutsche Börse', on: www.guardian.co.uk, London UK, 9 February 2010
Beyfus, Drusilla, 'Zoe Leonard: Deutsche Börse Photography Prize 2010', on: www.telegraph.co.uk, London UK, 11 February 2010
__, 'Zoe Leonard. Analogue', in: Springerin, Wein AU, vol. 16, no. 1, Winter 2010, 1, pp. 25-29, cover
Genocchio, Benjamin, 'Letting Postcards Tell Niagara Falls’ Story', in: The New York Times, New York NY, 24 January 2010
Cox, Samantha, 'NY artist on photography and politics', on: www.austriantimes.at, Vienna AU, 11 January 2010

2009 Troeller, Jordan,' Zoe Leonard’s Object-Based Photography', in: Prefix Photo, Toronto CA, vol. 10, no. 2, 2009, pp. 34-49
__, 'Zoe Leonard in Wien', on: www.kunstmarkt.com, Berlin DE, 15 December 2009
__, 'Was vom Alltag übrig bleibt', on: www.derstandard.at, Vienna AU, 14 December 2009
__, 'Fotografien von Zoe Leonard in Wien', on: www.volksfreund.de/ostsee-Zeitung.de, Berlin DE, 8 December 2009
__, 'Fotos gegen den Mainstream im MUMOK', on: www.orf.at, Wien AU, 4 December 2009
__, 'Frau mit Bart: Zur Schau gestellte Schaustellung', on: www.diepresse.com, Vienna AU, 4 December 2009
__, 'Einfach nur Anschauen geht nicht!', in: www.kurier.at, Vienna AU, 4 December 2009
Borchhardt-Birbaumer, Brigitte, 'Leiser Wandel des Blickfelds', in: Wiener Zeitung, Vienna AU, 4 December 2009
__,'Umfassende Einzelschau zu Zoe Leonard im MUMOK', on: www.derstandard.at, Wien AU, 4 December 2009
__, MUMOK widmet Zoe Leonard große Schau, www.orf.at, Wien AU, 3 December 2009
__, MUMOK widmet US-Fotografin Leonard Einzelschau, on: www.kleinezeitung.at, Graz AU, 3 December 2009
Ehgartner, Claudia, 'Von der Schönheit zertretener Bubblegums', in: Schau. Kunstmagazin. Zeitschrift für Jugendliche, Wien AU, no. 3, 2009, pp. 6-9
__, 'Zoe Leonard. Photography/Analogue. 4 December 2009 – 7 March 2010', on: www.artnews.org New York NY, December 2009
__, 'Photography's biggest award: Images form the sharp end', in: The Independent, London UK, 2 December 2009
Becker, Ilka, 'Bis die Augen brennen. Kunst, fotografische Blickregimes und gendered smoking', in: Querformat, Berlin DE, no. 2, 2009, pp. 25-31
Hoog, Eckhard, Museum Abteiberg zeigt 80 Werke des Aachener Sammlers Schürmann, on: www.aachener-nachrichten.de, Aachen DE,12 October 2009
Liebs, Holger, 'Traurig schön. Die Fotografien von Zoe Leonard in München', in: Süddeutsche Zeitung, Munich DE, 12 May 2009, p. 13
Godfrey, Mark, 'Analogie ist eine Stratege. Über Zoe Leonard in der Dia Art Foundation, New York / Analogy as Strategy. On Zoe Leonard at Dia Art Foundation, New York', in: Texte zur Kunst, Berlin DE, March 2009, pp. 173-178, 213-219
Cotter, Holland, 'Change and Permanence, Captured by Cameras', in: The New York Times, New York NY, 6 March 2009

