Hauser & Wirth
News

Selected Press

Financial Times

Kristina Foster

Tuesday 7 October

Inside Nairy Baghramian’s sculptural playground

‘Everybody’s expecting my next pieces to be larger, bigger, more. So I thought I would go against myself. The exhibition is all about ephemerality and invisibility.’
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Portrait of Nairy Baghramian. Photo: Christian Werner

T: The New York Times Style Magazine

Sasha Weiss

Monday 6 October

She Didn’t Speak to Other Women for 28 Years. What Did It Cost Her?

‘Her work has that same underlying pathos — the feeling that her spirit has been around for a lot longer than any of ours, and that it may linger for many years to come, never belonging, never agreeing, always trying to get free.’
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The artist Lee Lozano giving a 1971 lecture at the Nova Scotia College of Art and Design in Halifax.Credit...© The Estate of Lee Lozano, courtesy of Hauser & Wirth

Artnet China

Huang Yunqi

Wednesday 1 October

How to 'continue life' after an artist’s death?

'Lassnig has created a highly distinctive and original body of work that is both unique in its approach and strongly universal in its subject matter.'
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Installation view, 'Maria Lassnig. Self with Dragon' at Hauser & Wirth Hong Kong.

The New York Times

Blake Gopnik

Wednesday 1 October

Letting the Squirrels Have Their Way With His Art

‘The pieces are alive...They are witnessing and bearing witness to the reality of the park, and not in conflict with anything.’
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Larry Bell Improvisations in the Park On view September 30, 2025 – March 15, 2026 Courtesy the artist, Hauser & Wirth, and Anthony Meier Fine Arts. Commissioned by Madison Square Park Conservancy. Photo: Timothy Schenck.

Tatler Hong Kong

Zabrina Lo

Wednesday 1 October

From showing to living with art: Hauser & Wirth has a new vision for the gallery business

‘Within this ecosystem, Hauser & Wirth holds its own unique place. It is not an institution—it closely partners with the many artists it represents while believing in the transformative power of art and has a goal of reaching out to wide audiences.’
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Exterior view, Hauser & Wirth Hong Kong. Photo: South Ho

TimeOut

Winnie Stubbs

Monday 29 September

A stunning 3-metre bronze statue has been unveiled on the edge of Sydney Harbour

‘I hope [Ancient Feelings] will be an absolute joy for many people and for others it may provoke discomfort, and that tension is precisely where the work finds its strength.’
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Photograph: Supplied | MCA | Thomas J Price | Anna Kucera

Le Figaro: F Magazine

Valérie Duponchelle

Saturday 27 September

George Condo: a retrospective like no other at the Museum of Modern Art in Paris

‘The exhibition will cover my entire life, from my childhood to the old man I am today.’
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Portrait of George Condo

Artnet News

Sarah Cascone

Tuesday 16 September

Decoding Cindy Sherman’s Many Roles, From Straphanger to Society Dame

‘It is [Cindy Sherman] doing the costumes and the makeup, but it’s also the mannerisms in each of the 
images—she adopts the poses of each person, the
body language is the character.’
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Cindy Sherman, Untitled #566 (2016), "Flappers" series. Photo: ©Cindy Sherman, courtesy of the artist and Hauser & Wirth.

BOMB Magazine

Brian Dillon

Monday 15 September

Camille Henrot by Brian Dillon

‘But your instinct is not instinct. It's an informed, educated sense. That's the space between arbitrariness and will.’
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View of Camille Henrot, A Number of Things, Hauser & Wirth, New York City, 2025. Left to right: Dos and Don’ts – It Was Usual to Leave a Card, 2024; and Roméric, 2023. Photo by Léa Trudel. Courtesy of the photographer.

The New York Times

Martha Schwendener

Thursday 11 September

In Jeffrey Gibson’s Sculptures, Child’s Play and Indigenous Truths

‘He follows a stellar group of artists chosen for the Met facade after the niches sat empty for more than a century: Wangechi Mutu (2019), Carol Bove (2021), Hew Locke (2022), Nairy Baghramian (2023) and Lee Bul (2024). These commissions all had their merits, but I think Gibson’s, organized by the Met curator Jane Panetta best understands the assignment of public sculpture, which is to engage as wide an audience as possible, without offending, and still register as trenchant artwork.’
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Jeffrey Gibson’s monumental squirrel with acorn, “they plan and prepare for the future, fvni / sa lo li / squirrel,” 2025, is part of the Met’s facade commission. Photo Credit: Chris Roque courtesy of UAP | Urban Art Projects

Artnet News

Jo Lawson-Tancred

Tuesday 9 September

British Artist Sonia Boyce on What’s Shaping Her Vision Now

‘Boyce first came across the American multimedia artist Lorna Simpson’s 2020 video work Walk with Me at the Royal Academy of Arts in London. “It’s clever, uncanny, and stunning,” [Boyce] said. 'It also feeds into my attraction for collage–discord, disjuncture, juxtaposition. Playing with perception and representation.’
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Sonia Boyce in her studio, 2025. Photo: Lily Bertrand-Webb.

The New York Times

Walker Mimms

Thursday 4 September

Fixing a Problem Painting With Ambera Wellmann

'But in Wellmann’s case, art history feels spoken with rather than just borrowed.'
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Portrait of Ambera Wellmann in the studio with her dog, Chicken. 2023. Photo: Christian DeFonte.

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