Photo: JJ Geiger
Born in 1973 in Columbus, GA, and now based in Baltimore MD, Amy Sherald documents contemporary African-American experience in the United States through arresting, otherworldly portraits. Sherald subverts the medium of portraiture to tease out unexpected narratives, inviting viewers to engage in a more complex debate about accepted notions of race and representation, and to situate black heritage centrally in the story of American art.
While her subjects are always African-American, Sherald renders their skin-tone exclusively in grisaille – an absence of color that directly challenges perceptions of black identity.’ Sherald offsets this against a vibrant palette: eye-popping clothes and ephemera float in tension against abstracted backgrounds. The depth created by the pastel backgrounds are not confined to any specific time or space, but seem to exist beyond the facts of recorded history and national borders.
She defines the subjects of her portraits simply as ephemera float in tension against abstracted background to American identity. The individuals in her paintings are deliberately posed, dramatically staged, and assertive in gaze. Their expressiveness, and the variations in their gestures, clothing, and emotional auras reinforce the complex multiplicities of African-American existence. But the persistent sense of privacy and mystery maintained in Sherald’s work requires viewers to ponder the thoughts and dreams of the black men and women she has depicted.
Sherald was the first woman and first African-American ever to receive first prize in the 2016 Outwin Boochever Portrait Competition from the National Portrait Gallery in Washington D.C.; in February 2018, the museum unveiled her portrait of former First Lady Michelle Obama. Sherald has also received the 2018 David C. Driskell Prize from the High Museum of Art in Atlanta GA. Alongside her painterly practice, Sherald has worked for almost two decades along-side socially committed creative initiatives, including teaching art in prisons and art projects with teenagers.
Born Columbus GA 1973
2004 MFA, Maryland Institute College of Art, Baltimore MD
1997 BFA, Clark-Atlanta University, Atlanta GA
Resides Lives and works in Baltimore MD
2021 Hauser & Wirth, ‘Amy Sherald. The Great American Fact’, Los Angeles CA (forthcoming)
2019 Hauser & Wirth, ‘Amy Sherald the heart of the matter…’, New York NY
2018 Crystal Bridges Museum of American Art, ‘Amy Sherald’, Bentonville AK
Contemporary Art Museum St. Louis, ‘Amy Sherald’, St. Louis MO
2017 moniquemeloche LES, ‘Amy Sherald’, New York NY
2016 Monique Meloche Gallery, ‘A Wonderful Dream’, Chicago IL
2015 Second Street Gallery, ‘Off the Chain: American Art Unfettered’, Charlottesville VA
2013 Reginald F. Lewis Museum, ‘Amy Sherald: Paintings’, Baltimore MD
2011 Richard Demato Fine Arts, ‘Amy Sherald’, Sag Harbor NY
The Robert and Sallie Brown Gallery and Museum, The Sonja Haynes Stone Center for Black Culture and History, ‘The Magical Real-ism of Amy Sherald’, Chapel Hill NC
2020 National Portrait Gallery, 'Every Eye Is Upon Me: First Ladies of the United States', Washington DC
Hauser & Wirth, 'Artists for New York' New York NY
2018 Seattle Art Museum, ‘In This Imperfect Present Moment’, Seattle, Washington
Ackland Art Museum, University of North Carolina, ‘The Outwin 2016: American Portraiture Today’, Chapel Hill NC (Travelling Exhibition)
Kemper Museum of Contemporary Art, ’The Outwin 2016: American Portraiture Today’, Kansas City MO (Travelling Exhibition)
Baltimore Museum of Art, ‘Baker Artist Awards’, Baltimore MD
2017 Rental Gallery, ‘Color People’, cur. Rashid Joohnson, East Hampton NY
California African American Museum, ‘Face to Face: Los Angeles Collects Portraiture’, Los Angeles LA
The David C. Driskell Center - University of Maryland, ‘Shifting: African American Women Artists and the Power of Their Gaze’, College Park MD
Studio Museum, ‘Fictions, organized by Connie H. Choi and Hallie Ringle’, Harlem NY
Speed Art Museum, ‘Southern Accent: Seeking the American South in Contemporary Art’, Louisville KY (Travelling Exhibition)
Art Museum of South Texas, ‘The Outwin 2016: American Portraiture Today’, Corpus Christi TX (Travelling Exhibition)
2016 Creative Alliance, 'About Face', Baltimore MD
Smithsonian National Museum of African American History and Culture, 'Visual Art and the American Experience', Washington D.C.
