Hauser & Wirth
News

Selected Press

The Los Angeles Times

Tara Anne Dalbow

21 April

This influential L.A. collector bought the artists no one else would. The art world is finally catching up

'During a recent interview that began in the leafy courtyard of the gallery, Harris Norton shared the story of her collection, revealing the personal depth of her connection to the art and artists in the process. It’s a material history of a culture: one Harris Norton didn’t just witness or document, but actively built.'
Thumbnail image for Exhibition titled The Los Angeles Times
Photo: Jeff McLane

The New York Times

Eleanor Stanford

16 April

A Huge Statue of a Black Woman Opens a New Door to London’s V&A

‘Price said a public sculpture’s installation, for him, was just the 'starting line.' Then, he added, the public’s response reveals how 'we discover ourselves, we see ourselves.’
Thumbnail image for Exhibition titled The New York Times
Thomas J Price unveiling ‘A Place Beyond’, outside of London’s V&A East Museum ahead of its opening on East Bank in Queen Elizabeth Olympic Park on 18 April 2026. David Parry/PA Media Assignments for the V&A.

Connaissance des Arts

Marie Maertens

14 April

Paul McCarthy combines drawing and performance in a free exhibition in Paris

‘I believe I create because I empathize with others... based on what I feel and what I think. That is what matters most, not what the viewer wants.’
Thumbnail image for Exhibition titled Connaissance des Arts
View of the installation “Paul Mccarthy. SS EE Saint Santa Eva Elfdrawing Sessions 2025 with Lilith Stangenberg”, Hauser & Wirth Paris, 2026. © Paul McCarthy. Courtesy the artist and Hauser & Wirth. Photo: Nicolas Brasseur.

studio international

Rochelle Roberts

13 April

Frank Bowling: Seeking the Sublime

‘In each, strong colours run down the canvas in an evocation of flowing water, marbling on the surface of the canvas to create beautiful textures and patterns.’
Thumbnail image for Exhibition titled studio international
Frank Bowling Yellow Map 2025 Acrylic on canvas with marouflage 144.8 x 91.4 cm / 57 x 36 inches © Frank Bowling. All Rights Reserved, DACS 2026 Courtesy the artist and Hauser & Wirth Photo: Anna Arca

The Art Newspaper

Ben Luke

8 April

A Brush With...Lorna Simpson

‘While she is deeply engaged with societal issues and historical inequities, and with the camera’s time-honoured role as a documentary instrument, she blurs boundaries between reality and fiction, between witnessing and storytelling. The result is a practice that is precise and yet elusive, spare and yet capacious.’
Thumbnail image for Exhibition titled The Art Newspaper
Lorna Simpson. Photo: Jeff Henrikson

Financial Times

Nadia Beard

4 April

‘I wanted to be good at something’ — Henry Taylor on painting, sincerity and being present

‘I’m always present. I’m always sort of spontaneous, and I’m not really planning. I don’t sit down and plan . . . It’s sincere and that’s the consistency. Being sincere and being present, and being inspired by the place.’
Thumbnail image for Exhibition titled Financial Times
Henry Taylor. © 2020 Fredrik Nilsen

BBC Radio 4

John Wilson

2 April

Don McCullin - This Cultural Life

‘How are we going to get our information back if there is no one on the ground covering war?’
Thumbnail image for Exhibition titled BBC Radio 4
Don McCullin, Scarborough Beach 2018 Courtesy the artist, Bright Yellow Films & Oxford Films © Bright Yellow Films & Oxford Films. Photo: Stephen Foote

South China Morning Post

Aaina Bhargava

1 April

How Wong Kar-wai’s noir films inspire Nicole Eisenman’s Hong Kong view

‘Turning away from external sociopolitical events, the works on view in Hong Kong mark a drastic introspective shift, featuring paintings and sculptures of a more intimate nature. For Eisenman, the exhibition is a remedy to the fatigue that comes from constantly absorbing the news of increasing global upheaval.’
Thumbnail image for Exhibition titled South China Morning Post
Nicole Eisenman. Photo: Brigitte Lacombe

The New York Times

Travis Diehl

23 March

Why Felix Gonzalez-Torres’s Go-Go Dancer Piece Remains Subversive

‘His work shifts the burden of keeping personal memory alive away from institutions and onto the populations they serve — onto us.’
Thumbnail image for Exhibition titled The New York Times
Felix Gonzalez-Torres "Untitled" (Go-Go Dancing Platform) 1991 Wood, light bulbs, light sockets, electrical cord, and paint 21 1/2 x 72 x 72 in Installed at Art Basel’s Unlimited, 16 – 22 June 2025 © Estate Felix Gonzalez-Torres, courtesy Felix Gonzalez-Torres Foundation Courtesy Hauser & Wirth Photo: Stefan Altenburger Photography Zürich

Art in America

Emily Watlington

19 March

Camille Henrot Returns to Film After a Decade—with An Instant Classic

‘Society likes to sweep unresolved problems like these under the rug, and that’s where I like to go digging.’
Thumbnail image for Exhibition titled Art in America
Camille Henrot, In The Veins, 2026 (still) © ADAGP Camille Henrot. Courtesy of the artist, Mennour and Hauser & Wirth

Financial Times

Lucy Davies

14 March

Artist Lorna Simpson: ‘I take images and assign them a different meaning’

‘I’m taking a liberty with something that is already malleable; that gets assigned a meaning...I just assign it a different meaning.’
Thumbnail image for Exhibition titled Financial Times
Lorna Simpson, 2025. Photo credit: Grace Ahlbom

Artnet News

Vittoria Benzine

12 March

Thomas J Price’s Tallest Sculpture Rises Outside London’s V&A East

‘This commission is especially meaningful to me as I was taken to the V&A as a child with my mother and it has shaped much of my critique of museum collections.’
Thumbnail image for Exhibition titled Artnet News
Thomas J Price unveiling ‘A Place Beyond’, outside of London’s V&A East Museum. Photo by David Parry/PA Media Assignments

1 / 34