Paul McCarthy

A&E Drawing Session, Santa Anita

14 July 2020

Online Exhibition

Created during a series of freely improvised performances between Paul McCarthy and the German actress Lilith Stangenberg, ‘A&E Drawing Session, Santa Anita’ comprises a group of twelve important new works on paper in which themes of violence and power coalesce. In keeping with McCarthy’s multidisciplinary oeuvre, the drawings have evolved out of the artist’s current film project ‘NV Night Vader’ (2019 - ), based on Liliana Cavani’s sadomasochistic erotic drama ‘The Night Porter’ (1974). This epic film project features a deranged cast of characters, including McCarthy as ‘Max’, a mafioso-like Hollywood executive, and Stangenberg in the role of Lucia, the central character of the 1974 movie, who here plays a young German Actress.

Forming the narrative basis for these new drawings, ‘NV Night Vader’ is a sharp critique of violence and exploitation, offering a powerful commentary on fascism, Hollywood, the contemporary art world, and the current political climate. The title acronym ‘A&E’ – which refers to Adolf Hitler and Eva Braun, Adam and Eve, and Arts & Entertainment – signals that this work carries the layered and multivalent force for which McCarthy is known. ‘A&E’ finds the artist and the actress transformed into Hitler and Braun, with the former embodying predatory toxic masculinity and buffoonery, while Eva is at once lover, mother, daughter, and victim.

McCarthy once said, ‘Drawing has always been a part of forming the so-called script, and these scripts can take different forms,’ In the works on view in Hauser & Wirth’s online exhibition, crude, expressionistic marks made during unrehearsed performative sessions have been captured on paper, conveying the motion and energy of a deeply consuming improvised event. The works exemplify McCarthy’s practice of drawing while in character, an approach that has become central to his large-scale video performance projects, including ‘WS White Snow’ (2012–13) and ‘CSSC Coach Stage Stage Coach’ (2017). As McCarthy has said, ‘... it’s always been about the process of improvisation, the creation of the unexpected action and dialogue.’

About the Artist

PAUL McCARTHY

Paul McCarthy is widely considered to be one of the most influential and groundbreaking contemporary American artists. Born in 1945, and raised in Salt Lake City, Utah, he first established a multi-faceted artistic practice, which sought to break the limitations of painting by using unorthodox materials such as bodily fluids and food. He has since become known for visceral, often hauntingly humorous work in a variety of mediums—from performance, photography, film and video, to sculpture, drawing and painting.

During the 1990s, he extended his practice into installations and stand-alone sculptural figures, utilizing a range of materials such as fiberglass, silicone, animatronics and inflatable vinyl. Playing on popular illusions and cultural myths, fantasy and reality collide in a delirious yet poignant exploration of the subconscious, in works that simultaneously challenge the viewer’s phenomenological expectations.

Whether absent or present, the human figure has been a constant in his work, either through the artist‘s own performances or the array of characters he creates to mix high and low culture, and provoke an analysis of our fundamental beliefs. These playfully oversized characters and objects critique the worlds from which they are drawn: Hollywood, politics, philosophy, science, art, literature, and television. McCarthy’s work, thus, locates the traumas lurking behind the stage set of the American Dream and identifies their counterparts in the art historical canon.

McCarthy earned a BFA in painting from the San Francisco Art Institute in 1969, and an MFA in multimedia, film and art from USC in 1973.  For 18 years, he taught performance, video, installation, and art history in the New Genres Department at UCLA, where he influenced future generations of west coast artists and he has exhibited extensively worldwide. McCarthy’s work comprises collaborations with artist-friends such as Mike Kelley and Jason Rhoades, as well as his son Damon McCarthy.

Current Exhibitions