Nasher Museum of Art at Duke University, 'Southern Accent: Seeking the American South in Contemporary Art', Durham NC
Spelman College Museum of Fine Art, 'Africa Forecast: Fashioning Contemporary Life', Atlanta GA
Art Museum of South Texas, 'The Outwin 2016: American Portraiture Today', Corpus Christi TX (Travelling Exhibition)
Tacoma Art Museum, 'The Outwin 2016: American Portraiture Today', Tacoma WA (Travelling Exhibition)
Smithsonian National Portrait Gallery, 'The Outwin 2016: American Portraiture Today', Washington D.C.
2015 moniquemeloche, 'Look At Me Now!' curated by Allison Glenn, Chicago IL
2013 Embassy of the United States, Dakar, Senegal
National Museum of Women in the Arts, Washington D.C
2012 Galerie Myrtis, 'Revealing the Presence of Africans in the European Renaissance', Baltimore MD
Pennsylvania College of Art & Design, 'The Mosaic Project', Lancaster PA
2010 Gallery 101, Miami FL
Richard Demato Fine Art, Sag Harbor NY
2008 Randall Scott Gallery, 'Quasi-Painting', Washington D.C.
Ramscale Penthouse, 'Urban Renaissance', New York NY
2005 Sub-basement Gallery, 'Femme Effect', Baltimore MD
2004 Maryland Institute College of Art, 'MFA Thesis Exhibition', Baltimore MD
2003 The Labyrinth, 'Earth Works' installation, Portobelo, Panama
Baltimore City Hall, 'Artscape', Baltimore MD
2002 Maryland Institute College of Art, 'MFA First Year Candidate Group Show', Baltimore MD
City Hall of Atlanta Gallery, 'Lipstick', Atlanta GA
1999 Museum of Panama, collaboration with Dr. Arturo Lindsay, Panama City, Panama
1997 Museum of Panama Education Gallery, Panama City, Panama
2017 Joan Mitchell Residency, New Orleans LO
2014 – 16 Creative Alliance Baltimore, Baltimore MD
2012 Open Atelier, Amsterdam, Netherlands
Art Rules Aruba Teaching Residency
2011 Art Rules Aruba Teaching Residency, Aruba
2008 Tong Xion Art Center, Studio Assistant Resident, Beijing, China
2005 Odd Nerdrum Private Study
2003 Taller Portobello Artist Colony, Portobelo, Panama
1997 Spelman College Art Colony Portobelo, Panama
1996 Maine College of Art Portland, Portland ME
2016 Bethesda Painting Award
Outwin Boochever Portrait Competition Grand Prize, Smithsonian National Portrait Gallery
2015 Semi-Finalist for Sondheim Artscape Prize
2014 Joan Mitchell Foundation Painters and Sculptors Grant
2013 Pollock-Krasner Foundation Grant
Kemper Museum of Contemporary Art, Kansas City MO
The Nasher Museum of Art, Duke University, Durham NC
National Museum of Women in the Arts, Washington D.C.
Smithsonian National Museum of African American History and Culture, Washington D.C.
Smithsonian National Portrait Gallery, Washington D.C.
Embassy of the United States, Dakar, Senegal
The Columbus Museum, Columbus GA
FTI Technologies Inc., Baltimore MD
2020 Valentine, Victoria L., 'Amy Sherald Painting Skyrockets to Record-Setting $4.2 Million at Phillips, Works by 4 More Black Artists Set New Benchmarks', on: culturetype.com, 9 December 2020, ill.
Gleadell, Colin, 'Anchored by Records for Amy Sherald, Kehinde Wiley, Phillips $134.6 M. Evening Sale Brings House’s Highest Total', on: artnews.com, 8 December 2020, ill.
Mills, Aaron, 'Breonna Taylor portrait artist Amy Sherald iconises everyday Black narratives', on: sohohouse.com, 16 November 2020, ill.
___, 'Here Are 25 Inspiring Women in the Art World Who Overcame Obstacles to Accomplish Incredible Things in This Surreal Year', on: news.artnet.com, 24 November 2020, ill.
Hatibaruah, Mayur B., 'Womanist is to Feminist as Purple is to Lavender', on: artsillustrated.in, 7 November 2020, ill.
