Khedoori is known for work that reinterprets the architecture of domestic spaces. She often reconstructs rooms that challenge viewers' perceptual experience by interweaving mirrors, films and scale models into the installation. While the work is noticeably void of any representations of the figure, the viewer's physical presence assumes the role of subject. Khedoori’s small-scale sculptures are often models, which serve as representations of imagined or hidden spaces. Khedoori’s use of the cinematic apparatus as a sculptural form, for example the 35mm film projector, emphasizes tensions at play within her practice. The work conflates or flattens the space between the physical, built environment and the illusory realm of film, suggesting that the distinction between reality and representation have become obscured. Khedoori also utilizes books, film, and photography to symbolize the act of documentation, encouraging viewers to reconsider the conditions of reportage and representation. Her work serves as a metaphor for the instability of memory and challenges viewers to reconsider the boundary between reality and imagination.
