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George Condo

People Are Strange

15 February – 22 April 2023

West Hollywood

Renowned American artist George Condo inaugurates the newly established West Hollywood gallery on 15 February 2023 with an exhibition of new paintings.

With the exhibition’s title ‘People Are Strange,’ taken from the hit 1967 song of the same name by legendary – and quintessentially Los Angeles – band The Doors, Condo’s latest canvases are filled with fragmented portraits and abstractions, suggesting a world of oppositional forces and states, at once connected and entropic, logical and ineffable, beautiful and ugly.

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Filling the sweeping expanse of Hauser & Wirth’s new West Hollywood gallery, housed in a 1930s Spanish Colonial Revival building redolent of Hollywood’s Golden Age, the works on view present Condo’s latest explorations in scale and the painterly process. While seemingly disparate upon first glance, these new paintings are united by a central theme of transformation: they succeed in representing temporality both in the built-up, layered stages of their construction, and in the chimerical effects of the figures that inhabit them.

‘In these works I put together the broken pieces and fragmented aspects of that division to intentionally point out the question: is it that people are strange or is it the politicians that are in fact strange, thus resulting in a maelstrom of dehumanized and disenchanted people who as a result have become strange... even to themselves.’—George Condo

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Inspired by the way literature can track the passage of time and its effects on the reader, Condo has created a trio of large-scale portraits of female muses, erudite and canonical. Each of these is dominated by a color that conveys mood with an iconographic intensity. For example, ‘Transitional Portrait in Turquoise and Gold’ (2022) depicts within its single frame, where the image is read from left to right, the collapsing of time in the passage of a life. The effect of the work is that of a time-lapse film. Condo observes, ‘The irony is, that as we age, we get younger in our minds and spirits, even though the external view of us is completely different than what’s in our heads. The tragic and the beautiful come together when perceived from the perspective of the viewer.’

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Each work embodies its own logical chaos, at once disorderly and intact, which speaks to the fractured nature of our contemporary moment and indirectly references the ever-changing conflicts in the world. According to Condo, the artist is uniquely equipped to translate the ineffable effects of time, acknowledging that ‘the transformation of society and people is something we all feel but that a painter can actually show.’

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A centerpiece of the exhibition is the large-scale triptych ‘Transformation’ (2022). The frenetic energy of the work is echoed in this vivid tableau, which features a frenzied picture of undulating forms punctuated by the interaction of figures coalescing and diverging on the surface of the canvas. Condo’s subject is the effects of increasing isolation that pulls individuals away from one another, fraying and fracturing community, and society. The amount of time required to create such a work – the ongoing process of laying down line and color, and of removing, adding, repeating the process – is more consuming than the final images might suggest. Time itself thus becomes a material and a central theme of the show.

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Transformation

2022 Acrylic, oil stick, and metallic paint on linen 228.6 x 647.7 cm / 90 x 255 in

Constellation II

2022 Aluminium, gold leaf Ed. of 10, 2 AP 78.7 x 55.3 x 52.7 cm / 31 x 21 3/4 x 20 3/4 in

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‘Constellation of Voices’

George Condo presents a new sculptural installation on the terrace of the Metropolitan Opera's facade.

George Condo at the Morgan Library & Museum

Concurrent with the exhibition at Hauser & Wirth West Hollywood, the Morgan Library & Museum in New York City will present ‘Entrance to the Mind: Drawings by George Condo,’ featuring 28 works on paper that provide a unique overview of Condo’s drawing practice over the last 45 years. This March in Europe, an exhibition titled ‘Humanoids,’ curated by Didier Ottinger, will be held at the Nouveau Musée National de Monaco – Villa Paloma.

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On view in West Hollywood

‘George Condo. People Are Strange’ is on view now through 22 April 2023 at Hauser & Wirth West Hollywood. Please visit our location page to plan your visit.