2008 Lebovici, Elisabeth, ‘The Paperwork of the Poor’, in: Parkett, New York, no. 84, 2008, pp. 76-85, ill.
Burton, Johanna, ‘Zoe Leonard. In Your Eyes’, in: Parkett, New York, no. 84, 2008, pp. 58-75, ill.
Cooke, Lynne, ‘Different Subjects, Same Terrain’, in: Parkett, New York, no. 84, 2008, pp. 86-100, ill.
Wei, Lilly, 'After Nature', on: www.artnews.com, New York NY, October 2008
Budick, Ariella, 'After Nature, New Museum, New York', in: Financial Times, New York NY, 3 September 2008
Saltz, Jerry, 'Let’s Get Serious For a Moment', in: New York Magazine, New York NY, 15 September 2008
__, 'Sometimes the Darkest Visions Boast the Blackest Humor', in: The New York Times, New York NY, 19 July 2008
Halkes, Petra, 'Objects and Merchandise', in: Ciel Variable, Montreal CA, no. 79, Summer 2008, pp. 9-15
Schjeldahl, Peter, 'Feeling Blue', in: The New Yorker, New York NY, 4 August 2008
Birnir, Adda, 'Death! Fire! Mayhem! Art!', in: The Village Voice, New York NY, 13-19 August 2008
Lacayo, Richard, 'After Nature', Time, on: www.time-blog.com, New York NY, 20 July 2008
Becker, Jochen, 'Wir haben genug. Zoe Leonard: Fotografien', Camera Austria, Graz AU, no. 101, 2008, pp. 41-42
Sorkin, Jenni, 'Finding the Right Darkness', Frieze, London UK, no. 113, March 2008, pp. 136–141
Godfrey, Mark, 'Mirror Displacements', in: Artforum, New York NY, March 2008, pp. 292–301
Verna, Sacha,' Im Archiv treffen sich Realität und Fiktion', on: www.tagesanzeiger.ch, Zurich CH, February 2008
Langhart, Dieter, 'Aufsichten und Ansichten', in: Regioartline Kunstmagazin, Zurich CH, February 2008
Krebs, Edith, 'Spiegelung des Selbst. Zu Zoe Leonards fotografischem Werk', in: Kunst-Bulletin, Geneva CH, no. 1/2, 2008, pp. 40-46
Tatjana Trouvé, 'Zoe Leonard, Laurence Denimal und Claire Fontaine in der Villa Arson Nizza', in: Kunst-Bulletin, Geneva CH, no. 1/2, 2008, pp. 70-71
Basting, Barbara, 'Sanfte Subversion und ein fotografischer Kompaktkurs in Soziologie', on: tagesanzeiger.ch, Zurich CH, January 2008
Geimer, Peter, 'Boulevards wie glühende Lavaströme, Der Rahmen, durch den wir die Welt sehen: Winterthur stellt das fotografische Werk von Zoe Leonard aus', in: Frankfurter Allgemeine Zeitung online, www.faz.net, Zurich CH, January 2008
Cotter, Holland, 'Well, It Looks Like Truth', in: The New York Times, New York NY, 8 January 2008
Basting, Barbara, 'Sanfte Subversion und ein fotografischer Kompaktkurs in Soziologie', in: Tages-Anzeiger, Zurich CH, 5 January 2008
Cremer-Schacht, Dorothea, 'Der distanzierte Blick', in: Südkurier, Constance DE, 17 January 2008
Mack, Joshua, Zoe Leonard, 'Derrotero', Time Out New York, New York NY, 20-26 November 2008, p. 79

2007 Niederhauser, Brigitta, 'Die Narben der Vergänglichkeit', in: Der Bund, Bern CH, 31 December 2007
Steiner, Urs,' Zerfall überall. Zoe Leonard im Fotomuseum in Winterthur', on: Neue Zürcher Zeitung, www.nzz.ch, Zurich CH, 6 December 2007
Erdmann Ziegler, Ulf, 'Preview', in: Monopol, Berlin DE, December 2007
Zeugin, Pia, 'Die Nachtseite der Normalität', in: Luzerner Nachrichten / Limmattaler Tagblatt / Zofinger Tagblatt / Aargauer Zeitun, Lucerne CH, 3 December 2007
Bagattini, Renato, 'Distanzierte Blicke, kühle Bilder', in: Zürichsee-Zeitung / Der Sihtaler / Linth Zeitung, Zurich CH, 3 December 2007
Bagattini, Renato, 'Der stille Kampf der Gartenzäune', in: Schaffhauser Nachrichten, Schaffhausen DE, 6 December 2007
Cooke, Lynne, 'Best of 2007', in: Artforum, New York NY, December 2007, pp. 310-311
Léith, Mac Giolla, 'An Overview', in: Frieze, London UK, no. 109, September 2007, pp. 124-127
__, 'String Theory. Documenta 12 is a weird thing', in: Artforum, New York NY, September 2007, pp. 407-413
Bryan-Wilson, Julia, 'Zoe Leonard. Fotomuseum Winterthur', in: Artforum, New York NY, September 2007, p. 209
Pirner, Gerald, 'Gestohlene Berührung oder das Über-Setzen der Form', on: Kultura-Extra, www.kultura-extra.de, Berlin DE, 27 August 2007
Hieber, Lutz, 'Verpasste Chancen', on: www.taz.de, Berlin DE, 27 August 2007
__, 'Zoe Leonard', on: www.documenta12blog.com, Kassel DE, 24 August 2007
Merkel, Klaus, 'Alle die mit uns auf Kaperfahrt gehen, müssen Schwestern mit Bärten sein', on: Artline Kunstportal, www.regioartline.org, Friburg im Breisgau DE, 10 August 2007
Lorch, Katrin, 'Formvollendeter Allgemeinzustand der Welt – die 12. Documenta', in: Kunst-Bulletin, Winterthur CH, no. 7/8, 2007, pp. 24-33
Thiele, Carmen, 'Unbeschreiblich weiblich', on: Deutschlandradio, www.dradio.de, Cologne DE, 27 July 2007
Meixner, Christiane, 'Böse Buben', on: Der Tagesspiegel, www.tagesspiegel.de, Berlin DE, 23 July 2007
Wiegand, Thomas, 'Fotografie auf der Documenta' 12, on: Kasseler Fotoforum, www.kasselerfotoforum.de, Kassel DE, 19 July 2007
__, 'Die Wanderung der Formen', in: Kölner Stadt-Anzeiger, Cologne DE, 2 July 2007
Berg, Stephan, 'Ein uneingelöstes Versprechen', in: Kölner Stadt-Anzeiger, Cologne DE, 29 June 2007
Cotter, Holland, 'Asking Serious Questions in a Very Quiet Voice', in: The New York Times, New York NY, 22 June 2007
Lequeux, Emmanuelle, 'Décevante Documenta Kassel', in: Le Monde, Paris FR, 30 June 2007
__, '100 days of ineptitude', in: The Guardian, London UK, 19 June 2007
__, '1001 Chinesen und ein Kunstliebhaber', in: Kieler Nachrichten, Kiel DE, 16 June 2007