Bochicchio, Sarah, 'Amy Sherald in Miniature', on: whitewall.art, 3 November 2020, ill.
Bishara, Hakim, 'Artists, Including David Hammons and Barbara Kruger, Reimagine "I Voted" Stickers', on: hyperallergic.com, 26 October 2020, ill.
Takac, Balasz, 'Amy Sherald’s Black Women in Gouache at Hauser & Wirth', on: widewalls.ch, 23 October 2020, ill.
The Editors, '"I Voted" Stickers for Everyone Who Needs One. A New York Magazine collaboration with 48 artists', on: nymag.com, 22 October 2020, ill.
___, 'On the Cover: 48 Artists Reimagine the ‘I Voted’ Sticker for New York Magazine', on: nymag.com, 22 October 2020, ill.
___, 'Porträts von Amy Sherald. Der selten gemalte Zustand der Muße' [Portraits of Amy Sherald. The seldom painted state of leisure], on: monopol-magazin.de, 20 October 2020, ill.
___, 'Womanist/Feminist, Purple/Lavender', on: themakermagazine.com, 15 October 2020, ill.
Cowan, Katy, 'Amy Sherald's gouache portraits of black women pay tribute to womanism', on: creativeboom.com, 15 October 2020, ill.
Little, Colony, '"It Came Down to What I Could Make at My Kitchen Table": Amy Sherald on Experimenting With a New Medium for the First Time in Decades', on: news.artnet.com, 13 October 2020, ill.
Martinique, Elena, 'Amy Sherald', on: widewalls.ch, 12 October 2020, ill.
Pope, Miles, 'Living memory', in: Vanity Fair, New York, no. 720, September 2020, p. 48, cover, ill.
Dafoe, Taylor, 'Amy Sherald Painted Breonna Taylor for the Cover of Vanity Fair’s September Issue, Guest Edited by Ta-Nehisi Coates', on: news.artnet.com, 24 August 2020, ill.
Jhala, Kabir, 'Breonna Taylor—fatally shot by Kentucky police—immortalised by Amy Sherald for Vanity Fair front cover', on: theartnewspaper.com, 24 August 2020, ill.
Harper, Daria, 'Amy Sherald painted Breonna Taylor’s portrait for the cover of Vanity Fair', on: artsy.net/news, 24 August 2020, ill.
___, 'Amy Sherald paints Breonna Taylor. A monument made of color', on: monopol-magazin.de, 25 August 2020, ill.
Betancourt, Bianca, 'Artist Amy Sherald, Who Made Michelle Obama's Official Portrait, Commemorates Breonna Taylor', on: harpersbazaar.com, 24 August 2020, ill.
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Knight, Christopher, 'Review: Breonna Taylor and the grim power of Vanity Fair’s unflinching cover portrait', on: latimes.com, 1 September 2020, ill.
Donoghue, Katy, 'Amy Sherald. Capturing Americanness at its Best', in: Whitewall, New York, Summer 2020, pp. 102-107, ill.
Brara, Noor, '"We Are a Political Statement, in and of Ourselves"' [interview], in: The New York Times, New York, 28 June 2020, p. 3, ill.
Brara, Noor, 'Nine Black Artists and Cultural Leaders on Seeing and Being Seen' [interview], on: nytimes.com, 24 June 2020, ill.
Ebert, Grace, 'Remarkable Portraits by Artist Amy Sherald Render Subjects in Grayscale Against Vibrant Backdrops', on: thisiscolossal.com, 5 June 2020, ill.
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Wellington, Elizabeth, ‘Amy Sherald, who painted Michelle Obama’s portrait, designs a mural that turns a Philly teen into her own inspiration’, on: www.inquirer.com, Philadelphia, 5 June 2019, ill.
Akik, Chorouk, ‘Who are the “She’s Gotta Have It” artists amplifying Black creativity?’, on: www.kulturehub.com, New York, 31 May 2019, ill.
Goldstein, Caroline, ‘Carrie Mae Weems, Amy Sherald, and These Other Artists Have Cameos in Spike Lee’s New Netflix Series, “She’s Gotta Have It”’, on: www.artnet.com, New York, 30 May 2019
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Wetherall, Shantel, ‘A powerful moment for the Archibald prize. Could a portrait of a black woman win?’, on: www.theguardian.com, London, 1 May 2019, ill.
