Avery Singer

Born in 1987 in New York, Avery Singer has emerged as a powerful contemporary voice whose work explores the possibilities in the convergence of painting and technology. Her highly distinctive oeuvre incorporates both autobiographical and fictional narratives, reflecting upon the art world today and the wider sweep of art history that she has inherited as a painter. Singer’s pioneering techniques are deployed to question the ways in which images and their distribution in our contemporary world, are increasingly informed by new media and technologies.

Singer has developed a highly original visual vocabulary that evokes established traditions of archival documentation and a preferred iconography that references the familiar art historical notions of the artist, the muse and the ironies suggested by these tropes. At the same time, her dexterous process is highly technologically advanced, yielding completed works characterized by atmospheric spaces conjuring the digital realm. Singer’s nuanced use of industrial automation and three-dimensional computer modeling, such as SketchUp, Blender and DAZ 3D, underpins a complex process of layering. She projects imagery onto large-scale canvases and builds the compositions through airbrushed acrylic paint. The resulting paintings contrast clarity with ambiguity, past with future and geometric precision with intuitively generated forms.

Avery Singer’s work gained immediate critical recognition via important solo exhibitions at respected international institutions, including Kunsthalle Zürich (2014), the Hammer Museum, Los Angeles (2015), Foundazione Sandretto re Rebaudengo, Turin (2015), the StedelijkMuseum, Amsterdam (2016), Secession, Vienna (2016), the Kölnischer Kunstverein, Cologne (2017) and the Museum Ludwig, Cologne (2019). The artist has participated in the 6th Glasgow International Festival of Art, Glasgow, Scotland (2014), the 13th Biennale de Lyon, Lyon, France (2015), ‘2015 Triennial: Surround Audience,’ New Museum, New York (2015) and further acclaim followed Singer’s selection by Ralph Rugoff for the 58th International Art Exhibition of the Venice Biennale in 2019. The solo exhibition ‘Avery Singer: Unity Bachelor’ opened at ICA Miami in 2023. Most recently, ‘run_it_back.exeˇ’ opened at the Museu de Arte Contemporâneade Serralves, Porto in 2025.

Singer’s work is held in public collections such as Guggenheim Museum, New York; Hammer Museum, Los Angeles; The Metropolitan Museum of Art, New York; Museum Ludwig, Cologne, Germany; The Museum of Modern Art, New York; Neue Nationalgalerie, Berlin; Stedelijk Museum, Amsterdam; Tate, London; and Whitney Museum of American Art, New York, among many others.