News

Selected Press

Observer

Wednesday 12 November

2025 Art Power Index: The Art Market’s Most Influential People

‘It's clear to us that 'success' is not a zero-sum game in a delicate ecosystem like the art world...We've been putting a lot of energy over the last few years into collaborations with our colleagues who operate at different scales, so that we can contribute in concrete, measurable ways to the health of the wider field.’

Thumbnail image for Exhibition titled Observer — Marc Payot Photo: Sim Canetty, Courtesy Hauser & Wirth

The Guardian

Tim Jonze

Tuesday 4 November

The artists striking back against the climate emergency

'I, Gustav Metzger, am asking for your participation in this worldwide call for a day of action to remember nature on November 4th...Our task is to remind people of the richness and complexity in nature … and by doing so art will enter territories that are inherently creative.'

Thumbnail image for Exhibition titled The Guardian — ‘He had a great sense of urgency’ … Gustav Metzger with students from Central Saint Martins in 2015. Photograph: Tristan Fewings/Getty Images for Serpentine Galleries

Baltimore Beat

Angela N. Carroll

Tuesday 4 November

Epically, ecstatically, and sublimely Black: A reflection on Amy Sherald’s mid-career retrospective at the Baltimore Museum of Art

Amy Sherald’s opus is so impressively generative, odd, and satisfying in its epic reflection of real people living real lives that it advances a triumphant acknowledgement. These renderings are more heroic than some will ever be willing to appraise.

Thumbnail image for Exhibition titled Baltimore Beat — Amy Sherald as photographed by Kelvin Bulluck

Vogue

Stephanie Sporn

Friday 31 October

The Unhinged Rococo Fantasies of Flora Yukhnovich

‘I loved that idea of thinking about a threshold or a portal. That got me really excited and thinking about escapism in relation to Boucher’s work...I wanted to create something like that, like you’re stepping into the painting.’

Thumbnail image for Exhibition titled Vogue — Installation view, “Flora Yukhnovich. Bacchanalia,” Hauser & Wirth Downtown Los Angeles.© Flora Yukhnovich. Courtesy the artist, Hauser & Wirth, and Victoria Miro. Photo: Keith Lubow

Whitewall

Ana Novi

Wednesday 29 October

At Hauser & Wirth London, Nicolas Party’s 'Clotho' Becomes a Temple to Time

‘Pastel has always felt like the perfect material for exploring fragility in my work. It’s an incredibly delicate medium—essentially made of dust—and that dust-to-dust symbolism carries a lot of weight.’

Thumbnail image for Exhibition titled Whitewall — Installation view. 'Nicolas Party. Clotho,' Hauser & Wirth London, 2025. © Nicolas Party. Courtesy the artist & Hauser & Wirth. Photo: Alex Delfanne.

The Guardian

Emine Saner

Wednesday 29 October

Don McCullin on 19 of his greatest pictures

‘...when it comes to my work, I am very sensitive, very polite. I’m a human being...If I wasn’t thinking like that, my pictures wouldn’t have a sensitive way of trying to speak to you.’

Vanity Fair Spain

Ianko López

Sunday 26 October

Cristina Iglesias: 'Art is always political, sometimes more directly and sometimes in symbolic ways.'

‘I would like it to help people better understand the world and themselves. And to achieve intimacy with the viewer.’

Thumbnail image for Exhibition titled Vanity Fair Spain — The artist Cristina Iglesias in her studio. © Cristina Iglesias/Courtesy of the Artist and Hauser & Wirth/Alex Iturralde.

Flaunt

Emma Schartz

Friday 24 October

Anj Smith | Those Resilient Navigations

‘Painting is always a testament to human resilience and ingenuity.’

Thumbnail image for Exhibition titled Flaunt — Anj Smith. “Narcissus” (2024). Oil on linen. 46 ⅞’’ x 39'. Photo: Alex Delfanne. © Anj Smith. Courtesy the artist and Hauser & Wirth.

Frieze

Marko Gluhaich

Monday 20 October

Jeffrey Gibson’s New Show Looks to the Cosmos

‘After Venice, I wanted to lean into just Jeffrey – without considering the massive responsibility of representing the US – and ask myself who I am as an artist, what I was drawn to.’

Thumbnail image for Exhibition titled Frieze — Jeffrey Gibson, with an uncorrupted gaze, 2025, acrylic on watercolour paper, screen printing on watercolour paper, vintage pinback buttons, glass beads, nylon thread, acrylic felt, 1.3 × 1.7 m. Courtesy: © Jeffrey Gibson and Hauser & Wirth; photograph: Thomas Barratt

60 Minutes on CBS News

Anderson Cooper

Sunday 19 October

Artist Amy Sherald: The 60 Minutes Interview

‘I know the definition of what it means to be American. I'm the definition of an American.’

Thumbnail image for Exhibition titled 60 Minutes on CBS News — A glimpse into the studio space where Amy Sherald creates her artwork. Images captured by Kelvin Bulluck.

Financial Times

Lucy Davies

Friday 17 October

George Condo: ‘I want my paintings as loud and amped up as Hendrix’

'Picasso was into deconstructing, whereas I like the idea of reconstructing. I take all the parts and pieces and colours and reassemble them into something different.'

Financial Times

Jacoba Urist

Wednesday 15 October

Jeffrey Gibson was about to give up — now he’s on top of the art world

‘I go back to the way I grew up, being aware of other cultures. It takes away the need to separate them because you start seeing them as encased by this planet. This all happens on the same, massive phenomenal organism.’

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