Don McCullin

Conflict – People – Landscape

15 November - 31 January 2016

Somerset

This November, Hauser & Wirth Somerset is honoured to unveil an intimate retrospective by Britain’s most celebrated photojournalist, Don McCullin. The focused exhibition will present a culmination of work spanning the photographer’s career to date; from early beginnings in North London to extensive social documentary, unsparing war reportage, haunting Somerset vistas and contemplative still lifes. The retrospective will map over five decades of visual history, bringing together a broad selection of McCullin’s most powerful and unforgettable images, alongside a series of compositions of the Somerset landscape he calls home. In addition to his photographic oeuvre McCullin will present a collection of personal memorabilia acquired throughout his lifetime, featuring the Nikon camera that notoriously saved his life from a sniper bullet during the Vietnam war.

The comprehensive showcase will present a chronological selection of the photographer’s most poignant and best known reportage. The exhibition commences with a selection of the photojournalist’s early professional photography, featuring his first published image in The Observer dating back to 15 February 1959. ‘The Guvnors’ was taken in Finsbury Park and marked the start of McCullin’s passionate documentation of London gang culture and impoverished urban Britain throughout the sixties and seventies. His work during this time created a harsh spotlight on the reality of life post-war, including the stark landscapes of the industrial North, the increasing unemployment and homeless levels in the capital and growing unrest across the country.

Don McCullin has witnessed some of the most harrowing humanitarian disasters of the last half century, having covered every major conflict in his adult lifetime. His assignments included: the Vietnam and Biafra War, Northern Irish ‘Troubles’, the construction of the Berlin Wall, the Lebanese civil war, Belgian Congo, the Russian invasion of Afghanistan and the fall of Phnom Penh. Never one to grow complacent, the veteran war correspondent travelled, alongside The Times journalist Anthony Loyd, on his latest assignment to cover the war in Aleppo, Syria at the age of 77. McCullin’s war documentation is undisputedly his most famous, obsessively drawn to the brutality of combat and its savage aftermath his images have adorned national newspapers and international magazines, contributing significantly to the widespread growth of anti-war feeling across the country. In 1977 he was appointed a Fellow of the Royal Photographic Society and in 1993 he became the first photojournalist to be awarded CBE.

Having immersed himself in many of the most remote regions of the world, McCullin’s interest in travel and primitive communities has naturally encompassed a large proportion of his professional profile. The photographer has dedicated a lot of his personal time to far-flung regions of Africa, India and the Middle East. Between 2003 and 2004, McCullin travelled from Addis Ababa in Ethiopia to the valley of the Omo River leading down to the border with Sudan.

For the last two decades McCullin has turned to look at the land around him, namedly the Somerset village in which he was evacuated during the Blitz. Often referring to the sweeping rural landscape as his greatest salvation, the accomplished photographer demonstrates the full mastery of his medium with stark black and white images resonating with human emotion whilst retaining the honesty and grit synonymous with his earlier works. For me photography was originally nothing to do with war, it was to do with the beautiful, Don has stated when asked about his diverse practice, and with these powerful compositions of wild heavens and flooded countryside he has finally come full circle and able to seek redemption in his surroundings.

About the Artist Don McCullin is one of the most important war photographers of the late twentieth century, best known for his broad war reportage and critical social documentation. Between 1966 and 1984, he worked for The Sunday Times Magazine under Editor-in-Chief Harold Evans and Art Editor David King, it was during this time he released his most celebrated images. He has since expanded his oeuvre with independent trips to India, Africa and the Middle East, continuing to raise awareness of global humanatarian issues and war-torn areas with unflinching honesty.

In 1977 he was made a Fellow of the Royal Photographic Society, followed by the Royal Photographic Society's Special 150th Anniversary Medal and Honorary Fellowship (HonFRPS) in 2003. In 1993 he became the first photojournalist to be honoured with a CBE in recognition of his sustained and significant contribution to photojournalism. He has since been awarded a number of Honorary Doctorates and Degrees from The University of Bath, University of Bradford, Open University and University of Gloucestershire. In 2006 he received the Cornell Capa Infinity Award for distinguished achievement in photography" at the International Center of Photography, New York. In 2013, McCullin was honoured with an exhibition at Visa Pour L'Image, the International festival of photojournalism in Perpignan.

Critically acclaimed solo exhibitions include: Don McCullin: Sleeping with Ghosts, Barbican Centre, London (1998); Photographs 1961-2001, Maison Européenne de la Photographie, Paris (2001); Una Trayectoria Heroica, Canal de Isabell II Cultural Center, Madrid (2008); Shaped By War, exhibited at the Imperial War Museum North, Salford (2010), Victoria Art Gallery, Bath (2010), and the Imperial War Museum, London (2012); Don McCullin: Platinum, Hamiltons Gallery, London (2011); The Impossible Peace, Palazzo Magnani, Reggio Emilia, Italy (2011), Don McCullin, Tate Britain (2012); Eighty, Hamiltons Gallery, London (2015).

Notable publications include: Hearts of Darkness: Photographs by Don McCullin, Secker and Warburg, (1980); Beirut: A City in Crisis, New English Library (1983); Sleeping with Ghosts: A Life's Work in Photography, Jonathan Cape, (1994); India, Jonathan Cape, (1999); Unreasonable Behaviour: An Autobiography, Don McCullin with Lewis Chester, Vintage Books, (2002); Don McCullin in Africa, Jonathan Cape (2005); Don McCullin in England, Jonathan Cape (2007); Southern Frontiers: A Journey Across the Roman Empire, Jonathan Cape (2010).