2006 Fliegende Kühe und andere Kometen in Esslingen, on: kunstmarkt.com, Berlin DE, 8 August 2006
Hilal Szegin, Wenn Buben Damen werden, in: Die Zeit, Hamburg DE, 31 August 2006

2004 Bousteau, Fabrice, 'Sexes: images – pratiques et pensées contemporaines', in: Beaux Arts Magazine, Paris FR, no. 237, February 2004, pp. 90
__, 'Greater Significance?', in: Boston Globe, Boston MA, 25 January 2004
Hall, Emily, '“Possessed“. Western Bridge', in: Artforum, New York NY, September 2004, pp. 274-275
Leonard, Zoe, 'Periphere Sicht der Dinge', in: Kunstforum, Wien AU, no. 168, January-February 2004, pp. 134-139
McQuaid, Cate, 'To be specific, these artists are inspired by details', in: The Boston Globe, Boston MA, 30 January 2004, pp, D17, D20
Solomon-Godeau, Abigail, 'On Ghost Writing: The Fae Richards Archive', in: artUS, Los Angeles CA, January-February 2004, pp. 26-33

2003 Blair, Sara, 'Jewish America Through the Lens', in: Michigan Quarterly Review, Ann Arbor MI, 42:1, Winter 2003, pp. 95-132
D’Souza, Aruna,' Zoe Leonard at Paula Cooper Gallery', in: Time Out New York, New York NY, 2003
Glueck, Grace, 'Making History a Part of Today With Some Artifacts and Whimsy', in: The New York Times, New York NY, 15 August 2003, p. E31
Hattan, Eric, 'Zoe Leonard at Swiss Institute', in: The New Yorker, New York NY, 17-24 February 2003, p. 42
Halkin, Talya, 'Zoe Leonard at PCG', in: The New York Sun, New York NY, 27 March 2003, p. 16
Lloyd, Ann Wilson, 'Preserving Yankee History With International Ingenuity', in: The New York Times, New York NY, 3 August 2003
Oppenheimer, Daniel, 'The Way We Never Were: New England Revisited at MASS MoCA’s Yankee Remix', in: Valley Advocate, Northampton MA, 7 August 2003
Schwabsky, Barry, 'Gallery Walk: London', in: Art on Air, New York NY, January-February 2003, pp. 84-85
Sholis, Brian, 'Zoe Leonard at Paula Cooper Gallery', in: Flash Art, New York NY, July-September 2003, p. 67
Something Old, 'Something New', in: Museums Boston, Boston MA, Spring-Summer 2003
Stange, Raimar, 'Draußen in der Tür. Fotos und Objekte von Zoe Leonard in der Galerie Nourbakhsch', in: Der Tagesspiegel, Berlin DE, 12 April 2003
Temin, Christine, 'Past becomes present in sophisticated ‘Yankee Remix’', in: Boston Sunday Globe, Boston MA, 3 August 2003
Temin, Christine, 'Red, white, and pink cellophane', in: Boston Sunday Globe, Boston MA, 18 May 2003
Turino, Kenneth, 'Artists Mix It Up', in: Historic New England, Boston MA, Summer 2003
Valdez, Sarah, 'Zoe Leonard at Paula Cooper Gallery', in: Paper Magazine, New York NY, May 2003, PM section, p. 12
Vogel, Carol, 'An Art Collection Grows on a Maryland Farm', in: The New York Times, New York NY, 18 August 2003, pp. E1, E6
Valdez, Sarah, Naked Truths, in: ARTnews, New York NY, March 2003, pp. 98-101

2002 Dungan, Beth, 'An Interview with Zoe Leonard', in: Discourse. Journal for Theoretical Studies in Media and Culture, Detroit MI, vol. 24, no. 2, Spring 2002, pp. 70-85
Azoury, Philie, 'Elvis et Marilyn, saints et martyrs', in: Cahiers du Cinéma, Paris FR, July-August 2002, pp. 22-23
Fulco, Elisa,' Zoe Leonard – Raffaella Cortese', in: Flash Art Italia, Milan IT, February-March 2002, p. 120
Hackman, Kate, 'For Every Action', in: The Kansas City Star, Kansas City MO, 18 January 2002, p. 23
Hochfield, Sylvia, 'Sticks and Stones and Lemon Cough Drops', in: ARTnews, New York NY, September 2002, pp. 116-122
Nilsson, Bo, 'The Growing Cult of Marilyn', in: Kultur Forvaltningen, Stockholm SE, 2002
Satorius, Katherine, 'Women’s Work', in: SOMA, San Francisco CA, May-June 2002, pp. 48-50
Macel, Christine, 'Zoe Leonard rencontre Stephen Shore', in: Beaux Arts magazine, Paris FR, 2002, pp. 14-17
Macel, Christine, 'Zoe Leonard: une photographie-objet', in: Beaux Arts magazine, Paris FR, 2002, pp. 52-53

