Franz Gertsch

19 March – 16 May

Zurich, Bahnhofstrasse

Opening Reception

Thursday 19 March, 6 – 8 pm

Dates

19 March – 16 May

On view this spring at Bahnhofstrasse, is an exhibition by the celebrated Swiss artist Franz Gertsch. Curated by Tobia Bezzola, the presentation offers an exemplary view of Gertsch’s rigorously precise and transcendent vision, bringing together a major painting from the artist’s Patti Smith series, as well as important large-scale and medium-format woodcuts.

Gertsch’s work astonishes and surprises through its apparent simplicity: what at first may look like a mere reproduction of photographic reality conceals an innovative artistic practice in which Gertsch goes far beyond the capabilities and limits of photography. Ultimately, his work aims to preserve the essence of a fleeting moment through a long, complex and precise process of material transformation. His woodcuts and paintings often play with photographic effects such as motion blur and the eye’s never fully fixable adaptation to subtly differing depths of field across various image zones and focal planes. Gertsch deliberately employs this as a stylistic device in a continually shifting play of sharpness that the eye can never completely hold still. His unique technique bears witness to an untiring pursuit of a depiction of lived reality that is faithful to human vision—alive and never static. In this way, it redefines the boundaries of realism. This first comprehensive presentation of Gertsch’s work by Hauser & Wirth in Switzerland offers the opportunity to experience the distinctive visual and emotional impact of his art.

Artworks

Installation View

Image 1 & 2: © Vida Burkhard / Fotostiftung Schweiz. Photo: Balthasar Burkhard; All other images: Franz Gertsch © 2026 Franz Gertsch AG Courtesy Estate of Franz Gertsch and Hauser & Wirth

About the Artist

Franz Gertsch (1930 – 2022) was a Swiss artist internationally renowned for his monumental photorealistic paintings and woodcuts. From the time of his international breakthrough in 1972 at documenta 5 in Kassel he created a wide range of paintings and graphic works, which gained acclaim for their precise, large-scale depictions of subjects he found in his immediate familiar surroundings. Gertsch almost exclusively dedicated his work to portraiture and landscapes, meticulously based on photographs of his own. His work explores the passage of time, perception and surface, blurring the line between photography and painting. In the 1980s, he developed a groundbreaking woodcut technique using hand-crafted tools and natural pigments, creating very large, monochrome prints unlike any other in art history. Gertsch represented Switzerland at the Venice Biennale in 1999, and his influence endures through the Museum Franz Gertsch in Burgdorf, Switzerland.

Current Exhibitions