2019

The New Yorker

The Amy Sherald Effect

by Peter Schjeldahl | 16 September 2019

‘When art changes in the present, it changes in the past, too. I had a dizzy sensation at the Sherald show – which was so much better than I had expected – of ground shifting under my feet.’

Read more

Amy Sherald, A single man in possession of a good fortune, 2019. © Amy Sherald. Courtesy the artist

Los Angeles Times

Review: If an artist sets up a homeless camp inside a blue-chip art gallery, does anyone care?

by Sharon Mizota | 18 June 2019

‘Hammons’ work exposes, indeed occupies, such gaps. Art is often a rarefied realm where quotidian experience is transformed, but Hammons’ practice also prods us to see the art in the everyday. It points out the door, toward life.’

Read more

Installation view, ‘David Hammons’, Hauser & Wirth Los Angeles, 2019 © David Hammons. Courtesy the artist. Photo: Fredrik Nilsen Studio
Be the first to know updates about Hauser & Wirth
Thanks for signing up. You must confirm your email address before we can send you. Please check your email and follow the instructions.
*By submitting your email address, you consent to receive our Newsletter. Your consent is revocable at any time by clicking the unsubscribe link in our Newsletter. The Newsletter is sent in accordance with our Privacy Policy and to advertise products and services of Hauser & Wirth Ltd. and its affiliated companies.
×
×
×
×