2001 Bonetti, David, 'Time passes in Leonard’s Art', in: San Francisco Chronicle, San Francisco CA, 1 May 2001, p. G7
Cullen, Michael, 'Paintings for E', in: The Sunday Times (Ireland), Dublin IE,15 July 2001
Di Blasi, Debra, 'Breaking the Surface', in: PitchWeekly, Kansas City MO, 29 March 2001
Gomez, Edward, 'Where Great Dreams Often Sink Out Of Sight', in: The New York Times, New York NY, 8 April 2001
Selby, Holly, 'Musing on the Fruits of the Artist’s Labor', in: Baltimore Sun, Baltimore MD, 22 August 2001, p. 3E
Stein, Judith E., 'Army of the Dolls', in: Art in America, New York NY, February 2001, pp. 100-103
__, 'Taking Art to the Edges of Life and Death', in: The Irish Times, Dublin IE, 7 September 2001
Withers, Rachel, One for Two (Double Life), in: Artforum, New York NY, May 2001, p. 77
Yablonsky, Linda, 'Zoe Leonard. Mouth open, teeth showing', in: Time Out New York, New York NY, 16-23 November 2000, p. 82
__, 'Zoe Leonard', in: Extrart, San Benedetto del Tronto IT, September 2001

2000 Buskirk, Martha, 'Planning for Impermanence', in: Art in America, New York NY, April 2000, pp. 112 -119, 167
Cash, Stehanie, Ebony, David, 'Artworld: Creative Capital Gives First Grants', in: Art in America, New York NY, March 2000, p. 160
Delaney, Anngel, 'For artists sake: New book on lesbian art fills a void', in: New York Blade News, New York NY, 29 September 2000, p. 18
Everett, Deborah, 'Zoe Leonard - Photography and Sculpture', in: NY Arts Magazine, New York NY, November 2000, p. 64
Hoffmann, Frank, 'Report from Kwangju: Monoculture and its discontents', in: Art in America, New York NY, November 2000, pp. 71-79
Lebovici, Elizabeth, 'Zoe Leonard: les taches du quotidien', in: Libération, Paris FR, 16 June 2000, p. IV
Marinas, José-Miguel, 'The Foundation of the Mirror', in: Exit, London UK, November 2000, pp. 126-149
__, 'Sex + Porno', in: frame, Amsterdam NL, September-October 2000, pp. 50-65
Youssi, Yasmine, 'Rendez-Vous: Zoe Leonard', in: Paris Photography, Paris FR, September-October 2000, pp. 90-97

1999 Debord, Matthew, 'A Thousand Words: Zoe Leonard Talks About Her Recent Work', in: Artforum, New York NY, January 1999, pp. 100-101
Duehr, Gary, 'Lying In Front of the Lens', in: The TAB, Cambridge UK, 16-22 March 1999
__, 'Fantasy Photographs', The Improper Bostonian Magazine, Boston MA, 24 February - 9 March 1999, p. 50
Fulcher, Dawn, 'Sleuth', in: Contemporary Visual Arts, London UK, issue 25, 1999, pp. 78-79
Giuliano, Charles, 'Sidewalks Choice: Dramatis Personae', in: Boston Sidewalk, Boston MA, 8 April 1999
Glanz, Alexandra, 'Das gesammelte Unbehagen', in: Hannoversche Allgemeine Zeitung, Hannover DE, 26 May 1999
Jones, Jonathan, 'Crime Seen', in: The Guardian, London UK, 29 June 1999, pp. 12-13
Millis, Christopher, 'When Photos Do The Talking', in: The Boston Phoenix, Boston MA, March 1999
McGrath, John E., 'Sleuth: Chapter Arts Centre and Fotogallery Cardiff', in: Portfolio, Edinburgh UK, no. 30, 1999, p. 64
__, 'Photographic Resource Gallery', in: Stuff Magazine, London UK, March 1999, p. 63
Schmerler, Sarah,' Zoe Leonard', in: Art News, New York NY, April 1999, p. 118
Silver, Joanne, 'Fantasy Dominates in RC Photo Exhibit', in: Boston Herald, Boston MA, 12 March 1999
Taylor, John Russell, 'The Big Show: Sleuth', in: The Times, London UK, 20-26 November 1999, p. 42
__, 'The Faye Richards Photo Archive', in: Art New England, Boston MA, April-May 1999
__, 'Through A Lens. Darkly', Museums Boston, Boston MA, Winter 1999, pp. 52-53
Tietenberg, Annette, Überraschung in der Mittagspause, in: Frankfurter Allgemeine Zeitung, Frankfurt DE, 21 June 1999
__, om Unbehagen der Geschlechter im Kunstverein, in: AZ, Phoenix AZ, no. 121, 28 May 1999
Wilson, Michael, 'Sleuth', in: Art Monthly, London UK, no. 234, 1999, pp. 33-35