Smith, Kelundra, ‘Of Figurative Paintings and a First Lady’, [interview], on: www.bittersoutherner.com, 22 March 2019, ill.
Danzy, Shelley, ‘Obama Portraitist Amy Sherald’s Vibrant Paintings Detail Perceptions Of Blackness’, on: www.artsatl.org, Atlanta, 19 February 2019, ill.
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2018 Bancroft, Colette, ‘Michelle Obama’s memoir explores the meanings of ‘Becoming’’, on: www.tampabay.com, Tampa, 12 December 2018
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Davis, Joyce, Phillips, Wyatt, ‘Amy Sherald’s Newest Portraits on View at the Spelman College Museum of Fine Art’, on: www.spelman.edu, Atlanta, 18 December 2018, ill.
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'Firsts. Women Who are Changing the World', in Time Magazine, New York, 7 September 2018
MaCauley, Mary Carole, 'An oversized mural of acclaimed Baltimore artist Amy Sherald's work will be installed at the Parkway Theatre', in The Baltimore Sun, Baltimore, 10 August 2018
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V., Andrey, ‘Inside Amy Sherald’s First Major Solo Museum Show’, on: www.widewalls.ch, London, 30 July 2018
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King, Chris, ‘Amy Sherald opens at CAM with impressive local artists in 2018 Great Rivers Biennial’, on: St. Louis American, St. Louis, 11 May 2018
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Vanity Fair, ‘Amy Sherald Has a Workspace That Nurtures Her Inner Child’, on: Vanity Fair, New York, 27 March 2018
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Smith, Kelundra, 'New works by 20 female artists mark Spelman Museum’s
anniversary', The Atlanta Journal-Constitution, September 23, 2016
Crow, Kelly, 'Inside America’s New African-American Museum', The Wall Street Journal, September 14, 2016
Khawaja, Samra, 'Art Talk with Painter Amy Sherald', National Endowment for the Arts, July 26, 2016
__, 'Amy Sherald on Black Art', Fresh Art International Interview, July 14, 2016
Frank, Priscilla, '’Fairytale’ Paintings Show A Side Of Black Lives History Overlooks', Huffington Post, July 7, 2016
'Amy Sherald: A Wonderful Dream', digital exhibition catalogue, with essay by Dawoud Bey, Chicago: moniquemeloche, 2016
Lesser, Casey, 'These 20 Female Artists Are Pushing Figurative Painting Forward', Artsy, June 10, 2016
Lam, Jenny, '10 art gallery exhibitions to see in June', Time Out Chicago, June 3, 2016
Stafford Davis, Jessica, '10 Female Artists of Color on the Rise', The Root, March 22, 2016
O’Brien, Jane, 'New faces in the US National Portrait Gallery', BBC News, March 15, 2016
'Amy Sherald the first woman to win 2016 National Portrait Gallery Competition', Black Art In America, March 12, 2016
Carole McCaluey, Mary. 'Baltimorean Amy Sherald wins first prize in Smithsonian portrait contest', Baltimore Sun, March 11, 2016
2015 Reichert, Elliot, 'Review: Look at Me Now!/Monique Meloche Gallery', Newcity, August 1, 2015
'’LOOK AT ME NOW’ AT MONIQUE MELOCHE GALLERY', ARTnews, July 27, 2015
2013 __, 'Presence of Mind- Revealing Africans in the European Art', Transitions: International Review, Issue 111, 2013
__, 'Resisting Homogeneity in the 21st Century', The International Review of African American Art, Vol. 24, No.2., 2013
'Portfolio – Life Stories', Baltimore Style Magazine, 2013
Hycide Magazine, December (cover), 2013
2011 __, 'An Artist Perspective on Social Ascent', Sag Harbor Express, May 26, 2011
__, 'Studio Visits”, Urbanite Magazine, January Issue No. 79, 2011
2010 American Art Collector, December Issue, 2010
New American Paintings Ed. 88, 2010
2008 Studio, The Studio Museum of Harlem Magazine, Fall Issue, 2008
2006 __, 'In This Exhibition, The Subject Is Women', Baltimore Sun, February 22, 2006
2004 __, 'Under Busy Baltimore Streets Art Flourishes', Baltimore Sun, October 24, 2004
2003 'El Recuerdo de Una Feria', La Prensa, June 1, 2003
'A Tale of Two Cities', The New York Times, June 30, 2003
