Los Angeles Times

Review: Hammer Museum’s ‘Paul McCarthy: Head Space’ draws a revelatory picture of L.A. artist

by Christopher Knight | 18 February 2020

‘This giant drawing retrospective resonates deeply with the awful age through which we find ourselves currently floundering ... ‘Head Space’ can be emotionally and conceptually exhausting, but the work never feels superfluous or redundant.’

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Paul McCarthy, Self-Portrait, 1963. (UCLA Hammer Museum)

Architectural Digest

Step Inside Frieze Week L.A.’S Most Immersive Show

by Janelle Zara | 14 February 2020

‘At Hauser & Wirth, the Lucio Fontana exhibition introduces visitors to a series of rooms that narrow and slope, abruptly turn corners, and totally awe.’

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Installation view, ‘Lucio Fontana. Walking the Space: Spatial Environments, 1948 – 1968,’ Hauser & Wirth Los Angeles, 2020 © Fondazione Lucio Fontana by SIAE 2020 Courtesy Fondazione Lucio Fontana, Milano Photo: Fredrik Nilsen"

Wall Street Journal

Artist Luchita Hurtado Breaks Out at Age 99

by Kelly Crow | 12 February 2020

‘Luchita Hurtado didn’t set out to live for a century or become a world-renowned artist but at age 99, the California painter is poised to do both.’

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Luchita Hurtado in her Santa Monica, Calif., home and studio in 2018. LUCHITA HURTADO/HAUSER & WIRTH/ORESTI TSONOPOULOS

Financial Times

Don McCullin on photographing war — and collecting antiques

by Simon Willis | 17 January 2020

‘Somerset is full of history,’ he says. ‘You feel the energy of the land.’

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Don McCullin, 2020. Photo: Matilda Temperley


I want a woman with a plan

by Gerhard Mack | 12 January 2020

‘But to put it briefly: art is good when we are fascinated, moved, and informed by it. When it transports us to another place. We want to be changed by art.’

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Jenny Holzer, A LITTLE KNOWLEDGE CAN GO A LONG WAY, 2019 © Jenny Holzer. ARS, NY and DACS, London 2019. Photo: Stefan Altenburger Photography Zürich

WSJ China

Hauser & Wirth’s ‘Relationship Model’

by WSJ China | 6 January 2020

‘The gallery that never stops progressing is already looking to the future and aspiring to the innovation and development that is to come.’

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Marc Payot, Manuela Wirth, and Iwan Wirth. Photo: Sim Canetty-Clarke

How To Spend It

Not Vital brings his transcendental structures to Hauser & Wirth

by Gisela Williams | 2 January 2020

‘Not Vital brings his transcendental structures to Hauser & Wirth. From an excavated cave on a Patagonian island to surreal Saharan watchtowers, Swiss artist Not Vital melds sculpture and architecture to transcendental effect. Now it’s time for a major British show.’

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Not Vital, House to Watch the Sunset, Aladab, Niger, 2005 © Not Vital

Sculpture Magazine

Suffering and Desire: A Conversation with Berlinde De Bruyckere

by Elizabeth Fullerton | 20 December 2019

‘United by ambiguity, the works are neither abstract nor representational, animate nor inanimate, neither portraits, still-lifes, nor landscapes. None and all of the above, they are something else altogether.’

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Berlinde De Bruyckere, Marthe, 2008 © Berlinde De Bruyckere. Fondazione Sandretto Re Rebaudengo Collection. Photo: Mirjam Devriendt
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