News

Selected Press

Vogue

Stephanie Sporn

Friday 31 October

The Unhinged Rococo Fantasies of Flora Yukhnovich

‘I loved that idea of thinking about a threshold or a portal. That got me really excited and thinking about escapism in relation to Boucher’s work...I wanted to create something like that, like you’re stepping into the painting.’

Thumbnail image for Exhibition titled Vogue — Installation view, “Flora Yukhnovich. Bacchanalia,” Hauser & Wirth Downtown Los Angeles.© Flora Yukhnovich. Courtesy the artist, Hauser & Wirth, and Victoria Miro. Photo: Keith Lubow

The Guardian

Emine Saner

Wednesday 29 October

Don McCullin on 19 of his greatest pictures

‘...when it comes to my work, I am very sensitive, very polite. I’m a human being...If I wasn’t thinking like that, my pictures wouldn’t have a sensitive way of trying to speak to you.’

Thumbnail image for Exhibition titled The Guardian — Portrait of Don McCullin, 2020. Photo: Matilda Temperley

Whitewall

Ana Novi

Wednesday 29 October

At Hauser & Wirth London, Nicolas Party’s 'Clotho' Becomes a Temple to Time

‘Pastel has always felt like the perfect material for exploring fragility in my work. It’s an incredibly delicate medium—essentially made of dust—and that dust-to-dust symbolism carries a lot of weight.’

Thumbnail image for Exhibition titled Whitewall — Installation view. 'Nicolas Party. Clotho,' Hauser & Wirth London, 2025. © Nicolas Party. Courtesy the artist & Hauser & Wirth. Photo: Alex Delfanne.

Vanity Fair Spain

Ianko López

Sunday 26 October

Cristina Iglesias: 'Art is always political, sometimes more directly and sometimes in symbolic ways.'

‘I would like it to help people better understand the world and themselves. And to achieve intimacy with the viewer.’

Thumbnail image for Exhibition titled Vanity Fair Spain — The artist Cristina Iglesias in her studio. © Cristina Iglesias/Courtesy of the Artist and Hauser & Wirth/Alex Iturralde.

Flaunt

Emma Schartz

Friday 24 October

Anj Smith | Those Resilient Navigations

‘Painting is always a testament to human resilience and ingenuity.’

Thumbnail image for Exhibition titled Flaunt — Anj Smith. “Narcissus” (2024). Oil on linen. 46 ⅞’’ x 39'. Photo: Alex Delfanne. © Anj Smith. Courtesy the artist and Hauser & Wirth.

Frieze

Marko Gluhaich

Monday 20 October

Jeffrey Gibson’s New Show Looks to the Cosmos

‘After Venice, I wanted to lean into just Jeffrey – without considering the massive responsibility of representing the US – and ask myself who I am as an artist, what I was drawn to.’

Thumbnail image for Exhibition titled Frieze — Jeffrey Gibson, with an uncorrupted gaze, 2025, acrylic on watercolour paper, screen printing on watercolour paper, vintage pinback buttons, glass beads, nylon thread, acrylic felt, 1.3 × 1.7 m. Courtesy: © Jeffrey Gibson and Hauser & Wirth; photograph: Thomas Barratt

60 Minutes on CBS News

Anderson Cooper

Sunday 19 October

Artist Amy Sherald: The 60 Minutes Interview

‘I know the definition of what it means to be American. I'm the definition of an American.’

Thumbnail image for Exhibition titled 60 Minutes on CBS News — A glimpse into the studio space where Amy Sherald creates her artwork. Images captured by Kelvin Bulluck.

Financial Times

Lucy Davies

Friday 17 October

George Condo: ‘I want my paintings as loud and amped up as Hendrix’

'Picasso was into deconstructing, whereas I like the idea of reconstructing. I take all the parts and pieces and colours and reassemble them into something different.'

Financial Times

Jacoba Urist

Wednesday 15 October

Jeffrey Gibson was about to give up — now he’s on top of the art world

‘I go back to the way I grew up, being aware of other cultures. It takes away the need to separate them because you start seeing them as encased by this planet. This all happens on the same, massive phenomenal organism.’

El Mundo

Vanessa Graell

Thursday 9 October

Cristina Iglesias

‘Art should not indoctrinate, but rather open doors to other worlds, including your own.’

Thumbnail image for Exhibition titled El Mundo — Cristina Iglesias, 2025 © Cristina Iglesias, VEGAP, Barcelona. Courtesy the artist and Hauser & Wirth Photo: Álex Iturralde

Financial Times

Kristina Foster

Tuesday 7 October

Inside Nairy Baghramian’s sculptural playground

‘Everybody’s expecting my next pieces to be larger, bigger, more. So I thought I would go against myself. The exhibition is all about ephemerality and invisibility.’

T: The New York Times Style Magazine

Sasha Weiss

Monday 6 October

She Didn’t Speak to Other Women for 28 Years. What Did It Cost Her?

‘Her work has that same underlying pathos — the feeling that her spirit has been around for a lot longer than any of ours, and that it may linger for many years to come, never belonging, never agreeing, always trying to get free.’

Thumbnail image for Exhibition titled T: The New York Times Style Magazine — The artist Lee Lozano giving a 1971 lecture at the Nova Scotia College of Art and Design in Halifax.Credit...© The Estate of Lee Lozano, courtesy of Hauser & Wirth

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