George Rouy, 2024 © George Rouy. Courtesy the artist, Hannah Barry Gallery and Hauser & Wirth. Photo: Kemka Ajoku; Jack Whitten in his 40 Crosby Street Studio in New York NY, circa 1974 – 1975 © Jack Whitten Estate

Educators’ Evening: George Rouy and Jack Whitten

  • Thu 7 November 2024
  • 6 – 7.30 pm

Join a community of educators to celebrate the exhibitions ‘George Rouy. The Bleed, Part I’ and ‘Jack Whitten. Speedchaser’ at Hauser & Wirth London.

 Our Learning team will lead the exhibition tour and facilitate opportunities to: 

  • Make connections with fellow educators

  • Discover how the gallery can facilitate learning in creative spaces

  • Find out more about our ongoing programs

  • Explore ways in which you can access our resources

Arts educators and teaching artists of all contexts and disciplines are invited to attend. This is a free event but advance booking is required by emailing hwlondonlearning@hauserwirth.com. Welcome drinks will be served upon arrival. 

About ‘George Rouy. The Bleed, Part I’
Emerging as a leading figure of the new generation of painters, George Rouy’s debut solo exhibition at Hauser & Wirth London, ‘The Bleed, Part I’ will feature a new body of work continuing his inquiry into collective mass, multiplicities and movement, and human modes of existence. The second chapter, ‘The Bleed, Part II,’ will follow at Hauser & Wirth Downtown Los Angeles in February 2025.

Rouy’s dynamic and signature use of the human figure, vexed with desire, alienation and crisis, speaks to the emotional extremities of our time, resulting in explorations of identity in a globalized, technologically driven 21st Century.

About ‘Jack Whitten. Speedchaser’
Over the course of a six-decade career, Jack Whitten’s work has bridged rhythms of gestural abstraction and process art, arriving at a nuanced language of painting that hovers between mechanical automation and intensely personal expression.

Focusing on Whitten’s paintings and works on paper from the 1970s, this exhibition showcases a juncture in the artist’s painting career, which saw him reject the gestural brushstrokes of abstract expressionism in favor of experimental processes and materials. This includes rare works from Whitten’s landmark Greek Alphabet series (1975 – 1978), which was the focus of a dedicated exhibition at Dia Beacon, New York NY (2022 – 2023), consisting of variations of abstract, monochrome compositions and investigations into mark-making with handmade tools and techniques, including the comb, imprinting and frottage.

Both exhibitions are on view through Saturday 21 December 2024.

Photographs will be taken at this event for use on the Hauser & Wirth website, social media and in other marketing materials.