About the Artist

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George Condo

George Condo is a defining figure of contemporary American painting. Over more than four decades, he has forged a relentlessly inventive path, deploying technical skill and canonical art historical knowledge to channel the painterly modes of American and European art history into works of astonishing originality. Condo synthesizes past pictorial languages and motifs to create, as he has put it, ‘composites of various psychological states painted in different ways.’ Oftentimes, the influence of multiple historical moments can be felt in a single work. Most of Condo’s paintings feature the human figure, these are not portraits of living individuals but are invented characters, captured in ways that reveal their humanity.

Born in Concord, New Hampshire in 1957, Condo lives and works in New York City. He studied Art History and Music Theory at the University of Massachusetts in Lowell, where he became particularly inspired by a course on Baroque and Rococo painting. He moved to Boston and played in a punk band, ‘The Girls;’ relocated to New York, where he worked as a printer for Andy Warhol; and spent a year studying Old Master glazing techniques in Los Angeles. During his first trip to Europe in 1983, Condo connected with the anarchic Mülheimer Freiheit group in Cologne which included painters Jiri Georg Dokoupil and Walter Dahn.

Condo would soon go on to spend a decade in Europe: in 1985 he moved to Paris and did not return to New York permanently until 1995, with the birth of his second child. During this period, Condo invented his hallmark ‘artificial realism’ and made his first foray into sculpture. Firmly rooted back in New York, he received his first major award, the Academy Award in Art from the American Academy of Arts and Letters, in 1999, followed by the Francis J. Greenberger Award in 2005. Further accolades for this constant innovator would follow: Condo was a 2013 honoree of the New York Studio School alongside writer Musa Mayer and poet Bill Berkson, and BOMB Magazine’s 2018 Anniversary Gala Honoree.

George Condo had his first solo exhibition in 1983 at the Ulrike Kantor Gallery in Los Angeles. Since then, he has presented solo exhibitions at leading institutions including most recently a major retrospective at Musée d'Art Moderne de Paris (2025). Further museum exhibitions have been held at Nouveau Musée National de Monaco (2023), Long Museum, Shanghai (2021), The Phillips Collection, Washington, DC (2017), Louisiana Museum of Modern Art, Humlebæk (2017), and Staatlich Museen zu Berlin – Museum Berggruen, Berlin (2016). His portraiture was also the focus of two major surveys: ‘Mental States’ (2011–12), which travelled from the New Museum, New York, to Museum Boijmans Van Beuningen, Rotterdam; Hayward Gallery, London; and Schirn Kunsthalle, Frankfurt; and ‘One Hundred Women. Retrospective’ (2005), presented at the Museum of Modern Art, Salzburg, and Kunsthalle Bielefeld.

In addition to appearing in solo and group exhibitions, Condo’s work has been honored with inclusion in Biennials in the United States and abroad. In 2019 he participated in the 58th Venice Biennale’s ‘May You Live In Interesting Times.’ His work was also exhibited in the Venice Biennale six years prior, in 2013. Other biennials in which Condo has participated include the 13th Biennale de Lyon in 2015, the 10th Gwangju Biennale in 2014, the 2010 and 1987 iterations of the Whitney Biennial, and the 48th Corcoran Biennial in Washington DC in 2005.

Condo’s work can be found in renowned public collections internationally, including: Art Gallery of Ontario, Toronto, Canada; Astrup Fearnley Museum of Modern Art, Oslo, Norway; Centre Georges Pompidou, Paris, France; Dakis Joannou Collection Foundation, Athens, Greece; Louisiana Museum of Modern Art, Humlebæk, Denmark; Moderna Museet, Stockholm, Sweeden; Museu d’Art Contemporani, Barcelona, Spain; Stedeljik Museum, Amsterdam, Netherlands; Staedel Museum, Frankfurt, Germany; Tate Modern, London, United Kingdom; The Broad Collection, Los Angeles CA; The Metropolitan Museum of Art, New York NY; The Museum of Modern Art, New York NY; The National Gallery of Art, Washington DC; The Solomon R. Guggenheim Museum, New York NY; and the Whitney Museum of American Art, New York NY.

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On view now through 22 April 2023 at Hauser & Wirth West Hollywood.

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