Cindy Sherman

18 JANUARY – 16 MARCH 2024

New York, Wooster Street

‘When I’m shooting, I’m trying to get to a point where I’m basically not recognizing myself. That’s often what it’s about.’—Cindy Sherman

Preeminent American artist Cindy Sherman unveils her latest body of work for the first time in the United States at Hauser & Wirth’s Wooster Street location in New York City. The exhibition features approximately 30 new works and marks Sherman’s return to the historic SoHo district where, in the late 1970s, she debuted her now iconic Untitled Film Stills at the non-profit Artists Space, launching a career that has established her as one of the most recognized and influential artists of our time. Sherman’s ground-breaking work has probed themes of representation and identity in contemporary media for over four decades. Since the early 2000s, she has constructed personae using digital manipulation, meditating on the increasingly fractured sense of self in 21st century society and continuing an artistic exploration that has uniquely encapsulated her oeuvre since the outset of her career.

In these latest works, Sherman has collaged various elements of her own face to construct entirely new characters, using digital manipulation to emphasize layered details and underscore the malleability of the self. She has removed external context, eschewing any mise-en-scène, to focus completely on the details of the face and head. Here, she combines a digital collaging technique that incorporates both black and white and color photographs with more traditional methods of transformation, like make-up, wigs and costumery, to create a group of unsettling portraits of women who laugh, wince, smirk and grimace at the viewer.

To create these fragmented figures, Sherman photographed isolated sections of her own visage—eyes, nose, lips, skin, hair, ears—and then cut, pasted and warped them onto a foundational image, ultimately constructing, deconstructing and then reconstructing an entirely new face. In the double role of both photographer and model, Sherman continues to upend the typical dynamic between artist and subject.


This publication presents a new body of work by Cindy Sherman that continues her explorations of the genre of portraiture going back to her early work of the 1970s. Across 36 photographs, the artist collages parts of her own face to construct the identities of various sitters, using digital manipulation to accent the layered aspects and plasticity of the self. The book also includes a text by Sherman chronicling her process in the studio, offering an intimate glimpse into her thinking about the work.

While all the images are composites of the artist’s own face, they read as classical portraits. And, despite their layers, Sherman’s final works give a true impression of different individual ‘sitters.’ Tightly cropped, with frames full of hair and contorted expressions, Sherman’s fabricated women disrupt the voyeur-gaze and subject-object binaries associated with longstanding traditions of portraiture.

On view at New York, Wooster Street

Cindy Sherman is on view until 16 March 2024.

About the Artist

Cindy Sherman

Cindy Sherman was born in 1954 in Glen Ridge, New Jersey; she lives and works in New York. Her ground-breaking photographs have interrogated themes around representation and identity in contemporary media for over four decades. Sherman first turned her attention to photography at Buffalo State College, where she studied art...

Current Exhibitions