1998 Armitage, Diane, 'SoHo/Chelsea Selections', in: THE magazine, Seattle WA, January 1998, pp. 24-25
__, 'Basel und Glarus. Zoe Leonard', in: Die Wochenzeitung, Zurich CH, no. 18, 2 May 1998, p. 25
Brollo, Boris, 'Zoe Leonard', in: Juliet, Trieste IT, no. 86, February-March 1998, p. 56
Ridding, Alan, 'Bugs, Transformation and Subterfuge in a Reinvented Eden', in: The New York Times, New York NY, 1 September 1998
Cachon, Sophie, 'Eclats: La photo de la semaine', in: Telerama, Paris FR, 16 September 1998
De Haro, Sarah,' Questions de genre', in: Ex Aequo, Paris FR, September 1998, p. 49
__, 'Gemischte Früchte: Aufsehen. Kunsthalle Basel und Kunsthaus Glarus zeigen die Amerikanerin Zoe Leonard', in: Aargauer Zeitung, Aarau DE, 16 May 1998
Jouanna, Evelyne, 'Reviews: Zoe Leonard', in: Flash Art, New York NY, March-April 1998, pp. 119-120
Kagan, Dick, 'Go West', in: Art and Antiques, Wilmington NC, vol. 21, no. 1, January 1998, pp. 33-37
Kirsch, Elisabeth, 'Beauty, Culture, Shoes, Pictures, and Politics', in: Kansas City Star, Kansas City MO, 20 March 1998
Kravagna, Christian, 'Zoe Leonard: Secession', in: Artforum, New York NY, January 1998
__, 'Le drôle de zoo de Zoe', in: Libération, Paris FR, 7 October 1998
MacAdam, Barbara, 'Zoe Leonard', in: ARTnews, New York NY, vol. 97, no. 3, March 1998, p. 167
Orth, Roberto. 'Zoe sammelt Spuren von Mikrodramen', in: Cosmopolitan, Munich DE, May 1998, p. 28
__, 'Some Strange Doings at the Museum of Art', in: Philadelphia Inquirer, Philadelphia PA, 28 March 1998
Troester, Christian, 'Wenn Mäuse an der Kunst nagen', in: Die Woche, Berlin DE, 13 February 1998, p. 34
Turner, Grady T., 'Zoe Leonard at Paula Cooper', in: Art in America, New York NY, vol. 86, no. 6, June 1998
Unnuetzer, Petra, 'Zoe Leonard at Galerie Gisela Capitain', in: KUNSTFORUM International, Cologne DE, no. 141, July-September 1998, p. 371
__, 'Zoe Leonard', in: Nikon Flash, Melville NY, September 1998
__, 'Zoe Leonard', in: Le Carnet des Arts Plastiques, Aix-les-Bains FR, Fall 1998
__, 'Zoe Leonard', in: Arts Croisés, Brussels BE, October-November 1998
__, 'Zoe Leonard', in: De Witte Roaf, Maastricht NL, September-October 1998