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About the Artist

Don McCullin

Renowned for an extensive oeuvre spanning a remarkable seven-decade career, Sir Don McCullin stands among the most celebrated and important photographers of the late 20th century. A combination of raw, emotional imagery and refined artistic sensibility underlines McCullin’s reputation as a master of his medium, capable of capturing both the harsh realities of the world and its profound beauty. Throughout, McCullin has provided an unflinching view of humanitarian crises and conflicts worldwide, while later endeavours simultaneously showcase his creative expertise through carefully composed still lifes, landscapes, and archaeological studies that carry with them the same honesty and grit of his earlier photographs. This year, McCullin celebrates his 90th birthday and becomes the recipient of the University of Oxford’s prestigious Bodley Medal: Life and Work award (2025), for his outstanding contribution to photography and journalism.

Don McCullin was born in 1935 in Finsbury Park, London. In 1959, following his return from National Service with the RAF, and postings in Egypt, Kenya, and Cyprus, he earned his first commission with The Observer, for his much-acclaimed photograph of a local gang named The Gov’ners. From this point began his early professional career, which shone a spotlight on the sobering reality of post-war life in Britain, including the stark landscapes of the industrial North, the increasing unemployment and homelessness levels in the capital, and growing unrest across the country.

In 1964, he returned to Cyprus, where he encountered his first taste of war, covering the violent intercommunal clashes of the Greek and Turkish Cypriots, for which he gained international recognition, receiving a World Press Award for his efforts. For two decades following, war would become the mainstay of his journalistic ventures, initially for The Observer, before taking post with The Sunday Times Magazine from 1966 to 1984, under Editor-in-Chief Harold Evans and Art Editor David King. His assignments included the Vietnam and Biafra Wars, ‘The Troubles’ of Northern Ireland, the Lebanese Civil War, the Belgian Congo, the Russian invasion of Afghanistan, and the fall of Phnom Penh. In pursuit of his work, he was wounded in Cambodia, fell from a roof in El Salvador, was imprisoned by the Idi Amin regime in Uganda, and contracted cerebral malaria in West Africa. It was during this time he released his most celebrated images, gaining recognition both as a master of black and white photography, and as history’s greatest war photographer.

For the last three decades, Don McCullin has sought to relinquish the burden of what he has witnessed throughout his career, turning to the land around him. In later years, he has returned to the Somerset area where he had been evacuated to as a child during the Blitz, and where he now resides. He often refers to the sweeping rural landscape as his greatest salvation, which he captures in dramatic, painterly representations. At home, McCullin has developed a series of meticulously constructed still lifes that provide a deeper form of escapism, drawing inspiration from the great Flemish and Dutch Renaissance masters.

Since the early 1980s, McCullin has focused his foreign endeavours on more peaceful matters, travelling extensively through Indonesia, India, and Africa, documenting his encounters with places and people lesser known to the Western world. Twenty-five years ago, he embarked on a journey to create a cultural and architectural survey of the remains of the Roman Empire, fascinated by expansive landscapes and ruined cities, to intimate close-ups of delicate stone sculptures. Through photography, McCullin pays tribute to the iconic beauty of their marble perfection, and the turbulence and turmoil they have encountered throughout their very existence.

Don McCullin is the recipient of the University of Oxford’s Bodley Medal: Life and Work award (2025), for his outstanding contribution to photography and journalism. He was awarded the Lifetime Achievement Medal at the London Design Festival (2022). In 2020, he received the Lifetime Achievement Award at the International Center of Photography in New York. He was knighted in the 2017 New Year Honours, for his lifetime services to photography. He was named Master of Photography at the 2016 Photo London Fair. In 2006, he received the Cornell Capa Award for Lifetime Achievement at the International Center of Photography in New York. In 2003, he received the Royal Photographic Society’s Special 150th Anniversary Medal and Honorary Fellowship (HonFRPS). In 1993, he was the first photojournalist to be honoured with a CBE, for his sustained and significant contribution to photojournalism.

McCullin has been the subject of a number of major retrospectives in institutions worldwide, including Tate Liverpool, UK (2021); Tate Britain, UK (2019); National Gallery, Canada (2013); C/O Berlin Museum, Germany (2009); Rome International Festival, Mercati di Traiano, Italy (2004); Foam, Amsterdam (2002); Maison Européenne de la Photographie, Paris, France (2001); Centre National de la Photographie, Palais de Tokyo, Paris, France (1993); Les Rencontres de la Photographie, Arles, France (1992); and the Victoria & Albert Museum, UK (1980). Other important solo presentations include ‘Don McCullin in Rome’, Palazzo delle Esposizioni, Rome, Italy (2023); ‘Don McCullin. Stillness of Life’, Hauser & Wirth Somerset, UK (2020); ‘Don McCullin: Southern Frontiers’, Château La Coste, France (2019); ‘Shaped by War’, Imperial War Museum, UK (2011); 'Cold Heaven. Don McCullin on AIDS in Africa', Whitechapel Gallery, UK (2001), United Nations Headquarters, New York, NY (2001); 'Don McCullin: Sleeping With Ghosts', Barbican, UK (1997); and ‘Hearts of Darkness: Photography by Don McCullin’, ICP International Centre of Photography, New York (1981).

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