Los Angeles Review of Books
Pain and Resilience: Philip Guston at the Crossroads
‘In these wildly inventive and rudely satirical drawings, not only does he manage to skewer Nixon the man and the president, but in doing so, he plants many of the seeds of forms that are central to the paintings created during the rest of his life.’
The New Yorker
The Amy Sherald Effect
‘When art changes in the present, it changes in the past, too. I had a dizzy sensation at the Sherald show – which was so much better than I had expected – of ground shifting under my feet.’
Los Angeles Times
Review: If an artist sets up a homeless camp inside a blue-chip art gallery, does anyone care?
‘Hammons’ work exposes, indeed occupies, such gaps. Art is often a rarefied realm where quotidian experience is transformed, but Hammons’ practice also prods us to see the art in the everyday. It points out the door, toward life.’
PRESS INQUIRIES
[email protected]