1997 Graw, Isabelle, 'These are the things that move me / Über die Funktion des Biographischen im Werk von Zoe Leonard', in: Texte zur Kunst, Berlin DE, no. 28, November 1997, pp. 65-73
Fischer, Judith, 'Interview Subjektivierung. Subtext zu Zoe Leonard', Berlin DE, in: Springer, no. 3, October 1997
__, Schönheit und Weiblichkeit, in: Die Presse, Vienna AU, 25 July 1997
Algus, Mitchell, Griffin, Robert, Servetar, Stuart Silas, Susan, Sillman, Amy, 'Mob Rule at the Whitney Biennial', in: New York Arts Magazine, New York NY, issue 10, May 1997, pp. 4-8
Altorfer, Sabine, 'Unentschieden zwischen den Geschlechtern', in: Aargauer Zeitung, Aarau CH, 22 May 1997
Bankowsky, Jack, 'Whitney Watch', in: Artforum, New York NY, March 1997
Becker, Jochen, 'Zu zornig für Schönheit', in: Taz, Berlin DE, 12 September 1997
Beil, Ralf, 'Braut mit gebrochenen Fingern. Zoe Leonard in Basel und Glarus', in: Neue Zürcher Zeitung, Zurich CH, 24 May 1997
Bonami, Francesco, 'An Artist Today: The 1997 Whitney Biennial', in: FlashArt, New York NY, vol. 30, no. 193, March-April 1997
Cotter, Holland, 'Zoe Leonard', in: The New York Times, New York NY, Art Guide, 19 September 1997, p. E38
Dilday, Kenya, 'The Watermelon Woman', in: Time Out New York, New York NY, 6-13 March 1997, p. 67
Zoe Leonard, 'Kunsthalle Basel and Kunsthaus Glarus', in: Artforum, New York NY, May 1997, p. 70
Halle, Howard, Yablonsky, Linda, Saltz, Jerry, 'Showtime At The Whitney', in: Time Out New York, New York NY, 3-10 April 1997, pp. 39-40
Imhof, Dora, 'Vergänglichkeit, Verfall und Reduktion', in: Basel Landschaftliche Zeitung, Basel CH, 5 June 1997
Jackson, Phyllis J., 'Irreverent Seductions. B(l)ack at the Whitney', in: The International Review of African American Art, Hampton VA, vol. 14, no. 2, 1997, pp. 50-55
Kimmelman, Michael, 'Narratives Snagged on the Cutting Edge', in: The New York Times, New York NY, 21 March 1997, pp. 1, 26
Lipson, Karin, 'Battle of the Sexes', in: Newsday, Melville NY, 7 March 1997, p. 5
Lueken, Verena, 'Ausverkauf im Spielzeugladen', in: Frankfurter Allgemeine Zeitung, Frankfurt DE, 11 April 1997
MacLeod, Chris, 'Gender is Incidental', in: Manhattan Week, New York NY, 10-16 October 1997, p. 28
Mathieu, Nicole-Claude, 'Le Sexe Social', in: Hors-Series Sciences et Avenir, Marseille FR, April 1997, pp. 52-56
Melchart, Erwin, 'Ausstellung in der Secession: Zoe Leonard - Das Kunst- Blümchen', in: Neue Kronenzeitung, Vienna AU, 24 July 1997
Metzger, Rainer, 'Bonsai für die Postmoderne', in: Der Standard, Vienna AU, July 1997
Nackter Baum, nackte Winde, in: Neue Zeit Graz, Graz AU, 25 July 1997
__, 'Nackte Wände: Zoe Leonard in der Secession', in: Vorarlberger Nachrichten, Bregenz AU, 24 July 1997
Neumaier, Otto, 'Zoe Leonard', in: Noema, Ramsey NJ, no. 45, September-October 1997
Nunns, Stephan, 'The Reverend and the Representative', in: American Theatre, New York NY, May-June 1997, pp. 44-45
Pesch, Martin, 'Short Cuts - Anschlüsse an den Körper', in: Frieze, London UK, issue 37, November-December 1997
Schmerler, Sarah, 'Zoe Leonard', in: Time Out New York, New York NY, issue 106, 2-9 October 1997, p. 47
Stockhammer, Eva, 'Alaskan Fires Offer a picture for Life. Zoe Leonard’s Survival Experiences present an Insight Into Nature', in: Austria Today, Canterbury UK, 16 September 1997
Temin, Christine, 'At ICA, art that goes bum in the night', in: The Boston Globe, Boston MA, 25 April 1997
Turner, Elisa, 'Fruit Skins Gain Brand Appeal', in: The Herald, Glasgow UK, Wednesday, 12 March 1997, p. 5D
Vachtova, Ludmila, 'Der Hermaphrodit triumphiert als Femininum', in: Die Weltwoche, Zurich CH, no. 19, 7 May 1997, p. 69
Von Däniken, Hans-Peter, 'Auf den Spuren von Frauen mit Bärten', in: Tages-Anzeiger, Zurich CH, 11 May 1997, p. 59
Wailand, Markus, 'Baum der Erkenntnis;, in: Falter, Stadtzeitung Wien AU, 30 July 1997
Wallace, Michele, 'Sex in the Watermelon', in: The Village Voice, New York NY, 4 March 1997, p. 74
Yablonsky, Linda, 'Can She Get A Witness? Zoe Leonard Returns to the Art World', in: Out, New York NY, April 1997, p. 58
__, 'Zoe Leonard', in: The New Yorker, New York NY, 13 October 1997
Zwez, Annelise, 'Leben lässt sich nicht zusammennähen', in: Aargauer Zeitung, Zurich CH, 22 May 1997, p. 7

1996 Kravagna, Christian, ‘Das Wahre, das Schöne, das Normale – Fotografie nach ihrer Kritik’, in: Springerin, Vienna AU, June-July 1996, pp. 29-30
__, ‘Insert: Zoe Leonard and Cheryl Dunye: Watermelon Woman’, in: Parkett, New York NY / Zurich CH, no. 47, 1996, pp. 153-177

1995 Atkins, Robert, ‘Very Queer Indeed’, in: The Village Voice, New York NY, January 1995, p. 69
Bakargiev, Carolyn, ‘Dietro lo Specchio Concettuale’, in: Arte, Milan IT, no. 106, 23 April 1995
Blanchard, Tamsin, ‘Fashion Folk and Artists Despise Each Other, Right? Wrong. One Gallery is ‘Trying to Prove It’’, in: The Independent, London UK, 27 June 1995
Bonetti, David, San Francisco Show and Tell, in: Out, New York NY, April 1995, p. 52
Braunstein, Chloé, ‘Zoe Leonard – Reviews’, in: Material, Los Angeles CA, no. 26, 1995, pp.14-15
Cotter, Holland, ‘Zoe Leonard’, in: The New York Times, New York NY, 5 May 1995, p. 30
Duncan, Michael, ‘Queering the Discourse’, in: Art in America, New York NY, July 1995, pp. 27-31
‘Eye to Eye: A Candid Discussion Between Nan Goldin and Zoe Leonard’, in: Manhattan File, Brooklyn NY, April 1995, pp. 60-63
Friis-Hansen, Dana, ‘Pictures of the Real World’, in: Art + Text, London UK, no. 52, September 1995, p. 87
Hirsch, Faye, ‘Reviews - Zoe Leonard’, in: Artforum, New York NY, September 1995, p. 90
Holbert, Tom, ‘Kampf um den Körper’, in: Vogue Germany, Munich DE, April 1995, pp. 200-205, 216
Katz, Vincent, ‘A Conversation with Zoe Leonard’, in: Arti International, Zurich CH, vol. 52, May-July 1995, pp. 118-145
Killian, Kevin, Nayland, Blake, Rinder, Lawrence, ‘Preview. ‘The Secret Histories’, in: Artforum, New York NY, February 1995, pp. 23-24,104
Kotz, Liz, ‘Questions of Feminism: 25 Responses’, in: October, Cambridge MA, no. 71, Winter 1995, pp. 26-27
Leonard, Zoe, ‘So Thank You in Advance Again, x-x-x fruit’, in: Premier Issue, Hong Kong CN, Summer 1995, pp. 108-109
Princenthal, Nancy, ‘Review of Exhibitions - Zoe Leonard at 131 Essex Street’, in: Art in America, New York NY, vol. 83, no. 9, September 1995, p.105
Riding, Alan, ‘French Survey Sex in 20th-Century Art’, in: The New York Times, New York NY, 7 November 1995, pp. C13, C17
Solnit, Rebecca, ‘Berkeley Fax: In A Different Light, University Art Museum’, 11 January - 9 April, in: Art Issues, Los Angeles CA, no. 37, March-April 1995

1994 Cotter, Holland, ‘Art after Stonewall: 12 Artists Interviewed’, in: Art in America, New York NY, June 1994, pp. 56-65
Cottingham, Laura, ‘Post – 1968’, in: Flash Art, Milan IT, January-February 1994, pp. 31-34
Gan, Stehen, Kaliardos, James and Dean, Cecilia, ‘Desire’, in: Visionaire, New York NY vol. 12, Fall 1994
Guha, Tania, Fashion Modus, ‘Art Preview’, in: Time Out London, London UK, 1994
Leonard, Zoe, ‘Race Car’, in: Whitewalls: A Journal of Language and Art, New York NY, Fall-Winter 1994, p. 30
Marks, Lisa Marie, ‘Pret A Porter’, in: Creative Camera (London), London UK, issue 336, 1994
Smith, Roberta, ‘Even Where the Show Itself is an Art Form. Group Shows Exist of Every Kind’, in: The New York Times, New York NY, 25 February 1994, p. C22

1993 Cottingham, Laura, ‘Zoe Leonard (interview)’, in: Journal of Contemporary Art, New York NY, vol. 6, no. 1, Summer 1993, pp. 64-77
Kandel, Susan, ‘Bad Girls Don't Cry’, in: Art & Text, London UK, September 1993, pp. 26-29
Martin, Richard, ‘Aproximating the Body’, in: New Art Examiner, Chicago IL, September 1993, pp. 16-18
Schjeldhal, Peter, ‘Missing: The pleasure principle’, in: The Village Voice, New York NY, 13 March 1993, pp. 34-38
Van der Haak, Bregtje and Steelse Blikken, ‘Een interview met Zoe Leonard’, in: Metropolis M, New York NY, April 1993, pp. 40-43

1992 ‘186 Names for the Museum of a Hundred Days (Documenta IX)’, in: The Art Newspaper, New York NY, no. 17, April 1992, p. 12
Adcock, Craig, ‘Documenta IX, in: Tema Celeste’, Syracuse NY, Winter 1992, pp. 84-85
Ammann, Jean-Christohe, ‘Die documenta-Arbeit von Zoe Leonard’, in: Luzerner Zeitung, Lucerne DE, no. 215, 16 September 1992
Ayres, Anne, Kassel FAX, in: Art Issues, Los Angeles CA, no. 24, September-October 1992, pp. 34-35
__, ‘Art Exhibitions/Photograhy’, in: New York Magazine, New York NY, 1 June 1992, p. 80
Bleckner, Ross, ‘Emerging Artists’, in: Out, New York NY, Fall 1992, pp. 41-49
Chris, Cynthia, ‘Regarding Gender’, in: Afterimage, Rochester NY, vol. 20, no. 5, December 1992, pp. 16-17
Cottingham, Laura, ‘Art Attack/Documenta IX’, in: QW, New York NY, 12 July 1992, pp. 40-41
Dector, Joshua, ‘New York in Review’, in: Arts Magazine, New York NY, March 1992, pp. 85-86
Dik, Iris, ‘Towards an Androgynous Art? On Sex, Power and Sensuality at Documenta IX’, in: ruimte, Berlin DE, vol. 9, no. 2, 1992
Hagen, Charles, ‘Art in Review. Zoe Leonard’, in: The New York Times, New York NY, 15 May 1992, p. C28
Hirsh, David, Galleries. ‘The Curious Eye’, in: New York Native, New York NY, 1 June 1992, p. 47
Hirsch, Faye, ‘A Spy in the Museum’, in: QW, Out of New York, New York NY, no. 30, 24 May 1992, pp. 38-41
Knight, Christopher, ‘Look for the American Label’, in: Los Angeles Times, Los Angeles CA, 12 July 1992, p. 84
Liebmann, Lisa, ‘Documenting Documenta’, in: Interview, New York NY, June 1992, pp. 44-50
Lux, Ulla, ‘One Hundred Days of Documenta IX’, in: ARTI, Florence IT, November-December 1992, pp. 72-79
Nesbitt, Lois, ‘Shock of the Nasty: Art's Bad Girls’, in: Elle, New York NY, December 1992, pp. 78-80
‘Preserved Head of a Bearded Woman. Musée Orfila’, in: The Paris Review, Paris FR, vol. 34, no. 125, Winter 1992, pp. 128-133
Schjeldahl, Peter, ‘The Documenta of the Dog’, in: Art in America, New York NY, September 1992, 77, pp. 87-97
Seward, Keith, ‘Zoe Leonard. Paula Cooer Gallery’, in: Artforum, New York NY, October 1992, p. 106
Silver, Lisa, ‘Mortal Thoughts: Zoe Leonard Gets Inside’, in: Paper Magazine, New York NY, May 1992, p. 27
Smith, Roberta, ‘A Small Show Within an Enormous One’, in: The New York Times, New York NY, 22 June 1992, pp. C13, C15.
Smith, Roberta, ‘Women Artists Engage the Enemy', The New York Times, New York NY, 16 August 1992
The Question of Gender in Art: Zoe Leonard, in: Tema Celeste, Syracuse NY, Autumn 1992, p. 70

1991 Agar, Evelyn, ‘Outrageous Desires. Gay and Lesbian Artists Stage Exhibition at Mason Gross’, in: The Home News, Somerville NJ, 31 October, pp. D1-D2
Eelbode, Erik, Wolken, ‘watervallen en de dood: Zoe Leonard in Richard Foncke Gallery’, in: Gazet van Antwerpen, Antwerp BE, 31 May 1991
Leonard, Zoe, Graw, Isabelle, ‘Ein Interview with Zoe Leonard’, in: Texte zur Kunst, Berlin DE, Fall 1991, pp. 44-51
Graw, Isabelle, ‘Women, Aids & Activism’, in: Texte zur Kunst, Berlin DE, Summer 1991
Hirsh, David, ‘Intelligent Evolution’, in: Bay Area Reporter, New York NY, 13 April 1991, 33, p. 43
Hirsh, David, ‘Serious Exposure’, in: New York Native, New York NY, 18 November 1991, p. 32
Hirsh, David, ‘Group Consciousness’, in: New York Native, New York NY, 25 November 1991, pp. 32-33
Kuijken, Ilse, ‘Leonard lijst het kijken in’, in: De Standaard, Brussels BE, 11 June 1991, p. 7
Lambrecht, Luk, ‘Zeven dagen Kunst: Gent’, in: Weekend Knack, Brussels BE, no. 23, 5-11 June 1991, p. 16
Lambrecht, Luk, ‘Zoe Leonard: Galerie Richard Foncke’, Ghent BE, in: Forum International, September-October 1991, p. 84
Roberts, James W., ‘Exhibit Features Gay, Lesbian Art’, in: The Daily Targum, New Brunswick NJ, 4 November 1991, p. 3

1990 Bornstein, Kate, ‘If I Said You Had a Beautiful Body... Would You Make It Illegal?’, in: Bay Area Reporter, San Francisco CA, June 1990
Hirsh, David, ‘Art as Trophy’, in: New York Native, New York NY, 18 June 1990, pp. 29-30
Hoet, Jan, ‘Zu viel wird geredet, zu wenig gesagt, zu viel wird gesagt, zu wenig getan’, in: Kunstforum, Cologne DE, vol. 110, November-December 1990, p. 206
Koether, Jutta, ‘Zoe Leonard’, in: Flash Art, Milan IT, Summer 1990, p. 154
Ponton Temse, ‘Citywide Exhibition’, in: Flash Art, Milan IT, November-December 1990, p. 171
Schwabsky, Barry, ‘Wendy Jacob / Zoe Leonard’, in: Arts Magazine, New York NY, October 1990, p. 95
Tripi, Laura, ‘The Strange Attraction of Chaos’, in: New Art International, Bergamo IT, 1990, pp. 55-61

1989 Hirsh, David, ‘The Center Show’, in: New York Native, New York NY, 26 June 1989, p. 28
Hirsh, David, ‘Signs of Chaos’, in: New York Native, New York NY, 2 October 1989, p. 40
Hirsh, David, ‘Gay Art Now’, in: My Comrade, New York NY, December 1989
Hirsh, David, ‘East Side Story’, in: New York Native, New York NY, 19 December 1989, p. 36
Hirsh, David, ‘For Freedom of Self-Discovery’, in: New York Native, New York NY, 9 October 1989, p. 38
Hirsh, David, ‘Art Censorship and Sex’, in: New York Native, New York NY, 23 October 1989, p. 21
Nalley, Jon, ‘Battling Bigotry’, in: OutWeek, New York NY, 8 October 1989, p. 61
Raven, Arlene, ‘Fo(u)r Freedoms’, in: The Village Voice, New York NY, 10 October 1989, pp. 104

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